• Medieval stained glass Window of the Gothic Cathedral of Chartres, France. A UNESCO World Heritage Site..
  • Medieval stained glass Window of the Gothic Cathedral of Chartres, France. A UNESCO World Heritage Site..
  • Stained glass Windows of Cathedral of Chartres, France. A UNESCO World Heritage Site.
  • Stained glass Windows of Cathedral of Chartres, France - showing  the kings of France. A UNESCO World Heritage Site.
  • Stained glass Windows of Cathedral of Chartres, France - showing  the kings of France. A UNESCO World Heritage Site.
  • Stained glass Windows of Cathedral of Chartres, France - showing  the kings of France. A UNESCO World Heritage Site.
  • Stained glass Windows of Cathedral of Chartres, France - showing  the kings of France. A UNESCO World Heritage Site.
  • Stained glass Windows of Cathedral of Chartres, France - showing Jesus Christ and Mary. A UNESCO World Heritage Site.
  • Stained glass Windows of Cathedral of Chartres, France - showing Jesus Christ and Mary. A UNESCO World Heritage Site.
  • Medieval stained glass Windows of the Gothic Cathedral of Chartres, France. A UNESCO World Heritage Site.
  • Medieval stained glass Window of the Gothic Cathedral of Chartres, France - dedicated to the Life of St Remigius (Remy). Left window - Life of St Remigius, centre - Life and relics of St Stephen, right - Life and miracles of St Nicholas.  A UNESCO World Heritage Site..
  • Medieval stained glass Window of the Gothic Cathedral of Chartres, France - dedicated to St Margret and St Catherine. Bottom left panel  - St Margaret vanquishing a demon, bottom  right panel - St Margaret bursting out of the belly of a dragon . Top left panel - The Prefect, Olibrius, condemns Margaret to death , top right panel - Martyrdom of St Margaret.  A UNESCO World Heritage Site.
  • Medieval stained glass Window of the Gothic Cathedral of Chartres, France - dedicated to the Life of St Remigius (Remy). Bottom left - Brigands attack Remigius in his hermitage, bottom right - Remigius escapes, top left - Remigius is chosen to be Archbishop of Reims, top right- Installation of Remigious as Archbishop. A UNESCO World Heritage Site.
  • Medieval stained glass Window of the Gothic Cathedral of Chartres, France - dedicated to the Life of St Remigius (Remy).  A UNESCO World Heritage Site.
  • Medieval stained glass Window of the Gothic Cathedral of Chartres, France - dedicated to the Passion.  A UNESCO World Heritage Site..
  • Medieval stained glass Window of the Gothic Cathedral of Chartres, France - dedicated to the Life of St Remigius (Remy).  A UNESCO World Heritage Site.
  • Medieval stained glass Window of the Gothic Cathedral of Chartres, France - dedicated to the Passion.  A UNESCO World Heritage Site..
  • Medieval stained glass Window of the Gothic Cathedral of Chartres, France - dedicated to the Passion.  A UNESCO World Heritage Site..
  • Medieval stained glass Window of the Gothic Cathedral of Chartres, France - dedicated to the Passion.  A UNESCO World Heritage Site..
  • Medieval stained glass Window of the Gothic Cathedral of Chartres, France - dedicated to the Passion.  A UNESCO World Heritage Site..
  • Medieval stained glass Window of the Gothic Cathedral of Chartres, France - dedicated to the life of St Anthony of the Desert.  A UNESCO World Heritage Site
  • Medieval stained glass Window of the Gothic Cathedral of Chartres, France - dedicated to the life of St Margret and St Catherine.  A UNESCO World Heritage Site..
  • Medieval stained glass Window of the Gothic Cathedral of Chartres, France - dedicated to St Sylvester. A UNESCO World Heritage Site.
  • Medieval stained glass Window of the Gothic Cathedral of Chartres, France - dedicated to St Sylvester.  Bottom left - The young Sylvester presented by his mother to the priest Cyrinus, bottom right - Sylvester welcoming St Timothy to his house. Side panel right - above right - Execution of St Timothy , side panel left - Death of the prefect Tarquin, who chokes on a fish bone. Two centre panels, left- Funeral of St Timothy, right - Sylvester refusing the prefect's orders to worship an idol. Top central oval panel - Sylvester released from prison by Pope Melchiades. Above left - People beg Sylvester (holding book) to become a deacon, above right - Sylvester is ordained by Melchiades as deacon. A UNESCO World Heritage Site.
  • Medieval stained glass Window of the Gothic Cathedral of Chartres, France - dedicated to St Sylvester.  Bottom left - The young Sylvester presented by his mother to the priest Cyrinus, bottom right - Sylvester welcoming St Timothy to his house. Bottom side panels right - above right - Execution of St Timothy , side panel left - Death of the prefect Tarquin, who chokes on a fish bone. Two centre panels, left- Funeral of St Timothy, right - Sylvester refusing the prefect's orders to worship an idol. Top central oval panel - Sylvester released from prison by Pope Melchiades. Above left - People beg Sylvester (holding book) to become a deacon, above right - Sylvester is ordained by Melchiades as deacon. Top side panel , right - After the death of Melchiades Sylvester installed as Pope, left - Emperor Constantine falls ill (note doctor with urine flask). Top two panels - left -  Constantine orders sacrifices to an idol, right - Pope Sylvester and his followers flee persecution. Top central oval panel - Soldiers about to prepare a bath with the blood of 3000 children. A UNESCO World Heritage Site.
  • Medieval stained glass Window of the Gothic Cathedral of Chartres, France - dedicated to The Infancy and Public Ministry of Christ. A UNESCO World Heritage Site.
  • Medieval stained glass Window of the Gothic Cathedral of Chartres, France - dedicated to The Infancy and Public Ministry of Christ. A UNESCO World Heritage Site.
  • Medieval stained glass Window of the Gothic Cathedral of Chartres, France - dedicated to The Infancy and Public Ministry of Christ. A UNESCO World Heritage Site.
  • Medieval stained glass Window of the Gothic Cathedral of Chartres, France - dedicated to The Infancy and Public Ministry of Christ. A UNESCO World Heritage Site.
  • Medieval stained glass Window of the Gothic Cathedral of Chartres, France - dedicated to The Infancy and Public Ministry of Christ. A UNESCO World Heritage Site.
  • Medieval stained glass Window of the Gothic Cathedral of Chartres, France - dedicated to The Infancy and Public Ministry of Christ. A UNESCO World Heritage Site.
  • Medieval stained glass Window of the Gothic Cathedral of Chartres, France - dedicated to The Infancy and Public Ministry of Christ. A UNESCO World Heritage Site.
  • Medieval stained glass Window of the Gothic Cathedral of Chartres, France - dedicated to The Infancy and Public Ministry of Christ. A UNESCO World Heritage Site.
  • Medieval stained glass Window of the Gothic Cathedral of Chartres, France - dedicated to The Tree of Jesse (12th century). A UNESCO World Heritage Site.
  • Medieval stained glass Window of the Gothic Cathedral of Chartres, France - dedicated to The Tree of Jesse (12th century). Botton row of panels - Nahum / Jesse with the 'stem' growing from his loins / Joel. row above - Ezekiel / David / Hosea, row above - saiah / Solomon / Micah. Top row - Moses / Generic King of Israel / Balaam. A UNESCO World Heritage Site.
  • Medieval stained glass Window of the Gothic Cathedral of Chartres, France - dedicated to The Tree of Jesse (12th century). Botton row of panels - Moses / Generic King of Israel / Balaam, row above - Samuel / Generic King of Israel / Amos, row above - Zacchariah / The Virgin Mary / Daniel, top row - Habakkuk / Christ with the Seven Gifts of the Spirit / Zephaniah. A UNESCO World Heritage Site..
  • Medieval stained glass Window of the Gothic Cathedral of Chartres, France - dedicated to The Tree of Jesse (12th century). A UNESCO World Heritage Site.
  • Medieval stained glass Window of the Gothic Cathedral of Chartres, France - dedicated to St John The Evangelist. Bottom panel - Flight into Egypt . Above left - Armourers making shields and saddles, above right - Armourers making stirrups. Central panel - Death of Satheus, above left - John's journey into exile on Patmos, above right - St John on Patmos. A UNESCO World Heritage Site..
  • Medieval stained glass Window of the Gothic Cathedral of Chartres, France - dedicated to St John The Evangelist. Bottom left - Armourers making shields and saddles, above right - Armourers making stirrups. Central bottom panel - Death of Satheus, above left - John's journey into exile on Patmos, above right - St John on Patmos. Central top panel - St John confronting Aristodemus, above left and right - The raising of Drusiana . A UNESCO World Heritage Site..
  • Medieval stained glass Window of the Gothic Cathedral of Chartres, France - dedicated to St John The Evangelist. Bottom panel - Flight into Egypt . Above left - Armourers making shields and saddles, above right - Armourers making stirrups. Central panel - Death of Satheus, above left - John's journey into exile on Patmos, above right - St John on Patmos. A UNESCO World Heritage Site..
  • Medieval stained glass Window of the Gothic Cathedral of Chartres, France - dedicated to Noah and The Flood. Bottom Diamond panel - God instructs Noah to build an ark - The two panels below and the panels left and right show God instructing Noah to build an ark . Panel top left - Noah's sons; Shem, Ham and Japheth, panel top right - Noah's wife and daughters in law . Top central diamond - Noah and one of his sons constructing the Ark, top left  and right - Animals approaching the ark two by two. A UNESCO World Heritage Site.
  • Medieval stained glass Window of the Gothic Cathedral of Chartres, France - dedicated to the Life of St Mary Magdalen. A UNESCO World Heritage Site.
