• Gothic decorative painted beam panels with griffins and a carved syalise tree, Tempera on wood. National Museum of Catalan Art (MNAC), Barcelona, Spain
  • Virgin Mary; Mother of God; The Virgin; Mare de deu; Gothic altarpiece of Madonna and Child by Joan Reixach of Barcelona, circa 1450, tempera and gold leaf on wood, from the sanctuary of San Pau d'Albocasser, Castello..  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  64055.
  • Gothic statue of The Virgin Mary (Madonna) holding the baby Jesus. Polychrome and gold leaf on wood by the Circle of Gil de Siloe around 1500, probably from Castella. Inv MNAC 64028. National Museum of Catalan Art (MNAC), Barcelona, Spain. Against a grey art background.
  • Gothic altarpiece of the Dormition of the Madonna (Dormicio de la Mare de Dieu) by Pere Garcia de Benavarri, circa 1460-1465, tempera and gold leaf on wood.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  64040. Against a white background.
  • Gothic altarpiece of the Dormition of the Madonna (Dormicio de la Mare de Dieu) by Pere Garcia de Benavarri, circa 1460-1465, tempera and gold leaf on wood.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  64040. Against a art background.
  • Gothic Catalan Alterpiece of Sant Jeroni Penetant by Mestre de la Seu d'Urgell, circa 1495, tempera and gold leaf on wood, from the church of Santa Maria de Puigcerda, Baixa Cerdanya, Spain.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  15821. Against a white background.
  • Gothic Catalan Alterpiece of Sant Jeroni Penetant by Mestre de la Seu d'Urgell, circa 1495, tempera and gold leaf on wood, from the church of Santa Maria de Puigcerda, Baixa Cerdanya, Spain.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  15821. Against a black background.
  • Gothic Catalan altarpiece of Saint Peter enthroned, by Roderic d'Orsona of Valencia, circa 1475, tempera and gold leaf on wood.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC 15816.
  • Gothic altarpiece of Madonna and Child and 4 angels, by Pere Garcia de Benavarri, circa 1445-1485, tempera and gold leaf on wood.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  15817. Against a black background.
  • Gothic Aaltarpiece of Saint Barbara, 3rd quarter of the 15th century, tempera and gold leaf on for wood.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC   114746-7.
  • Gothic Altarpiece of the Madonna Nursing or Madonna Lactans, by Ramon de Mur, active around Tarrega and Montblanc circa 1412-1435, tempera and gold leaf on for wood, from the parish church of Santa Maria de Cervera (Segarra),  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  15818. Against a white background.
  • Gothic terracotta statue of the Archangel Gabriel attributed to Lorenzo Mercadante de Bretanya of Seville, circa 1460, from the convent of Santa Clara de Fregenal de la Sierra, Badajoz..  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  4367. Against a art background.
  • Gothic wooden statue of Sant Joan Evangelista (John the Evangelist) from Gremany, circa 1500, tempera and gold leaf on wood.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  64114. Against a black background.
  • Gothic marble relief sculpture from the tomb of Ramon d'Urtx, died 1290, from the convent of Sant Domenee de Puigcerda, Cerdanya, Spain..  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  64011. Against a light grey background.
  • Gothic marble relief sculpture from the tomb of Ramon d'Urtx, died 1290, from the convent of Sant Domenee de Puigcerda, Cerdanya, Spain..  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  64011. Against a grey textured background.
  • Gothic Catalan altarpiece of, left to right, the martydom of St Bartholomew, Calvaty and the deat of St Mary Magdelene, by Jaume Huguet, Barcelona circa 11465-1480, tempera and gold leaf on for wood, from the church of San Marti de Petegas de san Seloni, Valle Oriental, Spain.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC   24365. Against a white background.
  • Gothic box made from poplar wood with stucco reliefs, gold leaf gold decorations and traces of polychrome iron and brass 2nd quarter 15th century, possibly from Barcelona, Catalunya, Spain. National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC 12120. Against a black background.
  • Gothic embossed Brass on wood box, circa 1370-1450, possibly made in Barcelona, Catalunya. National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC 5361. Against a light grey background.
  • Gothic painted Panel Altarpiece of Saint Stephen by  Jaume Serra. Tempera, gold leaf and metal plate on wood. Circa 1385. Dimensions 185.7 x 186.5 x 11 cm. From the monastery of Santa Maria de Gualter (Noguera).. National Museum of Catalan Art, Barcelona, Spain, inv no: 003947-CJT
  • Gothic painted Panel Altarpiece of Saint Stephen by  Jaume Serra. Tempera, gold leaf and metal plate on wood. Circa 1385. Dimesions 185.7 x 186.5 x 11 cm. From the monastery of Santa Maria de Gualter (Noguera).. National Museum of Catalan Art, Barcelona, Spain, inv no: 003947-CJT
  • Enamelled terracotta panel depicting Saint Anne, the Virgin Mary and Child with Saint Anthony made in the 2nd half of the 16th century by Santi Bugloni of Florence. This is a typical Tuscan theme of the period. Saint Anne was particularly venerated during the expulsion of the tyrant Gaultier de Brienne, Duke of Athens. .  Inv Camp 38,  The Louvre Museum, Paris.
  • Stained glass windows depicting scenes from the life of Saint Nicaise, made in the first quarter of the 13th century from a chapel in the Cathedral of Soissons, France. The stained glass depicts Saint Nicaise arriving in Rheims and  his martyrdom .  Inv OA 6006,  The Louvre Museum, Paris.
  • Painted relief panel of the Annonciation of the Virgin, made at the start of the 16th century possibly in the Tyrol, Austria.  Inv 2352 The Louvre Museum, Paris.
  • Medieval enamelled box depicting angels, circa12th century from Limoges, enamel on gold. AD.  The Louvre Museum, Paris.
  • Medieval enamelled box with scenes from the martyrdom of Saint Thomas Becket, end of the 12th beginning of the 13th century from Limoges, enamel on gold. AD. Inv OA 7745, The Louvre Museum, Paris.
  • Medieval enamelled box depicting the martyrdom of Saint Thomas Becket, 12th century from Limoges, enamel on gold. AD. Inv OA 11333, The Louvre Museum, Paris.
  • Medieval enamelled box depicting the martyrdom of Saint Thomas Becket, 12th century from Limoges, enamel on gold. AD. Inv OA 11333, The Louvre Museum, Paris.
  • Medieval enamelled box depicting the martyrdom of Saint Thomas Becket, 12th century from Limoges, enamel on gold. AD. Inv OA 11333, The Louvre Museum, Paris.
  • Medieval enamelled box depicting the martyrdom of Saint Thomas Becket, 12th century from Limoges, enamel on gold. AD. Inv OA 11333, The Louvre Museum, Paris.
  • Stained glass windows depicting scenes from the life of Saint Blaise, made in the first quarter of the 13th century from  Soissons, France .  Inv OAR 504,  The Louvre Museum, Paris.
  • Painted wood sculpture of Saint Roch, circa 1510-1515  from Carinthie, Austria. Inv RF  4514,  The Louvre Museum, Paris.
  • Painted oak relief of three soldiers and two men in a rocky landscape below the walls of Jerusalem, from Antwerp circa 1510-1515. This is a panel from the Passion.  Inv RF  297,  The Louvre Museum, Paris.
  • Painted walnut sculpture of the decent from the Cross, circa 1470-1490 possibly from Antwerp or the Brabant region of Belgium.  Inv RF 4696,  The Louvre Museum, Paris.
  • Painted plaster statue of Saint Mary Magdalene, circa 1515-1520, suspended from the vault of the church of St. Mary Magdalene Dominican convent of Augsburg. Inspired by an engraving of Albrecht Durer which depicted Mary Magdalene nude. Inv RF 1338,  The Louvre Museum, Paris.
  • Painted plaster statue of Saint Mary Magdalene, circa 1515-1520, suspended from the vault of the church of St. Mary Magdalene Dominican convent of Augsburg. Inspired by an engraving of Albrecht Durer which depicted Mary Magdalene nude. Inv RF 1338,  The Louvre Museum, Paris.
  • Painted plaster statue of Saint Mary Magdalene, circa 1515-1520, suspended from the vault of the church of St. Mary Magdalene Dominican convent of Augsburg. Inspired by an engraving of Albrecht Durer which depicted Mary Magdalene nude. Inv RF 1338,  The Louvre Museum, Paris.
  • Painted panels of the Martyrdom of Saint Catherine painted in 1524 by Hans Gieng of Fribourg.  From the church of Ependes near Fribourg, Switzerland. Inv RF 4721 The Louvre Museum, Paris.
  • Painted panels of the Martyrdom of Saint Catherine painted in 1524 by Hans Gieng of Fribourg.  From the church of Ependes near Fribourg, Switzerland. Inv RF 4721 The Louvre Museum, Paris.
