• Romanesque fresco of Christ Pantocrator in the altar vault of the Norman Church of St Mary's Kempley Gloucestershire, England, Europe
  • Romanesque fresco of Christ Pantocrator in the altar vault of the Norman Church of St Mary's Kempley Gloucestershire, England, Europe
  • Romanesque fresco of Christ Pantocrator in the altar vault of the Norman Church of St Mary's Kempley Gloucestershire, England, Europe
  • Romanesque fresco of Christ Pantocrator in the altar vault of the Norman Church of St Mary's Kempley Gloucestershire, England, Europe
  • Romanesque fresco of Christ Pantocrator in the altar vault of the Norman Church of St Mary's Kempley Gloucestershire, England, Europe
  • Romanesque fresco of Christ Pantocrator in the altar vault of the Norman Church of St Mary's Kempley Gloucestershire, England, Europe
  • Romanesque fresco of Christ Pantocrator in the altar vault of the Norman Church of St Mary's Kempley Gloucestershire, England, Europe
  • Romanesque fresco of Christ Pantocrator in the altar vault of the Norman Church of St Mary's Kempley Gloucestershire, England, Europe
  • Romanesque fresco of the Apostles in the altar vault of the Norman Church of St Mary's Kempley Gloucestershire, England, Europe
  • Romanesque fresco of St Luke in the altar vault of the Norman Church of St Mary's Kempley Gloucestershire, England, Europe
  • Romanesque fresco of an angel in the altar vault of the Norman Church of St Mary's Kempley Gloucestershire, England, Europe
  • Romanesque fresco of an angel in the altar vault of the Norman Church of St Mary's Kempley Gloucestershire, England, Europe
  • Romanesque fresco of Christ Pantocrator in the altar vault of the Norman Church of St Mary's Kempley Gloucestershire, England, Europe
  • Romanesque fresco of Christ Pantocrator in the altar vault of the Norman Church of St Mary's Kempley Gloucestershire, England, Europe
  • Romanesque fresco of the Apostles in the altar vault of the Norman Church of St Mary's Kempley Gloucestershire, England, Europe
  • Romanesque fresco of Christ Pantocrator in the altar vault of the Norman Church of St Mary's Kempley Gloucestershire, England, Europe
  • Romanesque fresco of the Apostles in the altar vault of the Norman Church of St Mary's Kempley Gloucestershire, England, Europe
  • Romanesque fresco of Christ Pantocrator in the altar vault of the Norman Church of St Mary's Kempley Gloucestershire, England, Europe
  • Romanesque fresco of Christ Pantocrator in the altar vault of the Norman Church of St Mary's Kempley Gloucestershire, England, Europe
  • Romanesque fresco of Christ Pantocrator in the altar vault of the Norman Church of St Mary's Kempley Gloucestershire, England, Europe
  • Romanesque fresco of the Apostles in the altar vault of the Norman Church of St Mary's Kempley Gloucestershire, England, Europe
  • Romanesque fresco of the Apostles in the altar vault of the Norman Church of St Mary's Kempley Gloucestershire, England, Europe
  • Romanesque fresco  in the altar vault of the Norman Church of St Mary's Kempley Gloucestershire, England, Europe
  • Romanesque fresco of Christ Pantocrator in the altar vault of the Norman Church of St Mary's Kempley Gloucestershire, England, Europe
  • Romanesque fresco of  St Mark in the altar vault of the Norman Church of St Mary's Kempley Gloucestershire, England, Europe
  • Romanesque fresco of the Apostles in the altar vault of the Norman Church of St Mary's Kempley Gloucestershire, England, Europe
  • Romanesque fresco of an angel in the altar vault of the Norman Church of St Mary's Kempley Gloucestershire, England, Europe
  • Byzantine fresco of Christ on the cross in the church of  Saint Nicolas.   Mystras ,  Sparta, the Peloponnese, Greece. A UNESCO World Heritage Site
  • Byzantine fresco of the church of  Saint Nicolas.   Mystras ,  Sparta, the Peloponnese, Greece. A UNESCO World Heritage Site
  • Byzantine fresco of the church of  Saint Nicolas.   Mystras ,  Sparta, the Peloponnese, Greece. A UNESCO World Heritage Site
  • Byzantine fresco of the church of  Saint Nicolas.   Mystras ,  Sparta, the Peloponnese, Greece. A UNESCO World Heritage Site
  • Byzantine fresco of the church of  Saint Nicolas.   Mystras ,  Sparta, the Peloponnese, Greece. A UNESCO World Heritage Site
  • Byzantine fresco of the church of  Saint Nicolas.   Mystras ,  Sparta, the Peloponnese, Greece. A UNESCO World Heritage Site
  • Byzantine fresco of the church of  Saint Nicolas.   Mystras ,  Sparta, the Peloponnese, Greece. A UNESCO World Heritage Site
  • Byzantine fresco of the church of  Saint Nicolas.   Mystras ,  Sparta, the Peloponnese, Greece. A UNESCO World Heritage Site
  • Byzantine fresco of the church of  Saint Nicolas.   Mystras ,  Sparta, the Peloponnese, Greece. A UNESCO World Heritage Site
  • Byzantine fresco of the church of  Saint Nicolas.   Mystras ,  Sparta, the Peloponnese, Greece. A UNESCO World Heritage Site
  • Byzantine fresco of the church of  Saint Nicolas.   Mystras ,  Sparta, the Peloponnese, Greece. A UNESCO World Heritage Site
  • Byzantine fresco of the church of  Saint Nicolas.   Mystras ,  Sparta, the Peloponnese, Greece. A UNESCO World Heritage Site
  • Byzantine fresco of the church of  Saint Nicolas.   Mystras ,  Sparta, the Peloponnese, Greece. A UNESCO World Heritage Site
  • Byzantine fresco of the church of  Saint Nicolas.   Mystras ,  Sparta, the Peloponnese, Greece. A UNESCO World Heritage Site
  • Byzantine fresco of the church of  Saint Nicolas.   Mystras ,  Sparta, the Peloponnese, Greece. A UNESCO World Heritage Site
  • Ager Apostles: James and Thaddeus<br />
<br />
Late XI - XII century<br />
Fresco transferred to canvas from the Church of St. Peter Anger, Noguera, Spain.<br />
<br />
Acquisition of Museums Board's campaign in 1958. MNAC 65467<br />
<br />
Romanesque fresco ascribed to the so-called Pedret Painters of Ager.  Typical of this school is the composition or refinement in the modeling of faces with characteristic forehead, cheeks and neck, which show the quality of Painters. San Ager was one of the main centers of religious and political centres in the south of Urgell.
  • Ager Apostles: James and Thaddeus<br />
<br />
Late XI - XII century<br />
Fresco transferred to canvas from the Church of St. Peter Anger, Noguera, Spain.<br />
<br />
Acquisition of Museums Board's campaign in 1958. MNAC 65467<br />
<br />
Romanesque fresco ascribed to the so-called Pedret Painters of Ager.  Typical of this school is the composition or refinement in the modeling of faces with characteristic forehead, cheeks and neck, which show the quality of Painters. San Ager was one of the main centers of religious and political centres in the south of Urgell.
  • Ager Apostles: James and Thaddeus<br />
<br />
Late XI - XII century<br />
Fresco transferred to canvas from the Church of St. Peter Anger, Noguera, Spain.<br />
<br />
Acquisition of Museums Board's campaign in 1958. MNAC 65467<br />
<br />
Romanesque fresco ascribed to the so-called Pedret Painters of Ager.  Typical of this school is the composition or refinement in the modeling of faces with characteristic forehead, cheeks and neck, which show the quality of Painters. San Ager was one of the main centers of religious and political centres in the south of Urgell.
  • Ager Apostles: James and Thaddeus<br />
<br />
Late XI - XII century<br />
Fresco transferred to canvas from the Church of St. Peter Anger, Noguera, Spain.<br />
<br />
Acquisition of Museums Board's campaign in 1958. MNAC 65467<br />
<br />
Romanesque fresco ascribed to the so-called Pedret Painters of Ager.  Typical of this school is the composition or refinement in the modeling of faces with characteristic forehead, cheeks and neck, which show the quality of Painters. San Ager was one of the main centers of religious and political centres in the south of Urgell.
  • Ager Apostles: James and Thaddeus<br />
<br />
Late XI - XII century<br />
Fresco transferred to canvas from the Church of St. Peter Anger, Noguera, Spain.<br />
<br />
Acquisition of Museums Board's campaign in 1958. MNAC 65467<br />
<br />
Romanesque fresco ascribed to the so-called Pedret Painters of Ager.  Typical of this school is the composition or refinement in the modeling of faces with characteristic forehead, cheeks and neck, which show the quality of Painters. San Ager was one of the main centers of religious and political centres in the south of Urgell.
