• Panorama of Minoan of the North Entrance Propylaeum with its painted charging  bull releif,  Knossos Palace archaeological site, Crete
  • Minoan North Lustral basin ,  Palace archaeological site, Crete
  • Panoroana of Minoan of the North Entrance Propylaeum with its painted charging  bull releif,  Knossos Palace archaeological site, Crete
  • Minoan of the North Entrance Propylaeum with its painted charging  bull releif,  Knossos Palace archaeological site, Crete
  • Panorama of Minoan of the North Entrance Propylaeum with its painted charging  bull releif,  Knossos Palace archaeological site, Crete
  • Panorama of Minoan of the North Entrance Propylaeum with its painted charging  bull releif,  Knossos Palace archaeological site, Crete
  • Minoan North Lustral basin ,  Palace archaeological site, Crete
  • Minoan of the North Entrance Propylaeum with its painted charging  bull releif,  Knossos Palace archaeological site, Crete
  • Minoan of the North Entrance Propylaeum with its painted charging  bull releif,  Knossos Palace archaeological site, Crete. At sunset.
  • Panorama of Minoan of the North Entrance Propylaeum with its painted charging  bull releif,  Knossos Palace archaeological site, Crete. At sunset.
  • Minoan  North Entrance Propylaeum with its painted charging  bull releif,  Knossos Palace archaeological site, Crete. At sunset.
  • Panorama of Minoan of the North Entrance Propylaeum with its painted charging  bull releif,  Knossos Palace archaeological site, Crete. At sunset.
  • Minoan of the North Entrance Propylaeum with its painted charging  bull releif,  Knossos Palace archaeological site, Crete
  • Panoroana of Minoan of the North Entrance Propylaeum with its painted charging  bull releif,  Knossos Palace archaeological site, Crete. At sunset.
  • Minoan of the North Entrance Propylaeum with its painted charging  bull releif,  Knossos Palace archaeological site, Crete
  • Minoan of the North Entrance Propylaeum with its painted charging  bull releif,  Knossos Palace archaeological site, Crete. At sunset.
  • Panorama of Minoan of the North Entrance Propylaeum with its painted charging  bull releif,  Knossos Palace archaeological site, Crete
  • Panoroana of Minoan of the North Entrance Propylaeum with its painted charging  bull releif,  Knossos Palace archaeological site, Crete. At sunset.
  • Minoan of the North Entrance Propylaeum with its painted charging  bull releif,  Knossos Palace archaeological site, Crete. At sunset.
  • Minoan of the North Entrance Propylaeum with its painted charging  bull releif,  Knossos Palace archaeological site, Crete
  • Minoan of the North Entrance Propylaeum with its painted charging  bull releif,  Knossos Palace archaeological site, Crete. At sunset.
  • Panorama of Minoan of the North Entrance Propylaeum with its painted charging  bull releif,  Knossos Palace archaeological site, Crete. At sunset.
  • Minoan of the North Entrance Propylaeum with its painted charging  bull releif,  Knossos Palace archaeological site, Crete. At sunset.
  • Panoroana of Minoan of the North Entrance Propylaeum with its painted charging  bull releif,  Knossos Palace archaeological site, Crete. At sunset.
  • Minoan of the North Entrance Propylaeum with its painted charging  bull releif,  Knossos Palace archaeological site, Crete. At sunset.
  • Minoan of the North Entrance Propylaeum with its painted charging  bull releif,  Knossos Palace archaeological site, Crete
  • Minoan of the North Entrance Propylaeum with its painted charging  bull releif,  Knossos Palace archaeological site, Crete. At sunset.
  • Minoan of the North Entrance Propylaeum with its painted charging  bull releif,  Knossos Palace archaeological site, Crete. At sunset.
  • Panorama of Minoan of the North Entrance Propylaeum with its painted charging  bull releif,  Knossos Palace archaeological site, Crete
  • Panorama of Minoan of the North Entrance Propylaeum with its painted charging  bull releif,  Knossos Palace archaeological site, Crete
  • The so called Minoan 'Throne Room' or 'little throne room' Knossos Archaeological Site, Crete<br />
<br />
Reconstructed by Arthur Evans
  • The so called Minoan 'Throne Room' or 'little throne room' Knossos Archaeological Site, Crete<br />
<br />
Reconstructed by Arthur Evans
  • Minoan of the North Entrance Propylaeum with its painted charging  bull releif,  Knossos Palace archaeological site, Crete
  • Panorama of the Minoan North Entrance Propylaeum with its painted charging  bull releif,  Knossos Palace archaeological site, Crete. At sunset.
  • Minoan of the North Entrance Propylaeum with its painted charging  bull releif,  Knossos Palace archaeological site, Crete
  • Minoan of the North Entrance Propylaeum with its painted charging  bull releif,  Knossos Palace archaeological site, Crete. At sunset.
  • Minoan of the North Entrance Propylaeum with its painted charging  bull releif,  Knossos Palace archaeological site, Crete
  • Minoan of the North Entrance Propylaeum with its painted charging  bull releif,  Knossos Palace archaeological site, Crete. At sunset.
  • Panorama of Minoan of the North Entrance Propylaeum with its painted charging  bull releif,  Knossos Palace archaeological site, Crete
  • Panorama of Minoan of the North Entrance Propylaeum with its painted charging  bull releif,  Knossos Palace archaeological site, Crete
  • Minoan of the North Entrance Propylaeum with its painted charging  bull releif,  Knossos Palace archaeological site, Crete
  • Panoroana of Minoan of the North Entrance Propylaeum with its painted charging  bull releif,  Knossos Palace archaeological site, Crete
  • Minoan of the North Entrance Propylaeum with its painted charging  bull releif,  Knossos Palace archaeological site, Crete. At sunset.