  • Enamelled terracotta relief panel of the Virgin’s adoration of the Child in the presence of the infant Jean the Baptist by Andrea and Giovanni della Robbia, Florence circa 1500.  Inv LP 3410,  The Louvre Museum, Paris.
  • Enamelled terracotta relief panel of the Virgin and Child with two cherubs a copy of the “Madonna de l’Impuuneta” by Luca della Robbia, Florence 1399-1482).  Inv Campana 32,  The Louvre Museum, Paris.
  • Painted stucco bust of a female possibly the Virgin of the Annonciation or Saint Catherine of Sienna. made in Florence around 1429- 1484 from Papiano, Palagio Fiorentino.  Inv  The Louvre Museum, Paris.
  • Pottery glazed plaque depicting the Virgin and Child made in Faenza, Italy, around 1500. inv 3100, The Louvre Museum, Paris.
  • Medieval ceramic jug made in  Orvieto or Sienna, Italy,  at the end of the 14th century. From Faience.  inv 7394, The Louvre Museum, Paris.
  • Medieval ivory figure of Christ at the pillar made in Paris around 1300-1320.  inv 12380, The Louvre Museum, Paris.
  • Medieval ivory figure of Christ at the pillar made in Paris around 1300-1320.  inv 12380, The Louvre Museum, Paris.
  • Medieval Gothic ivory tabernacle depicting the Virgin and Child with scenes from the Annunciation, Nativity, the adoration of the Magi and the presentation at the Temple  made in Paris in second quarter of the 14th century and is a typical example of tabernacles made in Paris at that period.  inv 2587, The Louvre Museum, Paris.
  • Medieval Gothic ivory diptych depicting the Annunciation, Nativity, the adoration of the Magi and the crucifixion  made in Paris in second quarter of the 14th century.  inv 103, The Louvre Museum, Paris.
  • Medieval Gothic reliquary of Saint Francis of Assisi made in Limoges around 1228, enamel on gold. inv 4083, The Louvre Museum, Paris.
  • Medieval enamelled crosier with a lion and serpent, circa 12th century from Limoges, enamel on gold.  AD. Inv OA 7287, The Louvre Museum, Paris.
  • Medieval enamelled tabernacle depicting Christ in majesty, circa 1200 AD from Limoges, enamel on gold. AD. Inv OA 8984, The Louvre Museum, Paris.
  • Medieval gilded manuscript cover depicting the Crucifixion. 11th century from the treasury of the Cathedral of Maastricht. AD.  <br />
This gilded with relief panel with inlaid stones was originally a manuscript cover. Since 1677, it contained the 'documents of the oath of the Dukes of Brabant'. The back of the panel is covered with precious fabrics. On the front, in the central part, is depicted a crucifixion the style of which is reminiscent of the works of the goldsmiths of the Emperor Henry II. On the borders are small icons and emblems including those of the Carolingians. The main interest of this work lies in the four enamelled on gold symbols of the evangelists in the four corners, two being 'Enforced’ on a background of gold, the others being painted.<br />
<br />
One of Latin inscriptions states that 'Beatrice  ordered the execution ( of this work) in honour of Almighty God and his saints“. It could be Beatrice wife of Hermann II of Swabia and daughter Emperor's sister-Conrad II or, more likely, Beatrice of Tuscany who in 1036 was wife of Boniface III, Marquis of Tuscany, and second wife of Geoffrey the Bearded, Duke of Lower Lorraine and Brabant.<br />
 The Louvre Museum, Paris.
  • Medieval elephant ivory relief panel depicting the Crucifixtion. From southern Germany or north of Italy, end of 10th or 11th cent. AD. Inv. OA 12231, The Louvre Museum, Paris.
  • Medieval ivory relief panel depicting the arrest of Christ.  From the workshop of Charles-le-Chauve circa 870 AD.. Inv. OA 9526, The Louvre Museum, Paris.
  • Medieval Christian ivory diptych depicting the Nativity, the crucifixion and the Profits. Thirteenth century probably from Byzantine Roman Constantinople, present day Istanbul. Inv. OA 12442, The Louvre Museum, Paris.
  • Gothic decorative relief panel depicting the Virgin Mary and Saint Antony. circa 1378-1390 from the church of Salvador of Gerb, Noguera. inv MNAC 25071, National Museum of Catalan Art (MNAC), Barcelona, Spain
  • Gothic statue of The Virgin Mary (Madonna) holding the baby Jesus. Polychrome and gold leaf on wood by the Circle of Gil de Siloe around 1500, probably from Castella. Inv MNAC 64028. National Museum of Catalan Art (MNAC), Barcelona, Spain
  • Late 13th or 14th century Gothic Bas-relief depicting the miracle performed by St Michael at Mont St Michael. limestone with traces of polcrome from the Church of San Miguel de Canet lo Roig (Castello), by the Master of Sant Mateu. Inv MNAC 45846-45845. National Museum of Catalan Art (MNAC), Barcelona, Spain
  • Late 13th or 14th century Gothic Bas-relief depicting the miracle performed by St Michael at Mont St Michael. limestone with traces of polcrome from the Church of San Miguel de Canet lo Roig (Castello), by the Master of Sant Mateu. Inv MNAC 45846-45845. National Museum of Catalan Art (MNAC), Barcelona, Spain
  • Close up of a Gothic painted Panel of the life of Saint Dominic, anonymous artist from Aragon. Tempera and varnished metal plate on wood. First quarter of 14th century. 134 x 193 x 8.3 cm. From the church of Sant Miquel de Tamarit de Llitera (Huesca). National Museum of Catalan Art, inv no: 015825-000
  • Limoges Gothic chest with scenes from the Crucifixtion, circa 1210-1220. Copper engraved with an application of Champlevé enamelling. Origin Unknown. Inv MNAC 4573. National Museum of Catalan Art (MNAC), Barcelona, Spain
  • Gothic painted Panel Virgin of the "Consellers" by Lluis Dalmau. Tempera and gold leaf on wood. Date 1443-1445. Dimesions 316 x 312.5 x 32.5 cm. From the altar of the chapel of Barcelona City Hall. <br />
The prestige attached to Burgundian courtly culture and the painter Jan van Eyck explain why in 1431 King Alfons the Magnanimous sent his official painter, the Valencian Lluís Dalmau, to Flanders, to learn the new realist language at first hand. In 1443, Dalmau was commissioned to paint this altarpiece for the chapel of the City Hall. This work was a breakthrough in Catalonia on account of the format, the technique used, as it was painted in oil, and the skilful illusionism of a figurative space in which that year's five councillors, painted from life, are represented on the same scale as the Virgin and the Saints. National Museum of Catalan Art, Barcelona, Spain, inv no: 015938-000
  • Gothic painted Panel Altarpiece of the Virgin Suckling the Child, Saint Clare and Saint Anthony the Abbott by the Workshop of Llorenc Saragossa. Tempera and gold leaf on wood. Date Last quarter of 14th century. Dimesions 207 x 187.5 x 10 cm. From Xelva (Valencia). National Museum of Catalan Art, Barcelona, Spain, inv no: 064027-CJT
  • Gothic painted Panel Virgin of the Angels by  Enrique de Estencop. Tempera, stucco reliefs and gold leaf on wood. 1391-1392. Dimensions 142.2 x 99 x 8 cm.  National Museum of Catalan Art, Barcelona, Spain, inv no: 064025-000
  • Gothic painted Panel Altarpiece of Saint Anthony the Abbot by Master of Rubio. Tempera and gold leaf on wood. Circa 1360-1375. Dimensions 173.5 x 176.3 x 11.5 cm.  National Museum of Catalan Art, Barcelona, Spain, inv no: 045854-CJT
  • Gothic painted Panel Altarpiece of Saint Anthony the Abbot by Master of Rubio. Tempera and gold leaf on wood. Circa 1360-1375. Dimensions 173.5 x 176.3 x 11.5 cm.  National Museum of Catalan Art, Barcelona, Spain, inv no: 045854-CJT
  • Gothic painted Panel Virgin of the Angels by Pere Serra. Tempera and gold leaf on wood. Circa 1385. 195.8 x 131 x 11 cm. Comes from Tortosa cathedral (Baix Ebre). <br />
This splendid central panel and the two sections of the predella with saints (which must once have flanked a tabernacle) are all that remains of an altarpiece. It was dedicated to the Virgin Mary and was painted for one of the chapels in the ambulatory of Tortosa cathedral, probably towards the 1380s. The compartment with the Virgin and Child surrounded by angels playing music is a very graceful and refined version of an iconographic type that was extremely popular at the time. Pere Serra, author of the altarpiece, came from a family of painters who grew to head the Catalan painting of the second half of the fourteenth century. National Museum of Catalan Art, Barcelona, Spain, inv no: 003950-000
  • Gothic painted Panel Altarpiece of Saint Vincent by  Master of Estopanya. Tempera and gold leaf on wood. Circa 1350-1370. 199 x 255 x 10 cm. Comes from Estopanyà (Baixa Ribagorça, Huesca).. National Museum of Catalan Art, Barcelona, Spain, inv no: 003940-CJT
  • Gothic statue of the Virgin Mary and child by an anonymous Catalan artist. Carved alabaster with remains of polychrome and gold leaf. Circa 1330-1340. 112 x 42.5 x 22.7 cm. From the parish church of Navata (Alt Empordà).. National Museum of Catalan Art, inv no: 004356-000
  • Gothic painted Panel of the life of Saint Dominic, anonymous artist from Aragon. Tempera and varnished metal plate on wood. First quarter of 14th century. 134 x 193 x 8.3 cm. From the church of Sant Miquel de Tamarit de Llitera (Huesca). National Museum of Catalan Art, inv no: 015825-000
  • Gothic wood statue of Bishop Saint by the St Bertrand de Cominges Group of artists. Polychrome wood carving with varnished metal-plating.  National Museum of Catalan Art, inv no: 064024-000
  • St John the Evangelist Gothic sculpture from a Calvery scene. Polychrome wood carving with remains of varnished metal plate. National Museum of Catalan Art, Barcelona, Spain, inv no: 004390-CJT.
