• Portico & Ionic columns of the Bath Gymnasium complex of Sardis, a typical example of the colonnaded palaestra front of a Hellenistic 1st cent. AD Greco Roman baths of the western & southern region of Anatolia. Sardis archaeological site, Hermus valley, Turkey. A Harvard Art Museum excavation project.
  • Ionic  columns of the Bath Gymnasium complex of Sardis, a typical example of the colonnaded palaestra front of a Hellenistic 1st cent. AD Greco Roman baths of the western & southern region of Anatolia. Sardis archaeological site, Hermus valley, Turkey. A Harvard Art Museum excavation project.
  • Architectural detail of The Bath Gymnasium complex of Sardis, a typical example of the colonnaded palaestra front of a Hellenistic 1st cent. AD Greco Roman baths of the western & southern region of Anatolia. Sardis archaeological site, Hermus valley, Turkey. A Harvard Art Museum excavation project.
  • Corinthian columns of the Bath Gymnasium complex of Sardis, a typical example of the colonnaded palaestra front of a Hellenistic 1st cent. AD Greco Roman baths of the western & southern region of Anatolia. Sardis archaeological site, Hermus valley, Turkey. A Harvard Art Museum excavation project.
  • Corinthian columns of the Bath Gymnasium complex of Sardis, a typical example of the colonnaded palaestra front of a Hellenistic 1st cent. AD Greco Roman baths of the western & southern region of Anatolia. Sardis archaeological site, Hermus valley, Turkey. A Harvard Art Museum excavation project.
  • Portico & Ionic columns of the Bath Gymnasium complex of Sardis, a typical example of the colonnaded palaestra front of a Hellenistic 1st cent. AD Greco Roman baths of the western & southern region of Anatolia. Sardis archaeological site, Hermus valley, Turkey. A Harvard Art Museum excavation project.
  • The Bath Gymnasium complex of Sardis, a typical example of the colonnaded palaestra front of a Hellenistic 1st cent. AD Greco Roman baths of the western & southern region of Anatolia. Sardis archaeological site, Hermus valley, Turkey. A Harvard Art Museum excavation project.
  • The Bath Gymnasium complex of Sardis, a typical example of the colonnaded palaestra front of a Hellenistic 1st cent. AD Greco Roman baths of the western & southern region of Anatolia. Sardis archaeological site, Hermus valley, Turkey. A Harvard Art Museum excavation project.
  • Corinthian columns of the Bath Gymnasium complex of Sardis, a typical example of the colonnaded palaestra front of a Hellenistic 1st cent. AD Greco Roman baths of the western & southern region of Anatolia. Sardis archaeological site, Hermus valley, Turkey. A Harvard Art Museum excavation project.
  • The Bath Gymnasium complex of Sardis, a typical example of the colonnaded palaestra front of a Hellenistic 1st cent. AD Greco Roman baths of the western & southern region of Anatolia. Sardis archaeological site, Hermus valley, Turkey. A Harvard Art Museum excavation project.
  • Portico & Ionic columns of the Bath Gymnasium complex of Sardis, a typical example of the colonnaded palaestra front of a Hellenistic 1st cent. AD Greco Roman baths of the western & southern region of Anatolia. Sardis archaeological site, Hermus valley, Turkey. A Harvard Art Museum excavation project.
  • Portico & Ionic columns of the Bath Gymnasium complex of Sardis, a typical example of the colonnaded palaestra front of a Hellenistic 1st cent. AD Greco Roman baths of the western & southern region of Anatolia. Sardis archaeological site, Hermus valley, Turkey. A Harvard Art Museum excavation project.
  • Portico & Ionic columns of the Bath Gymnasium complex of Sardis, a typical example of the colonnaded palaestra front of a Hellenistic 1st cent. AD Greco Roman baths of the western & southern region of Anatolia. Sardis archaeological site, Hermus valley, Turkey. A Harvard Art Museum excavation project.
  • Architectural detail of The Bath Gymnasium complex of Sardis, a typical example of the colonnaded palaestra front of a Hellenistic 1st cent. AD Greco Roman baths of the western & southern region of Anatolia. Sardis archaeological site, Hermus valley, Turkey. A Harvard Art Museum excavation project.
  • Architectural detail of The Bath Gymnasium complex of Sardis, a typical example of the colonnaded palaestra front of a Hellenistic 1st cent. AD Greco Roman baths of the western & southern region of Anatolia. Sardis archaeological site, Hermus valley, Turkey. A Harvard Art Museum excavation project.