  • Minoan of the North Entrance Propylaeum with its painted charging  bull releif,  Knossos Palace archaeological site, Crete
  • Minoan  North Entrance Propylaeum with its painted charging  bull releif,  Knossos Palace archaeological site, Crete. At sunset.
  • Minoan of the North Entrance Propylaeum with its painted charging  bull releif,  Knossos Palace archaeological site, Crete. At sunset.
  • Minoan of the North Entrance Propylaeum with its painted charging  bull releif,  Knossos Palace archaeological site, Crete. At sunset.
  • Minoan of the North Entrance Propylaeum with its painted charging  bull releif,  Knossos Palace archaeological site, Crete
  • Panoroana of Minoan of the North Entrance Propylaeum with its painted charging  bull releif,  Knossos Palace archaeological site, Crete
  • Panorama of the Minoan North Entrance Propylaeum with its painted charging  bull releif,  Knossos Palace archaeological site, Crete
  • Minoan of the North Entrance Propylaeum with its painted charging  bull releif,  Knossos Palace archaeological site, Crete
  • Minoan of the North Entrance Propylaeum with its painted charging  bull releif,  Knossos Palace archaeological site, Crete
  • Minoan of the North Entrance Propylaeum with its painted charging  bull releif,  Knossos Palace archaeological site, Crete
  • Minoan of the North Entrance Propylaeum with its painted charging  bull releif,  Knossos Palace archaeological site, Crete
  • Minoan of the North Entrance Propylaeum with its painted charging  bull releif,  Knossos Palace archaeological site, Crete
  • Panorama of Minoan of the North Entrance Propylaeum with its painted charging  bull releif,  Knossos Palace archaeological site, Crete
  • Picture of an architectural relief detail from the ruins of the Ancient Ionian Greek  Didyma Temple of Apollo & home to the Oracle of Apollo.  Also known as the Didymaion completed circa 550 BC. modern Didim in Aydin Province, Turkey.
  • Picture of an architectural relief detail from the ruins of the Ancient Ionian Greek  Didyma Temple of Apollo & home to the Oracle of Apollo.  Also known as the Didymaion completed circa 550 BC. modern Didim in Aydin Province, Turkey.
  • Picture of an architectural relief detail from the ruins of the Ancient Ionian Greek  Didyma Temple of Apollo & home to the Oracle of Apollo.  Also known as the Didymaion completed circa 550 BC. modern Didim in Aydin Province, Turkey.
  • Picture of an architectural relief detail from the ruins of the Ancient Ionian Greek  Didyma Temple of Apollo & home to the Oracle of Apollo.  Also known as the Didymaion completed circa 550 BC. modern Didim in Aydin Province, Turkey.
  • Picture of an architectural relief detail from the ruins of the Ancient Ionian Greek  Didyma Temple of Apollo & home to the Oracle of Apollo.  Also known as the Didymaion completed circa 550 BC. modern Didim in Aydin Province, Turkey.
  • Picture of an architectural relief detail from the ruins of the Ancient Ionian Greek  Didyma Temple of Apollo & home to the Oracle of Apollo.  Also known as the Didymaion completed circa 550 BC. modern Didim in Aydin Province, Turkey.
  • Picture of an architectural relief detail from the ruins of the Ancient Ionian Greek  Didyma Temple of Apollo & home to the Oracle of Apollo.  Also known as the Didymaion completed circa 550 BC. modern Didim in Aydin Province, Turkey.
  • Picture of an architectural relief detail from the ruins of the Ancient Ionian Greek  Didyma Temple of Apollo & home to the Oracle of Apollo.  Also known as the Didymaion completed circa 550 BC. modern Didim in Aydin Province, Turkey.
  • Picture of an architectural relief detail from the ruins of the Ancient Ionian Greek  Didyma Temple of Apollo & home to the Oracle of Apollo.  Also known as the Didymaion completed circa 550 BC. modern Didim in Aydin Province, Turkey.
