• organic farm goats cheese. Langres. Honfleur market France
  • Goats soft whole cheese on a cheese market stall Honfleur Normandy France
  • Goats soft whole cheese on a cheese market stall Honfleur Normandy France
  • Valencay Goats soft whole cheese on a cheese market stall Honfleur Normandy France
  • organic farm goats cheese. Langres. Honfleur market France
  • Stock photos of Mountain goats in the Dalamtian hills - Dubrovnik, Croatia
  • Stock photos of Mountain goats in the Dalamtian hills - Dubrovnik, Croatia
  • Stock photos of Mountain goats in the Dalamtian hills - Dubrovnik, Croatia
  • Stock photos of Mountain goats in the Dalamtian hills - Dubrovnik, Croatia
  • Stock photos of Mountain goats in the Dalamtian hills - Dubrovnik, Croatia
  • Stock photos of Mountain goats in the Dalamtian hills - Dubrovnik, Croatia
  • Stock photos of Mountain goats in the Dalamtian hills - Dubrovnik, Croatia
  • Stock photos of Mountain goats in the Dalamtian hills - Dubrovnik, Croatia
  • Stock photos of Mountain goats in the Dalamtian hills - Dubrovnik, Croatia
  • French Ghevre  traditional regonal goats Cheeses
  • French Ghevre  traditional regonal goats Cheeses
  • Valencay French traditional regonal goats cheese
  • Farm goats cheese from Normandy in a cheese shop setting.
  • French Ghevre  traditional regonal goats Cheeses
  • French chevre  traditional regonal goats Cheeses
  • French Goats ( Chevre)  traditional regonal Cheeses
  • French Ghevre  traditional regonal goats Cheeses
  • French Goats ( Chevre)  traditional regonal Cheeses
  • French Goats ( Chevre)  traditional regonal Cheeses
  • French Ghevre  traditional regonal goats Cheeses
  • Valencay French traditional regonal goats cheese
  • French Ghevre  traditional regonal goats Cheeses
  • Goat herd on Ios, Cyclades Islands, Greece
  • Goat herd on Ios, Cyclades Islands, Greece
  • Goat herd on Ios, Cyclades Islands, Greece
  • Goat herd on Ios, Cyclades Islands, Greece
  • Goat herd on Ios, Cyclades Islands, Greece
  • Goat herd on Ios, Cyclades Islands, Greece
  • Goat herd on Ios, Cyclades Islands, Greece
  • Goat herd on Ios, Cyclades Islands, Greece
  • Goat herd on Ios, Cyclades Islands, Greece
  • 2 halves of Pyramid Chevre cheese with "pur Chevre" sign
  • Cheese market Stall Honfleur market France
  • Baroque interior of the Goat's Church (Kecske templom )- Sopron, Hungary
  • Baroque interior of the Goat's Church (Kecske templom )- Sopron, Hungary
  • Baroque interior of the Goat's Church (Kecske templom )- Sopron, Hungary
  • Pictures & Images Hittite relief sculpted orthostat panels of the Sphinx Gate. Panel depicts a man leading goats to be sacrificed. Alaca Hoyuk (Alacahoyuk) Hittite archaeological site  Alaca, Çorum Province, Turkey, Also known as Alacahüyük, Aladja-Hoyuk, Euyuk, or Evuk
  • Pictures & Images Hittite relief sculpted orthostat panels of the Sphinx Gate. Panel depicts a man leading goats to be sacrificed. Alaca Hoyuk (Alacahoyuk) Hittite archaeological site  Alaca, Çorum Province, Turkey, Also known as Alacahüyük, Aladja-Hoyuk, Euyuk, or Evuk
  • Pictures & Images Hittite relief sculpted orthostat panels of the Sphinx Gate. Panel depicts a man leading goats to be sacrificed. Alaca Hoyuk (Alacahoyuk) Hittite archaeological site  Alaca, Çorum Province, Turkey, Also known as Alacahüyük, Aladja-Hoyuk, Euyuk, or Evuk
  • Minoan Clorite rhython with traces of guilding depicting goats in an open air sanctuary, Zakros Palace  1500-1400 BC; Heraklion Archaeological  Museum, white background.<br />
<br />
The snctuary is delimited by a tripartite facade with a doorway, decorated with spirals and four posts. An enclosure has walls with horns of consecration. Inside are two altars and a podium
  • Minoan linea A tablet recording flocks of sheep, goats, oxen and pigs at "wa-to",  1800-1450 BC, Heraklion Archaeological  Museum, white background.
  • Medieval Bouquetin goats horn ivory crosier with traces of paint, circa 12th century from the south of Italy. Inv OA 11150, The Louvre Museum, Paris.
  • Medieval Bouquetin goats horn ivory crosier with traces of paint, circa 12th century from the south of Italy. Inv OA 11150, The Louvre Museum, Paris.
  • Minoan Clorite rhython with traces of guilding depicting goats in an open air sanctuary, Zakros Palace  1500-1400 BC; Heraklion Archaeological  Museum, black background..<br />
<br />
The snctuary is delimited by a tripartite facade with a doorway, decorated with spirals and four posts. An enclosure has walls with horns of consecration. Inside are two altars and a podium
  • The Minoan decorated terracotta jug with elaborate goats head and horns, Palaikastro,  1500-1450 BC; Heraklion Archaeological  Museum.
  • The Minoan decorated terracotta jug with elaborate goats head and horns, Palaikastro,  1500-1450 BC; Heraklion Archaeological  Museum, grey background
  • Minoan linea A tablet recording flocks of sheep, goats, oxen and pigs at "wa-to",  1800-1450 BC, Heraklion Archaeological  Museum, black background.
  • Minoan linea A tablet recording flocks of sheep, goats, oxen and pigs at "wa-to",  1800-1450 BC, Heraklion Archaeological  Museum, grey background.
