• Mycenaean ivory figure of eight shield from the Palace workshops of Mycenae. National Archaeological Museum Athens. Cat No 1027, 7102. White Background.
  • Mycenaean ivory figure of eight shield from the Palace workshops of Mycenae. National Archaeological Museum Athens. Cat No 1027, 7102.  Grey art Background
  • Mycenaean ivory figure of eight shield from the Palace workshops of Mycenae. National Archaeological Museum Athens. Cat No 1027, 7102. Grey Background
  • Mycenaean ivory figure of eight shield from the Palace workshops of Mycenae. National Archaeological Museum Athens. Cat No 1027, 7102. Black Background
  • Mycenaean ivory figure of eight shield from the Palace workshops of Mycenae. National Archaeological Museum Athens. Cat No 1027, 7102.
  • Ancient violin shaped schematic figure from the Pelos phase,  'Kusura type', probably from Asia Minor. Early Cycladic period I 3200-2800 BC. Museum of Cycladic Art Athens, Cat no 961.  Against white.
  • Ancient violin shaped schematic figure from the Pelos phase,  'Kusura type', probably from Asia Minor. Early Cycladic period I 3200-2800 BC. Museum of Cycladic Art Athens, Cat no 961.   Against black
  • Ancient spade shaped schematic figure from the Pelos phase,   probably from Asia Minor. Early Cycladic period I 3200-2800 BC. Museum of Cycladic Art Athens, Cat no 333.  Against white.
  • Ancient spade shaped schematic figure from the Pelos phase,   probably from Asia Minor. Early Cycladic period I 3200-2800 BC. Museum of Cycladic Art Athens, Cat no 333. Grey Background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. Excavated from Genna Arrele II. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. Excavated from Genna Arrele II. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. White background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. Excavated from Genna Arrele II. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. Grey background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. Excavated from Genna Arrele II. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. Excavated from Genna Arrele II. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. White background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. Excavated from Genna Arrele II. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. Excavated from S’Arretzraxiu, Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. Black background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. Excavated from S’Arretzraxiu, Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. Grey background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. Excavated from S’Arretzraxiu, Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. Excavated from Bau Carradore II, Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. Black background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. Excavated from Bau Carradore II, Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. Excavated from Bau Carradore II, Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above.Excavated from Nuraghe Orrubiu IV, Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. Grey background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. Excavated from Cabamadau, Villa Sant’ Antonia. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. White background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. Excavated from Cabamadau, Villa Sant’ Antonia. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. Black background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. Excavated from Cabamadau, Villa Sant’ Antonia. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. Grey background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. Excavated from Cabamadau, Villa Sant’ Antonia. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. Excavated from Cabamadau, Villa Sant’ Antonia. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. White background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. Excavated from Cabamadau, Villa Sant’ Antonia. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. Black background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. Excavated from Cabamadau, Villa Sant’ Antonia. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. Excavated from Cabamadau, Villa Sant’ Antonia. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. Excavated from Paule Luturru,  Samugheo. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. White background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. Excavated from Paule Luturru,  Samugheo. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. Excavated from Barilli I site,  Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. Black background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. Excavated from Barilli I site,  Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. Grey background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. Excavated from Pranu Maore I site,  Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. White background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. Excavated from Pranu Maore I site,  Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. Excavated from Pranu Maore I site,  Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. Excavated from Perida Iddocca VII site,  Laconi.  Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. Grey background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. Excavated from Perida Iddocca VII site,  Laconi.  Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. Black background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. Excavated from Perida Iddocca VII site,  Laconi.  Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. the bottom is a carving of a dagger running horizontally across the menhir. Excavated from Piscina ‘E Sali VI site,  Laconi.  Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. Excavated from Piscina ‘E Sali II site,  Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. White background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. Excavated from Piscina ‘E Sali II site,  Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. Excavated from Piscina ‘E Sali II site,  Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. Grey background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. Excavated from Piscina ‘E Sali II site,  Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. Excavated from Piscina ‘E Sali II site,  Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The remains of a representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. the bottom is a carving of a dagger running horizontally across the menhir. Excavated from Piscina ‘E Sali IV site,  Laconi.  Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. Black background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The remains of a representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. the bottom is a carving of a dagger running horizontally across the menhir. Excavated from Piscina ‘E Sali IV site,  Laconi.  Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. Grey background.
  • Central fragment of a Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure would have started at the top with the remaons of  a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir.  Excavated from Piscina ‘E Sali VI site,  Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. Black background.
  • Central fragment of a Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure would have started at the top with the remaons of  a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir.  Excavated from Piscina ‘E Sali VI site,  Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy
  • Central fragment of a Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure would have started at the top with the remaons of  a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir.  Excavated from Piscina ‘E Sali VI site,  Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with the bottom of a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. Excavated from Piscina ‘E Sali V site,  Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. White background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with the bottom of a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. Excavated from Piscina ‘E Sali V site,  Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir.  Excavated from Barrili II site,  Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir.  From Barrili I site, Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. White background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir.  From Barrili I site, Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. Grey background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir.  From Barrili I site, Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir.  From Barrili I site, Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. Black background.
  • Ancient violin shaped schematic figure from the Pelos phase,  'Kusura type', probably from Asia Minor. Early Cycladic period I 3200-2800 BC. Museum of Cycladic Art Athens, Cat no 961. Grey Background.
  • Ancient violin shaped schematic figure from the Pelos phase,  'Kusura type', probably from Asia Minor. Early Cycladic period I 3200-2800 BC. Museum of Cycladic Art Athens, Cat no 961
  • Ancient violin shaped schematic figure from the Pelos phase,  'Kusura type', probably from Asia Minor. Early Cycladic period I 3200-2800 BC. Museum of Cycladic Art Athens, Cat no 961. Grey Background.
