• Bronze Age Hattian gold flask from a possible Bronze Age Royal grave (2500 BC to 2250 BC) - Alacahoyuk - Museum of Anatolian Civilisations, Ankara, Turkey. Against a black background
  • Bronze Age Hattian gold flask from Grave K, possibly a Bronze Age Royal grave (2500 BC to 2250 BC) - Alacahoyuk - Museum of Anatolian Civilisations, Ankara, Turkey. Against a white background
  • Bronze Age Hattian gold flask from Grave K, possibly a Bronze Age Royal grave (2500 BC to 2250 BC) - Alacahoyuk - Museum of Anatolian Civilisations, Ankara, Turkey. Against a black background
  • Bronze Age Hattian gold flask from a possible Bronze Age Royal grave (2500 BC to 2250 BC) - Alacahoyuk - Museum of Anatolian Civilisations, Ankara, Turkey. Against a white background
  • Bronze Age Hattian gold flask from a possible Bronze Age Royal grave (2500 BC to 2250 BC) - Alacahoyuk - Museum of Anatolian Civilisations, Ankara, Turkey. Against a gray background
  • Bronze Age Hattian gold flask from a possible Bronze Age Royal grave (2500 BC to 2250 BC) - Alacahoyuk - Museum of Anatolian Civilisations, Ankara, Turkey. Against a warm art background
  • Bronze Age Hattian gold flask from a possible Bronze Age Royal grave (2500 BC to 2250 BC) - Alacahoyuk - Museum of Anatolian Civilisations, Ankara, Turkey
  • Bronze Age Hattian gold flask from Grave K, possibly a Bronze Age Royal grave (2500 BC to 2250 BC) - Alacahoyuk - Museum of Anatolian Civilisations, Ankara, Turkey. Against a gray background
  • Bronze Age Hattian gold flask from Grave K, possibly a Bronze Age Royal grave (2500 BC to 2250 BC) - Alacahoyuk - Museum of Anatolian Civilisations, Ankara, Turkey. Against a warm art background
  • Bronze Age Hattian gold flask from Grave K, possibly a Bronze Age Royal grave (2500 BC to 2250 BC) - Alacahoyuk - Museum of Anatolian Civilisations, Ankara, Turkey
  • Bronze Age Hattian gold goblet from a possible Bronze Age Royal grave (2500 BC to 2250 BC) - Alacahoyuk - Museum of Anatolian Civilisations, Ankara, Turkey. Against a warm art background
  • Bronze Age Hattian gold necklace from Grave E,  possibly a Bronze Age Royal grave (2500 BC to 2250 BC) - Alacahoyuk - Museum of Anatolian Civilisations, Ankara, Turkey
  • Bronze Age Hattian gold goblet from Grave K, possibly a Bronze Age Royal grave (2500 BC to 2250 BC) - Alacahoyuk - Museum of Anatolian Civilisations, Ankara, Turkey. Against a white background
  • Bronze Age Hattian gold goblet from a possible Bronze Age Royal grave (2500 BC to 2250 BC) - Alacahoyuk - Museum of Anatolian Civilisations, Ankara, Turkey. Against a white background
  • Bronze Age Hattian gold goblet from a possible Bronze Age Royal grave (2500 BC to 2250 BC) - Alacahoyuk - Museum of Anatolian Civilisations, Ankara, Turkey. Against a black background
  • Bronze Age Hattian gold decorated mace from Grave K,  possibly a Bronze Age Royal grave (2500 BC to 2250 BC) - Alacahoyuk - Museum of Anatolian Civilisations, Ankara, Turkey. Against a black background
  • Bronze Age Hattian gold decorated mace from Grave K,  possibly a Bronze Age Royal grave (2500 BC to 2250 BC) - Alacahoyuk - Museum of Anatolian Civilisations, Ankara, Turkey. Against a warm art background
  • Bronze Age Hattian gold belt buckle from Grave L, possibly a Bronze Age Royal grave (2500 BC to 2250 BC) - Alacahoyuk - Museum of Anatolian Civilisations, Ankara, Turkey. Against a warm art background
  • Bronze Age Hattian gold necklace from Grave E,  possibly a Bronze Age Royal grave (2500 BC to 2250 BC) - Alacahoyuk - Museum of Anatolian Civilisations, Ankara, Turkey. Against a white background
  • Bronze Age Hattian gold necklace from Grave MA,  possibly a Bronze Age Royal grave (2500 BC to 2250 BC) - Alacahoyuk - Museum of Anatolian Civilisations, Ankara, Turkey. Against a white background
  • Bronze Age Hattian gold necklace from Grave MA,  possibly a Bronze Age Royal grave (2500 BC to 2250 BC) - Alacahoyuk - Museum of Anatolian Civilisations, Ankara, Turkey. Against a black background
  • Bronze Age Hattian gold necklace from Grave MA,  possibly a Bronze Age Royal grave (2500 BC to 2250 BC) - Alacahoyuk - Museum of Anatolian Civilisations, Ankara, Turkey
  • Bronze Age Hattian gold necklace from Grave TM, possibly a Bronze Age Royal grave (2500 BC to 2250 BC) - Alacahoyuk - Museum of Anatolian Civilisations, Ankara, Turkey. Against a white background
  • Bronze Age Hattian gold necklace from Grave TM, possibly a Bronze Age Royal grave (2500 BC to 2250 BC) - Alacahoyuk - Museum of Anatolian Civilisations, Ankara, Turkey. Against a black background
  • Bronze Age Hattian gold necklace from Grave TM, possibly a Bronze Age Royal grave (2500 BC to 2250 BC) - Alacahoyuk - Museum of Anatolian Civilisations, Ankara, Turkey
  • Bronze Age Hattian gold necklace from Grave TM, possibly a Bronze Age Royal grave (2500 BC to 2250 BC) - Alacahoyuk - Museum of Anatolian Civilisations, Ankara, Turkey. Against a gray background
  • Bronze Age Hattian gold necklace from Grave TM, possibly a Bronze Age Royal grave (2500 BC to 2250 BC) - Alacahoyuk - Museum of Anatolian Civilisations, Ankara, Turkey. Against a warm art background
  • Bronze Age Hattian gold necklace from Grave L,  possibly a Bronze Age Royal grave (2500 BC to 2250 BC) - Alacahoyuk - Museum of Anatolian Civilisations, Ankara, Turkey. Against a white background
  • Bronze Age Hattian gold necklace from Grave L,  possibly a Bronze Age Royal grave (2500 BC to 2250 BC) - Alacahoyuk - Museum of Anatolian Civilisations, Ankara, Turkey. Against a black background
  • Bronze Age Hattian gold necklace from Grave L,  possibly a Bronze Age Royal grave (2500 BC to 2250 BC) - Alacahoyuk - Museum of Anatolian Civilisations, Ankara, Turkey. Against a warm art background
  • Bronze Age Hattian gold necklace from Grave L,  possibly a Bronze Age Royal grave (2500 BC to 2250 BC) - Alacahoyuk - Museum of Anatolian Civilisations, Ankara, Turkey. Against a gray background
  • Bronze Age Hattian gold necklace from Grave L,  possibly a Bronze Age Royal grave (2500 BC to 2250 BC) - Alacahoyuk - Museum of Anatolian Civilisations, Ankara, Turkey
  • Bronze Age Hattian gold goblet from a possible Bronze Age Royal grave (2500 BC to 2250 BC) - Alacahoyuk - Museum of Anatolian Civilisations, Ankara, Turkey. Against a gray background
  • Bronze Age Hattian gold goblet from a possible Bronze Age Royal grave (2500 BC to 2250 BC) - Alacahoyuk - Museum of Anatolian Civilisations, Ankara, Turkey
  • Bronze Age Hattian gold decorated mace from Grave K,  possibly a Bronze Age Royal grave (2500 BC to 2250 BC) - Alacahoyuk - Museum of Anatolian Civilisations, Ankara, Turkey. Against a white background
  • Bronze Age Hattian gold decorated mace from Grave K,  possibly a Bronze Age Royal grave (2500 BC to 2250 BC) - Alacahoyuk - Museum of Anatolian Civilisations, Ankara, Turkey. Against a gray background
  • Bronze Age Hattian gold decorated mace from Grave K,  possibly a Bronze Age Royal grave (2500 BC to 2250 BC) - Alacahoyuk - Museum of Anatolian Civilisations, Ankara, Turkey
  • Bronze Age Hattian gold belt buckle from Grave L, possibly a Bronze Age Royal grave (2500 BC to 2250 BC) - Alacahoyuk - Museum of Anatolian Civilisations, Ankara, Turkey. Against a white background
  • Bronze Age Hattian gold belt buckle from Grave L, possibly a Bronze Age Royal grave (2500 BC to 2250 BC) - Alacahoyuk - Museum of Anatolian Civilisations, Ankara, Turkey. Against a black background
  • Bronze Age Hattian gold belt buckle from Grave L, possibly a Bronze Age Royal grave (2500 BC to 2250 BC) - Alacahoyuk - Museum of Anatolian Civilisations, Ankara, Turkey. Against a gray background
  • Bronze Age Hattian gold belt buckle from Grave L, possibly a Bronze Age Royal grave (2500 BC to 2250 BC) - Alacahoyuk - Museum of Anatolian Civilisations, Ankara, Turkey
  • Bronze Age Hattian gold necklace from Grave E,  possibly a Bronze Age Royal grave (2500 BC to 2250 BC) - Alacahoyuk - Museum of Anatolian Civilisations, Ankara, Turkey. Against a black background
  • Bronze Age Hattian gold necklace from Grave E,  possibly a Bronze Age Royal grave (2500 BC to 2250 BC) - Alacahoyuk - Museum of Anatolian Civilisations, Ankara, Turkey. Against a gray background
  • Bronze Age Hattian gold necklace from Grave E,  possibly a Bronze Age Royal grave (2500 BC to 2250 BC) - Alacahoyuk - Museum of Anatolian Civilisations, Ankara, Turkey. Against a warm art background
  • Bronze Age Hattian gold bracelet  from a possible Bronze Age Royal grave (2500 BC to 2250 BC) - Alacahoyuk - Museum of Anatolian Civilisations, Ankara, Turkey. Against a white background
  • Bronze Age Hattian gold bracelet  from a possible Bronze Age Royal grave (2500 BC to 2250 BC) - Alacahoyuk - Museum of Anatolian Civilisations, Ankara, Turkey. Against a warm art background
  • Bronze Age Hattian gold bracelet  from a possible Bronze Age Royal grave (2500 BC to 2250 BC) - Alacahoyuk - Museum of Anatolian Civilisations, Ankara, Turkey. Against a gray background
  • Bronze Age Hattian gold bracelet  from a possible Bronze Age Royal grave (2500 BC to 2250 BC) - Alacahoyuk - Museum of Anatolian Civilisations, Ankara, Turkey. Against a black background
  • Bronze Age Hattian gold bracelet  from a possible Bronze Age Royal grave (2500 BC to 2250 BC) - Alacahoyuk - Museum of Anatolian Civilisations, Ankara, Turkey
  • Bronze Age Hattian gold necklace from Grave MA,  possibly a Bronze Age Royal grave (2500 BC to 2250 BC) - Alacahoyuk - Museum of Anatolian Civilisations, Ankara, Turkey. Against a gray background
  • Bronze Age Hattian gold necklace from Grave MA,  possibly a Bronze Age Royal grave (2500 BC to 2250 BC) - Alacahoyuk - Museum of Anatolian Civilisations, Ankara, Turkey. Against a warm art background
  • Bronze Age Hattian gold goblet from Grave K, possibly a Bronze Age Royal grave (2500 BC to 2250 BC) - Alacahoyuk - Museum of Anatolian Civilisations, Ankara, Turkey. Against a black background
  • Bronze Age Hattian gold goblet from Grave K, possibly a Bronze Age Royal grave (2500 BC to 2250 BC) - Alacahoyuk - Museum of Anatolian Civilisations, Ankara, Turkey. Against a gray background
  • Bronze Age Hattian gold goblet from Grave K, possibly a Bronze Age Royal grave (2500 BC to 2250 BC) - Alacahoyuk - Museum of Anatolian Civilisations, Ankara, Turkey. Against a warm art background