  • Enamelled terracotta panel depicting Saint Anne, the Virgin Mary and Child with Saint Anthony made in the 2nd half of the 16th century by Santi Bugloni of Florence. This is a typical Tuscan theme of the period. Saint Anne was particularly venerated during the expulsion of the tyrant Gaultier de Brienne, Duke of Athens. .  Inv Camp 38,  The Louvre Museum, Paris.
  • Painted panels of the Martyrdom of Saint Catherine painted in 1524 by Hans Gieng of Fribourg.  From the church of Ependes near Fribourg, Switzerland. Inv RF 4721 The Louvre Museum, Paris.
  • Painted relief panel of the Annonciation of the Virgin, made at the start of the 16th century possibly in the Tyrol, Austria.  Inv 2352 The Louvre Museum, Paris.
  • Painted terracotta relief panel depicting the Virgin and Child by Niccolo Bardi better known as Donatello. Made in Florence around 1386. Inv RF 353, The Louvre Museum, Paris.
  • Medieval Gothic ivory statuette of the Virgin and Child known as “a La Supplique” (supplication) made in Paris oat the beginning of the the 15th century.  inv 2745, The Louvre Museum, Paris.
  • Medieval Gothic ivory statuette of the Virgin and Child known as “a La Supplique” (supplication) made in Paris oat the beginning of the the 15th century.  inv 2745, The Louvre Museum, Paris.
  • Medieval Gothic ivory diptych depicting the Virgin and child,  made in Paris in the first quarter of the 14th century.  inv 11097, The Louvre Museum, Paris.
  • Medieval Gothic ivory statuette of the Virgin and Child with traces of polychrome, third quarter of 13th century before 1279 made in Paris. From the treasury of the Saint Chapelle, Paris. inv 67, The Louvre Museum, Paris.
  • Medieval enamelled box depicting the martyrdom of Saint Thomas Becket, 12th century from Limoges, enamel on gold. AD. Inv OA 11333, The Louvre Museum, Paris.
  • Medieval ivory plaque depicting the Crucifixion and the saints at the tomb, end of 11th cent from Salerne or Amalfi. AD. Inv OA 4085, The Louvre Museum, Paris.
  • Medieval Bouquetin goats horn ivory crosier with traces of paint, circa 12th century from the south of Italy. Inv OA 11150, The Louvre Museum, Paris.
  • Medieval gilded manuscript cover depicting the Crucifixion. 11th century from the treasury of the Cathedral of Maastricht. AD.  <br />
This gilded with relief panel with inlaid stones was originally a manuscript cover. Since 1677, it contained the 'documents of the oath of the Dukes of Brabant'. The back of the panel is covered with precious fabrics. On the front, in the central part, is depicted a crucifixion the style of which is reminiscent of the works of the goldsmiths of the Emperor Henry II. On the borders are small icons and emblems including those of the Carolingians. The main interest of this work lies in the four enamelled on gold symbols of the evangelists in the four corners, two being 'Enforced’ on a background of gold, the others being painted.<br />
<br />
One of Latin inscriptions states that 'Beatrice  ordered the execution ( of this work) in honour of Almighty God and his saints“. It could be Beatrice wife of Hermann II of Swabia and daughter Emperor's sister-Conrad II or, more likely, Beatrice of Tuscany who in 1036 was wife of Boniface III, Marquis of Tuscany, and second wife of Geoffrey the Bearded, Duke of Lower Lorraine and Brabant.<br />
 The Louvre Museum, Paris.
  • Medieval gilded manuscript cover depicting the Crucifixion. 11th century from the treasury of the Cathedral of Maastricht. AD.  <br />
This gilded with relief panel with inlaid stones was originally a manuscript cover. Since 1677, it contained the 'documents of the oath of the Dukes of Brabant'. The back of the panel is covered with precious fabrics. On the front, in the central part, is depicted a crucifixion the style of which is reminiscent of the works of the goldsmiths of the Emperor Henry II. On the borders are small icons and emblems including those of the Carolingians. The main interest of this work lies in the four enamelled on gold symbols of the evangelists in the four corners, two being 'Enforced’ on a background of gold, the others being painted.<br />
<br />
One of Latin inscriptions states that 'Beatrice  ordered the execution ( of this work) in honour of Almighty God and his saints“. It could be Beatrice wife of Hermann II of Swabia and daughter Emperor's sister-Conrad II or, more likely, Beatrice of Tuscany who in 1036 was wife of Boniface III, Marquis of Tuscany, and second wife of Geoffrey the Bearded, Duke of Lower Lorraine and Brabant.<br />
 The Louvre Museum, Paris.
  • Medieval ivory comb with a central relief panel depicting David defeating a Lion. Third quarter of the 9th cent. AD from Metz. Inv. OA 354, The Louvre Museum, Paris.
  • Medieval Christian ivory diptych depicting the Nativity, the crucifixion and the Profits. Thirteenth century probably from Byzantine Roman Constantinople, present day Istanbul. Inv. OA 12442, The Louvre Museum, Paris.
  • Gothic altar panel depicting the Last Supper. End of the 13th century, tempera on a spruce wooden panel  from  The Church of Sant Miguel de Soriguerola, Cerdanya, Huesca, Spain. Inv MNAC 43901. National Museum of Catalan Art (MNAC), Barcelona, Spain
  • Painted Gothic panels from the Altarpiece of the Virgin of the Angels.<br />
From Left - San Peter, Santa Clara, Saint James the Greater, St. John the Evangelist. Tempera and gold leaf on wood, circa 1385 by by Pere Serra  from the Cathedral of Tortosa (Tarragona). Inv MNAC 3950, 3948, 3949. National Museum of Catalan Art (MNAC), Barcelona, Spain
  • A Gothic stone carving of St. Andrew Bishop bring tempted by the devil. Second half of the fourteenth century by Bartomeu de Robio.From the church of Santa Maria de Castello Farfanya (Noguera). Inv MNAC 122485. National Museum of Catalan Art (MNAC), Barcelona, Spain
  • A Gothic stone carving of St. Andrew Bishop bring tempted by the devil. Second half of the fourteenth century by Bartomeu de Robio.From the church of Santa Maria de Castello Farfanya (Noguera). Inv MNAC 122485. National Museum of Catalan Art (MNAC), Barcelona, Spain
  • Gothic cast bronze statue of Christ. Date circa 1180 probably comes from Cerdanya.  National Museum of Catalan Art, Barcelona, Spain inv no: MNAC 4553
  • Gothic painted bas-relief of Life of St Peter by Joan Gasco. Polycchrome and gold leaf on wood. Date Circa 1516.  From the church of Santa Maria of Palautordera (Valles Oriental). National Museum of Catalan Art, Barcelona, Spain, inv no: 015934-000
  • Gothic painted Panel Virgin of the Angels by  Enrique de Estencop. Tempera, stucco reliefs and gold leaf on wood. 1391-1392. Dimensions 142.2 x 99 x 8 cm.  National Museum of Catalan Art, Barcelona, Spain, inv no: 064025-000
  • Gothic painted Panel Altarpiece of the Saints John by  Master of Santa Coloma de Queralt. Tempera and gold leaf on wood. Circa 1356. 220.5 x 209.8 x 11.5 cm. From the church of Sant Miquel de Tamarit de Llitera (Huesca). National Museum of Catalan Art, Barcelona, Spain, inv no: 004351-CJT
  • Gothic wood statue of the Head of Christ by  Jaume Cascalls. Carved alabaster with polychrome and gilt remains.  This head must have belonged to a Recumbent Christ which could have formed part of a sculptural group of the Holy Sepulchre. It probably came from the chapel of Corpus Christi of the convent of Sant Agustí Vell, Barcelona.<br />
Jaume Cascalls is one of the most important sculptors of the fourteenth century in Catalonia. This is borne out by his involvement over almost thirty years with the project of the royal pantheon in Poblet for King Peter the Ceremonious and with other large undertakings of the time. Today, on stylistic grounds, he is credited with this 'Head of Christ', which must have formed part of a sculptural group of the Holy Sepulchre, presumably from the church of the convent of Sant Agustí Vell in Barcelona. The break in the neck suggests it belonged to a full-length recumbent Christ, like the one kept at Sant Feliu in Girona and also attributed to Cascalls. National Museum of Catalan Art, inv no: 034879-000
  • Gothic painted Panel Altar frontal of Jesus' childhood by anonymous artist from Navarra. Tempera and gold leaf on wood. Second quarter of 14th century. 90.8 x 171.2 x 5.8 cm. From the parish church of Arteta (Navarra).. National Museum of Catalan Art, inv no: 004368-000
  • Gothic painted Altar frontal of the Corpus Christi by Master of Vallbona de les Monges possibly Guillem Seguer. Tempera, stucco reliefs, gold leaf and varnished metal plate on wood. Circa 1335-1345. 106.5 x 223.2 x 9.3 cm. From the chapel of Corpus Christi in the church of the monastery of Santa Maria de Vallbona de les Monges (Urgell).  National Museum of Catalan Art, inv no: 009919-000
  • Gothic painted Panel of the life of Saint Dominic, anonymous artist from Aragon. Tempera and varnished metal plate on wood. First quarter of 14th century. 134 x 193 x 8.3 cm. From the church of Sant Miquel de Tamarit de Llitera (Huesca). National Museum of Catalan Art, inv no: 015825-000
  • Gothic wood statue of Bishop Saint by the St Bertrand de Cominges Group of artists. Polychrome wood carving with varnished metal-plating.  National Museum of Catalan Art, inv no: 064024-000
  • Gothic wood statue of a Saint by the St Bertrand de Cominges Group of artists. Polychrome wood carving with varnished metal-plating.  National Museum of Catalan Art, inv no: 064015-000
  • Gothic decorative painted beam panels with griffins and a carved syalise tree, Tempera on wood. National Museum of Catalan Art (MNAC), Barcelona, Spain. Against a art background.