  • Medieval stained glass Window of the Gothic Cathedral of Chartres, France - dedicated to the Life of St Mary Magdalen. A UNESCO World Heritage Site.
  • Medieval stained glass Window of the Gothic Cathedral of Chartres, France - dedicated to the Life of St Mary Magdalen. A UNESCO World Heritage Site.
  • Medieval stained glass Window of the Gothic Cathedral of Chartres, France - dedicated to the Life of St Mary Magdalen. Central panel - bottom left - Mary meets the angel at Christ's empty tomb (the Quem quaeritis), bottom right - The Noli me tangere, top left - Mary as the Apostola Apostolorum , top right - The Apostles receiving Mary's news . Diamond below and side panels either side - Christ raising Lazarus. A UNESCO World Heritage Site.
  • Medieval stained glass Window of the Gothic Cathedral of Chartres, France - dedicated to the Life of St Mary Magdalen. Central panel - bottom left - Mary meets the angel at Christ's empty tomb (the Quem quaeritis), bottom right - The Noli me tangere, top left - Mary as the Apostola Apostolorum , top right - The Apostles receiving Mary's news . A UNESCO World Heritage Site.
  • Medieval stained glass Window of the Gothic Cathedral of Chartres, France - dedicated to the Life of St Mary Magdalen. Bottom central panel - bottom left - Mary washing Christ's feet in the house of Simon the Pharisee, bottom right - Death of Lazarus, top left - Their neighbours try to console Mary and Martha, top right - Funeral of Lazarus. Diamond panel above and side panels either side - Christ raising Lazarus. A UNESCO World Heritage Site..
  • Medieval stained glass Window of the Gothic Cathedral of Chartres, France - dedicated to the Life of St Mary Magdalen. Central panel - bottom left - Mary washing Christ's feet in the house of Simon the Pharisee, bottom right - Death of Lazarus, top left - Their neighbours try to console Mary and Martha, top right - Funeral of Lazarus.  A UNESCO World Heritage Site..
  • Medieval stained glass Window of the Gothic Cathedral of Chartres, France - dedicated to the Life of St Lubin . Central bottom panel shows A barrel of wine being transported to the Cathedral, below left - The young Lubin working as a shepherd, below right - A monk gives Lubin a belt with the alphabet written on it, above left - Lubin receiving instruction from a cleric, above right - Lubin spends his spare time learning to read, while his companion idles.  Top central panel -  A cellerer draws sacramental wine into a cruet, below left - Lubin is accepted into a monastery, below right - Nileffus advises Lubin to visit other monasteries to broaden his knowledge, above left - Lubin, Nileffus and another monk, approach a new monastery, above right - Lubin and his companions leaving a monastery. A UNESCO World Heritage Site.
  • Medieval stained glass Window of the Gothic Cathedral of Chartres, France - dedicated to the Life of St Lubin . Central panel shows A barrel of wine being transported to the Cathedral, below left - The young Lubin working as a shepherd, below right - A monk gives Lubin a belt with the alphabet written on it, above left - Lubin receiving instruction from a cleric, above right - Lubin spends his spare time learning to read, while his companion idles.  Cental bottom semi circle - wine cryers, above left -a procession, above right - a procession of laymen and clerics.  A UNESCO World Heritage Site..
  • Medieval stained glass Window of the Gothic Cathedral of Chartres, France - dedicated to the Life of St Lubin . Central panel shows A barrel of wine being transported to the Cathedral, below left - The young Lubin working as a shepherd, below right - A monk gives Lubin a belt with the alphabet written on it, above left - Lubin receiving instruction from a cleric, above right - Lubin spends his spare time learning to read, while his companion idles.  A UNESCO World Heritage Site..
  • Medieval stained glass Window of the Gothic Cathedral of Chartres, France - dedicated to the Life of St Lubin . Central panel shows A barrel of wine being transported to the Cathedral, below left - The young Lubin working as a shepherd, below right - A monk gives Lubin a belt with the alphabet written on it, above left - Lubin receiving instruction from a cleric, above right - Lubin spends his spare time learning to read, while his companion idles.  A UNESCO World Heritage Site..
  • Medieval stained glass Window of the Gothic Cathedral of Chartres, France - dedicated to the Good Samaritan .  Bottom central panel shows A bandit prepares to attack the pilgrim , below left -The pilgrim leaving Jerusalem, right -  The pilgrim is beaten, robbed and stripped , above - A Priest and a Levite see the injured man but walk on past. Central oval panel - The Samaritan leading the Pilgrim to an inn, left of this - A Samaritan binds the injured man's wounds, right of centre - An innkeeper welcoming the Samaritan. Top central panel shows Adam dwelling in Paradise, below - At the inn, the Samaritan nurses the injured man back to health, left - God breathing life into Adam, above - God warning Adam and Eve not to eat from the tree of knowledge, right - God creates Eve out of Adam's rib . A UNESCO World Heritage Site.
  • Medieval stained glass Window of the Gothic Cathedral of Chartres, France - dedicated to the Good Samaritan .  Bottom central panel shows Adam dwelling in Paradise, below - At the inn, the Samaritan nurses the injured man back to health, left - God breathing life into Adam, above - God warning Adam and Eve not to eat from the tree of knowledge, right - God creates Eve out of Adam's rib . Small central oval panel - Tempted by the serpent, Eve tastes the forbidden fruit , left side panel - Adam and Eve conversing beneath the tree of knowledge, right side panel -  God finds Adam and Eve hiding their nakedness. Top centre panel - God instructing Adam and Eve how to live in the wilderness, below - An angel casts Adam and Eve out of Paradise , left - Labouring in the wilderness; Adam digs and Eve spins, right -  Cain murdering his brother Abel with a sickle, above -  Christ in Majesty, seated on the rainbow. A UNESCO World Heritage Site.
  • Medieval stained glass Window of the Gothic Cathedral of Chartres, France - dedicated to the Good Samaritan .  Bottom central panel shows A bandit prepares to attack the pilgrim , below left -The pilgrim leaving Jerusalem, right -  The pilgrim is beaten, robbed and stripped , above - A Priest and a Levite see the injured man but walk on past. Central oval panel - The Samaritan leading the Pilgrim to an inn, left of this - A Samaritan binds the injured man's wounds, right of centre - An innkeeper welcoming the Samaritan. Top central panel shows Adam dwelling in Paradise, below - At the inn, the Samaritan nurses the injured man back to health, left - God breathing life into Adam, above - God warning Adam and Eve not to eat from the tree of knowledge, right - God creates Eve out of Adam's rib . A UNESCO World Heritage Site.
  • Medieval stained glass Window of the Gothic Cathedral of Chartres, France - dedicated to the lGood Samaritan . Central panel shows Adam dwelling in Paradise, below - At the inn, the Samaritan nurses the injured man back to health, left - God breathing life into Adam, above - God warning Adam and Eve not to eat from the tree of knowledge, right - God creates Eve out of Adam's rib .  A UNESCO World Heritage Site..
  • Medieval stained glass Window of the Gothic Cathedral of Chartres, France - dedicated to the lGood Samaritan . Central panel shows A bandit prepares to attack the pilgrim , below  - Christ telling the parable to a couple of Pharisees, left -The pilgrim leaving Jerusalem, right -  The pilgrim is beaten, robbed and stripped , above - A Priest and a Levite see the injured man but walk on past. A UNESCO World Heritage Site.
  • Medieval stained glass Window of the Gothic Cathedral of Chartres, France - dedicated to the lGood Samaritan . Central panel shows A bandit prepares to attack the pilgrim , below  - Christ telling the parable to a couple of Pharisees, left -The pilgrim leaving Jerusalem, right -  The pilgrim is beaten, robbed and stripped , above - A Priest and a Levite see the injured man but walk on past. A UNESCO World Heritage Site.
  • Medieval stained glass Window of the Gothic Cathedral of Chartres, France - dedicated to the lGood Samaritan . Central panel shows A bandit prepares to attack the pilgrim , below  - Christ telling the parable to a couple of Pharisees, left -The pilgrim leaving Jerusalem, right -  The pilgrim is beaten, robbed and stripped , above - A Priest and a Levite see the injured man but walk on past. A UNESCO World Heritage Site.
  • Medieval stained glass Window of the Gothic Cathedral of Chartres, France - dedicated to the life of Eustace . Central panel shows act 2 ?the Tragedy and Exile? , central diamond -   The sailors kidnap Eustace's wife, casting him overboard , below left - possibly Eustace negotiating passage to Egypt, below right Eustace and his family board a boat to Egypt . Above left - Before Eustace can reach land, a lion snatches away his eldest son, above right -  Shepherds rescue Eustace's younger son from the jaws of a wolf. A UNESCO World Heritage Site.
  • Medieval stained glass Window of the Gothic Cathedral of Chartres, France - dedicated to the life of Eustace . Central panel shows act 2 ?the Tragedy and Exile? , central diamond - After various disasters, Eustace and his family abandon their home. Top Right - possibly Eustace negotiating passage to Egypt , top right - Eustace and his family board a boat to Egypt.  Bottom left from act one ?the Conversion:?- Placidus hears the words of Christ coming from the mouth of a stag, right - Placidus is baptised and given the name 'Eustace'. A UNESCO World Heritage Site.
  • Medieval stained glass Window of the Gothic Cathedral of Chartres, France- dedicated to Joseph the Patriach . A UNESCO World Heritage Site.
  • Medieval stained glass Window of the Gothic Cathedral of Chartres, France - dedicated to the Life and Miracles of St Nicholas. Replaced panels. A UNESCO World Heritage Site.
  • Medieval stained glass Window of the Gothic Cathedral of Chartres, France - dedicated to the Life and Miracles of St Nicholas. A UNESCO World Heritage Site.
