• Picture & image of a Hittite Monument with Heiroglyphics  from Sultanhani near Kayseri, Turkey. Ereceted by the town ruler Wassume to the God Tarhui to ask for a good harvest from the vineyards & Orchards. At the end is a warning of damnation for anyone who damages the monument. Museum of Anatolian Civilisations, Ankara.
  • Picture & image of a Neo-Hittite orthostat with a releif sculpture a libation for the gods from Aslantepe ,  Malatya, Turkey. Museum of Anatolian Civilisations, Ankara. The figure on the far left is beleived to be a king. He is facing a Bearded God wearing a bore tusk helmet. The God is holding a 3 pronged object and has a club resting on his shoulder. The 2 shaven characters on the right are mirror images of the two figures on the right except this time the king is on the far right waering a winged sun disc headress and holding a Lituus. The epigraphs identify the king and the cresent on the beared gods helmet identify him as Pugnus Mili The Sum and Moon God. 2
  • Picture & image of a Neo-Hittite orthostat showing a releif sculpture  of the Goddess Kubaba from Karkamis,, Turkey. Ancora Archaeological Museum. 8 In her right hand she is holding a pomegranate
  • Picture & image of a Neo-Hittite orthostat with a releif sculpture of Bull Men from The legend of Gilgamesh , Karkamis, Turkey. Museum of Anatolian Civilisations, Ankara.
  • Picture & image of a Neo-Hittite orthostat describing the legend of Gilgamesh from Karkamis,, Turkey. Museum of Anatolian Civilisations, Ankara.
  • Picture & image of a Neo-Hittite orthostat with a chariot Releif sculpture from Karkamis,, Turkey.Museum of Anatolian Civilisations, Ankara. The Cahiot is pulled by horses with plumed headresses. One man os about to shoot an arrow from his bow, the other man is driving the cahriot. Below the horse is a animal cowering. 2
  • Picture & image of a Neo-Hittite orthostat with a chariot Releif sculpture from Karkamis,, Turkey. Museum of Anatolian Civilisations, Ankara. The Cahiot is pulled by horses with plumed headresses. One man os about to shoot an arrow from his bow, the other man is driving the cahriot. Below the horse is a animal cowering.
  • Picture & image of a Neo-Hittite orthostat showing Sacrificial animals being led from Alacahöyük, Alaca Çorum Province, Turkey. Museum of Anatolian Civilisations, Ankara.  Old Bronze age Chalcolithic Period. 4
  • Picture & image of a Neo-Hittite orthostat showing Sacrificial animals being led from Alacahöyük, Alaca Çorum Province, Turkey. Museum of Anatolian Civilisations, Ankara. Old Bronze age Chalcolithic Period. 3
  • Picture & image of a Neo-Hittite orthostat showing goddess Kubaba  from  the legend of Gilgamesh from Karkamis,, Turkey. Museum of Anatolian Civilisations, Ankara.
  • Picture & image of a Neo-Hittite orthostat of 3 warriors from the legend of Gilgamesh from Karkamis,, Turkey. Museum of Anatolian Civilisations, Ankara. The warrior on the far left holds a spear in one hand and the branch of a tree in the other. The middle warrior has a clenched fist an carries an impliment over his shoulder. The warrior on the far right carries a saff. All 3 are wearing swords. 5
  • Picture & image of a Neo-Hittite orthostat of 3 warriors from the legend of Gilgamesh from Karkamis,, Turkey. Museum of Anatolian Civilisations, Ankara. The warrior on the far left holds a spear in one hand and the branch of a tree in the other. The middle warrior has a clenched fist an carries an impliment over his shoulder. The warrior on the far right carries a saff. All 3 are wearing swords.  4
  • Image of Neo-Hittite orthostat with releif sculpture of 3 soldiers from the legend of Gilgamesh from Karkamis,, Turkey. Museum of Anatolian Civilisations, Ankara.