  • Gothic altarpiece of Madonna and Child and the Saints, by Rossello di Jacopo Franchi, from Florence, 1st quarter of 15th century.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  15932.
  • Gothic altarpiece of Madonna and Child possibly by Francesco del Cossa of Ferrara, circa 1460, tempera and gold leaf on wood.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  64971.
  • Virgin Mary; Mother of God; The Virgin; Mare de deu; Gothic altarpiece of Madonna and Child by Joan Reixach of Barcelona, circa 1450, tempera and gold leaf on wood, from the sanctuary of San Pau d'Albocasser, Castello..  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  64055.
  • Virgin Mary; Mother of God; The Virgin; Mare de deu; Gothic altarpiece of Madonna and Child by Joan Reixach of Barcelona, circa 1450, tempera and gold leaf on wood, from the sanctuary of San Pau d'Albocasser, Castello..  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  64055. Against a art background.
  • Gothic decorative painted beam panels with gknights on horses, Tempera on wood. National Museum of Catalan Art (MNAC), Barcelona, Spain, Against a white background.
  • Gothic decorative painted beam panels with gknights on horses, Tempera on wood. National Museum of Catalan Art (MNAC), Barcelona, Spain
  • Gothic decorative painted beam panels with gknights on horses, Tempera on wood. National Museum of Catalan Art (MNAC), Barcelona, Spain. Against a art background.
  • Gothic decorative painted beam panels with lions and a carved syalise tree, Tempera on wood. National Museum of Catalan Art (MNAC), Barcelona, Spain. Against a black background.
  • Gothic painted panel of the Nativity scene by Taddeo Gabbi of Florence, circa 1325, tempera and gold leaf on wood. National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC 212807. <br />
Taddeo Gabbi, one of Giotto's most brilliant disciples, painted this Nativity when he was still part of Giotto's workshop. The painting has many of Giotto's hallmarks such as  spatial illusionism or the reality of figures that can be seen in the nativity of the Peruzzi Chapel.<br />
<br />
SPANISH<br />
<br />
Taddeo Gabbi, uno de los discipulos mas brillantes de Giotto, debio pintar esta Natividad cuando aun formaba parte del taller del maestro. En ella se ven las conquistas de la "revolucion giottesca", como el illusioismo espacial o el realismo de las figuras. Maria arropa a Jesus dentro del establo, mientras los sobrevuela un grupo de angeles. La posicion de uno de ellos y la presencia de una oveja indican que la composicion se completaba a la izquierda con el Anuncio a los pastores. En primer termino aparecen un pensativo Jose y las dos parteras que susurran, un recurso ya utilizado pr Giotto en los frescos de la Capilla Peruzzi.
  • Gothic decorative painted beam panels with lions and a carved syalise tree, Tempera on wood. National Museum of Catalan Art (MNAC), Barcelona, Spain
  • Gothic decorative painted beam panels with lions and a carved syalise tree, Tempera on wood. National Museum of Catalan Art (MNAC), Barcelona, Spain. Against a art background.
  • Gothic statue of The Virgin Mary (Madonna) holding the baby Jesus. Polychrome and gold leaf on wood by the Circle of Gil de Siloe around 1500, probably from Castella. Inv MNAC 64028. National Museum of Catalan Art (MNAC), Barcelona, Spain. Against a black background.
  • Gothic statue of The Virgin Mary (Madonna) holding the baby Jesus. Polychrome and gold leaf on wood by the Circle of Gil de Siloe around 1500, probably from Castella. Inv MNAC 64028. National Museum of Catalan Art (MNAC), Barcelona, Spain
  • Gothic altarpiece of the Dormition of the Madonna (Dormicio de la Mare de Dieu) by Pere Garcia de Benavarri, circa 1460-1465, tempera and gold leaf on wood.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  64040.
  • Gothic altarpiece of the Dormition of the Madonna (Dormicio de la Mare de Dieu) by Pere Garcia de Benavarri, circa 1460-1465, tempera and gold leaf on wood.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  64040. Against a grey art background.
  • Gothic painted panel of the Nativity scene by Taddeo Gabbi of Florence, circa 1325, tempera and gold leaf on wood. National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC 212807. Against a black background. <br />
Taddeo Gabbi, one of Giotto's most brilliant disciples, painted this Nativity when he was still part of Giotto's workshop. The painting has many of Giotto's hallmarks such as  spatial illusionism or the reality of figures that can be seen in the nativity of the Peruzzi Chapel.<br />
<br />
SPANISH<br />
<br />
Taddeo Gabbi, uno de los discipulos mas brillantes de Giotto, debio pintar esta Natividad cuando aun formaba parte del taller del maestro. En ella se ven las conquistas de la "revolucion giottesca", como el illusioismo espacial o el realismo de las figuras. Maria arropa a Jesus dentro del establo, mientras los sobrevuela un grupo de angeles. La posicion de uno de ellos y la presencia de una oveja indican que la composicion se completaba a la izquierda con el Anuncio a los pastores. En primer termino aparecen un pensativo Jose y las dos parteras que susurran, un recurso ya utilizado pr Giotto en los frescos de la Capilla Peruzzi.
  • Gothic painted panel of the Nativity scene by Taddeo Gabbi of Florence, circa 1325, tempera and gold leaf on wood. National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC 212807. Against a art background. <br />
Taddeo Gabbi, one of Giotto's most brilliant disciples, painted this Nativity when he was still part of Giotto's workshop. The painting has many of Giotto's hallmarks such as  spatial illusionism or the reality of figures that can be seen in the nativity of the Peruzzi Chapel.<br />
<br />
SPANISH<br />
<br />
Taddeo Gabbi, uno de los discipulos mas brillantes de Giotto, debio pintar esta Natividad cuando aun formaba parte del taller del maestro. En ella se ven las conquistas de la "revolucion giottesca", como el illusioismo espacial o el realismo de las figuras. Maria arropa a Jesus dentro del establo, mientras los sobrevuela un grupo de angeles. La posicion de uno de ellos y la presencia de una oveja indican que la composicion se completaba a la izquierda con el Anuncio a los pastores. En primer termino aparecen un pensativo Jose y las dos parteras que susurran, un recurso ya utilizado pr Giotto en los frescos de la Capilla Peruzzi.
