• Pictures and images of bas relief sculpture of archangels on the chapel in the historic medieval Kintsvisi Monastery Georgian Orthodox Monastery complex, Shida Kartli Region, Georgia (country).<br />
<br />
Kintsvisi Monastery is the best preserved example of Georgian architecture of the 12th and 15th centuries, the so called Georgian Golden Age.
  • Pictures and images of bas relief sculpture of the chapel in the historic medieval Kintsvisi Monastery Georgian Orthodox Monastery complex, Shida Kartli Region, Georgia (country).<br />
<br />
Kintsvisi Monastery is the best preserved example of Georgian architecture of the 12th and 15th centuries, the so called Georgian Golden Age.
  • Pictures and images of the chapel in the historic medieval Kintsvisi Monastery Georgian Orthodox Monastery complex, Shida Kartli Region, Georgia (country).<br />
<br />
Kintsvisi Monastery is the best preserved example of Georgian architecture of the 12th and 15th centuries, the so called Georgian Golden Age.
  • Pictures and images of the chapel in the historic medieval Kintsvisi Monastery Georgian Orthodox Monastery complex, Shida Kartli Region, Georgia (country).<br />
<br />
Kintsvisi Monastery is the best preserved example of Georgian architecture of the 12th and 15th centuries, the so called Georgian Golden Age.
  • Pictures and images of the historic frescoes of St Nicholas Church interior in the medieval Kintsvisi Monastery Georgian Orthodox Monastery complex, Shida Kartli Region, Georgia (country).
  • Pictures and images of the historic frescoes of St Nicholas Church interior in the medieval Kintsvisi Monastery Georgian Orthodox Monastery complex, Shida Kartli Region, Georgia (country).
  • Pictures and images of St Nicholas Church in the historic medieval Kintsvisi Monastery Georgian Orthodox Monastery complex, Shida Kartli Region, Georgia (country).<br />
<br />
Kintsvisi Monastery is the best preserved example of Georgian architecture of the 12th and 15th centuries, the so called Georgian Golden Age.
  • Pictures and images of St Nicholas Church in the historic medieval Kintsvisi Monastery Georgian Orthodox Monastery complex, Shida Kartli Region, Georgia (country).<br />
<br />
Kintsvisi Monastery is the best preserved example of Georgian architecture of the 12th and 15th centuries, the so called Georgian Golden Age.
  • Pictures and images of St Nicholas Church in the historic medieval Kintsvisi Monastery Georgian Orthodox Monastery complex, Shida Kartli Region, Georgia (country).<br />
<br />
Kintsvisi Monastery is the best preserved example of Georgian architecture of the 12th and 15th centuries, the so called Georgian Golden Age.
  • Pictures and images of St Nicholas Church in the historic medieval Kintsvisi Monastery Georgian Orthodox Monastery complex, Shida Kartli Region, Georgia (country).<br />
<br />
Kintsvisi Monastery is the best preserved example of Georgian architecture of the 12th and 15th centuries, the so called Georgian Golden Age.
  • Pictures and images of frescoes inside the chapel in the historic medieval Kintsvisi Monastery Georgian Orthodox Monastery complex, Shida Kartli Region, Georgia (country).<br />
<br />
Kintsvisi Monastery is the best preserved example of Georgian architecture of the 12th and 15th centuries, the so called Georgian Golden Age.
  • Pictures and images of bas relief sculpture of archangels on the chapel in the historic medieval Kintsvisi Monastery Georgian Orthodox Monastery complex, Shida Kartli Region, Georgia (country).<br />
<br />
Kintsvisi Monastery is the best preserved example of Georgian architecture of the 12th and 15th centuries, the so called Georgian Golden Age.
  • Pictures and images of the chapel in the historic medieval Kintsvisi Monastery Georgian Orthodox Monastery complex, Shida Kartli Region, Georgia (country).<br />
<br />
Kintsvisi Monastery is the best preserved example of Georgian architecture of the 12th and 15th centuries, the so called Georgian Golden Age.
  • Pictures and images of the chapel in the historic medieval Kintsvisi Monastery Georgian Orthodox Monastery complex, Shida Kartli Region, Georgia (country).<br />
<br />
Kintsvisi Monastery is the best preserved example of Georgian architecture of the 12th and 15th centuries, the so called Georgian Golden Age.
  • Pictures and images of the chapel in the historic medieval Kintsvisi Monastery Georgian Orthodox Monastery complex, Shida Kartli Region, Georgia (country).<br />
<br />
Kintsvisi Monastery is the best preserved example of Georgian architecture of the 12th and 15th centuries, the so called Georgian Golden Age.
  • Pictures and images of the chapel in the historic medieval Kintsvisi Monastery Georgian Orthodox Monastery complex, Shida Kartli Region, Georgia (country).<br />
<br />
Kintsvisi Monastery is the best preserved example of Georgian architecture of the 12th and 15th centuries, the so called Georgian Golden Age.
  • Pictures and images of the historic medieval Gate house and chapel of Kintsvisi Monastery Georgian Orthodox Monastery complex, Shida Kartli Region, Georgia (country).
  • Pictures and images of the historic medieval Gate house and chapel of Kintsvisi Monastery Georgian Orthodox Monastery complex, Shida Kartli Region, Georgia (country).
  • Pictures and images of the historic frescoes of St Nicholas Church interior in the medieval Kintsvisi Monastery Georgian Orthodox Monastery complex, depicting  the Virgin Mary also contains an enthroned Hodegetria with a Communion of the Apostles in iits apse. Shida Kartli Region, Georgia (country).
  • Pictures and images of St Nicholas Church in the historic medieval Kintsvisi Monastery Georgian Orthodox Monastery complex, Shida Kartli Region, Georgia (country).<br />
<br />
Kintsvisi Monastery is the best preserved example of Georgian architecture of the 12th and 15th centuries, the so called Georgian Golden Age.
  • Pictures and images of St Nicholas Church in the historic medieval Kintsvisi Monastery Georgian Orthodox Monastery complex, Shida Kartli Region, Georgia (country).<br />
<br />
Kintsvisi Monastery is the best preserved example of Georgian architecture of the 12th and 15th centuries, the so called Georgian Golden Age.
  • Pictures and images of St Nicholas Church in the historic medieval Kintsvisi Monastery Georgian Orthodox Monastery complex, Shida Kartli Region, Georgia (country).<br />
<br />
Kintsvisi Monastery is the best preserved example of Georgian architecture of the 12th and 15th centuries, the so called Georgian Golden Age.
  • Pictures and images of St Nicholas Church in the historic medieval Kintsvisi Monastery Georgian Orthodox Monastery complex, Shida Kartli Region, Georgia (country).<br />
<br />
Kintsvisi Monastery is the best preserved example of Georgian architecture of the 12th and 15th centuries, the so called Georgian Golden Age.
  • Pictures and images of St Nicholas Church in the historic medieval Kintsvisi Monastery Georgian Orthodox Monastery complex, Shida Kartli Region, Georgia (country).<br />
<br />
Kintsvisi Monastery is the best preserved example of Georgian architecture of the 12th and 15th centuries, the so called Georgian Golden Age.
  • Pictures and images of St Nicholas Church in the historic medieval Kintsvisi Monastery Georgian Orthodox Monastery complex, Shida Kartli Region, Georgia (country).<br />
<br />
Kintsvisi Monastery is the best preserved example of Georgian architecture of the 12th and 15th centuries, the so called Georgian Golden Age.
  • Pictures and images of St Nicholas Church in the historic medieval Kintsvisi Monastery Georgian Orthodox Monastery complex, Shida Kartli Region, Georgia (country).<br />
<br />
Kintsvisi Monastery is the best preserved example of Georgian architecture of the 12th and 15th centuries, the so called Georgian Golden Age.
  • Pictures and images of St Nicholas Church in the historic medieval Kintsvisi Monastery Georgian Orthodox Monastery complex, Shida Kartli Region, Georgia (country).<br />
<br />
Kintsvisi Monastery is the best preserved example of Georgian architecture of the 12th and 15th centuries, the so called Georgian Golden Age.
  • Pictures and images of St Nicholas Church in the historic medieval Kintsvisi Monastery Georgian Orthodox Monastery complex, Shida Kartli Region, Georgia (country).<br />
<br />
Kintsvisi Monastery is the best preserved example of Georgian architecture of the 12th and 15th centuries, the so called Georgian Golden Age.
  • Pictures and images of St Nicholas Church in the historic medieval Kintsvisi Monastery Georgian Orthodox Monastery complex, Shida Kartli Region, Georgia (country).<br />
<br />
Kintsvisi Monastery is the best preserved example of Georgian architecture of the 12th and 15th centuries, the so called Georgian Golden Age.
  • Hagia Irene or Hagia Eirene ( , "Holy Peace", Aya rini), the first Christian Roman Basilica built in Constantinople by Emperor Constantine. Rebuilt by Emperor Justinian I had the church restored in 548 and dedicated to his wife Now just inside the walls of the Topkapi Palace with the 19th century historic Ottoman houses of Soukçeme Soka in the foreground , Istanbul Turkey
  • The historic port of Hydra,  Greek Saronic Islands
  • The historic port of Hydra,  Greek Saronic Islands
  • The historic port of Hydra,  Greek Saronic Islands
  • The historic port of Hydra,  Greek Saronic Islands
  • The historic port of Hydra,  Greek Saronic Islands
  • The historic port of Hydra,  Greek Saronic Islands
  • The historic port of Hydra,  Greek Saronic Islands
  • The historic port of Hydra,  Greek Saronic Islands
  • The historic port of Hydra,  Greek Saronic Islands
  • The historic port of Hydra,  Greek Saronic Islands
  • The historic port of Hydra,  Greek Saronic Islands
  • The historic port of Hydra, Greek Saronic Islands.