  • Picture & image of a Neo-Hittite orthostat describing the legend of Gilgamesh from Karkamis,, Turkey.  Museum of Anatolian Civilisations, Ankara.
  • Picture & image of a Neo-Hittite orthostat describing the legend of Gilgamesh from Karkamis,, Turkey. Museum of Anatolian Civilisations, Ankara.
  • Picture & image of a Neo-Hittite orthostat describing the legend of Gilgamesh from Karkamis,, Turkey. Museum of Anatolian Civilisations, Ankara. A three headed Sphinx which is a winged lion with a human heas and a bird of prey's head on the end of its tail 5
  • Picture & Image of  Neo-Hittite orthostat describing the legend of Gilgamesh from Karkamis,, Turkey. Museum of Anatolian Civilisations, Ankara.  To the left a bearded deity with a horned helmet is holding a lions back leg and is about to strike it with an axe. To the right a man is stabbing the lion with a dagger.
  • Picture of Neo-Hittite orthostat describing the legend of Gilgamesh from Karkamis,, Turkey. Museum of Anatolian Civilisations, Ankara. Mythological scene. The 2 figures in the center are flanked by lion headed men who have one fist outstretched and are known as Ugallu. The 2 figures in the middle holding spears are men with bodies of bulls known as Kusarikku. 1
  • Picture of Phrygian releif sculpture Orthostat of a horse from Kucukevier, Ankara, Turkey. Museum of Anatolian Civilisations, Ankara. 7th century BC. Note the stylised leg muscels. 1
  • Picture & image of a Hittite Monument with Heiroglyphics  from Sultanhani near Kayseri, Turkey. Ereceted by the town ruler Wassume to the God Tarhui to ask for a good harvest from the vineyards & Orchards. At the end is a warning of damnation for anyone who damages the monument. Museum of Anatolian Civilisations, Ankara.
  • Picture & image of a Hittite Monument with Heiroglyphics  from Sultanhani near Kayseri, Turkey. Ereceted by the town ruler Wassume to the God Tarhui to ask for a good harvest from the vineyards & Orchards. At the end is a warning of damnation for anyone who damages the monument. Museum of Anatolian Civilisations, Ankara.
  • Picture & image of a Hittite Monument with Heiroglyphics  from Sultanhani near Kayseri, Turkey. Ereceted by the town ruler Wassume to the God Tarhui to ask for a good harvest from the vineyards & Orchards. At the end is a warning of damnation for anyone who damages the monument. Museum of Anatolian Civilisations, Ankara.
  • Picture & image of a Hittite Monument with Heiroglyphics  from Sultanhani near Kayseri, Turkey. Ereceted by the town ruler Wassume to the God Tarhui to ask for a good harvest from the vineyards & Orchards. At the end is a warning of damnation for anyone who damages the monument. Museum of Anatolian Civilisations, Ankara.
  • Picture & image of a Hittite Monument with Heiroglyphics  from Sultanhani near Kayseri, Turkey. Ereceted by the town ruler Wassume to the God Tarhui to ask for a good harvest from the vineyards & Orchards. At the end is a warning of damnation for anyone who damages the monument. Museum of Anatolian Civilisations, Ankara.
  • Picture & image of a Hittite Monument with Heiroglyphics  from Sultanhani near Kayseri, Turkey. Ereceted by the town ruler Wassume to the God Tarhui to ask for a good harvest from the vineyards & Orchards. At the end is a warning of damnation for anyone who damages the monument. Museum of Anatolian Civilisations, Ankara.
  • Picture & image of a Hittite Monument with Heiroglyphics  from Sultanhani near Kayseri, Turkey. Ereceted by the town ruler Wassume to the God Tarhui to ask for a good harvest from the vineyards & Orchards. At the end is a warning of damnation for anyone who damages the monument. Ancora Archaeological Museum.  3
  • Picture & image of a Hittite Monument with Heiroglyphics  from Sultanhani near Kayseri, Turkey. Ereceted by the town ruler Wassume to the God Tarhui to ask for a good harvest from the vineyards & Orchards. At the end is a warning of damnation for anyone who damages the monument. Museum of Anatolian Civilisations, Ankara.
