• Pictures & images of the Byzantine mosaics and frescoes in the interior of the Gelati Georgian Orthodox Church of the Virgin, 1106. The medieval Gelati monastic complex near Kutaisi in the Imereti region of western Georgia (country). A UNESCO World Heritage Site.
  • Pictures & images of the Byzantine mosaics and frescoes in the interior of the Gelati Georgian Orthodox Church of the Virgin, 1106. The medieval Gelati monastic complex near Kutaisi in the Imereti region of western Georgia (country). A UNESCO World Heritage Site.
  • Apse of Saint Peter de la Seu d'Urgell<br />
<br />
Second quarter of the twelfth century<br />
Fresco transferred to canvas<br />
From the church of St. Peter currently dedicated to St. Michael and St. Peter Cathedral group of Seu d'Urgell (Alt Urgell)<br />
<br />
Acquisition of the Museum Board Campaign 1919-1923<br />
MNAC 15867<br />
<br />
<br />
The apse is the most important part of the church as it was where the altar was located. The apse of La Seu d'Urgell like most Romanesque apses was decorated with frescoes of a Theophany (referring to images of the Incarnation of Jesus).High up in the semi circular cupola of the apse is a large image of Christ in Majesty, or Christ Pantocrator, in a mandorla, a pointed verticle oval shaped aureola which surrounds the figures of Christ and the Virgin Mary in traditional Christian art.  This is flanked by Tetramorph showing the four evangelical symbols - St Matthew the man, St Mark the lion, St Luke the ox, and John the eagle. In the middle register is are a series of  frescoes of the Apostles and the figure of Mary. The lower register, which has not been preserved, must have been painted curtains that imitated luxury fabrics.
  • Apse of Saint Peter de la Seu d'Urgell<br />
<br />
Second quarter of the twelfth century<br />
Fresco transferred to canvas<br />
From the church of St. Peter currently dedicated to St. Michael and St. Peter Cathedral group of Seu d'Urgell (Alt Urgell)<br />
<br />
Acquisition of the Museum Board Campaign 1919-1923<br />
MNAC 15867<br />
<br />
<br />
The apse is the most important part of the church as it was where the altar was located. The apse of La Seu d'Urgell like most Romanesque apses was decorated with frescoes of a Theophany (referring to images of the Incarnation of Jesus).High up in the semi circular cupola of the apse is a large image of Christ in Majesty, or Christ Pantocrator, in a mandorla, a pointed verticle oval shaped aureola which surrounds the figures of Christ and the Virgin Mary in traditional Christian art.  This is flanked by Tetramorph showing the four evangelical symbols - St Matthew the man, St Mark the lion, St Luke the ox, and John the eagle. In the middle register is are a series of  frescoes of the Apostles and the figure of Mary. The lower register, which has not been preserved, must have been painted curtains that imitated luxury fabrics.
  • Apse of Saint Peter de la Seu d'Urgell<br />
<br />
Second quarter of the twelfth century<br />
Fresco transferred to canvas<br />
From the church of St. Peter currently dedicated to St. Michael and St. Peter Cathedral group of Seu d'Urgell (Alt Urgell)<br />
<br />
Acquisition of the Museum Board Campaign 1919-1923<br />
MNAC 15867<br />
<br />
<br />
The apse is the most important part of the church as it was where the altar was located. The apse of La Seu d'Urgell like most Romanesque apses was decorated with frescoes of a Theophany (referring to images of the Incarnation of Jesus).High up in the semi circular cupola of the apse is a large image of Christ in Majesty, or Christ Pantocrator, in a mandorla, a pointed verticle oval shaped aureola which surrounds the figures of Christ and the Virgin Mary in traditional Christian art.  This is flanked by Tetramorph showing the four evangelical symbols - St Matthew the man, St Mark the lion, St Luke the ox, and John the eagle. In the middle register is are a series of  frescoes of the Apostles and the figure of Mary. The lower register, which has not been preserved, must have been painted curtains that imitated luxury fabrics.
  • Apse of Saint Peter de la Seu d'Urgell<br />
<br />
Second quarter of the twelfth century<br />
Fresco transferred to canvas<br />
From the church of St. Peter currently dedicated to St. Michael and St. Peter Cathedral group of Seu d'Urgell (Alt Urgell)<br />
<br />
Acquisition of the Museum Board Campaign 1919-1923<br />
MNAC 15867<br />
<br />
<br />
The apse is the most important part of the church as it was where the altar was located. The apse of La Seu d'Urgell like most Romanesque apses was decorated with frescoes of a Theophany (referring to images of the Incarnation of Jesus).High up in the semi circular cupola of the apse is a large image of Christ in Majesty, or Christ Pantocrator, in a mandorla, a pointed verticle oval shaped aureola which surrounds the figures of Christ and the Virgin Mary in traditional Christian art.  This is flanked by Tetramorph showing the four evangelical symbols - St Matthew the man, St Mark the lion, St Luke the ox, and John the eagle. In the middle register is are a series of  frescoes of the Apostles and the figure of Mary. The lower register, which has not been preserved, must have been painted curtains that imitated luxury fabrics.
  • Apse of Saint Peter de la Seu d'Urgell<br />
<br />
Second quarter of the twelfth century<br />
Fresco transferred to canvas<br />
From the church of St. Peter currently dedicated to St. Michael and St. Peter Cathedral group of Seu d'Urgell (Alt Urgell)<br />
<br />
Acquisition of the Museum Board Campaign 1919-1923<br />
MNAC 15867<br />
<br />
<br />
The apse is the most important part of the church as it was where the altar was located. The apse of La Seu d'Urgell like most Romanesque apses was decorated with frescoes of a Theophany (referring to images of the Incarnation of Jesus).High up in the semi circular cupola of the apse is a large image of Christ in Majesty, or Christ Pantocrator, in a mandorla, a pointed verticle oval shaped aureola which surrounds the figures of Christ and the Virgin Mary in traditional Christian art.  This is flanked by Tetramorph showing the four evangelical symbols - St Matthew the man, St Mark the lion, St Luke the ox, and John the eagle. In the middle register is are a series of  frescoes of the Apostles and the figure of Mary. The lower register, which has not been preserved, must have been painted curtains that imitated luxury fabrics.
  • Apse of Saint Peter de la Seu d'Urgell<br />
<br />
Second quarter of the twelfth century<br />
Fresco transferred to canvas<br />
From the church of St. Peter currently dedicated to St. Michael and St. Peter Cathedral group of Seu d'Urgell (Alt Urgell)<br />
<br />
Acquisition of the Museum Board Campaign 1919-1923<br />
MNAC 15867<br />
<br />
<br />
The apse is the most important part of the church as it was where the altar was located. The apse of La Seu d'Urgell like most Romanesque apses was decorated with frescoes of a Theophany (referring to images of the Incarnation of Jesus).High up in the semi circular cupola of the apse is a large image of Christ in Majesty, or Christ Pantocrator, in a mandorla, a pointed verticle oval shaped aureola which surrounds the figures of Christ and the Virgin Mary in traditional Christian art.  This is flanked by Tetramorph showing the four evangelical symbols - St Matthew the man, St Mark the lion, St Luke the ox, and John the eagle. In the middle register is are a series of  frescoes of the Apostles and the figure of Mary. The lower register, which has not been preserved, must have been painted curtains that imitated luxury fabrics.
  • Apse of Saint Peter de la Seu d'Urgell<br />
<br />
Second quarter of the twelfth century<br />
Fresco transferred to canvas<br />
From the church of St. Peter currently dedicated to St. Michael and St. Peter Cathedral group of Seu d'Urgell (Alt Urgell)<br />
<br />
Acquisition of the Museum Board Campaign 1919-1923<br />
MNAC 15867<br />
<br />
<br />
The apse is the most important part of the church as it was where the altar was located. The apse of La Seu d'Urgell like most Romanesque apses was decorated with frescoes of a Theophany (referring to images of the Incarnation of Jesus).High up in the semi circular cupola of the apse is a large image of Christ in Majesty, or Christ Pantocrator, in a mandorla, a pointed verticle oval shaped aureola which surrounds the figures of Christ and the Virgin Mary in traditional Christian art.  This is flanked by Tetramorph showing the four evangelical symbols - St Matthew the man, St Mark the lion, St Luke the ox, and John the eagle. In the middle register is are a series of  frescoes of the Apostles and the figure of Mary. The lower register, which has not been preserved, must have been painted curtains that imitated luxury fabrics.
  • Apse of Saint Peter de la Seu d'Urgell<br />
<br />
Second quarter of the twelfth century<br />
Fresco transferred to canvas<br />
From the church of St. Peter currently dedicated to St. Michael and St. Peter Cathedral group of Seu d'Urgell (Alt Urgell)<br />
<br />
Acquisition of the Museum Board Campaign 1919-1923<br />
MNAC 15867<br />
<br />
<br />
The apse is the most important part of the church as it was where the altar was located. The apse of La Seu d'Urgell like most Romanesque apses was decorated with frescoes of a Theophany (referring to images of the Incarnation of Jesus).High up in the semi circular cupola of the apse is a large image of Christ in Majesty, or Christ Pantocrator, in a mandorla, a pointed verticle oval shaped aureola which surrounds the figures of Christ and the Virgin Mary in traditional Christian art.  This is flanked by Tetramorph showing the four evangelical symbols - St Matthew the man, St Mark the lion, St Luke the ox, and John the eagle. In the middle register is are a series of  frescoes of the Apostles and the figure of Mary. The lower register, which has not been preserved, must have been painted curtains that imitated luxury fabrics.
  • Apse of Saint Peter de la Seu d'Urgell<br />
<br />
Second quarter of the twelfth century<br />
Fresco transferred to canvas<br />
From the church of St. Peter currently dedicated to St. Michael and St. Peter Cathedral group of Seu d'Urgell (Alt Urgell)<br />
<br />
Acquisition of the Museum Board Campaign 1919-1923<br />
MNAC 15867<br />
<br />
<br />
The apse is the most important part of the church as it was where the altar was located. The apse of La Seu d'Urgell like most Romanesque apses was decorated with frescoes of a Theophany (referring to images of the Incarnation of Jesus).High up in the semi circular cupola of the apse is a large image of Christ in Majesty, or Christ Pantocrator, in a mandorla, a pointed verticle oval shaped aureola which surrounds the figures of Christ and the Virgin Mary in traditional Christian art.  This is flanked by Tetramorph showing the four evangelical symbols - St Matthew the man, St Mark the lion, St Luke the ox, and John the eagle. In the middle register is are a series of  frescoes of the Apostles and the figure of Mary. The lower register, which has not been preserved, must have been painted curtains that imitated luxury fabrics.
  • Apse of Saint Peter de la Seu d'Urgell<br />
<br />
Second quarter of the twelfth century<br />
Fresco transferred to canvas<br />
From the church of St. Peter currently dedicated to St. Michael and St. Peter Cathedral group of Seu d'Urgell (Alt Urgell)<br />
<br />
Acquisition of the Museum Board Campaign 1919-1923<br />
MNAC 15867<br />
<br />
<br />
The apse is the most important part of the church as it was where the altar was located. The apse of La Seu d'Urgell like most Romanesque apses was decorated with frescoes of a Theophany (referring to images of the Incarnation of Jesus).High up in the semi circular cupola of the apse is a large image of Christ in Majesty, or Christ Pantocrator, in a mandorla, a pointed verticle oval shaped aureola which surrounds the figures of Christ and the Virgin Mary in traditional Christian art.  This is flanked by Tetramorph showing the four evangelical symbols - St Matthew the man, St Mark the lion, St Luke the ox, and John the eagle. In the middle register is are a series of  frescoes of the Apostles and the figure of Mary. The lower register, which has not been preserved, must have been painted curtains that imitated luxury fabrics.
  • The Romanesque Apse of Sant Clement de Taull<br />
<br />
Around 1123, Romanesque frescoes from the Church of Sant Clement de Taull, Vall de Boi,Alta Ribagorca, Spain.<br />
<br />
National Art Museum of Catalonia, Barcelona. MNAC 15806, 15860, 15966, 15968, 22996<br />
<br />
<br />
Romanesque frescoes depicting Christ in Majesty *Pantocrator) in the upper Apse and the Virgin  Mary and the Apostles in the central register.