  • Medieval stained glass Window of the Gothic Cathedral of Chartres, France - dedicated to the Life and Miracles of St Nicholas.  Bottom left panel - The young Nicholas refuses his mother's milk, bottom right panel - Nicholas studying in school . Centre diamon panel - Nicholas gives a poor man the money for his daughters' dowries. Top left -  Guided by God, Nicholas goes to the church early one morning, top right - A cleric asks Nicholas his name, then bids him to enter the church . A UNESCO World Heritage Site.
  • Medieval stained glass Window of the Gothic Cathedral of Chartres, France. A UNESCO World Heritage Site..
  • Stained glass Windows of Cathedral of Chartres, France - showing  the kings of France. A UNESCO World Heritage Site.
  • Stained glass Windows of Cathedral of Chartres, France - showing  the kings of France. A UNESCO World Heritage Site.
  • Medieval stained glass Window of the Gothic Cathedral of Chartres, France - dedicated to the Life of St Remigius (Remy). Left window - Labours of the Months / Signs of the Zodiac, right window -Life of the Virgin . A UNESCO World Heritage Site..
  • Medieval stained glass Window of the Gothic Cathedral of Chartres, France - dedicated to The life of St Lubin. Centre bottom panel - Signature panel (Wine cryers). Above left - Procession; a nobleman and his retinue, above right - Procession; a group of laymen and clerics departing from a church. Top left -  The young Lubin working as a shepherd, top right - A monk gives Lubin a belt with the alphabet written on it. A UNESCO World Heritage Site.  .
  • Stained glass Windows of Cathedral of Chartres, France. A UNESCO World Heritage Site.
  • Medieval stained glass Window of the Gothic Cathedral of Chartres, France - dedicated to the life of St Anthony of the Desert.
  • Medieval stained glass Window of the Gothic Cathedral of Chartres, France - dedicated to the Life of St Mary Magdalen. Central panel - top left - Mary meets the angel at Christ's empty tomb (the Quem quaeritis), bottom right - The Noli me tangere, top left - Mary as the Apostola Apostolorum , top right - The Apostles receiving Mary's news . Diamond below and side panels either side - Christ raising Lazarus. Bottom central panel - bottom left - Mary washing Christ's feet in the house of Simon the Pharisee, bottom right - Death of Lazarus, top left - Their neighbours try to console Mary and Martha, top right - Funeral of Lazarus. Diamond panel above and side panels either side - Christ raising Lazarus. A UNESCO World Heritage Site.
  • Medieval stained glass Window of the Gothic Cathedral of Chartres, France - dedicated to the Good Samaritan .  Bottom central panel shows A bandit prepares to attack the pilgrim , below left -The pilgrim leaving Jerusalem, right -  The pilgrim is beaten, robbed and stripped , above - A Priest and a Levite see the injured man but walk on past. Central oval panel - The Samaritan leading the Pilgrim to an inn, left of this - A Samaritan binds the injured man's wounds, right of centre - An innkeeper welcoming the Samaritan. Top central panel shows Adam dwelling in Paradise, below - At the inn, the Samaritan nurses the injured man back to health, left - God breathing life into Adam, above - God warning Adam and Eve not to eat from the tree of knowledge, right - God creates Eve out of Adam's rib . A UNESCO World Heritage Site.
  • Medieval Windows of the Gothic Cathedral of Chartres, France, dedicated to the life of the Virgin Mary.  The bottom centre oval panel shows Anna and Joachim meet at the Golden Gate, below The high priest refuses the offerings of Joachim, left Annunciation to Joachim , right Annunciation to Anna .  . A UNESCO World Heritage Site.
  • Medieval Windows of the Gothic Cathedral of Chartres, France- dedicated to Joseph the Patriach .  Bottom central panel - bottom Joseph dreams the sun, moon and stars make obeisance to him (Gen.37:9)?left - Jacob sends Joseph to Shechem to take supplies to his brothers, right - Joseph's brothers tending their flocks in Dothan (Gen.37:18) , top - Joseph's brothers lower him into an old well (Gen.37:24) . Top central panel - bottom Angry that Joseph spurned her, Potiphar's wife accuses him of attempted rape , left - Convinced by his wife's calumny, Potiphar has Joseph arrested , right - Joseph is thrown into prison , top - Pharaoh asleep in his palace, dreaming . A UNESCO World Heritage Site..
  • Medieval Windows  of the Gothic Cathedral of Chartres, France, dedicated to the life an miracles of St Nicholas. A UNESCO World Heritage Site. Bottom corners, left shows a belt seller, right a merchant. Centre panel, bottom shows a merchant with scales, left birth of St Nicholas, left the miracles of the first bath of St Nicholas, top The infant St Nicholas refuses his mother's milk except on mondays and fridays..Centre panel above ,  bottom shows The young St Nicholas does well at school, left Nicholas secretly gives gold to an old man to save his daughters , right The old man tries to thank Nicholas, who humbly flees from him, top Nicholas is chosen to be the new Bishop of Myra.
  • Medieval Windows  of the Gothic Cathedral of Chartres, France, dedicated to the life an miracles of St Nicholas. A UNESCO World Heritage Site. Bottom corners, left shows a belt seller, right a merchant. Centre panel, bottom shows a merchant with scales, left birth of St Nicholas, left the miracles of the first bath of St Nicholas, top The infant St Nicholas refuses his mother's milk except on mondays and fridays..Centre panel above ,  bottom shows The young St Nicholas does well at school, left Nicholas secretly gives gold to an old man to save his daughters , right The old man tries to thank Nicholas, who humbly flees from him, top Nicholas is chosen to be the new Bishop of Myra.
  • Medieval Windows  of the Gothic Cathedral of Chartres, France, dedicated to the life an miracles of St Nicholas. A UNESCO World Heritage Site. Bottom corner shows During a famine, Nicholas persuades sailors to give the town some grain, bottom left shows The sailors bringing grain ashore . Centre panel bottom, The young St Nicholas does well at school, left Nicholas secretly gives gold to an old man to save his daughters , right The old man tries to thank Nicholas, who humbly flees from him, top .Nicholas is chosen to be the new Bishop of Myra.  .
  • Bottom corners, left shows a belt seller, right a merchant. Centre panel, bottom shows a merchant with scales, left birth of St Nicholas, left the miracles of the first bath of St Nicholas, top The infant St Nicholas refuses his mother's milk except on mondays and fridays.
  • Medieval Windows of the Gothic Cathedral of Chartres, France, dedicated to the life of the Virgin Mary.  Bottom Left pruning of the vines, right Count Thibault VI. The top centre oval panel shows Anna and Joachim meet at the Golden Gate, below The high priest refuses the offerings of Joachim, left Annunciation to Joachim , right Annunciation to Anna . A UNESCO World Heritage Site.
  • Medieval Windows of the Gothic Cathedral of Chartres, France, dedicated to St Martin of Tour.    A UNESCO World Heritage Site. In the top central oval panel St Martin is ordained Bishop of Tour, box below left Martin is attacked by brigands. Bottom central oval panel shows Martin being baptised.
  • Medieval Window of the South Transept of the Gothic Cathedral of Chartres, France- Circa 1225-30. A UNESCO World Heritage Site. This window was a donation of the Mauclerc family, the Counts of Dreux-Bretagne, who are depicted with their arms in the bases of the lancets above it shows one of the four evangelists sitting on the shoulders of four Prophets - a rare literal illustration of the theological principle that the New Testament builds upon the Old Testament.
  • Medieval Rose  Window of the South Transept of the Gothic Cathedral of Chartres, France- Circa 1225-30. A UNESCO World Heritage Site. Dedicated to Christ, who is shown in the central oculus, right hand raised in benediction, surrounded by adoring angels. Two outer rings of twelve circles each contain the 24 Elders of the Apocalypse, crowned and carrying phials and musical instruments. The central lancet beneath the rose shows the Virgin carrying the infant Christ. Either side of this are four lancets showing the four evangelists sitting on the shoulders of four Prophets - a rare literal illustration of the theological principle that the New Testament builds upon the Old Testament. This window was a donation of the Mauclerc family, the Counts of Dreux-Bretagne, who are depicted with their arms in the bases of the lancets
  • Medieval Rose Window of the North Transept of the Gothic Cathedral of Chartres, France- Circa 1235. A UNESCO World Heritage Site. The 10.5m rose window is dedicated to the Virgin Mary . The central oculus shows the Virgin and Child and is surrounded by 12 small petal-shaped windows, 4 with doves (the 'Four Gifts of the Spirit'), the rest with adoring angels carrying candlesticks. Beyond this is a ring of 12 diamond-shaped openings containing the Old Testament Kings of Judah, another ring of smaller lozenges containing the arms of France and Castille, and finally a ring of semicircles containing Old Testament Prophets holding scrolls. The presence of the arms of the French king (yellow fleurs-de-lis on a blue background) and of his mother, Blanche of Castile (yellow castles on a red background) are taken as a sign of royal patronage for this window. Beneath the rose itself are five tall lancet windows (7.5 m high) showing, in the centre, the Virgin as an infant held by her mother, St Anne - the same subject as the trumeau in the portal beneath it. Flanking this lancet are four more containing Old Testament figures. Each of these standing figures is shown symbolically triumphing over an enemy depicted in the base of the lancet beneath them - David over Saul, Aaron over Pharaoh, St Anne over Synagoga, etc
  • Medieval Windows of the Gothic Cathedral of Chartres, France- dedicated to Joseph the Patriach .  Bottom central panel - bottom Joseph dreams the sun, moon and stars make obeisance to him (Gen.37:9)?left - Jacob sends Joseph to Shechem to take supplies to his brothers, right - Joseph's brothers tending their flocks in Dothan (Gen.37:18) , top - Joseph's brothers lower him into an old well (Gen.37:24) . Top central panel - bottom Angry that Joseph spurned her, Potiphar's wife accuses him of attempted rape , left - Convinced by his wife's calumny, Potiphar has Joseph arrested , right - Joseph is thrown into prison , top - Pharaoh asleep in his palace, dreaming . A UNESCO World Heritage Site..