  • Corinthian columns of the Bath Gymnasium complex of Sardis, a typical example of the colonnaded palaestra front of a Hellenistic 1st cent. AD Greco Roman baths of the western & southern region of Anatolia. Sardis archaeological site, Hermus valley, Turkey. A Harvard Art Museum excavation project.
  • The Bath Gymnasium complex of Sardis, a typical example of the colonnaded palaestra front of a Hellenistic 1st cent. AD Greco Roman baths of the western & southern region of Anatolia. Sardis archaeological site, Hermus valley, Turkey. A Harvard Art Museum excavation project.
  • Corinthian columns of the Bath Gymnasium complex of Sardis, a typical example of the colonnaded palaestra front of a Hellenistic 1st cent. AD Greco Roman baths of the western & southern region of Anatolia. Sardis archaeological site, Hermus valley, Turkey. A Harvard Art Museum excavation project.
  • Ionic  columns of the Bath Gymnasium complex of Sardis, a typical example of the colonnaded palaestra front of a Hellenistic 1st cent. AD Greco Roman baths of the western & southern region of Anatolia. Sardis archaeological site, Hermus valley, Turkey. A Harvard Art Museum excavation project.
  • The Bath Gymnasium complex of Sardis, a typical example of the colonnaded palaestra front of a Hellenistic 1st cent. AD Greco Roman baths of the western & southern region of Anatolia. Sardis archaeological site, Hermus valley, Turkey. A Harvard Art Museum excavation project.
  • Architectural detail of The Bath Gymnasium complex of Sardis, a typical example of the colonnaded palaestra front of a Hellenistic 1st cent. AD Greco Roman baths of the western & southern region of Anatolia. Sardis archaeological site, Hermus valley, Turkey. A Harvard Art Museum excavation project.
  • Portico & Ionic columns of the Bath Gymnasium complex of Sardis, a typical example of the colonnaded palaestra front of a Hellenistic 1st cent. AD Greco Roman baths of the western & southern region of Anatolia. Sardis archaeological site, Hermus valley, Turkey. A Harvard Art Museum excavation project.
  • Ancient Roman bath and gymnasium complex of Alexandria Troas archaeological site, Canakkale, Turkey
  • Ancient Roman bath and gymnasium complex of Alexandria Troas archaeological site, Canakkale, Turkey
  • Ancient Roman bath and gymnasium complex of Alexandria Troas archaeological site, Canakkale, Turkey
  • Ancient Roman bath and gymnasium complex of Alexandria Troas archaeological site, Canakkale, Turkey
  • Ancient Roman bath and gymnasium complex of Alexandria Troas archaeological site, Canakkale, Turkey
  • The Bath Gymnasium complex of Sardis, a typical example of the colonnaded palaestra front of a Hellenistic 1st cent. AD Greco Roman baths of the western & southern region of Anatolia. Sardis archaeological site, Hermus valley, Turkey. A Harvard Art Museum excavation project.
  • Main hall of the late Roman period Jewish synagogue of Sardis, over 50 m long and large enough for 1000 worshipers, with 4th cent. AD mosaic floors & walls. The Greco Roman Bath Gymnasium stands behind.  Sardis archaeological site, Hermus valley, Turkey. Discovered in 1962 as part of an on going  Harvard Art Museum excavation project.
  • Main hall of the late Roman period Jewish synagogue of Sardis, over 50 m long and large enough for 1000 worshipers, with 4th cent. AD mosaic floors & walls. The Greco Roman Bath Gymnasium stands behind.  Sardis archaeological site, Hermus valley, Turkey. Discovered in 1962 as part of an on going  Harvard Art Museum excavation project.