  • Picture and image of the late borgeoise realistic style stone sculpture of the Gallino tomb sculpted by  G. Moreno 1894.  In the tomb, the bust that portrays the deceased Carolina receives the kiss of a child, probably the niece, supported by a young woman - the mother, or perhaps the elder sister - whose face is marked by pain; on the right an older man, presumably her husband, stands aside, almost absent, looking down at the ground. The most intimate tones and psychological introspection are grafted here in the language of bourgeois Realism: with undoubted technical virtuosity Moreno offers a rigorous "quantitative" description of reality, dwelling on every single detail of faces, clothing, accessories and hairstyles . Section A, no 54, The monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of the late borgeoise realistic style stone sculpture of the Gallino tomb sculpted by  G. Moreno 1894.  In the tomb, the bust that portrays the deceased Carolina receives the kiss of a child, probably the niece, supported by a young woman - the mother, or perhaps the elder sister - whose face is marked by pain; on the right an older man, presumably her husband, stands aside, almost absent, looking down at the ground. The most intimate tones and psychological introspection are grafted here in the language of bourgeois Realism: with undoubted technical virtuosity Moreno offers a rigorous "quantitative" description of reality, dwelling on every single detail of faces, clothing, accessories and hairstyles . Section A, no 54, The monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of the late borgeoise realistic style stone sculpture of the Gallino tomb sculpted by  G. Moreno 1894.  In the tomb, the bust that portrays the deceased Carolina receives the kiss of a child, probably the niece, supported by a young woman - the mother, or perhaps the elder sister - whose face is marked by pain; on the right an older man, presumably her husband, stands aside, almost absent, looking down at the ground. The most intimate tones and psychological introspection are grafted here in the language of bourgeois Realism: with undoubted technical virtuosity Moreno offers a rigorous "quantitative" description of reality, dwelling on every single detail of faces, clothing, accessories and hairstyles . Section A, no 54, The monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of the late borgeoise realistic style stone sculpture of the Gallino tomb sculpted by  G. Moreno 1894.  In the tomb, the bust that portrays the deceased Carolina receives the kiss of a child, probably the niece, supported by a young woman - the mother, or perhaps the elder sister - whose face is marked by pain; on the right an older man, presumably her husband, stands aside, almost absent, looking down at the ground. The most intimate tones and psychological introspection are grafted here in the language of bourgeois Realism: with undoubted technical virtuosity Moreno offers a rigorous "quantitative" description of reality, dwelling on every single detail of faces, clothing, accessories and hairstyles . Section A, no 54, The monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of the late borgeoise realistic style stone sculpture of the Gallino tomb sculpted by  G. Moreno 1894.  In the tomb, the bust that portrays the deceased Carolina receives the kiss of a child, probably the niece, supported by a young woman - the mother, or perhaps the elder sister - whose face is marked by pain; on the right an older man, presumably her husband, stands aside, almost absent, looking down at the ground. The most intimate tones and psychological introspection are grafted here in the language of bourgeois Realism: with undoubted technical virtuosity Moreno offers a rigorous "quantitative" description of reality, dwelling on every single detail of faces, clothing, accessories and hairstyles . Section A, no 54, The monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of the late borgeoise realistic style stone sculpture of the Gallino tomb sculpted by  G. Moreno 1894.  In the tomb, the bust that portrays the deceased Carolina receives the kiss of a child, probably the niece, supported by a young woman - the mother, or perhaps the elder sister - whose face is marked by pain; on the right an older man, presumably her husband, stands aside, almost absent, looking down at the ground. The most intimate tones and psychological introspection are grafted here in the language of bourgeois Realism: with undoubted technical virtuosity Moreno offers a rigorous "quantitative" description of reality, dwelling on every single detail of faces, clothing, accessories and hairstyles . Section A, no 54, The monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of the late borgeoise realistic style stone sculpture of the Gallino tomb sculpted by  G. Moreno 1894.  In the tomb, the bust that portrays the deceased Carolina receives the kiss of a child, probably the niece, supported by a young woman - the mother, or perhaps the elder sister - whose face is marked by pain; on the right an older man, presumably her husband, stands aside, almost absent, looking down at the ground. The most intimate tones and psychological introspection are grafted here in the language of bourgeois Realism: with undoubted technical virtuosity Moreno offers a rigorous "quantitative" description of reality, dwelling on every single detail of faces, clothing, accessories and hairstyles . Section A, no 54, The monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Detail from the tomb of Louis XVII (1785 - 1795) second son of Louis XVI and Marie Antoinette, king of France from 1793 to 1795. The crypt Chapelle of the Bourbons. . The Gothic Cathedral Basilica of Saint Denis ( Basilique Saint-Denis ) Paris, France. A UNESCO World Heritage Site.
  • Moorish architectural detail on the old mosque tower, now the bell tower of the Cathedral of Seville, Spain
  • Gothic architectural detail of the Door of the Prince, Seville Cathedral, Spain
  • Gothic architectural detail of the Door of the Prince, Seville Cathedral, Spain
  • Gothic architectural detail of the Door of the Prince, Seville Cathedral, Spain
  • Moorish architectural detail on the old mosque tower, now the bell tower of the Cathedral of Seville, Spain
  • Gothic architectural detail with flying butresses of the Seville Cathedral, Spain
  • Gothic architectural detail of the Seville Cathedral, Spain
  • Gothic architectural detail of the Door of the Prince, Seville Cathedral, Spain
  • Gothic architectural detail of the Door of the Prince, Seville Cathedral, Spain
  • Gothic architectural detail of the Door of the Prince, Seville Cathedral, Spain
  • Gothic architectural detail of the Door of the Prince, Seville Cathedral, Spain
  • Gothic architectural detail of the Door of the Prince, Seville Cathedral, Spain
  • Gothic architectural detail of the Door of the Prince, Seville Cathedral, Spain
  • Moorish architectural detail on the old mosque tower, now the bell tower of the Cathedral of Seville, Spain
  • Moorish architectural detail on the old mosque tower, now the bell tower of the Cathedral of Seville, Spain
  • Gothic architectural detail of the Seville Cathedral, Spain
  • Gothic architectural detail of the Door of the Prince, Seville Cathedral, Spain
  • Gothic architectural detail of the Door of the Prince, Seville Cathedral, Spain
  • Gothic architectural detail of the Door of the Prince, Seville Cathedral, Spain
  • Sunset over the Sultan Ahmed Mosque (Sultanahmet Camii) or Blue Mosque, Istanbul, Turkey. Built from 1609 to 1616 during the rule of Ahmed I.