  • Apse of Santa Maria d’Aneu<br />
<br />
Late eleventh century - the beginning of the twelfth century<br />
Fresco transferred to canvas from the Church of Santa Maria d’Aneu, La Guingueta d’Aneu, Pollars Sobira, Spain.<br />
<br />
Acquisition of Museums Board of the 1919-23 campaign. MNAC 15874<br />
<br />
The iconography of the Romanesque frescoes of the Apse of Santa Maria d’Aneu shows the strong intellectualization of Romanesque art, which often waves the narrative in favor of symbolic concepts. Images of the Old Testament prophecy occupy the central part of the apse: the Seraphim of Isaiah's vision, burning embers that purify the words of Isaiah and of Elijah and four-wheel chariot of fire of Yahweh according to the vision of Ezekiel.
  • Apse of Santa Maria d’Aneu<br />
<br />
Late eleventh century - the beginning of the twelfth century<br />
Fresco transferred to canvas from the Church of Santa Maria d’Aneu, La Guingueta d’Aneu, Pollars Sobira, Spain.<br />
<br />
Acquisition of Museums Board of the 1919-23 campaign. MNAC 15874<br />
<br />
The iconography of the Romanesque frescoes of the Apse of Santa Maria d’Aneu shows the strong intellectualization of Romanesque art, which often waves the narrative in favor of symbolic concepts. Images of the Old Testament prophecy occupy the central part of the apse: the Seraphim of Isaiah's vision, burning embers that purify the words of Isaiah and of Elijah and four-wheel chariot of fire of Yahweh according to the vision of Ezekiel.
  • Apse of Santa Maria d’Aneu<br />
<br />
Late eleventh century - the beginning of the twelfth century<br />
Fresco transferred to canvas from the Church of Santa Maria d’Aneu, La Guingueta d’Aneu, Pollars Sobira, Spain.<br />
<br />
Acquisition of Museums Board of the 1919-23 campaign. MNAC 15874<br />
<br />
The iconography of the Romanesque frescoes of the Apse of Santa Maria d’Aneu shows the strong intellectualization of Romanesque art, which often waves the narrative in favor of symbolic concepts. Images of the Old Testament prophecy occupy the central part of the apse: the Seraphim of Isaiah's vision, burning embers that purify the words of Isaiah and of Elijah and four-wheel chariot of fire of Yahweh according to the vision of Ezekiel.
  • Apse of Santa Maria d’Aneu<br />
<br />
Late eleventh century - the beginning of the twelfth century<br />
Fresco transferred to canvas from the Church of Santa Maria d’Aneu, La Guingueta d’Aneu, Pollars Sobira, Spain.<br />
<br />
Acquisition of Museums Board of the 1919-23 campaign. MNAC 15874<br />
<br />
The iconography of the Romanesque frescoes of the Apse of Santa Maria d’Aneu shows the strong intellectualization of Romanesque art, which often waves the narrative in favor of symbolic concepts. Images of the Old Testament prophecy occupy the central part of the apse: the Seraphim of Isaiah's vision, burning embers that purify the words of Isaiah and of Elijah and four-wheel chariot of fire of Yahweh according to the vision of Ezekiel.
  • Apse of Santa Maria d’Aneu<br />
<br />
Late eleventh century - the beginning of the twelfth century<br />
Fresco transferred to canvas from the Church of Santa Maria d’Aneu, La Guingueta d’Aneu, Pollars Sobira, Spain.<br />
<br />
Acquisition of Museums Board of the 1919-23 campaign. MNAC 15874<br />
<br />
The iconography of the Romanesque frescoes of the Apse of Santa Maria d’Aneu shows the strong intellectualization of Romanesque art, which often waves the narrative in favor of symbolic concepts. Images of the Old Testament prophecy occupy the central part of the apse: the Seraphim of Isaiah's vision, burning embers that purify the words of Isaiah and of Elijah and four-wheel chariot of fire of Yahweh according to the vision of Ezekiel.
  • Twelfth century Romanesque fresco called the Apostles of d’Orcau from the church of Santa Maria in the castle of d’Orcau, Catalonia, Spain . National Art Museum of Catalonia, Barcelona. MNAC 4532
  • The Romanesque Apse of Bugal. Late XI - XII century, fresco transplanted to canvas from the Churches of the old St. Peter's Monastery Burgal, La Guingueta, Spain. National Art Museum of Catalonia, Barcelona. MNAC 113138
  • The Romanesque Apse of Bugal. Late XI - XII century, fresco transplanted to canvas from the Churches of the old St. Peter's Monastery Burgal, La Guingueta, Spain. National Art Museum of Catalonia, Barcelona. MNAC 113138
  • The Romanesque Apse of Bugal. Late XI - XII century, fresco transplanted to canvas from the Churches of the old St. Peter's Monastery Burgal, La Guingueta, Spain. National Art Museum of Catalonia, Barcelona. MNAC 113138
  • Twelfth century Romanesque fresco called the Apostles of d’Orcau from the church of Santa Maria in the castle of d’Orcau, Catalonia, Spain . National Art Museum of Catalonia, Barcelona. MNAC 4532
  • Twelfth century Romanesque fresco called the Apostles of d’Orcau from the church of Santa Maria in the castle of d’Orcau, Catalonia, Spain . National Art Museum of Catalonia, Barcelona. MNAC 4532
  • The Romanesque Apse of Bugal. Late XI - XII century, fresco transplanted to canvas from the Churches of the old St. Peter's Monastery Burgal, La Guingueta, Spain. National Art Museum of Catalonia, Barcelona. MNAC 113138
  • The Romanesque Apse of Bugal. Late XI - XII century, fresco transplanted to canvas from the Churches of the old St. Peter's Monastery Burgal, La Guingueta, Spain. National Art Museum of Catalonia, Barcelona. MNAC 113138
  • The Romanesque Apse of Bugal. Late XI - XII century, fresco transplanted to canvas from the Churches of the old St. Peter's Monastery Burgal, La Guingueta, Spain. National Art Museum of Catalonia, Barcelona. MNAC 113138
  • Twelfth century Romanesque fresco called the Apostles of d’Orcau from the church of Santa Maria in the castle of d’Orcau, Catalonia, Spain . National Art Museum of Catalonia, Barcelona. MNAC 4532
  • Twelfth century Romanesque fresco called the Apostles of d’Orcau from the church of Santa Maria in the castle of d’Orcau, Catalonia, Spain . National Art Museum of Catalonia, Barcelona. MNAC 4532
  • Reconstruction of  the inside of the Greek Tomb of  the Diver  [La Tomba del Truffatore] from the Greek city of Poseidonia which became Roman Paestum. .   The rear panel is from one of the long sides of the tomb and shows a symposium of men lying on couches facing low tables on which goblets have been placed.  The abondon experienced at the Synposium was one way in which the dead could access the next world .  The fresco on the lid of the tomb and shows a  diving from a column into water. The column represents the border of thye known world and therefore the limit of man's knowledge.  The dive represents the passage form this world to the next. The tomb is painted with the true fresco technique and its importance lies in being "the only example of Greek painting with figured scenes dating from the Orientalizing, Archaic, or Classical periods to survive in its entirety. Paestrum, Andriuolo.  (480-470 BC  )
  • Reconstruction of  the inside of the Greek Tomb of  the Diver  [La Tomba del Truffatore]. The rear panel is from one of the long sides of the tomb and shows a symposium of men lying on couches facing low tables.  The men on the couches are playing the song of Eros the liar and the flute to distract the deceased from worldly thoughts so he can enter the next world. The fresco on the lid of the tomb and shows a  diving from a column into water. The column represents the border of thye known world and therefore the limit of man's knowledge.  The dive represents the passage form this world to the next. The tomb is painted with the true fresco technique and its importance lies in being "the only example of Greek painting with figured scenes dating from the Orientalizing, Archaic, or Classical periods to survive in its entirety. Paestrum, Andriuolo.  (480-470 BC  )
  • Greek Fresco on the inside of Tomb of  the Diver  [La Tomba del Truffatore] from the Greek city of Poseidonia which became Roman Paestum. This panel is from one of the long sides of the tomb and shows a symposium of men lying on couches facing low tables.  The men on the couches are playing the song of Eros the liar and the flute to distract the deceased from worldly thoughts so he can enter the next world. The tomb is painted with the true fresco technique and its importance lies in being "the only example of Greek painting with figured scenes dating from the Orientalizing, Archaic, or Classical periods to survive in its entirety. Paestrum, Andriuolo.  (480-470 BC  )
  • Greek Fresco on the inside of Tomb of  the Diver  [La Tomba del Truffatore]. This panel is from one of the long sides of the tomb and shows a symposium of men lying on couches facing low tables on which goblets have been placed.  The abondon experienced at the Synposium was one way in which the dead could access the next world . The tomb is painted with the true fresco technique and its importance lies in being "the only example of Greek painting with figured scenes dating from the Orientalizing, Archaic, or Classical periods to survive in its entirety. Paestrum, Andriuolo.  (480-470 BC  )
  • Greek Fresco on the inside of Tomb of  the Diver  [La Tomba del Truffatore]. This panel is from the lid of the tomb and shows a  diving from a column into water. The column represents the border of thye known world and therefore the limit of man's knowledge.  The dive represents the passage form this world to the next. The tomb is painted with the true fresco technique and its importance lies in being "the only example of Greek painting with figured scenes dating from the Orientalizing, Archaic, or Classical periods to survive in its entirety.  Paestrum, Andriuolo.  (480-470 BC  )
  • Greek Fresco on the inside of Tomb of  the Diver  [La Tomba del Truffatore]. The tomb is painted with the true fresco technique and its importance lies in being "the only example of Greek painting with figured scenes dating from the Orientalizing, Archaic, or Classical periods to survive in its entirety. This panel from the short side of the tomb shows a man with a wreathed wine crater . Paestrum, Andriuolo.  (480-470 BC  )
  • Gothic fresco mural painting "THE CONQUEST OF MAJORCA" 1285-1290. National Museum of Catalan Art, Barcelona, Spain, inv no: 071447-CJT. <br />
The mural paintings of the Conquest of Majorca come from the former ancestral home of the Caldes family in Carrer Montcada in Barcelona, a building later known as Palau Aguilar. Discovered and removed in 1961, these paintings are one of the most important examples of early or Linear Gothic Catalan painting. This magnificent example of painting on historical subject matter narrates the conquest of the island of Majorca by James I the Conqueror in 1229. Like a painted chronicle, the episodes follow the detailed narrative of Catalan medieval accounts such as King James I's 'Llibre dels Feits' and Bernat Desclot's 'Crònica'.