  • Ancient spade shaped schematic figure from the Pelos phase,   probably from Asia Minor. Early Cycladic period I 3200-2800 BC. Museum of Cycladic Art Athens, Cat no 333. Grey Background.
  • Ancient spade shaped schematic figure from the Pelos phase,   probably from Asia Minor. Early Cycladic period I 3200-2800 BC. Museum of Cycladic Art Athens, Cat no 333
  • Ancient spade shaped schematic figure from the Pelos phase,   probably from Asia Minor. Early Cycladic period I 3200-2800 BC. Museum of Cycladic Art Athens, Cat no 333
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. Excavated from Barilli I site,  Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. Excavated from Genna Arrele II. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. Black background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. Excavated from Genna Arrele II. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. White background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. Excavated from Genna Arrele II. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. Grey background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. Excavated from Genna Arrele II. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. Excavated from Genna Arrele II. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. Black background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. Excavated from Genna Arrele II. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. Grey background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. Excavated from Genna Arrele II. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. Excavated from Genna Arrele II. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. Excavated from Genna Arrele II. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. White background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. Excavated from Genna Arrele II. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. Black background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. Excavated from Genna Arrele II. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. Excavated from Genna Arrele II. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. Black background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. Excavated from Genna Arrele II. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. Grey background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. Excavated from Genna Arrele II. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. Excavated from S’Arretzraxiu, Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. White background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. Excavated from S’Arretzraxiu, Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. Excavated from Bau Carradore II, Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. White background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. Excavated from Bau Carradore II, Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. Grey background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above.Excavated from Nuraghe Orrubiu IV, Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. Black background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above.Excavated from Nuraghe Orrubiu IV, Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. White background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above.Excavated from Nuraghe Orrubiu IV, Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above.Excavated from Nuraghe Orrubiu IV, Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. Excavated from Cabamadau, Villa Sant’ Antonia. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. Excavated from Cabamadau, Villa Sant’ Antonia. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. Grey background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. Excavated from Paule Luturru,  Samugheo. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. Black background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. Excavated from Paule Luturru,  Samugheo. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. Grey background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. Excavated from Paule Luturru,  Samugheo. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. Excavated from Barilli I site,  Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. White background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. Excavated from Barilli I site,  Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. Excavated from Pranu Maore I site,  Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. Black background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. Excavated from Pranu Maore I site,  Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. Grey background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. Excavated from Perida Iddocca VII site,  Laconi.  Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. White background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. Excavated from Perida Iddocca VII site,  Laconi.  Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. the bottom is a carving of a dagger running horizontally across the menhir. Excavated from Piscina ‘E Sali VI site,  Laconi.  Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. Black background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. the bottom is a carving of a dagger running horizontally across the menhir. Excavated from Piscina ‘E Sali VI site,  Laconi.  Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. White background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. the bottom is a carving of a dagger running horizontally across the menhir. Excavated from Piscina ‘E Sali VI site,  Laconi.  Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. Grey background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. Excavated from Piscina ‘E Sali II site,  Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. Black background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. Excavated from Piscina ‘E Sali II site,  Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. Black background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. Excavated from Piscina ‘E Sali II site,  Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. White background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. Excavated from Piscina ‘E Sali II site,  Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. Excavated from Piscina ‘E Sali II site,  Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. Grey background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The remains of a representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. the bottom is a carving of a dagger running horizontally across the menhir. Excavated from Piscina ‘E Sali IV site,  Laconi.  Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. White background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The remains of a representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. the bottom is a carving of a dagger running horizontally across the menhir. Excavated from Piscina ‘E Sali IV site,  Laconi.  Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The remains of a representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. the bottom is a carving of a dagger running horizontally across the menhir. Excavated from Piscina ‘E Sali IV site,  Laconi.  Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy
  • Central fragment of a Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure would have started at the top with the remaons of  a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir.  Excavated from Piscina ‘E Sali VI site,  Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. Grey background.
  • Central fragment of a Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure would have started at the top with the remaons of  a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir.  Excavated from Piscina ‘E Sali VI site,  Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. White background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir.  Excavated from Piscina ‘E Sali V site,  Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. White background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir.  Excavated from Piscina ‘E Sali V site,  Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. Black background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir.  Excavated from Piscina ‘E Sali V site,  Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir.  Excavated from Piscina ‘E Sali V site,  Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. Grey background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir.  Excavated from Piscina ‘E Sali V site,  Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with the bottom of a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. Excavated from Piscina ‘E Sali V site,  Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. Grey background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with the bottom of a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. Excavated from Piscina ‘E Sali V site,  Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. Black background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with the bottom of a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. Excavated from Piscina ‘E Sali V site,  Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir.  Excavated from Barrili II site,  Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. White background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir.  Excavated from Barrili II site,  Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. Black background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir.  Excavated from Barrili II site,  Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. Grey background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir.  Excavated from Barrili II site,  Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir.  From Barrili I site, Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. Black background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir.  From Barrili I site, Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir.  From Barrili I site, Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. White background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir.  From Barrili I site, Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir.  From Barrili I site, Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir.  From Barrili I site, Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. Grey background.
  • Ancient Greek Cycladic statue torso fragment: Canonical spedos variety , Early Cycladic period II, Syros phase 2800-2300 BC. Cycladic Museum of Art, Athens.   Against black<br />
<br />
Arrtibuted to 'Goulandris Master'.  A very rare unique example of a canonical Spedos variety Cycladic statue of a male. The genetals are carved in the round in a naturalistic manner and unusually the forearms dont touch as in the female figures. This is a totaly unique example of a Cycladic canonical male figure of monumental dimensions.