  • The Sultan Ahmed Mosque (Sultanahmet Camii) or Blue Mosque, Istanbul, Turkey at sunset. Built from 1609 to 1616 during the rule of Ahmed I.
  • Sunset over the Sultan Ahmed Mosque (Sultanahmet Camii) or Blue Mosque, Istanbul, Turkey. Built from 1609 to 1616 during the rule of Ahmed I.
  • The Sultan Ahmed Mosque (Sultanahmet Camii) or Blue Mosque, Istanbul, Turkey. Built from 1609 to 1616 during the rule of Ahmed I.
  • Sunset over the Sultan Ahmed Mosque (Sultanahmet Camii) or Blue Mosque, Istanbul, Turkey. Built from 1609 to 1616 during the rule of Ahmed I.
  • The Parthenon Temple ancient greek temple, the Acropolis of Athens in Greece.
  • A milecastle fort on Hadrians Wall near Houseteads Roman Fort, Vercovicium, A UNESCO World Heritage Site, Northumberland, England, UK
  • The Erechtheum ancient Greek temple, the Acropolis of Athens in Greece.
  • Hadrians Wall near Houseteads Roman Fort, Vercovicium, A UNESCO World Heritage Site, Northumberland, England, UK
  • Hadrians Wall near Houseteads Roman Fort, Vercovicium, A UNESCO World Heritage Site, Northumberland, England, UK
  • The Parthenon Temple ancient greek temple, the Acropolis of Athens in Greece.
  • The Erechtheum ancient Greek temple, the Acropolis of Athens in Greece.
  • The Porch of the Caryatids.  The Erechtheum, the Acropolis of Athens in Greece.
  • Hadrians Wall near Houseteads Roman Fort, Vercovicium, A UNESCO World Heritage Site, Northumberland, England, UK
  • Hadrians Wall near Houseteads Roman Fort, Vercovicium, A UNESCO World Heritage Site, Northumberland, England, UK
  • Detail of the 13th century Romaesque arcade pillars, sculptures and inlaid depictions of animals of the Cattedrale di San Martino,  Duomo of Lucca, Tunscany, Italy,
  • Detail of the door with mosaics depicting the life of Mary  created between 1350 and 1390 after designs by artist Cesare Nebbia on the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, designed by Maitani, Umbria, Italy
  • Detail of the facade of the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, designed by Maitani, Umbria, Italy
  • Detail of the rose window built by the sculptor and architect Orcagna between 1354 and 1380 on the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, designed by Maitani, Umbria, Italy
  • Detail of the Arabesque Mudéjar style plaster work of the Patio de las Doncellas (Courtyard of the Maidens) an Italian Renaissance courtyard (1540-72) , Alcazar of Seville, Seville, Spain
  • Detail of the Arabesque Mudéjar style plaster work of the Patio de las Doncellas (Courtyard of the Maidens) an Italian Renaissance courtyard (1540-72) , Alcazar of Seville, Seville, Spain
  • Detail of the Arabesque Mudéjar style plaster work of the Patio de las Doncellas (Courtyard of the Maidens) an Italian Renaissance courtyard (1540-72) , Alcazar of Seville, Seville, Spain
  • Detail of the Arabesque Mudéjar style plaster work of the Patio de las Doncellas (Courtyard of the Maidens) an Italian Renaissance courtyard (1540-72) , Alcazar of Seville, Seville, Spain
  • Detail of the Arabesque Mudéjar style plaster work of the Patio de las Doncellas (Courtyard of the Maidens) an Italian Renaissance courtyard (1540-72) , Alcazar of Seville, Seville, Spain
  • Detail of the Arabesque Mudéjar style plaster work of the Patio de las Doncellas (Courtyard of the Maidens) an Italian Renaissance courtyard (1540-72) , Alcazar of Seville, Seville, Spain
  • Detail of the Arabesque Mudéjar style plaster work of the Patio de las Doncellas (Courtyard of the Maidens) an Italian Renaissance courtyard (1540-72) , Alcazar of Seville, Seville, Spain
  • Detail of the Arabesque Mudéjar style plaster work of the Patio de las Doncellas (Courtyard of the Maidens) an Italian Renaissance courtyard (1540-72) , Alcazar of Seville, Seville, Spain
  • Detail of the Arabesque Mudéjar style plaster work of the Patio de las Doncellas (Courtyard of the Maidens) an Italian Renaissance courtyard (1540-72) , Alcazar of Seville, Seville, Spain
  • Detail of the Arabesque Mudéjar style plaster work of the Patio de las Doncellas (Courtyard of the Maidens) an Italian Renaissance courtyard (1540-72) , Alcazar of Seville, Seville, Spain
  • Detail of Baptistry Door  - Piazza Del Duomo - Parma Italy.
  • Detail of relief sculptures of the North Portal of the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • Detail of relief sculptures of the North Portal of the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • Detail of relief sculptures of the North Portal of the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • Detail of relief sculptures of the North Portal of the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • Detail of the Arabesque Mudéjar style plaster work of the Patio de las Doncellas (Courtyard of the Maidens) an Italian Renaissance courtyard (1540-72) , Alcazar of Seville, Seville, Spain
  • Detail of the Arabesque Mudéjar style plaster work of the Patio de las Doncellas (Courtyard of the Maidens) an Italian Renaissance courtyard (1540-72) , Alcazar of Seville, Seville, Spain
  • Detail of Baptistry carving  - Piazza Del Duomo - Parma Italy.
  • Detail of Baptistry Door  - Piazza Del Duomo - Parma Italy.