  • Picture & image of a Neo-Hittite orthostat with a releif sculpture of A Winged God from Aslantepe ,  Malatya, Turkey. Museum of Anatolian Civilisations, Ankara.  The God holds a branch of fruit in his left hand and a single fruit in the right hand. The First beared god is holding out a 3 pronged object to the king and has a boomerang in his other hand. Behind him is a 2 winged Godess with a  bare leg showing from her tunic. She is carrying a double headed axe. Behind her is another dearded God with a bore tusk helmet holding a spear. On the far right is another Godess, bare headed holding a double headed axe. On the far right is an attendant holding a bull. Above him the epographs indicate the name of the King & Gods. 2
  • Picture & image of a Hittite Sculpture of a Lion Fron the Gate To Aslantepe, Malatya Province Turkey. Museum of Anatolian Civilisations, Ankara.
  • Picture & image of a Neo-Hittite orthostat with a releif sculpture of A Winged God from Aslantepe ,  Malatya, Turkey. Museum of Anatolian Civilisations, Ankara.  The God holds a branch of fruit in his left hand and a single fruit in the right hand. 5
  • Picture & image of a Neo-Hittite orthostat with a releif sculpture of Lion Men  from Aslantepe ,  Malatya, Turkey. Museum of Anatolian Civilisations, Ankara.
  • Picture & image of a Neo-Hittite orthostat showing a releif sculpture  of the Goddess Kubaba from Karkamis,, Turkey. Museum of Anatolian Civilisations, Ankara. In her right hand she is holding a pomegranate
  • Picture & image of a Neo-Hittite orthostat showing a releif sculpture  of the Goddess Kubaba from Karkamis,, Turkey. Museum of Anatolian Civilisations, Ankara. In her right hand she is holding a pomegranate
  • Picture & image of a Neo-Hittite orthostat showing a releif sculpture  of the Goddess Kubaba from Karkamis,, Turkey. Museum of Anatolian Civilisations, Ankara.  In her right hand she is holding a pomegranate
  • Picture & image of a Neo-Hittite orthostat showing a releif sculpture  of the Goddess Kubaba from Karkamis,, Turkey. Museum of Anatolian Civilisations, Ankara. 5 In her right hand she is holding a pomegranate
  • Picture & image of a Neo-Hittite orthostat showing a releif sculpture  of the Goddess Kubaba from Karkamis,, Turkey. Museum of Anatolian Civilisations, Ankara. 4 In her right hand she is holding a pomegranate
  • Picture & image of a Neo-Hittite orthostat showing a releif sculpture  of the Goddess Kubaba from Karkamis,, Turkey. Museum of Anatolian Civilisations, Ankara. 3 In her right hand she is holding a pomegranate
  • Picture & image of a Neo-Hittite orthostat showing a releif sculpture  of the Goddess Kubaba from Karkamis,, Turkey. Museum of Anatolian Civilisations, Ankara. 2 In her right hand she is holding a pomegranate
  • Picture & image of a Neo-Hittite orthostat with a releif sculpture of Bull Men from The legend of Gilgamesh , Karkamis, Turkey. Museum of Anatolian Civilisations, Ankara.
  • Picture & image of a Neo-Hittite orthostat with a releif sculpture of Bull Men from The legend of Gilgamesh , Karkamis, Turkey. Museum of Anatolian Civilisations, Ankara.