  • Minoan linea A tablet recording flocks of sheep, goats, oxen and pigs at "wa-to",  1800-1450 BC, Heraklion Archaeological  Museum.
  • Minoan linea A tablet recording flocks of sheep, goats, oxen and pigs at "wa-to",  1800-1450 BC, Heraklion Archaeological  Museum, grey background.
  • Minoan linea A tablet recording flocks of sheep, goats, oxen and pigs at "si-ra-ro",  1800-1450 BC, Heraklion Archaeological  Museum, grey background.
  • Minoan linea A tablet recording flocks of sheep, goats, oxen and pigs at "si-ra-ro",  1800-1450 BC, Heraklion Archaeological  Museum, black background.
  • Medieval Bouquetin goats horn ivory crosier with traces of paint, circa 12th century from the south of Italy. Inv OA 11150, The Louvre Museum, Paris.
  • Medieval Bouquetin goats horn ivory crosier with traces of paint, circa 12th century from the south of Italy. Inv OA 11150, The Louvre Museum, Paris.
  • Minoan Clorite rhython with traces of guilding depicting goats in an open air sanctuary, Zakros Palace  1500-1400 BC; Heraklion Archaeological  Museum, grey background.<br />
<br />
The snctuary is delimited by a tripartite facade with a doorway, decorated with spirals and four posts. An enclosure has walls with horns of consecration. Inside are two altars and a podium
  • Minoan Clorite rhython with traces of guilding depicting goats in an open air sanctuary, Zakros Palace  1500-1400 BC; Heraklion Archaeological  Museum.<br />
<br />
The snctuary is delimited by a tripartite facade with a doorway, decorated with spirals and four posts. An enclosure has walls with horns of consecration. Inside are two altars and a podium
  • The Minoan decorated terracotta jug with elaborate goats head and horns, Palaikastro,  1500-1450 BC; Heraklion Archaeological  Museum, grey background
  • The Minoan decorated terracotta jug with elaborate goats head and horns, Palaikastro,  1500-1450 BC; Heraklion Archaeological  Museum, white background
  • The Minoan decorated terracotta jug with elaborate goats head and horns, Palaikastro,  1500-1450 BC; Heraklion Archaeological  Museum, black background
  • Medieval Bouquetin goats horn ivory crosier with traces of paint, circa 12th century from the south of Italy. Inv OA 11150, The Louvre Museum, Paris.
  • Minoan Clorite rhython with traces of guilding depicting goats in an open air sanctuary, Zakros Palace  1500-1400 BC; Heraklion Archaeological  Museum, grey background.<br />
<br />
The snctuary is delimited by a tripartite facade with a doorway, decorated with spirals and four posts. An enclosure has walls with horns of consecration. Inside are two altars and a podium
  • Minoan linea A tablet recording flocks of sheep, goats, oxen and pigs at "si-ra-ro",  1800-1450 BC, Heraklion Archaeological  Museum, grey background.
  • Minoan linea A tablet recording flocks of sheep, goats, oxen and pigs at "si-ra-ro",  1800-1450 BC, Heraklion Archaeological  Museum, white background.
  • Minoan linea A tablet recording flocks of sheep, goats, oxen and pigs at "si-ra-ro",  1800-1450 BC, Heraklion Archaeological  Museum.
  • Pictures & Images Hittite relief sculpted orthostat panels of the Sphinx Gate. Left panel depicts a procession following (right) a man leading goats to be sacrificed.  Alaca Hoyuk (Alacahoyuk) Hittite archaeological site  Alaca, Çorum Province, Turkey, Also known as Alacahüyük, Aladja-Hoyuk, Euyuk, or Evuk
  • Goats feeding on Argan nuts in an Argon tree. Near Essouira,, Morocco
  • Goats feeding on Argan nuts in an Argon tree. Near Essouira,, Morocco
  • Goats feeding on Argan nuts in an Argon tree. Near Essouira,, Morocco
  • Goats feeding on Argan nuts in an Argon tree. Near Essouira,, Morocco
  • Mountain goats on Mount Ainos, Kefalonia, Ionian Islands, Greece.
  • Pictures & Images Hittite relief sculpted orthostat panels of the Sphinx Gate. Left panel depicts a man leading goats to be sacrificed (right) a king and Queen make offerings to a Bull God.  Alaca Hoyuk (Alacahoyuk) Hittite archaeological site  Alaca, Çorum Province, Turkey, Also known as Alacahüyük, Aladja-Hoyuk, Euyuk, or Evuk
  • Pictures & Images Hittite relief sculpted orthostat panels of the Sphinx Gate. Left panel depicts jugglers next panel depicts a procession following (right) a man leading goats to be sacrificed.  Alaca Hoyuk (Alacahoyuk) Hittite archaeological site  Alaca, Çorum Province, Turkey, Also known as Alacahüyük, Aladja-Hoyuk, Euyuk, or Evuk
  • Pictures & Images Hittite relief sculpted orthostat panels of the Sphinx Gate. Left panel depicts jugglers next panel depicts a procession following (right) a man leading goats to be sacrificed.  Alaca Hoyuk (Alacahoyuk) Hittite archaeological site  Alaca, Çorum Province, Turkey, Also known as Alacahüyük, Aladja-Hoyuk, Euyuk, or Evuk
  • Medieval Bouquetin goats horn ivory crosier with traces of paint, circa 12th century from the south of Italy. Inv OA 11150, The Louvre Museum, Paris.
  • Goats feeding on Argan nuts in an Argon tree. Near Essouira,, Morocco
  • Goats feeding on Argan nuts in an Argon tree. Near Essouira,, Morocco
  • Goats feeding on Argan nuts in an Argon tree. Near Essouira,, Morocco
  • Goats feeding on Argan nuts in an Argon tree. Near Essouira,, Morocco
  • Goats feeding on Argan nuts in an Argon tree. Near Essouira,, Morocco
  • Goats feeding on Argan nuts in an Argon tree. Near Essouira,, Morocco
  • Goats feeding on Argan nuts in an Argon tree. Near Essouira,, Morocco
  • Blue goats cheese, the Bazaar of Konya, Turkey
  • 6th century Byzantine Roman mosaics of goats from the peristyle of the Great Palace from the reign of Emperor Justinian I. Istanbul, Turkey.