  • Detail of relief sculptures of the North Portal of the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • Detail of relief sculptures of the North Portal of the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • Detail of relief sculptures of the North Portal of the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • Detail of the Arabesque Mudéjar style plaster work of the Patio de las Doncellas (Courtyard of the Maidens) an Italian Renaissance courtyard (1540-72) , Alcazar of Seville, Seville, Spain
  • Detail of the Arabesque Mudéjar style plaster work of the Patio de las Doncellas (Courtyard of the Maidens) an Italian Renaissance courtyard (1540-72) , Alcazar of Seville, Seville, Spain
  • Detail of the Arabesque Mudéjar style plaster work of the Patio de las Doncellas (Courtyard of the Maidens) an Italian Renaissance courtyard (1540-72) , Alcazar of Seville, Seville, Spain
  • Detail of the Arabesque Mudéjar style plaster work of the Patio de las Doncellas (Courtyard of the Maidens) an Italian Renaissance courtyard (1540-72) , Alcazar of Seville, Seville, Spain
  • Detail of the Arabesque Mudéjar style plaster work of the Patio de las Doncellas (Courtyard of the Maidens) an Italian Renaissance courtyard (1540-72) , Alcazar of Seville, Seville, Spain
  • Detail of the Arabesque Mudéjar style plaster work of the Patio de las Doncellas (Courtyard of the Maidens) an Italian Renaissance courtyard (1540-72) , Alcazar of Seville, Seville, Spain
  • Detail of Baptistry carving  - Piazza Del Duomo - Parma Italy.
  • Detail of Baptistry Door  - Piazza Del Duomo - Parma Italy.
  • Detail of Baptistry carving - Piazza Del Duomo - Parma Italy.
  • Detail of the Arabesque Mudéjar style plaster work of the Patio de las Doncellas (Courtyard of the Maidens) an Italian Renaissance courtyard (1540-72) , Alcazar of Seville, Seville, Spain
  • Detail of the Arabesque Mudéjar style plaster work of the Patio de las Doncellas (Courtyard of the Maidens) an Italian Renaissance courtyard (1540-72) , Alcazar of Seville, Seville, Spain
  • Detail of the Romanesque sculptures of the main entrance of San Michele in Foro is a Roman Catholic basilica church in Lucca, Tunscany, Italy
  • Detail of the Romanesque sculptures of the main entrance of San Michele in Foro is a Roman Catholic basilica church in Lucca, Tunscany, Italy
  • Detail of the Romanesque main entrance of San Michele in Foro is a Roman Catholic basilica church in Lucca, Tunscany, Italy
  • Angled Detail of the 13th century Romanesque facade of the San Michele in Foro,  a Roman Catholic basilica church in Lucca, Tunscany, Italy
  • Detail of the 13th century Romanesque facade of the San Michele in Foro,  a Roman Catholic basilica church in Lucca, Tunscany, Italy
  • Detail of the Romanesque sculptures and Rose Window of the main entrance of San Michele in Foro is a Roman Catholic basilica church in Lucca, Tunscany, Italy
  • Detail of the Rose window  of San Michele in Foro is a Roman Catholic basilica church in Lucca, Tunscany, Italy
  • Detail of the Romanesque sculptures of the main entrance of San Michele in Foro is a Roman Catholic basilica church in Lucca, Tunscany, Italy
  • Mosaic detail fron the Room of the Ten Bikini Girls, room no 30, from the Ambulatory of The Great Hunt, room no 28,  at the Villa Romana del Casale which containis the richest, largest and most complex collection of Roman mosaics in the world. Constructed in the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Mosaic detail fron the Room of the Ten Bikini Girls, room no 30, from the Ambulatory of The Great Hunt, room no 28,  at the Villa Romana del Casale which containis the richest, largest and most complex collection of Roman mosaics in the world. Constructed in the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Mosaic detail fron the Room of the Ten Bikini Girls, room no 30, from the Ambulatory of The Great Hunt, room no 28,  at the Villa Romana del Casale which containis the richest, largest and most complex collection of Roman mosaics in the world. Constructed in the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Mosaic detail fron the Room of the Ten Bikini Girls, room no 30, from the Ambulatory of The Great Hunt, room no 28,  at the Villa Romana del Casale which containis the richest, largest and most complex collection of Roman mosaics in the world. Constructed in the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Mosaic detail fron the Room of the Ten Bikini Girls, room no 30, from the Ambulatory of The Great Hunt, room no 28,  at the Villa Romana del Casale which containis the richest, largest and most complex collection of Roman mosaics in the world. Constructed in the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Detail of a Roman Mosaic from the Room of The Fishing Cupids, room 24, at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Detail of a Roman Mosaic from the Room of The Fishing Cupids, room 24, at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Mosaic detail fron the Room of the Ten Bikini Girls, room no 30, from the Ambulatory of The Great Hunt, room no 28,  at the Villa Romana del Casale which containis the richest, largest and most complex collection of Roman mosaics in the world. Constructed in the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Mosaic detail fron the Room of the Ten Bikini Girls, room no 30, from the Ambulatory of The Great Hunt, room no 28,  at the Villa Romana del Casale which containis the richest, largest and most complex collection of Roman mosaics in the world. Constructed in the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Mosaic detail fron the Room of the Ten Bikini Girls, room no 30, from the Ambulatory of The Great Hunt, room no 28,  at the Villa Romana del Casale which containis the richest, largest and most complex collection of Roman mosaics in the world. Constructed in the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Mosaic detail fron the Room of the Ten Bikini Girls, room no 30, from the Ambulatory of The Great Hunt, room no 28,  at the Villa Romana del Casale which containis the richest, largest and most complex collection of Roman mosaics in the world. Constructed in the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Mosaic detail fron the Room of the Ten Bikini Girls, room no 30, from the Ambulatory of The Great Hunt, room no 28,  at the Villa Romana del Casale which containis the richest, largest and most complex collection of Roman mosaics in the world. Constructed in the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Mosaic detail fron the Room of the Ten Bikini Girls, room no 30, from the Ambulatory of The Great Hunt, room no 28,  at the Villa Romana del Casale which containis the richest, largest and most complex collection of Roman mosaics in the world. Constructed in the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Mosaic detail fron the Room of the Ten Bikini Girls, room no 30, from the Ambulatory of The Great