  • The Romanesque Apse of Sant Clement de Taull<br />
<br />
Around 1123, Romanesque frescoes from the Church of Sant Clement de Taull, Vall de Boi,Alta Ribagorca, Spain.<br />
<br />
National Art Museum of Catalonia, Barcelona. MNAC 15806, 15860, 15966, 15968, 22996<br />
<br />
<br />
Romanesque frescoes depicting Christ in Majesty *Pantocrator) in the upper Apse and the Virgin  Mary and the Apostles in the central register.
  • Apse of Saint Peter de la Seu d'Urgell<br />
<br />
Second quarter of the twelfth century<br />
Fresco transferred to canvas<br />
From the church of St. Peter currently dedicated to St. Michael and St. Peter Cathedral group of Seu d'Urgell (Alt Urgell)<br />
<br />
Acquisition of the Museum Board Campaign 1919-1923<br />
MNAC 15867<br />
<br />
<br />
The apse is the most important part of the church as it was where the altar was located. The apse of La Seu d'Urgell like most Romanesque apses was decorated with frescoes of a Theophany (referring to images of the Incarnation of Jesus).High up in the semi circular cupola of the apse is a large image of Christ in Majesty, or Christ Pantocrator, in a mandorla, a pointed verticle oval shaped aureola which surrounds the figures of Christ and the Virgin Mary in traditional Christian art.  This is flanked by Tetramorph showing the four evangelical symbols - St Matthew the man, St Mark the lion, St Luke the ox, and John the eagle. In the middle register is are a series of  frescoes of the Apostles and the figure of Mary. The lower register, which has not been preserved, must have been painted curtains that imitated luxury fabrics.
  • Apse of Saint Peter de la Seu d'Urgell<br />
<br />
Second quarter of the twelfth century<br />
Fresco transferred to canvas<br />
From the church of St. Peter currently dedicated to St. Michael and St. Peter Cathedral group of Seu d'Urgell (Alt Urgell)<br />
<br />
Acquisition of the Museum Board Campaign 1919-1923<br />
MNAC 15867<br />
<br />
<br />
The apse is the most important part of the church as it was where the altar was located. The apse of La Seu d'Urgell like most Romanesque apses was decorated with frescoes of a Theophany (referring to images of the Incarnation of Jesus).High up in the semi circular cupola of the apse is a large image of Christ in Majesty, or Christ Pantocrator, in a mandorla, a pointed verticle oval shaped aureola which surrounds the figures of Christ and the Virgin Mary in traditional Christian art.  This is flanked by Tetramorph showing the four evangelical symbols - St Matthew the man, St Mark the lion, St Luke the ox, and John the eagle. In the middle register is are a series of  frescoes of the Apostles and the figure of Mary. The lower register, which has not been preserved, must have been painted curtains that imitated luxury fabrics.
  • Apse of Saint Peter de la Seu d'Urgell<br />
<br />
Second quarter of the twelfth century<br />
Fresco transferred to canvas<br />
From the church of St. Peter currently dedicated to St. Michael and St. Peter Cathedral group of Seu d'Urgell (Alt Urgell)<br />
<br />
Acquisition of the Museum Board Campaign 1919-1923<br />
MNAC 15867<br />
<br />
<br />
The apse is the most important part of the church as it was where the altar was located. The apse of La Seu d'Urgell like most Romanesque apses was decorated with frescoes of a Theophany (referring to images of the Incarnation of Jesus).High up in the semi circular cupola of the apse is a large image of Christ in Majesty, or Christ Pantocrator, in a mandorla, a pointed verticle oval shaped aureola which surrounds the figures of Christ and the Virgin Mary in traditional Christian art.  This is flanked by Tetramorph showing the four evangelical symbols - St Matthew the man, St Mark the lion, St Luke the ox, and John the eagle. In the middle register is are a series of  frescoes of the Apostles and the figure of Mary. The lower register, which has not been preserved, must have been painted curtains that imitated luxury fabrics.
  • Apse of Saint Peter de la Seu d'Urgell<br />
<br />
Second quarter of the twelfth century<br />
Fresco transferred to canvas<br />
From the church of St. Peter currently dedicated to St. Michael and St. Peter Cathedral group of Seu d'Urgell (Alt Urgell)<br />
<br />
Acquisition of the Museum Board Campaign 1919-1923<br />
MNAC 15867<br />
<br />
<br />
The apse is the most important part of the church as it was where the altar was located. The apse of La Seu d'Urgell like most Romanesque apses was decorated with frescoes of a Theophany (referring to images of the Incarnation of Jesus).High up in the semi circular cupola of the apse is a large image of Christ in Majesty, or Christ Pantocrator, in a mandorla, a pointed verticle oval shaped aureola which surrounds the figures of Christ and the Virgin Mary in traditional Christian art.  This is flanked by Tetramorph showing the four evangelical symbols - St Matthew the man, St Mark the lion, St Luke the ox, and John the eagle. In the middle register is are a series of  frescoes of the Apostles and the figure of Mary. The lower register, which has not been preserved, must have been painted curtains that imitated luxury fabrics.
  • Apse of Saint Peter de la Seu d'Urgell<br />
<br />
Second quarter of the twelfth century<br />
Fresco transferred to canvas<br />
From the church of St. Peter currently dedicated to St. Michael and St. Peter Cathedral group of Seu d'Urgell (Alt Urgell)<br />
<br />
Acquisition of the Museum Board Campaign 1919-1923<br />
MNAC 15867<br />
<br />
<br />
The apse is the most important part of the church as it was where the altar was located. The apse of La Seu d'Urgell like most Romanesque apses was decorated with frescoes of a Theophany (referring to images of the Incarnation of Jesus).High up in the semi circular cupola of the apse is a large image of Christ in Majesty, or Christ Pantocrator, in a mandorla, a pointed verticle oval shaped aureola which surrounds the figures of Christ and the Virgin Mary in traditional Christian art.  This is flanked by Tetramorph showing the four evangelical symbols - St Matthew the man, St Mark the lion, St Luke the ox, and John the eagle. In the middle register is are a series of  frescoes of the Apostles and the figure of Mary. The lower register, which has not been preserved, must have been painted curtains that imitated luxury fabrics.
  • Apse of Saint Peter de la Seu d'Urgell<br />
<br />
Second quarter of the twelfth century<br />
Fresco transferred to canvas<br />
From the church of St. Peter currently dedicated to St. Michael and St. Peter Cathedral group of Seu d'Urgell (Alt Urgell)<br />
<br />
Acquisition of the Museum Board Campaign 1919-1923<br />
MNAC 15867<br />
<br />
<br />
The apse is the most important part of the church as it was where the altar was located. The apse of La Seu d'Urgell like most Romanesque apses was decorated with frescoes of a Theophany (referring to images of the Incarnation of Jesus).High up in the semi circular cupola of the apse is a large image of Christ in Majesty, or Christ Pantocrator, in a mandorla, a pointed verticle oval shaped aureola which surrounds the figures of Christ and the Virgin Mary in traditional Christian art.  This is flanked by Tetramorph showing the four evangelical symbols - St Matthew the man, St Mark the lion, St Luke the ox, and John the eagle. In the middle register is are a series of  frescoes of the Apostles and the figure of Mary. The lower register, which has not been preserved, must have been painted curtains that imitated luxury fabrics.
  • Apse of Saint Peter de la Seu d'Urgell<br />
<br />
Second quarter of the twelfth century<br />
Fresco transferred to canvas<br />
From the church of St. Peter currently dedicated to St. Michael and St. Peter Cathedral group of Seu d'Urgell (Alt Urgell)<br />
<br />
Acquisition of the Museum Board Campaign 1919-1923<br />
MNAC 15867<br />
<br />
<br />
The apse is the most important part of the church as it was where the altar was located. The apse of La Seu d'Urgell like most Romanesque apses was decorated with frescoes of a Theophany (referring to images of the Incarnation of Jesus).High up in the semi circular cupola of the apse is a large image of Christ in Majesty, or Christ Pantocrator, in a mandorla, a pointed verticle oval shaped aureola which surrounds the figures of Christ and the Virgin Mary in traditional Christian art.  This is flanked by Tetramorph showing the four evangelical symbols - St Matthew the man, St Mark the lion, St Luke the ox, and John the eagle. In the middle register is are a series of  frescoes of the Apostles and the figure of Mary. The lower register, which has not been preserved, must have been painted curtains that imitated luxury fabrics.
  • Apse of Saint Peter de la Seu d'Urgell<br />
<br />
Second quarter of the twelfth century<br />
Fresco transferred to canvas<br />
From the church of St. Peter currently dedicated to St. Michael and St. Peter Cathedral group of Seu d'Urgell (Alt Urgell)<br />
<br />
Acquisition of the Museum Board Campaign 1919-1923<br />
MNAC 15867<br />
<br />
<br />
The apse is the most important part of the church as it was where the altar was located. The apse of La Seu d'Urgell like most Romanesque apses was decorated with frescoes of a Theophany (referring to images of the Incarnation of Jesus).High up in the semi circular cupola of the apse is a large image of Christ in Majesty, or Christ Pantocrator, in a mandorla, a pointed verticle oval shaped aureola which surrounds the figures of Christ and the Virgin Mary in traditional Christian art.  This is flanked by Tetramorph showing the four evangelical symbols - St Matthew the man, St Mark the lion, St Luke the ox, and John the eagle. In the middle register is are a series of  frescoes of the Apostles and the figure of Mary. The lower register, which has not been preserved, must have been painted curtains that imitated luxury fabrics.
  • Pictures & imagse of the interior frescoes of the Timotesubani medieval Orthodox monastery Church of the Holy Dormition (Assumption), dedcated to the Virgin Mary, 1184-1213, Samtskhe-Javakheti region, Georgia (country).<br />
<br />
Built during the reigh of Queen Tamar during the “Golden Age of Georgia”, Timotesubani Church of the Holy Dormition is one of the most important examples of medieval Georgian architecture and art. <br />
<br />
The interior frescoes of date from the 11th - 13th century so the Timotesubani church of the Dormition is a treasure trove of medieval Georgian art created during the reign of Queen Tamar. The fresco murals have been rescued and preserved by the Global Fund of Cultural Heritage.
  • Pictures & imagse of the interior frescoes depicting the Virgin and Child in the Timotesubani medieval Orthodox monastery Church of the Holy Dormition (Assumption), dedcated to the Virgin Mary, 1184-1213, Samtskhe-Javakheti region, Georgia (country).<br />
<br />
Built during the reigh of Queen Tamar during the “Golden Age of Georgia”, Timotesubani Church of the Holy Dormition is one of the most important examples of medieval Georgian architecture and art. <br />
<br />
The interior frescoes of date from the 11th - 13th century so the Timotesubani church of the Dormition is a treasure trove of medieval Georgian art created during the reign of Queen Tamar. The fresco murals have been rescued and preserved by the Global Fund of Cultural Heritage.
  • Pictures & imagse of the interior frescoes of the Timotesubani medieval Orthodox monastery Church of the Holy Dormition (Assumption), dedcated to the Virgin Mary, 1184-1213, Samtskhe-Javakheti region, Georgia (country).<br />
<br />
Built during the reigh of Queen Tamar during the “Golden Age of Georgia”, Timotesubani Church of the Holy Dormition is one of the most important examples of medieval Georgian architecture and art. <br />
<br />
The interior frescoes of date from the 11th - 13th century so the Timotesubani church of the Dormition is a treasure trove of medieval Georgian art created during the reign of Queen Tamar. The fresco murals have been rescued and preserved by the Global Fund of Cultural Heritage.
  • Pictures & imagse of the interior frescoes of the Timotesubani medieval Orthodox monastery Church of the Holy Dormition (Assumption), dedcated to the Virgin Mary, 1184-1213, Samtskhe-Javakheti region, Georgia (country).<br />
<br />
Built during the reigh of Queen Tamar during the “Golden Age of Georgia”, Timotesubani Church of the Holy Dormition is one of the most important examples of medieval Georgian architecture and art. <br />
<br />
The interior frescoes of date from the 11th - 13th century so the Timotesubani church of the Dormition is a treasure trove of medieval Georgian art created during the reign of Queen Tamar. The fresco murals have been rescued and preserved by the Global Fund of Cultural Heritage.