  • Ancient Greek Cycladic statue torso fragment: Canonical spedos variety , Early Cycladic period II, Syros phase 2800-2300 BC. Cycladic Museum of Art, Athens. Female figurine statuette : Cycladic Canonical type, Kapsala variety. Against white.<br />
<br />
Arrtibuted to 'Goulandris Master'.  A very rare unique example of a canonical Spedos variety Cycladic statue of a male. The genetals are carved in the round in a naturalistic manner and unusually the forearms dont touch as in the female figures. This is a totaly unique example of a Cycladic canonical male figure of monumental dimensions.
  • Ancient Greek Cycladic statue torso fragment: Canonical spedos variety , Early Cycladic period II, Syros phase 2800-2300 BC. Cycladic Museum of Art, Athens.  Grey Background. <br />
<br />
Arrtibuted to 'Goulandris Master'.  A very rare unique example of a canonical Spedos variety Cycladic statue of a male. The genetals are carved in the round in a naturalistic manner and unusually the forearms dont touch as in the female figures. This is a totaly unique example of a Cycladic canonical male figure of monumental dimensions.
  • Ancient Greek Cycladic statue torso fragment: Canonical spedos variety , Early Cycladic period II, Syros phase 2800-2300 BC. Cycladic Museum of Art, Athens. <br />
<br />
Arrtibuted to 'Goulandris Master'.  A very rare unique example of a canonical Spedos variety Cycladic statue of a male. The genetals are carved in the round in a naturalistic manner and unusually the forearms dont touch as in the female figures. This is a totaly unique example of a Cycladic canonical male figure of monumental dimensions.
  • Ancient Greek Cycladic statue torso fragment: Canonical spedos variety , Early Cycladic period II, Syros phase 2800-2300 BC. Cycladic Museum of Art, Athens.  Grey Background. <br />
<br />
Arrtibuted to 'Goulandris Master'.  A very rare unique example of a canonical Spedos variety Cycladic statue of a male. The genetals are carved in the round in a naturalistic manner and unusually the forearms dont touch as in the female figures. This is a totaly unique example of a Cycladic canonical male figure of monumental dimensions.
  • Post canonical ancient Greek Cycladic warrior or hunter figurine, Late Ccladic prioc II to Cycladic period II (2500-2000 BC)Museum of Cycladic Art Athens, cat no 308.<br />
<br />
The relif of a baldric crossing the body left to righ suggest the figure was of a warrior or hunter. A small triangular dagger is incised as if hanging from the baldric.
  • The 'Harpist of Keros' a seated parian marble female Cycladic figurine. Early Cycladic Period II (2800-2300 BC) from Keros, Cat no 3908. National Archaeological Museum, Athens.   Grey background.<br />
<br />
<br />
This elaborate three dimesional Cyladic statue known as the 'Harpist of Keros' depicts a seated figure plaung a harp. Its execution required an experienced workshop that could file away the parian marble with gronze tools.
  • The 'Harpist of Keros' a seated parian marble female Cycladic figurine. Early Cycladic Period II (2800-2300 BC) from Keros, Cat no 3908. National Archaeological Museum, Athens. Black background.<br />
<br />
This elaborate three dimesional Cyladic statue known as the 'Harpist of Keros' depicts a seated figure plaung a harp. Its execution required an experienced workshop that could file away the parian marble with gronze tools.
  • The 'Harpist of Keros' a seated parian marble female Cycladic figurine. Early Cycladic Period II (2800-2300 BC) from Keros, Cat no 3908. National Archaeological Museum, Athens.   Grey background.<br />
<br />
<br />
This elaborate three dimesional Cyladic statue known as the 'Harpist of Keros' depicts a seated figure plaung a harp. Its execution required an experienced workshop that could file away the parian marble with gronze tools.
  • The 'Harpist of Keros' a seated parian marble female Cycladic figurine. Early Cycladic Period II (2800-2300 BC) from Keros, Cat no 3908. National Archaeological Museum, Athens. <br />
<br />
This elaborate three dimesional Cyladic statue known as the 'Harpist of Keros' depicts a seated figure plaung a harp. Its execution required an experienced workshop that could file away the parian marble with gronze tools.
  • Late European Neolithic prehistoric Menhir standing stone which represents a standing figure. Excavated from Bau Carradore III site,  Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. Grey background.
  • Late European Neolithic prehistoric Menhir standing stone which represents a standing figure. Excavated from Bau Carradore III site,  Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy
  • Post canonical ancient Greek Cycladic warrior or hunter figurine, Late Ccladic prioc II to Cycladic period II (2500-2000 BC)Museum of Cycladic Art Athens, cat no 308. Against white.<br />
<br />
The relif of a baldric crossing the body left to righ suggest the figure was of a warrior or hunter. A small triangular dagger is incised as if hanging from the baldric.
  • Post canonical ancient Greek Cycladic warrior or hunter figurine, Late Ccladic prioc II to Cycladic period II (2500-2000 BC)Museum of Cycladic Art Athens, cat no 308.  Against black<br />
<br />
The relif of a baldric crossing the body left to righ suggest the figure was of a warrior or hunter. A small triangular dagger is incised as if hanging from the baldric.
  • Post canonical ancient Greek Cycladic warrior or hunter figurine, Late Ccladic prioc II to Cycladic period II (2500-2000 BC)Museum of Cycladic Art Athens, cat no 308. Against Grey Background. <br />
<br />
The relif of a baldric crossing the body left to righ suggest the figure was of a warrior or hunter. A small triangular dagger is incised as if hanging from the baldric.