Hunt, room no 28,  at the Villa Romana del Casale which containis the richest, largest and most complex collection of Roman mosaics in the world. Constructed in the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Detail of a Roman Mosaic from the Room of The Fishing Cupids, room 24, at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Mosaic detail fron the Room of the Ten Bikini Girls, room no 30, from the Ambulatory of The Great Hunt, room no 28,  at the Villa Romana del Casale which containis the richest, largest and most complex collection of Roman mosaics in the world. Constructed in the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Mosaic detail fron the Room of the Ten Bikini Girls, room no 30, from the Ambulatory of The Great Hunt, room no 28,  at the Villa Romana del Casale which containis the richest, largest and most complex collection of Roman mosaics in the world. Constructed in the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Mosaic detail fron the Room of the Ten Bikini Girls, room no 30, from the Ambulatory of The Great Hunt, room no 28,  at the Villa Romana del Casale which containis the richest, largest and most complex collection of Roman mosaics in the world. Constructed in the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Mosaic detail fron the Room of the Ten Bikini Girls, room no 30, from the Ambulatory of The Great Hunt, room no 28,  at the Villa Romana del Casale which containis the richest, largest and most complex collection of Roman mosaics in the world. Constructed in the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Mosaic detail fron the Room of the Ten Bikini Girls, room no 30, from the Ambulatory of The Great Hunt, room no 28,  at the Villa Romana del Casale which containis the richest, largest and most complex collection of Roman mosaics in the world. Constructed in the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Mosaic detail fron the Room of the Ten Bikini Girls, room no 30, from the Ambulatory of The Great Hunt, room no 28,  at the Villa Romana del Casale which containis the richest, largest and most complex collection of Roman mosaics in the world. Constructed in the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Mosaic detail fron the Room of the Ten Bikini Girls, room no 30, from the Ambulatory of The Great Hunt, room no 28,  at the Villa Romana del Casale which containis the richest, largest and most complex collection of Roman mosaics in the world. Constructed in the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Mosaic detail fron the Room of the Ten Bikini Girls, room no 30, from the Ambulatory of The Great Hunt, room no 28,  at the Villa Romana del Casale which containis the richest, largest and most complex collection of Roman mosaics in the world. Constructed in the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Mosaic detail fron the Room of the Ten Bikini Girls, room no 30, from the Ambulatory of The Great Hunt, room no 28,  at the Villa Romana del Casale which containis the richest, largest and most complex collection of Roman mosaics in the world. Constructed in the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Mosaic detail fron the Room of the Ten Bikini Girls, room no 30, from the Ambulatory of The Great Hunt, room no 28,  at the Villa Romana del Casale which containis the richest, largest and most complex collection of Roman mosaics in the world. Constructed in the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Mosaic detail fron the Room of the Ten Bikini Girls, room no 30, from the Ambulatory of The Great Hunt, room no 28,  at the Villa Romana del Casale which containis the richest, largest and most complex collection of Roman mosaics in the world. Constructed in the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Mosaic detail fron the Room of the Ten Bikini Girls, room no 30, from the Ambulatory of The Great Hunt, room no 28,  at the Villa Romana del Casale which containis the richest, largest and most complex collection of Roman mosaics in the world. Constructed in the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Mosaic detail fron the Room of the Ten Bikini Girls, room no 30, from the Ambulatory of The Great Hunt, room no 28,  at the Villa Romana del Casale which containis the richest, largest and most complex collection of Roman mosaics in the world. Constructed in the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Detail of a Roman Mosaic from the Room of The Fishing Cupids, room 24, at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Mosaic detail fron the Room of the Ten Bikini Girls, room no 30, from the Ambulatory of The Great Hunt, room no 28,  at the Villa Romana del Casale which containis the richest, largest and most complex collection of Roman mosaics in the world. Constructed in the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Mosaic detail fron the Room of the Ten Bikini Girls, room no 30, from the Ambulatory of The Great Hunt, room no 28,  at the Villa Romana del Casale which containis the richest, largest and most complex collection of Roman mosaics in the world. Constructed in the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Mosaic detail fron the Room of the Ten Bikini Girls, room no 30, from the Ambulatory of The Great Hunt, room no 28,  at the Villa Romana del Casale which containis the richest, largest and most complex collection of Roman mosaics in the world. Constructed in the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Mosaic detail fron the Room of the Ten Bikini Girls, room no 30, from the Ambulatory of The Great Hunt, room no 28,  at the Villa Romana del Casale which containis the richest, largest and most complex collection of Roman mosaics in the world. Constructed in the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Architectural details of the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Architectural details of the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Architectural details of the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Architectural details of the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Architectural details of the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Architectural details of the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Architectural details of the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Architectural details of the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Architectural details of the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Architectural details of the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Architectural details of the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Architectural detail of The Bath Gymnasium complex of Sardis, a typical example of the colonnaded palaestra front of a Hellenistic 1st cent. AD Greco Roman baths of the western & southern region of Anatolia. Sardis archaeological site, Hermus valley, Turkey. A Harvard Art Museum excavation project.