  • Picture & image of a Neo-Hittite orthostat with a releif sculpture of Bull Men from The legend of Gilgamesh , Karkamis, Turkey. Ancora Archaeological Museum. 3
  • Picture & image of a Neo-Hittite orthostat with a chariot Releif sculpture from Karkamis,, Turkey. Museum of Anatolian Civilisations, Ankara. The Chariot is pulled by horses with plumed headresses. One man os about to shoot an arrow from his bow, the other man is driving the cahriot. Below the horse is a man dying. 5
  • Picture & image of a Neo-Hittite orthostat with a chariot Releif sculpture from Karkamis,, Turkey.Museum of Anatolian Civilisations, Ankara. The Cahiot is pulled by horses with plumed headresses. One man os about to shoot an arrow from his bow, the other man is driving the cahriot. Below the horse is a man dying. 4
  • Picture & image of a Neo-Hittite orthostat with a chariot Releif sculpture from Karkamis,, Turkey. Museum of Anatolian Civilisations, Ankara. The Cahiot is pulled by horses with plumed headresses. One man os about to shoot an arrow from his bow, the other man is driving the cahriot. Below the horse is a man dying. 2
  • Picture & image of a Neo-Hittite orthostat with a chariot Releif sculpture from Karkamis,, Turkey. Museum of Anatolian Civilisations, Ankara. The Cahiot is pulled by horses with plumed headresses. One man os about to shoot an arrow from his bow, the other man is driving the cahriot. Below the horse is a man dying. 1
  • Picture & image of a Neo-Hittite orthostat with a chariot Releif sculpture from Karkamis,, Turkey. Museum of Anatolian Civilisations, Ankara. The Cahiot is pulled by horses with plumed headresses. One man os about to shoot an arrow from his bow, the other man is driving the cahriot. Below the horse is a animal cowering. 6
  • Picture & image of a Neo-Hittite orthostat with a chariot Releif sculpture from Karkamis,, Turkey. Museum of Anatolian Civilisations, Ankara. The Cahiot is pulled by horses with plumed headresses. One man os about to shoot an arrow from his bow, the other man is driving the cahriot. Below the horse is a animal cowering. 4
  • Picture & image of a Neo-Hittite orthostat with a chariot Releif sculpture from Karkamis,, Turkey. Ancora Archaeological Museum. The Cahiot is pulled by horses with plumed headresses. One man os about to shoot an arrow from his bow, the other man is driving the cahriot. Below the horse is a animal cowering. 3
  • Picture & image of a Neo-Hittite orthostat showing a Deer from Alacahöyük, Alaca Çorum Province, Turkey. Museum of Anatolian Civilisations, Ankara.  Old Bronze age Chalcolithic Period.
  • Picture & image of a Neo-Hittite orthostat showing a Conjurer & acrobats from Alacahöyük, Alaca Çorum Province, Turkey. Museum of Anatolian Civilisations, Ankara.  The conjurer on the left has long hair and is swallowing a dagger whilst the acrobats go up the stairs without holding on. All the figures are wearing horned headress and large looped earings. The acrobats are thought to be foreigners which is why they are smaller than the conjurer. Old Bronze age Chalcolithic Period.
  • Picture & image of a Neo-Hittite orthostat showing a Conjurer & acrobats from Alacahöyük, Alaca Çorum Province, Turkey. Museum of Anatolian Civilisations, Ankara.  The conjurer on the left has long hair and is swallowing a dagger whilst the acrobats go up the stairs without holding on. All the figures are wearing horned headress and large looped earings. The acrobats are thought to be foreigners which is why they are smaller than the conjurer. Old Bronze age Chalcolithic Period. 3
  • Picture & image of a Neo-Hittite orthostat showing a Conjurer & acrobats from Alacahöyük, Alaca Çorum Province, Turkey. Ancora Archaeological Museum.  The conjurer on the left has long hair and is swallowing a dagger whilst the acrobats go up the stairs without holding on. All the figures are wearing horned headress and large looped earings. The acrobats are thought to be foreigners which is why they are smaller than the conjurer. Old Bronze age Chalcolithic Period. 2
  • Picture & image of a Neo-Hittite orthostat showing a Conjurer & acrobats from Alacahöyük, Alaca Çorum Province, Turkey. Museum of Anatolian Civilisations, Ankara.  The conjurer on the left has long hair and is swallowing a dagger whilst the acrobats go up the stairs without holding on. All the figures are wearing horned headress and large looped earings. The acrobats are thought to be foreigners which is why they are smaller than the conjurer. Old Bronze age Chalcolithic Period.