  • Medieval Windows of the Gothic Cathedral of Chartres, France- dedicated to Joseph the Patriach .  Central panel - bottom Angry that Joseph spurned her, Potiphar's wife accuses him of attempted rape , left - Convinced by his wife's calumny, Potiphar has Joseph arrested , right - Joseph is thrown into prison , top - Pharaoh asleep in his palace, dreaming . A UNESCO World Heritage Site.
  • Medieval Windows of the Gothic Cathedral of Chartres, France- dedicated to Joseph the Patriach .  Central panel - bottom Joseph dreams the sun, moon and stars make obeisance to him (Gen.37:9)?left - Jacob sends Joseph to Shechem to take supplies to his brothers, right - Joseph's brothers tending their flocks in Dothan (Gen.37:18) , top - Joseph's brothers lower him into an old well (Gen.37:24) . A UNESCO World Heritage Site.
  • Medieval Windows of the Gothic Cathedral of Chartres, France, dedicated to the signs of the Zodiac and the monthly labours.  From bottom left - Wine growers, Bell ringers ( centre bottom) Count Thibault VI on his horse. Above centre is January, the Roman god of Janus  or Aquarius, above left  - February, a man keeping warm in font of a fire, right - two fish representing Pisces. Above left March - A Man pruning the vines and right Aries. Centre panel above - May / Gemini. Above left  is April and top right is Taurus. A UNESCO World Heritage Site.
  • Medieval Windows  of the Gothic Cathedral of Chartres, France, dedicated to the life an miracles of St Nicholas. A UNESCO World Heritage Site.
  • Medieval Windows of the Gothic Cathedral of Chartres, France, dedicated to the signs of the Zodiac and the monthly labours.  From bottom left - Wine growers, Bell ringers ( centre bottom) Count Thibault VI on his horse. Above centre is January, the Roman god of Janus  or Aquarius, above left  - February, a man keeping warm in font of a fire, right - two fish representing Pisces. Above left March - A Man pruning the vines and right Aries. Centre panel above - May / Gemini. Above left  is April and top right is Taurus. A UNESCO World Heritage Site.
  • Medieval Windows  of the Gothic Cathedral of Chartres, France, dedicated to the life an miracles of St Nicholas. A UNESCO World Heritage Site. Centre panel,  bottom shows The young St Nicholas does well at school, left Nicholas secretly gives gold to an old man to save his daughters , right The old man tries to thank Nicholas, who humbly flees from him, top .Nicholas is chosen to be the new Bishop .
  • Medieval Windows  of the Gothic Cathedral of Chartres, France, dedicated to Notre Dame de la Belle Verriere. The panels show the wedding at Cana.
  • Medieval Windows of the Gothic Cathedral of Chartres, France, dedicated to St Martin of Tour.    A UNESCO World Heritage Site. In the  central oval panel St Martin is being baptised.
  • Medieval Windows of the Gothic Cathedral of Chartres, France, dedicated to St Martin of Tour.    A UNESCO World Heritage Site. In the top central oval panel St Martin is ordained Bishop of Tour, box below left Martin is attacked by brigands.
  • Medieval western rose  window of the Gothic Cathedral of Chartres, France. A UNESCO World Heritage Site. The western rose, made c.1215 and 12 m in diameter shows the Last Judgement - a traditional theme for west façades. A central oculus showing Christ as the Judge is surrounded by an inner ring of 12 paired roundels containing angels and the Elders of the Apocalypse and an outer ring of 12 roundels showing the dead emerging from their tombs and the angels blowing trumpets to summon them to judgement.
  • Medieval Window of the South Transept of the Gothic Cathedral of Chartres, France- Circa 1225-30. A UNESCO World Heritage Site. This window was a donation of the Mauclerc family, the Counts of Dreux-Bretagne, who are depicted with their arms in the bases of the lancets above is the Virgin Mary & Child
  • Medieval Rose  Window of the South Transept of the Gothic Cathedral of Chartres, France- Circa 1225-30. A UNESCO World Heritage Site. Dedicated to Christ, who is shown in the central oculus, right hand raised in benediction, surrounded by adoring angels. Two outer rings of twelve circles each contain the 24 Elders of the Apocalypse, crowned and carrying phials and musical instruments. The central lancet beneath the rose shows the Virgin carrying the infant Christ. Either side of this are four lancets showing the four evangelists sitting on the shoulders of four Prophets - a rare literal illustration of the theological principle that the New Testament builds upon the Old Testament. This window was a donation of the Mauclerc family, the Counts of Dreux-Bretagne, who are depicted with their arms in the bases of the lancets
  • Medieval Window of the North Transept of the Gothic Cathedral of Chartres, France- Circa 1235. A UNESCO World Heritage Site. The panels depicts Saint Anne carrying the infant Mary with The arms of the Royal House of France below.
  • Medieval Window of the North Transept of the Gothic Cathedral of Chartres, France- Circa 1235. A UNESCO World Heritage Site. The panels depict from left to right - 1. Melchizedek with Nebechadnezzar praying to a pagan idol below 2. King David with his harp with Saul dying on his own sword below 3. Saint Anne carrying the infant Mary with The arms of the Royal House of France below 4. King Solomon with Jeroboam worshipping the idols of Dan and Bethel below, 5. Aaron with Pharaoh falling from his horse below,
  • Medieval stained glass window showing scenes from The Apocolypse. The Gothic Cathedral Basilica of Saint Denis ( Basilique Saint-Denis ) Paris, France. A UNESCO World Heritage Site.
  • Medieval stained glass window showing the allegories of Saint Paul, (from the Top) Christ between the Church and the Synagogue, Moses, The mill of Saint Paul, The book of the Lions and the sheep. The Gothic Cathedral Basilica of Saint Denis ( Basilique Saint-Denis ) Paris, France. A UNESCO World Heritage Site.
  • Medieval Gothic stained glass window showing  scenes from the Martyrdom of Saint Denis.  The Gothic Cathedral Basilica of Saint Denis ( Basilique Saint-Denis ) Paris, France. A UNESCO World Heritage Site.
  • 14th century medieval Gothic stained glass window showing scenes from the life of Jesus Christ, (from Bottom up) King Herod ordering the killing of the babies in his kingdom, Mary fleeing with the baby Jesus to Egypt and the Slaying of the Innocents.. The Gothic Cathedral Basilica of Saint Denis ( Basilique Saint-Denis ) Paris, France. A UNESCO World Heritage Site.
  • Medieval Rayonnant Gothic stained glass Rose window. The Gothic Cathedral Basilica of Saint Denis ( Basilique Saint-Denis ) Paris, France. A UNESCO World Heritage Site.
  • Medieval Gothic stained glass window showing  scenes from the Martyrdom of Saint Denis over the high altar. The Gothic Cathedral Basilica of Saint Denis ( Basilique Saint-Denis ) Paris, France. A UNESCO World Heritage Site.
  • Medieval Gothic stained glass window showing  scenes from the Martyrdom of Saint Denis over the high altar. The Gothic Cathedral Basilica of Saint Denis ( Basilique Saint-Denis ) Paris, France. A UNESCO World Heritage Site.
  • Stained Glass windows from the  Cathedral Basilica of Saint Denis ( Basilique Saint-Denis ) Paris, France. A UNESCO World Heritage Site.
  • Medieval stained glass from the Gothic Cathedral Basilica of Saint Denis ( Basilique Saint-Denis ) Paris, France. A UNESCO World Heritage Site.
  • Medieval Rayonnant Gothic stained glass Rose window. The Gothic Cathedral Basilica of Saint Denis ( Basilique Saint-Denis ) Paris, France. A UNESCO World Heritage Site.
  • Medieval Rayonnant Gothic stained glass Rose window. The Gothic Cathedral Basilica of Saint Denis ( Basilique Saint-Denis ) Paris, France. A UNESCO World Heritage Site.
  • Medieval Rayonnant Gothic stained glass Rose window. The Gothic Cathedral Basilica of Saint Denis ( Basilique Saint-Denis ) Paris, France. A UNESCO World Heritage Site.
  • Medieval Gothic stained glass window showing the Kings of France. The Gothic Cathedral Basilica of Saint Denis ( Basilique Saint-Denis ) Paris, France. A UNESCO World Heritage Site.
  • Medieval Gothic stained glass window showing the Kings of France. The Gothic Cathedral Basilica of Saint Denis ( Basilique Saint-Denis ) Paris, France. A UNESCO World Heritage Site.
  • Medieval Gothic stained glass window showing the Kings of France. The Gothic Cathedral Basilica of Saint Denis ( Basilique Saint-Denis ) Paris, France. A UNESCO World Heritage Site.
  • Medieval Gothic stained glass window showing the Kings of France. The Gothic Cathedral Basilica of Saint Denis ( Basilique Saint-Denis ) Paris, France. A UNESCO World Heritage Site.
  • Medieval Gothic stained glass window showing the Kings of France. The Gothic Cathedral Basilica of Saint Denis ( Basilique Saint-Denis ) Paris, France. A UNESCO World Heritage Site.
  • Medieval Gothic stained glass window showing the Kings of France. The Gothic Cathedral Basilica of Saint Denis ( Basilique Saint-Denis ) Paris, France. A UNESCO World Heritage Site.