  • Post canonical ancient Greek Cycladic warrior or hunter figurine, Late Ccladic prioc II to Cycladic period II (2500-2000 BC)Museum of Cycladic Art Athens, cat no 308. Against Grey Background. <br />
<br />
The relif of a baldric crossing the body left to righ suggest the figure was of a warrior or hunter. A small triangular dagger is incised as if hanging from the baldric.
  • The 'Harpist of Keros' a seated parian marble female Cycladic figurine. Early Cycladic Period II (2800-2300 BC) from Keros, Cat no 3908. National Archaeological Museum, Athens.   White background.<br />
<br />
<br />
This elaborate three dimesional Cyladic statue known as the 'Harpist of Keros' depicts a seated figure plaung a harp. Its execution required an experienced workshop that could file away the parian marble with gronze tools.
  • The 'Harpist of Keros' a seated parian marble female Cycladic figurine. Early Cycladic Period II (2800-2300 BC) from Keros, Cat no 3908. National Archaeological Museum, Athens. Black background.<br />
<br />
This elaborate three dimesional Cyladic statue known as the 'Harpist of Keros' depicts a seated figure plaung a harp. Its execution required an experienced workshop that could file away the parian marble with gronze tools.
  • The 'Harpist of Keros' a seated parian marble female Cycladic figurine. Early Cycladic Period II (2800-2300 BC) from Keros, Cat no 3908. National Archaeological Museum, Athens. <br />
<br />
This elaborate three dimesional Cyladic statue known as the 'Harpist of Keros' depicts a seated figure plaung a harp. Its execution required an experienced workshop that could file away the parian marble with gronze tools.
  • The 'Harpist of Keros' a seated parian marble female Cycladic figurine. Early Cycladic Period II (2800-2300 BC) from Keros, Cat no 3908. National Archaeological Museum, Athens.   Gray background.<br />
<br />
<br />
This elaborate three dimesional Cyladic statue known as the 'Harpist of Keros' depicts a seated figure plaung a harp. Its execution required an experienced workshop that could file away the parian marble with gronze tools.
  • The 'Harpist of Keros' a seated parian marble female Cycladic figurine. Early Cycladic Period II (2800-2300 BC) from Keros, Cat no 3908. National Archaeological Museum, Athens.   White background.<br />
<br />
<br />
This elaborate three dimesional Cyladic statue known as the 'Harpist of Keros' depicts a seated figure plaung a harp. Its execution required an experienced workshop that could file away the parian marble with gronze tools.
  • The 'Harpist of Keros' a seated parian marble female Cycladic figurine. Early Cycladic Period II (2800-2300 BC) from Keros, Cat no 3908. National Archaeological Museum, Athens. <br />
<br />
This elaborate three dimesional Cyladic statue known as the 'Harpist of Keros' depicts a seated figure plaung a harp. Its execution required an experienced workshop that could file away the parian marble with gronze tools.
  • Top section of a Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. Excavated from Amassed VII, Allai. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, . White background.
  • Top section of a Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. Excavated from Amassed VII, Allai. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. Black background.
  • Top section of a Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. Excavated from Amassed VII, Allai. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. Grey background.
  • Top section of a Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. Excavated from Amassed VII, Allai. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy
  • Top section of a Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. Excavated from Amassed VII, Allai. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. Excavated from Paule Luturru,  Samugheo. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. White background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. Excavated from Paule Luturru,  Samugheo. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. Black background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. Excavated from Paule Luturru,  Samugheo. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. Grey background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. Excavated from Paule Luturru,  Samugheo. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. Excavated from Paule Luturru,  Samugheo. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure with the remains of a  carving of a dagger running horizontally across the menhir. Excavated from Cuccu de Lai,  Samugheo. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. White background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure with the remains of a  carving of a dagger running horizontally across the menhir. Excavated from Cuccu de Lai,  Samugheo. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. Black background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure with the remains of a  carving of a dagger running horizontally across the menhir. Excavated from Cuccu de Lai,  Samugheo. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. Grey background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure with the remains of a  carving of a dagger running horizontally across the menhir. Excavated from Cuccu de Lai,  Samugheo. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure with the remains of a  carving of a dagger running horizontally across the menhir. Excavated from Cuccu de Lai,  Samugheo. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy
  • Late European Neolithic prehistoric Menhir standing stone which represents a standing figure. Excavated from Bau Carradore III site,  Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. White background.
  • Late European Neolithic prehistoric Menhir standing stone which represents a standing figure. Excavated from Bau Carradore III site,  Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. Black background.
  • Late European Neolithic prehistoric Menhir standing stone which represents a standing figure. Excavated from Bau Carradore III site,  Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy
  • Late European Neolithic prehistoric Menhir standing stone which represents a standing figure. Excavated from Bau Carradore III site,  Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy
  • Late European Neolithic prehistoric Menhir standing stone which represents a standing figure. Excavated from Bau Carradore III site,  Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. White background.
  • Late European Neolithic prehistoric Menhir standing stone which represents a standing figure. Excavated from Bau Carradore III site,  Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. Black background.
  • Late European Neolithic prehistoric Menhir standing stone which represents a standing figure. Excavated from Bau Carradore III site,  Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. Grey background.
  • Late European Neolithic prehistoric Menhir standing stone which represents a standing figure. Excavated from Bau Carradore III site,  Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy
  • The figure of justice. Baroque lattice wraught iron work  work of Henrik Fazola (1730-99), County Hall, Eger, Hungary
  • Rare male Cycladic statue of a seated warrior or hunter holding a cup. Early Cycladic Period II, (2800-2300 BC), Museum of Cycladic Art Athens,  Against white.<br />
<br />
Male Cycladic figures are rare and are usually of musicians or hunters and warriors.