  • Gothic painted panel of the Nativity scene by Taddeo Gabbi of Florence, circa 1325, tempera and gold leaf on wood. National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC 212807. Against a grey art background. <br />
Taddeo Gabbi, one of Giotto's most brilliant disciples, painted this Nativity when he was still part of Giotto's workshop. The painting has many of Giotto's hallmarks such as  spatial illusionism or the reality of figures that can be seen in the nativity of the Peruzzi Chapel.<br />
<br />
SPANISH<br />
<br />
Taddeo Gabbi, uno de los discipulos mas brillantes de Giotto, debio pintar esta Natividad cuando aun formaba parte del taller del maestro. En ella se ven las conquistas de la "revolucion giottesca", como el illusioismo espacial o el realismo de las figuras. Maria arropa a Jesus dentro del establo, mientras los sobrevuela un grupo de angeles. La posicion de uno de ellos y la presencia de una oveja indican que la composicion se completaba a la izquierda con el Anuncio a los pastores. En primer termino aparecen un pensativo Jose y las dos parteras que susurran, un recurso ya utilizado pr Giotto en los frescos de la Capilla Peruzzi.
  • Gothic altarpiece of Madonna and Child by Bernardo Daddi, circa 1340-1345, tempera and gold leaf on wood.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  212806. Against a black background.
  • Gothic altarpiece of Madonna and Child by Bernardo Daddi, circa 1340-1345, tempera and gold leaf on wood.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  212806. Against a grey art background.
  • Gothic altarpiece of Madonna Of Humility With The Eternal Father In Glory, by Cenni di Francesco di Ser Cenni of Florence, circa 1375-80, tempera and gold leaf on wood. The Madonna and Child are depicted with the 12 apostles. National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  212805. Against a white background.
  • Gothic altarpiece of Madonna Of Humility With The Eternal Father In Glory, by Cenni di Francesco di Ser Cenni of Florence, circa 1375-80, tempera and gold leaf on wood. The Madonna and Child are depicted with the 12 apostles. National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  212805.
  • Gothic altarpiece of Madonna Of Humility With The Eternal Father In Glory, by Cenni di Francesco di Ser Cenni of Florence, circa 1375-80, tempera and gold leaf on wood. The Madonna and Child are depicted with the 12 apostles. National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  212805. Against a art background.
  • Gothic altarpiece of Madonna Of Humility With The Eternal Father In Glory, by Cenni di Francesco di Ser Cenni of Florence, circa 1375-80, tempera and gold leaf on wood. The Madonna and Child are depicted with the 12 apostles. National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  212805. Against a grey art background.
  • Gothic altarpiece of Madonna and Child with St Peter and Paul by Vicenzo Frediani, circa 1490, tempera and gold leaf on wood.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  64978. Against a white background.
  • Gothic altarpiece of Madonna and Child with St Peter and Paul by Vicenzo Frediani, circa 1490, tempera and gold leaf on wood.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  64978. Against a black background.
  • Gothic altarpiece of Madonna and Child with St Peter and Paul by Vicenzo Frediani, circa 1490, tempera and gold leaf on wood.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  64978.
  • Gothic altarpiece of Madonna and Child with St Peter and Paul by Vicenzo Frediani, circa 1490, tempera and gold leaf on wood.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  64978. Against a art background.
  • Gothic Catalan Alterpiece of Sant Jeroni Penetant by Mestre de la Seu d'Urgell, circa 1495, tempera and gold leaf on wood, from the church of Santa Maria de Puigcerda, Baixa Cerdanya, Spain.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  15821. Against a grey art background.
  • Gothic wood relief sculpture of the crwoning of of the Virgin Mary in the central European sgchiool style, end of 15th Century.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  5270. Against a white background.
  • Gothic wood relief sculpture of the crwoning of of the Virgin Mary in the central European sgchiool style, end of 15th Century.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  5270. Against a black background.
  • Gothic wood relief sculpture of the crwoning of of the Virgin Mary in the central European sgchiool style, end of 15th Century.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  5270.
  • Gothic wood relief sculpture of the crwoning of of the Virgin Mary in the central European sgchiool style, end of 15th Century.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  5270. Against a grey art background.
  • Gothic marble relief sculpture of the Coronation of the Virgin Mary made in London or York, 1420-1460.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  64124. Against a white background.
  • Gothic marble relief sculpture of the Coronation of the Virgin Mary made in London or York, 1420-1460.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  64124. Against a art background.
  • Gothic Catalan altarpiece of Saint Peter enthroned, by Roderic d'Orsona of Valencia, circa 1475, tempera and gold leaf on wood.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC 15816. Against a white background.
  • Gothic Catalan altarpiece of Saint Peter enthroned, by Roderic d'Orsona of Valencia, circa 1475, tempera and gold leaf on wood.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC 15816. Against a black background.
  • Gothic Catalan altarpiece of Saint Peter enthroned, by Roderic d'Orsona of Valencia, circa 1475, tempera and gold leaf on wood.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC 15816. Against a grey art background.
  • Gothic altarpiece of Madonna and Child and 4 angels, by Pere Garcia de Benavarri, circa 1445-1485, tempera and gold leaf on wood.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  15817. Against a white background.
  • Gothic altarpiece of Madonna and Child and 4 angels, by Pere Garcia de Benavarri, circa 1445-1485, tempera and gold leaf on wood.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  15817.
  • Gothic altarpiece depicting the Last Supper (Sant Sopar) by Jaume Huguet, circa 1463 - 1475, Temperal and gold leaf on wood, from the convent of Sant Augusti Vell, Barcelona.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  40412. Against a white background.
  • Gothic altarpiece depicting the Last Supper (Sant Sopar) by Jaume Huguet, circa 1463 - 1475, Temperal and gold leaf on wood, from the convent of Sant Augusti Vell, Barcelona.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  40412. Against a black background.
  • Gothic altarpiece depicting the Last Supper (Sant Sopar) by Jaume Huguet, circa 1463 - 1475, Temperal and gold leaf on wood, from the convent of Sant Augusti Vell, Barcelona.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  40412.
  • Gothic Catalan altarpiece of the martydom of Sant Vicenc (Saint Vincent), by Jaume Huguet of Barcelona, circa 1455-1460, tempera and gold leaf on wood, from the church of San Vicenc de Sarria, Barcelona..  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC 15866. Against a white background.
  • Gothic Catalan altarpiece of the martydom of Sant Vicenc (Saint Vincent), by Jaume Huguet of Barcelona, circa 1455-1460, tempera and gold leaf on wood, from the church of San Vicenc de Sarria, Barcelona..  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC 15866.  Against a black background.
  • Gothic Catalan altarpiece of the martydom of Sant Vicenc (Saint Vincent), by Jaume Huguet of Barcelona, circa 1455-1460, tempera and gold leaf on wood, from the church of San Vicenc de Sarria, Barcelona..  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC 15866.
  • Gothic Catalan altarpiece of the martydom of Sant Vicenc (Saint Vincent), by Jaume Huguet of Barcelona, circa 1455-1460, tempera and gold leaf on wood, from the church of San Vicenc de Sarria, Barcelona..  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC 15866. Against a art background.
  • Gothic altarpiece tableau of the Archangel Gabriel  by Joan Mates of Vlafranca de Penedes, circa 1410-1430, tempera and gold leaf on for wood from the church of Santa Maria de Penafel, Alt Penedes, Spain.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  214533. Against a grey art background.
  • Gothic altarpiece tableau of the Archangel Gabriel  by Joan Mates of Vlafranca de Penedes, circa 1410-1430, tempera and gold leaf on for wood from the church of Santa Maria de Penafel, Alt Penedes, Spain.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  214533.  Against a white background.
  • Gothic altarpiece tableau of the Archangel Gabriel  by Joan Mates of Vlafranca de Penedes, circa 1410-1430, tempera and gold leaf on for wood from the church of Santa Maria de Penafel, Alt Penedes, Spain.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  214533. Against a black background.
  • Gothic altarpiece tableau of the Archangel Gabriel  by Joan Mates of Vlafranca de Penedes, circa 1410-1430, tempera and gold leaf on for wood from the church of Santa Maria de Penafel, Alt Penedes, Spain.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  214533.
  • Gothic altarpiece tableau of the Archangel Gabriel  by Joan Mates of Vlafranca de Penedes, circa 1410-1430, tempera and gold leaf on for wood from the church of Santa Maria de Penafel, Alt Penedes, Spain.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  214533.  Against a art background.
  • Gothic altarpiece depicting top, Calvary, bottom, St Sebastia (Sebastian) , by Joan Mates of Villafranca de Penedes, circa 1417-1425, from the refrectory of Pia Almoina, Barcelona, Temperal and gold leaf on wood.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  32340. Joan Mates was a Spanish painter of the International Gothic style. Against a white background.
  • Gothic altarpiece depicting top, Calvary, bottom, St Sebastia (Sebastian) , by Joan Mates of Villafranca de Penedes, circa 1417-1425, from the refrectory of Pia Almoina, Barcelona, Temperal and gold leaf on wood.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  32340. Joan Mates was a Spanish painter of the International Gothic style. Against a art background.