  • The historic port of Hydra,  Greek Saronic Islands
  • The historic port of Hydra,  Greek Saronic Islands
  • The historic port of Hydra,  Greek Saronic Islands
  • The historic port of Hydra, Greek Saronic Islands.
  • The historic port of Hydra,  Greek Saronic Islands
  • The historic port of Hydra, Greek Saronic Islands.
  • The historic port of Hydra,  Greek Saronic Islands
  • The historic port of Hydra,  Greek Saronic Islands
  • The historic port of Hydra,  Greek Saronic Islands
  • The historic port of Hydra,  Greek Saronic Islands
  • The historic port of Hydra, Greek Saronic Islands.
  • The historic port of Hydra,  Greek Saronic Islands
  • The historic port of Hydra,  Greek Saronic Islands
  • The historic port of Hydra,  Greek Saronic Islands
  • The historic port of Hydra,  Greek Saronic Islands
  • The historic port of Hydra,  Greek Saronic Islands
  • The historic port of Hydra,  Greek Saronic Islands
  • The historic port of Hydra,  Greek Saronic Islands
  • The historic port of Hydra,  Greek Saronic Islands
  • The historic port of Hydra,  Greek Saronic Islands
  • The historic port of Hydra,  Greek Saronic Islands
  • The historic port of Hydra,  Greek Saronic Islands
  • The historic port of Hydra,  Greek Saronic Islands
  • The historic port of Hydra,  Greek Saronic Islands
  • The historic port of Hydra,  Greek Saronic Islands
  • The historic port of Hydra,  Greek Saronic Islands
  • The historic port of Hydra, Greek Saronic Islands.
  • The historic port of Hydra,  Greek Saronic Islands
  • The historic port of Hydra,  Greek Saronic Islands
  • The historic port of Hydra, Greek Saronic Islands.
  • The historic port of Hydra,  Greek Saronic Islands
  • The historic port of Hydra,  Greek Saronic Islands
  • Pictures of the statues of around the tomb of Commagene King Antochus 1 on the top of Mount Nemrut, Turkey. Stock photos & Photo art prints. In 62 BC, King Antiochus I Theos of Commagene built on the mountain top a tomb-sanctuary flanked by huge statues (8–9 m/26–30 ft high) of himself, two lions, two eagles and various Greek, Armenian, and Iranian gods. The photos show the broken statues on the  2,134 m (7,001 ft)  mountain. 5
  • Pictures of the statues of around the tomb of Commagene King Antochus 1 on the top of Mount Nemrut, Turkey. Stock photos & Photo art prints. In 62 BC, King Antiochus I Theos of Commagene built on the mountain top a tomb-sanctuary flanked by huge statues (8–9 m/26–30 ft high) of himself, two lions, two eagles and various Greek, Armenian, and Iranian gods. The photos show the broken statues on the  2,134 m (7,001 ft)  mountain. 1
  • Pictures of the statues of around the tomb of Commagene King Antochus 1 on the top of Mount Nemrut, Turkey. Stock photos & Photo art prints. In 62 BC, King Antiochus I Theos of Commagene built on the mountain top a tomb-sanctuary flanked by huge statues (8–9 m/26–30 ft high) of himself, two lions, two eagles and various Greek, Armenian, and Iranian gods. The photos show the broken statues on the  2,134 m (7,001 ft)  mountain. 5
  • Image of the statues of around the tomb of Commagene King Antochus 1 on the top of Mount Nemrut, Turkey. Stock photos & Photo art prints. In 62 BC, King Antiochus I Theos of Commagene built on the mountain top a tomb-sanctuary flanked by huge statues (8–9 m/26–30 ft high) of himself, two lions, two eagles and various Greek, Armenian, and Iranian gods. The photos show the broken statues on the  2,134 m (7,001 ft)  mountain. 2
  • Pictures of the statues of around the tomb of Commagene King Antochus 1 on the top of Mount Nemrut, Turkey. Stock photos & Photo art prints. In 62 BC, King Antiochus I Theos of Commagene built on the mountain top a tomb-sanctuary flanked by huge statues (8–9 m/26–30 ft high) of himself, two lions, two eagles and various Greek, Armenian, and Iranian gods. The photos show the broken statues on the  2,134 m (7,001 ft)  mountain. 7
  • Pictures of the statues of around the tomb of Commagene King Antochus 1 on the top of Mount Nemrut, Turkey. Stock photos & Photo art prints. In 62 BC, King Antiochus I Theos of Commagene built on the mountain top a tomb-sanctuary flanked by huge statues (8–9 m/26–30 ft high) of himself, two lions, two eagles and various Greek, Armenian, and Iranian gods. The photos show the broken statues on the  2,134 m (7,001 ft)  mountain. 6
  • Pictures of the statues of around the tomb of Commagene King Antochus 1 on the top of Mount Nemrut, Turkey. Stock photos & Photo art prints. In 62 BC, King Antiochus I Theos of Commagene built on the mountain top a tomb-sanctuary flanked by huge statues (8–9 m/26–30 ft high) of himself, two lions, two eagles and various Greek, Armenian, and Iranian gods. The photos show the broken statues on the  2,134 m (7,001 ft)  mountain.
  • Pictures & images of Jvari Monastery, a 6th century Georgian Orthodox monastery near Mtskheta, eastern Georgia. A UNESCO World Heritage Site.<br />
<br />
The Jvari church is an early example of a four apse church with four niches domed tetraconch. The Jvari church had a great impact on the further development of Georgian architecture and served as a model for many other churches.<br />
<br />
The Historical Monuments of Jvari Monastery Mtskheta is located in the cultural landscape overlooking the confluence of the Aragvi and Mtkvari Rivers, in Central-Eastern Georgia, some 20km northwest of Tbilisi.
  • Pictures & images of Jvari Monastery, a 6th century Georgian Orthodox monastery near Mtskheta, eastern Georgia. A UNESCO World Heritage Site.<br />
<br />
The Jvari church is an early example of a four apse church with four niches domed tetraconch. The Jvari church had a great impact on the further development of Georgian architecture and served as a model for many other churches.<br />
<br />
The Historical Monuments of Jvari Monastery Mtskheta is located in the cultural landscape overlooking the confluence of the Aragvi and Mtkvari Rivers, in Central-Eastern Georgia, some 20km northwest of Tbilisi.
  • Pictures & images of Jvari Monastery, a 6th century Georgian Orthodox monastery near Mtskheta, eastern Georgia. A UNESCO World Heritage Site.<br />
<br />
The Jvari church is an early example of a four apse church with four niches domed tetraconch. The Jvari church had a great impact on the further development of Georgian architecture and served as a model for many other churches.<br />
<br />
The Historical Monuments of Jvari Monastery Mtskheta is located in the cultural landscape overlooking the confluence of the Aragvi and Mtkvari Rivers, in Central-Eastern Georgia, some 20km northwest of Tbilisi.
  • Pictures & images of Jvari Monastery, a 6th century Georgian Orthodox monastery near Mtskheta, eastern Georgia. A UNESCO World Heritage Site.<br />
<br />
The Jvari church is an early example of a four apse church with four niches domed tetraconch. The Jvari church had a great impact on the further development of Georgian architecture and served as a model for many other churches.<br />
<br />
The Historical Monuments of Jvari Monastery Mtskheta is located in the cultural landscape overlooking the confluence of the Aragvi and Mtkvari Rivers, in Central-Eastern Georgia, some 20km northwest of Tbilisi.
  • Pictures & images of Jvari Monastery, a 6th century Georgian Orthodox monastery near Mtskheta, eastern Georgia. A UNESCO World Heritage Site.<br />
<br />
The Jvari church is an early example of a four apse church with four niches domed tetraconch. The Jvari church had a great impact on the further development of Georgian architecture and served as a model for many other churches.<br />
<br />
The Historical Monuments of Jvari Monastery Mtskheta is located in the cultural landscape overlooking the confluence of the Aragvi and Mtkvari Rivers, in Central-Eastern Georgia, some 20km northwest of Tbilisi.
  • Pictures & images of Jvari Monastery, a 6th century Georgian Orthodox monastery near Mtskheta, eastern Georgia. A UNESCO World Heritage Site.<br />
<br />
The Jvari church is an early example of a four apse church with four niches domed tetraconch. The Jvari church had a great impact on the further development of Georgian architecture and served as a model for many other churches.<br />
<br />
The Historical Monuments of Jvari Monastery Mtskheta is located in the cultural landscape overlooking the confluence of the Aragvi and Mtkvari Rivers, in Central-Eastern Georgia, some 20km northwest of Tbilisi.
  • Pictures & images of Jvari Monastery, a 6th century Georgian Orthodox monastery near Mtskheta, eastern Georgia. A UNESCO World Heritage Site.<br />
<br />
The Jvari church is an early example of a four apse church with four niches domed tetraconch. The Jvari church had a great impact on the further development of Georgian architecture and served as a model for many other churches.<br />
<br />
The Historical Monuments of Jvari Monastery Mtskheta is located in the cultural landscape overlooking the confluence of the Aragvi and Mtkvari Rivers, in Central-Eastern Georgia, some 20km northwest of Tbilisi.