  • Rare male Cycladic statue of a seated warrior or hunter holding a cup. Early Cycladic Period II, (2800-2300 BC), Museum of Cycladic Art Athens,   Against black<br />
<br />
Male Cycladic figures are rare and are usually of musicians or hunters and warriors.
  • Rare male Cycladic statue of a seated warrior or hunter holding a cup. Early Cycladic Period II, (2800-2300 BC), Museum of Cycladic Art Athens,  Against Grey Background. <br />
<br />
Male Cycladic figures are rare and are usually of musicians or hunters and warriors.
  • Rare male Cycladic statue of a seated warrior or hunter holding a cup. Early Cycladic Period II, (2800-2300 BC), Museum of Cycladic Art Athens, <br />
<br />
Male Cycladic figures are rare and are usually of musicians or hunters and warriors.
  • Rare male Cycladic statue of a seated warrior or hunter holding a cup. Early Cycladic Period II, (2800-2300 BC), Museum of Cycladic Art Athens,  Against Grey Background. <br />
<br />
Male Cycladic figures are rare and are usually of musicians or hunters and warriors.
  • Ancient Greek Cycladic female figurine of the canonical type, Dokathismata and Spedos variety, Early Cycladic period II, Syros phase, 2800-2300 BC, Museum of Cycladic Art, Athens. Grey Background. <br />
<br />
Considered to be an intermediate or transitional form between the Dokathismata and Spedos varieties/
  • Ancient Greek Cycladic female figurine of the canonical type, Dokathismata and Spedos variety, Early Cycladic period II, Syros phase, 2800-2300 BC, Museum of Cycladic Art, Athens. Against white.<br />
<br />
Considered to be an intermediate or transitional form between the Dokathismata and Spedos varieties/
  • Ancient Greek Cycladic female figurine of the canonical type, Dokathismata and Spedos variety, Early Cycladic period II, Syros phase, 2800-2300 BC, Museum of Cycladic Art, Athens.<br />
<br />
Considered to be an intermediate or transitional form between the Dokathismata and Spedos varieties/
  • Post canonical female ancient Greek Cycladic figurine, Late Ccladic priod II to Cycladic period III (2500-2000 BC)Museum of Cycladic Art Athens, cat no 312.   Against black
  • Female figurine statuette : Cycladic Canonical type, Kapsala variety. Early Cycladic Period II, (2800-2300 BC), ' Museum of Cycladic Art Athens. Against white.
  • Female figurine statuette : Cycladic Canonical type, Spedos variety. Early Cycladic Period II, (2800-2300 BC), ' Museum of Cycladic Art Athens. Against white.<br />
<br />
The cycaldic figurine has its facial features preserved in relief. The eyes, eye brows and hair was probably painted which subsequently protected theses areas of the marble from erosion. Red pigment was found on the cheek and thighs. This is a mature work of the Spedos variety
  • Female figurine statuette : Cycladic Canonical type, Spedos variety. Early Cycladic Period II, (2800-2300 BC), ' Museum of Cycladic Art Athens.  Against black<br />
<br />
<br />
The cycaldic figurine has its facial features preserved in relief. The eyes, eye brows and hair was probably painted which subsequently protected theses areas of the marble from erosion. Red pigment was found on the cheek and thighs. This is a mature work of the Spedos variety
  • Ancient Greek Cycladic female figurine of the canonical type, Dokathismata variety, Early Cycladic period II, Syros phase, 2800-2300 BC, Museum of Cycladic Art, Athens. Against white.<br />
<br />
Attributed to the 'Ashmolean Museum Master'
  • Ancient Greek Cycladic female figurine of the canonical type, Dokathismata variety, Early Cycladic period II, Syros phase, 2800-2300 BC, Museum of Cycladic Art, Athens. Grey Background. <br />
<br />
Attributed to the 'Ashmolean Museum Master'
  • Ancient Greek Cycladic female figurine of the canonical type, Dokathismata variety, Early Cycladic period II, Syros phase, 2800-2300 BC, Museum of Cycladic Art, Athens. Grey Background. <br />
<br />
Attributed to the 'Ashmolean Museum Master'
  • Female figurine statuette : Cycladic Canonical type, Spedos variety f. Early Cycladic Period II, (2800-2300 BC), ' Museum of Cycladic Art Athens, cat no 207. Against white.
  • Female figurine statuette : Cycladic Canonical type, Spedos variety f. Early Cycladic Period II, (2800-2300 BC), ' Museum of Cycladic Art Athens, cat no 207.  Against black
  • Female figurine statuette: Cycladic Canonical type, combining Dokathismata and Spedos variety. Early Cycladic Period II, (2800-2300 BC), 'Steiner Master'.  Museum of Cycladic Art Athens, cat no 283.  Against white.
  • Cycladic Post Canonical type, Chalandrian variety female figurine statuette. Early Cycladic Period II Late Syros phase, (2500-2300 BC), Museum of Cycladic Art Athens, cat no 102.   Against black
  • Cycladic Post Canonical type, Chalandrian variety female figurine statuette. Early Cycladic Period II Late Syros phase, (2500-2300 BC), Museum of Cycladic Art Athens, cat no 102
  • Cycladic Post Canonical type, Chalandrian variety female figurine statuette. Early Cycladic Period II Late Syros phase, (2500-2300 BC), Museum of Cycladic Art Athens, cat no 102.  Against Grey Background.