  • Bronze Age Hattian gold goblet from Grave K, possibly a Bronze Age Royal grave (2500 BC to 2250 BC) - Alacahoyuk - Museum of Anatolian Civilisations, Ankara, Turkey
  • Bronze Age Hattian gold furniture covering  from a possible Bronze Age Royal grave (2500 BC to 2250 BC) - Alacahoyuk - Museum of Anatolian Civilisations, Ankara, Turkey. Against a white background
  • Bronze Age Hattian gold furniture covering  from a possible Bronze Age Royal grave (2500 BC to 2250 BC) - Alacahoyuk - Museum of Anatolian Civilisations, Ankara, Turkey. Against a warm art background
  • Bronze Age Hattian gold furniture covering  from a possible Bronze Age Royal grave (2500 BC to 2250 BC) - Alacahoyuk - Museum of Anatolian Civilisations, Ankara, Turkey. Against a black background
  • Bronze Age Hattian gold furniture covering  from a possible Bronze Age Royal grave (2500 BC to 2250 BC) - Alacahoyuk - Museum of Anatolian Civilisations, Ankara, Turkey. Against a gray background
  • Bronze Age Hattian gold furniture covering  from a possible Bronze Age Royal grave (2500 BC to 2250 BC) - Alacahoyuk - Museum of Anatolian Civilisations, Ankara, Turkey
  • Medieval gilded manuscript cover depicting the Crucifixion. 11th century from the treasury of the Cathedral of Maastricht. AD.  <br />
This gilded with relief panel with inlaid stones was originally a manuscript cover. Since 1677, it contained the 'documents of the oath of the Dukes of Brabant'. The back of the panel is covered with precious fabrics. On the front, in the central part, is depicted a crucifixion the style of which is reminiscent of the works of the goldsmiths of the Emperor Henry II. On the borders are small icons and emblems including those of the Carolingians. The main interest of this work lies in the four enamelled on gold symbols of the evangelists in the four corners, two being 'Enforced’ on a background of gold, the others being painted.<br />
<br />
One of Latin inscriptions states that 'Beatrice  ordered the execution ( of this work) in honour of Almighty God and his saints“. It could be Beatrice wife of Hermann II of Swabia and daughter Emperor's sister-Conrad II or, more likely, Beatrice of Tuscany who in 1036 was wife of Boniface III, Marquis of Tuscany, and second wife of Geoffrey the Bearded, Duke of Lower Lorraine and Brabant.<br />
 The Louvre Museum, Paris.
  • 810-783 B.C Neo-Assyrian Stele with relief sculpture & inscription to King Adad-Nirari III (son of Samsi-Adad V, King of Assyria) praying to the gods. The inscription reports King Adad-Nirari III's campaign against Palestine in which he marched on Damascus and caused such terror that King Mari I surrendered the Royal city of Damascus paying a tribute of 100 talents of gold.  Istanbul Archaeological Museum Inv. No 2828.
  • Medieval gilded manuscript cover depicting the Crucifixion. 11th century from the treasury of the Cathedral of Maastricht. AD.  <br />
This gilded with relief panel with inlaid stones was originally a manuscript cover. Since 1677, it contained the 'documents of the oath of the Dukes of Brabant'. The back of the panel is covered with precious fabrics. On the front, in the central part, is depicted a crucifixion the style of which is reminiscent of the works of the goldsmiths of the Emperor Henry II. On the borders are small icons and emblems including those of the Carolingians. The main interest of this work lies in the four enamelled on gold symbols of the evangelists in the four corners, two being 'Enforced’ on a background of gold, the others being painted.<br />
<br />
One of Latin inscriptions states that 'Beatrice  ordered the execution ( of this work) in honour of Almighty God and his saints“. It could be Beatrice wife of Hermann II of Swabia and daughter Emperor's sister-Conrad II or, more likely, Beatrice of Tuscany who in 1036 was wife of Boniface III, Marquis of Tuscany, and second wife of Geoffrey the Bearded, Duke of Lower Lorraine and Brabant.<br />
 The Louvre Museum, Paris.
  • Medieval gilded manuscript cover depicting the Crucifixion. 11th century from the treasury of the Cathedral of Maastricht. AD.  <br />
This gilded with relief panel with inlaid stones was originally a manuscript cover. Since 1677, it contained the 'documents of the oath of the Dukes of Brabant'. The back of the panel is covered with precious fabrics. On the front, in the central part, is depicted a crucifixion the style of which is reminiscent of the works of the goldsmiths of the Emperor Henry II. On the borders are small icons and emblems including those of the Carolingians. The main interest of this work lies in the four enamelled on gold symbols of the evangelists in the four corners, two being 'Enforced’ on a background of gold, the others being painted.<br />
<br />
One of Latin inscriptions states that 'Beatrice  ordered the execution ( of this work) in honour of Almighty God and his saints“. It could be Beatrice wife of Hermann II of Swabia and daughter Emperor's sister-Conrad II or, more likely, Beatrice of Tuscany who in 1036 was wife of Boniface III, Marquis of Tuscany, and second wife of Geoffrey the Bearded, Duke of Lower Lorraine and Brabant.<br />
 The Louvre Museum, Paris.
  • Medieval gilded manuscript cover depicting the Crucifixion. 11th century from the treasury of the Cathedral of Maastricht. AD.  <br />
This gilded with relief panel with inlaid stones was originally a manuscript cover. Since 1677, it contained the 'documents of the oath of the Dukes of Brabant'. The back of the panel is covered with precious fabrics. On the front, in the central part, is depicted a crucifixion the style of which is reminiscent of the works of the goldsmiths of the Emperor Henry II. On the borders are small icons and emblems including those of the Carolingians. The main interest of this work lies in the four enamelled on gold symbols of the evangelists in the four corners, two being 'Enforced’ on a background of gold, the others being painted.<br />
<br />
One of Latin inscriptions states that 'Beatrice  ordered the execution ( of this work) in honour of Almighty God and his saints“. It could be Beatrice wife of Hermann II of Swabia and daughter Emperor's sister-Conrad II or, more likely, Beatrice of Tuscany who in 1036 was wife of Boniface III, Marquis of Tuscany, and second wife of Geoffrey the Bearded, Duke of Lower Lorraine and Brabant.<br />
 The Louvre Museum, Paris.
  • Medieval gilded manuscript cover depicting the Crucifixion. 11th century from the treasury of the Cathedral of Maastricht. AD.  <br />
This gilded with relief panel with inlaid stones was originally a manuscript cover. Since 1677, it contained the 'documents of the oath of the Dukes of Brabant'. The back of the panel is covered with precious fabrics. On the front, in the central part, is depicted a crucifixion the style of which is reminiscent of the works of the goldsmiths of the Emperor Henry II. On the borders are small icons and emblems including those of the Carolingians. The main interest of this work lies in the four enamelled on gold symbols of the evangelists in the four corners, two being 'Enforced’ on a background of gold, the others being painted.<br />
<br />
One of Latin inscriptions states that 'Beatrice  ordered the execution ( of this work) in honour of Almighty God and his saints“. It could be Beatrice wife of Hermann II of Swabia and daughter Emperor's sister-Conrad II or, more likely, Beatrice of Tuscany who in 1036 was wife of Boniface III, Marquis of Tuscany, and second wife of Geoffrey the Bearded, Duke of Lower Lorraine and Brabant.<br />
 The Louvre Museum, Paris.
  • Medieval enamelled box depicting angels, circa12th century from Limoges, enamel on gold. AD.  The Louvre Museum, Paris.
  • Medieval enamelled crosier with palm leaf flower, beginning of the 13th century from Limoges, enamel on gold. Nieul-sur-L’Autise. AD. Inv OA 8105, The Louvre Museum, Paris.
  • Medieval Gothic reliquary of Saint Francis of Assisi made in Limoges around 1228, enamel on gold. inv 4083, The Louvre Museum, Paris.
  • Medieval enamelled crosier with a lion and serpent, circa 12th century from Limoges, enamel on gold.  AD. Inv OA 7287, The Louvre Museum, Paris.
  • Medieval enamelled box with scenes of the Massacre of the Innocents, last quarter of the 12th century from Limoges, enamel on gold. Monflanquin, Lot-en-Gironne. AD. Inv OA 10406, The Louvre Museum, Paris.
  • Medieval enamelled box with scenes from the martyrdom of Saint Thomas Becket, end of the 12th beginning of the 13th century from Limoges, enamel on gold. AD. Inv OA 7745, The Louvre Museum, Paris.
  • Medieval enamelled crucifix, end of the 12th century from Limoges, enamel on gold. AD. Inv OA 7284, The Louvre Museum, Paris.
  • Medieval enamelled box depicting the entombment of a Saint, beginning of the 13th century from Limoges, enamel on gold. AD. Inv OA 949, The Louvre Museum, Paris.
  • Medieval enamelled box depicting the martyrdom of Saint Thomas Becket, 12th century from Limoges, enamel on gold. AD. Inv OA 11333, The Louvre Museum, Paris.
  • Medieval enamelled crucifix, circa end of 12th century from Limoges, enamel on gold. AD. Inv OA 2956, The Louvre Museum, Paris.
  • Medieval enamelled tabernacle depicting Christ in majesty, circa 1200 AD from Limoges, enamel on gold. AD. Inv OA 8984, The Louvre Museum, Paris.
  • Medieval enamelled panel depicting the Crucifixion, end of 12th cent from Limoges, enamel on gold. AD. Inv OA 7285, The Louvre Museum, Paris.
  • Medieval relief panel depicting Christ, Enamel on gold from Limoges, circa 1220-1230. Inv OA 11935, The Louvre Museum, Paris.
  • Body shaped Mycenaean gold cut outs from Grave III, 'Grave of a Women', Grave Circle A, Myenae, Greece. National Archaeological Museum Athens. Grey art Background <br />
<br />
Cat No 146. 16th century BC.<br />
<br />
A unique gold body covering and face of an infant child mad out of pieces of gold foll<br />
<br />
Shaft Grave III, the so-called 'Grave of the Women,' contained three female and two infant interments. The women were literally covered in gold jewelry and wore massive gold diadems, while the infants were overlaid with gold foil.