  • Picture & image of a Neo-Hittite orthostat showing Sacrificial animals being led from Alacahöyük, Alaca Çorum Province, Turkey. Museum of Anatolian Civilisations, Ankara. Old Bronze age Chalcolithic Period. 2
  • Picture & image of a Neo-Hittite orthostat showing Sacrificial animals being led from Alacahöyük, Alaca Çorum Province, Turkey. Museum of Anatolian Civilisations, Ankara. Old Bronze age Chalcolithic Period.
  • Picture & image of an Imperial Hittite orthostat dshowing a King & Queen before an altar from Alacahöyük, Alaca Çorum Province,, Turkey. Museum of Anatolian Civilisations, Ankara. Old Bronze age Chalcolithic Period. 4
  • Picture & image of an Imperial Hittite orthostat dshowing a King & Queen before an altar from Alacahöyük,  Alaca Çorum Province,, Turkey. Museum of Anatolian Civilisations, Ankara. Old Bronze age Chalcolithic Period. 5
  • Picture & image of an Imperial Hittite orthostat dshowing a King & Queen before an altar from  Alacahöyük, Alaca Çorum Province,, Turkey. Museum of Anatolian Civilisations, Ankara. Old Bronze age Chalcolithic Period. 3
  • Picture & image of an Imperial Hittite orthostat dshowing a King & Queen before an altar from Alacahöyük , Alaca Çorum Province,, Turkey. Museum of Anatolian Civilisations, Ankara. Old Bronze age Chalcolithic Period. 2
  • Picture & image of a Neo-Hittite orthostat showing goddess Kubaba  from  the legend of Gilgamesh from Karkamis,, Turkey. Museum of Anatolian Civilisations, Ankara.
  • Picture & image of a Neo-Hittite orthostat showing goddess Kubaba  from  the legend of Gilgamesh from Karkamis,, Turkey. Museum of Anatolian Civilisations, Ankara.
  • Picture & image of a Neo-Hittite orthostat showing goddess Kubaba  from  the legend of Gilgamesh from Karkamis,, Turkey. Museum of Anatolian Civilisations, Ankara.
  • Picture & image of a Neo-Hittite orthostat of 3 warriors from the legend of Gilgamesh from Karkamis,, Turkey. Museum of Anatolian Civilisations, Ankara. The warrior on the far left holds a spear in one hand and the branch of a tree in the other. The middle warrior has a clenched fist an carries an impliment over his shoulder. The warrior on the far right carries a saff. All 3 are wearing swords.  3
  • Picture & image of a Neo-Hittite orthostat of 3 warriors from the legend of Gilgamesh from Karkamis,, Turkey. Museum of Anatolian Civilisations, Ankara. The warrior on the far left holds a spear in one hand and the branch of a tree in the other. The middle warrior has a clenched fist an carries an impliment over his shoulder. The warrior on the far right carries a saff. All 3 are wearing swords. 2
  • Picture of Neo-Hittite orthostat with releif sculpture of 3 soldiers from the legend of Gilgamesh from Karkamis,, Turkey. Museum of Anatolian Civilisations, Ankara.
  • Picture & image of a Neo-Hittite orthostat describing the legend of Gilgamesh from Karkamis,, Turkey. Museum of Anatolian Civilisations, Ankara.
  • Picture & image of a Neo-Hittite orthostat describing the legend of Gilgamesh from Karkamis,, Turkey. Museum of Anatolian Civilisations, Ankara.