  • Medieval Gothic stained glass window showing the Kings of France. The Gothic Cathedral Basilica of Saint Denis ( Basilique Saint-Denis ) Paris, France. A UNESCO World Heritage Site.
  • Medieval Gothic stained glass window showing the Kings of France. The Gothic Cathedral Basilica of Saint Denis ( Basilique Saint-Denis ) Paris, France. A UNESCO World Heritage Site.
  • Medieval Gothic stained glass window showing  scenes from the Martyrdom of Saint Denis.  The Gothic Cathedral Basilica of Saint Denis ( Basilique Saint-Denis ) Paris, France. A UNESCO World Heritage Site.
  • Medieval Gothic stained glass window showing, Left King Henry and his wife and King Philippe and his wife The Gothic Cathedral Basilica of Saint Denis ( Basilique Saint-Denis ) Paris, France. A UNESCO World Heritage Site.
  • Medieval Gothic stained glass window showing  scenes from the Martyrdom of Saint Denis.  The Gothic Cathedral Basilica of Saint Denis ( Basilique Saint-Denis ) Paris, France. A UNESCO World Heritage Site.
  • Medieval Gothic stained glass window showing  scenes from the Martyrdom of Saint Denis.  The Gothic Cathedral Basilica of Saint Denis ( Basilique Saint-Denis ) Paris, France. A UNESCO World Heritage Site.
  • Medieval Gothic stained glass window showing  scenes from the Martyrdom of Saint Denis.  The Gothic Cathedral Basilica of Saint Denis ( Basilique Saint-Denis ) Paris, France. A UNESCO World Heritage Site.
  • Medieval Gothic stained glass window showing  scenes from the Martyrdom of Saint Denis.  The Gothic Cathedral Basilica of Saint Denis ( Basilique Saint-Denis ) Paris, France. A UNESCO World Heritage Site.
  • Medieval Gothic stained glass window showing  the Martyrdom of Saint Denis.The  Cathedral Basilica of Saint Denis ( Basilique Saint-Denis ) Paris, France. A UNESCO World Heritage Site.. The Gothic Cathedral Basilica of Saint Denis ( Basilique Saint-Denis ) Paris, France. A UNESCO World Heritage Site.. The Gothic Cathedral Basilica of Saint Denis ( Basilique Saint-Denis ) Paris, France. A UNESCO World Heritage Site.. The Gothic Cathedral Basilica of Saint Denis ( Basilique Saint-Denis ) Paris, France. A UNESCO World Heritage Site.
  • Medieval Gothic stained glass window showing  scenes from the Martyrdom of Saint Denis.The  Cathedral Basilica of Saint Denis ( Basilique Saint-Denis ) Paris, France. A UNESCO World Heritage Site.. The Gothic Cathedral Basilica of Saint Denis ( Basilique Saint-Denis ) Paris, France. A UNESCO World Heritage Site.. The Gothic Cathedral Basilica of Saint Denis ( Basilique Saint-Denis ) Paris, France. A UNESCO World Heritage Site.. The Gothic Cathedral Basilica of Saint Denis ( Basilique Saint-Denis ) Paris, France. A UNESCO World Heritage Site.
  • Medieval Gothic stained glass window showing  scenes from the Martyrdom of Saint Denis over the high altar. The Gothic Cathedral Basilica of Saint Denis ( Basilique Saint-Denis ) Paris, France. A UNESCO World Heritage Site.
  • 12th century medieval Gothic stained glass window showing  Kings and Queens of France. The Gothic Cathedral Basilica of Saint Denis ( Basilique Saint-Denis ) Paris, France. A UNESCO World Heritage Site.
  • Medieval Gothic stained glass window showing  scenes from the life of Jesus Christ (from Bottom Up) The nativity, The journey of the 3 Kings, the flight to Egypt and the dormition of the Virgin. From the Chapel of The Virgin,  Cathedral Basilica of Saint Denis ( Basilique Saint-Denis ) Paris, France. A UNESCO World Heritage Site.
  • 14th century medieval Gothic stained glass window showing scenes from the life of Saint Maurice (From Bottom Up) Saint Maurice refuses to sacrifice to false idols, Maurice is shown as the leader of the Roman Thebian Legion, The 2 emperors Diocletian and Maximian order the persecution of Christians, Maurice and his followers and executed.. The Gothic Cathedral Basilica of Saint Denis ( Basilique Saint-Denis ) Paris, France. A UNESCO World Heritage Site.
  • Medieval Stained Glass windows from the Gothic Cathedral Basilica of Saint Denis ( Basilique Saint-Denis ) Paris, France. A UNESCO World Heritage Site.
  • Medieval Gothic stained glass window showing  scenes from the Martyrdom of Saint Denis.  The Gothic Cathedral Basilica of Saint Denis ( Basilique Saint-Denis ) Paris, France. A UNESCO World Heritage Site.
  • Fresh water being poured into a glass
  • Fresh flavoured milk being poured into a glass
  • Fresh water being poured into a glass
  • Fresh water being poured into a glass
  • Fresh water being poured into a glass
  • Fresh flavoured milk being poured into a glass
  • Red wine being poured into a glass
  • Red wine being poured into a glass
  • Fresh water being poured into a glass
  • Fresh water being poured into a glass
  • Fresh water being poured into a glass
  • Fresh flavoured milk being poured into a glass
  • fresh milk being poured into a glass
  • Red wine being poured into a glass
  • The Choir of the Gothic Cathedral Basilica of Saint Denis ( Basilique Saint-Denis ) Paris, France. A UNESCO World Heritage Site.
  • Stained glass windows depicting scenes from the life of Saint Nicaise, made in the first quarter of the 13th century from a chapel in the Cathedral of Soissons, France. The stained glass depicts the martyrdom of Saint Nicaise.  Inv OA 6006,  The Louvre Museum, Paris.
  • Stained glass windows depicting scenes from the life of Saint Nicaise, made in the first quarter of the 13th century from a chapel in the Cathedral of Soissons, France. The stained glass depicts the martyrdom of Saint Nicaise.  Inv OA 6006,  The Louvre Museum, Paris.
  • Stained glass windows depicting scenes from the life of Saint Blaise, made in the first quarter of the 13th century from  Soissons, France .  Inv OAR 504,  The Louvre Museum, Paris.
  • Stained glass windows depicting scenes from the life of Saint Nicaise, made in the first quarter of the 13th century from a chapel in the Cathedral of Soissons, France. The stained glass depicts Saint Nicaise arriving in Rheims and  his martyrdom .  Inv OA 6006,  The Louvre Museum, Paris.
  • Stained glass windows depicting scenes from the life of Saint Blaise, made in the first quarter of the 13th century from  Soissons, France .  Inv OAR 504,  The Louvre Museum, Paris.
  • Stained glass windows depicting scenes from the life of Saint Blaise, made in the first quarter of the 13th century from  Soissons, France .  Inv OAR 504,  The Louvre Museum, Paris.
  • Stained glass of the medieval Wells Cathedral built in the Early English Gothic style in 1175, Wells Somerset, England
  • Stained glass of the medieval Wells Cathedral built in the Early English Gothic style in 1175, Wells Somerset, England
  • Stained glass of the medieval Wells Cathedral built in the Early English Gothic style in 1175, Wells Somerset, England
  • Stained glass of the medieval Wells Cathedral built in the Early English Gothic style in 1175, Wells Somerset, England
  • Stained glass of the medieval Wells Cathedral built in the Early English Gothic style in 1175, Wells Somerset, England
  • Stained glass of the medieval Wells Cathedral built in the Early English Gothic style in 1175, Wells Somerset, England
  • Stained glass of the medieval Wells Cathedral built in the Early English Gothic style in 1175, Wells Somerset, England
  • Stained glass of the medieval Wells Cathedral built in the Early English Gothic style in 1175, Wells Somerset, England
  • Stained glass of the medieval Wells Cathedral built in the Early English Gothic style in 1175, Wells Somerset, England
  • Stained glass of the medieval Wells Cathedral built in the Early English Gothic style in 1175, Wells Somerset, England
  • Medieval stained glass Window of the Gothic Cathedral of Chartres, France. A UNESCO World Heritage Site..
  • Medieval stained glass Window of the Gothic Cathedral of Chartres, France - dedicated to The life of St Lubin. . A UNESCO World Heritage Site.
  • Stained glass of the medieval Wells Cathedral built in the Early English Gothic style in 1175, Wells Somerset, England
  • Stained glass Windows of Cathedral of Chartres, France - showing Jesus Christ and Mary. A UNESCO World Heritage Site.