  • Body shaped Mycenaean gold cut outs from Grave III, 'Grave of a Women', Grave Circle A, Myenae, Greece. National Archaeological Museum Athens. White Background.<br />
<br />
Cat No 146. 16th century BC.<br />
<br />
A unique gold body covering and face of an infant child mad out of pieces of gold foll<br />
<br />
Shaft Grave III, the so-called 'Grave of the Women,' contained three female and two infant interments. The women were literally covered in gold jewelry and wore massive gold diadems, while the infants were overlaid with gold foil.
  • Body shaped Mycenaean gold cut outs from Grave III, 'Grave of a Women', Grave Circle A, Myenae, Greece. National Archaeological Museum Athens. Black Background<br />
<br />
Cat No 146. 16th century BC.<br />
<br />
A unique gold body covering and face of an infant child mad out of pieces of gold foll<br />
<br />
Shaft Grave III, the so-called 'Grave of the Women,' contained three female and two infant interments. The women were literally covered in gold jewelry and wore massive gold diadems, while the infants were overlaid with gold foil.
  • Body shaped Mycenaean gold cut outs from Grave III, 'Grave of a Women', Grave Circle A, Myenae, Greece. National Archaeological Museum Athens. Grey Background<br />
<br />
Cat No 146. 16th century BC.<br />
<br />
A unique gold body covering and face of an infant child mad out of pieces of gold foll<br />
<br />
Shaft Grave III, the so-called 'Grave of the Women,' contained three female and two infant interments. The women were literally covered in gold jewelry and wore massive gold diadems, while the infants were overlaid with gold foil.
  • Body shaped Mycenaean gold cut outs from Grave III, 'Grave of a Women', Grave Circle A, Myenae, Greece. National Archaeological Museum Athens.<br />
<br />
Cat No 146. 16th century BC.<br />
<br />
A unique gold body covering and face of an infant child mad out of pieces of gold foll<br />
<br />
Shaft Grave III, the so-called 'Grave of the Women,' contained three female and two infant interments. The women were literally covered in gold jewelry and wore massive gold diadems, while the infants were overlaid with gold foil.
  • Mycenaean gold death mask, Mask of Agamemnon, Grave Cicle A, Mycenae, Greece.National Archaeological Museum of Athens.<br />
<br />
The mask from Grave V depicts an imposing face of a bearded man descovered by  Heinrich Schliemann who believed it was the body of Agamemnon, this is unproven to date.  The Mycenaean death mask belonged to a warrior and made of gold leaf it cocered the dead mans face held on by cord threaded tgrough the two sides of the mask.  The mask of Agamemnon was created from a single thick gold sheet, heated and hammered against a wooden background with the details chased on later with a sharp tool. The artifact dates from the 16th century BC.
  • Mycenaean gold death mask, Mask of Agamemnon, Grave Cicle A, Mycenae, Greece.National Archaeological Museum of Athens.  Grey Background<br />
<br />
<br />
The mask from Grave V depicts an imposing face of a bearded man descovered by  Heinrich Schliemann who believed it was the body of Agamemnon, this is unproven to date.  The Mycenaean death mask belonged to a warrior and made of gold leaf it cocered the dead mans face held on by cord threaded tgrough the two sides of the mask.  The mask of Agamemnon was created from a single thick gold sheet, heated and hammered against a wooden background with the details chased on later with a sharp tool. The artifact dates from the 16th century BC.
  • Mycenaean gold death mask, Mask of Agamemnon, Grave Cicle A, Mycenae, Greece.National Archaeological Museum of Athens.   Grey Art Background<br />
<br />
The mask from Grave V depicts an imposing face of a bearded man descovered by  Heinrich Schliemann who believed it was the body of Agamemnon, this is unproven to date.  The Mycenaean death mask belonged to a warrior and made of gold leaf it cocered the dead mans face held on by cord threaded tgrough the two sides of the mask.  The mask of Agamemnon was created from a single thick gold sheet, heated and hammered against a wooden background with the details chased on later with a sharp tool. The artifact dates from the 16th century BC.
  • Mycenaean gold death mask, Grave Cicle A, Mycenae, Greece. National Archaeological Museum of Athens.  Grey Background<br />
<br />
<br />
This death mask is typical of the other Mycenaean gold death masks fround in Grave V. made from a sigle sheet of gold the shape of the face would have been hammered ot against wood. two holes either side of the gold mask allowed it to be held over the dead mans face. As weapons were found in the graves of Grave Circle A at Mycenae, those buried here wer warriors and maybe kings as the grave goods buried with them were of great value. 16th century BC
  • Mycenaean gold death mask, Grave Cicle A, Mycenae, Greece. National Archaeological Museum of Athens.  Black Background<br />
<br />
This death mask is typical of the other Mycenaean gold death masks fround in Grave V. made from a sigle sheet of gold the shape of the face would have been hammered ot against wood. two holes either side of the gold mask allowed it to be held over the dead mans face. As weapons were found in the graves of Grave Circle A at Mycenae, those buried here wer warriors and maybe kings as the grave goods buried with them were of great value. 16th century BC
  • Top leaf shapes of a Mycenaean gold diadem from Grave III, 'Grave of a Women', Grave Circle A, Myenae, Greece. National Archaeological Museum Athens. Grey Background<br />
<br />
Cat No 3,5. 16th century BC.<br />
<br />
Shaft Grave III, the so-called 'Grave of the Women,' contained three female and two infant interments. The women were literally covered in gold jewelry and wore massive gold diadems, while the infants were overlaid with gold foil.
  • Top leaf shapes of a Mycenaean gold diadem from Grave III, 'Grave of a Women', Grave Circle A, Myenae, Greece. National Archaeological Museum Athens.<br />
<br />
Cat No 3,5. 16th century BC.<br />
<br />
Shaft Grave III, the so-called 'Grave of the Women,' contained three female and two infant interments. The women were literally covered in gold jewelry and wore massive gold diadems, while the infants were overlaid with gold foil.
  • Mycenaean Gold diadem from Grave III, 'Grave of a Women', Grave Circle A, Myenae, Greece. National Archaeological Museum Athens. Black Background<br />
<br />
An impressive Mycenaean gold diadem with repousse rosettes and thin sheets applied to the top. .Cat No 1. 16th century BC.<br />
<br />
Shaft Grave III, the so-called 'Grave of the Women,' contained three female and two infant interments. The women were literally covered in gold jewelry and wore massive gold diadems, while the infants were overlaid with gold foil.
  • Mycenaean Gold diadem from Grave III, 'Grave of a Women', Grave Circle A, Myenae, Greece. National Archaeological Museum Athens. Grey Background<br />
<br />
An impressive Mycenaean gold diadem with repousse rosettes and thin sheets applied to the top. .Cat No 1. 16th century BC.<br />
<br />
Shaft Grave III, the so-called 'Grave of the Women,' contained three female and two infant interments. The women were literally covered in gold jewelry and wore massive gold diadems, while the infants were overlaid with gold foil.
  • Top leaf shapes of a gold diadem from Grave III, 'Grave of a Women', Grave Circle A, Myenae, Greece. National Archaeological Museum Athens. Black Background<br />
<br />
Shaft Grave III, the so-called 'Grave of the Women,' contained three female and two infant interments. The women were literally covered in gold jewelry and wore massive gold diadems, while the infants were overlaid with gold foil.
  • Top leaf shapes of a gold diadem from Grave III, 'Grave of a Women', Grave Circle A, Myenae, Greece. National Archaeological Museum Athens. Grey art Background <br />
<br />
Shaft Grave III, the so-called 'Grave of the Women,' contained three female and two infant interments. The women were literally covered in gold jewelry and wore massive gold diadems, while the infants were overlaid with gold foil.
  • Mycenaean gold death mask, Mask of Agamemnon, Grave Cicle A, Mycenae, Greece.National Archaeological Museum of Athens.  Black Background<br />
<br />
The mask from Grave V depicts an imposing face of a bearded man descovered by  Heinrich Schliemann who believed it was the body of Agamemnon, this is unproven to date.  The Mycenaean death mask belonged to a warrior and made of gold leaf it cocered the dead mans face held on by cord threaded tgrough the two sides of the mask.  The mask of Agamemnon was created from a single thick gold sheet, heated and hammered against a wooden background with the details chased on later with a sharp tool. The artifact dates from the 16th century BC.
  • Mycenaean gold death mask, Mask of Agamemnon, Grave Cicle A, Mycenae, Greece.National Archaeological Museum of Athens.  White background.<br />
<br />
The mask from Grave V depicts an imposing face of a bearded man descovered by  Heinrich Schliemann who believed it was the body of Agamemnon, this is unproven to date.  The Mycenaean death mask belonged to a warrior and made of gold leaf it cocered the dead mans face held on by cord threaded tgrough the two sides of the mask.  The mask of Agamemnon was created from a single thick gold sheet, heated and hammered against a wooden background with the details chased on later with a sharp tool. The artifact dates from the 16th century BC.
  • Mycenaean gold death mask, Mask of Agamemnon, Grave Cicle A, Mycenae, Greece.National Archaeological Museum of Athens.  Black Background<br />
<br />
The mask from Grave V depicts an imposing face of a bearded man descovered by  Heinrich Schliemann who believed it was the body of Agamemnon, this is unproven to date.  The Mycenaean death mask belonged to a warrior and made of gold leaf it cocered the dead mans face held on by cord threaded tgrough the two sides of the mask.  The mask of Agamemnon was created from a single thick gold sheet, heated and hammered against a wooden background with the details chased on later with a sharp tool. The artifact dates from the 16th century BC.
  • Mycenaean gold death mask, Mask of Agamemnon, Grave Cicle A, Mycenae, Greece.National Archaeological Museum of Athens. <br />
<br />
The mask from Grave V depicts an imposing face of a bearded man descovered by  Heinrich Schliemann who believed it was the body of Agamemnon, this is unproven to date.  The Mycenaean death mask belonged to a warrior and made of gold leaf it cocered the dead mans face held on by cord threaded tgrough the two sides of the mask.  The mask of Agamemnon was created from a single thick gold sheet, heated and hammered against a wooden background with the details chased on later with a sharp tool. The artifact dates from the 16th century BC.