  • Architectural detail of The Bath Gymnasium complex of Sardis, a typical example of the colonnaded palaestra front of a Hellenistic 1st cent. AD Greco Roman baths of the western & southern region of Anatolia. Sardis archaeological site, Hermus valley, Turkey. A Harvard Art Museum excavation project.
  • Architectural detail of The Bath Gymnasium complex of Sardis, a typical example of the colonnaded palaestra front of a Hellenistic 1st cent. AD Greco Roman baths of the western & southern region of Anatolia. Sardis archaeological site, Hermus valley, Turkey. A Harvard Art Museum excavation project.
  • Architectural detail of The Bath Gymnasium complex of Sardis, a typical example of the colonnaded palaestra front of a Hellenistic 1st cent. AD Greco Roman baths of the western & southern region of Anatolia. Sardis archaeological site, Hermus valley, Turkey. A Harvard Art Museum excavation project.
  • Detail from a column Top - The Doge's Palace - Venice Italy.
  • Detailed carvings on the facade of Saint Marks Basilica Venice
  • Detail from a column Top - The Doge's Palace - Venice Italy.
  • Detailed carving and marble column on the facade of Saint Marks Basilica Venice
  • Detailed carvings on the facade of Saint Marks Basilica Venice
  • Detailed carvings on the facade of Saint Marks Basilica Venice
  • Detailed carving and marble column on the facade of Saint Marks Basilica Venice
  • Detailed carving and marble column on the facade of Saint Marks Basilica Venice
  • Detailed carvings on the facade of Saint Marks Basilica Venice
  • Detailed carving and marble column on the facade of Saint Marks Basilica Venice
  • Detailed carvings on the facade of Saint Marks Basilica Venice
  • Detailed carvings on the facade of Saint Marks Basilica Venice
  • Detailed carving and marble column on the facade of Saint Marks Basilica Venice
  • Detail of sixth Century Pillars From Acre - St Marks - Venice - Italy
  • Detail of sixth Century Pillars From Acre - St Marks - Venice - Italy
  • Detailed carving of 2 peacocks on the facade of Saint Marks Basilica Venice
  • Detail of stone work - The Doge's Palace - Venice Italy.
  • Detail of stone work - The Doge's Palace - Venice Italy.
  • Detailed mosaic Saint Marks Basilica Venice
  • Detailed carvings of Saint George on the facade of Saint Marks Basilica Venice
  • Detailed carving and marble column on the facade of Saint Marks Basilica Venice
  • Detailed carvings on the facade of Saint Marks Basilica Venice
  • Detail of stone work - The Doge's Palace - Venice Italy.
  • Picture & image of the exterior geometric reief sculpture architectural details of Betania (Bethania ) Monastery of the Nativity of the Mother of God Georgian Orthodox complex, Georgia.<br />
<br />
Betania (Bethania ) Monastery of the Nativity of the Mother of God is a 11th century church with a cruciform ground plan and dome in the style of Georgian Orthodox church  architecture of the "Golden Age" of the Kingdom of Georgia.
  • Picture & image of the exterior geometric reief sculpture architectural details of Betania (Bethania ) Monastery of the Nativity of the Mother of God Georgian Orthodox complex, Georgia.<br />
<br />
Betania (Bethania ) Monastery of the Nativity of the Mother of God is a 11th century church with a cruciform ground plan and dome in the style of Georgian Orthodox church  architecture of the "Golden Age" of the Kingdom of Georgia.
  • Picture & image of the exterior geometric reief sculpture architectural details of Betania (Bethania ) Monastery of the Nativity of the Mother of God Georgian Orthodox complex, Georgia.<br />
<br />
Betania (Bethania ) Monastery of the Nativity of the Mother of God is a 11th century church with a cruciform ground plan and dome in the style of Georgian Orthodox church  architecture of the "Golden Age" of the Kingdom of Georgia.
  • Picture & image of the exterior geometric reief sculpture architectural details of Betania (Bethania ) Monastery of the Nativity of the Mother of God Georgian Orthodox complex, Georgia.<br />
<br />
Betania (Bethania ) Monastery of the Nativity of the Mother of God is a 11th century church with a cruciform ground plan and dome in the style of Georgian Orthodox church  architecture of the "Golden Age" of the Kingdom of Georgia.
  • Picture & image of the exterior geometric reief sculpture architectural details of Betania (Bethania ) Monastery of the Nativity of the Mother of God Georgian Orthodox complex, Georgia.<br />
<br />
Betania (Bethania ) Monastery of the Nativity of the Mother of God is a 11th century church with a cruciform ground plan and dome in the style of Georgian Orthodox church  architecture of the "Golden Age" of the Kingdom of Georgia.
  • Picture & image of the exterior geometric reief sculpture architectural details of Betania (Bethania ) Monastery of the Nativity of the Mother of God Georgian Orthodox complex, Georgia.<br />
<br />
Betania (Bethania ) Monastery of the Nativity of the Mother of God is a 11th century church with a cruciform ground plan and dome in the style of Georgian Orthodox church  architecture of the "Golden Age" of the Kingdom of Georgia.