  • Pictures & images of Jvari Monastery, a 6th century Georgian Orthodox monastery near Mtskheta, eastern Georgia. A UNESCO World Heritage Site.<br />
<br />
The Jvari church is an early example of a four apse church with four niches domed tetraconch. The Jvari church had a great impact on the further development of Georgian architecture and served as a model for many other churches.<br />
<br />
The Historical Monuments of Jvari Monastery Mtskheta is located in the cultural landscape overlooking the confluence of the Aragvi and Mtkvari Rivers, in Central-Eastern Georgia, some 20km northwest of Tbilisi.
  • Pictures & images of Jvari Monastery, a 6th century Georgian Orthodox monastery near Mtskheta, eastern Georgia. A UNESCO World Heritage Site.<br />
<br />
The Jvari church is an early example of a four apse church with four niches domed tetraconch. The Jvari church had a great impact on the further development of Georgian architecture and served as a model for many other churches.<br />
<br />
The Historical Monuments of Jvari Monastery Mtskheta is located in the cultural landscape overlooking the confluence of the Aragvi and Mtkvari Rivers, in Central-Eastern Georgia, some 20km northwest of Tbilisi.
  • Pictures & images of Jvari Monastery, a 6th century Georgian Orthodox monastery near Mtskheta, eastern Georgia. A UNESCO World Heritage Site.<br />
<br />
The Jvari church is an early example of a four apse church with four niches domed tetraconch. The Jvari church had a great impact on the further development of Georgian architecture and served as a model for many other churches.<br />
<br />
The Historical Monuments of Jvari Monastery Mtskheta is located in the cultural landscape overlooking the confluence of the Aragvi and Mtkvari Rivers, in Central-Eastern Georgia, some 20km northwest of Tbilisi.
  • Pictures & images of Jvari Monastery, a 6th century Georgian Orthodox monastery near Mtskheta, eastern Georgia. A UNESCO World Heritage Site.<br />
<br />
The Jvari church is an early example of a four apse church with four niches domed tetraconch. The Jvari church had a great impact on the further development of Georgian architecture and served as a model for many other churches.<br />
<br />
The Historical Monuments of Jvari Monastery Mtskheta is located in the cultural landscape overlooking the confluence of the Aragvi and Mtkvari Rivers, in Central-Eastern Georgia, some 20km northwest of Tbilisi.
  • Pictures & images of Jvari Monastery, a 6th century Georgian Orthodox monastery near Mtskheta, eastern Georgia. A UNESCO World Heritage Site.<br />
<br />
The Jvari church is an early example of a four apse church with four niches domed tetraconch. The Jvari church had a great impact on the further development of Georgian architecture and served as a model for many other churches.<br />
<br />
The Historical Monuments of Jvari Monastery Mtskheta is located in the cultural landscape overlooking the confluence of the Aragvi and Mtkvari Rivers, in Central-Eastern Georgia, some 20km northwest of Tbilisi.
  • Pictures & images of Jvari Monastery, a 6th century Georgian Orthodox monastery near Mtskheta, eastern Georgia. A UNESCO World Heritage Site.<br />
<br />
The Jvari church is an early example of a four apse church with four niches domed tetraconch. The Jvari church had a great impact on the further development of Georgian architecture and served as a model for many other churches.<br />
<br />
The Historical Monuments of Jvari Monastery Mtskheta is located in the cultural landscape overlooking the confluence of the Aragvi and Mtkvari Rivers, in Central-Eastern Georgia, some 20km northwest of Tbilisi.
  • Pictures & images of Jvari Monastery, a 6th century Georgian Orthodox monastery near Mtskheta, eastern Georgia. A UNESCO World Heritage Site.<br />
<br />
The Jvari church is an early example of a four apse church with four niches domed tetraconch. The Jvari church had a great impact on the further development of Georgian architecture and served as a model for many other churches.<br />
<br />
The Historical Monuments of Jvari Monastery Mtskheta is located in the cultural landscape overlooking the confluence of the Aragvi and Mtkvari Rivers, in Central-Eastern Georgia, some 20km northwest of Tbilisi.
  • Pictures & images of Jvari Monastery, a 6th century Georgian Orthodox monastery near Mtskheta, eastern Georgia. A UNESCO World Heritage Site.<br />
<br />
The Jvari church is an early example of a four apse church with four niches domed tetraconch. The Jvari church had a great impact on the further development of Georgian architecture and served as a model for many other churches.<br />
<br />
The Historical Monuments of Jvari Monastery Mtskheta is located in the cultural landscape overlooking the confluence of the Aragvi and Mtkvari Rivers, in Central-Eastern Georgia, some 20km northwest of Tbilisi.
  • Pictures & images of Jvari Monastery, a 6th century Georgian Orthodox monastery near Mtskheta, eastern Georgia. A UNESCO World Heritage Site.<br />
<br />
The Jvari church is an early example of a four apse church with four niches domed tetraconch. The Jvari church had a great impact on the further development of Georgian architecture and served as a model for many other churches.<br />
<br />
The Historical Monuments of Jvari Monastery Mtskheta is located in the cultural landscape overlooking the confluence of the Aragvi and Mtkvari Rivers, in Central-Eastern Georgia, some 20km northwest of Tbilisi.
  • Pictures & images of Jvari Monastery, a 6th century Georgian Orthodox monastery near Mtskheta, eastern Georgia. A UNESCO World Heritage Site.<br />
<br />
The Jvari church is an early example of a four apse church with four niches domed tetraconch. The Jvari church had a great impact on the further development of Georgian architecture and served as a model for many other churches.<br />
<br />
The Historical Monuments of Jvari Monastery Mtskheta is located in the cultural landscape overlooking the confluence of the Aragvi and Mtkvari Rivers, in Central-Eastern Georgia, some 20km northwest of Tbilisi.
  • Pictures & images of Jvari Monastery, a 6th century Georgian Orthodox monastery near Mtskheta, eastern Georgia. A UNESCO World Heritage Site.<br />
<br />
The Jvari church is an early example of a four apse church with four niches domed tetraconch. The Jvari church had a great impact on the further development of Georgian architecture and served as a model for many other churches.<br />
<br />
The Historical Monuments of Jvari Monastery Mtskheta is located in the cultural landscape overlooking the confluence of the Aragvi and Mtkvari Rivers, in Central-Eastern Georgia, some 20km northwest of Tbilisi.
  • Pictures & images of Jvari Monastery, a 6th century Georgian Orthodox monastery near Mtskheta, eastern Georgia. A UNESCO World Heritage Site.<br />
<br />
The Jvari church is an early example of a four apse church with four niches domed tetraconch. The Jvari church had a great impact on the further development of Georgian architecture and served as a model for many other churches.<br />
<br />
The Historical Monuments of Jvari Monastery Mtskheta is located in the cultural landscape overlooking the confluence of the Aragvi and Mtkvari Rivers, in Central-Eastern Georgia, some 20km northwest of Tbilisi.
  • Pictures & images of Jvari Monastery, a 6th century Georgian Orthodox monastery near Mtskheta, eastern Georgia. A UNESCO World Heritage Site.<br />
<br />
The Jvari church is an early example of a four apse church with four niches domed tetraconch. The Jvari church had a great impact on the further development of Georgian architecture and served as a model for many other churches.<br />
<br />
The Historical Monuments of Jvari Monastery Mtskheta is located in the cultural landscape overlooking the confluence of the Aragvi and Mtkvari Rivers, in Central-Eastern Georgia, some 20km northwest of Tbilisi.
  • Pictures & images of Jvari Monastery, a 6th century Georgian Orthodox monastery near Mtskheta, eastern Georgia. A UNESCO World Heritage Site.<br />
<br />
The Jvari church is an early example of a four apse church with four niches domed tetraconch. The Jvari church had a great impact on the further development of Georgian architecture and served as a model for many other churches.<br />
<br />
The Historical Monuments of Jvari Monastery Mtskheta is located in the cultural landscape overlooking the confluence of the Aragvi and Mtkvari Rivers, in Central-Eastern Georgia, some 20km northwest of Tbilisi.
  • Picture & Photo of The library of Celsus at sunrise . Images of the Roman ruins of Ephasus, Turkey. Stock Picture & Photo art prints
  • Picture & Photo of The library of Celsus at sunrise . Images of the Roman ruins of Ephasus, Turkey. Stock Picture & Photo art prints
  • Picture & Photo of The library of Celsus at sunrise . Images of the Roman ruins of Ephasus, Turkey. Stock Picture & Photo art prints
  • Picture & Photo of The library of Celsus at sunrise . Images of the Roman ruins of Ephasus, Turkey. Stock Picture & Photo art prints
  • Byzantine Christian Mosaics of The Palatine Chapel  ( Capella Palatina) in The Norman Palace (Palazzo dei Normanni), Palermo, Sicily. Scenes of Christ and from the Bible.
  • Byzantine mosaics at the Palatine Chapel ( Capella Palatina ) Norman Palace Palermo, Sicily, Italy. Christ above the Alter.
  • Architectural details of the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Courtyard of the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Minarete of the Mosque of the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Picture and image of the Tuscan Romanesque Pisan style basilica of Santissima Trinita di Saccargia, historicated pillar capitals, consecrated 1116, Codrongianos, Sardinia.
  • Picture and image of the Tuscan Romanesque Pisan style basilica of Santissima Trinita di Saccargia, historicated pillar capitals, consecrated 1116, Codrongianos, Sardinia.