  • Pictures & imagse of the interior frescoes of the Timotesubani medieval Orthodox monastery Church of the Holy Dormition (Assumption), dedcated to the Virgin Mary, 1184-1213, Samtskhe-Javakheti region, Georgia (country).<br />
<br />
Built during the reigh of Queen Tamar during the “Golden Age of Georgia”, Timotesubani Church of the Holy Dormition is one of the most important examples of medieval Georgian architecture and art. <br />
<br />
The interior frescoes of date from the 11th - 13th century so the Timotesubani church of the Dormition is a treasure trove of medieval Georgian art created during the reign of Queen Tamar. The fresco murals have been rescued and preserved by the Global Fund of Cultural Heritage.
  • The Romanesque Apse of Sant Clement de Taull<br />
<br />
Around 1123, Romanesque frescoes from the Church of Sant Clement de Taull, Vall de Boi,Alta Ribagorca, Spain.<br />
<br />
National Art Museum of Catalonia, Barcelona. MNAC 15806, 15860, 15966, 15968, 22996<br />
<br />
<br />
Romanesque frescoes depicting Christ in Majesty *Pantocrator) in the upper Apse and the Virgin  Mary and the Apostles in the central register.
  • Pictures & imagse of the interior frescoes depicting the Assumption of the Virgin in the Timotesubani medieval Orthodox monastery Church of the Holy Dormition (Assumption), dedcated to the Virgin Mary, 1184-1213, Samtskhe-Javakheti region, Georgia (country).<br />
<br />
Built during the reigh of Queen Tamar during the “Golden Age of Georgia”, Timotesubani Church of the Holy Dormition is one of the most important examples of medieval Georgian architecture and art. <br />
<br />
The interior frescoes of date from the 11th - 13th century so the Timotesubani church of the Dormition is a treasure trove of medieval Georgian art created during the reign of Queen Tamar. The fresco murals have been rescued and preserved by the Global Fund of Cultural Heritage.
  • Pictures & imagse of the interior frescoes depicting the Assumption of the Virgin in the Timotesubani medieval Orthodox monastery Church of the Holy Dormition (Assumption), dedcated to the Virgin Mary, 1184-1213, Samtskhe-Javakheti region, Georgia (country).<br />
<br />
Built during the reigh of Queen Tamar during the “Golden Age of Georgia”, Timotesubani Church of the Holy Dormition is one of the most important examples of medieval Georgian architecture and art. <br />
<br />
The interior frescoes of date from the 11th - 13th century so the Timotesubani church of the Dormition is a treasure trove of medieval Georgian art created during the reign of Queen Tamar. The fresco murals have been rescued and preserved by the Global Fund of Cultural Heritage.
  • Pictures & imagse of the interior frescoes depicting the Assumption of the Virgin in the Timotesubani medieval Orthodox monastery Church of the Holy Dormition (Assumption), dedcated to the Virgin Mary, 1184-1213, Samtskhe-Javakheti region, Georgia (country).<br />
<br />
Built during the reigh of Queen Tamar during the “Golden Age of Georgia”, Timotesubani Church of the Holy Dormition is one of the most important examples of medieval Georgian architecture and art. <br />
<br />
The interior frescoes of date from the 11th - 13th century so the Timotesubani church of the Dormition is a treasure trove of medieval Georgian art created during the reign of Queen Tamar. The fresco murals have been rescued and preserved by the Global Fund of Cultural Heritage.
  • Pictures & imagse of the interior frescoes depicting the Assumption of the Virgin in the Timotesubani medieval Orthodox monastery Church of the Holy Dormition (Assumption), dedcated to the Virgin Mary, 1184-1213, Samtskhe-Javakheti region, Georgia (country).<br />
<br />
Built during the reigh of Queen Tamar during the “Golden Age of Georgia”, Timotesubani Church of the Holy Dormition is one of the most important examples of medieval Georgian architecture and art. <br />
<br />
The interior frescoes of date from the 11th - 13th century so the Timotesubani church of the Dormition is a treasure trove of medieval Georgian art created during the reign of Queen Tamar. The fresco murals have been rescued and preserved by the Global Fund of Cultural Heritage.
  • Pictures & imagse of the interior frescoes depicting the Assumption of the Virgin in the Timotesubani medieval Orthodox monastery Church of the Holy Dormition (Assumption), dedcated to the Virgin Mary, 1184-1213, Samtskhe-Javakheti region, Georgia (country).<br />
<br />
Built during the reigh of Queen Tamar during the “Golden Age of Georgia”, Timotesubani Church of the Holy Dormition is one of the most important examples of medieval Georgian architecture and art. <br />
<br />
The interior frescoes of date from the 11th - 13th century so the Timotesubani church of the Dormition is a treasure trove of medieval Georgian art created during the reign of Queen Tamar. The fresco murals have been rescued and preserved by the Global Fund of Cultural Heritage.
  • Pictures & imagse of the interior frescoes of the Timotesubani medieval Orthodox monastery Church of the Holy Dormition (Assumption), dedcated to the Virgin Mary, 1184-1213, Samtskhe-Javakheti region, Georgia (country).<br />
<br />
Built during the reigh of Queen Tamar during the “Golden Age of Georgia”, Timotesubani Church of the Holy Dormition is one of the most important examples of medieval Georgian architecture and art. <br />
<br />
The interior frescoes of date from the 11th - 13th century so the Timotesubani church of the Dormition is a treasure trove of medieval Georgian art created during the reign of Queen Tamar. The fresco murals have been rescued and preserved by the Global Fund of Cultural Heritage.
  • Pictures & imagse of the interior frescoes of the Timotesubani medieval Orthodox monastery Church of the Holy Dormition (Assumption), dedcated to the Virgin Mary, 1184-1213, Samtskhe-Javakheti region, Georgia (country).<br />
<br />
Built during the reigh of Queen Tamar during the “Golden Age of Georgia”, Timotesubani Church of the Holy Dormition is one of the most important examples of medieval Georgian architecture and art. <br />
<br />
The interior frescoes of date from the 11th - 13th century so the Timotesubani church of the Dormition is a treasure trove of medieval Georgian art created during the reign of Queen Tamar. The fresco murals have been rescued and preserved by the Global Fund of Cultural Heritage.
  • Pictures & imagse of the interior frescoes of the Timotesubani medieval Orthodox monastery Church of the Holy Dormition (Assumption), dedcated to the Virgin Mary, 1184-1213, Samtskhe-Javakheti region, Georgia (country).<br />
<br />
Built during the reigh of Queen Tamar during the “Golden Age of Georgia”, Timotesubani Church of the Holy Dormition is one of the most important examples of medieval Georgian architecture and art. <br />
<br />
The interior frescoes of date from the 11th - 13th century so the Timotesubani church of the Dormition is a treasure trove of medieval Georgian art created during the reign of Queen Tamar. The fresco murals have been rescued and preserved by the Global Fund of Cultural Heritage.
  • Pictures & imagse of the interior cupola frescoes of the Timotesubani medieval Orthodox monastery Church of the Holy Dormition (Assumption), dedcated to the Virgin Mary, 1184-1213, Samtskhe-Javakheti region, Georgia (country).<br />
<br />
Built during the reigh of Queen Tamar during the “Golden Age of Georgia”, Timotesubani Church of the Holy Dormition is one of the most important examples of medieval Georgian architecture and art. <br />
<br />
The interior frescoes of date from the 11th - 13th century so the Timotesubani church of the Dormition is a treasure trove of medieval Georgian art created during the reign of Queen Tamar. The fresco murals have been rescued and preserved by the Global Fund of Cultural Heritage.
  • Pictures & imagse of the interior frescoes of the Timotesubani medieval Orthodox monastery Church of the Holy Dormition (Assumption), dedcated to the Virgin Mary, 1184-1213, Samtskhe-Javakheti region, Georgia (country).<br />
<br />
Built during the reigh of Queen Tamar during the “Golden Age of Georgia”, Timotesubani Church of the Holy Dormition is one of the most important examples of medieval Georgian architecture and art. <br />
<br />
The interior frescoes of date from the 11th - 13th century so the Timotesubani church of the Dormition is a treasure trove of medieval Georgian art created during the reign of Queen Tamar. The fresco murals have been rescued and preserved by the Global Fund of Cultural Heritage.
  • Pictures & imagse of the interior cupola frescoes of the Timotesubani medieval Orthodox monastery Church of the Holy Dormition (Assumption), dedcated to the Virgin Mary, 1184-1213, Samtskhe-Javakheti region, Georgia (country).<br />
<br />
Built during the reigh of Queen Tamar during the “Golden Age of Georgia”, Timotesubani Church of the Holy Dormition is one of the most important examples of medieval Georgian architecture and art. <br />
<br />
The interior frescoes of date from the 11th - 13th century so the Timotesubani church of the Dormition is a treasure trove of medieval Georgian art created during the reign of Queen Tamar. The fresco murals have been rescued and preserved by the Global Fund of Cultural Heritage.
  • Pictures & imagse of the interior cupola frescoes of the Timotesubani medieval Orthodox monastery Church of the Holy Dormition (Assumption), dedcated to the Virgin Mary, 1184-1213, Samtskhe-Javakheti region, Georgia (country).<br />
<br />
Built during the reigh of Queen Tamar during the “Golden Age of Georgia”, Timotesubani Church of the Holy Dormition is one of the most important examples of medieval Georgian architecture and art. <br />
<br />
The interior frescoes of date from the 11th - 13th century so the Timotesubani church of the Dormition is a treasure trove of medieval Georgian art created during the reign of Queen Tamar. The fresco murals have been rescued and preserved by the Global Fund of Cultural Heritage.
  • Pictures & imagse of the interior frescoes of the Timotesubani medieval Orthodox monastery Church of the Holy Dormition (Assumption), dedcated to the Virgin Mary, 1184-1213, Samtskhe-Javakheti region, Georgia (country).<br />
<br />
Built during the reigh of Queen Tamar during the “Golden Age of Georgia”, Timotesubani Church of the Holy Dormition is one of the most important examples of medieval Georgian architecture and art. <br />
<br />
The interior frescoes of date from the 11th - 13th century so the Timotesubani church of the Dormition is a treasure trove of medieval Georgian art created during the reign of Queen Tamar. The fresco murals have been rescued and preserved by the Global Fund of Cultural Heritage.
  • Pictures & imagse of the interior frescoes of the Timotesubani medieval Orthodox monastery Church of the Holy Dormition (Assumption), dedcated to the Virgin Mary, 1184-1213, Samtskhe-Javakheti region, Georgia (country).<br />
<br />
Built during the reigh of Queen Tamar during the “Golden Age of Georgia”, Timotesubani Church of the Holy Dormition is one of the most important examples of medieval Georgian architecture and art. <br />
<br />
The interior frescoes of date from the 11th - 13th century so the Timotesubani church of the Dormition is a treasure trove of medieval Georgian art created during the reign of Queen Tamar. The fresco murals have been rescued and preserved by the Global Fund of Cultural Heritage.
  • Pictures & imagse of the interior frescoes of the Timotesubani medieval Orthodox monastery Church of the Holy Dormition (Assumption), dedcated to the Virgin Mary, 1184-1213, Samtskhe-Javakheti region, Georgia (country).<br />
<br />
Built during the reigh of Queen Tamar during the “Golden Age of Georgia”, Timotesubani Church of the Holy Dormition is one of the most important examples of medieval Georgian architecture and art. <br />
<br />
The interior frescoes of date from the 11th - 13th century so the Timotesubani church of the Dormition is a treasure trove of medieval Georgian art created during the reign of Queen Tamar. The fresco murals have been rescued and preserved by the Global Fund of Cultural Heritage.
  • Pictures & imagse of the interior frescoes of the Timotesubani medieval Orthodox monastery Church of the Holy Dormition (Assumption), dedcated to the Virgin Mary, 1184-1213, Samtskhe-Javakheti region, Georgia (country).<br />
<br />
Built during the reigh of Queen Tamar during the “Golden Age of Georgia”, Timotesubani Church of the Holy Dormition is one of the most important examples of medieval Georgian architecture and art. <br />
<br />
The interior frescoes of date from the 11th - 13th century so the Timotesubani church of the Dormition is a treasure trove of medieval Georgian art created during the reign of Queen Tamar. The fresco murals have been rescued and preserved by the Global Fund of Cultural Heritage.
  • The Romanesque Apse of Sant Clement de Taull<br />
<br />
Around 1123, Romanesque frescoes from the Church of Sant Clement de Taull, Vall de Boi,Alta Ribagorca, Spain.<br />
<br />
National Art Museum of Catalonia, Barcelona. MNAC 15806, 15860, 15966, 15968, 22996<br />
<br />
<br />
Romanesque frescoes depicting Christ in Majesty *Pantocrator) in the upper Apse and the Virgin  Mary and the Apostles in the central register.