  • Minoan Fresco wall painting of goats from Minoan Bronze Age settlement  of Akrotiri on the Greek island of Thira, Santorini, Greece.. Athens Archaeological Museum.
  • Fresh nasturtium flowers & leaves with goats cheese
  • Traditional French goats cheese - chevre.
  • Medieval Bouquetin goats horn ivory crosier with traces of paint, circa 12th century from the south of Italy. Inv OA 11150, The Louvre Museum, Paris.
  • Medieval Bouquetin goats horn ivory crosier with traces of paint, circa 12th century from the south of Italy. Inv OA 11150, The Louvre Museum, Paris.
  • Medieval Bouquetin goats horn ivory crosier with traces of paint, circa 12th century from the south of Italy. Inv OA 11150, The Louvre Museum, Paris.
  • Medieval Bouquetin goats horn ivory crosier with traces of paint, circa 12th century from the south of Italy. Inv OA 11150, The Louvre Museum, Paris.
  • Goats feeding on Argan nuts in an Argon tree. Near Essouira,, Morocco
  • Goats feeding on Argan nuts in an Argon tree. Near Essouira,, Morocco
  • Goats feeding on Argan nuts in an Argon tree. Near Essouira,, Morocco
  • Goats feeding on Argan nuts in an Argon tree. Near Essouira,, Morocco
  • Goats feeding on Argan nuts in an Argon tree. Near Essouira,, Morocco
  • Mountain goats on Mount Ainos, Kefalonia, Ionian Islands, Greece.
  • Goats feeding on Argan nuts in an Argon tree. Near Essouira,, Morocco
  • Farm goats cheese from Normandy French traditional regonal Cheeses
  • Farm goats cheese from Normandy French traditional regonal Cheeses
  • Pictures & images of the South Gate Hittite sculpture stele depicting figures leading goats to sacrifice. 8th century BC. Karatepe Aslantas Open-Air Museum (Karatepe-Aslantaş Açık Hava Müzesi), Osmaniye Province, Turkey.
  • Goats feeding on Argan nuts in an Argon tree. Near Essouira,, Morocco
  • Goats feeding on Argan nuts in an Argon tree. Near Essouira,, Morocco
  • Goats feeding on Argan nuts in an Argon tree. Near Essouira,, Morocco
  • Goats feeding on Argan nuts in an Argon tree. Near Essouira,, Morocco
  • Goats feeding on Argan nuts in an Argon tree. Near Essouira,, Morocco
  • Goats feeding on Argan nuts in an Argon tree. Near Essouira,, Morocco
  • Goats feeding on Argan nuts in an Argon tree. Near Essouira,, Morocco
  • Melted goats cheese on buttered crumpets stock photos
  • Farm goats cheese from Normandy French traditional regonal Cheeses
  • Farm goats cheese from Normandy French traditional regonal Cheeses
  • Farm goats cheese from Normandy French traditional regonal Cheeses
  • Farm goats cheese from Normandy French traditional regonal Cheeses
  • Farm goats cheese from Normandy French traditional regonal Cheeses
  • Farm goats cheese from Normandy French traditional regonal Cheeses
  • Goats feeding on Argan nuts in an Argon tree. Near Essouira,, Morocco
  • Goats feeding on Argan nuts in an Argon tree. Near Essouira,, Morocco
  • Farm goats cheese from Normandy French traditional regonal Cheeses
  • Farm goats cheese from Normandy French traditional regonal Cheeses
  • 6th century Byzantine Roman mosaics of goats from the peristyle of the Great Palace from the reign of Emperor Justinian I. Istanbul, Turkey.
  • Goats feeding on Argan nuts in an Argon tree. Near Essouira,, Morocco
  • Farm goats cheese from Normandy French traditional regonal Cheeses
  • Early Cretian Minoan goat shaped clay vessel, 2300-1900 BC,  Heraklion Archaeological  Museum cat no 5114, black background.
  • Early Cretian Minoan goat shaped clay vessel, 2300-1900 BC,  Heraklion Archaeological  Museum cat no 5114, white background.
  • Early Cretian Minoan goat shaped clay vessel, 2300-1900 BC,  Heraklion Archaeological  Museum cat no 5114, grey background.
  • Early Cretian Minoan goat shaped clay vessel, 2300-1900 BC,  Heraklion Archaeological  Museum cat no 5114, grey background.
  • Hittite terra cotta cult vessel decorated with a goat relief. Hittite Period 1650 - 1450 BC, Ortakoy Sapinuvwa . Çorum Archaeological Museum, Corum, Turkey. Against a white bacground.
  • Hittite terra cotta cult vessel decorated with a goat relief. Hittite Period 1650 - 1450 BC, Ortakoy Sapinuvwa . Çorum Archaeological Museum, Corum, Turkey. Against a black bacground.
  • Hittite terra cotta cult vessel decorated with a goat relief. Hittite Period 1650 - 1450 BC, Ortakoy Sapinuvwa . Çorum Archaeological Museum, Corum, Turkey. Against a warm art bacground.
  • Hittite terra cotta cult vessel decorated with a goat relief. Hittite Period 1650 - 1450 BC, Ortakoy Sapinuva . Çorum Archaeological Museum, Corum, Turkey. Against a white bacground.
  • Hittite terra cotta cult vessel decorated with a goat relief. Hittite Period 1650 - 1450 BC, Ortakoy Sapinuva . Çorum Archaeological Museum, Corum, Turkey
  • Hittite terra cotta cult vessel decorated with a goat relief. Hittite Period 1650 - 1450 BC, Ortakoy Sapinuva . Çorum Archaeological Museum, Corum, Turkey. Against a grey bacground.