  • Picture and image of the Tuscan Romanesque Pisan style basilica of Santissima Trinita di Saccargia, historicated pillar capitals, consecrated 1116, Codrongianos, Sardinia.
  • Picture and image of the Tuscan Romanesque Pisan style basilica of Santissima Trinita di Saccargia, historicated pillar capitals, consecrated 1116, Codrongianos, Sardinia.
  • The early renaissance clock tower of Torre dell' Orologio, San Marco district, Venice, UNESCO World Heritage Site, Venetia, Italy, Europe
  • Ancient hill fort next to the  the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Courtyard of the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Courtyard of the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • York Minster exterior, England
  • York Minster exterior, England
  • The facade of the the medieval Wells Cathedral built in the Early English Gothic style in 1175, Wells Somerset, England
  • The facade of the the medieval Wells Cathedral built in the Early English Gothic style in 1175, Wells Somerset, England
  • Adobe buildings of the Berber Ksar or fortified village of Ait Benhaddou, Sous-Massa-Dra Morocco
  • Exterior of the mud brick Kasbah of Taourirt, Ouarzazate, Morocco, built by Pasha Glaoui. A Unesco World Heritage Site
  • Adobe buildings of the Berber Ksar or fortified village of Ait Benhaddou, Sous-Massa-Dra Morocco
  • The water jets of the Organ fountain, 1566, housing organ pipies driven by air from the fountains. Villa d'Este, Tivoli, Italy - Unesco World Heritage Site.
  • The  Topkapi Palace, Istanbul, Turkey
  • Statue head of Herekles in front of the stone pyramid 62 BC Royal Tomb of King Antiochus I Theos of Commagene, east Terrace, Mount Nemrut or Nemrud Dagi summit, near Adıyaman, Turkey
  • Statue heads, from right, Herekles & Apollo  in front of the stone pyramid 62 BC Royal Tomb of King Antiochus I Theos of Commagene, east Terrace, Mount Nemrut or Nemrud Dagi summit, near Adıyaman, Turkey
  • Statue head of Commagene in front of the stone pyramid 62 BC Royal Tomb of King Antiochus I Theos of Commagene, east Terrace, Mount Nemrut or Nemrud Dagi summit, near Adıyaman, Turkey
  • Statue heads at sunrise, from right, Eagle, Herekles, Apollo, Zeus, Commagene, Antiochus, & Eagle, 62 BC Royal Tomb of King Antiochus I Theos of Commagene, east Terrace, Mount Nemrut or Nemrud Dagi summit, near Adıyaman, Turkey
  • Statue head of from left, Zeus, Commagene, Apollo, Herekles & Eagle in front of the 62 BC Royal Tomb of King Antiochus I Theos of Commagene, west Terrace, Mount Nemrut or Nemrud Dagi summit, near Adıyaman, Turkey
  • Statue head of from left, Apollo, Herekles & Eagle in front of the 62 BC Royal Tomb of King Antiochus I Theos of Commagene, west Terrace, Mount Nemrut or Nemrud Dagi summit, near Adıyaman, Turkey
  • Statue head of  Antiochus, the 62 BC Royal Tomb of King Antiochus I Theos of Commagene, west Terrace, Mount Nemrut or Nemrud Dagi summit, near Adıyaman, Turkey
  • Statue head of Zeus in front of the stone pyramid 62 BC Royal Tomb of King Antiochus I Theos of Commagene, east Terrace, Mount Nemrut or Nemrud Dagi summit, near Adıyaman, Turkey
  • Statue heads at sunset, from right,  Lion, Eagle, Herekles & Apollo,  with headless seated statues in front of the stone pyramid 62 BC Royal Tomb of King Antiochus I Theos of Commagene, east Terrace, Mount Nemrut or Nemrud Dagi summit, near Adıyaman, Turkey
  • Statue heads at sunset, from left,  Eagle, Antiochus, Commagene, Zeus, Apollo, & Herekles with headless seated statues in front of the stone pyramid 62 BC Royal Tomb of King Antiochus I Theos of Commagene, east Terrace, Mount Nemrut or Nemrud Dagi summit, near Adıyaman, Turkey
  • Statue head at sunset of Zeus & Antiocchus behind, in front of the 62 BC Royal Tomb of King Antiochus I Theos of Commagene, west Terrace, Mount Nemrut or Nemrud Dagi summit, near Adıyaman, Turkey
  • Pictures & Images of the statues of around the tomb of Commagene King Antochus 1 on the top of Mount Nemrut, Turkey. Stock photos & Photo art prints. In 62 BC, King Antiochus I Theos of Commagene built on the mountain top a tomb-sanctuary flanked by huge statues (8–9 m/26–30 ft high) of himself, two lions, two eagles and various Greek, Armenian, and Iranian gods. The photos show the broken statues on the  2,134 m (7,001 ft)  mountain. 2
  • Pictures of the statues of around the tomb of Commagene King Antochus 1 on the top of Mount Nemrut, Turkey. Stock photos & Photo art prints. In 62 BC, King Antiochus I Theos of Commagene built on the mountain top a tomb-sanctuary flanked by huge statues (8–9 m/26–30 ft high) of himself, two lions, two eagles and various Greek, Armenian, and Iranian gods. The photos show the broken statues on the  2,134 m (7,001 ft)  mountain. 4
  • Pictures of the statues of around the tomb of Commagene King Antochus 1 on the top of Mount Nemrut, Turkey. Stock photos & Photo art prints. In 62 BC, King Antiochus I Theos of Commagene built on the mountain top a tomb-sanctuary flanked by huge statues (8–9 m/26–30 ft high) of himself, two lions, two eagles and various Greek, Armenian, and Iranian gods. The photos show the broken statues on the  2,134 m (7,001 ft)  mountain. 3
  • Image of the statues of around the tomb of Commagene King Antochus 1 on the top of Mount Nemrut, Turkey. Stock photos & Photo art prints. In 62 BC, King Antiochus I Theos of Commagene built on the mountain top a tomb-sanctuary flanked by huge statues (8–9 m/26–30 ft high) of himself, two lions, two eagles and various Greek, Armenian, and Iranian gods. The photos show the broken statues on the  2,134 m (7,001 ft)  mountain. 5
  • Image of the statues of around the tomb of Commagene King Antochus 1 on the top of Mount Nemrut, Turkey. Stock photos & Photo art prints. In 62 BC, King Antiochus I Theos of Commagene built on the mountain top a tomb-sanctuary flanked by huge statues (8–9 m/26–30 ft high) of himself, two lions, two eagles and various Greek, Armenian, and Iranian gods. The photos show the broken statues on the  2,134 m (7,001 ft)  mountain. 4
  • Image of the statues of around the tomb of Commagene King Antochus 1 on the top of Mount Nemrut, Turkey. Stock photos & Photo art prints. In 62 BC, King Antiochus I Theos of Commagene built on the mountain top a tomb-sanctuary flanked by huge statues (8–9 m/26–30 ft high) of himself, two lions, two eagles and various Greek, Armenian, and Iranian gods. The photos show the broken statues on the  2,134 m (7,001 ft)  mountain. 3
  • Image of the statues of around the tomb of Commagene King Antochus 1 on the top of Mount Nemrut, Turkey. Stock photos & Photo art prints. In 62 BC, King Antiochus I Theos of Commagene built on the mountain top a tomb-sanctuary flanked by huge statues (8–9 m/26–30 ft high) of himself, two lions, two eagles and various Greek, Armenian, and Iranian gods. The photos show the broken statues on the  2,134 m (7,001 ft)  mountain. 2
  • Pictures of the statues of around the tomb of Commagene King Antochus 1 on the top of Mount Nemrut, Turkey. Stock photos & Photo art prints. In 62 BC, King Antiochus I Theos of Commagene built on the mountain top a tomb-sanctuary flanked by huge statues (8–9 m/26–30 ft high) of himself, two lions, two eagles and various Greek, Armenian, and Iranian gods. The photos show the broken statues on the  2,134 m (7,001 ft)  mountain. 4
  • Pictures of the statues of around the tomb of Commagene King Antochus 1 on the top of Mount Nemrut, Turkey. Stock photos & Photo art prints. In 62 BC, King Antiochus I Theos of Commagene built on the mountain top a tomb-sanctuary flanked by huge statues (8–9 m/26–30 ft high) of himself, two lions, two eagles and various Greek, Armenian, and Iranian gods. The photos show the broken statues on the  2,134 m (7,001 ft)  mountain. 1
  • Pictures & Images of the statues of around the tomb of Commagene King Antochus 1 on the top of Mount Nemrut, Turkey. Stock photos & Photo art prints. In 62 BC, King Antiochus I Theos of Commagene built on the mountain top a tomb-sanctuary flanked by huge statues (8–9 m/26–30 ft high) of himself, two lions, two eagles and various Greek, Armenian, and Iranian gods. The photos show the broken statues on the  2,134 m (7,001 ft)  mountain. 3
  • Pictures & Images of the statues of around the tomb of Commagene King Antochus 1 on the top of Mount Nemrut, Turkey. Stock photos & Photo art prints. In 62 BC, King Antiochus I Theos of Commagene built on the mountain top a tomb-sanctuary flanked by huge statues (8–9 m/26–30 ft high) of himself, two lions, two eagles and various Greek, Armenian, and Iranian gods. The photos show the broken statues on the  2,134 m (7,001 ft)  mountain. 1
  • Pictures of the statues of around the tomb of Commagene King Antochus 1 on the top of Mount Nemrut, Turkey. Stock photos & Photo art prints. In 62 BC, King Antiochus I Theos of Commagene built on the mountain top a tomb-sanctuary flanked by huge statues (8–9 m/26–30 ft high) of himself, two lions, two eagles and various Greek, Armenian, and Iranian gods. The photos show the broken statues on the  2,134 m (7,001 ft)  mountain. 6
  • Pictures of the statues of around the tomb of Commagene King Antochus 1 on the top of Mount Nemrut, Turkey. Stock photos & Photo art prints. In 62 BC, King Antiochus I Theos of Commagene built on the mountain top a tomb-sanctuary flanked by huge statues (8–9 m/26–30 ft high) of himself, two lions, two eagles and various Greek, Armenian, and Iranian gods. The photos show the broken statues on the  2,134 m (7,001 ft)  mountain. 2
  • Pictures of the statues of around the tomb of Commagene King Antochus 1 on the top of Mount Nemrut, Turkey. Stock photos & Photo art prints. In 62 BC, King Antiochus I Theos of Commagene built on the mountain top a tomb-sanctuary flanked by huge statues (8–9 m/26–30 ft high) of himself, two lions, two eagles and various Greek, Armenian, and Iranian gods. The photos show the broken statues on the  2,134 m (7,001 ft)  mountain. 1