  • Picture & image of a Neo-Hittite orthostat describing the legend of Gilgamesh from Karkamis,, Turkey. Museum of Anatolian Civilisations, Ankara.
  • Picture & image of a Neo-Hittite orthostat describing the legend of Gilgamesh from Karkamis,, Turkey. Museum of Anatolian Civilisations, Ankara.
  • Picture & image of a Neo-Hittite orthostat describing the legend of Gilgamesh from Karkamis,, Turkey. Museum of Anatolian Civilisations, Ankara.
  • Picture & image of a Neo-Hittite orthostat describing the legend of Gilgamesh from Karkamis,, Turkey. Museum of Anatolian Civilisations, Ankara.
  • Neo-Hittite orthostat describing the legend of Gilgamesh from Karkamis,, Turkey. Museum of Anatolian Civilisations, Ankara. A three headed Sphinx which is a winged lion with a human heas and a bird of prey's head on the end of its tail 1
  • Picture & image of a Neo-Hittite orthostat describing the legend of Gilgamesh from Karkamis,, Turkey. Museum of Anatolian Civilisations, Ankara.. A three headed Sphinx which is a winged lion with a human heas and a bird of prey's head on the end of its tail 6
  • Picture & image of a Neo-Hittite orthostat describing the legend of Gilgamesh from Karkamis,, Turkey. Museum of Anatolian Civilisations, Ankara. A three headed Sphinx which is a winged lion with a human heas and a bird of prey's head on the end of its tail 4
  • Picture & Image of  Neo-Hittite orthostat describing the legend of Gilgamesh from Karkamis,, Turkey. Museum of Anatolian Civilisations, Ankara. To the left a bearded deity with a horned helmet is holding a lions back leg and is about to strike it with an axe. To the right a man is stabbing the lion with a dagger. 2
  • Picture of Neo-Hittite orthostat describing the legend of Gilgamesh from Karkamis,, Turkey. Museum of Anatolian Civilisations, Ankara.Symetrical mythological Scene depicting "Winged Griffin Demons", half men with birds heads & wings. Their hands are raised above their heads supposidly carrying the sky. 3
  • Picture of Neo-Hittite orthostat describing the legend of Gilgamesh from Karkamis,, Turkey. Museum of Anatolian Civilisations, Ankara. Symetrical mythological Scene depicting "Winged Griffin Demons", half men with birds heads & wings. Their hands are raised above their heads supposidly carrying the sky. 2
  • Picture of Neo-Hittite orthostat describing the legend of Gilgamesh from Karkamis,, Turkey. Museum of Anatolian Civilisations, Ankara. Symetrical mythological Scene depicting "Winged Griffin Demons", half men with birds heads & wings. Their hands are raised above their heads supposidly carrying the sky. 5
  • Picture & Image of  Neo-Hittite orthostat describing the legend of Gilgamesh from Karkamis,, Turkey. Museum of Anatolian Civilisations, Ankara. To the left a bearded deity with a horned helmet is holding a lions back leg and is about to strike it with an axe. To the right a man is stabbing the lion with a dagger. 4
  • Picture of Neo-Hittite orthostat describing the legend of Gilgamesh from Karkamis,, Turkey. Museum of Anatolian Civilisations, Ankara.Symetrical mythological Scene depicting "Winged Griffin Demons", half men with birds heads & wings. Their hands are raised above their heads supposidly carrying the sky. 4
  • Picture & Image of  Neo-Hittite orthostat describing the legend of Gilgamesh from Karkamis,, Turkey. Museum of Anatolian Civilisations, Ankara. To the left a bearded deity with a horned helmet is holding a lions back leg and is about to strike it with an axe. To the right a man is stabbing the lion with a dagger. 5
  • Picture & Image of  Neo-Hittite orthostat describing the legend of Gilgamesh from Karkamis,, Turkey. Museum of Anatolian Civilisations, Ankara. To the left a bearded deity with a horned helmet is holding a lions back leg and is about to strike it with an axe. To the right a man is stabbing the lion with a dagger. 3