  • Gothic fresco mural painting "THE CONQUEST OF MAJORCA" 1285-1290. National Museum of Catalan Art, Barcelona, Spain, inv no: 071447-CJT. <br />
The mural paintings of the Conquest of Majorca come from the former ancestral home of the Caldes family in Carrer Montcada in Barcelona, a building later known as Palau Aguilar. Discovered and removed in 1961, these paintings are one of the most important examples of early or Linear Gothic Catalan painting. This magnificent example of painting on historical subject matter narrates the conquest of the island of Majorca by James I the Conqueror in 1229. Like a painted chronicle, the episodes follow the detailed narrative of Catalan medieval accounts such as King James I's 'Llibre dels Feits' and Bernat Desclot's 'Crònica'.
  • Gothic fresco mural painting "THE CONQUEST OF MAJORCA" 1285-1290. National Museum of Catalan Art, Barcelona, Spain, inv no: 071447-CJT. <br />
The mural paintings of the Conquest of Majorca come from the former ancestral home of the Caldes family in Carrer Montcada in Barcelona, a building later known as Palau Aguilar. Discovered and removed in 1961, these paintings are one of the most important examples of early or Linear Gothic Catalan painting. This magnificent example of painting on historical subject matter narrates the conquest of the island of Majorca by James I the Conqueror in 1229. Like a painted chronicle, the episodes follow the detailed narrative of Catalan medieval accounts such as King James I's 'Llibre dels Feits' and Bernat Desclot's 'Crònica'.
  • Twelfth Century Romanesque fresco from the Apse of the church of Santa Maria de Mur, Casrell de Mur, Pallars Jussa, Spain. Painted around 1150. National Art Museum of Catalonia, Barcelona. MNAC 68710
  • Twelfth Century Romanesque fresco of Christ Pentocrator (In Majesty) from the Apse of the church of Sant Vicenc *Vincent) de Cardona, Barges, Spain. Painted around 1200. National Art Museum of Catalonia, Barcelona. MNAC 200715
  • Twelfth Century Romanesque fresco of Christ Pentocrator (In Majesty) from the Apse of the church of Sant Vicenc *Vincent) de Cardona, Barges, Spain. Painted around 1200. National Art Museum of Catalonia, Barcelona. MNAC 200715
  • Twelfth Century Romanesque fresco from the church of Santa Maria de Taull, La Vall de Boi, Alta Ribagorca, Spain. National Art Museum of Catalonia, Barcelona. MNAC 3915
  • Twelfth Century Romanesque fresco of the Madonna and Child from the church of Santa Maria de Taull, La Vall de Boi, Alta Ribagorca, Spain. National Art Museum of Catalonia, Barcelona. MNAC 3915
  • Twelfth Century Romanesque fresco of the soldier spearing the side of Jesus on the cross of Calvary from the church of Santa Maria de Taull, La Vall de Boi, Alta Ribagorca, Spain. National Art Museum of Catalonia, Barcelona. MNAC 3915
  • Twelfth Century Romanesque fresco of The Calling of St.. Andrew & St. Peter fishing from the church of Santa Maria de Taull, La Vall de Boi, Alta Ribagorca, Spain. National Art Museum of Catalonia, Barcelona. MNAC 3915
  • Gothic panel depicting scenes from the Life of St Nicholas. End of the 13th century, fresco transferred to canvas from a mural on the north wall of  The Church of San Fructuoso, Nicholas and John the Evangelist, Huesca, Spain. Inv MNAC 45796. National Museum of Catalan Art (MNAC), Barcelona, Spain
  • Gothic panel depicting scenes from the Life of St Nicholas. End of the 13th century, fresco transferred to canvas from a mural on the north wall of  The Church of San Fructuoso, Nicholas and John the Evangelist, Huesca, Spain. Inv MNAC 45796. National Museum of Catalan Art (MNAC), Barcelona, Spain
  • Gothic panel depicting scenes from the Life of St Nicholas. End of the 13th century, fresco transferred to canvas from a mural on the north wall of  The Church of San Fructuoso, Nicholas and John the Evangelist, Huesca, Spain. Inv MNAC 45796. National Museum of Catalan Art (MNAC), Barcelona, Spain
  • Gothic panel depicting scenes from the Life of St Nicholas. End of the 13th century, fresco transferred to canvas from a mural on the north wall of  The Church of San Fructuoso, Nicholas and John the Evangelist, Huesca, Spain. Inv MNAC 45796. National Museum of Catalan Art (MNAC), Barcelona, Spain
  • Greek Fresco on the inside of Tomb of  the Diver  [La Tomba del Truffatore]. The dead man is depicted listenening to the flute of Eros which causes him to be distracted from the real world so being able to enter the next The tomb is painted with the true fresco technique and its importance lies in being "the only example of Greek painting with figured scenes dating from the Orientalizing, Archaic, or Classical periods to survive in its entirety .Paestrum, Andriuolo.  (480-470 BC  )
  • Pictures and images of the historic frescoes of St Nicholas Church interior in the medieval Kintsvisi Monastery Georgian Orthodox Monastery complex, Shida Kartli Region, Georgia (country).
  • Pictures and images of the historic frescoes of St Nicholas Church interior in the medieval Kintsvisi Monastery Georgian Orthodox Monastery complex, Shida Kartli Region, Georgia (country).
  • Pictures and images of the historic frescoes of St Nicholas Church interior in the medieval Kintsvisi Monastery Georgian Orthodox Monastery complex, depicting  the Virgin Mary also contains an enthroned Hodegetria with a Communion of the Apostles in iits apse. Shida Kartli Region, Georgia (country).