  • Gothic altarpiece depicting top, Calvary, bottom, St Sebastia (Sebastian) , by Joan Mates of Villafranca de Penedes, circa 1417-1425, from the refrectory of Pia Almoina, Barcelona, Temperal and gold leaf on wood.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  32340. Joan Mates was a Spanish painter of the International Gothic style. Against a grey art background.
  • Gothic altarpiece ofthe Nativity from the workshop of Taller de Pere Garcia de Benavarri, circa 1475, tempera and gold leaf on for wood, from the church of Nostra Senyora de Baldos de Montanyana, Osca.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC   114750-1. Against a white background.
  • Gothic altarpiece ofthe Nativity from the workshop of Taller de Pere Garcia de Benavarri, circa 1475, tempera and gold leaf on for wood, from the church of Nostra Senyora de Baldos de Montanyana, Osca.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC   114750-1. Against a black background.
  • Gothic altarpiece ofthe Nativity from the workshop of Taller de Pere Garcia de Benavarri, circa 1475, tempera and gold leaf on for wood, from the church of Nostra Senyora de Baldos de Montanyana, Osca.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC   114750-1.
  • Gothic altarpiece ofthe Nativity from the workshop of Taller de Pere Garcia de Benavarri, circa 1475, tempera and gold leaf on for wood, from the church of Nostra Senyora de Baldos de Montanyana, Osca.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC   114750-1. Against a grey art background.
  • Gothic altarpiece of Archangel Michael ( Sant Miguel Arcangel) by Blasco de Branen of Saragossa, circa 1435-1445 , tempera and gold leaf on for wood.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC   114741. Against a white background.
  • Gothic altarpiece of Archangel Michael ( Sant Miguel Arcangel) by Blasco de Branen of Saragossa, circa 1435-1445 , tempera and gold leaf on for wood.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC   114741. Against a black background.
  • Gothic altarpiece of Archangel Michael ( Sant Miguel Arcangel) by Blasco de Branen of Saragossa, circa 1435-1445 , tempera and gold leaf on for wood.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC   114741. Against a art background.
  • Gothic Aaltarpiece of Saint Barbara, 3rd quarter of the 15th century, tempera and gold leaf on for wood.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC   114746-7. Against a white background.
  • Gothic Aaltarpiece of Saint Barbara, 3rd quarter of the 15th century, tempera and gold leaf on for wood.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC   114746-7. Against a black background.
  • Gothic Aaltarpiece of Saint Barbara, 3rd quarter of the 15th century, tempera and gold leaf on for wood.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC   114746-7. Against a art background.
  • Gothic altarpiece of Saint Catarina (Catherine), 3rd quarter of the 15th century, tempera and gold leaf on for wood.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC   114746-7. Against a white background.
  • Gothic altarpiece of Saint Catarina (Catherine), 3rd quarter of the 15th century, tempera and gold leaf on for wood.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC   114746-7. Against a black background.
  • Gothic altarpiece of Saint Catarina (Catherine), 3rd quarter of the 15th century, tempera and gold leaf on for wood.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC   114746-7.
  • Gothic altarpiece of Saint Catarina (Catherine), 3rd quarter of the 15th century, tempera and gold leaf on for wood.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC   114746-7. Against a art background.
  • Gothic Catalan altarpiece depicting the Madonna of Mercy by Bonant Zaortiga, circa 1430-1440, tempera and gold leaf on wood, from the church of Mare de Dieu de Carrasca , Blancas, Terol, Spain. Against a white background.<br />
Bonnat Zaortiga was one of the most prominent representatives of the international Gothic. The Mother of God of Mercy  protects humans with her cape, symbolizing one of the most feared evils of the European Middle Ages, plague, often understood as a punishment for the sins of mankind. This was the central panel of the altarpiece of the church of the Mother of God. National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC 3945.
  • Gothic Catalan altarpiece depicting the Madonna of Mercy by Bonant Zaortiga, circa 1430-1440, tempera and gold leaf on wood, from the church of Mare de Dieu de Carrasca , Blancas, Terol, Spain. Against a black background. <br />
Bonnat Zaortiga was one of the most prominent representatives of the international Gothic. The Mother of God of Mercy  protects humans with her cape, symbolizing one of the most feared evils of the European Middle Ages, plague, often understood as a punishment for the sins of mankind. This was the central panel of the altarpiece of the church of the Mother of God. National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC 3945.
  • Gothic Catalan altarpiece depicting the Madonna of Mercy by Bonant Zaortiga, circa 1430-1440, tempera and gold leaf on wood, from the church of Mare de Dieu de Carrasca , Blancas, Terol, Spain. Against a grey art background. <br />
Bonnat Zaortiga was one of the most prominent representatives of the international Gothic. The Mother of God of Mercy  protects humans with her cape, symbolizing one of the most feared evils of the European Middle Ages, plague, often understood as a punishment for the sins of mankind. This was the central panel of the altarpiece of the church of the Mother of God. National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC 3945.
  • Gothic altarpiece of Saint Peter and Saint Paul by Mestre de Soriguerola, 14th century, tempera and gold leaf on for wood, from the church of Sant Cristofol de Toses, Ripolles, Spain.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC 35700.
  • Gothic altarpiece of Saint Peter and Saint Paul by Mestre de Soriguerola, 14th century, tempera and gold leaf on for wood, from the church of Sant Cristofol de Toses, Ripolles, Spain.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC 35700. Against a grey art background.
  • Gothic altarpiece dedicated to St Vincent by Bernat Martorell circa 1483-1440 in Barcelona, tempera and gold lef on wood from the Parish church of St Vincent of menarguens, Noguera, Spain. At the top of the central panels of the altar tryptic, replacing the traditional Calvery scene, can be seen in the centre the Virgin of Mercy and kneeling to the left is Sant Benet de Bages, in black, and to the right St. Bernard of Clairvaux, patron saint of thr Benedictine and Cistercian orders . Below this is a depiction of St Vincent and either side are scenes of the Mardom of Vincent. Along the bottom are scenes from the Passion of Christ, with Judas in a yellow tunic kissing Christ and a furious Peter cutting off the ear of Malcus. National Museum of Catalan Art (MNAC), Barcelona, Spain, inv 15797
  • Gothic Altarpiece of the Madonna Nursing or Madonna Lactans, by Ramon de Mur, active around Tarrega and Montblanc circa 1412-1435, tempera and gold leaf on for wood, from the parish church of Santa Maria de Cervera (Segarra),  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  15818. Against a black background.
  • Gothic Altarpiece of the Madonna Nursing or Madonna Lactans, by Ramon de Mur, active around Tarrega and Montblanc circa 1412-1435, tempera and gold leaf on for wood, from the parish church of Santa Maria de Cervera (Segarra),  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  15818. Against a grey art background.
  • Gothic altarpiece of Madonna and Child by Niccolo di Tommaso, circa 1362-1367, tempera and gold leaf on wood.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  212809. Against a white background.
  • Gothic altarpiece of Madonna and Child by Niccolo di Tommaso, circa 1362-1367, tempera and gold leaf on wood.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  212809. Against a art background.
  • Gothic altarpiece of Madonna and Child by Niccolo di Tommaso, circa 1362-1367, tempera and gold leaf on wood.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  212809.
  • Gothic altarpiece of Madonna and Child by Niccolo di Tommaso, circa 1362-1367, tempera and gold leaf on wood.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  212809. Against a grey art background.
  • Gothic marble statue of Mary Magdelane (Magdelena) by Mestre de Pedralbes of Barcelona, 2nd half of 14th Century, from the cemetery of the cathedral of Barcelona.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  9797. Against a white background.
  • Gothic marble statue of Mary Magdelane (Magdelena) by Mestre de Pedralbes of Barcelona, 2nd half of 14th Century, from the cemetery of the cathedral of Barcelona.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  9797.
  • Gothic marble statue of Mary Magdelane (Magdelena) by Mestre de Pedralbes of Barcelona, 2nd half of 14th Century, from the cemetery of the cathedral of Barcelona.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  9797. Against a art background.
  • Gothic marble statue of Mary Magdelane (Magdelena) by Mestre de Pedralbes of Barcelona, 2nd half of 14th Century, from the cemetery of the cathedral of Barcelona.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  9797. Against a grey art background.
  • Gothic alabaster statue of Saint Anne and the Virgin Mary as a child from the Nottingham School England, 15th Century, from the cemetery of the vall de Bertizana, Nivarra.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  4353. Against a white background.
  • Gothic alabaster statue of Saint Anne and the Virgin Mary as a child from the Nottingham School England, 15th Century, from the cemetery of the vall de Bertizana, Nivarra.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  4353.
  • Gothic alabaster statue of Saint Anne and the Virgin Mary as a child from the Nottingham School England, 15th Century, from the cemetery of the vall de Bertizana, Nivarra.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  4353. Against a art background.