  • Cycladic Canonical type, Spedos variety female figurine statuette from Naxos or Keros. Early Cycladic Period II, (2800-2300 BC), 'Goulandris Master'.  Museum of Cycladic Art Athens,   Against black<br />
<br />
The 'Goulandris Master' was named because of the N.P Goulandris collection which had a significat number of Cycladic figureines attributed to one sculptor. The characteristic traits of his work are : statues of 32 to 98 cm tall, precise incisions demarcating the neck, the abdomen and pubic triangle asv well as knees and spinal column, the statues have a rounded outline. Traces of colour were found on the statue.
  • Cycladic Canonical type, Spedos variety female figurine statuette from Naxos or Keros. Early Cycladic Period II, (2800-2300 BC), 'Goulandris Master'.  Museum of Cycladic Art Athens, <br />
<br />
The 'Goulandris Master' was named because of the N.P Goulandris collection which had a significat number of Cycladic figureines attributed to one sculptor. The characteristic traits of his work are : statues of 32 to 98 cm tall, precise incisions demarcating the neck, the abdomen and pubic triangle asv well as knees and spinal column, the statues have a rounded outline. Traces of colour were found on the statue.
  • Cycladic Canonical type, Spedos variety female figurine statuette. Early Cycladic Period II from Syros phase , (2800-2300 BC). Attributed to the 'Copenhagen Master' Museum of Cycladic Art Athens, <br />
<br />
The short legs have no knees and end in rudimentary feet. The legs probably broke at the knees and an artists remodelled  the truncated legs with toes. It is a rare example of remodelling in Cycladic art
  • Female Cycladic Canonical type, Spedos variety female figurine statuette. Early Cycladic Period II from Syros phase , (2800-2300 BC). Museum of Cycladic Art Athens,  Against Grey Background. <br />
<br />
Traces of painted decoration in red were found on the face and trunk. The nose was painted completely and four verticle bands are visible in the forehead, three on the neck and traces of bands on the chest and oblique bands on the forearms, seven on the left four on the right.
  • Large Female Cycladic Canonical type, Spedos variety female figurine statuette. Early Cycladic Period II from Syros phase , 1.4m high (2800-2300 BC). Museum of Cycladic Art Athens,  Against Grey Background. <br />
<br />
This impressive Cycladic statue is distinguished by its clear outlines and perfect proportions as well as plasticity of form. A sense of movement is introduced into the staue by its left hip being raised and a slight inclination of the head to the right. This movement gives the statue an air of mysetery and makes it a precursor of the later Archaic statue forms. This sense of movement also sets this Cycladic statue apart from other of the period. It was probably a cult statue and stood at the shrine of a cult goddess.
  • Large Female Cycladic Canonical type, Spedos variety female figurine statuette. Early Cycladic Period II from Syros phase , 1.4m high (2800-2300 BC). Museum of Cycladic Art Athens,  Against white.<br />
<br />
This impressive Cycladic statue is distinguished by its clear outlines and perfect proportions as well as plasticity of form. A sense of movement is introduced into the staue by its left hip being raised and a slight inclination of the head to the right. This movement gives the statue an air of mysetery and makes it a precursor of the later Archaic statue forms. This sense of movement also sets this Cycladic statue apart from other of the period. It was probably a cult statue and stood at the shrine of a cult goddess.
  • Large Female Cycladic Canonical type, Spedos variety female figurine statuette. Early Cycladic Period II from Syros phase , 1.4m high (2800-2300 BC). Museum of Cycladic Art Athens,  Against black<br />
<br />
This impressive Cycladic statue is distinguished by its clear outlines and perfect proportions as well as plasticity of form. A sense of movement is introduced into the staue by its left hip being raised and a slight inclination of the head to the right. This movement gives the statue an air of mysetery and makes it a precursor of the later Archaic statue forms. This sense of movement also sets this Cycladic statue apart from other of the period. It was probably a cult statue and stood at the shrine of a cult goddess.
  • Female Cycladic Canonical type, Spedos variety female figurine statuette. Early Cycladic Period II from Syros phase (2800-2300 BC). Museum of Cycladic Art Athens,  Against white.<br />
<br />
The cycladic figurine has a band etched high on its forehead and a large area on the back of the head of spiralling curls. The surface has probably been protected by paint and the outline of the left eye paint is still detectable as a greyish tinge. It can be assumed that both hair and eyes were painted. Canonical type, Spedos variety
  • Female Cycladic Canonical type, Spedos variety female figurine statuette. Early Cycladic Period II from Syros phase (2800-2300 BC). Museum of Cycladic Art Athens,  Against Grey Background. <br />
<br />
The cycladic figurine has a band etched high on its forehead and a large area on the back of the head of spiralling curls. The surface has probably been protected by paint and the outline of the left eye paint is still detectable as a greyish tinge. It can be assumed that both hair and eyes were painted. Canonical type, Spedos variety
  • Female Cycladic Canonical type, Spedos variety female figurine statuette. Early Cycladic Period II from Syros phase (2800-2300 BC). Museum of Cycladic Art Athens,<br />
<br />
The cycladic figurine has a band etched high on its forehead and a large area on the back of the head of spiralling curls. The surface has probably been protected by paint and the outline of the left eye paint is still detectable as a greyish tinge. It can be assumed that both hair and eyes were painted. Canonical type, Spedos variety
  • Marble female Cycladic statue figurine with folded arms. Early Cycladic Period II (2800-2300 BC) from Chalandriani, Syros. National Archaeological Museum, Athens.   Grey background.
  • Marble female Cycladic statue figurine with folded arms of the Spedos type. Early Cycladic Period II (2800-2300 BC) from Naxos, Cat No 6195. National Archaeological Museum, Athens.   Grey background.<br />
<br />
<br />
This Cycladic statue figurine is of the Spedos type standing on tip tie with bended knees and arms folded under the breasts with head raiised.