  • Renaissance ceiling paintings by Benevento Tisi also known as il Garofalo, of the Ferrara Renaissance school of art, depicting an upward perspective scene, The Treasure Hall, Palazzo Costabili, National Archaeological Museum, Ferrara, Italy
  • Renaissance ceiling paintings by Benevento Tisi also known as il Garofalo, of the Ferrara Renaissance school of art, depicting an upward perspective scene, The Treasure Hall, Palazzo Costabili, National Archaeological Museum, Ferrara, Italy
  • Renaissance ceiling paintings by Benevento Tisi also known as il Garofalo, of the Ferrara Renaissance school of art, depicting an upward perspective scene, The Treasure Hall, Palazzo Costabili, National Archaeological Museum, Ferrara, Italy
  • Renaissance ceiling paintings by Benevento Tisi also known as il Garofalo, of the Ferrara Renaissance school of art, depicting an upward perspective scene, The Treasure Hall, Palazzo Costabili, National Archaeological Museum, Ferrara, Italy
  • Renaissance ceiling paintings by Benevento Tisi also known as il Garofalo, of the Ferrara Renaissance school of art, depicting an upward perspective scene, The Treasure Hall, Palazzo Costabili, National Archaeological Museum, Ferrara, Italy
  • Renaissance ceiling paintings by Benevento Tisi also known as il Garofalo, of the Ferrara Renaissance school of art, depicting an upward perspective scene, The Treasure Hall, Palazzo Costabili, National Archaeological Museum, Ferrara, Italy
  • Renaissance ceiling paintings by Benevento Tisi also known as il Garofalo, of the Ferrara Renaissance school of art, depicting an upward perspective scene, The Treasure Hall, Palazzo Costabili, National Archaeological Museum, Ferrara, Italy
  • Renaissance ceiling paintings by Benevento Tisi also known as il Garofalo, of the Ferrara Renaissance school of art, depicting an upward perspective scene, The Treasure Hall, Palazzo Costabili, National Archaeological Museum, Ferrara, Italy
  • Renaissance ceiling paintings by Benevento Tisi also known as il Garofalo, of the Ferrara Renaissance school of art, depicting an upward perspective scene, The Treasure Hall, Palazzo Costabili, National Archaeological Museum, Ferrara, Italy
  • Renaissance ceiling paintings by Benevento Tisi also known as il Garofalo, of the Ferrara Renaissance school of art, depicting an upward perspective scene, The Treasure Hall, Palazzo Costabili, National Archaeological Museum, Ferrara, Italy
  • Renaissance ceiling paintings by Benevento Tisi also known as il Garofalo, of the Ferrara Renaissance school of art, depicting an upward perspective scene, The Treasure Hall, Palazzo Costabili, National Archaeological Museum, Ferrara, Italy
  • Renaissance ceiling paintings by Benevento Tisi also known as il Garofalo, of the Ferrara Renaissance school of art, depicting an upward perspective scene, The Treasure Hall, Palazzo Costabili, National Archaeological Museum, Ferrara, Italy
  • Renaissance ceiling paintings by Benevento Tisi also known as il Garofalo, of the Ferrara Renaissance school of art, depicting an upward perspective scene, The Treasure Hall, Palazzo Costabili, National Archaeological Museum, Ferrara, Italy
  • Renaissance ceiling paintings by Benevento Tisi also known as il Garofalo, of the Ferrara Renaissance school of art, depicting an upward perspective scene, The Treasure Hall, Palazzo Costabili, National Archaeological Museum, Ferrara, Italy
  • Renaissance ceiling paintings by Benevento Tisi also known as il Garofalo, of the Ferrara Renaissance school of art, depicting an upward perspective scene, The Treasure Hall, Palazzo Costabili, National Archaeological Museum, Ferrara, Italy
  • Renaissance ceiling paintings by Benevento Tisi also known as il Garofalo, of the Ferrara Renaissance school of art, depicting an upward perspective scene, The Treasure Hall, Palazzo Costabili, National Archaeological Museum, Ferrara, Italy
  • Renaissance ceiling paintings by Benevento Tisi also known as il Garofalo, of the Ferrara Renaissance school of art, depicting an upward perspective scene, The Treasure Hall, Palazzo Costabili, National Archaeological Museum, Ferrara, Italy
  • Renaissance ceiling paintings by Benevento Tisi also known as il Garofalo, of the Ferrara Renaissance school of art, depicting an upward perspective scene, The Treasure Hall, Palazzo Costabili, National Archaeological Museum, Ferrara, Italy
  • Renaissance ceiling paintings by Benevento Tisi also known as il Garofalo, of the Ferrara Renaissance school of art, depicting an upward perspective scene, The Treasure Hall, Palazzo Costabili, National Archaeological Museum, Ferrara, Italy
  • Renaissance ceiling paintings by Benevento Tisi also known as il Garofalo, of the Ferrara Renaissance school of art, depicting an upward perspective scene, The Treasure Hall, Palazzo Costabili, National Archaeological Museum, Ferrara, Italy
  • Renaissance ceiling paintings by Benevento Tisi also known as il Garofalo, of the Ferrara Renaissance school of art, depicting an upward perspective scene, The Treasure Hall, Palazzo Costabili, National Archaeological Museum, Ferrara, Italy
  • Renaissance ceiling paintings by Benevento Tisi also known as il Garofalo, of the Ferrara Renaissance school of art, depicting an upward perspective scene, The Treasure Hall, Palazzo Costabili, National Archaeological Museum, Ferrara, Italy
  • Renaissance ceiling paintings by Benevento Tisi also known as il Garofalo, of the Ferrara Renaissance school of art, depicting an upward perspective scene, The Treasure Hall, Palazzo Costabili, National Archaeological Museum, Ferrara, Italy
  • Renaissance ceiling paintings by Benevento Tisi also known as il Garofalo, of the Ferrara Renaissance school of art, depicting an upward perspective scene, The Treasure Hall, Palazzo Costabili, National Archaeological Museum, Ferrara, Italy
  • The Romanesque Apse of Sant Clement de Taull<br />
<br />
Around 1123, Romanesque frescoes from the Church of Sant Clement de Taull, Vall de Boi,Alta Ribagorca, Spain.<br />
<br />
National Art Museum of Catalonia, Barcelona. MNAC 15806, 15860, 15966, 15968, 22996<br />
<br />
<br />
Romanesque frescoes depicting Christ in Majesty *Pantocrator) in the upper Apse and the Virgin  Mary and the Apostles in the central register.
  • The Romanesque Apse of Sant Clement de Taull<br />
<br />
Around 1123, Romanesque frescoes from the Church of Sant Clement de Taull, Vall de Boi,Alta Ribagorca, Spain.<br />
<br />
National Art Museum of Catalonia, Barcelona. MNAC 15806, 15860, 15966, 15968, 22996<br />
<br />
<br />
Romanesque frescoes depicting Christ in Majesty *Pantocrator) in the upper Apse and the Virgin  Mary and the Apostles in the central register.