  • Early Cretian Minoan goat shaped clay vessel, 2300-1900 BC,  Heraklion Archaeological  Museum cat no 5114.
  • Hittite terra cotta cult vessel decorated with a goat relief. Hittite Period 1650 - 1450 BC, Ortakoy Sapinuvwa . Çorum Archaeological Museum, Corum, Turkey
  • Hittite terra cotta cult vessel decorated with a goat relief. Hittite Period 1650 - 1450 BC, Ortakoy Sapinuvwa . Çorum Archaeological Museum, Corum, Turkey. Against a grey bacground.
  • Hittite terra cotta cult vessel decorated with a goat relief. Hittite Period 1650 - 1450 BC, Ortakoy Sapinuva . Çorum Archaeological Museum, Corum, Turkey. Against a black bacground.
  • Hittite terra cotta cult vessel decorated with a goat relief. Hittite Period 1650 - 1450 BC, Ortakoy Sapinuva . Çorum Archaeological Museum, Corum, Turkey. Against a warm art bacground.
  • Minoan plaque depicting a goat suckiling its kid from the  Knossos-Temple Repositories 1650-1550 BC, Heraklion Archaeological  Museum.
  • Minoan plaque depicting a goat suckiling its kid from the  Knossos-Temple Repositories 1650-1550 BC, Heraklion Archaeological  Museum, grey background.
  • Minoan plaque depicting a goat suckiling its kid from the  Knossos-Temple Repositories 1650-1550 BC, Heraklion Archaeological  Museum, grey background.
  • Minoan wall art freco depicting a procession leading a goat from Agia Triada (Hagia Triada) Crete. 1450-1300 BC. Heraklion Archaeological Museum.  Grey Background. <br />
<br />
This minoan fresco found at the minoan settlement of Hagia Triada, depicts a sacrifical procession leading animals to be sacrificed.
  • Minoan wall art freco depicting a procession leading a goat from Agia Triada (Hagia Triada) Crete. 1450-1300 BC. Heraklion Archaeological Museum.  Grey Background. <br />
<br />
This minoan fresco found at the minoan settlement of Hagia Triada, depicts a sacrifical procession leading animals to be sacrificed.
  • Phrygian grey ceramic rhython in the shape of a goat from Gordion. Phrygian Collection, 8th-7th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against a white background
  • Phrygian grey ceramic rhython in the shape of a goat from Gordion. Phrygian Collection, 8th-7th century BC - Museum of Anatolian Civilisations Ankara. Turkey.
  • Phrygian grey ceramic rhython in the shape of a goat from Gordion. Phrygian Collection, 8th-7th century BC - Museum of Anatolian Civilisations Ankara. Turkey.
  • Minoan plaque depicting a goat suckiling its kid from the  Knossos-Temple Repositories 1650-1550 BC, Heraklion Archaeological  Museum, black background.
  • Minoan plaque depicting a goat suckiling its kid from the  Knossos-Temple Repositories 1650-1550 BC, Heraklion Archaeological  Museum.
  • Minoan wall art freco depicting a procession leading a goat from Agia Triada (Hagia Triada) Crete. 1450-1300 BC. Heraklion Archaeological Museum.  White Background. <br />
<br />
This minoan fresco found at the minoan settlement of Hagia Triada, depicts a sacrifical procession leading animals to be sacrificed.
  • Minoan wall art freco depicting a procession leading a goat from Agia Triada (Hagia Triada) Crete. 1450-1300 BC. Heraklion Archaeological Museum. Black Background. <br />
<br />
This minoan fresco found at the minoan settlement of Hagia Triada, depicts a sacrifical procession leading animals to be sacrificed.
  • Phrygian grey ceramic rhython in the shape of a goat from Gordion. Phrygian Collection, 8th-7th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against a black background
  • Phrygian grey ceramic rhython in the shape of a goat from Gordion. Phrygian Collection, 8th-7th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against a grey background
  • Hellenstic marble statue group of Aphrodite (Venus) with Pan and Eros, Circa 100 BC, House of Poseidonaistai of Beryttos, Delos, Athens National Archaeological Museum.  Cat no 3335. Against black<br />
<br />
The nude goddess Aphrodite (Venus) attempte to fend off goat footed Pan who make erotic advances towards her. Aphrodite holds a sandal in her right hand threatening Pan while the winged god Eros comes to her aid. According to an inscription on the statues base it was dedicated to Dionysus of Beryttos (Beirut) to hai ancestral gods.
  • Hellenstic marble statue group of Aphrodite (Venus) with Pan and Eros, Circa 100 BC, House of Poseidonaistai of Beryttos, Delos, Athens National Archaeological Museum.  Cat no 3335. Against grey.<br />
<br />
The nude goddess Aphrodite (Venus) attempte to fend off goat footed Pan who make erotic advances towards her. Aphrodite holds a sandal in her right hand threatening Pan while the winged god Eros comes to her aid. According to an inscription on the statues base it was dedicated to Dionysus of Beryttos (Beirut) to hai ancestral gods.
  • Hellenstic marble statue group of Aphrodite (Venus) with Pan and Eros, Circa 100 BC, House of Poseidonaistai of Beryttos, Delos, Athens National Archaeological Museum.  Cat no 3335. Against grey.<br />
<br />
The nude goddess Aphrodite (Venus) attempte to fend off goat footed Pan who make erotic advances towards her. Aphrodite holds a sandal in her right hand threatening Pan while the winged god Eros comes to her aid. According to an inscription on the statues base it was dedicated to Dionysus of Beryttos (Beirut) to hai ancestral gods.