  • Mycenaean gold death mask, Grave Cicle A, Mycenae, Greece. National Archaeological Museum of Athens.  White background.<br />
<br />
This death mask is typical of the other Mycenaean gold death masks fround in Grave V. made from a sigle sheet of gold the shape of the face would have been hammered ot against wood. two holes either side of the gold mask allowed it to be held over the dead mans face. As weapons were found in the graves of Grave Circle A at Mycenae, those buried here wer warriors and maybe kings as the grave goods buried with them were of great value. 16th century BC
  • Mycenaean gold death mask, Grave Cicle A, Mycenae, Greece. National Archaeological Museum of Athens.  Black Background<br />
<br />
This death mask is typical of the other Mycenaean gold death masks fround in Grave V. made from a sigle sheet of gold the shape of the face would have been hammered ot against wood. two holes either side of the gold mask allowed it to be held over the dead mans face. As weapons were found in the graves of Grave Circle A at Mycenae, those buried here wer warriors and maybe kings as the grave goods buried with them were of great value. 16th century BC
  • Mycenaean gold death mask, Grave Cicle A, Mycenae, Greece. National Archaeological Museum of Athens. White background.<br />
<br />
This death mask is typical of the other Mycenaean gold death masks fround in Grave V. made from a sigle sheet of gold the shape of the face would have been hammered ot against wood. two holes either side of the gold mask allowed it to be held over the dead mans face. As weapons were found in the graves of Grave Circle A at Mycenae, those buried here wer warriors and maybe kings as the grave goods buried with them were of great value. 16th century BC
  • Top leaf shapes of a Mycenaean gold diadem from Grave III, 'Grave of a Women', Grave Circle A, Myenae, Greece. National Archaeological Museum Athens. White Background.<br />
<br />
Cat No 3,5. 16th century BC.<br />
<br />
Shaft Grave III, the so-called 'Grave of the Women,' contained three female and two infant interments. The women were literally covered in gold jewelry and wore massive gold diadems, while the infants were overlaid with gold foil.
  • Mycenaean Gold diadems from Grave IV, Grave Circle A, Myenae, Greece. National Archaeological Museum Athens. 16th Cent BC. White Background.<br />
<br />
Top: Mycenaean Gold diadem with repousse circles and rosettes Cat No 232<br />
<br />
Bottom: Elegant Mycenaean gold daidem with fastening loops and dotted decoration. Three diamond shaped pendant hung from chains. Cat no 236.
  • Mycenaean Gold diadems from Grave IV, Grave Circle A, Myenae, Greece. National Archaeological Museum Athens. 16th Cent BC. Black Background<br />
<br />
Top: Mycenaean Gold diadem with repousse circles and rosettes Cat No 232<br />
<br />
Bottom: Elegant Mycenaean gold daidem with fastening loops and dotted decoration. Three diamond shaped pendant hung from chains. Cat no 236.
  • Mycenaean Gold diadem from Grave III, 'Grave of a Women', Grave Circle A, Myenae, Greece. National Archaeological Museum Athens. White Background.<br />
<br />
An impressive Mycenaean gold diadem with repousse rosettes and thin sheets applied to the top. .Cat No 1. 16th century BC.<br />
<br />
Shaft Grave III, the so-called 'Grave of the Women,' contained three female and two infant interments. The women were literally covered in gold jewelry and wore massive gold diadems, while the infants were overlaid with gold foil.
  • Mycenaean Gold diadem from Grave III, 'Grave of a Women', Grave Circle A, Myenae, Greece. National Archaeological Museum Athens.<br />
<br />
An impressive Mycenaean gold diadem with repousse rosettes and thin sheets applied to the top. .Cat No 1. 16th century BC.<br />
<br />
Shaft Grave III, the so-called 'Grave of the Women,' contained three female and two infant interments. The women were literally covered in gold jewelry and wore massive gold diadems, while the infants were overlaid with gold foil.
  • Mycenaean Gold diadem from Grave III, 'Grave of a Women', Grave Circle A, Myenae, Greece. National Archaeological Museum Athens. Grey art Background <br />
<br />
An impressive Mycenaean gold diadem with repousse rosettes and thin sheets applied to the top. .Cat No 1. 16th century BC.<br />
<br />
Shaft Grave III, the so-called 'Grave of the Women,' contained three female and two infant interments. The women were literally covered in gold jewelry and wore massive gold diadems, while the infants were overlaid with gold foil.
  • Top leaf shapes of a gold diadem from Grave III, 'Grave of a Women', Grave Circle A, Myenae, Greece. National Archaeological Museum Athens. Grey Background<br />
<br />
Shaft Grave III, the so-called 'Grave of the Women,' contained three female and two infant interments. The women were literally covered in gold jewelry and wore massive gold diadems, while the infants were overlaid with gold foil.
  • Top leaf shapes of a gold diadem from Grave III, 'Grave of a Women', Grave Circle A, Myenae, Greece. National Archaeological Museum Athens.<br />
<br />
Shaft Grave III, the so-called 'Grave of the Women,' contained three female and two infant interments. The women were literally covered in gold jewelry and wore massive gold diadems, while the infants were overlaid with gold foil.
  • Mycenaean gold necklace from the Mycenaean cemetery of Midea tholos tomb , Dendra, Greece. National Archaeological Museum Athens. Black Background<br />
<br />
Inside mycenaean necklace has gold ivy leaf beads, Cat No 7354. The outer mycenaean necklace has rosette shaped gold beads, Cat No 7342. 15th-14th century BC.
  • Mycenaean gold death mask, Grave Cicle A, Mycenae, Greece. National Archaeological Museum of Athens.  Grey Background<br />
<br />
<br />
This death mask is typical of the other Mycenaean gold death masks fround in Grave V. made from a sigle sheet of gold the shape of the face would have been hammered ot against wood. two holes either side of the gold mask allowed it to be held over the dead mans face. As weapons were found in the graves of Grave Circle A at Mycenae, those buried here wer warriors and maybe kings as the grave goods buried with them were of great value. 16th century BC
  • Mycenaean gold death mask, Grave Cicle A, Mycenae, Greece. National Archaeological Museum of Athens.  White background.<br />
<br />
This death mask is typical of the other Mycenaean gold death masks fround in Grave V except in this mask the eyes are open. made from a sigle sheet of gold the shape of the face would have been hammered ot against wood. two holes either side of the gold mask allowed it to be held over the dead mans face. As weapons were found in the graves of Grave Circle A at Mycenae, those buried here wer warriors and maybe kings as the grave goods buried with them were of great value. 16th century BC
  • Mycenaean gold death mask, Grave Cicle A, Mycenae, Greece. National Archaeological Museum of Athens.  Grey Background<br />
<br />
<br />
This death mask is typical of the other Mycenaean gold death masks fround in Grave V except in this mask the eyes are open. made from a sigle sheet of gold the shape of the face would have been hammered ot against wood. two holes either side of the gold mask allowed it to be held over the dead mans face. As weapons were found in the graves of Grave Circle A at Mycenae, those buried here wer warriors and maybe kings as the grave goods buried with them were of great value. 16th century BC
  • Mycenaean gold death mask, Grave Cicle A, Mycenae, Greece. National Archaeological Museum of Athens.<br />
<br />
This death mask is typical of the other Mycenaean gold death masks fround in Grave V except in this mask the eyes are open. made from a sigle sheet of gold the shape of the face would have been hammered ot against wood. two holes either side of the gold mask allowed it to be held over the dead mans face. As weapons were found in the graves of Grave Circle A at Mycenae, those buried here wer warriors and maybe kings as the grave goods buried with them were of great value. 16th century BC
  • Mycenaean gold death mask, Mask of Agamemnon, Grave Cicle A, Mycenae, Greece.National Archaeological Museum of Athens.  White background.<br />
<br />
The mask from Grave V depicts an imposing face of a bearded man descovered by  Heinrich Schliemann who believed it was the body of Agamemnon, this is unproven to date.  The Mycenaean death mask belonged to a warrior and made of gold leaf it cocered the dead mans face held on by cord threaded tgrough the two sides of the mask.  The mask of Agamemnon was created from a single thick gold sheet, heated and hammered against a wooden background with the details chased on later with a sharp tool. The artifact dates from the 16th century BC.
  • Mycenaean gold death mask, Mask of Agamemnon, Grave Cicle A, Mycenae, Greece.National Archaeological Museum of Athens.  Grey Background<br />
<br />
<br />
The mask from Grave V depicts an imposing face of a bearded man descovered by  Heinrich Schliemann who believed it was the body of Agamemnon, this is unproven to date.  The Mycenaean death mask belonged to a warrior and made of gold leaf it cocered the dead mans face held on by cord threaded tgrough the two sides of the mask.  The mask of Agamemnon was created from a single thick gold sheet, heated and hammered against a wooden background with the details chased on later with a sharp tool. The artifact dates from the 16th century BC.
  • Mycenaean gold death mask, Mask of Agamemnon, Grave Cicle A, Mycenae, Greece.National Archaeological Museum of Athens.   Grey Art Background<br />
<br />
The mask from Grave V depicts an imposing face of a bearded man descovered by  Heinrich Schliemann who believed it was the body of Agamemnon, this is unproven to date.  The Mycenaean death mask belonged to a warrior and made of gold leaf it cocered the dead mans face held on by cord threaded tgrough the two sides of the mask.  The mask of Agamemnon was created from a single thick gold sheet, heated and hammered against a wooden background with the details chased on later with a sharp tool. The artifact dates from the 16th century BC.
  • Mycenaean gold death mask, Grave Cicle A, Mycenae, Greece. National Archaeological Museum of Athens. Black Background<br />
<br />
This death mask is typical of the other Mycenaean gold death masks fround in Grave V. made from a sigle sheet of gold the shape of the face would have been hammered ot against wood. two holes either side of the gold mask allowed it to be held over the dead mans face. As weapons were found in the graves of Grave Circle A at Mycenae, those buried here wer warriors and maybe kings as the grave goods buried with them were of great value. 16th century BC
  • Mycenaean gold death mask, Grave Cicle A, Mycenae, Greece. National Archaeological Museum of Athens. <br />
<br />
This death mask is typical of the other Mycenaean gold death masks fround in Grave V. made from a sigle sheet of gold the shape of the face would have been hammered ot against wood. two holes either side of the gold mask allowed it to be held over the dead mans face. As weapons were found in the graves of Grave Circle A at Mycenae, those buried here wer warriors and maybe kings as the grave goods buried with them were of great value. 16th century BC
  • Mycenaean gold death mask, Grave Cicle A, Mycenae, Greece. National Archaeological Museum of Athens.  Grey Background<br />
<br />
<br />
This death mask is typical of the other Mycenaean gold death masks fround in Grave V. made from a sigle sheet of gold the shape of the face would have been hammered ot against wood. two holes either side of the gold mask allowed it to be held over the dead mans face. As weapons were found in the graves of Grave Circle A at Mycenae, those buried here wer warriors and maybe kings as the grave goods buried with them were of great value. 16th century BC
  • Mycenaean gold death mask, Grave Cicle A, Mycenae, Greece. National Archaeological Museum of Athens. <br />
<br />
This death mask is typical of the other Mycenaean gold death masks fround in Grave V. made from a sigle sheet of gold the shape of the face would have been hammered ot against wood. two holes either side of the gold mask allowed it to be held over the dead mans face. As weapons were found in the graves of Grave Circle A at Mycenae, those buried here wer warriors and maybe kings as the grave goods buried with them were of great value. 16th century BC
  • Mycenaean gold death mask, Grave Cicle A, Mycenae, Greece. National Archaeological Museum of Athens.  Grey Art Background<br />
<br />
 This death mask is typical of the other Mycenaean gold death masks fround in Grave V. made from a sigle sheet of gold the shape of the face would have been hammered ot against wood. two holes either side of the gold mask allowed it to be held over the dead mans face. As weapons were found in the graves of Grave Circle A at Mycenae, those buried here wer warriors and maybe kings as the grave goods buried with them were of great value. 16th century BC
  • Mycenaean gold death mask, Grave Cicle A, Mycenae, Greece. National Archaeological Museum of Athens.  Grey Background<br />
<br />
<br />
 This death mask is typical of the other Mycenaean gold death masks fround in Grave V. made from a sigle sheet of gold the shape of the face would have been hammered ot against wood. two holes either side of the gold mask allowed it to be held over the dead mans face. As weapons were found in the graves of Grave Circle A at Mycenae, those buried here wer warriors and maybe kings as the grave goods buried with them were of great value. 16th century BC
  • Mycenaean gold death mask, Grave Cicle A, Mycenae, Greece. National Archaeological Museum of Athens.   Grey Art Background<br />
<br />
This death mask is typical of the other Mycenaean gold death masks fround in Grave V. made from a sigle sheet of gold the shape of the face would have been hammered ot against wood. two holes either side of the gold mask allowed it to be held over the dead mans face. As weapons were found in the graves of Grave Circle A at Mycenae, those buried here wer warriors and maybe kings as the grave goods buried with them were of great value. 16th century BC
  • Mycenaean Gold circular buttons from Grave IV, Grave Circle A, Myenae, Greece. National Archaeological Museum Athens. 16th Cent BC. Black Background
  • Mycenaean Gold circular buttons from Grave IV, Grave Circle A, Myenae, Greece. National Archaeological Museum Athens. 16th Cent BC. Grey Background
  • Mycenaean Gold decrated bands and circuar gold foilsd from Grave IV, Grave Circle A, Myenae, Greece. National Archaeological Museum Athens. 16th Cent BC. Grey Background
  • Mycenaean Gold decrated bands and circuar gold foilsd from Grave IV, Grave Circle A, Myenae, Greece. National Archaeological Museum Athens. 16th Cent BC.