  • Marble female Cycladic statue figurine with folded arms of the Spedos type. Early Cycladic Period II (2800-2300 BC) from Naxos, Cat No 6195. National Archaeological Museum, Athens. Black background.<br />
<br />
This Cycladic statue figurine is of the Spedos type standing on tip tie with bended knees and arms folded under the breasts with head raiised.
  • Marble female Cycladic statue figurine with folded arms of the Spedos type. Early Cycladic Period II (2800-2300 BC) from Naxos, Cat No 6195. National Archaeological Museum, Athens.   Gray background.<br />
<br />
<br />
This Cycladic statue figurine is of the Spedos type standing on tip tie with bended knees and arms folded under the breasts with head raiised.
  • Cycladic statue figurine of the naturalistic 'Plastira' type of Paros. Early Cycladic Period I (Grotta-Pelos Phase 3200-2800 BC). National Archaeological Museum, Athens.   Gray background.<br />
<br />
<br />
This type of Cycladic figurine stand with feet lat to the ground with detailed facial features and ears to make a more realistic statue. This statue is of a hunter or warrior as it bears an incised weapon strap across its chest and holds a knife.
  • Cycladic violin shaped figurine. Early Cycladic Period I (Grotta-Pelos Phase 3200-2800 BC). National Archaeological Museum, Athens.   White background.
  • Cycladic violin shaped figurine. Early Cycladic Period I (Grotta-Pelos Phase 3200-2800 BC). National Archaeological Museum, Athens.   White background.
  • Cycladic violin shaped figurine. Early Cycladic Period I (Grotta-Pelos Phase 3200-2800 BC). National Archaeological Museum, Athens.   Grey background.
  • Female Cycladic statue figurine with folded arms of the Spedos and Dokathismata type. Early Cycladic Period II (2800-3200) from Amorgos. National Archaeological Museum, Athens.   Grey background.<br />
<br />
<br />
This Cycladic statue figurine is of the Spedos type standing on tip tie with bended knees and arms folded under the breasts with head raiised. This staue belongs to the Dokathismata type of Amorgos with an angular face, wide chest and slender outline.
  • Marble female Cycladic statue figurine with folded arms of the Spedos type. Early Cycladic Period II (2800-3200) from Naxos, Cat No 20934. National Archaeological Museum, Athens.   Grey background.<br />
<br />
<br />
One of the largest known Cycladic statues at 89CM tall this figurine still has traces of a colour on the hair and eyes.
  • Head of a Cycladic statue with remnants of painted eyes and right cheek, Parian Marble, Amorgos, Early Cycladic II period (2800-3200BC). National Archaeological Museum, Athens.
  • Neolithic Marble Female Figurine grave offering of the early Cycladic II period from the Chalandriani, from Syros. 2800-2300BC. Athens Archaeological Museum Ref No 6169.
  • Neolithic Marble Female Figurine grave offering of the early Cycladic II period from the Chalandriani, from Syros. 2800-2300BC. Athens Archaeological Museum Ref No 6169.
  • Fragment of a Late European Neolithic prehistoric Menhir standing stone with acarving of a horizontal knife on its face side.   Excavated from Montes I, Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. Black background.
  • Fragmant of a Late European Neolithic prehistoric Menhir standing stone with carving of a knife on its face side.  Excavated from Palas de Nuraxi II, Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy
  • Fragmant of a Late European Neolithic prehistoric Menhir standing stone with carving of a knife on its face side.  Excavated from Palas de Nuraxi II, Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy
  • Fragmant of a Late European Neolithic prehistoric Menhir standing stone with carving of a knife on its face side.  Excavated from Palas de Nuraxi II, Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. White background.
  • Fragmant of a Late European Neolithic prehistoric Menhir standing stone with carving of a knife on its face side.  Excavated from Palas de Nuraxi II, Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy
  • Ancient Greek Cycladic female figurine of the canonical type, Dokathismata and Spedos variety, Early Cycladic period II, Syros phase, 2800-2300 BC, Museum of Cycladic Art, Athens.   Against black<br />
<br />
Considered to be an intermediate or transitional form between the Dokathismata and Spedos varieties/
  • Ancient Greek Cycladic female figurine of the canonical type, Dokathismata and Spedos variety, Early Cycladic period II, Syros phase, 2800-2300 BC, Museum of Cycladic Art, Athens. Grey Background. <br />
<br />
Considered to be an intermediate or transitional form between the Dokathismata and Spedos varieties/
  • Post canonical female ancient Greek Cycladic figurine, Late Ccladic priod  II to Cycladic period III (2500-2000 BC)Museum of Cycladic Art Athens, cat no 312,  Against white.
  • Post canonical female ancient Greek Cycladic figurine, Late Ccladic priod II to Cycladic period III (2500-2000 BC)Museum of Cycladic Art Athens, cat no 312.  Grey Background.
  • Post canonical female ancient Greek Cycladic figurine, Late Ccladic priod II to Cycladic period III (2500-2000 BC)Museum of Cycladic Art Athens, cat no 312.  Grey Background.
  • Post canonical female ancient Greek Cycladic figurine, Late Ccladic priod II to Cycladic period III (2500-2000 BC)Museum of Cycladic Art Athens, cat no 312
  • Female figurine statuette : Cycladic Canonical type, Kapsala variety. Early Cycladic Period II, (2800-2300 BC), ' Museum of Cycladic Art Athens.
  • Female figurine statuette : Cycladic Canonical type, Kapsala variety. Early Cycladic Period II, (2800-2300 BC), ' Museum of Cycladic Art Athens. Grey Background.
  • Female figurine statuette : Cycladic Canonical type, Kapsala variety. Early Cycladic Period II, (2800-2300 BC), ' Museum of Cycladic Art Athens.