  • Photo of Roman releif sculpture, an allegory of an athletic contest [ Agon ]  Aphrodisias, Turkey, Images of Roman art bas releifs. Buy as stock or photo art prints. The pillar with a bearded head on it is Hermes the god of the gymnasium. Nearby is a palm of victiry with a ribbon on a prize table. Two winged baby Eros figures are stuggling over a palm branch acting out the idea of a contest. The youthful figure is Agon himself who holds a palm of victory
  • Photo of Roman releif sculpture, an allegory of an athletic contest [ Agon ]  Aphrodisias, Turkey, Images of Roman art bas releifs. Buy as stock or photo art prints. The pillar with a bearded head on it is Hermes the god of the gymnasium. Nearby is a palm of victiry with a ribbon on a prize table. Two winged baby Eros figures are stuggling over a palm branch acting out the idea of a contest. The youthful figure is Agon himself who holds a palm of victory
  • Photo of Roman releif sculpture, an allegory of an athletic contest [ Agon ]  Aphrodisias, Turkey, Images of Roman art bas releifs. Buy as stock or photo art prints. The pillar with a bearded head on it is Hermes the god of the gymnasium. Nearby is a palm of victiry with a ribbon on a prize table. Two winged baby Eros figures are stuggling over a palm branch acting out the idea of a contest. The youthful figure is Agon himself who holds a palm of victory
  • Photo of Roman releif sculpture, an allegory of an athletic contest [ Agon ]  Aphrodisias, Turkey, Images of Roman art bas releifs. Buy as stock or photo art prints. The pillar with a bearded head on it is Hermes the god of the gymnasium. Nearby is a palm of victiry with a ribbon on a prize table. Two winged baby Eros figures are stuggling over a palm branch acting out the idea of a contest. The youthful figure is Agon himself who holds a palm of victory
  • Early Christian Byzantine Basin with Crosses in the Byzantine shop area next to the gymnasium of Sardis.  Sardis archaeological site, Hermus valley, Turkey. Part of an on going  Harvard Art Museum excavation project.
  • Early Christian Byzantine Basin with Crosses in the Byzantine shop area next to the gymnasium of Sardis.  Sardis archaeological site, Hermus valley, Turkey. Part of an on going  Harvard Art Museum excavation project.
  • Early Christian Byzantine Basin with Crosses in the Byzantine shop area next to the gymnasium of Sardis.  Sardis archaeological site, Hermus valley, Turkey. Part of an on going  Harvard Art Museum excavation project.
  • Main hall of the late Roman period Jewish synagogue of Sardis, over 50 m long and large enough for 1000 worshipers, with 4th cent. AD mosaic floors & walls. The Greco Roman Bath Gymnasium stands behind.  Sardis archaeological site, Hermus valley, Turkey. Discovered in 1962 as part of an on going  Harvard Art Museum excavation project.
  • Detail of a Roman Sebasteion relief  sculpture of Agon Aphrodisias Museum, Aphrodisias, Turkey. <br />
<br />
The scene is an allegory of the athletic contest (or agon). The pillar was a beareded head of Hermes the god of the Gymnasium. Nearby is a palm of victory and a prize table with victory ribbon on it. Two winged baby Eros figures are struggling over a palm branch ( mostly broken): they act out the idea of contest, which is personified in the youthful figure behind. He hold another palm of victory: he is Agon himself.
  • Detail of a Roman Sebasteion relief  sculpture of Agon Aphrodisias Museum, Aphrodisias, Turkey. <br />
<br />
The scene is an allegory of the athletic contest (or agon). The pillar was a beareded head of Hermes the god of the Gymnasium. Nearby is a palm of victory and a prize table with victory ribbon on it. Two winged baby Eros figures are struggling over a palm branch ( mostly broken): they act out the idea of contest, which is personified in the youthful figure behind. He hold another palm of victory: he is Agon himself.
  • Detail of a Roman Sebasteion relief  sculpture of Agon Aphrodisias Museum, Aphrodisias, Turkey. <br />
<br />
The scene is an allegory of the athletic contest (or agon). The pillar was a beareded head of Hermes the god of the Gymnasium. Nearby is a palm of victory and a prize table with victory ribbon on it. Two winged baby Eros figures are struggling over a palm branch ( mostly broken): they act out the idea of contest, which is personified in the youthful figure behind. He hold another palm of victory: he is Agon himself.
  • Detail of a Roman Sebasteion relief  sculpture of Agon Aphrodisias Museum, Aphrodisias, Turkey. <br />
<br />
The scene is an allegory of the athletic contest (or agon). The pillar was a beareded head of Hermes the god of the Gymnasium. Nearby is a palm of victory and a prize table with victory ribbon on it. Two winged baby Eros figures are struggling over a palm branch ( mostly broken): they act out the idea of contest, which is personified in the youthful figure behind. He hold another palm of victory: he is Agon himself.