  • Top leaf shapes of a Mycenaean gold diadem from Grave III, 'Grave of a Women', Grave Circle A, Myenae, Greece. National Archaeological Museum Athens. Black Background<br />
Cat No 3,5. 16th century BC.<br />
<br />
Shaft Grave III, the so-called 'Grave of the Women,' contained three female and two infant interments. The women were literally covered in gold jewelry and wore massive gold diadems, while the infants were overlaid with gold foil.
  • Top leaf shapes of a Mycenaean gold diadem from Grave III, 'Grave of a Women', Grave Circle A, Myenae, Greece. National Archaeological Museum Athens. Grey art Background <br />
<br />
Cat No 3,5. 16th century BC.<br />
<br />
Shaft Grave III, the so-called 'Grave of the Women,' contained three female and two infant interments. The women were literally covered in gold jewelry and wore massive gold diadems, while the infants were overlaid with gold foil.
  • Mycenaean Gold diadems and cut outs from Grave IV, Grave Circle A, Myenae, Greece. National Archaeological Museum Athens. 16th Cent BC. White Background.<br />
<br />
Top: Mycenaean Gold diadem with repousse circles and rosettes Cat No 234<br />
<br />
Bottom . Gold cut outs depicting tripartite shrines crowned with horns of consecration and birds. Cat No 242-244
  • Mycenaean Gold diadems and cut outs from Grave IV, Grave Circle A, Myenae, Greece. National Archaeological Museum Athens. 16th Cent BC.<br />
<br />
Top: Mycenaean Gold diadem with repousse circles and rosettes Cat No 234<br />
<br />
Bottom . Gold cut outs depicting tripartite shrines crowned with horns of consecration and birds. Cat No 242-244
  • Mycenaean Gold diadems and cut outs from Grave IV, Grave Circle A, Myenae, Greece. National Archaeological Museum Athens. 16th Cent BC.<br />
<br />
Top: Mycenaean Gold diadem with repousse circles and rosettes Cat No 234<br />
<br />
Bottom . Gold cut outs depicting tripartite shrines crowned with horns of consecration and birds. Cat No 242-244
  • Mycenaean Gold diadems and cut outs from Grave IV, Grave Circle A, Myenae, Greece. National Archaeological Museum Athens. 16th Cent BC. Grey art Background <br />
<br />
Top: Mycenaean Gold diadem with repousse circles and rosettes Cat No 234<br />
<br />
Bottom . Gold cut outs depicting tripartite shrines crowned with horns of consecration and birds. Cat No 242-244
  • Mycenaean Gold diadems from Grave IV, Grave Circle A, Myenae, Greece. National Archaeological Museum Athens. 16th Cent BC. Grey Background<br />
<br />
Top: Mycenaean Gold diadem with repousse circles and rosettes Cat No 232<br />
<br />
Bottom: Elegant Mycenaean gold daidem with fastening loops and dotted decoration. Three diamond shaped pendant hung from chains. Cat no 236.
  • Mycenaean Gold diadems from Grave IV, Grave Circle A, Myenae, Greece. National Archaeological Museum Athens. 16th Cent BC.<br />
<br />
Top: Mycenaean Gold diadem with repousse circles and rosettes Cat No 232<br />
<br />
Bottom: Elegant Mycenaean gold daidem with fastening loops and dotted decoration. Three diamond shaped pendant hung from chains. Cat no 236.
  • Mycenaean Gold diadems from Grave IV, Grave Circle A, Myenae, Greece. National Archaeological Museum Athens. 16th Cent BC. Grey art Background <br />
<br />
Top: Mycenaean Gold diadem with repousse circles and rosettes Cat No 232<br />
<br />
Bottom: Elegant Mycenaean gold daidem with fastening loops and dotted decoration. Three diamond shaped pendant hung from chains. Cat no 236.
  • Top leaf shapes of a gold Mycenaean diadem from Grave III, 'Grave of a Women', Grave Circle A, Myenae, Greece. National Archaeological Museum Athens. White Background.<br />
<br />
Shaft Grave III, the so-called 'Grave of the Women,' contained three female and two infant interments. The women were literally covered in gold jewelry and wore massive gold diadems, while the infants were overlaid with gold foil.
  • Mycenaean gold necklace from the Mycenaean cemetery of Midea tholos tomb , Dendra, Greece. National Archaeological Museum Athens. White Background.<br />
<br />
Inside mycenaean necklace has gold ivy leaf beads, Cat No 7354. The outer mycenaean necklace has rosette shaped gold beads, Cat No 7342. 15th-14th century BC.
  • Mycenaean gold necklace from the Mycenaean cemetery of Midea tholos tomb , Dendra, Greece. National Archaeological Museum Athens. Grey Background<br />
<br />
Inside mycenaean necklace has gold ivy leaf beads, Cat No 7354. The outer mycenaean necklace has rosette shaped gold beads, Cat No 7342. 15th-14th century BC.
  • Mycenaean gold cup with horizontal grooves found buried in Grave IV Mycenae, Greece. National Archaeological Museum of Athens.
  • Mycenaean gold death mask, Grave Cicle A, Mycenae, Greece. National Archaeological Museum of Athens.  White background.<br />
<br />
This death mask is typical of the other Mycenaean gold death masks fround in Grave V. made from a sigle sheet of gold the shape of the face would have been hammered ot against wood. two holes either side of the gold mask allowed it to be held over the dead mans face. As weapons were found in the graves of Grave Circle A at Mycenae, those buried here wer warriors and maybe kings as the grave goods buried with them were of great value. 16th century BC
  • Mycenaean gold death mask, Grave Cicle A, Mycenae, Greece. National Archaeological Museum of Athens. Black Background<br />
<br />
 This death mask is typical of the other Mycenaean gold death masks fround in Grave V. made from a sigle sheet of gold the shape of the face would have been hammered ot against wood. two holes either side of the gold mask allowed it to be held over the dead mans face. As weapons were found in the graves of Grave Circle A at Mycenae, those buried here wer warriors and maybe kings as the grave goods buried with them were of great value. 16th century BC
  • Mycenaean gold death mask, Grave Cicle A, Mycenae, Greece. National Archaeological Museum of Athens.   Grey Art Background<br />
<br />
This death mask is typical of the other Mycenaean gold death masks fround in Grave V. made from a sigle sheet of gold the shape of the face would have been hammered ot against wood. two holes either side of the gold mask allowed it to be held over the dead mans face. As weapons were found in the graves of Grave Circle A at Mycenae, those buried here wer warriors and maybe kings as the grave goods buried with them were of great value. 16th century BC
  • Mycenaean gold death mask, Grave Cicle A, Mycenae, Greece. National Archaeological Museum of Athens.<br />
<br />
This death mask is typical of the other Mycenaean gold death masks fround in Grave V. made from a sigle sheet of gold the shape of the face would have been hammered ot against wood. two holes either side of the gold mask allowed it to be held over the dead mans face. As weapons were found in the graves of Grave Circle A at Mycenae, those buried here wer warriors and maybe kings as the grave goods buried with them were of great value. 16th century BC
  • Mycenaean gold death mask, Grave Cicle A, Mycenae, Greece. National Archaeological Museum of Athens.  Black Background<br />
<br />
This death mask is typical of the other Mycenaean gold death masks fround in Grave V except in this mask the eyes are open. made from a sigle sheet of gold the shape of the face would have been hammered ot against wood. two holes either side of the gold mask allowed it to be held over the dead mans face. As weapons were found in the graves of Grave Circle A at Mycenae, those buried here wer warriors and maybe kings as the grave goods buried with them were of great value. 16th century BC
  • Mycenaean gold death mask, Grave Cicle A, Mycenae, Greece. National Archaeological Museum of Athens.  White background.<br />
<br />
This death mask is typical of the other Mycenaean gold death masks fround in Grave V. made from a sigle sheet of gold the shape of the face would have been hammered ot against wood. two holes either side of the gold mask allowed it to be held over the dead mans face. As weapons were found in the graves of Grave Circle A at Mycenae, those buried here wer warriors and maybe kings as the grave goods buried with them were of great value. 16th century BC
  • Mycenaean gold death mask, Grave Cicle A, Mycenae, Greece. National Archaeological Museum of Athens.   Grey Art Background<br />
<br />
This death mask is typical of the other Mycenaean gold death masks fround in Grave V. made from a sigle sheet of gold the shape of the face would have been hammered ot against wood. two holes either side of the gold mask allowed it to be held over the dead mans face. As weapons were found in the graves of Grave Circle A at Mycenae, those buried here wer warriors and maybe kings as the grave goods buried with them were of great value. 16th century BC
  • Mycenaean gold death mask, Grave Cicle A, Mycenae, Greece. National Archaeological Museum of Athens. <br />
<br />
This death mask is typical of the other Mycenaean gold death masks fround in Grave V. made from a sigle sheet of gold the shape of the face would have been hammered ot against wood. two holes either side of the gold mask allowed it to be held over the dead mans face. As weapons were found in the graves of Grave Circle A at Mycenae, those buried here wer warriors and maybe kings as the grave goods buried with them were of great value. 16th century BC
  • Mycenaean Gold circular buttons from Grave IV, Grave Circle A, Myenae, Greece. National Archaeological Museum Athens. 16th Cent BC. White Background.