  • Roman panel with candelabra and a cupid hunter in glass paste from  Pompeii VI, Inv 38 No 10012, Naples Archaeological Musuem, Italy
  • Roman panel with candelabra and a cupid hunter in glass paste from  Pompeii VI, Inv 38 No 10012, Naples Archaeological Musuem, Italy
  • Roman panel with candelabra and a cupid hunter in glass paste from  Pompeii VI, Inv 38 No 10012, Naples Archaeological Musuem, Italy
  • Roman mosaic of a Phoenix, From Daphne, a suburb of Antioch, Antakya, Turkey, 6th century AD. Marble blocks and glass paste cubes. The phoenix is a mythical bird associated with the sun. A phoenix obtains new life by arising from the ashes of its predecessor. The phoenix was subsequently adopted as a symbol in Early Christianity.In the mosaic it is perched rock above a background of rose buds and is bordered by a pair of facing rams. inv 3342, restored in 1936 by the Louvre Museum, Paris
  • Roman mosaic of a Phoenix, From Daphne, a suburb of Antioch, Antakya, Turkey, 6th century AD. Marble blocks and glass paste cubes. The phoenix is a mythical bird associated with the sun. A phoenix obtains new life by arising from the ashes of its predecessor. The phoenix was subsequently adopted as a symbol in Early Christianity.In the mosaic it is perched rock above a background of rose buds and is bordered by a pair of facing rams. inv 3342, restored in 1936 by the Louvre Museum, Paris
  • Birds around a  vase From Daphne, a suburb of Antioch, Antakya, Turkey, 1st half of 3rd century AD. Marble cubes, limestone and glass. A border of geometric perspective cubes surround a scene with one bird sitting on the vase of Daphne whilst the other surround it. The naturalistic skill of the Roman Antioch mosaic artists is so good that it is possible to tell the species of each bird. inv 3461, Louvre Museum, Paris
  • Birds around a  vase From Daphne, a suburb of Antioch, Antakya, Turkey, 1st half of 3rd century AD. Marble cubes, limestone and glass. A border of geometric perspective cubes surround a scene with one bird sitting on the vase of Daphne whilst the other surround it. The naturalistic skill of the Roman Antioch mosaic artists is so good that it is possible to tell the species of each bird. inv 3461, Louvre Museum, Paris
  • Original Roman bronze statue of Emperor Marcus Aurelius on horseback. 175 AD. Marcus Aurelus was the last of the Five Good Emperors, and is also considered one of the most important Stoic philosophers. In 1979 it was discovered that the the equestrian statue of Marcus Aurelius, in the courtyard of the Capitline Museum, had suffered badly from corrosion, particularly in its legs. The staue was removed from Michael Angelo’s plinth and was transferred to the National Instution for the Restoration of works of art for preservation. On the 11th of April 1990 the restored statue was returned to the Cpitaline courtyard and covered with a glass protective casing. The glass box ruined the design of Michael Angelo’s courtyard and it was decided to make a copy to display in the courted and move the original into the Capitoiline Musuem. This is a rare example of a bronze equestrian statue as it became common practice for the Romans in the late empire to melt down bronze statues to mint coins. The Capitoline Museums, Rome
  • Original Roman bronze statue of Emperor Marcus Aurelius on horseback. 175 AD. Marcus Aurelus was the last of the Five Good Emperors, and is also considered one of the most important Stoic philosophers. In 1979 it was discovered that the the equestrian statue of Marcus Aurelius, in the courtyard of the Capitline Museum, had suffered badly from corrosion, particularly in its legs. The staue was removed from Michael Angelo’s plinth and was transferred to the National Instution for the Restoration of works of art for preservation. On the 11th of April 1990 the restored statue was returned to the Cpitaline courtyard and covered with a glass protective casing. The glass box ruined the design of Michael Angelo’s courtyard and it was decided to make a copy to display in the courted and move the original into the Capitoiline Musuem. This is a rare example of a bronze equestrian statue as it became common practice for the Romans in the late empire to melt down bronze statues to mint coins. The Capitoline Museums, Rome
  • Original Roman bronze statue of Emperor Marcus Aurelius on horseback. 175 AD. Marcus Aurelus was the last of the Five Good Emperors, and is also considered one of the most important Stoic philosophers. In 1979 it was discovered that the the equestrian statue of Marcus Aurelius, in the courtyard of the Capitline Museum, had suffered badly from corrosion, particularly in its legs. The staue was removed from Michael Angelo’s plinth and was transferred to the National Instution for the Restoration of works of art for preservation. On the 11th of April 1990 the restored statue was returned to the Cpitaline courtyard and covered with a glass protective casing. The glass box ruined the design of Michael Angelo’s courtyard and it was decided to make a copy to display in the courted and move the original into the Capitoiline Musuem. This is a rare example of a bronze equestrian statue as it became common practice for the Romans in the late empire to melt down bronze statues to mint coins. The Capitoline Museums, Rome
  • Original Roman bronze statue of Emperor Marcus Aurelius on horseback. 175 AD. Marcus Aurelus was the last of the Five Good Emperors, and is also considered one of the most important Stoic philosophers. In 1979 it was discovered that the the equestrian statue of Marcus Aurelius, in the courtyard of the Capitline Museum, had suffered badly from corrosion, particularly in its legs. The staue was removed from Michael Angelo’s plinth and was transferred to the National Instution for the Restoration of works of art for preservation. On the 11th of April 1990 the restored statue was returned to the Cpitaline courtyard and covered with a glass protective casing. The glass box ruined the design of Michael Angelo’s courtyard and it was decided to make a copy to display in the courted and move the original into the Capitoiline Musuem. This is a rare example of a bronze equestrian statue as it became common practice for the Romans in the late empire to melt down bronze statues to mint coins. The Capitoline Museums, Rome
  • Roman mosaic of a Phoenix, From Daphne, a suburb of Antioch, Antakya, Turkey, 6th century AD. Marble blocks and glass paste cubes. The phoenix is a mythical bird associated with the sun. A phoenix obtains new life by arising from the ashes of its predecessor. The phoenix was subsequently adopted as a symbol in Early Christianity.In the mosaic it is perched rock above a background of rose buds and is bordered by a pair of facing rams. inv 3342, restored in 1936 by the Louvre Museum, Paris
  • Roman mosaic of a Phoenix, From Daphne, a suburb of Antioch, Antakya, Turkey, 6th century AD. Marble blocks and glass paste cubes. The phoenix is a mythical bird associated with the sun. A phoenix obtains new life by arising from the ashes of its predecessor. The phoenix was subsequently adopted as a symbol in Early Christianity.In the mosaic it is perched rock above a background of rose buds and is bordered by a pair of facing rams. inv 3342, restored in 1936 by the Louvre Museum, Paris
  • Roman mosaic of a Phoenix, From Daphne, a suburb of Antioch, Antakya, Turkey, 6th century AD. Marble blocks and glass paste cubes. The phoenix is a mythical bird associated with the sun. A phoenix obtains new life by arising from the ashes of its predecessor. The phoenix was subsequently adopted as a symbol in Early Christianity.In the mosaic it is perched rock above a background of rose buds and is bordered by a pair of facing rams. inv 3342, restored in 1936 by the Louvre Museum, Paris
  • Female Portrait (Antioch, Antakya, Turkey), 1st half of 3rd century AD. Marble cubes, limestone and glass. The mosaic bust of a female with a billowing sail that surrounds her head that it could represent the wind. The mosaic decorated the entrance of a dining room and was once flanked it with now lost representations of the marine deities Thalassa and Okeanosinv 3460, Louvre Museum, Paris
  • Female Portrait (Antioch, Antakya, Turkey), 1st half of 3rd century AD. Marble cubes, limestone and glass. The mosaic bust of a female with a billowing sail that surrounds her head that it could represent the wind. The mosaic decorated the entrance of a dining room and was once flanked it with now lost representations of the marine deities Thalassa and Okeanosinv 3460, Louvre Museum, Paris
  • Female Portrait (Antioch, Antakya, Turkey), 1st half of 3rd century AD. Marble cubes, limestone and glass. The mosaic bust of a female with a billowing sail that surrounds her head that it could represent the wind. The mosaic decorated the entrance of a dining room and was once flanked it with now lost representations of the marine deities Thalassa and Okeanosinv 3460, Louvre Museum, Paris
  • Female Portrait (Antioch, Antakya, Turkey), 1st half of 3rd century AD. Marble cubes, limestone and glass. The mosaic bust of a female with a billowing sail that surrounds her head that it could represent the wind. The mosaic decorated the entrance of a dining room and was once flanked it with now lost representations of the marine deities Thalassa and Okeanosinv 3460, Louvre Museum, Paris
  • Birds around a  vase From Daphne, a suburb of Antioch, Antakya, Turkey, 1st half of 3rd century AD. Marble cubes, limestone and glass. A border of geometric perspective cubes surround a scene with one bird sitting on the vase of Daphne whilst the other surround it. The naturalistic skill of the Roman Antioch mosaic artists is so good that it is possible to tell the species of each bird. inv 3461, Louvre Museum, Paris
  • Birds around a  vase From Daphne, a suburb of Antioch, Antakya, Turkey, 1st half of 3rd century AD. Marble cubes, limestone and glass. A border of geometric perspective cubes surround a scene with one bird sitting on the vase of Daphne whilst the other surround it. The naturalistic skill of the Roman Antioch mosaic artists is so good that it is possible to tell the species of each bird. inv 3461, Louvre Museum, Paris