  • Romanesque frescoes of a Griffen typical of Catalan Court painting from 1200. From the ancient monastery of San Pedro de Arlanza, Buros, Spain. Painted around 1210. National Art Museum of Catalonia, Barcelona. MNAC 40142
  • Romanesque frescoes of the Apostles from the church of Sant Roma de les Bons, painted around 1164, Encamp, Andorra. National Art Museum of Catalonia, Barcelona. MNAC 15783
  • Twelfth century Romanesque frescoes of the Apse of Ginestarre depicting,The Virgin Mary and the Apostles, from the church of Santa Maria de Ginestarre, Catalonia, Spain. National Art Museum of Catalonia, Barcelona. MNAC 15971
  • Second half of the twelfth Century Romanesque frescoes of the Apse d’Esterri de Cardos depicting Christ Pantocrator. The church of Sant Pau d’Estirri de Cardos, Spain. National Art Museum of Catalonia, Barcelona. MNAC 15970
  • Second half of the twelfth Century Romanesque frescoes of the Apse d’Esterri de Cardos depicting Christ Pantocrator. The church of Sant Pau d’Estirri de Cardos, Spain. National Art Museum of Catalonia, Barcelona. MNAC 15970
  • Second half of the twelfth Century Romanesque frescoes of the Apse d’Esterri de Cardos depicting a Byzantine style angel. The church of Sant Pau d’Estirri de Cardos, Spain. National Art Museum of Catalonia, Barcelona. MNAC 15970
  • Second half of the twelfth Century Romanesque frescoes of the Apse d’Esterri de Cardos depicting Christ Pantocrator. The church of Sant Pau d’Estirri de Cardos, Spain. National Art Museum of Catalonia, Barcelona. MNAC 15970
  • Second half of the twelfth Century Romanesque frescoes of the Apse d’Esterri de Cardos depicting Christ Pantocrator. The church of Sant Pau d’Estirri de Cardos, Spain. National Art Museum of Catalonia, Barcelona. MNAC 15970
  • Romanesque frescoes of Apse of St. Steven of Andorra (Sant Esteve) from the church of Sant Esteve d’Andorra, painted around 1200-1210,  Andorra la Vella. National Art Museum of Catalonia, Barcelona. MNAC 35711
  • Romanesque frescoes of the St. Paul from the church of Sant Roma de les Bons, painted around 1164, Encamp, Andorra. National Art Museum of Catalonia, Barcelona. MNAC 15783
  • Romanesque frescoes of the Virgin Mary and Peter from the church of Sant Roma de les Bons, painted around 1164, Encamp, Andorra. National Art Museum of Catalonia, Barcelona. MNAC 15783
  • Romanesque frescoes of the Apostle Paul from the church of Sant Roma de les Bons, painted around 1164, Encamp, Andorra. National Art Museum of Catalonia, Barcelona. MNAC 15783
  • Romanesque frescoes of the Apostles from the church of Sant Roma de les Bons, painted around 1164, Encamp, Andorra. National Art Museum of Catalonia, Barcelona. MNAC 15783
  • Romanesque frescoes of the Apostles from the church of Sant Roma de les Bons, painted around 1164, Encamp, Andorra. National Art Museum of Catalonia, Barcelona. MNAC 15783
  • Romanesque frescoes depicting Christ Pantocrator from the Church of Sant Miguel d’Engolasters, Les Escaldes, Andorra.. Painted around 1160. National Art Museum of Catalonia, Barcelona. MNAC 15972
  • Romanesque frescoes depicting the Apostles from the Church of Sant Miguel d’Engolasters, Les Escaldes, Andorra.. Painted around 1160. National Art Museum of Catalonia, Barcelona. MNAC 15972
  • Romanesque frescoes depicting Archangel Michael Killing a dragon  from the Church of Sant Miguel d’Engolasters, Les Escaldes, Andorra.. Painted around 1160. National Art Museum of Catalonia, Barcelona. MNAC 15972
  • Romanesque frescoes depicting Christ Pantocrator and the Apostles from the Church of Sant Miguel d’Engolasters, Les Escaldes, Andorra.. Painted around 1160. National Art Museum of Catalonia, Barcelona. MNAC 15972
  • Romanesque frescoes depicting Christ Pantocrator from the Church of Sant Miguel d’Engolasters, Les Escaldes, Andorra.. Painted around 1160. National Art Museum of Catalonia, Barcelona. MNAC 15972
  • Romanesque frescoes  from the Church of Sant Miguel d’Engolasters, Les Escaldes, Andorra.. Painted around 1160. National Art Museum of Catalonia, Barcelona. MNAC 15972
  • Twelfth century Romanesque frescoes of the Apse of Estaon depicting scenes from the middle register showing the Baptism of Christ by John The Baptist,  from the church of Sant Eulalia d’Estaon, Vall de Cardos, Catalonia, Spain. National Art Museum of Catalonia, Barcelona. MNAC 15969
  • Twelfth Century Romanesque frescoes of the Apse d’Estaon. The church of Santa Eulalia d’Estaon, Vall de Cardos, Pollars Sobira, Spain. National Art Museum of Catalonia, Barcelona. MNAC 15969
  • Twelfth Century Romanesque frescoes of the Apse d’Estaon. The church of Santa Eulalia d’Estaon, Vall de Cardos, Pollars Sobira, Spain. National Art Museum of Catalonia, Barcelona. MNAC 15969
  • Twelfth century Romanesque frescoes of the Apse of Estaon depicting Christ Pantocrator ( In Majesty) surrounded by Byzantine style angels, from the church of Sant Eulalia d’Estaon, Vall de Cardos, Catalonia, Spain. National Art Museum of Catalonia, Barcelona. MNAC 15969
  • Romanesque frescoes from the Church of Sant Clement de Taull, Vall de Boi, Alta Ribagorca, Spain. Painted around 1123.  National Art Museum of Catalonia, Barcelona. MNAC 15806
  • Twelfth century Romanesque frescoes of the Apse of Estaon depicting Christ Pantocrator ( In Majesty) surrounded by Byzantine style angels, and below scenes from the Baptism of Christ, from the church of Sant Eulalia d’Estaon, Vall de Cardos, Catalonia, Spain. National Art Museum of Catalonia, Barcelona. MNAC 15969
  • Romanesque frescoes from the Church of Sant Clement de Taull, Vall de Boi, Alta Ribagorca, Spain. Painted around 1123 depicting Christ Pantocrator or In Majesty.  National Art Museum of Catalonia, Barcelona. MNAC 15806
  • Romanesque frescoes from the Church of Sant Clement de Taull, Vall de Boi, Alta Ribagorca, Spain. Painted around 1123 depicting Christ Pantocrator or In Majesty.  National Art Museum of Catalonia, Barcelona. MNAC 15806
  • Romanesque frescoes from the Church of Sant Clement de Taull, Vall de Boi, Alta Ribagorca, Spain. Painted around 1123, The inorgaration plaque for the church. National Art Museum of Catalonia, Barcelona. MNAC 15806,
  • Romanesque frescoes from the Church of Sant Clement de Taull, Vall de Boi, Alta Ribagorca, Spain. Painted around 1123.  National Art Museum of Catalonia, Barcelona. MNAC 15806
  • Romanesque frescoes from the Church of Sant Clement de Taull, Vall de Boi, Alta Ribagorca, Spain. Painted around 1123 depicting Christ Pantocrator or In Majesty.  National Art Museum of Catalonia, Barcelona. MNAC 15806
  • Romanesque frescoes from the Church of Sant Clement de Taull, Vall de Boi, Alta Ribagorca, Spain. Painted around 1123 depicting The virgin Mary and the Apostles.  National Art Museum of Catalonia, Barcelona. MNAC 15806
  • Romanesque frescoes from the Church of Sant Clement de Taull, Vall de Boi, Alta Ribagorca, Spain. Painted around 1123 depicting The virgin Mary and the Apostles.  National Art Museum of Catalonia, Barcelona. MNAC 15806
  • Romanesque frescoes from the Church of Sant Clement de Taull, Vall de Boi, Alta Ribagorca, Spain. Painted around 1123 depicting The virgin Mary and the Apostles.  National Art Museum of Catalonia, Barcelona. MNAC 15806
  • Eleventh Century Romanesque frescoes of the side Apse of Sant Quirze de Pedret showing the parabel of the Ten Virgins from the Gospel of St. Matthew. The church of Sant Quize de Padret, Cercs, Bergueda, Sapin. National Art Museum of Catalonia, Barcelona. MNAC 15973
  • Eleventh Century Romanesque frescoes of the side Apse of Sant Quirze de Pedret showing the parabel of the Ten Virgins from the Gospel of St. Matthew. The church of Sant Quize de Padret, Cercs, Bergueda, Sapin. National Art Museum of Catalonia, Barcelona. MNAC 15973
  • Eleventh Century Romanesque frescoes of the side Apse of Sant Quirze de Pedret showing the parabel of the Ten Virgins from the Gospel of St. Matthew. The church of Sant Quize de Padret, Cercs, Bergueda, Sapin. National Art Museum of Catalonia, Barcelona. MNAC 15973
  • Eleventh Century Romanesque frescoes of the side Apse of Sant Quirze de Pedret showing the parabel of the Ten Virgins from the Gospel of St. Matthew. The church of Sant Quize de Padret, Cercs, Bergueda, Sapin. National Art Museum of Catalonia, Barcelona. MNAC 15973
  • Eleventh Century Romanesque frescoes of the side Apse of Sant Quirze de Pedret showing the parabel of the Ten Virgins from the Gospel of St. Matthew. The church of Sant Quize de Padret, Cercs, Bergueda, Sapin. National Art Museum of Catalonia, Barcelona. MNAC 15973
  • Eleventh Century Romanesque frescoes of the side Apse of Sant Quirze de Pedret showing the parabel of the Ten Virgins from the Gospel of St. Matthew. The church of Sant Quize de Padret, Cercs, Bergueda, Sapin. National Art Museum of Catalonia, Barcelona. MNAC 15973