  • Pictures of the statues of around the tomb of Commagene King Antochus 1 on the top of Mount Nemrut, Turkey. Stock photos & Photo art prints. In 62 BC, King Antiochus I Theos of Commagene built on the mountain top a tomb-sanctuary flanked by huge statues (8–9 m/26–30 ft high) of himself, two lions, two eagles and various Greek, Armenian, and Iranian gods. The photos show the broken statues on the  2,134 m (7,001 ft)  mountain. 3
  • Pictures of the statues of around the tomb of Commagene King Antochus 1 on the top of Mount Nemrut, Turkey. Stock photos & Photo art prints. In 62 BC, King Antiochus I Theos of Commagene built on the mountain top a tomb-sanctuary flanked by huge statues (8–9 m/26–30 ft high) of himself, two lions, two eagles and various Greek, Armenian, and Iranian gods. The photos show the broken statues on the  2,134 m (7,001 ft)  mountain. 2
  • Picture & image of Vardzia medieval relief carved architectural panels from the cave city and monastery of Vardzia, Erusheti Mountain, southern Georgia (country)<br />
<br />
Inhabited from the 5th century BC, the first identifiable phase of building took place at  Vardzia in the reign of Giorgi III (1156-1184) to be continued by his successor, Queen Tamar 1186, when the Church of the Dormition was carved out of the rock and decorated with frescoes
  • Picture & image of Vardzia medieval relief carved architectural panels from the cave city and monastery of Vardzia, Erusheti Mountain, southern Georgia (country)<br />
<br />
Inhabited from the 5th century BC, the first identifiable phase of building took place at  Vardzia in the reign of Giorgi III (1156-1184) to be continued by his successor, Queen Tamar 1186, when the Church of the Dormition was carved out of the rock and decorated with frescoes
  • Picture & image of Vardzia medieval relief carved architectural panels from the cave city and monastery of Vardzia, Erusheti Mountain, southern Georgia (country)<br />
<br />
Inhabited from the 5th century BC, the first identifiable phase of building took place at  Vardzia in the reign of Giorgi III (1156-1184) to be continued by his successor, Queen Tamar 1186, when the Church of the Dormition was carved out of the rock and decorated with frescoes
  • Picture & image of Vardzia medieval relief carved architectural panels from the cave city and monastery of Vardzia, Erusheti Mountain, southern Georgia (country)<br />
<br />
Inhabited from the 5th century BC, the first identifiable phase of building took place at  Vardzia in the reign of Giorgi III (1156-1184) to be continued by his successor, Queen Tamar 1186, when the Church of the Dormition was carved out of the rock and decorated with frescoes
  • Picture & image of Vardzia medieval cave tomb of the Church of the Dormition cave cemetery, part of the cave city and monastery of Vardzia, Erusheti Mountain, southern Georgia (country)<br />
<br />
Inhabited from the 5th century BC, the first identifiable phase of building took place at  Vardzia in the reign of Giorgi III (1156-1184) to be continued by his successor, Queen Tamar 1186, when the Church of the Dormition was carved out of the rock and decorated with frescoes
  • Picture & image of Vardzia medieval cave Church of the Dormition interior secco paintings of the Dormition of the Virgin, part of the cave city and monastery of Vardzia, Erusheti Mountain, southern Georgia (country)<br />
<br />
Inhabited from the 5th century BC, the first identifiable phase of building took place at  Vardzia in the reign of Giorgi III (1156-1184) to be continued by his successor, Queen Tamar 1186, when the Church of the Dormition was carved out of the rock and decorated with frescoes
  • Picture & image of Vardzia medieval cave Church of the Dormition interior secco paintings of the Dormition of the Virgin, part of the cave city and monastery of Vardzia, Erusheti Mountain, southern Georgia (country)<br />
<br />
Inhabited from the 5th century BC, the first identifiable phase of building took place at  Vardzia in the reign of Giorgi III (1156-1184) to be continued by his successor, Queen Tamar 1186, when the Church of the Dormition was carved out of the rock and decorated with frescoes
  • Picture & image of Vardzia medieval cave Church of the Dormition interior secco paintings, part of the cave city and monastery of Vardzia, Erusheti Mountain, southern Georgia (country)<br />
<br />
Inhabited from the 5th century BC, the first identifiable phase of building took place at  Vardzia in the reign of Giorgi III (1156-1184) to be continued by his successor, Queen Tamar 1186, when the Church of the Dormition was carved out of the rock and decorated with frescoes
  • Picture & image of Vardzia medieval cave Church of the Dormition interior secco paintings, part of the cave city and monastery of Vardzia, Erusheti Mountain, southern Georgia (country)<br />
<br />
Inhabited from the 5th century BC, the first identifiable phase of building took place at  Vardzia in the reign of Giorgi III (1156-1184) to be continued by his successor, Queen Tamar 1186, when the Church of the Dormition was carved out of the rock and decorated with frescoes
  • Picture & image of Vardzia medieval cave Church of the Dormition interior secco paintings, part of the cave city and monastery of Vardzia, Erusheti Mountain, southern Georgia (country)<br />
<br />
Inhabited from the 5th century BC, the first identifiable phase of building took place at  Vardzia in the reign of Giorgi III (1156-1184) to be continued by his successor, Queen Tamar 1186, when the Church of the Dormition was carved out of the rock and decorated with frescoes
  • Picture & image of Vardzia medieval cave Church of the Dormition interior secco paintings, part of the cave city and monastery of Vardzia, Erusheti Mountain, southern Georgia (country)<br />
<br />
Inhabited from the 5th century BC, the first identifiable phase of building took place at  Vardzia in the reign of Giorgi III (1156-1184) to be continued by his successor, Queen Tamar 1186, when the Church of the Dormition was carved out of the rock and decorated with frescoes
  • Picture & image of Vardzia medieval cave Church of the Dormition interior secco paintings, part of the cave city and monastery of Vardzia, Erusheti Mountain, southern Georgia (country)<br />
<br />
Inhabited from the 5th century BC, the first identifiable phase of building took place at  Vardzia in the reign of Giorgi III (1156-1184) to be continued by his successor, Queen Tamar 1186, when the Church of the Dormition was carved out of the rock and decorated with frescoes
  • Picture & image of Vardzia medieval cave Church of the Dormition interior secco paintings of Queen Tamar & Giorgi III, part of the cave city and monastery of Vardzia, Erusheti Mountain, southern Georgia (country)<br />
<br />
Inhabited from the 5th century BC, the first identifiable phase of building took place at  Vardzia in the reign of Giorgi III (1156-1184) to be continued by his successor, Queen Tamar 1186, when the Church of the Dormition was carved out of the rock and decorated with frescoes
  • Picture & image of Vardzia medieval cave Church of the Dormition interior secco paintings of Queen Tamar & Giorgi III, part of the cave city and monastery of Vardzia, Erusheti Mountain, southern Georgia (country)<br />
<br />
Inhabited from the 5th century BC, the first identifiable phase of building took place at  Vardzia in the reign of Giorgi III (1156-1184) to be continued by his successor, Queen Tamar 1186, when the Church of the Dormition was carved out of the rock and decorated with frescoes
  • Picture & image of Vardzia medieval cave Church of the Dormition interior secco paintings of Queen Tamar & Giorgi III, part of the cave city and monastery of Vardzia, Erusheti Mountain, southern Georgia (country)<br />
<br />
Inhabited from the 5th century BC, the first identifiable phase of building took place at  Vardzia in the reign of Giorgi III (1156-1184) to be continued by his successor, Queen Tamar 1186, when the Church of the Dormition was carved out of the rock and decorated with frescoes
  • Picture & image of Vardzia medieval cave Church of the Dormition Georgian inscription over door, part of the cave city and monastery of Vardzia, Erusheti Mountain, southern Georgia (country)<br />
<br />
Inhabited from the 5th century BC, the first identifiable phase of building took place at  Vardzia in the reign of Giorgi III (1156-1184) to be continued by his successor, Queen Tamar 1186, when the Church of the Dormition was carved out of the rock and decorated with frescoes
  • Picture & image of Vardzia medieval cave Church of the Dormition Georgian inscription over door, part of the cave city and monastery of Vardzia, Erusheti Mountain, southern Georgia (country)<br />
<br />
Inhabited from the 5th century BC, the first identifiable phase of building took place at  Vardzia in the reign of Giorgi III (1156-1184) to be continued by his successor, Queen Tamar 1186, when the Church of the Dormition was carved out of the rock and decorated with frescoes
  • Picture & image of Vardzia medieval cave interior of the city and monastery, Erusheti Mountain, southern Georgia (country)<br />
<br />
Inhabited from the 5th century BC, the first identifiable phase of building took place at  Vardzia in the reign of Giorgi III (1156-1184) to be continued by his successor, Queen Tamar 1186, when the Church of the Dormition was carved out of the rock and decorated with frescoes
  • Picture & image of Vardzia medieval cave interior of the city and monastery, Erusheti Mountain, southern Georgia (country)<br />
<br />