  • Original Roman bronze statue of Emperor Marcus Aurelius on horseback. 175 AD. Marcus Aurelus was the last of the Five Good Emperors, and is also considered one of the most important Stoic philosophers. In 1979 it was discovered that the the equestrian statue of Marcus Aurelius, in the courtyard of the Capitline Museum, had suffered badly from corrosion, particularly in its legs. The staue was removed from Michael Angelo’s plinth and was transferred to the National Instution for the Restoration of works of art for preservation. On the 11th of April 1990 the restored statue was returned to the Cpitaline courtyard and covered with a glass protective casing. The glass box ruined the design of Michael Angelo’s courtyard and it was decided to make a copy to display in the courted and move the original into the Capitoiline Musuem. This is a rare example of a bronze equestrian statue as it became common practice for the Romans in the late empire to melt down bronze statues to mint coins. The Capitoline Museums, Rome
  • Original Roman bronze statue of Emperor Marcus Aurelius on horseback. 175 AD. Marcus Aurelus was the last of the Five Good Emperors, and is also considered one of the most important Stoic philosophers. In 1979 it was discovered that the the equestrian statue of Marcus Aurelius, in the courtyard of the Capitline Museum, had suffered badly from corrosion, particularly in its legs. The staue was removed from Michael Angelo’s plinth and was transferred to the National Instution for the Restoration of works of art for preservation. On the 11th of April 1990 the restored statue was returned to the Cpitaline courtyard and covered with a glass protective casing. The glass box ruined the design of Michael Angelo’s courtyard and it was decided to make a copy to display in the courted and move the original into the Capitoiline Musuem. This is a rare example of a bronze equestrian statue as it became common practice for the Romans in the late empire to melt down bronze statues to mint coins. The Capitoline Museums, Rome
  • Original Roman bronze statue of Emperor Marcus Aurelius on horseback. 175 AD. Marcus Aurelius was the last of the Five Good Emperors, and is also considered one of the most important Stoic philosophers. In 1979 it was discovered that the the equestrian statue of Marcus Aurelius, in the courtyard of the Capitline Museum, had suffered badly from corrosion, particularly in its legs. The staue was removed from Michael Angelo’s plinth and was transferred to the National Instution for the Restoration of works of art for preservation. On the 11th of April 1990 the restored statue was returned to the Cpitaline courtyard and covered with a glass protective casing. The glass box ruined the design of Michael Angelo’s courtyard and it was decided to make a copy to display in the courted and move the original into the Capitoiline Musuem. This is a rare example of a bronze equestrian statue as it became common practice for the Romans in the late empire to melt down bronze statues to mint coins. The Capitoline Museums, Rome
  • Original Roman bronze statue of Emperor Marcus Aurelius on horseback. 175 AD. Marcus Aurelus was the last of the Five Good Emperors, and is also considered one of the most important Stoic philosophers. In 1979 it was discovered that the the equestrian statue of Marcus Aurelius, in the courtyard of the Capitline Museum, had suffered badly from corrosion, particularly in its legs. The staue was removed from Michael Angelo’s plinth and was transferred to the National Instution for the Restoration of works of art for preservation. On the 11th of April 1990 the restored statue was returned to the Cpitaline courtyard and covered with a glass protective casing. The glass box ruined the design of Michael Angelo’s courtyard and it was decided to make a copy to display in the courted and move the original into the Capitoiline Musuem. This is a rare example of a bronze equestrian statue as it became common practice for the Romans in the late empire to melt down bronze statues to mint coins. The Capitoline Museums, Rome
  • Roman panel with candelabra and a cupid hunter in glass paste from  Pompeii VI, Inv 38 No 10012, Naples Archaeological Musuem, Italy
  • Pictures of a Roman mosaics design depicting Dionysus Riding a Panther, from Abdel Jelil. 2nd century AD. El Djem Archaeological Museum, El Djem, Tunisia.<br />
<br />
The Roman mosaic depicts Dionysus riding a Panther spilling a glass of wine he is holding. Behind him, a satyr wearing a panther skin plays a flute. In front of Dionysus a Bacchante is praying to Priapus,  a minor god of fertility. Surrounding the scene is a wreath designs with a medallion in each corner containing a wild boar, a panther, and lions.
  • Pictures of a Roman mosaics design depicting Dionysus Riding a Panther, from Abdel Jelil. 2nd century AD. El Djem Archaeological Museum, El Djem, Tunisia.<br />
<br />
The Roman mosaic depicts Dionysus riding a Panther spilling a glass of wine he is holding. Behind him, a satyr wearing a panther skin plays a flute. In front of Dionysus a Bacchante is praying to Priapus,  a minor god of fertility. Surrounding the scene is a wreath designs with a medallion in each corner containing a wild boar, a panther, and lions.
  • Pictures of a Roman mosaics design depicting Dionysus Riding a Panther, from Abdel Jelil. 2nd century AD. El Djem Archaeological Museum, El Djem, Tunisia. Against a white background<br />
<br />
The Roman mosaic depicts Dionysus riding a Panther spilling a glass of wine he is holding. Behind him, a satyr wearing a panther skin plays a flute. In front of Dionysus a Bacchante is praying to Priapus,  a minor god of fertility. Surrounding the scene is a wreath designs with a medallion in each corner containing a wild boar, a panther, and lions.
  • Pictures of a Roman mosaics design depicting Dionysus Riding a Panther, from Abdel Jelil. 2nd century AD. El Djem Archaeological Museum, El Djem, Tunisia. Against a balck background<br />
<br />
The Roman mosaic depicts Dionysus riding a Panther spilling a glass of wine he is holding. Behind him, a satyr wearing a panther skin plays a flute. In front of Dionysus a Bacchante is praying to Priapus,  a minor god of fertility. Surrounding the scene is a wreath designs with a medallion in each corner containing a wild boar, a panther, and lions.
  • Pictures of a Roman mosaics design depicting Dionysus Riding a Panther, from Abdel Jelil. 2nd century AD. El Djem Archaeological Museum, El Djem, Tunisia. Against a grey background<br />
<br />
The Roman mosaic depicts Dionysus riding a Panther spilling a glass of wine he is holding. Behind him, a satyr wearing a panther skin plays a flute. In front of Dionysus a Bacchante is praying to Priapus,  a minor god of fertility. Surrounding the scene is a wreath designs with a medallion in each corner containing a wild boar, a panther, and lions.
  • Pictures of a Roman mosaics design depicting Dionysus Riding a Panther, from Abdel Jelil. 2nd century AD. El Djem Archaeological Museum, El Djem, Tunisia. Against a grey background<br />
<br />
The Roman mosaic depicts Dionysus riding a Panther spilling a glass of wine he is holding. Behind him, a satyr wearing a panther skin plays a flute. In front of Dionysus a Bacchante is praying to Priapus,  a minor god of fertility. Surrounding the scene is a wreath designs with a medallion in each corner containing a wild boar, a panther, and lions.
  • Photo of Hittite monumental relief sculpted orthostat stone panel of a Procession. Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900 - 700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
It is a depiction of three marching female figures in long dress with a high headdress (photos) at their head. These women are considered to be the nuns of the Goddess Kubaba. The figure in the front has a small animal in her right hand while the figure in the middle has a glass in his right hand. The object which the figures carry in their left is not understood.  <br />
<br />
Against a brown art background.
  • Hittite monumental relief sculpted orthostat stone panel of a Procession. Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900 - 700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
It is a depiction of three marching female figures in long dress with a high headdress (photos) at their head. These women are considered to be the nuns of the Goddess Kubaba. The figure in the front has a small animal in her right hand while the figure in the middle has a glass in his right hand. The object which the figures carry in their left is not understood.  <br />
<br />
Against a grey art background.
  • Roman fresco wall decorations of Bedroom D  of the Villa Farnesia, Rome. Museo Nazionale Romano ( National Roman Museum), Rome, Italy.<br />
<br />
This bedroom has a decoration very similar to that of cubiculum B in its arrangement and the use of cinnabar red. At the rear of the alcove three women perform a sacrificial ceremony in a rustic shrine. The walls of the antechamber have scenes of lovers, and most of the other pictures have to do with female life. Here carefully rendered details (attendants, handmaidens, furniture, glass and silver vessels) provide invaluable information on domestic life. There are also Egyptianizing elements, lotus flowers, sphinxes, and exotic landscapes. On the second column of the right wall is the inscription, in Greek, Seleukos made this, presumably the name of a Greek who was one of the artisans. The vaulted ceiling, in pure white stucco, has reliefs of initiation rites into the mysteries, idyllic landscapes with sacred elements, and combats between fantastic animals. The decorative scheme of the two bedrooms owes its inspiration to the deities Aphrodite and Dionysos. A fragment of geometric mosaic in black and white can be attributed to bedroom D on the basis of a contemporary watercolor.
  • Roman fresco wall decorations of Bedroom D  of the Villa Farnesia, Rome. Museo Nazionale Romano ( National Roman Museum), Rome, Italy.<br />
<br />
This bedroom has a decoration very similar to that of cubiculum B in its arrangement and the use of cinnabar red. At the rear of the alcove three women perform a sacrificial ceremony in a rustic shrine. The walls of the antechamber have scenes of lovers, and most of the other pictures have to do with female life. Here carefully rendered details (attendants, handmaidens, furniture, glass and silver vessels) provide invaluable information on domestic life. There are also Egyptianizing elements, lotus flowers, sphinxes, and exotic landscapes. On the second column of the right wall is the inscription, in Greek, Seleukos made this, presumably the name of a Greek who was one of the artisans. The vaulted ceiling, in pure white stucco, has reliefs of initiation rites into the mysteries, idyllic landscapes with sacred elements, and combats between fantastic animals. The decorative scheme of the two bedrooms owes its inspiration to the deities Aphrodite and Dionysos. A fragment of geometric mosaic in black and white can be attributed to bedroom D on the basis of a contemporary watercolor.