  • Hellenstic marble statue group of Aphrodite (Venus) with Pan and Eros, Circa 100 BC, House of Poseidonaistai of Beryttos, Delos, Athens National Archaeological Museum.  Cat no 3335. Against white.<br />
<br />
The nude goddess Aphrodite (Venus) attempte to fend off goat footed Pan who make erotic advances towards her. Aphrodite holds a sandal in her right hand threatening Pan while the winged god Eros comes to her aid. According to an inscription on the statues base it was dedicated to Dionysus of Beryttos (Beirut) to hai ancestral gods.
  • Marble statue of Pan found in Sparta, Pelopenese, 1st Cent AD copy of 4th Cent BC Greek original. Athens Archaeological Museum Cat No 252. Against white, <br />
<br />
Pan, the goat footed god wears an animal pelt from which protrude only his jhairy legs. In his left hand he is holding pan pipes. The expression on his bestial featured face is softened by a broad smile.
  • Marble statue of Pan found in Sparta, Pelopenese, 1st Cent AD copy of 4th Cent BC Greek original. Athens Archaeological Museum Cat No 252.<br />
<br />
Pan, the goat footed god wears an animal pelt from which protrude only his jhairy legs. In his left hand he is holding pan pipes. The expression on his bestial featured face is softened by a broad smile.
  • Marble statue of Pan found in Sparta, Pelopenese, 1st Cent AD copy of 4th Cent BC Greek original. Athens Archaeological Museum Cat No 252. Against grey<br />
<br />
Pan, the goat footed god wears an animal pelt from which protrude only his jhairy legs. In his left hand he is holding pan pipes. The expression on his bestial featured face is softened by a broad smile.
  • Detail of a Roman mosaics design depicting Silenus and Cupids showing Pan and a goat, from the House of Sienus, ancient Roman city of Thysdrus. 3rd century AD. El Djem Archaeological Museum, El Djem, Tunisia.
  • Close up detail picture of the Roman mosaics of the Room of the Chidrens's Hunt depicting children hunting animals, room no 44 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Roman mosaic on the floor of the cubicle of the Child Hunt in the Villa Romana del Casale is divided into three registers with a floral theme.<br />
<br />
In the first register boys are spearing a hare with a venabulum ( spear) while to their right another boy has trapped a duckling. <br />
<br />
In the second register tree young hunters are portrayed being attacked by animals, one boy has fallen down having been bitten on the calf by a weasel. The boy in the middle has his hands raised calling for help and to his right a boy is about to be attacked bu a cockerel.<br />
<br />
In the lower register a boy is holding a raised club about to hit a peacock while another boy is spearing a goat and another is using a shield to protect himself from a Great Bustard.
  • Aslantepe Hittite relief sculpted orthostat stone panel. Limestone, Aslantepe, Malatya, 1200-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Scene of king's offering drink and sacrifice to the god. The god is on the deer, with the bow attached to his shoulder and with a triple bundle of lightning in his hand. The king looks at the god, and makes the libation to the god while carrying a scepter with a curled end - lituus. Behind the king is a servant holding a goat for sacrifice to the god. Hieroglyphs read; "God Parata, Strong King... ". <br />
<br />
Against a brown art background.
  • The Holy Trinity Statue and the Goat's Church (Kecske templom )- Fo Square (F? Ter) - Sopron, Hungary
  • Hellenstic marble statue group of Aphrodite (Venus) with Pan and Eros, Circa 100 BC, House of Poseidonaistai of Beryttos, Delos, Athens National Archaeological Museum.  Cat no 3335. Against white.<br />
<br />
The nude goddess Aphrodite (Venus) attempte to fend off goat footed Pan who make erotic advances towards her. Aphrodite holds a sandal in her right hand threatening Pan while the winged god Eros comes to her aid. According to an inscription on the statues base it was dedicated to Dionysus of Beryttos (Beirut) to hai ancestral gods.
  • Hellenstic marble statue group of Aphrodite (Venus) with Pan and Eros, Circa 100 BC, House of Poseidonaistai of Beryttos, Delos, Athens National Archaeological Museum.  Cat no 3335. Against black<br />
<br />
The nude goddess Aphrodite (Venus) attempte to fend off goat footed Pan who make erotic advances towards her. Aphrodite holds a sandal in her right hand threatening Pan while the winged god Eros comes to her aid. According to an inscription on the statues base it was dedicated to Dionysus of Beryttos (Beirut) to hai ancestral gods.
  • Hellenstic marble statue group of Aphrodite (Venus) with Pan and Eros, Circa 100 BC, House of Poseidonaistai of Beryttos, Delos, Athens National Archaeological Museum.  Cat no 3335. Against grey.<br />
<br />
The nude goddess Aphrodite (Venus) attempte to fend off goat footed Pan who make erotic advances towards her. Aphrodite holds a sandal in her right hand threatening Pan while the winged god Eros comes to her aid. According to an inscription on the statues base it was dedicated to Dionysus of Beryttos (Beirut) to hai ancestral gods.
  • Hellenstic marble statue group of Aphrodite (Venus) with Pan and Eros, Circa 100 BC, House of Poseidonaistai of Beryttos, Delos, Athens National Archaeological Museum.  Cat no 3335.<br />
<br />
The nude goddess Aphrodite (Venus) attempte to fend off goat footed Pan who make erotic advances towards her. Aphrodite holds a sandal in her right hand threatening Pan while the winged god Eros comes to her aid. According to an inscription on the statues base it was dedicated to Dionysus of Beryttos (Beirut) to hai ancestral gods.
  • Hellenstic marble statue group of Aphrodite (Venus) with Pan and Eros, Circa 100 BC, House of Poseidonaistai of Beryttos, Delos, Athens National Archaeological Museum.  Cat no 3335. Against grey.<br />
<br />
The nude goddess Aphrodite (Venus) attempte to fend off goat footed Pan who make erotic advances towards her. Aphrodite holds a sandal in her right hand threatening Pan while the winged god Eros comes to her aid. According to an inscription on the statues base it was dedicated to Dionysus of Beryttos (Beirut) to hai ancestral gods.