Inhabited from the 5th century BC, the first identifiable phase of building took place at  Vardzia in the reign of Giorgi III (1156-1184) to be continued by his successor, Queen Tamar 1186, when the Church of the Dormition was carved out of the rock and decorated with frescoes
  • Picture & image of Vardzia medieval cave interior of the city and monastery, Erusheti Mountain, southern Georgia (country)<br />
<br />
Inhabited from the 5th century BC, the first identifiable phase of building took place at  Vardzia in the reign of Giorgi III (1156-1184) to be continued by his successor, Queen Tamar 1186, when the Church of the Dormition was carved out of the rock and decorated with frescoes
  • Picture & image of Vardzia medieval cave interior of the city and monastery, Erusheti Mountain, southern Georgia (country)<br />
<br />
Inhabited from the 5th century BC, the first identifiable phase of building took place at  Vardzia in the reign of Giorgi III (1156-1184) to be continued by his successor, Queen Tamar 1186, when the Church of the Dormition was carved out of the rock and decorated with frescoes
  • Picture & image of Vardzia medieval cave interior of the city and monastery, Erusheti Mountain, southern Georgia (country)<br />
<br />
Inhabited from the 5th century BC, the first identifiable phase of building took place at  Vardzia in the reign of Giorgi III (1156-1184) to be continued by his successor, Queen Tamar 1186, when the Church of the Dormition was carved out of the rock and decorated with frescoes
  • Picture & image of Vardzia medieval cave interior of the city and monastery, Erusheti Mountain, southern Georgia (country)<br />
<br />
Inhabited from the 5th century BC, the first identifiable phase of building took place at  Vardzia in the reign of Giorgi III (1156-1184) to be continued by his successor, Queen Tamar 1186, when the Church of the Dormition was carved out of the rock and decorated with frescoes
  • Picture & image of Vardzia medieval cave city and monastery, Erusheti Mountain, southern Georgia (country)<br />
<br />
Inhabited from the 5th century BC, the first identifiable phase of building took place at  Vardzia in the reign of Giorgi III (1156-1184) to be continued by his successor, Queen Tamar 1186, when the Church of the Dormition was carved out of the rock and decorated with frescoes
  • Picture & image of Vardzia medieval cave city and monastery, Erusheti Mountain, southern Georgia (country)<br />
<br />
Inhabited from the 5th century BC, the first identifiable phase of building took place at  Vardzia in the reign of Giorgi III (1156-1184) to be continued by his successor, Queen Tamar 1186, when the Church of the Dormition was carved out of the rock and decorated with frescoes
  • Picture & image of Vardzia medieval cave city and monastery, Erusheti Mountain, southern Georgia (country)<br />
<br />
Inhabited from the 5th century BC, the first identifiable phase of building took place at  Vardzia in the reign of Giorgi III (1156-1184) to be continued by his successor, Queen Tamar 1186, when the Church of the Dormition was carved out of the rock and decorated with frescoes
  • Picture & image of Vardzia medieval cave city and monastery, Erusheti Mountain, southern Georgia (country)<br />
<br />
Inhabited from the 5th century BC, the first identifiable phase of building took place at  Vardzia in the reign of Giorgi III (1156-1184) to be continued by his successor, Queen Tamar 1186, when the Church of the Dormition was carved out of the rock and decorated with frescoes
  • Picture & image of Vardzia medieval cave city and monastery, Erusheti Mountain, southern Georgia (country)<br />
<br />
Inhabited from the 5th century BC, the first identifiable phase of building took place at  Vardzia in the reign of Giorgi III (1156-1184) to be continued by his successor, Queen Tamar 1186, when the Church of the Dormition was carved out of the rock and decorated with frescoes
  • Picture & image of Vardzia medieval cave city and monastery, Erusheti Mountain, southern Georgia (country)<br />
<br />
Inhabited from the 5th century BC, the first identifiable phase of building took place at  Vardzia in the reign of Giorgi III (1156-1184) to be continued by his successor, Queen Tamar 1186, when the Church of the Dormition was carved out of the rock and decorated with frescoes
  • Picture & image of Vardzia medieval cave city and monastery, Erusheti Mountain, southern Georgia (country)<br />
<br />
Inhabited from the 5th century BC, the first identifiable phase of building took place at  Vardzia in the reign of Giorgi III (1156-1184) to be continued by his successor, Queen Tamar 1186, when the Church of the Dormition was carved out of the rock and decorated with frescoes
  • Picture & image of Vardzia medieval cave city and monastery, Erusheti Mountain, southern Georgia (country)<br />
<br />
Inhabited from the 5th century BC, the first identifiable phase of building took place at  Vardzia in the reign of Giorgi III (1156-1184) to be continued by his successor, Queen Tamar 1186, when the Church of the Dormition was carved out of the rock and decorated with frescoes
  • Picture & image of Vardzia medieval cave city and monastery, Erusheti Mountain, southern Georgia (country)<br />
<br />
Inhabited from the 5th century BC, the first identifiable phase of building took place at  Vardzia in the reign of Giorgi III (1156-1184) to be continued by his successor, Queen Tamar 1186, when the Church of the Dormition was carved out of the rock and decorated with frescoes
  • Picture & image of Vardzia medieval cave city and monastery, Erusheti Mountain, southern Georgia (country)<br />
<br />
Inhabited from the 5th century BC, the first identifiable phase of building took place at  Vardzia in the reign of Giorgi III (1156-1184) to be continued by his successor, Queen Tamar 1186, when the Church of the Dormition was carved out of the rock and decorated with frescoes
  • Picture & image of Vardzia medieval cave city and monastery, Erusheti Mountain, southern Georgia (country)<br />
<br />
Inhabited from the 5th century BC, the first identifiable phase of building took place at  Vardzia in the reign of Giorgi III (1156-1184) to be continued by his successor, Queen Tamar 1186, when the Church of the Dormition was carved out of the rock and decorated with frescoes
  • Picture & image of Vardzia medieval cave city and monastery, Erusheti Mountain, southern Georgia (country)<br />
<br />
Inhabited from the 5th century BC, the first identifiable phase of building took place at  Vardzia in the reign of Giorgi III (1156-1184) to be continued by his successor, Queen Tamar 1186, when the Church of the Dormition was carved out of the rock and decorated with frescoes
  • Picture & image of Vardzia medieval cave city and monastery, Erusheti Mountain, southern Georgia (country)<br />
<br />
Inhabited from the 5th century BC, the first identifiable phase of building took place at  Vardzia in the reign of Giorgi III (1156-1184) to be continued by his successor, Queen Tamar 1186, when the Church of the Dormition was carved out of the rock and decorated with frescoes
  • Picture & image of Vardzia medieval cave city and monastery, Erusheti Mountain, southern Georgia (country)<br />
<br />
Inhabited from the 5th century BC, the first identifiable phase of building took place at  Vardzia in the reign of Giorgi III (1156-1184) to be continued by his successor, Queen Tamar 1186, when the Church of the Dormition was carved out of the rock and decorated with frescoes
  • Picture & image of Vardzia medieval cave city and monastery, Erusheti Mountain, southern Georgia (country)<br />
<br />
Inhabited from the 5th century BC, the first identifiable phase of building took place at  Vardzia in the reign of Giorgi III (1156-1184) to be continued by his successor, Queen Tamar 1186, when the Church of the Dormition was carved out of the rock and decorated with frescoes
  • Picture & image of Vardzia medieval cave city and monastery, Erusheti Mountain, southern Georgia (country)<br />
<br />
Inhabited from the 5th century BC, the first identifiable phase of building took place at  Vardzia in the reign of Giorgi III (1156-1184) to be continued by his successor, Queen Tamar 1186, when the Church of the Dormition was carved out of the rock and decorated with frescoes
  • Picture & image of Vardzia medieval cave city and monastery, Erusheti Mountain, southern Georgia (country)<br />
<br />
Inhabited from the 5th century BC, the first identifiable phase of building took place at  Vardzia in the reign of Giorgi III (1156-1184) to be continued by his successor, Queen Tamar 1186, when the Church of the Dormition was carved out of the rock and decorated with frescoes
  • Picture & image of Vardzia medieval cave city and monastery, Erusheti Mountain, southern Georgia (country)<br />
<br />
Inhabited from the 5th century BC, the first identifiable phase of building took place at  Vardzia in the reign of Giorgi III (1156-1184) to be continued by his successor, Queen Tamar 1186, when the Church of the Dormition was carved out of the rock and decorated with frescoes
  • Picture & image of Vardzia medieval cave city and monastery, Erusheti Mountain, southern Georgia (country)<br />
<br />
Inhabited from the 5th century BC, the first identifiable phase of building took place at  Vardzia in the reign of Giorgi III (1156-1184) to be continued by his successor, Queen Tamar 1186, when the Church of the Dormition was carved out of the rock and decorated with frescoes
  • Picture & image of Vardzia medieval cave city and monastery, Erusheti Mountain, southern Georgia (country)<br />
<br />
Inhabited from the 5th century BC, the first identifiable phase of building took place at  Vardzia in the reign of Giorgi III (1156-1184) to be continued by his successor, Queen Tamar 1186, when the Church of the Dormition was carved out of the rock and decorated with frescoes