  • Gothic terracotta statue of the Archangel Gabriel attributed to Lorenzo Mercadante de Bretanya of Seville, circa 1460, from the convent of Santa Clara de Fregenal de la Sierra, Badajoz..  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  4367. Against a black background.
  • Gothic terracotta statue of the Archangel Gabriel attributed to Lorenzo Mercadante de Bretanya of Seville, circa 1460, from the convent of Santa Clara de Fregenal de la Sierra, Badajoz..  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  4367.
  • Gothic wooden statue of Madonna and Child from Bohemia, circa 1530-1540, tempera and gold leaf on wood,.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  65506. Against a white background.
  • Gothic wooden statue of Madonna and Child from Bohemia, circa 1530-1540, tempera and gold leaf on wood,.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  65506. Against a black background.
  • Gothic wooden statue of Madonna and Child from Bohemia, circa 1530-1540, tempera and gold leaf on wood,.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  65506.
  • Gothic wooden statue of Madonna and Child from Bohemia, circa 1530-1540, tempera and gold leaf on wood,.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  65506. Against a art background.
  • Gothic wooden statue of Madonna and Child from Bohemia, circa 1530-1540, tempera and gold leaf on wood,.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  65506. Against a grey art background.
  • Gothic wooden statue of Sant Nicolau (Nicholas) from Gremany, circa 1500, tempera and gold leaf on wood, from the church of San Miguel de Medina del Campo, Valladolid..  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  65507. Against a black background.
  • Gothic wooden statue of Madonna and Child by Seguidor de Diego de Siloe of Burgos, circa 1530-1540, tempera and gold leaf on wood, from the church of San Miguel de Medina del Campo, Valladolid..  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  131050. Against a black background.
  • Gothic wooden statue of Madonna and Child by Seguidor de Diego de Siloe of Burgos, circa 1530-1540, tempera and gold leaf on wood, from the church of San Miguel de Medina del Campo, Valladolid..  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  131050. Against a white background.
  • Gothic wooden statue of Madonna and Child by Seguidor de Diego de Siloe of Burgos, circa 1530-1540, tempera and gold leaf on wood, from the church of San Miguel de Medina del Campo, Valladolid..  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  131050. Against a grey art background.
  • Gothic wooden statue of Madonna and Child by Seguidor de Diego de Siloe of Burgos, circa 1530-1540, tempera and gold leaf on wood, from the church of San Miguel de Medina del Campo, Valladolid..  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  131050. Against a art background.
  • Gothic wooden statue of Sant Joan Evangelista (John the Evangelist) from Gremany, circa 1500, tempera and gold leaf on wood.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  64114. Against a white background.
  • Gothic wooden statue of Sant Joan Evangelista (John the Evangelist) from Gremany, circa 1500, tempera and gold leaf on wood.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  64114.
  • Gothic altarpiece of Saint Esteve (Stephen) & John the Baptist by Mestre de Bardalona, early 15th century, tempera and gold leaf on for wood from Santa Maria de Badalona.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC   15824. Against a black background.
  • Gothic altarpiece of Saint Esteve (Stephen) & John the Baptist by Mestre de Bardalona, early 15th century, tempera and gold leaf on for wood from Santa Maria de Badalona.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC   15824. Against a light grey background.
  • Gothic marble relief sculpture from the tomb of Ramon d'Urtx, died 1290, from the convent of Sant Domenee de Puigcerda, Cerdanya, Spain..  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  64011. Against a black background.
  • Gothic Catalan marble relief sculpture from the tomb of Margarida Cadell, died 1308, from the convent of Sant Domenee de Puigcerda, Cerdanya, Spain.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  4366.
  • Gothic Catalan marble relief sculpture from the tomb of Margarida Cadell, died 1308, from the convent of Sant Domenee de Puigcerda, Cerdanya, Spain.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  4366. Against a grey textured background.
  • Gothic Catalan marble relief sculpture from the tomb of Margarida Cadell, died 1308, from the convent of Sant Domenee de Puigcerda, Cerdanya, Spain.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  4366.
  • Gothic alabaster relief sculpture of two profits by Pere Oller, circa 1415, from the convent del Carme, Girona, Spain..  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC 214163. Against a white background.
  • Gothic alabaster relief sculpture of two profits by Pere Oller, circa 1415, from the convent del Carme, Girona, Spain..  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC 214163. Against a black background.
  • Gothic altarpiece depicting left to right - the Archangel Gabriel, the martyrdom of Santa Eulalia and St Caterina, by Bernat Martorell, circa 1442-1445, Temperal and gold leaf on wood.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  1442. Against a black background.
  • Gothic altarpiece depicting left to right - the Archangel Gabriel, the martyrdom of Santa Eulalia and St Caterina, by Bernat Martorell, circa 1442-1445, Temperal and gold leaf on wood.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  1442. Against a white background.
  • Gothic altarpiece depicting left to right - the Archangel Gabriel, the martyrdom of Santa Eulalia and St Caterina, by Bernat Martorell, circa 1442-1445, Temperal and gold leaf on wood.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  1442. Against a light grey background.
  • Gothic Panel from the tomb of the Knight Sancho Sanchez Carillo . Polychrome and gold leaf on wood by the Circle of Gil de Siloe around 1500, probably from Castella. Inv MNAC 64028. National Museum of Catalan Art (MNAC), Barcelona, Spain. Against a black background.
  • Gothic Panel from the tomb of the Knight Sancho Sanchez Carillo . Polychrome and gold leaf on wood by the Circle of Gil de Siloe around 1500, probably from Castella. Inv MNAC 64028. National Museum of Catalan Art (MNAC), Barcelona, Spain
  • Gothic box made from poplar wood with stucco reliefs, gold leaf gold decorations and traces of polychrome iron and brass 2nd quarter 15th century, possibly from Barcelona, Catalunya, Spain. National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC 12120.
  • Gothic embossed Brass on wood box, circa 1370-1450, possibly made in Barcelona, Catalunya. National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC 5361. Against a white background.
  • Gothic embossed Brass on wood box, circa 1370-1450, possibly made in Barcelona, Catalunya. National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC 5361.
  • Gothic embossed Brass on wood box, circa 1370-1450, possibly made in Barcelona, Catalunya. National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC 5361. Against a black background.
  • Gothic embossed Brass on wood box, circa 1370-1450, possibly made in Barcelona, Catalunya. National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC 5361.
  • Gothic Altarpiece of Madonna and Child enthroned with angels byPero di Giovanni known as "Lorenzo Monaco" of Sienna and Florence, circa 1415-1420, tempera and gold leaf on wood. National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC 212808.<br />
<br />
The Virgin Mary is seated with the child standing on her lap, in an attitude of blessing, accompanied by angels with incentives. The composition is very simple and fuses Sienese and Florentine pictorial traditions in the style of Lorenzo Monaco, monk of the convent of Santa Maria degli Angeli in Florence and the last representative of the style of Giotto before the Renaissance revival of Fra Angelico.
  • Gothic Catalan painted panel of the Banquet of Herod (Banquet d'Herodes) by Pere Garcia de Benvarri of Barcelona, Circa 1470, tempera and gold leaf on wood, from the church of Sant Joan (John) del Mercat de Lleida, Spain, National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  64060. <br />
<br />
Pere Garcia, one of the most outstanding representatives of the Aragonese school of influence of flamenco, works for several Aragonese and Catalan centres. From the church of Sant Joan del Mercat in Lleida there are some tables of the old high altarpiece, a large piece of furniture dedicated to Bautista, partially preserved and one of the narrative chambers, the Banquet of Herod. This scene, in which Salome presents the head of St. John to Herod. <br />
<br />
The styling of the scene allows us to imagine how a festive banquet took place in a noble Catalan house in the second half of the fifteenth century.<br />
<br />
SPANISH<br />
<br />
Pere Garcia, uno de los representantes mas destacados de la escuela gotica aragonesa de influence flamenca, trabajo para varios centros aragoneses y catalanes. De la iglesia de Sant Joan del Mercat de Lleida proviennen algunas tablas del antiguo retablo mayor, un mueble de grandes dimensiones dedicado a Bautista, conservado parcialmente y del que se expone uno de los compartientos narrativos, el Banquet de Herodes. Esta escena, en la que Salome presenta la cabeza de san juan a Herodidias y Herodes, permite imaginar como transcurria un banquete festivo en una casa noble en la esgunda mitad del siglo XV
  • Gothic Altarpiece of Madonna and Child by Francesc d'Orsona of Valencia, circa 1500-1505, tempera and gold leaf on wood, from the monastery of Sant Jeroni de Cotalba, Valencia.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  44357.
  • Gothic Altarpiece of the Archangel Gabriel by Jaume Huguet of  Bardalona, circa 1455-1460, tempera and gold leaf on for wood from Santa Maria del Pi, Barcelona.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  37761-2-3-4-5.