  • Detail of a Roman Sebasteion relief  sculpture of Agon Aphrodisias Museum, Aphrodisias, Turkey.  <br />
<br />
The scene is an allegory of the athletic contest (or agon). The pillar was a beareded head of Hermes the god of the Gymnasium. Nearby is a palm of victory and a prize table with victory ribbon on it. Two winged baby Eros figures are struggling over a palm branch ( mostly broken): they act out the idea of contest, which is personified in the youthful figure behind. He hold another palm of victory: he is Agon himself.
  • Detail of a Roman Sebasteion relief  sculpture of Agon Aphrodisias Museum, Aphrodisias, Turkey. <br />
<br />
The scene is an allegory of the athletic contest (or agon). The pillar was a beareded head of Hermes the god of the Gymnasium. Nearby is a palm of victory and a prize table with victory ribbon on it. Two winged baby Eros figures are struggling over a palm branch ( mostly broken): they act out the idea of contest, which is personified in the youthful figure behind. He hold another palm of victory: he is Agon himself.
  • Close up of a Roman Sebasteion relief  sculpture of Agon Aphrodisias Museum, Aphrodisias, Turkey.     Against a white background.<br />
<br />
The scene is an allegory of the athletic contest (or agon). The pillar was a beareded head of Hermes the god of the Gymnasium. Nearby is a palm of victory and a prize table with victory ribbon on it. Two winged baby Eros figures are struggling over a palm branch ( mostly broken): they act out the idea of contest, which is personified in the youthful figure behind. He hold another palm of victory: he is Agon himself.
  • Close up of a Roman Sebasteion relief  sculpture of Agon Aphrodisias Museum, Aphrodisias, Turkey.  Against an art background.<br />
<br />
The scene is an allegory of the athletic contest (or agon). The pillar was a beareded head of Hermes the god of the Gymnasium. Nearby is a palm of victory and a prize table with victory ribbon on it. Two winged baby Eros figures are struggling over a palm branch ( mostly broken): they act out the idea of contest, which is personified in the youthful figure behind. He hold another palm of victory: he is Agon himself.
  • Close up of a Roman Sebasteion relief  sculpture of Agon Aphrodisias Museum, Aphrodisias, Turkey. <br />
<br />
The scene is an allegory of the athletic contest (or agon). The pillar was a beareded head of Hermes the god of the Gymnasium. Nearby is a palm of victory and a prize table with victory ribbon on it. Two winged baby Eros figures are struggling over a palm branch ( mostly broken): they act out the idea of contest, which is personified in the youthful figure behind. He hold another palm of victory: he is Agon himself.
  • Close up of a Roman Sebasteion relief  sculpture of Agon Aphrodisias Museum, Aphrodisias, Turkey.   Against a black background.<br />
<br />
The scene is an allegory of the athletic contest (or agon). The pillar was a beareded head of Hermes the god of the Gymnasium. Nearby is a palm of victory and a prize table with victory ribbon on it. Two winged baby Eros figures are struggling over a palm branch ( mostly broken): they act out the idea of contest, which is personified in the youthful figure behind. He hold another palm of victory: he is Agon himself.
  • Close up of a Roman Sebasteion relief  sculpture of Agon Aphrodisias Museum, Aphrodisias, Turkey.  Against a grey background.<br />
<br />
The scene is an allegory of the athletic contest (or agon). The pillar was a beareded head of Hermes the god of the Gymnasium. Nearby is a palm of victory and a prize table with victory ribbon on it. Two winged baby Eros figures are struggling over a palm branch ( mostly broken): they act out the idea of contest, which is personified in the youthful figure behind. He hold another palm of victory: he is Agon himself.
  • Roman Sebasteion relief  sculpture of Agon Aphrodisias Museum, Aphrodisias, Turkey.     Against a white background.<br />
<br />
The scene is an allegory of the athletic contest (or agon). The pillar was a beareded head of Hermes the god of the Gymnasium. Nearby is a palm of victory and a prize table with victory ribbon on it. Two winged baby Eros figures are struggling over a palm branch ( mostly broken): they act out the idea of contest, which is personified in the youthful figure behind. He hold another palm of victory: he is Agon himself.
  • Roman Sebasteion relief  sculpture of Agon Aphrodisias Museum, Aphrodisias, Turkey.   Against a black background.<br />
<br />
The scene is an allegory of the athletic contest (or agon). The pillar was a beareded head of Hermes the god of the Gymnasium. Nearby is a palm of victory and a prize table with victory ribbon on it. Two winged baby Eros figures are struggling over a palm branch ( mostly broken): they act out the idea of contest, which is personified in the youthful figure behind. He hold another palm of victory: he is Agon himself.