  • Twelfth century Romanesque frescoes of the Apse of Ginestarre depicting, from right to left, The Virgin Mary, Peter and the Apostles, from the church of Santa Maria de Ginestarre, Catalonia, Spain. National Art Museum of Catalonia, Barcelona. MNAC 15971
  • Twelfth century Romanesque frescoes of the Apse of Ginestarre depicting,The Virgin Mary and the Apostles, from the church of Santa Maria de Ginestarre, Catalonia, Spain. National Art Museum of Catalonia, Barcelona. MNAC 15971
  • Romanesque frescoes of the Apostles from the church of Sant Roma de les Bons, painted around 1164, Encamp, Andorra. National Art Museum of Catalonia, Barcelona. MNAC 15783
  • Romanesque frescoes of a Griffen typical of Catalan Court painting from 1200. From the ancient monastery of San Pedro de Arlanza, Buros, Spain. Painted around 1210. National Art Museum of Catalonia, Barcelona. MNAC 40142
  • Second half of the twelfth Century Romanesque frescoes of the Apse d’Esterri de Cardos. The church of Sant Pau d’Estirri de Cardos, Spain. National Art Museum of Catalonia, Barcelona. MNAC 15970
  • Second half of the twelfth Century Romanesque frescoes of the Apse d’Esterri de Cardos depicting Christ Pantocrator. The church of Sant Pau d’Estirri de Cardos, Spain. National Art Museum of Catalonia, Barcelona. MNAC 15970
  • Romanesque frescoes of St. Steven of Andorra (Sant Esteve) from the church of Sant Esteve d’Andorra, painted around 1200-1210,  Andorra la Vella. National Art Museum of Catalonia, Barcelona. MNAC 35706
  • Romanesque frescoes of Apse of St. Steven of Andorra (Sant Esteve) from the church of Sant Esteve d’Andorra, painted around 1200-1210,  Andorra la Vella. National Art Museum of Catalonia, Barcelona. MNAC 35711
  • Romanesque frescoes of Apse of St. Steven of Andorra (Sant Esteve) from the church of Sant Esteve d’Andorra, painted around 1200-1210,  Andorra la Vella. National Art Museum of Catalonia, Barcelona. MNAC 35711
  • Romanesque frescoes of the Virgin Mary from the church of Sant Roma de les Bons, painted around 1164, Encamp, Andorra. National Art Museum of Catalonia, Barcelona. MNAC 15783
  • Romanesque frescoes of St. Peter from the church of Sant Roma de les Bons, painted around 1164, Encamp, Andorra. National Art Museum of Catalonia, Barcelona. MNAC 15783
  • Romanesque frescoes depicting the an Angel with the Eagle that symbolises the St John the Evangelist from the church of Sant Miguel d’Engolasters, Les Escaldes, Andorra.. Painted around 1160. National Art Museum of Catalonia, Barcelona. MNAC 15972
  • Romanesque frescoes depicting the Apostles from the Church of Sant Miguel d’Engolasters, Les Escaldes, Andorra.. Painted around 1160. National Art Museum of Catalonia, Barcelona. MNAC 15972
  • Romanesque frescoes depicting the Apostles from the Church of Sant Miguel d’Engolasters, Les Escaldes, Andorra.. Painted around 1160. National Art Museum of Catalonia, Barcelona. MNAC 15972
  • Twelfth century Romanesque frescoes of the Apse of Estaon depicting a Byzantine style angels with Archangel Gabriel,  from the church of Sant Eulalia d’Estaon, Vall de Cardos, Catalonia, Spain. National Art Museum of Catalonia, Barcelona. MNAC 15969
  • Twelfth century Romanesque frescoes of the Apse of Estaon depicting a Byzantine style angels with Archangel Michael, from the church of Sant Eulalia d’Estaon, Vall de Cardos, Catalonia, Spain. National Art Museum of Catalonia, Barcelona. MNAC 15969
  • Twelfth century Romanesque frescoes of the Apse of Estaon depicting scenes from the middle register showing the Baptism of Christ by John The Baptist,  from the church of Sant Eulalia d’Estaon, Vall de Cardos, Catalonia, Spain. National Art Museum of Catalonia, Barcelona. MNAC 15969
  • Romanesque frescoes from the Church of Sant Clement de Taull, Vall de Boi, Alta Ribagorca, Spain. Painted around 1123.  National Art Museum of Catalonia, Barcelona. MNAC 15806
  • Romanesque frescoes from the Church of Sant Clement de Taull, Vall de Boi, Alta Ribagorca, Spain. Painted around 1123 depicting Christ Pantocrator or In Majesty.  National Art Museum of Catalonia, Barcelona. MNAC 15806
  • Romanesque frescoes from the Church of Sant Clement de Taull, Vall de Boi, Alta Ribagorca, Spain. Painted around 1123 depicting The virgin Mary and the Apostles.  National Art Museum of Catalonia, Barcelona. MNAC 15806
  • Romanesque frescoes from the Church of Sant Clement de Taull, Vall de Boi, Alta Ribagorca, Spain. Painted around 1123..  National Art Museum of Catalonia, Barcelona. MNAC 15806
  • Romanesque frescoes from the Church of Sant Clement de Taull, Vall de Boi, Alta Ribagorca, Spain. Painted around 1123 depicting Christ Pantocrator or In Majesty.  National Art Museum of Catalonia, Barcelona. MNAC 15806
  • Eleventh Century Romanesque frescoes of the side Apse of Sant Quirze de Pedret showing the parabel of the Ten Virgins from the Gospel of St. Matthew. The church of Sant Quize de Padret, Cercs, Bergueda, Sapin. National Art Museum of Catalonia, Barcelona. MNAC 15973
  • Twelfth century Romanesque frescoes of the Apse of Ginestarre, from the church of Santa Maria de Ginestarre, Catalonia, Spain. National Art Museum of Catalonia, Barcelona. MNAC 15971
  • Painted arch of the Romanesque of the Norman Church of St Mary's Kempley Gloucestershire, England, Europe
  • Painted arch of the Romanesque of the Norman Church of St Mary's Kempley Gloucestershire, England, Europe
  • Painted arch of the Romanesque of the Norman Church of St Mary's Kempley Gloucestershire, England, Europe
  • Painted arch of the Romanesque of the Norman Church of St Mary's Kempley Gloucestershire, England, Europe
  • Painted arch of the Romanesque of the Norman Church of St Mary's Kempley Gloucestershire, England, Europe
  • Aisle of the Romanesque of the Norman Church of St Mary's Kempley Gloucestershire, England, Europe
  • Aisle of the Romanesque of the Norman Church of St Mary's Kempley Gloucestershire, England, Europe
  • Painted arch of the Romanesque of the Norman Church of St Mary's Kempley Gloucestershire, England, Europe
  • Painted arch of the Romanesque of the Norman Church of St Mary's Kempley Gloucestershire, England, Europe
  • Pictures & images of the interior fresco depicting 13th-century depiction of the "Beast of the Apocalypse" and figures of the Zodiac. The Eastern Orthodox Georgian Svetitskhoveli Cathedral (Cathedral of the Living Pillar) , Mtskheta, Georgia (country). A UNESCO World Heritage Site.<br />
<br />
Currently the second largest church building in Georgia, Svetitskhoveli Cathedral is a masterpiece of Early Medieval architecture completed in 1029 by Georgian architect Arsukisdze on an earlier site dating back toi the 4th century.
  • Pictures & images of the interior fresco depicting 13th-century depiction of the "Beast of the Apocalypse" and figures of the Zodiac. The Eastern Orthodox Georgian Svetitskhoveli Cathedral (Cathedral of the Living Pillar) , Mtskheta, Georgia (country). A UNESCO World Heritage Site.<br />
<br />
Currently the second largest church building in Georgia, Svetitskhoveli Cathedral is a masterpiece of Early Medieval architecture completed in 1029 by Georgian architect Arsukisdze on an earlier site dating back toi the 4th century.
  • Pictures & images of the interior fresco depicting 13th-century depiction of the "Beast of the Apocalypse" and figures of the Zodiac. The Eastern Orthodox Georgian Svetitskhoveli Cathedral (Cathedral of the Living Pillar) , Mtskheta, Georgia (country). A UNESCO World Heritage Site.<br />
<br />
Currently the second largest church building in Georgia, Svetitskhoveli Cathedral is a masterpiece of Early Medieval architecture completed in 1029 by Georgian architect Arsukisdze on an earlier site dating back toi the 4th century.
  • Pictures & images of the interior fresco depicting 13th-century depiction of the "Beast of the Apocalypse" and figures of the Zodiac. The Eastern Orthodox Georgian Svetitskhoveli Cathedral (Cathedral of the Living Pillar) , Mtskheta, Georgia (country). A UNESCO World Heritage Site.<br />
<br />
Currently the second largest church building in Georgia, Svetitskhoveli Cathedral is a masterpiece of Early Medieval architecture completed in 1029 by Georgian architect Arsukisdze on an earlier site dating back toi the 4th century.
  • Pictures & images of the interior cupola fresco depicting Christ Pantocrator. The Eastern Orthodox Georgian Svetitskhoveli Cathedral (Cathedral of the Living Pillar) , Mtskheta, Georgia (country). A UNESCO World Heritage Site.<br />
<br />
Currently the second largest church building in Georgia, Svetitskhoveli Cathedral is a masterpiece of Early Medieval architecture completed in 1029 by Georgian architect Arsukisdze on an earlier site dating back toi the 4th century.