  • Gothic Altarpiece of Madonna and Child and the Saints  by Jaume Huguet of  Bardalona, circa 1455-1460, tempera and gold leaf on for wood from Santa Maria del Pi, Barcelona.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  37761-2-3-4-5.
  • Gothic Altarpiece depicting the Last Supper (Sant Sopar) by Jaume Huguet, circa 1463 - 1475, Tempera and gold leaf on wood, from the convent of Sant Augusti Vell, Barcelona.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  40412.
  • Gothic Catalan Altarpiece depicting the Archangel Gabriel by Bernat Martorell, circa 1442-1445, Tempera and gold leaf on wood.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  1442.
  • Gothic Altarpiece of the Annunciation by Archangel Gabriel , circa 1450, tempera and gold leaf on for wood.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC   114748.
  • Gothic Altarpiece of St Sebastia (Sebastian) , by Joan Mates of Villafranca de Penedes, circa 1417-1425, from the refrectory of Pia Almoina, Barcelona, Tempera and gold leaf on wood.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  32340. Joan Mates was a Spanish painter of the International Gothic style.
  • Gothic Altarpiece of Saint Barbara, 3rd quarter of the 15th century, tempera and gold leaf on for wood.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC   114746-7.
  • Gothic Altarpiece of Archangel Michael ( Sant Miguel Arcangel) by Blasco de Branen of Saragossa, circa 1435-1445 , tempera and gold leaf on for wood.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC   114741.
  • Gothic Altarpiece of  St Estheve and St Agatha, by Pietro da Pisa from liguria, circa 1401-1423, tempera and gold leaf on for wood.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC 67192.
  • Gothic Altarpiece of  St Anthony the Abbot, from the workshop of Llorenc Saragossa, last quarter of the 14th century, from Xelva, Valencia, tempera and gold leaf on for wood.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC 64027.
  • Gothic painted Panel Altarpiece of Saint Anthony the Abbot by Master of Rubio. Tempera and gold leaf on wood. Circa 1360-1375. Dimensions 173.5 x 176.3 x 11.5 cm.  National Museum of Catalan Art, Barcelona, Spain, inv no: 045854-CJT
  • Gothic Panel from the tomb of the Knight Sancho Sanchez Carillo . Polychrome and gold leaf on wood by the Circle of Gil de Siloe around 1500, probably from Castella. Inv MNAC 64028. National Museum of Catalan Art (MNAC), Barcelona, Spain
  • Gothic painted Panel Altarpiece of the Saints John by  Master of Santa Coloma de Queralt. Tempera and gold leaf on wood. Circa 1356. 220.5 x 209.8 x 11.5 cm. From the church of Sant Miquel de Tamarit de Llitera (Huesca). National Museum of Catalan Art, Barcelona, Spain, inv no: 004351-CJT
  • Gothic painted Panel Altarpiece of the Saints John by  Master of Santa Coloma de Queralt. Tempera and gold leaf on wood. Circa 1356. 220.5 x 209.8 x 11.5 cm. From the church of Sant Miquel de Tamarit de Llitera (Huesca). National Museum of Catalan Art, Barcelona, Spain, inv no: 004351-CJT
  • Gothic painted Panel Altarpiece of the Saints John by  Master of Santa Coloma de Queralt. Tempera and gold leaf on wood. Circa 1356. 220.5 x 209.8 x 11.5 cm. From the church of Sant Miquel de Tamarit de Llitera (Huesca). National Museum of Catalan Art, Barcelona, Spain, inv no: 004351-CJT
  • Gothic Altarpiece of, left to right, the martydom of St Bartholomew, Calvaty and the deat of St Mary Magdelene, by Jaume Huguet, Barcelona circa 11465-1480, tempera and gold leaf on for wood, from the church of San Marti de Petegas de san Seloni, Valle Oriental, Spain.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC   24365.
  • Gothic Altarpiece of the Madonna Nursing or Madonna Lactans, by Ramon de Mur, active around Tarrega and Montblanc circa 1412-1435, tempera and gold leaf on for wood, from the parish church of Santa Maria de Cervera (Segarra),  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  15818.
  • Gothic Altarpiece of the Madonna Nursing or Madonna Lactans, by Ramon de Mur, active around Tarrega and Montblanc circa 1412-1435, tempera and gold leaf on for wood, from the parish church of Santa Maria de Cervera (Segarra),  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  15818.
  • Gothic Altarpiece of the Madonna and Child nursing or Madonna Lactans, with St Clara and St Anthony the Abbot from the workshop of Llorenc, Saragossa,  last quarter of the 14th century, tempera and gold leaf on for wood, from Xelva (Valencia),  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  64027.
  • Gothic fresco mural painting "THE CONQUEST OF MAJORCA" 1285-1290. National Museum of Catalan Art, Barcelona, Spain, inv no: 071447-CJT. <br />
The mural paintings of the Conquest of Majorca come from the former ancestral home of the Caldes family in Carrer Montcada in Barcelona, a building later known as Palau Aguilar. Discovered and removed in 1961, these paintings are one of the most important examples of early or Linear Gothic Catalan painting. This magnificent example of painting on historical subject matter narrates the conquest of the island of Majorca by James I the Conqueror in 1229. Like a painted chronicle, the episodes follow the detailed narrative of Catalan medieval accounts such as King James I's 'Llibre dels Feits' and Bernat Desclot's 'Crònica'.
  • Gothic fresco mural painting "THE CONQUEST OF MAJORCA" 1285-1290. National Museum of Catalan Art, Barcelona, Spain, inv no: 071447-CJT. <br />
The mural paintings of the Conquest of Majorca come from the former ancestral home of the Caldes family in Carrer Montcada in Barcelona, a building later known as Palau Aguilar. Discovered and removed in 1961, these paintings are one of the most important examples of early or Linear Gothic Catalan painting. This magnificent example of painting on historical subject matter narrates the conquest of the island of Majorca by James I the Conqueror in 1229. Like a painted chronicle, the episodes follow the detailed narrative of Catalan medieval accounts such as King James I's 'Llibre dels Feits' and Bernat Desclot's 'Crònica'.
  • Gothic fresco mural painting "THE CONQUEST OF MAJORCA" 1285-1290. National Museum of Catalan Art, Barcelona, Spain, inv no: 071447-CJT. <br />
The mural paintings of the Conquest of Majorca come from the former ancestral home of the Caldes family in Carrer Montcada in Barcelona, a building later known as Palau Aguilar. Discovered and removed in 1961, these paintings are one of the most important examples of early or Linear Gothic Catalan painting. This magnificent example of painting on historical subject matter narrates the conquest of the island of Majorca by James I the Conqueror in 1229. Like a painted chronicle, the episodes follow the detailed narrative of Catalan medieval accounts such as King James I's 'Llibre dels Feits' and Bernat Desclot's 'Crònica'.
  • Gothic fresco mural painting "THE CONQUEST OF MAJORCA" 1285-1290. National Museum of Catalan Art, Barcelona, Spain, inv no: 071447-CJT. <br />
The mural paintings of the Conquest of Majorca come from the former ancestral home of the Caldes family in Carrer Montcada in Barcelona, a building later known as Palau Aguilar. Discovered and removed in 1961, these paintings are one of the most important examples of early or Linear Gothic Catalan painting. This magnificent example of painting on historical subject matter narrates the conquest of the island of Majorca by James I the Conqueror in 1229. Like a painted chronicle, the episodes follow the detailed narrative of Catalan medieval accounts such as King James I's 'Llibre dels Feits' and Bernat Desclot's 'Crònica'.
  • Gothic fresco mural painting "THE CONQUEST OF MAJORCA" 1285-1290. National Museum of Catalan Art, Barcelona, Spain, inv no: 071447-CJT. <br />
The mural paintings of the Conquest of Majorca come from the former ancestral home of the Caldes family in Carrer Montcada in Barcelona, a building later known as Palau Aguilar. Discovered and removed in 1961, these paintings are one of the most important examples of early or Linear Gothic Catalan painting. This magnificent example of painting on historical subject matter narrates the conquest of the island of Majorca by James I the Conqueror in 1229. Like a painted chronicle, the episodes follow the detailed narrative of Catalan medieval accounts such as King James I's 'Llibre dels Feits' and Bernat Desclot's 'Crònica'.
  • Painted Gothic wooden Fourteen Intercessors altarpiece made at the end of the 15th century in Franconia.  The panel depict 14 saints in total. Inv RF 2531,  The Louvre Museum, Paris.
  • Enamelled terracotta panel depicting Saint Anne, the Virgin Mary and Child with Saint Anthony made in the 2nd half of the 16th century by Santi Bugloni of Florence. This is a typical Tuscan theme of the period. Saint Anne was particularly venerated during the expulsion of the tyrant Gaultier de Brienne, Duke of Athens. .  Inv Camp 38,  The Louvre Museum, Paris.

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