  • Picture of Neo-Hittite orthostat describing the legend of Gilgamesh from Karkamis,, Turkey. Museum of Anatolian Civilisations, Ankara. Mythological scene. The 2 figures in the center are flanked by lion headed men who have one fist outstretched and are known as Ugallu. The 2 figures in the middle holding spears are men with bodies of bulls known as Kusarikku. 3
  • Picture of Neo-Hittite orthostat describing the legend of Gilgamesh from Karkamis,, Turkey. Museum of Anatolian Civilisations, Ankara. Mythological scene. The 2 figures in the center are flanked by lion headed men who have one fist outstretched and are known as Ugallu. The 2 figures in the middle holding spears are men with bodies of bulls known as Kusarikku. 2
  • Photo of Neo-Hittite orthostat from Karkamis, Turkey. Museum of Anatolian Civilisations, Ankara.  The meeting of the "Storm God" on right and a King on the left. 4
  • Picture of Neo-Hittite orthostat describing the legend of Gilgamesh from Karkamis,, Turkey. Museum of Anatolian Civilisations, Ankara. Mythological scene. The 2 figures in the center are flanked by lion headed men who have one fist outstretched and are known as Ugallu. The 2 figures in the middle holding spears are men with bodies of bulls known as Kusarikku. 5
  • Photo of Neo-Hittite orthostat from Karkamis, Turkey. Museum of Anatolian Civilisations, Ankara.  The meeting of the "Storm God" on right and a King on the left. 3
  • Photo of Neo-Hittite orthostat from Karkamis, Turkey. Museum of Anatolian Civilisations, Ankara.  The meeting of the "Storm God" on right and a King on the left. 2
  • Picture of a Neo-Hittite orthostat describing the legend of Gilgamesh from Karkamis, Turkey. Museum of Anatolian Civilisations, Ankara. Mythological Scene of 2 Spinxes standing on their back legs either side of a winged horse which is also standing on its rear legs. 3
  • Picture of a Neo-Hittite orthostat describing the legend of Gilgamesh from Karkamis, Turkey. Museum of Anatolian Civilisations, Ankara. Mythological Scene of 2 Spinxes standing on their back legs either side of a winged horse which is also standing on its rear legs. 1
  • Photo of Neo-Hittite orthostat from Karkamis, Turkey. Museum of Anatolian Civilisations, Ankara.  The meeting of the "Storm God" on right and a King on the left. 1
  • Picture of a Neo-Hittite orthostat describing the legend of Gilgamesh from Karkamis, Turkey. Museum of Anatolian Civilisations, Ankara. Mythological Scene of 2 Spinxes standing on their back legs either side of a winged horse which is also standing on its rear legs. 2
  • Picture of a Neo-Hittite orthostat describing the legend of Gilgamesh from Karkamis, Turkey. Museum of Anatolian Civilisations, Ankara. Mythological Scene of 2 Spinxes standing on their back legs either side of a winged horse which is also standing on its rear legs. 4
  • Hittite monumental relief sculpted orthostat stone panel from Water Gate Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey. Bull-man holding the trunk of the tree. The waist-down part of the figure is in the form of a bull. <br />
<br />
On a grey art background.
  • Photo of Hittite monumental relief sculpted orthostat stone panel from Water Gate Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
 A portion of the body and the feet of the Sphinx. Its chest was processed as fish flakes. Parallel lines on its wings draw attention.  <br />
<br />
On a brown art background.
  • Hittite monumental relief sculpted orthostat stone panel from Water Gate Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
 A portion of the body and the feet of the Sphinx. Its chest was processed as fish flakes. Parallel lines on its wings draw attention.  <br />
<br />
On a grey art background.