  • Picture & image of Vardzia medieval cave city and monastery, Erusheti Mountain, southern Georgia (country)<br />
<br />
Inhabited from the 5th century BC, the first identifiable phase of building took place at  Vardzia in the reign of Giorgi III (1156-1184) to be continued by his successor, Queen Tamar 1186, when the Church of the Dormition was carved out of the rock and decorated with frescoes
  • Picture & image of Vardzia medieval cave city and monastery, Erusheti Mountain, southern Georgia (country)<br />
<br />
Inhabited from the 5th century BC, the first identifiable phase of building took place at  Vardzia in the reign of Giorgi III (1156-1184) to be continued by his successor, Queen Tamar 1186, when the Church of the Dormition was carved out of the rock and decorated with frescoes
  • Picture & image of Vardzia medieval cave city and monastery, Erusheti Mountain, southern Georgia (country)<br />
<br />
Inhabited from the 5th century BC, the first identifiable phase of building took place at  Vardzia in the reign of Giorgi III (1156-1184) to be continued by his successor, Queen Tamar 1186, when the Church of the Dormition was carved out of the rock and decorated with frescoes
  • Picture & image of Vardzia medieval cave city and monastery, Erusheti Mountain, southern Georgia (country)<br />
<br />
Inhabited from the 5th century BC, the first identifiable phase of building took place at  Vardzia in the reign of Giorgi III (1156-1184) to be continued by his successor, Queen Tamar 1186, when the Church of the Dormition was carved out of the rock and decorated with frescoes
  • Picture & image of Vardzia medieval cave city and monastery, Erusheti Mountain, southern Georgia (country)<br />
<br />
Inhabited from the 5th century BC, the first identifiable phase of building took place at  Vardzia in the reign of Giorgi III (1156-1184) to be continued by his successor, Queen Tamar 1186, when the Church of the Dormition was carved out of the rock and decorated with frescoes
  • Picture & image of Vardzia medieval cave city and monastery, Erusheti Mountain, southern Georgia (country)<br />
<br />
Inhabited from the 5th century BC, the first identifiable phase of building took place at  Vardzia in the reign of Giorgi III (1156-1184) to be continued by his successor, Queen Tamar 1186, when the Church of the Dormition was carved out of the rock and decorated with frescoes
  • Picture & image of Vardzia medieval cave city and monastery, Erusheti Mountain, southern Georgia (country)<br />
<br />
Inhabited from the 5th century BC, the first identifiable phase of building took place at  Vardzia in the reign of Giorgi III (1156-1184) to be continued by his successor, Queen Tamar 1186, when the Church of the Dormition was carved out of the rock and decorated with frescoes
  • Picture & image of Vardzia medieval cave city and monastery, Erusheti Mountain, southern Georgia (country)<br />
<br />
Inhabited from the 5th century BC, the first identifiable phase of building took place at  Vardzia in the reign of Giorgi III (1156-1184) to be continued by his successor, Queen Tamar 1186, when the Church of the Dormition was carved out of the rock and decorated with frescoes
  • Picture & image of Vardzia medieval cave city and monastery, Erusheti Mountain, southern Georgia (country)<br />
<br />
Inhabited from the 5th century BC, the first identifiable phase of building took place at  Vardzia in the reign of Giorgi III (1156-1184) to be continued by his successor, Queen Tamar 1186, when the Church of the Dormition was carved out of the rock and decorated with frescoes
  • Picture & image of Vardzia medieval cave city and monastery, Erusheti Mountain, southern Georgia (country)<br />
<br />
Inhabited from the 5th century BC, the first identifiable phase of building took place at  Vardzia in the reign of Giorgi III (1156-1184) to be continued by his successor, Queen Tamar 1186, when the Church of the Dormition was carved out of the rock and decorated with frescoes
  • Picture & image of Vardzia medieval cave city and monastery, Erusheti Mountain, southern Georgia (country)<br />
<br />
Inhabited from the 5th century BC, the first identifiable phase of building took place at  Vardzia in the reign of Giorgi III (1156-1184) to be continued by his successor, Queen Tamar 1186, when the Church of the Dormition was carved out of the rock and decorated with frescoes
  • Picture & image of Vardzia medieval cave city and monastery, Erusheti Mountain, southern Georgia (country)<br />
<br />
Inhabited from the 5th century BC, the first identifiable phase of building took place at  Vardzia in the reign of Giorgi III (1156-1184) to be continued by his successor, Queen Tamar 1186, when the Church of the Dormition was carved out of the rock and decorated with frescoes
  • Picture & image of Vardzia medieval cave city and monastery, Erusheti Mountain, southern Georgia (country)<br />
<br />
Inhabited from the 5th century BC, the first identifiable phase of building took place at  Vardzia in the reign of Giorgi III (1156-1184) to be continued by his successor, Queen Tamar 1186, when the Church of the Dormition was carved out of the rock and decorated with frescoes
  • Picture & image of Vardzia medieval cave city and monastery, Erusheti Mountain, southern Georgia (country)<br />
<br />
Inhabited from the 5th century BC, the first identifiable phase of building took place at  Vardzia in the reign of Giorgi III (1156-1184) to be continued by his successor, Queen Tamar 1186, when the Church of the Dormition was carved out of the rock and decorated with frescoes
  • Picture & image of Vardzia medieval cave city and monastery, Erusheti Mountain, southern Georgia (country)<br />
<br />
Inhabited from the 5th century BC, the first identifiable phase of building took place at  Vardzia in the reign of Giorgi III (1156-1184) to be continued by his successor, Queen Tamar 1186, when the Church of the Dormition was carved out of the rock and decorated with frescoes
  • Picture & image of Vardzia medieval cave city and monastery, Erusheti Mountain, southern Georgia (country)<br />
<br />
Inhabited from the 5th century BC, the first identifiable phase of building took place at  Vardzia in the reign of Giorgi III (1156-1184) to be continued by his successor, Queen Tamar 1186, when the Church of the Dormition was carved out of the rock and decorated with frescoes
  • Picture & image of Vardzia medieval cave city and monastery, Erusheti Mountain, southern Georgia (country)<br />
<br />
Inhabited from the 5th century BC, the first identifiable phase of building took place at  Vardzia in the reign of Giorgi III (1156-1184) to be continued by his successor, Queen Tamar 1186, when the Church of the Dormition was carved out of the rock and decorated with frescoes
  • Picture & image of Vardzia medieval cave city and monastery, Erusheti Mountain, southern Georgia (country)<br />
<br />
Inhabited from the 5th century BC, the first identifiable phase of building took place at  Vardzia in the reign of Giorgi III (1156-1184) to be continued by his successor, Queen Tamar 1186, when the Church of the Dormition was carved out of the rock and decorated with frescoes
  • Picture & image of Vardzia medieval relief carved architectural panels from the cave city and monastery of Vardzia, Erusheti Mountain, southern Georgia (country)<br />
<br />
Inhabited from the 5th century BC, the first identifiable phase of building took place at  Vardzia in the reign of Giorgi III (1156-1184) to be continued by his successor, Queen Tamar 1186, when the Church of the Dormition was carved out of the rock and decorated with frescoes
  • Picture & image of Vardzia medieval cave Church of the Dormition interior secco paintings, part of the cave city and monastery of Vardzia, Erusheti Mountain, southern Georgia (country)<br />
<br />
Inhabited from the 5th century BC, the first identifiable phase of building took place at  Vardzia in the reign of Giorgi III (1156-1184) to be continued by his successor, Queen Tamar 1186, when the Church of the Dormition was carved out of the rock and decorated with frescoes
  • Picture & image of Vardzia medieval cave Church of the Dormition interior secco paintings of Queen Tamar & Giorgi III, part of the cave city and monastery of Vardzia, Erusheti Mountain, southern Georgia (country)<br />
<br />
Inhabited from the 5th century BC, the first identifiable phase of building took place at  Vardzia in the reign of Giorgi III (1156-1184) to be continued by his successor, Queen Tamar 1186, when the Church of the Dormition was carved out of the rock and decorated with frescoes
  • Picture & image of Vardzia medieval cave Church of the Dormition interior frescoes, part of the cave city and monastery of Vardzia, Erusheti Mountain, southern Georgia (country)<br />
<br />
Inhabited from the 5th century BC, the first identifiable phase of building took place at  Vardzia in the reign of Giorgi III (1156-1184) to be continued by his successor, Queen Tamar 1186, when the Church of the Dormition was carved out of the rock and decorated with frescoes
  • Picture & image of Vardzia medieval cave interior of the city and monastery, Erusheti Mountain, southern Georgia (country)<br />
<br />
Inhabited from the 5th century BC, the first identifiable phase of building took place at  Vardzia in the reign of Giorgi III (1156-1184) to be continued by his successor, Queen Tamar 1186, when the Church of the Dormition was carved out of the rock and decorated with frescoes
  • Picture & image of Vardzia medieval cave interior of the city and monastery, Erusheti Mountain, southern Georgia (country)<br />
<br />