  • Pictures & images of the interior apse fresco depicting Christ Pantocrator. The Eastern Orthodox Georgian Svetitskhoveli Cathedral (Cathedral of the Living Pillar) , Mtskheta, Georgia (country). A UNESCO World Heritage Site.<br />
<br />
Currently the second largest church building in Georgia, Svetitskhoveli Cathedral is a masterpiece of Early Medieval architecture completed in 1029 by Georgian architect Arsukisdze on an earlier site dating back toi the 4th century.
  • Pictures & images of the interior apse fresco depicting Christ Pantocrator. The Eastern Orthodox Georgian Svetitskhoveli Cathedral (Cathedral of the Living Pillar) , Mtskheta, Georgia (country). A UNESCO World Heritage Site.<br />
<br />
Currently the second largest church building in Georgia, Svetitskhoveli Cathedral is a masterpiece of Early Medieval architecture completed in 1029 by Georgian architect Arsukisdze on an earlier site dating back toi the 4th century.
  • Pictures & images of the interior apse fresco depicting Christ Pantocrator. The Eastern Orthodox Georgian Svetitskhoveli Cathedral (Cathedral of the Living Pillar) , Mtskheta, Georgia (country). A UNESCO World Heritage Site.<br />
<br />
Currently the second largest church building in Georgia, Svetitskhoveli Cathedral is a masterpiece of Early Medieval architecture completed in 1029 by Georgian architect Arsukisdze on an earlier site dating back toi the 4th century.
  • Pictures & images of the interior fresco depicting 13th-century depiction of the "Beast of the Apocalypse" and figures of the Zodiac. The Eastern Orthodox Georgian Svetitskhoveli Cathedral (Cathedral of the Living Pillar) , Mtskheta, Georgia (country). A UNESCO World Heritage Site.<br />
<br />
Currently the second largest church building in Georgia, Svetitskhoveli Cathedral is a masterpiece of Early Medieval architecture completed in 1029 by Georgian architect Arsukisdze on an earlier site dating back toi the 4th century.
  • Pictures & images of the interior fresco depicting 13th-century depiction of the "Beast of the Apocalypse" and figures of the Zodiac. The Eastern Orthodox Georgian Svetitskhoveli Cathedral (Cathedral of the Living Pillar) , Mtskheta, Georgia (country). A UNESCO World Heritage Site.<br />
<br />
Currently the second largest church building in Georgia, Svetitskhoveli Cathedral is a masterpiece of Early Medieval architecture completed in 1029 by Georgian architect Arsukisdze on an earlier site dating back toi the 4th century.
  • Pictures & images of the interior fresco depicting 13th-century depiction of the "Beast of the Apocalypse" and figures of the Zodiac. The Eastern Orthodox Georgian Svetitskhoveli Cathedral (Cathedral of the Living Pillar) , Mtskheta, Georgia (country). A UNESCO World Heritage Site.<br />
<br />
Currently the second largest church building in Georgia, Svetitskhoveli Cathedral is a masterpiece of Early Medieval architecture completed in 1029 by Georgian architect Arsukisdze on an earlier site dating back toi the 4th century.
  • Pictures & images of the interior fresco depicting 13th-century depiction of the "Beast of the Apocalypse" and figures of the Zodiac. The Eastern Orthodox Georgian Svetitskhoveli Cathedral (Cathedral of the Living Pillar) , Mtskheta, Georgia (country). A UNESCO World Heritage Site.<br />
<br />
Currently the second largest church building in Georgia, Svetitskhoveli Cathedral is a masterpiece of Early Medieval architecture completed in 1029 by Georgian architect Arsukisdze on an earlier site dating back toi the 4th century.
  • Pictures & images of the interior fresco depicting 13th-century depiction of the "Beast of the Apocalypse" and figures of the Zodiac. The Eastern Orthodox Georgian Svetitskhoveli Cathedral (Cathedral of the Living Pillar) , Mtskheta, Georgia (country). A UNESCO World Heritage Site.<br />
<br />
Currently the second largest church building in Georgia, Svetitskhoveli Cathedral is a masterpiece of Early Medieval architecture completed in 1029 by Georgian architect Arsukisdze on an earlier site dating back toi the 4th century.
  • Pictures & images of the interior fresco depicting 13th-century depiction of the "Beast of the Apocalypse" and figures of the Zodiac. The Eastern Orthodox Georgian Svetitskhoveli Cathedral (Cathedral of the Living Pillar) , Mtskheta, Georgia (country). A UNESCO World Heritage Site.<br />
<br />
Currently the second largest church building in Georgia, Svetitskhoveli Cathedral is a masterpiece of Early Medieval architecture completed in 1029 by Georgian architect Arsukisdze on an earlier site dating back toi the 4th century.
  • Pictures & images of the interior fresco depicting 13th-century depiction of the "Beast of the Apocalypse" and figures of the Zodiac. The Eastern Orthodox Georgian Svetitskhoveli Cathedral (Cathedral of the Living Pillar) , Mtskheta, Georgia (country). A UNESCO World Heritage Site.<br />
<br />
Currently the second largest church building in Georgia, Svetitskhoveli Cathedral is a masterpiece of Early Medieval architecture completed in 1029 by Georgian architect Arsukisdze on an earlier site dating back toi the 4th century.
  • Pictures & images of the interior cupola fresco depicting Christ Pantocrator. The Eastern Orthodox Georgian Svetitskhoveli Cathedral (Cathedral of the Living Pillar) , Mtskheta, Georgia (country). A UNESCO World Heritage Site.<br />
<br />
Currently the second largest church building in Georgia, Svetitskhoveli Cathedral is a masterpiece of Early Medieval architecture completed in 1029 by Georgian architect Arsukisdze on an earlier site dating back toi the 4th century.
  • Pictures & images of the interior cupola fresco depicting Christ Pantocrator. The Eastern Orthodox Georgian Svetitskhoveli Cathedral (Cathedral of the Living Pillar) , Mtskheta, Georgia (country). A UNESCO World Heritage Site.<br />
<br />
Currently the second largest church building in Georgia, Svetitskhoveli Cathedral is a masterpiece of Early Medieval architecture completed in 1029 by Georgian architect Arsukisdze on an earlier site dating back toi the 4th century.
  • Pictures & images of the interior cupola fresco depicting Christ Pantocrator. The Eastern Orthodox Georgian Svetitskhoveli Cathedral (Cathedral of the Living Pillar) , Mtskheta, Georgia (country). A UNESCO World Heritage Site.<br />
<br />
Currently the second largest church building in Georgia, Svetitskhoveli Cathedral is a masterpiece of Early Medieval architecture completed in 1029 by Georgian architect Arsukisdze on an earlier site dating back toi the 4th century.
  • Pictures & images of the interior apse fresco depicting Christ Pantocrator. The Eastern Orthodox Georgian Svetitskhoveli Cathedral (Cathedral of the Living Pillar) , Mtskheta, Georgia (country). A UNESCO World Heritage Site.<br />
<br />
Currently the second largest church building in Georgia, Svetitskhoveli Cathedral is a masterpiece of Early Medieval architecture completed in 1029 by Georgian architect Arsukisdze on an earlier site dating back toi the 4th century.
  • Pictures & images of the interior fresco depicting 13th-century depiction of the "Beast of the Apocalypse" and figures of the Zodiac. The Eastern Orthodox Georgian Svetitskhoveli Cathedral (Cathedral of the Living Pillar) , Mtskheta, Georgia (country). A UNESCO World Heritage Site.<br />
<br />
Currently the second largest church building in Georgia, Svetitskhoveli Cathedral is a masterpiece of Early Medieval architecture completed in 1029 by Georgian architect Arsukisdze on an earlier site dating back toi the 4th century.
  • Pictures & images of the interior fresco depicting 13th-century depiction of the "Beast of the Apocalypse" and figures of the Zodiac. The Eastern Orthodox Georgian Svetitskhoveli Cathedral (Cathedral of the Living Pillar) , Mtskheta, Georgia (country). A UNESCO World Heritage Site.<br />
<br />
Currently the second largest church building in Georgia, Svetitskhoveli Cathedral is a masterpiece of Early Medieval architecture completed in 1029 by Georgian architect Arsukisdze on an earlier site dating back toi the 4th century.
  • Pictures & images of the interior apse fresco depicting Christ Pantocrator. The Eastern Orthodox Georgian Svetitskhoveli Cathedral (Cathedral of the Living Pillar) , Mtskheta, Georgia (country). A UNESCO World Heritage Site.<br />
<br />
Currently the second largest church building in Georgia, Svetitskhoveli Cathedral is a masterpiece of Early Medieval architecture completed in 1029 by Georgian architect Arsukisdze on an earlier site dating back toi the 4th century.