  • Mycenaean Gold circular buttons from Grave IV, Grave Circle A, Myenae, Greece. National Archaeological Museum Athens. 16th Cent BC.
  • Mycenaean Gold circular buttons from Grave IV, Grave Circle A, Myenae, Greece. National Archaeological Museum Athens. 16th Cent BC. Grey Background
  • Mycenaean Gold circular buttons from Grave IV, Grave Circle A, Myenae, Greece. National Archaeological Museum Athens. 16th Cent BC. White Background.
  • Mycenaean Gold circular buttons from Grave IV, Grave Circle A, Myenae, Greece. National Archaeological Museum Athens. 16th Cent BC.
  • Mycenaean Gold circular buttons from Grave IV, Grave Circle A, Myenae, Greece. National Archaeological Museum Athens. 16th Cent BC. Grey Background
  • Mycenaean Gold circular buttons from Grave IV, Grave Circle A, Myenae, Greece. National Archaeological Museum Athens. 16th Cent BC. Black Background
  • Mycenaean Gold circular buttons from Grave IV, Grave Circle A, Myenae, Greece. National Archaeological Museum Athens. 16th Cent BC. Grey art Background
  • Mycenaean Gold circular buttons from Grave IV, Grave Circle A, Myenae, Greece. National Archaeological Museum Athens. 16th Cent BC. White Background.
  • Mycenaean Gold circular buttons from Grave IV, Grave Circle A, Myenae, Greece. National Archaeological Museum Athens. 16th Cent BC. Grey Background
  • Mycenaean Gold circular buttons from Grave IV, Grave Circle A, Myenae, Greece. National Archaeological Museum Athens. 16th Cent BC. Black Background
  • Mycenaean Gold circular buttons from Grave IV, Grave Circle A, Myenae, Greece. National Archaeological Museum Athens. 16th Cent BC.
  • Mycenaean Gold decrated bands and circuar gold foilsd from Grave IV, Grave Circle A, Myenae, Greece. National Archaeological Museum Athens. 16th Cent BC. White Background.
  • Mycenaean Gold circular buttons from Grave IV, Grave Circle A, Myenae, Greece. National Archaeological Museum Athens. 16th Cent BC. Grey art Background
  • Mycenaean Gold decrated bands and circuar gold foilsd from Grave IV, Grave Circle A, Myenae, Greece. National Archaeological Museum Athens. 16th Cent BC.
  • Mycenaean Gold breat plate from Grave IV, Grave Circle A, Myenae, Greece. National Archaeological Museum Athens. 16th Cent BC. Cat No 626, 625. Black Background
  • Gold Mycenaean diadem with leaf shaped plates from Grave I, Grave Circle A, Myenae, Greece. National Archaeological Museum Athens. Cat No 184, 185. 16th century BC. Black Background
  • Mycenaean gold necklace from the Mycenaean cemetery of Midea tholos tomb , Dendra, Greece. National Archaeological Museum Athens.<br />
<br />
Inside mycenaean necklace has gold ivy leaf beads, Cat No 7354. The outer mycenaean necklace has rosette shaped gold beads, Cat No 7342. 15th-14th century BC.
  • Mycenaean gold necklace from the Mycenaean cemetery of Midea tholos tomb , Dendra, Greece. National Archaeological Museum Athens. Grey art Background <br />
<br />
Inside mycenaean necklace has gold ivy leaf beads, Cat No 7354. The outer mycenaean necklace has rosette shaped gold beads, Cat No 7342. 15th-14th century BC.
  • Mycenaean gold cup with horizontal grooves found buried in Grave IV Mycenae, Greece. National Archaeological Museum of Athens.
  • Mycenaean gold cup with arches decoration, Grave V, Grave Circle A Mycenae, Greece. National Archaeological Museum of Athens. White background.<br />
<br />
An elegant precious gold cup hammered from thick gold to created a simple elegant design. This Mycenaean gold cup demonstrates how advance Mycenaean metalworking was in the 16th century BC. The value of the cup would have been extermely high so must have graced the table of a Mycenaean noble perhaps even a v king.
  • Mycenaean gold cup with arches decoration, Grave V, Grave Circle A Mycenae, Greece. National Archaeological Museum of Athens.<br />
<br />
An elegant precious gold cup hammered from thick gold to created a simple elegant design. This Mycenaean gold cup demonstrates how advance Mycenaean metalworking was in the 16th century BC. The value of the cup would have been extermely high so must have graced the table of a Mycenaean noble perhaps even a v king.
  • Mycenaean gold cup with horizontal grroves, Grave IV, Grave Circle A, Mycenae, Greece. National Archaeological Museum of Athens. An elegant precious gold cup hammered from thick gold to created a simple elegant design. This Mycenaean gold cup demonstrates how advance Mycenaean metalworking was in the 16th century BC. The value of the cup would have been extermely high so must have graced the table of a Mycenaean noble perhaps even a v king.
  • Mycenaean gold cup with horizontal grroves, Grave IV, Grave Circle A, Mycenae, Greece. National Archaeological Museum of Athens.  Grey Background<br />
<br />
<br />
An elegant precious gold cup hammered from thick gold to created a simple elegant design. This Mycenaean gold cup demonstrates how advance Mycenaean metalworking was in the 16th century BC. The value of the cup would have been extermely high so must have graced the table of a Mycenaean noble perhaps even a v king.
  • Mycenaean gold cup with horizontal grroves, Grave IV, Grave Circle A, Mycenae, Greece. National Archaeological Museum of Athens.  White background.<br />
<br />
An elegant precious gold cup hammered from thick gold to created a simple elegant design. This Mycenaean gold cup demonstrates how advance Mycenaean metalworking was in the 16th century BC. The value of the cup would have been extermely high so must have graced the table of a Mycenaean noble perhaps even a v king.
  • Mycenaean gold cup with horizontal grroves, Grave IV, Grave Circle A, Mycenae, Greece. National Archaeological Museum of Athens.   Grey Art Background<br />
<br />
An elegant precious gold cup hammered from thick gold to created a simple elegant design. This Mycenaean gold cup demonstrates how advance Mycenaean metalworking was in the 16th century BC. The value of the cup would have been extermely high so must have graced the table of a Mycenaean noble perhaps even a v king.
  • Mycenaean gold cup with spiral decorations, Grave V, Grave Circle A,  Mycenae, Greece. National Archaeological Museum of Athens. <br />
<br />
An elegant precious gold cup hammered from thick gold to created a simple elegant design. This Mycenaean gold cup demonstrates how advance Mycenaean metalworking was in the 16th century BC. The value of the cup would have been extermely high so must have graced the table of a Mycenaean noble perhaps even a v king.
  • Mycenaean gold cup with spiral decorations, Grave V, Grave Circle A,  Mycenae, Greece. National Archaeological Museum of Athens.   Grey Art Background<br />
<br />
An elegant precious gold cup hammered from thick gold to created a simple elegant design. This Mycenaean gold cup demonstrates how advance Mycenaean metalworking was in the 16th century BC. The value of the cup would have been extermely high so must have graced the table of a Mycenaean noble perhaps even a v king.
  • Mycenaean Gold decrated bands and circuar gold foilsd from Grave IV, Grave Circle A, Myenae, Greece. National Archaeological Museum Athens. 16th Cent BC. Black Background
  • Mycenaean Gold breat plate from Grave IV, Grave Circle A, Myenae, Greece. National Archaeological Museum Athens. 16th Cent BC. Cat No 626, 625.
  • Mycenaean Gold breat plate from Grave IV, Grave Circle A, Myenae, Greece. National Archaeological Museum Athens. 16th Cent BC. Cat No 626, 625.
  • Mycenaean Gold breat plate from Grave IV, Grave Circle A, Myenae, Greece. National Archaeological Museum Athens. 16th Cent BC. Cat No 626, 625. Grey art Background
  • Gold Mycenaean diadem with leaf shaped plates from Grave I, Grave Circle A, Myenae, Greece. National Archaeological Museum Athens. Cat No 184, 185. 16th century BC.  White Background.
  • Gold Mycenaean diadem with leaf shaped plates from Grave I, Grave Circle A, Myenae, Greece. National Archaeological Museum Athens. Cat No 184, 185. 16th century BC.  Grey Background
  • Gold Mycenaean diadem with leaf shaped plates from Grave I, Grave Circle A, Myenae, Greece. National Archaeological Museum Athens. Cat No 184, 185. 16th century BC
  • Gold Mycenaean diadem with leaf shaped plates from Grave I, Grave Circle A, Myenae, Greece. National Archaeological Museum Athens. Cat No 184, 185. 16th century BC.  Grey art Background
  • Mycenaean gold necklaces from the Mycenae chamber tombs, Greece. National Archaeological Museum Athens.<br />
<br />
From top to bottom: <br />
<br />
Top four  necklaces in the shape of papyrus flowers .<br />
<br />
Fifth necklace down in the shape of Ivy leaves from tomb 91 Cat No 3186
  • Mycenaean gold necklaces from the Mycenae chamber tombs, Greece. National Archaeological Museum Athens. White Background.<br />
<br />
From top to bottom: <br />
<br />
Top four  necklaces in the shape of papyrus flowers .<br />
<br />
Fifth necklace down in the shape of Ivy leaves from tomb 91 Cat No 3186<br />
<br />
<br />
Bottom necklace with beads in the shape of hangimng scrolls from tomb 25 Cat No 2478.
  • Mycenaean gold necklaces from the Mycenae chamber tombs, Greece. National Archaeological Museum Athens. Black Background<br />
<br />
From top to bottom: <br />
<br />
Top four  necklaces in the shape of papyrus flowers .<br />
<br />
Fifth necklace down in the shape of Ivy leaves from tomb 91 Cat No 3186<br />
<br />
<br />
Bottom necklace with beads in the shape of hangimng scrolls from tomb 25 Cat No 2478.
  • Mycenaean gold necklace with waz lily shaped beads from the Mycenaean cemetery of Midea tomb 10, Dendra, Greece. National Archaeological Museum Athens Cat no 8748. Black Background
  • Mycenaean gold goblet with two handles ening with a dogs head biting the rim,  Acropolis Treasure of Mycenae, Greece, National Archaeological Museum of Athens.  This goblet was found as part of a hoard looted in antiquity from Grave Circle A and buried outside the enclosure. 15th century BC
  • Mycenaean gold cup with horizontal grooves found buried in Grave IV Mycenae, Greece. National Archaeological Museum of Athens.
  • Vapheio type Mycenaean gold cup depicting a wild bull hunt side D, Vapheio Tholos Tomb, Lakonia, Greece. National Archaeological Museum of Athens.  White background.<br />
<br />
 Two masterpieces of Creto - Mycenaean gold metalwork were excavated from a tholos tomb near Lakonia in Sparta in 1988. Made in the 15th century BC, the gold cups are heavily influenced by the Minoan style that was predominant in the Agean at the time. The bull hunt was popular with  Mycenaean  and Minoan artists and symolised power and fertility. The distinctive shape of the cup is kown as 'Vapheio type'.