Inhabited from the 5th century BC, the first identifiable phase of building took place at  Vardzia in the reign of Giorgi III (1156-1184) to be continued by his successor, Queen Tamar 1186, when the Church of the Dormition was carved out of the rock and decorated with frescoes
  • Picture & image of Vardzia medieval cave city and monastery, Erusheti Mountain, southern Georgia (country)<br />
<br />
Inhabited from the 5th century BC, the first identifiable phase of building took place at  Vardzia in the reign of Giorgi III (1156-1184) to be continued by his successor, Queen Tamar 1186, when the Church of the Dormition was carved out of the rock and decorated with frescoes
  • Picture & image of Vardzia medieval cave city and monastery, Erusheti Mountain, southern Georgia (country)<br />
<br />
Inhabited from the 5th century BC, the first identifiable phase of building took place at  Vardzia in the reign of Giorgi III (1156-1184) to be continued by his successor, Queen Tamar 1186, when the Church of the Dormition was carved out of the rock and decorated with frescoes
  • Picture & image of Vardzia medieval cave city and monastery, Erusheti Mountain, southern Georgia (country)<br />
<br />
Inhabited from the 5th century BC, the first identifiable phase of building took place at  Vardzia in the reign of Giorgi III (1156-1184) to be continued by his successor, Queen Tamar 1186, when the Church of the Dormition was carved out of the rock and decorated with frescoes
  • Picture & image of Vardzia medieval cave city and monastery, Erusheti Mountain, southern Georgia (country)<br />
<br />
Inhabited from the 5th century BC, the first identifiable phase of building took place at  Vardzia in the reign of Giorgi III (1156-1184) to be continued by his successor, Queen Tamar 1186, when the Church of the Dormition was carved out of the rock and decorated with frescoes
  • Picture & image of Vardzia medieval cave city and monastery, Erusheti Mountain, southern Georgia (country)<br />
<br />
Inhabited from the 5th century BC, the first identifiable phase of building took place at  Vardzia in the reign of Giorgi III (1156-1184) to be continued by his successor, Queen Tamar 1186, when the Church of the Dormition was carved out of the rock and decorated with frescoes
  • Picture & image of Vardzia medieval cave city and monastery, Erusheti Mountain, southern Georgia (country)<br />
<br />
Inhabited from the 5th century BC, the first identifiable phase of building took place at  Vardzia in the reign of Giorgi III (1156-1184) to be continued by his successor, Queen Tamar 1186, when the Church of the Dormition was carved out of the rock and decorated with frescoes
  • Picture & image of Vardzia medieval cave city and monastery, Erusheti Mountain, southern Georgia (country)<br />
<br />
Inhabited from the 5th century BC, the first identifiable phase of building took place at  Vardzia in the reign of Giorgi III (1156-1184) to be continued by his successor, Queen Tamar 1186, when the Church of the Dormition was carved out of the rock and decorated with frescoes
  • Picture & image of Vardzia medieval cave city and monastery, Erusheti Mountain, southern Georgia (country)<br />
<br />
Inhabited from the 5th century BC, the first identifiable phase of building took place at  Vardzia in the reign of Giorgi III (1156-1184) to be continued by his successor, Queen Tamar 1186, when the Church of the Dormition was carved out of the rock and decorated with frescoes
  • Picture & image of Vardzia medieval cave city and monastery, Erusheti Mountain, southern Georgia (country)<br />
<br />
Inhabited from the 5th century BC, the first identifiable phase of building took place at  Vardzia in the reign of Giorgi III (1156-1184) to be continued by his successor, Queen Tamar 1186, when the Church of the Dormition was carved out of the rock and decorated with frescoes
  • Picture & image of Vardzia medieval cave city and monastery, Erusheti Mountain, southern Georgia (country)<br />
<br />
Inhabited from the 5th century BC, the first identifiable phase of building took place at  Vardzia in the reign of Giorgi III (1156-1184) to be continued by his successor, Queen Tamar 1186, when the Church of the Dormition was carved out of the rock and decorated with frescoes
  • Renaissance ceiling paintings by Benevento Tisi also known as il Garofalo, of the Ferrara Renaissance school of art, depicting an upward perspective scene, The Treasure Hall, Palazzo Costabili, National Archaeological Museum, Ferrara, Italy
  • Renaissance ceiling paintings by Benevento Tisi also known as il Garofalo, of the Ferrara Renaissance school of art, depicting an upward perspective scene, The Treasure Hall, Palazzo Costabili, National Archaeological Museum, Ferrara, Italy
  • Renaissance ceiling paintings by Benevento Tisi also known as il Garofalo, of the Ferrara Renaissance school of art, depicting an upward perspective scene, The Treasure Hall, Palazzo Costabili, National Archaeological Museum, Ferrara, Italy
  • Renaissance ceiling paintings by Benevento Tisi also known as il Garofalo, of the Ferrara Renaissance school of art, depicting an upward perspective scene, The Treasure Hall, Palazzo Costabili, National Archaeological Museum, Ferrara, Italy
  • Renaissance ceiling paintings by Benevento Tisi also known as il Garofalo, of the Ferrara Renaissance school of art, depicting an upward perspective scene, The Treasure Hall, Palazzo Costabili, National Archaeological Museum, Ferrara, Italy
  • Renaissance ceiling paintings by Benevento Tisi also known as il Garofalo, of the Ferrara Renaissance school of art, depicting an upward perspective scene, The Treasure Hall, Palazzo Costabili, National Archaeological Museum, Ferrara, Italy
  • Renaissance ceiling paintings by Benevento Tisi also known as il Garofalo, of the Ferrara Renaissance school of art, depicting an upward perspective scene, The Treasure Hall, Palazzo Costabili, National Archaeological Museum, Ferrara, Italy
  • Renaissance ceiling paintings by Benevento Tisi also known as il Garofalo, of the Ferrara Renaissance school of art, depicting an upward perspective scene, The Treasure Hall, Palazzo Costabili, National Archaeological Museum, Ferrara, Italy
  • Renaissance ceiling paintings by Benevento Tisi also known as il Garofalo, of the Ferrara Renaissance school of art, depicting an upward perspective scene, The Treasure Hall, Palazzo Costabili, National Archaeological Museum, Ferrara, Italy
  • Renaissance ceiling paintings by Benevento Tisi also known as il Garofalo, of the Ferrara Renaissance school of art, depicting an upward perspective scene, The Treasure Hall, Palazzo Costabili, National Archaeological Museum, Ferrara, Italy
  • Renaissance ceiling paintings by Benevento Tisi also known as il Garofalo, of the Ferrara Renaissance school of art, depicting an upward perspective scene, The Treasure Hall, Palazzo Costabili, National Archaeological Museum, Ferrara, Italy
  • Renaissance ceiling paintings by Benevento Tisi also known as il Garofalo, of the Ferrara Renaissance school of art, depicting an upward perspective scene, The Treasure Hall, Palazzo Costabili, National Archaeological Museum, Ferrara, Italy
  • Renaissance ceiling paintings by Benevento Tisi also known as il Garofalo, of the Ferrara Renaissance school of art, depicting an upward perspective scene, The Treasure Hall, Palazzo Costabili, National Archaeological Museum, Ferrara, Italy
  • Renaissance ceiling paintings by Benevento Tisi also known as il Garofalo, of the Ferrara Renaissance school of art, depicting an upward perspective scene, The Treasure Hall, Palazzo Costabili, National Archaeological Museum, Ferrara, Italy
  • Renaissance ceiling paintings by Benevento Tisi also known as il Garofalo, of the Ferrara Renaissance school of art, depicting an upward perspective scene, The Treasure Hall, Palazzo Costabili, National Archaeological Museum, Ferrara, Italy
  • Renaissance ceiling paintings by Benevento Tisi also known as il Garofalo, of the Ferrara Renaissance school of art, depicting an upward perspective scene, The Treasure Hall, Palazzo Costabili, National Archaeological Museum, Ferrara, Italy
  • Renaissance ceiling paintings by Benevento Tisi also known as il Garofalo, of the Ferrara Renaissance school of art, depicting an upward perspective scene, The Treasure Hall, Palazzo Costabili, National Archaeological Museum, Ferrara, Italy
  • Renaissance ceiling paintings by Benevento Tisi also known as il Garofalo, of the Ferrara Renaissance school of art, depicting an upward perspective scene, The Treasure Hall, Palazzo Costabili, National Archaeological Museum, Ferrara, Italy

FunkyStock Picture Library Resource

Picture The Past

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FunkyStock Picture Library free resource for professional editorial picture editors, picture researchers, historical scholars and students and enthusiasts who want to browse some of the best pictures and images of historic countries, historical places, archaeological sites and the very best museum antiquities and artefacts exhibits in Europe and the Middle East.

Pictures and Images can be downloaded or bought as stock photos or photo art prints.

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Browse travel pictures and images of historic places and archaeological sites of countries in Europe and the Middle East.

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Explore the past through pictures and images of its historic places. See the great palaces, castles and cities of antiquity as well as the great archaeological sites where our ancestors made history.

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MUSEUMS

Browse pictures & images the treasured artefacts and antiquities exhibits from the great Museum of Europe and the Middle East. See the art and objects made by our ancestors.

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