  • Roman Sebasteion relief  sculpture of Agon Aphrodisias Museum, Aphrodisias, Turkey. <br />
<br />
The scene is an allegory of the athletic contest (or agon). The pillar was a beareded head of Hermes the god of the Gymnasium. Nearby is a palm of victory and a prize table with victory ribbon on it. Two winged baby Eros figures are struggling over a palm branch ( mostly broken): they act out the idea of contest, which is personified in the youthful figure behind. He hold another palm of victory: he is Agon himself.
  • Roman Sebasteion relief  sculpture of Agon Aphrodisias Museum, Aphrodisias, Turkey.  Against an art background.<br />
<br />
The scene is an allegory of the athletic contest (or agon). The pillar was a beareded head of Hermes the god of the Gymnasium. Nearby is a palm of victory and a prize table with victory ribbon on it. Two winged baby Eros figures are struggling over a palm branch ( mostly broken): they act out the idea of contest, which is personified in the youthful figure behind. He hold another palm of victory: he is Agon himself.
  • Roman Sebasteion relief  sculpture of Agon Aphrodisias Museum, Aphrodisias, Turkey.  Against a grey background.<br />
<br />
The scene is an allegory of the athletic contest (or agon). The pillar was a beareded head of Hermes the god of the Gymnasium. Nearby is a palm of victory and a prize table with victory ribbon on it. Two winged baby Eros figures are struggling over a palm branch ( mostly broken): they act out the idea of contest, which is personified in the youthful figure behind. He hold another palm of victory: he is Agon himself.
  • Early Christian Byzantine Basin with Crosses in the Byzantine shop area next to the gymnasium of Sardis.  Sardis archaeological site, Hermus valley, Turkey. Part of an on going  Harvard Art Museum excavation project.
  • Early Christian Byzantine Basin with Crosses in the Byzantine shop area next to the gymnasium of Sardis.  Sardis archaeological site, Hermus valley, Turkey. Part of an on going  Harvard Art Museum excavation project.
  • Early Christian Byzantine Basin with Crosses in the Byzantine shop area next to the gymnasium of Sardis.  Sardis archaeological site, Hermus valley, Turkey. Part of an on going  Harvard Art Museum excavation project.
  • Main hall of the late Roman period Jewish synagogue of Sardis, over 50 m long and large enough for 1000 worshipers, with 4th cent. AD mosaic floors & walls. The Greco Roman Bath Gymnasium stands behind.  Sardis archaeological site, Hermus valley, Turkey. Discovered in 1962 as part of an on going  Harvard Art Museum excavation project.
  • Main hall of the late Roman period Jewish synagogue of Sardis, over 50 m long and large enough for 1000 worshipers, with 4th cent. AD mosaic floors & walls. The Greco Roman Bath Gymnasium stands behind.  Sardis archaeological site, Hermus valley, Turkey. Discovered in 1962 as part of an on going  Harvard Art Museum excavation project.
  • Photo of Roman releif sculpture, an allegory of an athletic contest [ Agon ]  Aphrodisias, Turkey, Images of Roman art bas releifs. Buy as stock or photo art prints. The pillar with a bearded head on it is Hermes the god of the gymnasium. Nearby is a palm of victiry with a ribbon on a prize table. Two winged baby Eros figures are stuggling over a palm branch acting out the idea of a contest. The youthful figure is Agon himself who holds a palm of victory
  • Photo of Roman releif sculpture, an allegory of an athletic contest [ Agon ]  Aphrodisias, Turkey, Images of Roman art bas releifs. Buy as stock or photo art prints. The pillar with a bearded head on it is Hermes the god of the gymnasium. Nearby is a palm of victiry with a ribbon on a prize table. Two winged baby Eros figures are stuggling over a palm branch acting out the idea of a contest. The youthful figure is Agon himself who holds a palm of victory
  • Photo of Roman releif sculpture, an allegory of an athletic contest [ Agon ]  Aphrodisias, Turkey, Images of Roman art bas releifs. Buy as stock or photo art prints. The pillar with a bearded head on it is Hermes the god of the gymnasium. Nearby is a palm of victiry with a ribbon on a prize table. Two winged baby Eros figures are stuggling over a palm branch acting out the idea of a contest. The youthful figure is Agon himself who holds a palm of victory

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