  • Hellenstic marble statue group of Aphrodite (Venus) with Pan and Eros, Circa 100 BC, House of Poseidonaistai of Beryttos, Delos, Athens National Archaeological Museum.  Cat no 3335. Against white.<br />
<br />
The nude goddess Aphrodite (Venus) attempte to fend off goat footed Pan who make erotic advances towards her. Aphrodite holds a sandal in her right hand threatening Pan while the winged god Eros comes to her aid. According to an inscription on the statues base it was dedicated to Dionysus of Beryttos (Beirut) to hai ancestral gods.
  • Hellenstic marble statue group of Aphrodite (Venus) with Pan and Eros, Circa 100 BC, House of Poseidonaistai of Beryttos, Delos, Athens National Archaeological Museum.  Cat no 3335. Against grey.<br />
<br />
The nude goddess Aphrodite (Venus) attempte to fend off goat footed Pan who make erotic advances towards her. Aphrodite holds a sandal in her right hand threatening Pan while the winged god Eros comes to her aid. According to an inscription on the statues base it was dedicated to Dionysus of Beryttos (Beirut) to hai ancestral gods.
  • Hellenstic marble statue group of Aphrodite (Venus) with Pan and Eros, Circa 100 BC, House of Poseidonaistai of Beryttos, Delos, Athens National Archaeological Museum.  Cat no 3335.<br />
<br />
The nude goddess Aphrodite (Venus) attempte to fend off goat footed Pan who make erotic advances towards her. Aphrodite holds a sandal in her right hand threatening Pan while the winged god Eros comes to her aid. According to an inscription on the statues base it was dedicated to Dionysus of Beryttos (Beirut) to hai ancestral gods.
  • Hellenstic marble statue group of Aphrodite (Venus) with Pan and Eros, Circa 100 BC, House of Poseidonaistai of Beryttos, Delos, Athens National Archaeological Museum.  Cat no 3335. Against black<br />
<br />
The nude goddess Aphrodite (Venus) attempte to fend off goat footed Pan who make erotic advances towards her. Aphrodite holds a sandal in her right hand threatening Pan while the winged god Eros comes to her aid. According to an inscription on the statues base it was dedicated to Dionysus of Beryttos (Beirut) to hai ancestral gods.
  • Hellenstic marble statue group of Aphrodite (Venus) with Pan and Eros, Circa 100 BC, House of Poseidonaistai of Beryttos, Delos, Athens National Archaeological Museum.  Cat no 3335. Against grey.<br />
<br />
The nude goddess Aphrodite (Venus) attempte to fend off goat footed Pan who make erotic advances towards her. Aphrodite holds a sandal in her right hand threatening Pan while the winged god Eros comes to her aid. According to an inscription on the statues base it was dedicated to Dionysus of Beryttos (Beirut) to hai ancestral gods.
  • Marble statue of Pan found in Sparta, Pelopenese, 1st Cent AD copy of 4th Cent BC Greek original. Athens Archaeological Museum Cat No 252. Against grey<br />
<br />
Pan, the goat footed god wears an animal pelt from which protrude only his jhairy legs. In his left hand he is holding pan pipes. The expression on his bestial featured face is softened by a broad smile.
  • Minoan cay vase with painted goat in a crocus landscape from Akrotiri, Thira (Santorini), National Archaeological Museum Athens. 17th-16th cent BC.<br />
<br />
 From the French Archaeological School in Athens collection.
  • Minoan cay vase with painted goat in a crocus landscape from Akrotiri, Thira (Santorini), National Archaeological Museum Athens. 17th-16th cent BC.<br />
<br />
 From the French Archaeological School in Athens collection.
  • Minoan cay vase with painted goat in a crocus landscape from Akrotiri, Thira (Santorini), National Archaeological Museum Athens. 17th-16th cent BC.<br />
<br />
 From the French Archaeological School in Athens collection.
  • Minoan cay vase with painted goat in a crocus landscape from Akrotiri, Thira (Santorini), National Archaeological Museum Athens. 17th-16th cent BC.<br />
<br />
 From the French Archaeological School in Athens collection.
  • Minoan cay vase with painted goat in a crocus landscape from Akrotiri, Thira (Santorini), National Archaeological Museum Athens. 17th-16th cent BC.<br />
<br />
 From the French Archaeological School in Athens collection.
  • Detail of a Roman mosaics design depicting Silenus and Cupids showing Pan and a goat, from the House of Sienus, ancient Roman city of Thysdrus. 3rd century AD. El Djem Archaeological Museum, El Djem, Tunisia.
  • Wide picture of the Roman mosaics of the Room of the Chidrens's Hunt depicting children hunting animals, room no 44 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Roman mosaic on the floor of the cubicle of the Child Hunt in the Villa Romana del Casale is divided into three registers with a floral theme.<br />
<br />
In the first register boys are spearing a hare with a venabulum ( spear) while to their right another boy has trapped a duckling. <br />
<br />
In the second register tree young hunters are portrayed being attacked by animals, one boy has fallen down having been bitten on the calf by a weasel. The boy in the middle has his hands raised calling for help and to his right a boy is about to be attacked bu a cockerel.<br />
<br />
In the lower register a boy is holding a raised club about to hit a peacock while another boy is spearing a goat and another is using a shield to protect himself from a Great Bustard.
  • Close up detail picture of the Roman mosaics of the Room of the Chidrens's Hunt depicting children hunting animals, room no 44 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Roman mosaic on the floor of the cubicle of the Child Hunt in the Villa Romana del Casale is divided into three registers with a floral theme.<br />
<br />
In the first register boys are spearing a hare with a venabulum ( spear) while to their right another boy has trapped a duckling. <br />
<br />
In the second register tree young hunters are portrayed being attacked by animals, one boy has fallen down having been bitten on the calf by a weasel. The boy in the middle has his hands raised calling for help and to his right a boy is about to be attacked bu a cockerel.<br />
<br />
In the lower register a boy is holding a raised club about to hit a peacock while another boy is spearing a goat and another is using a shield to protect himself from a Great Bustard.