  • Picture & image of the exterior geometric reief sculpture architectural details of Betania (Bethania ) Monastery of the Nativity of the Mother of God Georgian Orthodox complex, Georgia.<br />
<br />
Betania (Bethania ) Monastery of the Nativity of the Mother of God is a 11th century church with a cruciform ground plan and dome in the style of Georgian Orthodox church  architecture of the "Golden Age" of the Kingdom of Georgia.
  • Picture & image of the exterior geometric reief sculpture architectural details of Betania (Bethania ) Monastery of the Nativity of the Mother of God Georgian Orthodox complex, Georgia.<br />
<br />
Betania (Bethania ) Monastery of the Nativity of the Mother of God is a 11th century church with a cruciform ground plan and dome in the style of Georgian Orthodox church  architecture of the "Golden Age" of the Kingdom of Georgia.
  • Picture & image of the exterior geometric reief sculpture architectural details of Betania (Bethania ) Monastery of the Nativity of the Mother of God Georgian Orthodox complex, Georgia.<br />
<br />
Betania (Bethania ) Monastery of the Nativity of the Mother of God is a 11th century church with a cruciform ground plan and dome in the style of Georgian Orthodox church  architecture of the "Golden Age" of the Kingdom of Georgia.
  • Tiled architectural details of the Plaza de Espana in Seville built in 1928 for the Ibero-American Exposition of 1929, Seville Spain
  • Tiled architectural details of the Plaza de Espana in Seville built in 1928 for the Ibero-American Exposition of 1929, Seville Spain
  • Arabesque Moorish architectural details of the Palacios Nazaries Alhambra. Granada, Andalusia, Spain.
  • The 14th Century Gothic style architectural details of The Doge's Palace on St Marks Square, Palazzo Ducale, Venice Italy
  • Statues of the Virgin Mary flanked by the Apostles and the  the fine Gothic architectural detail of  the  of the Gothic-Renaissance Duomo of Florence,  Basilica of Saint Mary of the Flower; Firenza ( Basilica di Santa Maria del Fiore ).  Built between 1293 & 1436. Italy
  • Gothic windows and architectural detail  of  the  of the Gothic-Renaissance Duomo of Florence,  Basilica of Saint Mary of the Flower; Firenza ( Basilica di Santa Maria del Fiore ).  Built between 1293 & 1436. Italy
  • Gothic windows and architectural detail  of  the  of the Gothic-Renaissance Duomo of Florence,  Basilica of Saint Mary of the Flower; Firenza ( Basilica di Santa Maria del Fiore ).  Built between 1293 & 1436. Italy
  • The tondo relief of Christ with his hands tied on central door of the fine Gothic architectural detail  of  the  of the Gothic-Renaissance Duomo of Florence,  Basilica of Saint Mary of the Flower; Firenza ( Basilica di Santa Maria del Fiore ).  Built between 1293 & 1436. Italy
  • The right door mosaic and the fine Gothic architectural detail and Rose window of  the  of the Gothic-Renaissance Duomo of Florence,  Basilica of Saint Mary of the Flower; Firenza ( Basilica di Santa Maria del Fiore ).  Built between 1293 & 1436. Italy
  • The right door mosaic and the fine Gothic architectural detail and Rose window of  the  of the Gothic-Renaissance Duomo of Florence,  Basilica of Saint Mary of the Flower; Firenza ( Basilica di Santa Maria del Fiore ).  Built between 1293 & 1436. Italy
  • Arabesque Moorish architectural details of the Palacios Nazaries Alhambra. Granada, Andalusia, Spain.
  • The 14th Century Gothic style architectural details of The Doge's Palace on St Marks Square, Palazzo Ducale, Venice Italy
  • Statues of the Apostles and the  the fine Gothic architectural detail of  the  of the Gothic-Renaissance Duomo of Florence,  Basilica of Saint Mary of the Flower; Firenza ( Basilica di Santa Maria del Fiore ).  Built between 1293 & 1436. Italy
  • Statues of the Virgin Mary flanked by the Apostles and the  the fine Gothic architectural detail of  the  of the Gothic-Renaissance Duomo of Florence,  Basilica of Saint Mary of the Flower; Firenza ( Basilica di Santa Maria del Fiore ).  Built between 1293 & 1436. Italy
  • The right door mosaic and the fine Gothic architectural detail  of  the  of the Gothic-Renaissance Duomo of Florence,  Basilica of Saint Mary of the Flower; Firenza ( Basilica di Santa Maria del Fiore ).  Built between 1293 & 1436. Italy
  • The right door mosaic and the fine Gothic architectural detail and Rose window of  the  of the Gothic-Renaissance Duomo of Florence,  Basilica of Saint Mary of the Flower; Firenza ( Basilica di Santa Maria del Fiore ).  Built between 1293 & 1436. Italy
  • The main central door ( Porta Maggiore ) mosaic and the fine Gothic architectural detail of  the  of the Gothic-Renaissance Duomo of Florence,  Basilica of Saint Mary of the Flower; Firenza ( Basilica di Santa Maria del Fiore ).  Built between 1293 & 1436. Italy
  • Statues of the Apostles and the  the fine Gothic architectural detail of  the  of the Gothic-Renaissance Duomo of Florence,  Basilica of Saint Mary of the Flower; Firenza ( Basilica di Santa Maria del Fiore ).  Built between 1293 & 1436. Italy

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