  • Female figurine statuette : Cycladic Canonical type, Kapsala variety. Early Cycladic Period II, (2800-2300 BC), ' Museum of Cycladic Art Athens. Grey Background.
  • Female figurine statuette : Cycladic Canonical type, Spedos variety. Early Cycladic Period II, (2800-2300 BC), ' Museum of Cycladic Art Athens. Grey Background. <br />
<br />
The cycaldic figurine has its facial features preserved in relief. The eyes, eye brows and hair was probably painted which subsequently protected theses areas of the marble from erosion. Red pigment was found on the cheek and thighs. This is a mature work of the Spedos variety
  • Female figurine statuette : Cycladic Canonical type, Spedos variety. Early Cycladic Period II, (2800-2300 BC), ' Museum of Cycladic Art Athens.<br />
<br />
The cycaldic figurine has its facial features preserved in relief. The eyes, eye brows and hair was probably painted which subsequently protected theses areas of the marble from erosion. Red pigment was found on the cheek and thighs. This is a mature work of the Spedos variety
  • Female figurine statuette : Cycladic Canonical type, Spedos variety. Early Cycladic Period II, (2800-2300 BC), ' Museum of Cycladic Art Athens. Grey Background. <br />
<br />
The cycaldic figurine has its facial features preserved in relief. The eyes, eye brows and hair was probably painted which subsequently protected theses areas of the marble from erosion. Red pigment was found on the cheek and thighs. This is a mature work of the Spedos variety
  • Ancient Greek Cycladic female figurine of the canonical type, Dokathismata variety, Early Cycladic period II, Syros phase, 2800-2300 BC, Museum of Cycladic Art, Athens.<br />
<br />
Attributed to the 'Ashmolean Museum Master'
  • Ancient Greek Cycladic female figurine of the canonical type, Dokathismata variety, Early Cycladic period II, Syros phase, 2800-2300 BC, Museum of Cycladic Art, Athens.  Against black<br />
<br />
Attributed to the 'Ashmolean Museum Master'
  • Ancient Greek Cycladic figurine, Kilia type ('stargazer'). Kilia, Gallipoli, Turkey, Circa 4360-3500 BC. Museum of Cycladic Art Athens,  Against white.
  • Ancient Greek Cycladic figurine, Kilia type ('stargazer'). Kilia, Gallipoli, Turkey, Circa 4360-3500 BC. Museum of Cycladic Art Athens, Grey Background.
  • Ancient Greek Cycladic figurine, Kilia type ('stargazer'). Kilia, Gallipoli, Turkey, Circa 4360-3500 BC. Museum of Cycladic Art Athens,   Against black
  • Ancient Greek Cycladic figurine, Kilia type ('stargazer'). Kilia, Gallipoli, Turkey, Circa 4360-3500 BC. Museum of Cycladic Art Athens,
  • Ancient Greek Cycladic figurine, Kilia type ('stargazer'). Kilia, Gallipoli, Turkey, Circa 4360-3500 BC. Museum of Cycladic Art Athens, Grey Background.
  • Marble ancient Greek Cycladic figurine wearing a conical pilos, early Plastiras type, Early Cycladic Period I, circal 2800 BC, Museum of Cycladic Art Athens, cat no 1111.  Against white.
  • Marble ancient Greek Cycladic figurine wearing a conical pilos, early Plastiras type, Early Cycladic Period I, circal 2800 BC, Museum of Cycladic Art Athens, cat no 1111.   Against black
  • Marble ancient Greek Cycladic figurine wearing a conical pilos, early Plastiras type, Early Cycladic Period I, circal 2800 BC, Museum of Cycladic Art Athens, cat no 1111.  Grey Background.
  • Marble ancient Greek Cycladic figurine wearing a conical pilos, early Plastiras type, Early Cycladic Period I, circal 2800 BC, Museum of Cycladic Art Athens, cat no 1111
  • Marble ancient Greek Cycladic figurine wearing a conical pilos, early Plastiras type, Early Cycladic Period I, circal 2800 BC, Museum of Cycladic Art Athens, cat no 1111.  Against Grey Background.
  • Abstract Cycladic figurine , Louris type, from Naxos, 2800-2500 BC, Museum of Cycladic Art Athens,  Against white.<br />
<br />
The figurine has no facial features and is of no determinable sex. The figureine is of the Louros typle, named after a site in Naxos and with stuby arms is considered to be an abstract development of the Plastiras type, of which it retains such traits and naturalistically separated legs and horizontal feet. The arms have been reduced to two protuberances at shoulder level and all anitomical features have virtually disappeared.

FunkyStock Picture Library Resource

Picture The Past

ABOUT

FunkyStock Picture Library free resource for professional editorial picture editors, picture researchers, historical scholars and students and enthusiasts who want to browse some of the best pictures and images of historic countries, historical places, archaeological sites and the very best museum antiquities and artefacts exhibits in Europe and the Middle East.

Pictures and Images can be downloaded or bought as stock photos or photo art prints.

COUNTRIES

Browse travel pictures and images of historic places and archaeological sites of countries in Europe and the Middle East.

VIEW COUNTRIES INDEX....

HISTORICAL

Explore the past through pictures and images of its historic places. See the great palaces, castles and cities of antiquity as well as the great archaeological sites where our ancestors made history.

EXPLORE HISTORICAL PLACES...

MUSEUMS

Browse pictures & images the treasured artefacts and antiquities exhibits from the great Museum of Europe and the Middle East. See the art and objects made by our ancestors.

SEE MUESEUM ANTIQUITIES....