  • The Romanesque Apse of Sant Clement de Taull<br />
<br />
Around 1123, Romanesque frescoes from the Church of Sant Clement de Taull, Vall de Boi,Alta Ribagorca, Spain.<br />
<br />
National Art Museum of Catalonia, Barcelona. MNAC 15806, 15860, 15966, 15968, 22996<br />
<br />
<br />
Romanesque frescoes depicting Christ in Majesty *Pantocrator) in the upper Apse and the Virgin  Mary and the Apostles in the central register.
  • The Romanesque Apse of Sant Clement de Taull<br />
<br />
Around 1123, Romanesque frescoes from the Church of Sant Clement de Taull, Vall de Boi,Alta Ribagorca, Spain.<br />
<br />
National Art Museum of Catalonia, Barcelona. MNAC 15806, 15860, 15966, 15968, 22996<br />
<br />
<br />
Romanesque frescoes depicting Christ in Majesty *Pantocrator) in the upper Apse and the Virgin  Mary and the Apostles in the central register.
  • Romanesque frescoes of a Griffen typical of Catalan Court painting from 1200. From the ancient monastery of San Pedro de Arlanza, Buros, Spain. Painted around 1210. National Art Museum of Catalonia, Barcelona. MNAC 40142
  • Romanesque frescoes of the Apostles from the church of Sant Roma de les Bons, painted around 1164, Encamp, Andorra. National Art Museum of Catalonia, Barcelona. MNAC 15783
  • Romanesque frescoes of the Apostles from the church of Sant Roma de les Bons, painted around 1164, Encamp, Andorra. National Art Museum of Catalonia, Barcelona. MNAC 15783
  • Twelfth century Romanesque frescoes of the Apse of Ginestarre depicting,The Virgin Mary and the Apostles, from the church of Santa Maria de Ginestarre, Catalonia, Spain. National Art Museum of Catalonia, Barcelona. MNAC 15971
  • Romanesque frescoes of a Griffen typical of Catalan Court painting from 1200. From the ancient monastery of San Pedro de Arlanza, Buros, Spain. Painted around 1210. National Art Museum of Catalonia, Barcelona. MNAC 40142
  • Second half of the twelfth Century Romanesque frescoes of the Apse d’Esterri de Cardos. The church of Sant Pau d’Estirri de Cardos, Spain. National Art Museum of Catalonia, Barcelona. MNAC 15970
  • Second half of the twelfth Century Romanesque frescoes of the Apse d’Esterri de Cardos depicting Christ Pantocrator. The church of Sant Pau d’Estirri de Cardos, Spain. National Art Museum of Catalonia, Barcelona. MNAC 15970
  • Second half of the twelfth Century Romanesque frescoes of the Apse d’Esterri de Cardos depicting Christ Pantocrator. The church of Sant Pau d’Estirri de Cardos, Spain. National Art Museum of Catalonia, Barcelona. MNAC 15970
  • Second half of the twelfth Century Romanesque frescoes of the Apse d’Esterri de Cardos depicting a Byzantine style angel. The church of Sant Pau d’Estirri de Cardos, Spain. National Art Museum of Catalonia, Barcelona. MNAC 15970
  • Second half of the twelfth Century Romanesque frescoes of the Apse d’Esterri de Cardos depicting Christ Pantocrator. The church of Sant Pau d’Estirri de Cardos, Spain. National Art Museum of Catalonia, Barcelona. MNAC 15970
  • Second half of the twelfth Century Romanesque frescoes of the Apse d’Esterri de Cardos depicting Christ Pantocrator. The church of Sant Pau d’Estirri de Cardos, Spain. National Art Museum of Catalonia, Barcelona. MNAC 15970
  • Second half of the twelfth Century Romanesque frescoes of the Apse d’Esterri de Cardos depicting Christ Pantocrator. The church of Sant Pau d’Estirri de Cardos, Spain. National Art Museum of Catalonia, Barcelona. MNAC 15970
  • Romanesque frescoes of St. Steven of Andorra (Sant Esteve) from the church of Sant Esteve d’Andorra, painted around 1200-1210,  Andorra la Vella. National Art Museum of Catalonia, Barcelona. MNAC 35706
  • Romanesque frescoes of Apse of St. Steven of Andorra (Sant Esteve) from the church of Sant Esteve d’Andorra, painted around 1200-1210,  Andorra la Vella. National Art Museum of Catalonia, Barcelona. MNAC 35711
  • Romanesque frescoes of Apse of St. Steven of Andorra (Sant Esteve) from the church of Sant Esteve d’Andorra, painted around 1200-1210,  Andorra la Vella. National Art Museum of Catalonia, Barcelona. MNAC 35711
  • Romanesque frescoes of the St. Paul from the church of Sant Roma de les Bons, painted around 1164, Encamp, Andorra. National Art Museum of Catalonia, Barcelona. MNAC 15783
  • Romanesque frescoes of the Virgin Mary from the church of Sant Roma de les Bons, painted around 1164, Encamp, Andorra. National Art Museum of Catalonia, Barcelona. MNAC 15783
  • Romanesque frescoes of St. Peter from the church of Sant Roma de les Bons, painted around 1164, Encamp, Andorra. National Art Museum of Catalonia, Barcelona. MNAC 15783
  • Romanesque frescoes of the Virgin Mary and Peter from the church of Sant Roma de les Bons, painted around 1164, Encamp, Andorra. National Art Museum of Catalonia, Barcelona. MNAC 15783
  • Romanesque frescoes of the Apostle Paul from the church of Sant Roma de les Bons, painted around 1164, Encamp, Andorra. National Art Museum of Catalonia, Barcelona. MNAC 15783
  • Romanesque frescoes of the Apostles from the church of Sant Roma de les Bons, painted around 1164, Encamp, Andorra. National Art Museum of Catalonia, Barcelona. MNAC 15783
  • Romanesque frescoes of the Apostles from the church of Sant Roma de les Bons, painted around 1164, Encamp, Andorra. National Art Museum of Catalonia, Barcelona. MNAC 15783
  • Romanesque frescoes depicting Christ Pantocrator from the Church of Sant Miguel d’Engolasters, Les Escaldes, Andorra.. Painted around 1160. National Art Museum of Catalonia, Barcelona. MNAC 15972
  • Romanesque frescoes depicting the an Angel with the Eagle that symbolises the St John the Evangelist from the church of Sant Miguel d’Engolasters, Les Escaldes, Andorra.. Painted around 1160. National Art Museum of Catalonia, Barcelona. MNAC 15972
  • Romanesque frescoes depicting the Apostles from the Church of Sant Miguel d’Engolasters, Les Escaldes, Andorra.. Painted around 1160. National Art Museum of Catalonia, Barcelona. MNAC 15972
  • Romanesque frescoes depicting the Apostles from the Church of Sant Miguel d’Engolasters, Les Escaldes, Andorra.. Painted around 1160. National Art Museum of Catalonia, Barcelona. MNAC 15972
  • Romanesque frescoes depicting Archangel Michael Killing a dragon  from the Church of Sant Miguel d’Engolasters, Les Escaldes, Andorra.. Painted around 1160. National Art Museum of Catalonia, Barcelona. MNAC 15972
  • Romanesque frescoes depicting Christ Pantocrator and the Apostles from the Church of Sant Miguel d’Engolasters, Les Escaldes, Andorra.. Painted around 1160. National Art Museum of Catalonia, Barcelona. MNAC 15972
  • Romanesque frescoes depicting Christ Pantocrator from the Church of Sant Miguel d’Engolasters, Les Escaldes, Andorra.. Painted around 1160. National Art Museum of Catalonia, Barcelona. MNAC 15972
  • Romanesque frescoes  from the Church of Sant Miguel d’Engolasters, Les Escaldes, Andorra.. Painted around 1160. National Art Museum of Catalonia, Barcelona. MNAC 15972
  • Twelfth century Romanesque frescoes of the Apse of Estaon depicting scenes from the middle register showing the Baptism of Christ by John The Baptist,  from the church of Sant Eulalia d’Estaon, Vall de Cardos, Catalonia, Spain. National Art Museum of Catalonia, Barcelona. MNAC 15969
  • Twelfth Century Romanesque frescoes of the Apse d’Estaon. The church of Santa Eulalia d’Estaon, Vall de Cardos, Pollars Sobira, Spain. National Art Museum of Catalonia, Barcelona. MNAC 15969
  • Twelfth Century Romanesque frescoes of the Apse d’Estaon. The church of Santa Eulalia d’Estaon, Vall de Cardos, Pollars Sobira, Spain. National Art Museum of Catalonia, Barcelona. MNAC 15969
  • Twelfth century Romanesque frescoes of the Apse of Estaon depicting a Byzantine style angels with Archangel Gabriel,  from the church of Sant Eulalia d’Estaon, Vall de Cardos, Catalonia, Spain. National Art Museum of Catalonia, Barcelona. MNAC 15969
  • Twelfth century Romanesque frescoes of the Apse of Estaon depicting scenes from the middle register showing the Baptism of Christ by John The Baptist,  from the church of Sant Eulalia d’Estaon, Vall de Cardos, Catalonia, Spain. National Art Museum of Catalonia, Barcelona. MNAC 15969
  • Twelfth century Romanesque frescoes of the Apse of Estaon depicting Christ Pantocrator ( In Majesty) surrounded by Byzantine style angels, from the church of Sant Eulalia d’Estaon, Vall de Cardos, Catalonia, Spain. National Art Museum of Catalonia, Barcelona. MNAC 15969
  • Romanesque frescoes from the Church of Sant Clement de Taull, Vall de Boi, Alta Ribagorca, Spain. Painted around 1123.  National Art Museum of Catalonia, Barcelona. MNAC 15806
  • Twelfth century Romanesque frescoes of the Apse of Estaon depicting Christ Pantocrator ( In Majesty) surrounded by Byzantine style angels, and below scenes from the Baptism of Christ, from the church of Sant Eulalia d’Estaon, Vall de Cardos, Catalonia, Spain. National Art Museum of Catalonia, Barcelona. MNAC 15969
  • Romanesque frescoes from the Church of Sant Clement de Taull, Vall de Boi, Alta Ribagorca, Spain. Painted around 1123 depicting Christ Pantocrator or In Majesty.  National Art Museum of Catalonia, Barcelona. MNAC 15806
  • Romanesque frescoes from the Church of Sant Clement de Taull, Vall de Boi, Alta Ribagorca, Spain. Painted around 1123 depicting Christ Pantocrator or In Majesty.  National Art Museum of Catalonia, Barcelona. MNAC 15806
  • Romanesque frescoes from the Church of Sant Clement de Taull, Vall de Boi, Alta Ribagorca, Spain. Painted around 1123, The inorgaration plaque for the church. National Art Museum of Catalonia, Barcelona. MNAC 15806,
  • Romanesque frescoes from the Church of Sant Clement de Taull, Vall de Boi, Alta Ribagorca, Spain. Painted around 1123.  National Art Museum of Catalonia, Barcelona. MNAC 15806
  • Romanesque frescoes from the Church of Sant Clement de Taull, Vall de Boi, Alta Ribagorca, Spain. Painted around 1123.  National Art Museum of Catalonia, Barcelona. MNAC 15806
  • Romanesque frescoes from the Church of Sant Clement de Taull, Vall de Boi, Alta Ribagorca, Spain. Painted around 1123 depicting Christ Pantocrator or In Majesty.  National Art Museum of Catalonia, Barcelona. MNAC 15806
  • Romanesque frescoes from the Church of Sant Clement de Taull, Vall de Boi, Alta Ribagorca, Spain. Painted around 1123 depicting Christ Pantocrator or In Majesty.  National Art Museum of Catalonia, Barcelona. MNAC 15806
  • Romanesque frescoes from the Church of Sant Clement de Taull, Vall de Boi, Alta Ribagorca, Spain. Painted around 1123 depicting The virgin Mary and the Apostles.  National Art Museum of Catalonia, Barcelona. MNAC 15806
  • Romanesque frescoes from the Church of Sant Clement de Taull, Vall de Boi, Alta Ribagorca, Spain. Painted around 1123 depicting The virgin Mary and the Apostles.  National Art Museum of Catalonia, Barcelona. MNAC 15806
  • Romanesque frescoes from the Church of Sant Clement de Taull, Vall de Boi, Alta Ribagorca, Spain. Painted around 1123..  National Art Museum of Catalonia, Barcelona. MNAC 15806
  • Romanesque frescoes from the Church of Sant Clement de Taull, Vall de Boi, Alta Ribagorca, Spain. Painted around 1123 depicting The virgin Mary and the Apostles.  National Art Museum of Catalonia, Barcelona. MNAC 15806