  • Close up detail picture of the Roman mosaics of the Room of the Chidrens's Hunt depicting children hunting animals, room no 44 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Roman mosaic on the floor of the cubicle of the Child Hunt in the Villa Romana del Casale is divided into three registers with a floral theme.<br />
<br />
In the first register boys are spearing a hare with a venabulum ( spear) while to their right another boy has trapped a duckling. <br />
<br />
In the second register tree young hunters are portrayed being attacked by animals, one boy has fallen down having been bitten on the calf by a weasel. The boy in the middle has his hands raised calling for help and to his right a boy is about to be attacked bu a cockerel.<br />
<br />
In the lower register a boy is holding a raised club about to hit a peacock while another boy is spearing a goat and another is using a shield to protect himself from a Great Bustard.
  • Close up detail picture of the Roman mosaics of the Room of the Chidrens's Hunt depicting children hunting animals, room no 44 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Roman mosaic on the floor of the cubicle of the Child Hunt in the Villa Romana del Casale is divided into three registers with a floral theme.<br />
<br />
In the first register boys are spearing a hare with a venabulum ( spear) while to their right another boy has trapped a duckling. <br />
<br />
In the second register tree young hunters are portrayed being attacked by animals, one boy has fallen down having been bitten on the calf by a weasel. The boy in the middle has his hands raised calling for help and to his right a boy is about to be attacked bu a cockerel.<br />
<br />
In the lower register a boy is holding a raised club about to hit a peacock while another boy is spearing a goat and another is using a shield to protect himself from a Great Bustard.
  • Aslantepe Hittite relief sculpted orthostat stone panel. Limestone, Aslantepe, Malatya, 1200-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Scene of king's offering drink and sacrifice to the god. The god is on the deer, with the bow attached to his shoulder and with a triple bundle of lightning in his hand. The king looks at the god, and makes the libation to the god while carrying a scepter with a curled end - lituus. Behind the king is a servant holding a goat for sacrifice to the god. Hieroglyphs read; "God Parata, Strong King... ". <br />
<br />
Anatolian Civilizations Museum, Ankara, Turkey
  • Aslantepe Hittite relief sculpted orthostat stone panel. Limestone, Aslantepe, Malatya, 1200-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Scene of king's offering drink and sacrifice to the god. The god is on the deer, with the bow attached to his shoulder and with a triple bundle of lightning in his hand. The king looks at the god, and makes the libation to the god while carrying a scepter with a curled end - lituus. Behind the king is a servant holding a goat for sacrifice to the god. Hieroglyphs read; "God Parata, Strong King... ". <br />
<br />
Against a gray background.
  • Aslantepe Hittite relief sculpted orthostat stone panel. Limestone, Aslantepe, Malatya, 1200-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Scene of king's offering drink and sacrifice to the god. The god is on the deer, with the bow attached to his shoulder and with a triple bundle of lightning in his hand. The king looks at the god, and makes the libation to the god while carrying a scepter with a curled end - lituus. Behind the king is a servant holding a goat for sacrifice to the god. Hieroglyphs read; "God Parata, Strong King... ". <br />
<br />
Against a black background.
  • Alaca Hoyuk Sphinx Gate Hittite monumental relief sculpted orthostat stone panel. A figure bringing sacrificial animals.  Anatolian Civilizations Museum, Ankara. Turkey<br />
<br />
The figure wearing a long-tailed cloak holds, with the right hand, the horn of the goat coming from behind.  <br />
<br />
Against a black background.
  • Alaca Hoyuk Sphinx Gate Hittite monumental relief sculpted orthostat stone panel. A figure bringing sacrificial animals.  Anatolian Civilizations Museum, Ankara. Turkey<br />
<br />
The figure wearing a long-tailed cloak holds, with the right hand, the horn of the goat coming from behind.  <br />
<br />
Against a white background.
  • Alaca Hoyuk Sphinx Gate Hittite monumental relief sculpted orthostat stone panel. A figure bringing sacrificial animals.  Anatolian Civilizations Museum, Ankara. Turkey<br />
<br />
The figure wearing a long-tailed cloak holds, with the right hand, the horn of the goat coming from behind.  <br />
<br />
Against a brown art background.
  • Alaca Hoyuk Sphinx Gate Hittite monumental relief sculpted orthostat stone panel. A figure bringing sacrificial animals.  Anatolian Civilizations Museum, Ankara. Turkey<br />
<br />
The figure wearing a long-tailed cloak holds, with the right hand, the horn of the goat coming from behind.  <br />
<br />
Against a grey art background.
  • The Holy Trinity Statue and the Goat's Church (Kecske templom )- Fo Square (F? Ter) - Sopron, Hungary
  • The Holy Trinity Statue and the Goat's Church (Kecske templom )- Fo Square (F? Ter) - Sopron, Hungary
  • The Holy Trinity Statue and the Goat's Church (Kecske templom )- Fo Square (F? Ter) - Sopron, Hungary
  • The Holy Trinity Statue and the Goat's Church (Kecske templom )- Fo Square (F? Ter) - Sopron, Hungary
  • The Holy Trinity Statue and the Goat's Church (Kecske templom )- Fo Square (F? Ter) - Sopron, Hungary
  • The Holy Trinity Statue and the Goat's Church (Kecske templom )- Fo Square (F? Ter) - Sopron, Hungary
  • Hellenstic marble statue group of Aphrodite (Venus) with Pan and Eros, Circa 100 BC, House of Poseidonaistai of Beryttos, Delos, Athens National Archaeological Museum.  Cat no 3335.<br />
<br />
The nude goddess Aphrodite (Venus) attempte to fend off goat footed Pan who make erotic advances towards her. Aphrodite holds a sandal in her right hand threatening Pan while the winged god Eros comes to her aid. According to an inscription on the statues base it was dedicated to Dionysus of Beryttos (Beirut) to hai ancestral gods.