  • Vapheio type Mycenaean gold cup depicting a wild bull hunt side C , Vapheio Tholos Tomb, Lakonia, Greece. National Archaeological Museum of Athens.  White background.<br />
<br />
 Two masterpieces of Creto - Mycenaean gold metalwork were excavated from a tholos tomb near Lakonia in Sparta in 1988. Made in the 15th century BC, the gold cups are heavily influenced by the Minoan style that was predominant in the Agean at the time. The bull hunt was popular with  Mycenaean  and Minoan artists and symolised power and fertility. The distinctive shape of the cup is kown as 'Vapheio type'.
  • Vapheio type Mycenaean gold cup depicting a wild bull hunt side C , Vapheio Tholos Tomb, Lakonia, Greece. National Archaeological Museum of Athens. <br />
<br />
 Two masterpieces of Creto - Mycenaean gold metalwork were excavated from a tholos tomb near Lakonia in Sparta in 1988. Made in the 15th century BC, the gold cups are heavily influenced by the Minoan style that was predominant in the Agean at the time. The bull hunt was popular with  Mycenaean  and Minoan artists and symolised power and fertility. The distinctive shape of the cup is kown as 'Vapheio type'.
  • Mycenaean gold cup with arches decoration, Grave V, Grave Circle A Mycenae, Greece. National Archaeological Museum of Athens. Grey Background<br />
<br />
<br />
An elegant precious gold cup hammered from thick gold to created a simple elegant design. This Mycenaean gold cup demonstrates how advance Mycenaean metalworking was in the 16th century BC. The value of the cup would have been extermely high so must have graced the table of a Mycenaean noble perhaps even a v king.
  • Mycenaean gold cup with arches decoration, Grave V, Grave Circle A Mycenae, Greece. National Archaeological Museum of Athens.  Grey Art Background<br />
<br />
An elegant precious gold cup hammered from thick gold to created a simple elegant design. This Mycenaean gold cup demonstrates how advance Mycenaean metalworking was in the 16th century BC. The value of the cup would have been extermely high so must have graced the table of a Mycenaean noble perhaps even a v king.
  • Mycenaean gold cup with horizontal grroves, Grave IV, Grave Circle A, Mycenae, Greece. National Archaeological Museum of Athens. <br />
<br />
An elegant precious gold cup hammered from thick gold to created a simple elegant design. This Mycenaean gold cup demonstrates how advance Mycenaean metalworking was in the 16th century BC. The value of the cup would have been extermely high so must have graced the table of a Mycenaean noble perhaps even a v king.
  • Mycenaean gold cup with spiral decorations, Grave V, Grave Circle A,  Mycenae, Greece. National Archaeological Museum of Athens.  White background.<br />
<br />
An elegant precious gold cup hammered from thick gold to created a simple elegant design. This Mycenaean gold cup demonstrates how advance Mycenaean metalworking was in the 16th century BC. The value of the cup would have been extermely high so must have graced the table of a Mycenaean noble perhaps even a v king.
  • Mycenaean gold cup with spiral decorations, Grave V, Grave Circle A,  Mycenae, Greece. National Archaeological Museum of Athens. An elegant precious gold cup hammered from thick gold to created a simple elegant design. This Mycenaean gold cup demonstrates how advance Mycenaean metalworking was in the 16th century BC. The value of the cup would have been extermely high so must have graced the table of a Mycenaean noble perhaps even a v king.
  • Mycenaean Gold decrated bands  from Grave IV, Grave Circle A, Myenae, Greece. National Archaeological Museum Athens. 16th Cent BC. Black Background
  • Mycenaean Gold decrated bands  from Grave IV, Grave Circle A, Myenae, Greece. National Archaeological Museum Athens. 16th Cent BC.
  • Mycenaean Gold breat plate from Grave IV, Grave Circle A, Myenae, Greece. National Archaeological Museum Athens. 16th Cent BC. Cat No 626, 625. White Background.
  • Mycenaean gold necklaces from the Mycenae chamber tombs, Greece. National Archaeological Museum Athens. Black Background<br />
<br />
From top to bottom: <br />
<br />
Top four  necklaces in the shape of papyrus flowers .<br />
<br />
Fifth necklace down in the shape of Ivy leaves from tomb 91 Cat No 3186
  • Mycenaean gold necklaces from the Mycenae chamber tombs, Greece. National Archaeological Museum Athens. Grey Background<br />
<br />
From top to bottom: <br />
<br />
Top four  necklaces in the shape of papyrus flowers .<br />
<br />
Fifth necklace down in the shape of Ivy leaves from tomb 91 Cat No 3186
  • Mycenaean gold necklaces from the Mycenae chamber tombs, Greece. National Archaeological Museum Athens. Grey art Background <br />
<br />
From top to bottom: <br />
<br />
Top four  necklaces in the shape of papyrus flowers .<br />
<br />
Fifth necklace down in the shape of Ivy leaves from tomb 91 Cat No 3186
  • Mycenaean gold necklaces from the Mycenae chamber tombs, Greece. National Archaeological Museum Athens. Grey Background<br />
<br />
From top to bottom: <br />
<br />
Top four  necklaces in the shape of papyrus flowers .<br />
<br />
Fifth necklace down in the shape of Ivy leaves from tomb 91 Cat No 3186<br />
<br />
<br />
Bottom necklace with beads in the shape of hangimng scrolls from tomb 25 Cat No 2478.
  • Mycenaean gold necklace with waz lily shaped beads from the Mycenaean cemetery of Midea tomb 10, Dendra, Greece. National Archaeological Museum Athens Cat no 8748.  White Background.
  • Mycenaean gold necklace with waz lily shaped beads from the Mycenaean cemetery of Midea tomb 10, Dendra, Greece. National Archaeological Museum Athens Cat no 8748.
  • Mycenaean gold necklace with waz lily shaped beads from the Mycenaean cemetery of Midea tomb 10, Dendra, Greece. National Archaeological Museum Athens Cat no 8748.  Grey Background
  • Mycenaean gold necklace with waz lily shaped beads from the Mycenaean cemetery of Midea tomb 10, Dendra, Greece. National Archaeological Museum Athens Cat no 8748.
  • Mycenaean gold goblet with two handles ening with a dogs head biting the rim,  Acropolis Treasure of Mycenae, Greece, National Archaeological Museum of Athens.  This goblet was found as part of a hoard looted in antiquity from Grave Circle A and buried outside the enclosure. 15th century BC
  • Mycenaean gold goblet with two handles ening with a dogs head biting the rim,  Acropolis Treasure of Mycenae, Greece, National Archaeological Museum of Athens.  This goblet was found as part of a hoard looted in antiquity from Grave Circle A and buried outside the enclosure. 15th century BC
  • Mycenaean gold goblet with two handles ening with a dogs head biting the rim,  Acropolis Treasure of Mycenae, Greece, National Archaeological Museum of Athens.  <br />
<br />
Black BackgroundThis goblet was found as part of a hoard looted in antiquity from Grave Circle A and buried outside the enclosure. 15th century BC
  • Mycenaean gold goblet with two handles ening with a dogs head biting the rim,  Acropolis Treasure of Mycenae, Greece, National Archaeological Museum of Athens.  This goblet was found as part of a hoard looted in antiquity from Grave Circle A and buried outside the enclosure. 15th century BC
  • Mycenaean gold goblet with two handles ening with a dogs head biting the rim,  Acropolis Treasure of Mycenae, Greece, National Archaeological Museum of Athens.  Black Background<br />
<br />
This goblet was found as part of a hoard looted in antiquity from Grave Circle A and buried outside the enclosure. 15th century BC
  • Mycenaean gold goblet with two handles ening with a dogs head biting the rim,  Acropolis Treasure of Mycenae, Greece, National Archaeological Museum of Athens.  <br />
<br />
 Grey art Background This goblet was found as part of a hoard looted in antiquity from Grave Circle A and buried outside the enclosure. 15th century BC
  • Two handled Mycenaean gold bowl cup from the Kakovatos tholos tomb, Trifylia, Greece. National Archaeological Museum Athens.  Grey Background<br />
<br />
Kakovatos is a significant site of the early Mycenaean period of Greece (c. 16th to 15th century BC) on the west coast of the Peloponnese (Zacharo, Nomos Elis) and became widely known through the excavations of three large tholos tombs by Wilhelm Dörpfeld in 1907–1908.
  • Two handled Mycenaean gold bowl cup from the Kakovatos tholos tomb, Trifylia, Greece. National Archaeological Museum Athens. Black Background<br />
<br />
Kakovatos is a significant site of the early Mycenaean period of Greece (c. 16th to 15th century BC) on the west coast of the Peloponnese (Zacharo, Nomos Elis) and became widely known through the excavations of three large tholos tombs by Wilhelm Dörpfeld in 1907–1908.
  • Two handled Mycenaean gold bowl cup from the Kakovatos tholos tomb, Trifylia, Greece. National Archaeological Museum Athens.  Grey Background<br />
<br />
Kakovatos is a significant site of the early Mycenaean period of Greece (c. 16th to 15th century BC) on the west coast of the Peloponnese (Zacharo, Nomos Elis) and became widely known through the excavations of three large tholos tombs by Wilhelm Dörpfeld in 1907–1908.
  • Mycenaean gold cup with horizontal grooves found buried in Grave IV Mycenae, Greece. National Archaeological Museum of Athens.
  • Vapheio type Mycenaean gold cup depicting a wild bull hunt side D, Vapheio Tholos Tomb, Lakonia, Greece. National Archaeological Museum of Athens. Black Background<br />
<br />
 Two masterpieces of Creto - Mycenaean gold metalwork were excavated from a tholos tomb near Lakonia in Sparta in 1988. Made in the 15th century BC, the gold cups are heavily influenced by the Minoan style that was predominant in the Agean at the time. The bull hunt was popular with  Mycenaean  and Minoan artists and symolised power and fertility. The distinctive shape of the cup is kown as 'Vapheio type'.
  • Mycenaean gold cup with horizontal grooves found buried in Grave IV Mycenae, Greece. National Archaeological Museum of Athens.
  • Vapheio type Mycenaean gold cup depicting a wild bull hunt side D, Vapheio Tholos Tomb, Lakonia, Greece. National Archaeological Museum of Athens.  Grey Background<br />
<br />
<br />
 Two masterpieces of Creto - Mycenaean gold metalwork were excavated from a tholos tomb near Lakonia in Sparta in 1988. Made in the 15th century BC, the gold cups are heavily influenced by the Minoan style that was predominant in the Agean at the time. The bull hunt was popular with  Mycenaean  and Minoan artists and symolised power and fertility. The distinctive shape of the cup is kown as 'Vapheio type'.
  • Vapheio type Mycenaean gold cup depicting a wild bull hunt side D, Vapheio Tholos Tomb, Lakonia, Greece. National Archaeological Museum of Athens. <br />
<br />
 Two masterpieces of Creto - Mycenaean gold metalwork were excavated from a tholos tomb near Lakonia in Sparta in 1988. Made in the 15th century BC, the gold cups are heavily influenced by the Minoan style that was predominant in the Agean at the time. The bull hunt was popular with  Mycenaean  and Minoan artists and symolised power and fertility. The distinctive shape of the cup is kown as 'Vapheio type'.