  • Romanesque frescoes from the Church of Sant Clement de Taull, Vall de Boi, Alta Ribagorca, Spain. Painted around 1123 depicting The virgin Mary and the Apostles.  National Art Museum of Catalonia, Barcelona. MNAC 15806
  • Eleventh Century Romanesque frescoes of the side Apse of Sant Quirze de Pedret showing the parabel of the Ten Virgins from the Gospel of St. Matthew. The church of Sant Quize de Padret, Cercs, Bergueda, Sapin. National Art Museum of Catalonia, Barcelona. MNAC 15973
  • Eleventh Century Romanesque frescoes of the side Apse of Sant Quirze de Pedret showing the parabel of the Ten Virgins from the Gospel of St. Matthew. The church of Sant Quize de Padret, Cercs, Bergueda, Sapin. National Art Museum of Catalonia, Barcelona. MNAC 15973
  • Eleventh Century Romanesque frescoes of the side Apse of Sant Quirze de Pedret showing the parabel of the Ten Virgins from the Gospel of St. Matthew. The church of Sant Quize de Padret, Cercs, Bergueda, Sapin. National Art Museum of Catalonia, Barcelona. MNAC 15973
  • Eleventh Century Romanesque frescoes of the side Apse of Sant Quirze de Pedret showing the parabel of the Ten Virgins from the Gospel of St. Matthew. The church of Sant Quize de Padret, Cercs, Bergueda, Sapin. National Art Museum of Catalonia, Barcelona. MNAC 15973
  • Eleventh Century Romanesque frescoes of the side Apse of Sant Quirze de Pedret showing the parabel of the Ten Virgins from the Gospel of St. Matthew. The church of Sant Quize de Padret, Cercs, Bergueda, Sapin. National Art Museum of Catalonia, Barcelona. MNAC 15973
  • Eleventh Century Romanesque frescoes of the side Apse of Sant Quirze de Pedret showing the parabel of the Ten Virgins from the Gospel of St. Matthew. The church of Sant Quize de Padret, Cercs, Bergueda, Sapin. National Art Museum of Catalonia, Barcelona. MNAC 15973
  • Eleventh Century Romanesque frescoes of the side Apse of Sant Quirze de Pedret showing the parabel of the Ten Virgins from the Gospel of St. Matthew. The church of Sant Quize de Padret, Cercs, Bergueda, Sapin. National Art Museum of Catalonia, Barcelona. MNAC 15973
  • Twelfth century Romanesque frescoes of the Apse of Ginestarre, from the church of Santa Maria de Ginestarre, Catalonia, Spain. National Art Museum of Catalonia, Barcelona. MNAC 15971
  • Twelfth century Romanesque frescoes of the Apse of Ginestarre depicting, from right to left, The Virgin Mary, Peter and the Apostles, from the church of Santa Maria de Ginestarre, Catalonia, Spain. National Art Museum of Catalonia, Barcelona. MNAC 15971
  • Twelfth century Romanesque frescoes of the Apse of Ginestarre depicting,The Virgin Mary and the Apostles, from the church of Santa Maria de Ginestarre, Catalonia, Spain. National Art Museum of Catalonia, Barcelona. MNAC 15971
  • Romanesque frescoes of Apse of St. Steven of Andorra (Sant Esteve) from the church of Sant Esteve d’Andorra, painted around 1200-1210,  Andorra la Vella. National Art Museum of Catalonia, Barcelona. MNAC 35711
  • Romanesque frescoes depicting the Apostles from the Church of Sant Miguel d’Engolasters, Les Escaldes, Andorra.. Painted around 1160. National Art Museum of Catalonia, Barcelona. MNAC 15972
  • Twelfth century Romanesque frescoes of the Apse of Estaon depicting a Byzantine style angels with Archangel Michael, from the church of Sant Eulalia d’Estaon, Vall de Cardos, Catalonia, Spain. National Art Museum of Catalonia, Barcelona. MNAC 15969
  • Romanesque frescoes from the Church of Sant Clement de Taull, Vall de Boi, Alta Ribagorca, Spain. Painted around 1123 depicting Christ Pantocrator or In Majesty.  National Art Museum of Catalonia, Barcelona. MNAC 15806
  • Romanesque frescoes of a Griffen typical of Catalan Court painting from 1200. From the ancient monastery of San Pedro de Arlanza, Buros, Spain. Painted around 1210. National Art Museum of Catalonia, Barcelona. MNAC 40142
  • Second half of the twelfth Century Romanesque frescoes of the Apse d’Esterri de Cardos depicting Christ Pantocrator. The church of Sant Pau d’Estirri de Cardos, Spain. National Art Museum of Catalonia, Barcelona. MNAC 15970
  • Second half of the twelfth Century Romanesque frescoes of the Apse d’Esterri de Cardos depicting a Byzantine style angel. The church of Sant Pau d’Estirri de Cardos, Spain. National Art Museum of Catalonia, Barcelona. MNAC 15970
  • Romanesque frescoes of Apse of St. Steven of Andorra (Sant Esteve) from the church of Sant Esteve d’Andorra, painted around 1200-1210,  Andorra la Vella. National Art Museum of Catalonia, Barcelona. MNAC 35711
  • Twelfth century Romanesque frescoes of the Apse of Estaon depicting Christ Pantocrator ( In Majesty) surrounded by Byzantine style angels, from the church of Sant Eulalia d’Estaon, Vall de Cardos, Catalonia, Spain. National Art Museum of Catalonia, Barcelona. MNAC 15969
  • Romanesque frescoes from the Church of Sant Clement de Taull, Vall de Boi, Alta Ribagorca, Spain. Painted around 1123 depicting The virgin Mary and the Apostles.  National Art Museum of Catalonia, Barcelona. MNAC 15806
  • Romanesque frescoes from the Church of Sant Clement de Taull, Vall de Boi, Alta Ribagorca, Spain. Painted around 1123 depicting Christ Pantocrator or In Majesty.  National Art Museum of Catalonia, Barcelona. MNAC 15806
  • Twelfth century Romanesque frescoes of the Apse of Ginestarre, from the church of Santa Maria de Ginestarre, Catalonia, Spain. National Art Museum of Catalonia, Barcelona. MNAC 15971
  • Twelfth century restored Romanesque Frescoes depicting mythical animals. The church of Saint Joan of Boi, Val de Boi, Alta Ribagorca, Pyranese, Spain. A UNESCO World Heritage Site
  • Twelfth century restored Romanesque Frescoes depicting mythical animals. The church of Saint Joan of Boi, Val de Boi, Alta Ribagorca, Pyranese, Spain. A UNESCO World Heritage Site
  • Romanesque frescoes of a Griffen typical of Catalan Court painting from 1200. From the ancient monastery of San Pedro de Arlanza, Buros, Spain. Painted around 1210. National Art Museum of Catalonia, Barcelona. MNAC 40142
  • Romanesque frescoes from the Church of Sant Clement de Taull, Vall de Boi, Alta Ribagorca, Spain. Painted around 1123 depicting Christ Pantocrator or In Majesty.  National Art Museum of Catalonia, Barcelona. MNAC 15806
  • Romanesque frescoes from the Church of Sant Clement de Taull, Vall de Boi, Alta Ribagorca, Spain. Painted around 1123 depicting Christ Pantocrator or In Majesty.  National Art Museum of Catalonia, Barcelona. MNAC 15806
  • Romanesque frescoes from the Church of Sant Clement de Taull, Vall de Boi, Alta Ribagorca, Spain. Painted around 1123 depicting The virgin Mary and the Apostles.  National Art Museum of Catalonia, Barcelona. MNAC 15806
  • Romanesque frescoes from the Church of Sant Clement de Taull, Vall de Boi, Alta Ribagorca, Spain. Painted around 1123 depicting The virgin Mary and the Apostles.  National Art Museum of Catalonia, Barcelona. MNAC 15806
  • Romanesque frescoes from the Church of Sant Clement de Taull, Vall de Boi, Alta Ribagorca, Spain. Painted around 1123 depicting The virgin Mary and the Apostles.  National Art Museum of Catalonia, Barcelona. MNAC 15806
  • Romanesque frescoes of the Apostles from the church of Sant Roma de les Bons, painted around 1164, Encamp, Andorra. National Art Museum of Catalonia, Barcelona. MNAC 15783
  • Twelfth century Romanesque frescoes of the Apse of Ginestarre depicting,The Virgin Mary and the Apostles, from the church of Santa Maria de Ginestarre, Catalonia, Spain. National Art Museum of Catalonia, Barcelona. MNAC 15971
  • Romanesque frescoes of a Griffen typical of Catalan Court painting from 1200. From the ancient monastery of San Pedro de Arlanza, Buros, Spain. Painted around 1210. National Art Museum of Catalonia, Barcelona. MNAC 40142
  • Romanesque frescoes of a Griffen typical of Catalan Court painting from 1200. From the ancient monastery of San Pedro de Arlanza, Buros, Spain. Painted around 1210. National Art Museum of Catalonia, Barcelona. MNAC 40142
  • Second half of the twelfth Century Romanesque frescoes of the Apse d’Esterri de Cardos. The church of Sant Pau d’Estirri de Cardos, Spain. National Art Museum of Catalonia, Barcelona. MNAC 15970
  • Second half of the twelfth Century Romanesque frescoes of the Apse d’Esterri de Cardos depicting Christ Pantocrator. The church of Sant Pau d’Estirri de Cardos, Spain. National Art Museum of Catalonia, Barcelona. MNAC 15970
  • Second half of the twelfth Century Romanesque frescoes of the Apse d’Esterri de Cardos depicting Christ Pantocrator. The church of Sant Pau d’Estirri de Cardos, Spain. National Art Museum of Catalonia, Barcelona. MNAC 15970
  • Second half of the twelfth Century Romanesque frescoes of the Apse d’Esterri de Cardos depicting Christ Pantocrator. The church of Sant Pau d’Estirri de Cardos, Spain. National Art Museum of Catalonia, Barcelona. MNAC 15970
  • Second half of the twelfth Century Romanesque frescoes of the Apse d’Esterri de Cardos depicting Christ Pantocrator. The church of Sant Pau d’Estirri de Cardos, Spain. National Art Museum of Catalonia, Barcelona. MNAC 15970
  • Romanesque frescoes of St. Steven of Andorra (Sant Esteve) from the church of Sant Esteve d’Andorra, painted around 1200-1210,  Andorra la Vella. National Art Museum of Catalonia, Barcelona. MNAC 35706
  • Romanesque frescoes of Apse of St. Steven of Andorra (Sant Esteve) from the church of Sant Esteve d’Andorra, painted around 1200-1210,  Andorra la Vella. National Art Museum of Catalonia, Barcelona. MNAC 35711
  • Romanesque frescoes of the St. Paul from the church of Sant Roma de les Bons, painted around 1164, Encamp, Andorra. National Art Museum of Catalonia, Barcelona. MNAC 15783
  • Romanesque frescoes of Apse of St. Steven of Andorra (Sant Esteve) from the church of Sant Esteve d’Andorra, painted around 1200-1210,  Andorra la Vella. National Art Museum of Catalonia, Barcelona. MNAC 35711
  • Romanesque frescoes of the Virgin Mary from the church of Sant Roma de les Bons, painted around 1164, Encamp, Andorra. National Art Museum of Catalonia, Barcelona. MNAC 15783
  • Romanesque frescoes of the Virgin Mary and Peter from the church of Sant Roma de les Bons, painted around 1164, Encamp, Andorra. National Art Museum of Catalonia, Barcelona. MNAC 15783
  • Romanesque frescoes of the Apostle Paul from the church of Sant Roma de les Bons, painted around 1164, Encamp, Andorra. National Art Museum of Catalonia, Barcelona. MNAC 15783
  • Romanesque frescoes of St. Peter from the church of Sant Roma de les Bons, painted around 1164, Encamp, Andorra. National Art Museum of Catalonia, Barcelona. MNAC 15783
  • Romanesque frescoes of the Apostles from the church of Sant Roma de les Bons, painted around 1164, Encamp, Andorra. National Art Museum of Catalonia, Barcelona. MNAC 15783
  • Romanesque frescoes of the Apostles from the church of Sant Roma de les Bons, painted around 1164, Encamp, Andorra. National Art Museum of Catalonia, Barcelona. MNAC 15783
  • Romanesque frescoes of the Apostles from the church of Sant Roma de les Bons, painted around 1164, Encamp, Andorra. National Art Museum of Catalonia, Barcelona. MNAC 15783