  • Marble statue of Pan found in Sparta, Pelopenese, 1st Cent AD copy of 4th Cent BC Greek original. Athens Archaeological Museum Cat No 252. Against black<br />
<br />
Pan, the goat footed god wears an animal pelt from which protrude only his jhairy legs. In his left hand he is holding pan pipes. The expression on his bestial featured face is softened by a broad smile.
  • Detail of a Roman mosaics design depicting Silenus and Cupids showing Pan and a goat and a cupid in the vines, from the House of Sienus, ancient Roman city of Thysdrus. 3rd century AD. El Djem Archaeological Museum, El Djem, Tunisia.
  • Close up detail picture of the Roman mosaics of the Room of the Chidrens's Hunt depicting children hunting animals, room no 44 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Roman mosaic on the floor of the cubicle of the Child Hunt in the Villa Romana del Casale is divided into three registers with a floral theme.<br />
<br />
In the first register boys are spearing a hare with a venabulum ( spear) while to their right another boy has trapped a duckling. <br />
<br />
In the second register tree young hunters are portrayed being attacked by animals, one boy has fallen down having been bitten on the calf by a weasel. The boy in the middle has his hands raised calling for help and to his right a boy is about to be attacked bu a cockerel.<br />
<br />
In the lower register a boy is holding a raised club about to hit a peacock while another boy is spearing a goat and another is using a shield to protect himself from a Great Bustard.
  • Close up detail picture of the Roman mosaics of the Room of the Chidrens's Hunt depicting children hunting animals, room no 44 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Roman mosaic on the floor of the cubicle of the Child Hunt in the Villa Romana del Casale is divided into three registers with a floral theme.<br />
<br />
In the first register boys are spearing a hare with a venabulum ( spear) while to their right another boy has trapped a duckling. <br />
<br />
In the second register tree young hunters are portrayed being attacked by animals, one boy has fallen down having been bitten on the calf by a weasel. The boy in the middle has his hands raised calling for help and to his right a boy is about to be attacked bu a cockerel.<br />
<br />
In the lower register a boy is holding a raised club about to hit a peacock while another boy is spearing a goat and another is using a shield to protect himself from a Great Bustard.
  • Aslantepe Hittite relief sculpted orthostat stone panel. Limestone, Aslantepe, Malatya, 1200-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Scene of king's offering drink and sacrifice to the god. The god is on the deer, with the bow attached to his shoulder and with a triple bundle of lightning in his hand. The king looks at the god, and makes the libation to the god while carrying a scepter with a curled end - lituus. Behind the king is a servant holding a goat for sacrifice to the god. Hieroglyphs read; "God Parata, Strong King... ". <br />
<br />
Against a grey art background.
  • Alaca Hoyuk Sphinx Gate Hittite monumental relief sculpted orthostat stone panel. A figure bringing sacrificial animals.  Anatolian Civilizations Museum, Ankara. Turkey<br />
<br />
The figure wearing a long-tailed cloak holds, with the right hand, the horn of the goat coming from behind.  <br />
<br />
Against a brown gray background.
  • "Pan & Goat" Roman Mythical erotic sculpture from Pompeii. Naples Archaeological inv no: 27709
  • "Pan & Goat" Roman Mythical erotic sculpture from Pompeii. Naples Archaeological inv no: 27709
  • "Pan & Goat" Roman Mythical erotic sculpture from Pompeii. Naples Archaeological inv no: 27709
  • Romaesque doorway with sculptures of Eve by the Croatian architect Master Radovan. Saint Lawrence Cathedral - Trogir - Croatia<br />
<br />
One of the most beautiful towns on the Croatian coast is Trogir. Surrounded by water Trogir is an unspoiled medieval city with narrow streets leading to its medieval Cathedral of St Lawrence. The Romanesque porch has wonderful early medieval sculptures by the Croatian architect Master Radovan. From the Cathedral tower there is a picturesque view across the pan tiled roof tops of Trogir. <br />
<br />
In the 3rd century BC, Tragurion was founded by Greek colonists from the island of Vis, and it developed into a major port until the Roman period. The name comes from the Greek "tragos" (male goat). Similarly, the name of the neighbouring island of Bua comes from the Greek "voua" (herd of cattle). The sudden prosperity of Salona deprived Trogir of its importance. During the migration of Slavs the citizens of the destroyed Salona escaped to Trogir. From the 9th century on, Trogir paid tribute to Croatian rulers. The diocese of Trogir was established in the 11th century (abolished in 1828; it is now part of the Roman Catholic Archdiocese of Split-Makarska) and in 1107 it was chartered by the Hungarian-Croatian king Coloman, gaining thus its autonomy as a town.<br />
<br />
Trogir should be high on any visit to Croatia
  • "Pan & Goat" Roman Mythical erotic sculpture from Pompeii. Naples Archaeological inv no: 27709
  • "Pan & Goat" Roman Mythical erotic sculpture from Pompeii. Naples Archaeological inv no: 27709
  • "Pan & Goat" Roman Mythical erotic sculpture from Pompeii. Naples Archaeological inv no: 27709
  • "Pan & Goat" Roman Mythical erotic sculpture from Pompeii. Naples Archaeological inv no: 27709
  • "Pan & Goat" Roman Mythical erotic sculpture from Pompeii. Naples Archaeological inv no: 27709
  • "Pan & Goat" Roman Mythical erotic sculpture from Pompeii. Naples Archaeological inv no: 27709
  • Skarkos hill prehistoric settlement ruins. European Union Cultural Heritage archaeological site of Skarkos

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