  • Vapheio type Mycenaean gold cup depicting a wild bull hunt side C , Vapheio Tholos Tomb, Lakonia, Greece. National Archaeological Museum of Athens.  Grey Background<br />
<br />
<br />
 Two masterpieces of Creto - Mycenaean gold metalwork were excavated from a tholos tomb near Lakonia in Sparta in 1988. Made in the 15th century BC, the gold cups are heavily influenced by the Minoan style that was predominant in the Agean at the time. The bull hunt was popular with  Mycenaean  and Minoan artists and symolised power and fertility. The distinctive shape of the cup is kown as 'Vapheio type'.
  • Vapheio type Mycenaean gold cup depicting a wild bull hunt , Vapheio Tholos Tomb, Lakonia, Greece. National Archaeological Museum of Athens.  Black Background<br />
<br />
 Two masterpieces of Creto - Mycenaean gold metalwork were excavated from a tholos tomb near Lakonia in Sparta in 1988. Made in the 15th century BC, the gold cups are heavily influenced by the Minoan style that was predominant in the Agean at the time. The bull hunt was popular with  Mycenaean  and Minoan artists and symolised power and fertility. The distinctive shape of the cup is kown as 'Vapheio type'.
  • Vapheio type Mycenaean gold cup depicting a wild bull hunt , Vapheio Tholos Tomb, Lakonia, Greece. National Archaeological Museum of Athens.  White background.<br />
<br />
 Two masterpieces of Creto - Mycenaean gold metalwork were excavated from a tholos tomb near Lakonia in Sparta in 1988. Made in the 15th century BC, the gold cups are heavily influenced by the Minoan style that was predominant in the Agean at the time. The bull hunt was popular with  Mycenaean  and Minoan artists and symolised power and fertility. The distinctive shape of the cup is kown as 'Vapheio type'.
  • Vapheio type Mycenaean gold cup depicting a wild bull hunt , Vapheio Tholos Tomb, Lakonia, Greece. National Archaeological Museum of Athens.  Grey Background<br />
<br />
<br />
 Two masterpieces of Creto - Mycenaean gold metalwork were excavated from a tholos tomb near Lakonia in Sparta in 1988. Made in the 15th century BC, the gold cups are heavily influenced by the Minoan style that was predominant in the Agean at the time. The bull hunt was popular with  Mycenaean  and Minoan artists and symolised power and fertility. The distinctive shape of the cup is kown as 'Vapheio type'.
  • Vapheio type Mycenaean gold cup depicting a wild bull hunt , Vapheio Tholos Tomb, Lakonia, Greece. National Archaeological Museum of Athens. <br />
<br />
 Two masterpieces of Creto - Mycenaean gold metalwork were excavated from a tholos tomb near Lakonia in Sparta in 1988. Made in the 15th century BC, the gold cups are heavily influenced by the Minoan style that was predominant in the Agean at the time. The bull hunt was popular with  Mycenaean  and Minoan artists and symolised power and fertility. The distinctive shape of the cup is kown as 'Vapheio type'.
  • Vapheio type Mycenaean gold cup depicting a wild bull hunt , Vapheio Tholos Tomb, Lakonia, Greece. National Archaeological Museum of Athens.   Grey Art Background<br />
<br />
 Two masterpieces of Creto - Mycenaean gold metalwork were excavated from a tholos tomb near Lakonia in Sparta in 1988. Made in the 15th century BC, the gold cups are heavily influenced by the Minoan style that was predominant in the Agean at the time. The bull hunt was popular with  Mycenaean  and Minoan artists and symolised power and fertility. The distinctive shape of the cup is kown as 'Vapheio type'.
  • Vapheio type Mycenaean gold cup depicting a wild bull hunt , Vapheio Tholos Tomb, Lakonia, Greece. National Archaeological Museum of Athens.  White background.<br />
<br />
<br />
 Two masterpieces of Creto - Mycenaean gold metalwork were excavated from a tholos tomb near Lakonia in Sparta in 1988. Made in the 15th century BC, the gold cups are heavily influenced by the Minoan style that was predominant in the Agean at the time. The bull hunt was popular with  Mycenaean  and Minoan artists and symolised power and fertility. The distinctive shape of the cup is kown as 'Vapheio type'.
  • Vapheio type Mycenaean gold cup depicting a wild bull hunt , Vapheio Tholos Tomb, Lakonia, Greece. National Archaeological Museum of Athens.  Black Background<br />
<br />
 Two masterpieces of Creto - Mycenaean gold metalwork were excavated from a tholos tomb near Lakonia in Sparta in 1988. Made in the 15th century BC, the gold cups are heavily influenced by the Minoan style that was predominant in the Agean at the time. The bull hunt was popular with  Mycenaean  and Minoan artists and symolised power and fertility. The distinctive shape of the cup is kown as 'Vapheio type'.
  • Vapheio type Mycenaean gold cup depicting a wild bull hunt , Vapheio Tholos Tomb, Lakonia, Greece. National Archaeological Museum of Athens. <br />
<br />
 Two masterpieces of Creto - Mycenaean gold metalwork were excavated from a tholos tomb near Lakonia in Sparta in 1988. Made in the 15th century BC, the gold cups are heavily influenced by the Minoan style that was predominant in the Agean at the time. The bull hunt was popular with  Mycenaean  and Minoan artists and symolised power and fertility. The distinctive shape of the cup is kown as 'Vapheio type'.
  • Vapheio type Mycenaean gold cup depicting a wild bull hunt , Vapheio Tholos Tomb, Lakonia, Greece. National Archaeological Museum of Athens. <br />
<br />
 Two masterpieces of Creto - Mycenaean gold metalwork were excavated from a tholos tomb near Lakonia in Sparta in 1988. Made in the 15th century BC, the gold cups are heavily influenced by the Minoan style that was predominant in the Agean at the time. The bull hunt was popular with  Mycenaean  and Minoan artists and symolised power and fertility. The distinctive shape of the cup is kown as 'Vapheio type'.
  • Vapheio type Mycenaean gold cup depicting a wild bull hunt , Vapheio Tholos Tomb, Lakonia, Greece. National Archaeological Museum of Athens.   Grey Art Background<br />
<br />
 Two masterpieces of Creto - Mycenaean gold metalwork were excavated from a tholos tomb near Lakonia in Sparta in 1988. Made in the 15th century BC, the gold cups are heavily influenced by the Minoan style that was predominant in the Agean at the time. The bull hunt was popular with  Mycenaean  and Minoan artists and symolised power and fertility. The distinctive shape of the cup is kown as 'Vapheio type'.
  • Mycenaean gold cup with arches decoration, Grave V, Grave Circle A Mycenae, Greece. National Archaeological Museum of Athens. Black Background<br />
<br />
An elegant precious gold cup hammered from thick gold to created a simple elegant design. This Mycenaean gold cup demonstrates how advance Mycenaean metalworking was in the 16th century BC. The value of the cup would have been extermely high so must have graced the table of a Mycenaean noble perhaps even a v king.
  • Mycenaean gold cup with spiral decorations, Grave V, Grave Circle A,  Mycenae, Greece. National Archaeological Museum of Athens.  Grey Background<br />
<br />
<br />
An elegant precious gold cup hammered from thick gold to created a simple elegant design. This Mycenaean gold cup demonstrates how advance Mycenaean metalworking was in the 16th century BC. The value of the cup would have been extermely high so must have graced the table of a Mycenaean noble perhaps even a v king.
  • Mycenaean Gold decrated bands  from Grave IV, Grave Circle A, Myenae, Greece. National Archaeological Museum Athens. 16th Cent BC. White Background.
  • Mycenaean Gold decrated bands  from Grave IV, Grave Circle A, Myenae, Greece. National Archaeological Museum Athens. 16th Cent BC. Grey Background
  • Mycenaean Gold decrated bands  from Grave IV, Grave Circle A, Myenae, Greece. National Archaeological Museum Athens. 16th Cent BC. Grey art Background
  • Mycenaean gold cup with ivy leaf decoration from the Mycenaean cemetery of Midea tomb 10, Dendra, Greece. National Archaeological Museum Athens Cat no 8743.  Grey art Background
  • Mycenaean gold necklaces from the Mycenae chamber tombs, Greece. National Archaeological Museum Athens. White Background.<br />
<br />
From top to bottom: <br />
<br />
Top four  necklaces in the shape of papyrus flowers .<br />
<br />
Fifth necklace down in the shape of Ivy leaves from tomb 91 Cat No 3186
  • Mycenaean gold necklaces from the Mycenae chamber tombs, Greece. National Archaeological Museum Athens.<br />
<br />
From top to bottom: <br />
<br />
Top four  necklaces in the shape of papyrus flowers .<br />
<br />
Fifth necklace down in the shape of Ivy leaves from tomb 91 Cat No 3186<br />
<br />
<br />
Bottom necklace with beads in the shape of hangimng scrolls from tomb 25 Cat No 2478.
  • Mycenaean gold necklaces from the Mycenae chamber tombs, Greece. National Archaeological Museum Athens. Grey art Background <br />
<br />
From top to bottom: <br />
<br />
Top four  necklaces in the shape of papyrus flowers .<br />
<br />
Fifth necklace down in the shape of Ivy leaves from tomb 91 Cat No 3186<br />
<br />
<br />
Bottom necklace with beads in the shape of hangimng scrolls from tomb 25 Cat No 2478.
  • Mycenaean gold cup depicting octupuses in a marinescape from the Mycenaean cemetery of Midea, Dendra, Greece. National Archaeological Museum Athens Cat no 7341. Black Background
  • Mycenaean gold goblet with two handles ening with a dogs head biting the rim,  Acropolis Treasure of Mycenae, Greece, National Archaeological Museum of Athens.  Grey art Background <br />
<br />
This goblet was found as part of a hoard looted in antiquity from Grave Circle A and buried outside the enclosure. 15th century BC
  • Mycenaean gold goblet with two handles ening with a dogs head biting the rim,  Acropolis Treasure of Mycenae, Greece, National Archaeological Museum of Athens.  This goblet was found as part of a hoard looted in antiquity from Grave Circle A and buried outside the enclosure. 15th century BC
  • Mycenaean gold goblet with two handles ening with a dogs head biting the rim,  Acropolis Treasure of Mycenae, Greece, National Archaeological Museum of Athens.  This goblet was found as part of a hoard looted in antiquity from Grave Circle A and buried outside the enclosure. 15th century BC
  • Two handled Mycenaean gold bowl cup from the Kakovatos tholos tomb, Trifylia, Greece. National Archaeological Museum Athens. Black Backgroundb<br />
<br />
Kakovatos is a significant site of the early Mycenaean period of Greece (c. 16th to 15th century BC) on the west coast of the Peloponnese (Zacharo, Nomos Elis) and became widely known through the excavations of three large tholos tombs by Wilhelm Dörpfeld in 1907–1908.

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EXPLORE HISTORICAL PLACES...

MUSEUMS

Browse pictures & images the treasured artefacts and antiquities exhibits from the great Museum of Europe and the Middle East. See the art and objects made by our ancestors.

SEE MUESEUM ANTIQUITIES....