  • Romanesque frescoes depicting Christ Pantocrator from the Church of Sant Miguel d’Engolasters, Les Escaldes, Andorra.. Painted around 1160. National Art Museum of Catalonia, Barcelona. MNAC 15972
  • Romanesque frescoes depicting the an Angel with the Eagle that symbolises the St John the Evangelist from the church of Sant Miguel d’Engolasters, Les Escaldes, Andorra.. Painted around 1160. National Art Museum of Catalonia, Barcelona. MNAC 15972
  • Romanesque frescoes depicting the Apostles from the Church of Sant Miguel d’Engolasters, Les Escaldes, Andorra.. Painted around 1160. National Art Museum of Catalonia, Barcelona. MNAC 15972
  • Romanesque frescoes depicting the Apostles from the Church of Sant Miguel d’Engolasters, Les Escaldes, Andorra.. Painted around 1160. National Art Museum of Catalonia, Barcelona. MNAC 15972
  • Romanesque frescoes depicting Christ Pantocrator and the Apostles from the Church of Sant Miguel d’Engolasters, Les Escaldes, Andorra.. Painted around 1160. National Art Museum of Catalonia, Barcelona. MNAC 15972
  • Romanesque frescoes depicting Archangel Michael Killing a dragon  from the Church of Sant Miguel d’Engolasters, Les Escaldes, Andorra.. Painted around 1160. National Art Museum of Catalonia, Barcelona. MNAC 15972
  • Romanesque frescoes depicting the Apostles from the Church of Sant Miguel d’Engolasters, Les Escaldes, Andorra.. Painted around 1160. National Art Museum of Catalonia, Barcelona. MNAC 15972
  • Romanesque frescoes depicting Christ Pantocrator from the Church of Sant Miguel d’Engolasters, Les Escaldes, Andorra.. Painted around 1160. National Art Museum of Catalonia, Barcelona. MNAC 15972
  • Romanesque frescoes  from the Church of Sant Miguel d’Engolasters, Les Escaldes, Andorra.. Painted around 1160. National Art Museum of Catalonia, Barcelona. MNAC 15972
  • Twelfth Century Romanesque frescoes of the Apse d’Estaon. The church of Santa Eulalia d’Estaon, Vall de Cardos, Pollars Sobira, Spain. National Art Museum of Catalonia, Barcelona. MNAC 15969
  • Twelfth century Romanesque frescoes of the Apse of Estaon depicting scenes from the middle register showing the Baptism of Christ by John The Baptist,  from the church of Sant Eulalia d’Estaon, Vall de Cardos, Catalonia, Spain. National Art Museum of Catalonia, Barcelona. MNAC 15969
  • Twelfth century Romanesque frescoes of the Apse of Estaon depicting Christ Pantocrator ( In Majesty) surrounded by Byzantine style angels, and below scenes from the Baptism of Christ, from the church of Sant Eulalia d’Estaon, Vall de Cardos, Catalonia, Spain. National Art Museum of Catalonia, Barcelona. MNAC 15969
  • Twelfth Century Romanesque frescoes of the Apse d’Estaon. The church of Santa Eulalia d’Estaon, Vall de Cardos, Pollars Sobira, Spain. National Art Museum of Catalonia, Barcelona. MNAC 15969
  • Twelfth century Romanesque frescoes of the Apse of Estaon depicting scenes from the middle register showing the Baptism of Christ by John The Baptist,  from the church of Sant Eulalia d’Estaon, Vall de Cardos, Catalonia, Spain. National Art Museum of Catalonia, Barcelona. MNAC 15969
  • Twelfth century Romanesque frescoes of the Apse of Estaon depicting a Byzantine style angels with Archangel Michael, from the church of Sant Eulalia d’Estaon, Vall de Cardos, Catalonia, Spain. National Art Museum of Catalonia, Barcelona. MNAC 15969
  • Twelfth century Romanesque frescoes of the Apse of Estaon depicting a Byzantine style angels with Archangel Gabriel,  from the church of Sant Eulalia d’Estaon, Vall de Cardos, Catalonia, Spain. National Art Museum of Catalonia, Barcelona. MNAC 15969
  • Romanesque frescoes from the Church of Sant Clement de Taull, Vall de Boi, Alta Ribagorca, Spain. Painted around 1123.  National Art Museum of Catalonia, Barcelona. MNAC 15806
  • Romanesque frescoes from the Church of Sant Clement de Taull, Vall de Boi, Alta Ribagorca, Spain. Painted around 1123 depicting Christ Pantocrator or In Majesty.  National Art Museum of Catalonia, Barcelona. MNAC 15806
  • Romanesque frescoes from the Church of Sant Clement de Taull, Vall de Boi, Alta Ribagorca, Spain. Painted around 1123 depicting Christ Pantocrator or In Majesty.  National Art Museum of Catalonia, Barcelona. MNAC 15806
  • Romanesque frescoes from the Church of Sant Clement de Taull, Vall de Boi, Alta Ribagorca, Spain. Painted around 1123, The inorgaration plaque for the church. National Art Museum of Catalonia, Barcelona. MNAC 15806,
  • Romanesque frescoes from the Church of Sant Clement de Taull, Vall de Boi, Alta Ribagorca, Spain. Painted around 1123.  National Art Museum of Catalonia, Barcelona. MNAC 15806
  • Romanesque frescoes from the Church of Sant Clement de Taull, Vall de Boi, Alta Ribagorca, Spain. Painted around 1123 depicting Christ Pantocrator or In Majesty.  National Art Museum of Catalonia, Barcelona. MNAC 15806
  • Romanesque frescoes from the Church of Sant Clement de Taull, Vall de Boi, Alta Ribagorca, Spain. Painted around 1123.  National Art Museum of Catalonia, Barcelona. MNAC 15806
  • Romanesque frescoes from the Church of Sant Clement de Taull, Vall de Boi, Alta Ribagorca, Spain. Painted around 1123 depicting Christ Pantocrator or In Majesty.  National Art Museum of Catalonia, Barcelona. MNAC 15806
  • Romanesque frescoes from the Church of Sant Clement de Taull, Vall de Boi, Alta Ribagorca, Spain. Painted around 1123 depicting The virgin Mary and the Apostles.  National Art Museum of Catalonia, Barcelona. MNAC 15806
  • Romanesque frescoes from the Church of Sant Clement de Taull, Vall de Boi, Alta Ribagorca, Spain. Painted around 1123..  National Art Museum of Catalonia, Barcelona. MNAC 15806
  • Romanesque frescoes from the Church of Sant Clement de Taull, Vall de Boi, Alta Ribagorca, Spain. Painted around 1123 depicting The virgin Mary and the Apostles.  National Art Museum of Catalonia, Barcelona. MNAC 15806
  • Romanesque frescoes from the Church of Sant Clement de Taull, Vall de Boi, Alta Ribagorca, Spain. Painted around 1123 depicting The virgin Mary and the Apostles.  National Art Museum of Catalonia, Barcelona. MNAC 15806
  • Eleventh Century Romanesque frescoes of the side Apse of Sant Quirze de Pedret showing the parabel of the Ten Virgins from the Gospel of St. Matthew. The church of Sant Quize de Padret, Cercs, Bergueda, Sapin. National Art Museum of Catalonia, Barcelona. MNAC 15973
  • Eleventh Century Romanesque frescoes of the side Apse of Sant Quirze de Pedret showing the parabel of the Ten Virgins from the Gospel of St. Matthew. The church of Sant Quize de Padret, Cercs, Bergueda, Sapin. National Art Museum of Catalonia, Barcelona. MNAC 15973
  • Eleventh Century Romanesque frescoes of the side Apse of Sant Quirze de Pedret showing the parabel of the Ten Virgins from the Gospel of St. Matthew. The church of Sant Quize de Padret, Cercs, Bergueda, Sapin. National Art Museum of Catalonia, Barcelona. MNAC 15973
  • Eleventh Century Romanesque frescoes of the side Apse of Sant Quirze de Pedret showing the parabel of the Ten Virgins from the Gospel of St. Matthew. The church of Sant Quize de Padret, Cercs, Bergueda, Sapin. National Art Museum of Catalonia, Barcelona. MNAC 15973
  • Eleventh Century Romanesque frescoes of the side Apse of Sant Quirze de Pedret showing the parabel of the Ten Virgins from the Gospel of St. Matthew. The church of Sant Quize de Padret, Cercs, Bergueda, Sapin. National Art Museum of Catalonia, Barcelona. MNAC 15973
  • Eleventh Century Romanesque frescoes of the side Apse of Sant Quirze de Pedret showing the parabel of the Ten Virgins from the Gospel of St. Matthew. The church of Sant Quize de Padret, Cercs, Bergueda, Sapin. National Art Museum of Catalonia, Barcelona. MNAC 15973
  • Eleventh Century Romanesque frescoes of the side Apse of Sant Quirze de Pedret showing the parabel of the Ten Virgins from the Gospel of St. Matthew. The church of Sant Quize de Padret, Cercs, Bergueda, Sapin. National Art Museum of Catalonia, Barcelona. MNAC 15973
  • Twelfth century Romanesque frescoes of the Apse of Ginestarre depicting,The Virgin Mary and the Apostles, from the church of Santa Maria de Ginestarre, Catalonia, Spain. National Art Museum of Catalonia, Barcelona. MNAC 15971
  • Twelfth century Romanesque frescoes of the Apse of Ginestarre depicting, from right to left, The Virgin Mary, Peter and the Apostles, from the church of Santa Maria de Ginestarre, Catalonia, Spain. National Art Museum of Catalonia, Barcelona. MNAC 15971
  • Twelfth century restored Romanesque Frescoes depicting mythical animals. The church of Saint Joan of Boi, Val de Boi, Alta Ribagorca, Pyranese, Spain. A UNESCO World Heritage Site
  • Twelfth century restored Romanesque Frescoes depicting mythical animals. The church of Saint Joan of Boi, Val de Boi, Alta Ribagorca, Pyranese, Spain. A UNESCO World Heritage Site
  • Twelfth century restored Romanesque Frescoes depicting mythical animals. The church of Saint Joan of Boi, Val de Boi, Alta Ribagorca, Pyranese, Spain. A UNESCO World Heritage Site
  • Twelfth century restored Romanesque Frescoes depicting mythical animals. The church of Saint Joan of Boi, Val de Boi, Alta Ribagorca, Pyranese, Spain. A UNESCO World Heritage Site
  • Twelfth century restored Romanesque Frescoes depicting mythical animals. The church of Saint Joan of Boi, Val de Boi, Alta Ribagorca, Pyranese, Spain. A UNESCO World Heritage Site
  • Twelfth century restored Romanesque Frescoes depicting mythical animals. The church of Saint Joan of Boi, Val de Boi, Alta Ribagorca, Pyranese, Spain. A UNESCO World Heritage Site
  • Twelfth century restored Romanesque Frescoes depicting mythical animals. The church of Saint Joan of Boi, Val de Boi, Alta Ribagorca, Pyranese, Spain. A UNESCO World Heritage Site
  • Twelfth century restored Romanesque Frescoes depicting mythical animals. The church of Saint Joan of Boi, Val de Boi, Alta Ribagorca, Pyranese, Spain. A UNESCO World Heritage Site
  • Twelfth century restored Romanesque Frescoes in the church of Saint Joan of Boi, Val de Boi, Alta Ribagorca, Pyranese, Spain. A UNESCO World Heritage Site
  • Twelfth century restored Romanesque Frescoes depicting mythical animals. The church of Saint Joan of Boi, Val de Boi, Alta Ribagorca, Pyranese, Spain. A UNESCO World Heritage Site
  • Twelfth century restored Romanesque Frescoes depicting The "Stoning of St. Steven" in the church of Saint Joan of Boi, Val de Boi, Alta Ribagorca, Pyranese, Spain. A UNESCO World Heritage Site
  • Twelfth century restored Romanesque Frescoes in the church of Saint Joan of Boi, Val de Boi, Alta Ribagorca, Pyranese, Spain. A UNESCO World Heritage Site
  • Twelfth century restored Romanesque Frescoes in the church of Saint Joan of Boi, Val de Boi, Alta Ribagorca, Pyranese, Spain. A UNESCO World Heritage Site
  • Twelfth century restored Romanesque Frescoes in the church of Saint Joan of Boi, Val de Boi, Alta Ribagorca, Pyranese, Spain. A UNESCO World Heritage Site
  • Twelfth century restored Romanesque Frescoes in the church of Saint Joan of Boi, Val de Boi, Alta Ribagorca, Pyranese, Spain. A UNESCO World Heritage Site
  • Twelfth century restored Romanesque Frescoes depicting The "Stoning of St. Steven" in the church of Saint Joan of Boi, Val de Boi, Alta Ribagorca, Pyranese, Spain. A UNESCO World Heritage Site