  • Roman mosaic of an Amazon on horseback fighting, From Daphne, a suburb of Antioch, Antakya, Turkey, 4th century AD. Marble blocks and glass paste cubes. The mosaic depicts the legendary woman warriors known as the Amazons, who fought with one breast showing, fighting a soldier with armour. inv 3463, The Louvre Museum, Paris
  • Roman mosaic of an early Christian church floor from Qabr Hiram, Lebanon, 575 AD. Marble blocks and glass paste cubes. This mosaic was designed to follow the layout of the church which had three naves. It depicts God through images of his creation: rural activities, fruit, animals with representations of the months, seasons and winds. The inscription indicates that the basilica was dedicated to St. Christopher and was built in 575 AD.. Inv 32230-2236, Louvre Museum, Paris
  • Birds around a  vase From Daphne, a suburb of Antioch, Antakya, Turkey, 1st half of 3rd century AD. Marble cubes, limestone and glass. A border of geometric perspective cubes surround a scene with one bird sitting on the vase of Daphne whilst the other surround it. The naturalistic skill of the Roman Antioch mosaic artists is so good that it is possible to tell the species of each bird. inv 3461, Louvre Museum, Paris
  • Limoges figure of Christ from a Gothic Crucifix, circa 1200-1220. Copper engraving embossing, laced with an application of Champlevé enamelling and glass beads. Origin Unknow. Inv MNAC 4100. National Museum of Catalan Art (MNAC), Barcelona, Spain
  • Limoges figure of Christ from a Gothic Crucifix, circa 1200-1220. Copper engraving embossing, laced with an application of Champlevé enamelling and glass beads. Origin Unknow. Inv MNAC 4100. National Museum of Catalan Art (MNAC), Barcelona, Spain
  • Limoges figure of Christ from a Gothic Crucifix, circa 1200-1220. Copper engraving embossing, laced with an application of Champlevé enamelling and glass beads. Origin Unknow. Inv MNAC 4100. National Museum of Catalan Art (MNAC), Barcelona, Spain
  • Gothic chest decorated with the Slaughter of the Innocents from Limoges Circa 1210-1220. Engraved copper with inlaid enamel  enamel champlevé and glass on wooden core. National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC 65529
  • Gothic chest decorated with the Slaughter of the Innocents from Limoges Circa 1210-1220. Engraved copper with inlaid enamel  enamel champlevé and glass on wooden core. National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC 65529
  • Gothic chest decorated with the Slaughter of the Innocents from Limoges Circa 1210-1220. Engraved copper with inlaid enamel  enamel champlevé and glass on wooden core. National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC 65529
  • Gothic chest decorated with the Slaughter of the Innocents from Limoges Circa 1210-1220. Engraved copper with inlaid enamel  enamel champlevé and glass on wooden core. National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC 65529
  • Gothic chest decorated with the Resurection of Christ from Limoges Circa 1220. Engraved copper with inlaid enamel  enamel champlevé and glass on wooden core. National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC 65530
  • Gothic chest decorated with the Resurection of Christ from Limoges Circa 1220. Engraved copper with inlaid enamel  enamel champlevé and glass on wooden core. National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC 65530
  • Gothic chest decorated with the Resurection of Christ from Limoges Circa 1220. Engraved copper with inlaid enamel  enamel champlevé and glass on wooden core. National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC 65530
  • Gothic chest decorated with the Resurection of Christ from Limoges Circa 1220. Engraved copper with inlaid enamel  enamel champlevé and glass on wooden core. National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC 65530
  • Limoges figure of Christ from a Gothic Crucifix, circa 1200-1220. Copper engraving embossing, laced with an application of Champlevé enamelling and glass beads. Origin Unknow. Inv MNAC 4100. National Museum of Catalan Art (MNAC), Barcelona, Spain
  • Gothic chest decorated with the Slaughter of the Innocents from Limoges Circa 1210-1220. Engraved copper with inlaid enamel  enamel champlevé and glass on wooden core. National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC 65529
  • Gothic chest decorated with the Resurection of Christ from Limoges Circa 1220. Engraved copper with inlaid enamel  enamel champlevé and glass on wooden core. National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC 65530
  • stained glass from the  Gothic Cathedral Basilica of Saint Denis ( Basilique Saint-Denis ) Paris, France. A UNESCO World Heritage Site.
  • Glass pyramid entrance of the Louvre Paris
  • Pictures of a Roman mosaics design depicting Dionysus Riding a Panther, from Abdel Jelil. 2nd century AD. El Djem Archaeological Museum, El Djem, Tunisia. Against a balck background<br />
<br />
The Roman mosaic depicts Dionysus riding a Panther spilling a glass of wine he is holding. Behind him, a satyr wearing a panther skin plays a flute. In front of Dionysus a Bacchante is praying to Priapus,  a minor god of fertility. Surrounding the scene is a wreath designs with a medallion in each corner containing a wild boar, a panther, and lions.
  • Pictures of a Roman mosaics design depicting Dionysus Riding a Panther, from Abdel Jelil. 2nd century AD. El Djem Archaeological Museum, El Djem, Tunisia. Against an art  background<br />
<br />
The Roman mosaic depicts Dionysus riding a Panther spilling a glass of wine he is holding. Behind him, a satyr wearing a panther skin plays a flute. In front of Dionysus a Bacchante is praying to Priapus,  a minor god of fertility. Surrounding the scene is a wreath designs with a medallion in each corner containing a wild boar, a panther, and lions.
  • Picture & image of Hittite monumental relief sculpted orthostat stone panel of a Procession. Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900 - 700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
It is a depiction of three marching female figures in long dress with a high headdress (photos) at their head. These women are considered to be the nuns of the Goddess Kubaba. The figure in the front has a small animal in her right hand while the figure in the middle has a glass in his right hand. The object which the figures carry in their left is not understood.  <br />
<br />
Against a gray background.
  • Roman fresco wall decorations of Bedroom D  of the Villa Farnesia, Rome. Museo Nazionale Romano ( National Roman Museum), Rome, Italy.<br />
<br />
This bedroom has a decoration very similar to that of cubiculum B in its arrangement and the use of cinnabar red. At the rear of the alcove three women perform a sacrificial ceremony in a rustic shrine. The walls of the antechamber have scenes of lovers, and most of the other pictures have to do with female life. Here carefully rendered details (attendants, handmaidens, furniture, glass and silver vessels) provide invaluable information on domestic life. There are also Egyptianizing elements, lotus flowers, sphinxes, and exotic landscapes. On the second column of the right wall is the inscription, in Greek, Seleukos made this, presumably the name of a Greek who was one of the artisans. The vaulted ceiling, in pure white stucco, has reliefs of initiation rites into the mysteries, idyllic landscapes with sacred elements, and combats between fantastic animals. The decorative scheme of the two bedrooms owes its inspiration to the deities Aphrodite and Dionysos. A fragment of geometric mosaic in black and white can be attributed to bedroom D on the basis of a contemporary watercolor.
  • Roman mosaic of a Phoenix, From Daphne, a suburb of Antioch, Antakya, Turkey, 6th century AD. Marble blocks and glass paste cubes. The phoenix is a mythical bird associated with the sun. A phoenix obtains new life by arising from the ashes of its predecessor. The phoenix was subsequently adopted as a symbol in Early Christianity.In the mosaic it is perched rock above a background of rose buds and is bordered by a pair of facing rams. inv 3342, restored in 1936 by the Louvre Museum, Paris
  • Limoges figure of Christ from a Gothic Crucifix, circa 1200-1220. Copper engraving embossing, laced with an application of Champlevé enamelling and glass beads. Origin Unknow. Inv MNAC 4100. National Museum of Catalan Art (MNAC), Barcelona, Spain
  • Limoges figure of Christ from a Gothic Crucifix, circa 1200-1220. Copper engraving embossing, laced with an application of Champlevé enamelling and glass beads. Origin Unknow. Inv MNAC 4100. National Museum of Catalan Art (MNAC), Barcelona, Spain
  • Roman mosaic of a Phoenix, From Daphne, a suburb of Antioch, Antakya, Turkey, 6th century AD. Marble blocks and glass paste cubes. The phoenix is a mythical bird associated with the sun. A phoenix obtains new life by arising from the ashes of its predecessor. The phoenix was subsequently adopted as a symbol in Early Christianity.In the mosaic it is perched rock above a background of rose buds and is bordered by a pair of facing rams. inv 3342, restored in 1936 by the Louvre Museum, Paris
  • Gothic chest decorated with the Slaughter of the Innocents from Limoges Circa 1210-1220. Engraved copper with inlaid enamel  enamel champlevé and glass on wooden core. National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC 65529
  • Octogon and its stained glass roof, the First Savings Bank of Croatia building [ 1898-1900 ]. , Zagreb, Croatia
  • Glass pyramid entrance of the Louvre Paris
  • Picture and image of the stone sculpture of a women on the tomb of ship builder Giovanni Battista Piaggio by  Sculptor G. Benetti 1873. Giovanni Battista Piaggio, who is buried here, was a rich ship-owner, whose important role in society is expressed by the professional symbols -the anchor, the ropes, the sand-glass, the globe, the chart that the sculptor Giuseppe Benetti put on the sides of the deceased's bust hosted in the lunette, which surmounts the architecture in Renaissance style of the monument. As a representative of the upper middle class he couldn't die without leaving memories of his social role: Benetti, in order to meet this requirement, represented the widow coming out of the chapel with a prayer-book in her hand. Bringing the mourning in an everyday-life dimension Benetti created a work in accordance with the dictates of the Realism bourgeois. Section A, no 47, The monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of the stone sculpture of a women on the tomb of ship builder Giovanni Battista Piaggio by  Sculptor G. Benetti 1873. Giovanni Battista Piaggio, who is buried here, was a rich ship-owner, whose important role in society is expressed by the professional symbols -the anchor, the ropes, the sand-glass, the globe, the chart that the sculptor Giuseppe Benetti put on the sides of the deceased's bust hosted in the lunette, which surmounts the architecture in Renaissance style of the monument. As a representative of the upper middle class he couldn't die without leaving memories of his social role: Benetti, in order to meet this requirement, represented the widow coming out of the chapel with a prayer-book in her hand. Bringing the mourning in an everyday-life dimension Benetti created a work in accordance with the dictates of the Realism bourgeois. Section A, no 47, The monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Medieval Windows of the Gothic Cathedral of Chartres, France, dedicated to St Martin of Tour.    A UNESCO World Heritage Site. In the top central oval panel St Martin is ordained Bishop of Tour, box below left Martin is attacked by brigands. Bottom central oval panel shows Martin being baptised.

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