  • Pictures & images of the interior medieval fresco depicting a Georgian King and Queen. The Eastern Orthodox Georgian Svetitskhoveli Cathedral (Cathedral of the Living Pillar) , Mtskheta, Georgia (country). A UNESCO World Heritage Site.<br />
<br />
Currently the second largest church building in Georgia, Svetitskhoveli Cathedral is a masterpiece of Early Medieval architecture completed in 1029 by Georgian architect Arsukisdze on an earlier site dating back toi the 4th century.
  • Fresco on the Interior  of the Romanesque Cattedrale di San Martino,  Duomo of Lucca, Tunscany, Italy
  • Fresco on the Interior  of the Romanesque Cattedrale di San Martino,  Duomo of Lucca, Tunscany, Italy
  • Fresco on the Interior  of the Romanesque Cattedrale di San Martino,  Duomo of Lucca, Tunscany, Italy
  • Roman Erotic Fresco from Pompeii depicting  sexual activities,  Naples National Archaeological Museum - 1st cent AD , inv no: 27697
  • A Roman erotic fresco painting from Pompeii depicting Pan and  Hermaphrodite,  Naples National Archaeological, 50-79 AD , inv no 27700 , Naples National Secret Museum or Secret Cabinet,
  • A Roman erotic fresco painting from Pompeii,  Naples National Archaeological, 1st cent AD ,  Secret Museum or Secret Cabinet,
  • A Roman erotic fresco painting from Pompeii,  Naples National Archaeological, 1st cent AD ,  Secret Museum or Secret Cabinet,
  • A Roman erotic fresco painting from Pompeii depicting satyr caressing a maiden,  Naples National Archaeological, 1st cent AD , from the Casa di L Cecilio Giocondo, inv no 110590 , Secret Museum or Secret Cabinet,
  • A Roman erotic fresco painting from Pompeii depicting Satyr caressing Hermaphrodite,  Naples National Archaeological  from the tablium of the Casa di Epidio Sabino, inv no 27875 , Secret Museum or Secret Cabinet,
  • A Roman erotic fresco painting from Pompeii,  Naples National Archaeological Museum , form the venereum, a room for sexual activities, of Casa di Cecilio Giocondo 50-79 AD  , inv no 10569 , Secret Museum or Secret Cabinet,
  • Roman Erotic Fresco from Pompeii depicting  a man & woman having sex Naples National Archaeological Museum - 1st century AD
  • Roman Nero Period fresco wall painting of Perseus and Andromeda, Naples National Archaeological Museum, from a house in the Insula Occidentalis at Pompeii , inv 9058 ,
  • Roman Nero Period fresco wall painting of Perseus and Andromeda, Naples National Archaeological Museum, from a house in the Insula Occidentalis at Pompeii , inv 9058 ,
  • Pompeii Roman Erotic Fresco of Mercury with a massive phalus rom Naples National Archaeological Museum, 1st cent AD , workshop Banner
  • Pompeii Roman Erotic Fresco of Mercury with a massive phalus rom Naples National Archaeological Museum, 1st cent AD , workshop Banner
  • Roman Erotic Fresco from Pompeii depicting  sexual activities,  Naples National Archaeological Museum - 1st cent AD , inv no: 27697
  • Roman Erotic Fresco from Pompeii depicting  a Satyr surprising a maiden,  Naples National Archaeological Museum - 50-79 AD , inv no 27693 ,
  • A Roman erotic fresco painting from Pompeii depicting Pan and  Hermaphrodite,  Naples National Archaeological, 50-79 AD , inv no 27700 , Naples National Secret Museum or Secret Cabinet,
  • Roman Erotic Fresco from Pompeii depicting  sexual activities,  Naples National Archaeological Museum - from a private house venereum, 50-79 AD , , inv no 27696 ,
  • Roman fresco of the divine lovers Venus and Mars, Naples National Archaeological Museum , one of the best paintings excavated from Pompeii, from the house of Venus and Mars (VII 9 47), inv 9248,
  • Roman Erotic Fresco from Pompeii depicting  sexual activities,  Naples National Archaeological Museum - from a private house venereum, 50-79 AD , , inv no 27696 ,
  • Roman fresco of the divine lovers Venus and Mars, Naples National Archaeological Museum , one of the best paintings excavated from Pompeii, from the house of Venus and Mars (VII 9 47), inv 9248,
  • Roman fresco  portrait of a baker, Terentius, and his wife in the pose of intellectuals, Naples National Archaeological Museum , their expressions capture the sense of a real moment that connects with the viewer in a direct realistic way , Pompeii VII 2,6 , inv 9058 ,
  • Roman fresco  portrait of a baker, Terentius, and his wife in the pose of intellectuals, Naples National Archaeological Museum , their expressions capture the sense of a real moment that connects with the viewer in a direct realistic way , Pompeii VII 2,6 , inv 9058 ,
  • Roman fresco  portrait of a baker, Terentius, and his wife in the pose of intellectuals, Naples National Archaeological Museum , their expressions capture the sense of a real moment that connects with the viewer in a direct realistic way , Pompeii VII 2,6 , inv 9058 ,
  • A Roman erotic fresco painting from Pompeii depicting satyr caressing a maiden,  Naples National Archaeological, 1st cent AD , from the Casa di L Cecilio Giocondo, inv no 110590 , Secret Museum or Secret Cabinet,
  • A Roman erotic fresco painting from Pompeii depicting satyr caressing a maiden,  Naples National Archaeological, 1st cent AD , from the Casa di L Cecilio Giocondo, inv no 110590 , Secret Museum or Secret Cabinet,
  • A Roman erotic fresco painting from Pompeii depicting Satyr caressing Hermaphrodite,  Naples National Archaeological  from the tablium of the Casa di Epidio Sabino, inv no 27875 , Secret Museum or Secret Cabinet,
  • A Roman erotic fresco painting from Pompeii depicting Satyr caressing Hermaphrodite,  Naples National Archaeological  from the tablium of the Casa di Epidio Sabino, inv no 27875 , Secret Museum or Secret Cabinet,
  • A Roman erotic fresco painting from Pompeii,  Naples National Archaeological Museum , form the venereum, a room for sexual activities, of Casa di Cecilio Giocondo 50-79 AD  , inv no 10569 , Secret Museum or Secret Cabinet,
  • A Roman erotic fresco painting from Pompeii,  Naples National Archaeological Museum , form the venereum, a room for sexual activities, of Casa di Cecilio Giocondo 50-79 AD  , inv no 10569 , Secret Museum or Secret Cabinet,
  • A Roman erotic fresco painting from Pompeii,  Naples National Archaeological Museum , form the venereum, a room for sexual activities, of Casa di Cecilio Giocondo 50-79 AD  , inv no 10569 , Secret Museum or Secret Cabinet,
  • A Roman erotic fresco painting from Pompeii,  Naples National Archaeological Museum , form the venereum, a room for sexual activities, of Casa di Cecilio Giocondo 50-79 AD  , inv no 10569 , Secret Museum or Secret Cabinet,
  • A Roman erotic fresco painting from Pompeii,  Naples National Archaeological Museum , form the venereum, a room for sexual activities, of Casa di Cecilio Giocondo 50-79 AD  , inv no 10569 , Secret Museum or Secret Cabinet,
  • Roman Erotic Fresco from Pompeii depicting  a man & woman having sex Naples National Archaeological Museum - 1st century AD
  • Roman Erotic Fresco from Pompeii depicting  sexual activities,  Naples National Archaeological Museum - from a private house venereum, 50-79 AD , , inv no 27696 ,
  • Roman Erotic Fresco from Pompeii depicting  sexual activities,  Naples National Archaeological Museum - from a private house venereum, 50-79 AD , , inv no 27696 ,
  • Roman Erotic Fresco from Pompeii depicting  sexual activities,  Naples National Archaeological Museum - 1st cent AD , inv no: 27697
  • Roman Erotic Fresco from Pompeii depicting  sexual activities,  Naples National Archaeological Museum - 1st cent AD , inv no: 27697
  • Pompeii Roman Erotic Fresco of Mercury with a massive phalus rom Naples National Archaeological Museum, 1st cent AD , workshop Banner
  • Roman Erotic Fresco from Pompeii depicting  sexual activities,  Naples National Archaeological Museum - from a private house venereum, 50-79 AD , , inv no 27696 ,

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