  • Twelfth century restored Romanesque Frescoes depicting The "Stoning of St. Steven" in the church of Saint Joan of Boi, Val de Boi, Alta Ribagorca, Pyranese, Spain. A UNESCO World Heritage Site
  • Twelfth century restored Romanesque Frescoes depicting The "Stoning of St. Steven" in the church of Saint Joan of Boi, Val de Boi, Alta Ribagorca, Pyranese, Spain. A UNESCO World Heritage Site
  • Twelfth century restored Romanesque Frescoes in the church of Saint Joan of Boi, Val de Boi, Alta Ribagorca, Pyranese, Spain. A UNESCO World Heritage Site
  • Twelfth century restored Romanesque Frescoes depicting scenes from "The Stoning of St. Stephen" in the church of Saint Joan of Boi, Val de Boi, Alta Ribagorca, Pyranese, Spain. A UNESCO World Heritage Site
  • Twelfth century restored Romanesque Frescoes depicting scenes from "The Stoning of St. Stephen" in the church of Saint Joan of Boi, Val de Boi, Alta Ribagorca, Pyranese, Spain. A UNESCO World Heritage Site
  • Twelfth century restored Romanesque Frescoes in the church of Saint Joan of Boi, Val de Boi, Alta Ribagorca, Pyranese, Spain. A UNESCO World Heritage Site
  • Twelfth century restored Romanesque Frescoes of a mthical animal in the church of Saint Joan of Boi, Val de Boi, Alta Ribagorca, Pyranese, Spain. A UNESCO World Heritage Site
  • Romanesque frescoes of the Apostles from the church of Sant Roma de les Bons, painted around 1164, Encamp, Andorra. National Art Museum of Catalonia, Barcelona. MNAC 15783
  • Twelfth century restored Romanesque Frescoes in the church of Saint Joan of Boi, Val de Boi, Alta Ribagorca, Pyranese, Spain. A UNESCO World Heritage Site
  • Romanesque frescoes of a Griffen typical of Catalan Court painting from 1200. From the ancient monastery of San Pedro de Arlanza, Buros, Spain. Painted around 1210. National Art Museum of Catalonia, Barcelona. MNAC 40142
  • Romanesque frescoes of a Griffen typical of Catalan Court painting from 1200. From the ancient monastery of San Pedro de Arlanza, Buros, Spain. Painted around 1210. National Art Museum of Catalonia, Barcelona. MNAC 40142
  • Romanesque frescoes of a Griffen typical of Catalan Court painting from 1200. From the ancient monastery of San Pedro de Arlanza, Buros, Spain. Painted around 1210. National Art Museum of Catalonia, Barcelona. MNAC 40142
  • Romanesque frescoes of St. Steven of Andorra (Sant Esteve) from the church of Sant Esteve d’Andorra, painted around 1200-1210,  Andorra la Vella. National Art Museum of Catalonia, Barcelona. MNAC 35706
  • Romanesque frescoes of Apse of St. Steven of Andorra (Sant Esteve) from the church of Sant Esteve d’Andorra, painted around 1200-1210,  Andorra la Vella. National Art Museum of Catalonia, Barcelona. MNAC 35711
  • Romanesque frescoes of the Apostles from the church of Sant Roma de les Bons, painted around 1164, Encamp, Andorra. National Art Museum of Catalonia, Barcelona. MNAC 15783
  • Romanesque frescoes of the Apostles from the church of Sant Roma de les Bons, painted around 1164, Encamp, Andorra. National Art Museum of Catalonia, Barcelona. MNAC 15783
  • Romanesque frescoes from the Church of Sant Clement de Taull, Vall de Boi, Alta Ribagorca, Spain. Painted around 1123, The inorgaration plaque for the church. National Art Museum of Catalonia, Barcelona. MNAC 15806,
  • Romanesque frescoes from the Church of Sant Clement de Taull, Vall de Boi, Alta Ribagorca, Spain. Painted around 1123.  National Art Museum of Catalonia, Barcelona. MNAC 15806
  • Romanesque frescoes from the Church of Sant Clement de Taull, Vall de Boi, Alta Ribagorca, Spain. Painted around 1123 depicting Christ Pantocrator or In Majesty.  National Art Museum of Catalonia, Barcelona. MNAC 15806
  • Romanesque frescoes from the Church of Sant Clement de Taull, Vall de Boi, Alta Ribagorca, Spain. Painted around 1123.  National Art Museum of Catalonia, Barcelona. MNAC 15806
  • Romanesque frescoes from the Church of Sant Clement de Taull, Vall de Boi, Alta Ribagorca, Spain. Painted around 1123.  National Art Museum of Catalonia, Barcelona. MNAC 15806
  • Romanesque frescoes from the Church of Sant Clement de Taull, Vall de Boi, Alta Ribagorca, Spain. Painted around 1123 depicting The virgin Mary and the Apostles.  National Art Museum of Catalonia, Barcelona. MNAC 15806
  • Romanesque frescoes from the Church of Sant Clement de Taull, Vall de Boi, Alta Ribagorca, Spain. Painted around 1123 depicting Christ Pantocrator or In Majesty.  National Art Museum of Catalonia, Barcelona. MNAC 15806
  • Romanesque frescoes from the Church of Sant Clement de Taull, Vall de Boi, Alta Ribagorca, Spain. Painted around 1123 depicting Christ Pantocrator or In Majesty.  National Art Museum of Catalonia, Barcelona. MNAC 15806
  • Romanesque frescoes from the Church of Sant Clement de Taull, Vall de Boi, Alta Ribagorca, Spain. Painted around 1123..  National Art Museum of Catalonia, Barcelona. MNAC 15806
  • Romanesque frescoes of a Griffen typical of Catalan Court painting from 1200. From the ancient monastery of San Pedro de Arlanza, Buros, Spain. Painted around 1210. National Art Museum of Catalonia, Barcelona. MNAC 40142
  • Romanesque frescoes of the Apostles from the church of Sant Roma de les Bons, painted around 1164, Encamp, Andorra. National Art Museum of Catalonia, Barcelona. MNAC 15783
  • Romanesque frescoes of the Apostles from the church of Sant Roma de les Bons, painted around 1164, Encamp, Andorra. National Art Museum of Catalonia, Barcelona. MNAC 15783
  • Roman Fresco with a fight scene between octopus, lobster and eel, 125-150 AD. (mosaico fauna marina da porto fluviale di san paolo), museo nazionale romano ( National Roman Museum), Rome, Italy. inv. 463Z4.  Against a white background.<br />
<br />
Excavated from the Porto di San Paolo near the Via Portuense, these frescoes decorated the thermal area of a suburban Roman Villa. The reconstructed fresco fragments, depict a group of three fighting animals: an octopus (octopus vulgaris) clutches a moray eel (muraena helena) and a lobster (palinurus vulgaris) in its tentacles; around them mud mullets (mullus barbatus) and rock mullets (mullus surmuletus) try to escape. Incriptions on the frescoes suggesy that the villa owner was from Alexandria where this style of nautical mosaic and fresco  decorations is found.
  • Roman Fresco with a fight scene between octopus, lobster and eel, 125-150 AD. (mosaico fauna marina da porto fluviale di san paolo), museo nazionale romano ( National Roman Museum), Rome, Italy. inv. 463Z4.   Against a grey background.<br />
<br />
Excavated from the Porto di San Paolo near the Via Portuense, these frescoes decorated the thermal area of a suburban Roman Villa. The reconstructed fresco fragments, depict a group of three fighting animals: an octopus (octopus vulgaris) clutches a moray eel (muraena helena) and a lobster (palinurus vulgaris) in its tentacles; around them mud mullets (mullus barbatus) and rock mullets (mullus surmuletus) try to escape. Incriptions on the frescoes suggesy that the villa owner was from Alexandria where this style of nautical mosaic and fresco  decorations is found.
  • Roman Fresco with a fight scene between octopus, lobster and eel, 125-150 AD. (mosaico fauna marina da porto fluviale di san paolo), museo nazionale romano ( National Roman Museum), Rome, Italy. inv. 463Z4.  Against a white background.<br />
<br />
Excavated from the Porto di San Paolo near the Via Portuense, these frescoes decorated the thermal area of a suburban Roman Villa. The reconstructed fresco fragments, depict a group of three fighting animals: an octopus (octopus vulgaris) clutches a moray eel (muraena helena) and a lobster (palinurus vulgaris) in its tentacles; around them mud mullets (mullus barbatus) and rock mullets (mullus surmuletus) try to escape. Incriptions on the frescoes suggesy that the villa owner was from Alexandria where this style of nautical mosaic and fresco  decorations is found.
  • Roman Fresco with a fight scene between octopus, lobster and eel, 125-150 AD. (mosaico fauna marina da porto fluviale di san paolo), museo nazionale romano ( National Roman Museum), Rome, Italy. inv. 463Z4.  Against a grey background.<br />
<br />
Excavated from the Porto di San Paolo near the Via Portuense, these frescoes decorated the thermal area of a suburban Roman Villa. The reconstructed fresco fragments, depict a group of three fighting animals: an octopus (octopus vulgaris) clutches a moray eel (muraena helena) and a lobster (palinurus vulgaris) in its tentacles; around them mud mullets (mullus barbatus) and rock mullets (mullus surmuletus) try to escape. Incriptions on the frescoes suggesy that the villa owner was from Alexandria where this style of nautical mosaic and fresco  decorations is found.
  • Roman Fresco with a fight scene between octopus, lobster and eel, 125-150 AD. (mosaico fauna marina da porto fluviale di san paolo), museo nazionale romano ( National Roman Museum), Rome, Italy. inv. 463Z4.   Against a black background.<br />
<br />
Excavated from the Porto di San Paolo near the Via Portuense, these frescoes decorated the thermal area of a suburban Roman Villa. The reconstructed fresco fragments, depict a group of three fighting animals: an octopus (octopus vulgaris) clutches a moray eel (muraena helena) and a lobster (palinurus vulgaris) in its tentacles; around them mud mullets (mullus barbatus) and rock mullets (mullus surmuletus) try to escape. Incriptions on the frescoes suggesy that the villa owner was from Alexandria where this style of nautical mosaic and fresco  decorations is found.
  • Roman Fresco with a fight scene between octopus, lobster and eel, 125-150 AD. (mosaico fauna marina da porto fluviale di san paolo), museo nazionale romano ( National Roman Museum), Rome, Italy. inv. 463Z4.  Against an art background.<br />
<br />
Excavated from the Porto di San Paolo near the Via Portuense, these frescoes decorated the thermal area of a suburban Roman Villa. The reconstructed fresco fragments, depict a group of three fighting animals: an octopus (octopus vulgaris) clutches a moray eel (muraena helena) and a lobster (palinurus vulgaris) in its tentacles; around them mud mullets (mullus barbatus) and rock mullets (mullus surmuletus) try to escape. Incriptions on the frescoes suggesy that the villa owner was from Alexandria where this style of nautical mosaic and fresco  decorations is found.
  • Roman Fresco with a fight scene between octopus, lobster and eel, 125-150 AD. (mosaico fauna marina da porto fluviale di san paolo), museo nazionale romano ( National Roman Museum), Rome, Italy. inv. 463Z4.  <br />
<br />
Excavated from the Porto di San Paolo near the Via Portuense, these frescoes decorated the thermal area of a suburban Roman Villa. The reconstructed fresco fragments, depict a group of three fighting animals: an octopus (octopus vulgaris) clutches a moray eel (muraena helena) and a lobster (palinurus vulgaris) in its tentacles; around them mud mullets (mullus barbatus) and rock mullets (mullus surmuletus) try to escape. Incriptions on the frescoes suggesy that the villa owner was from Alexandria where this style of nautical mosaic and fresco  decorations is found.
  • Roman Fresco with a fight scene between octopus, lobster and eel, 125-150 AD. (mosaico fauna marina da porto fluviale di san paolo), museo nazionale romano ( National Roman Museum), Rome, Italy. inv. 463Z4.   Against a black background.<br />
<br />
Excavated from the Porto di San Paolo near the Via Portuense, these frescoes decorated the thermal area of a suburban Roman Villa. The reconstructed fresco fragments, depict a group of three fighting animals: an octopus (octopus vulgaris) clutches a moray eel (muraena helena) and a lobster (palinurus vulgaris) in its tentacles; around them mud mullets (mullus barbatus) and rock mullets (mullus surmuletus) try to escape. Incriptions on the frescoes suggesy that the villa owner was from Alexandria where this style of nautical mosaic and fresco  decorations is found.
  • Roman Fresco with a fight scene between octopus, lobster and eel, 125-150 AD. (mosaico fauna marina da porto fluviale di san paolo), museo nazionale romano ( National Roman Museum), Rome, Italy. inv. 463Z4.  Against an art background.<br />
<br />
Excavated from the Porto di San Paolo near the Via Portuense, these frescoes decorated the thermal area of a suburban Roman Villa. The reconstructed fresco fragments, depict a group of three fighting animals: an octopus (octopus vulgaris) clutches a moray eel (muraena helena) and a lobster (palinurus vulgaris) in its tentacles; around them mud mullets (mullus barbatus) and rock mullets (mullus surmuletus) try to escape. Incriptions on the frescoes suggesy that the villa owner was from Alexandria where this style of nautical mosaic and fresco  decorations is found.
  • Roman Fresco with a fight scene between octopus, lobster and eel, 125-150 AD. (mosaico fauna marina da porto fluviale di san paolo), museo nazionale romano ( National Roman Museum), Rome, Italy. inv. 463Z4.  <br />
<br />
Excavated from the Porto di San Paolo near the Via Portuense, these frescoes decorated the thermal area of a suburban Roman Villa. The reconstructed fresco fragments, depict a group of three fighting animals: an octopus (octopus vulgaris) clutches a moray eel (muraena helena) and a lobster (palinurus vulgaris) in its tentacles; around them mud mullets (mullus barbatus) and rock mullets (mullus surmuletus) try to escape. Incriptions on the frescoes suggesy that the villa owner was from Alexandria where this style of nautical mosaic and fresco  decorations is found.
  • Apse of Saint Peter de la Seu d'Urgell<br />
<br />
Second quarter of the twelfth century<br />
Fresco transferred to canvas<br />
From the church of St. Peter currently dedicated to St. Michael and St. Peter Cathedral group of Seu d'Urgell (Alt Urgell)<br />
<br />
Acquisition of the Museum Board Campaign 1919-1923<br />
MNAC 15867<br />
<br />
<br />
The apse is the most important part of the church as it was where the altar was located. The apse of La Seu d'Urgell like most Romanesque apses was decorated with frescoes of a Theophany (referring to images of the Incarnation of Jesus).High up in the semi circular cupola of the apse is a large image of Christ in Majesty, or Christ Pantocrator, in a mandorla, a pointed verticle oval shaped aureola which surrounds the figures of Christ and the Virgin Mary in traditional Christian art.  This is flanked by Tetramorph showing the four evangelical symbols - St Matthew the man, St Mark the lion, St Luke the ox, and John the eagle. In the middle register is are a series of  frescoes of the Apostles and the figure of Mary. The lower register, which has not been preserved, must have been painted curtains that imitated luxury fabrics.
  • Apse of Saint Peter de la Seu d'Urgell<br />
<br />
Second quarter of the twelfth century<br />
Fresco transferred to canvas<br />
From the church of St. Peter currently dedicated to St. Michael and St. Peter Cathedral group of Seu d'Urgell (Alt Urgell)<br />
<br />
Acquisition of the Museum Board Campaign 1919-1923<br />
MNAC 15867<br />
<br />
<br />
The apse is the most important part of the church as it was where the altar was located. The apse of La Seu d'Urgell like most Romanesque apses was decorated with frescoes of a Theophany (referring to images of the Incarnation of Jesus).High up in the semi circular cupola of the apse is a large image of Christ in Majesty, or Christ Pantocrator, in a mandorla, a pointed verticle oval shaped aureola which surrounds the figures of Christ and the Virgin Mary in traditional Christian art.  This is flanked by Tetramorph showing the four evangelical symbols - St Matthew the man, St Mark the lion, St Luke the ox, and John the eagle. In the middle register is are a series of  frescoes of the Apostles and the figure of Mary. The lower register, which has not been preserved, must have been painted curtains that imitated luxury fabrics.
  • Apse of Saint Peter de la Seu d'Urgell<br />
<br />
Second quarter of the twelfth century<br />
Fresco transferred to canvas<br />
From the church of St. Peter currently dedicated to St. Michael and St. Peter Cathedral group of Seu d'Urgell (Alt Urgell)<br />
<br />
Acquisition of the Museum Board Campaign 1919-1923<br />
MNAC 15867<br />
<br />
<br />
The apse is the most important part of the church as it was where the altar was located. The apse of La Seu d'Urgell like most Romanesque apses was decorated with frescoes of a Theophany (referring to images of the Incarnation of Jesus).High up in the semi circular cupola of the apse is a large image of Christ in Majesty, or Christ Pantocrator, in a mandorla, a pointed verticle oval shaped aureola which surrounds the figures of Christ and the Virgin Mary in traditional Christian art.  This is flanked by Tetramorph showing the four evangelical symbols - St Matthew the man, St Mark the lion, St Luke the ox, and John the eagle. In the middle register is are a series of  frescoes of the Apostles and the figure of Mary. The lower register, which has not been preserved, must have been painted curtains that imitated luxury fabrics.
  • Apse of Saint Peter de la Seu d'Urgell<br />
<br />
Second quarter of the twelfth century<br />
Fresco transferred to canvas<br />
From the church of St. Peter currently dedicated to St. Michael and St. Peter Cathedral group of Seu d'Urgell (Alt Urgell)<br />
<br />
Acquisition of the Museum Board Campaign 1919-1923<br />
MNAC 15867<br />
<br />
<br />
The apse is the most important part of the church as it was where the altar was located. The apse of La Seu d'Urgell like most Romanesque apses was decorated with frescoes of a Theophany (referring to images of the Incarnation of Jesus).High up in the semi circular cupola of the apse is a large image of Christ in Majesty, or Christ Pantocrator, in a mandorla, a pointed verticle oval shaped aureola which surrounds the figures of Christ and the Virgin Mary in traditional Christian art.  This is flanked by Tetramorph showing the four evangelical symbols - St Matthew the man, St Mark the lion, St Luke the ox, and John the eagle. In the middle register is are a series of  frescoes of the Apostles and the figure of Mary. The lower register, which has not been preserved, must have been painted curtains that imitated luxury fabrics.
  • Pictures & images of the interior medieval frescoes depicting the Asumption of the Virgin. The Eastern Orthodox Georgian Svetitskhoveli Cathedral (Cathedral of the Living Pillar) , Mtskheta, Georgia (country). A UNESCO World Heritage Site.<br />
<br />
Currently the second largest church building in Georgia, Svetitskhoveli Cathedral is a masterpiece of Early Medieval architecture completed in 1029 by Georgian architect Arsukisdze on an earlier site dating back toi the 4th century.
  • Pictures & images of the interior medieval frescoes depicting the Asumption of the Virgin. The Eastern Orthodox Georgian Svetitskhoveli Cathedral (Cathedral of the Living Pillar) , Mtskheta, Georgia (country). A UNESCO World Heritage Site.<br />
<br />
Currently the second largest church building in Georgia, Svetitskhoveli Cathedral is a masterpiece of Early Medieval architecture completed in 1029 by Georgian architect Arsukisdze on an earlier site dating back toi the 4th century.
  • Pictures & images of the interior medieval frescoes depicting the Asumption of the Virgin. The Eastern Orthodox Georgian Svetitskhoveli Cathedral (Cathedral of the Living Pillar) , Mtskheta, Georgia (country). A UNESCO World Heritage Site.<br />
<br />
Currently the second largest church building in Georgia, Svetitskhoveli Cathedral is a masterpiece of Early Medieval architecture completed in 1029 by Georgian architect Arsukisdze on an earlier site dating back toi the 4th century.
  • Pictures & images of the interior medieval frescoes depicting the Asumption of the Virgin. The Eastern Orthodox Georgian Svetitskhoveli Cathedral (Cathedral of the Living Pillar) , Mtskheta, Georgia (country). A UNESCO World Heritage Site.<br />
<br />
Currently the second largest church building in Georgia, Svetitskhoveli Cathedral is a masterpiece of Early Medieval architecture completed in 1029 by Georgian architect Arsukisdze on an earlier site dating back toi the 4th century.
  • Pictures & images of the interior medieval frescoes. The Eastern Orthodox Georgian Svetitskhoveli Cathedral (Cathedral of the Living Pillar) , Mtskheta, Georgia (country). A UNESCO World Heritage Site.<br />
<br />
Currently the second largest church building in Georgia, Svetitskhoveli Cathedral is a masterpiece of Early Medieval architecture completed in 1029 by Georgian architect Arsukisdze on an earlier site dating back toi the 4th century.
  • Pictures & images of the interior medieval frescoes. The Eastern Orthodox Georgian Svetitskhoveli Cathedral (Cathedral of the Living Pillar) , Mtskheta, Georgia (country). A UNESCO World Heritage Site.<br />
<br />
Currently the second largest church building in Georgia, Svetitskhoveli Cathedral is a masterpiece of Early Medieval architecture completed in 1029 by Georgian architect Arsukisdze on an earlier site dating back toi the 4th century.
  • Roman Fresco with boats and marine life from the second quarter of the first century AD. (mosaico fauna marina da porto fluviale di san paolo), museo nazionale romano ( National Roman Museum), Rome, Italy. inv. 121462 .  <br />
The frescoes depict boats decorated as boats which went along the Tiber on festival days; their shape appears to be the caudicariae boats, used to transport merchandise. In the fresco fragment exhibited here (Ambiente E) the boat on the left depicts probably the group of 'side Serapide and Demetra on the stern, whereas the one on the right presents a crowned character on the bow and, on the stern, a feminine figure fluctuating in the air. Between the two boats, a young boy (a cupid or Palaimon-Portunus) rides a dolphin. All around are depicted several fish incredibly casting their shadows on the sea. The ichthyic fauna, lifeless as in still life decoration, is detailed as in a scientific catalogue. For the most part the represented species live next to the coast or were bred by the Romans in the piscinae salsac or in ponds. It is possible to recognize the rock mullet (mullus sunnuletus) and the mud one (mullus barbatu4 the scorpion fish (scorpoena) the dentex (dentex dentex), the aguglia (belone agus) the dolphin (delphinus delphis) and the golden mullet (lire curate).
  • Roman Fresco with a boat decorated for a festival and marine life from the second quarter of the first century AD. (mosaico fauna marina da porto fluviale di san paolo), museo nazionale romano ( National Roman Museum), Rome, Italy. inv. 121462 .   <br />
The frescoes depict boats decorated as boats which went along the Tiber on festival days; their shape appears to be the caudicariae boats, used to transport merchandise. In the fresco fragment exhibited here (Ambiente E) the boat on the left depicts probably the group of 'side Serapide and Demetra on the stern, whereas the one on the right presents a crowned character on the bow and, on the stern, a feminine figure fluctuating in the air. Between the two boats, a young boy (a cupid or Palaimon-Portunus) rides a dolphin. All around are depicted several fish incredibly casting their shadows on the sea. The ichthyic fauna, lifeless as in still life decoration, is detailed as in a scientific catalogue. For the most part the represented species live next to the coast or were bred by the Romans in the piscinae salsac or in ponds. It is possible to recognize the rock mullet (mullus sunnuletus) and the mud one (mullus barbatu4 the scorpion fish (scorpoena) the dentex (dentex dentex), the aguglia (belone agus) the dolphin (delphinus delphis) and the golden mullet (lire curate).

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