  • Photo of Hittite monumental relief sculpted orthostat stone panel from Water Gate Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey. Bull-man holding the trunk of the tree. The waist-down part of the figure is in the form of a bull. <br />
<br />
On a brown art background.
  • Photo of Hittite monumental relief sculpted orthostat stone panel of Water Gate. Basalt, 900 - 700 BC. Anatolian Civilisations Museum. Ankara. Turkey.<br />
<br />
Fragment of Two bull men holding the trunk of the tree in the middle. The faces of the figures, having tufts in both temples over the chain, have been depicted from the front direction. The horned figures with bull like ears and legs have human bodies. <br />
<br />
On a brown art background.
  • Hittite monumental relief sculpted orthostat stone panel of Water Gate. Basalt, 900 - 700 BC. Anatolian Civilisations Museum. Ankara. Turkey.<br />
<br />
Fragment of Two bull men holding the trunk of the tree in the middle. The faces of the figures, having tufts in both temples over the chain, have been depicted from the front direction. The horned figures with bull like ears and legs have human bodies. <br />
<br />
On a grey art background.
  • Photo of Hittite monumental relief sculpted orthostat stone panel from Water Gate Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 BC.  Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
The figure sitting on a stool to the left of the table holds a goblet in his right hand which he raised upwards. Behind, there is a servant with a fan in his hand. On the other side of the table is another servant waits with a vessel in the hands. The rightmost figure plays a Saz (a stringed musical instrument) with the tassel on the handle. <br />
<br />
On a brown art background.
  • Hittite monumental relief sculpted orthostat stone panel from Water Gate Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C.  Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Two bull-men holding the trunk of the tree in the middle. The faces of the figures, having tufts in both temples over the chain, have been depicted from the front direction. The horned figures with bull-like ears and legs have human bodies. <br />
<br />
On a grey art background.
  • Photo of Hittite monumental relief sculpted orthostat stone panel from Water Gate Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C.  Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Two bull-men holding the trunk of the tree in the middle. The faces of the figures, having tufts in both temples over the chain, have been depicted from the front direction. The horned figures with bull-like ears and legs have human bodies. <br />
<br />
On a brown art background.
  • Hittite monumental relief sculpted orthostat stone panel from Water Gate Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 BC.  Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
The figure sitting on a stool to the left of the table holds a goblet in his right hand which he raised upwards. Behind, there is a servant with a fan in his hand. On the other side of the table is another servant waits with a vessel in the hands. The rightmost figure plays a Saz (a stringed musical instrument) with the tassel on the handle. <br />
<br />
On a grey art background.
  • Photo of Hittite monumental relief sculpted orthostat stone panel from Water Gate Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish). 900-700 BC . Stag. Anatolian Civilisations Museum, Ankara, Turkey. With his large and many branched antler, he walks towards the right. <br />
<br />
On a brown art background.
  • Photo of Hittite monumental relief sculpted orthostat stone panel from Water Gate Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish). 900-700 BC . Stag. Anatolian Civilisations Museum, Ankara, Turkey. With his large and many branched antler, he walks towards the right. <br />
<br />
On a brown art background.
  • Hittite monumental relief sculpted orthostat stone panel from Water Gate Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish). 900-700 BC . Stag. Anatolian Civilisations Museum, Ankara, Turkey. With his large and many branched antler, he walks towards the right. <br />
<br />
On a grey art background.
  • Hittite monumental relief sculpted orthostat stone panel from Water Gate Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish). 900-700 BC . Stag. Anatolian Civilisations Museum, Ankara, Turkey. With his large and many branched antler, he walks towards the right. <br />
<br />
On a grey art background.
  • Pictures & images of the North Gate Hittite sculpture stele depicting Hittite winged God. 8th century BC. Karatepe Aslantas Open-Air Museum (Karatepe-Aslantaş Açık Hava Müzesi), Osmaniye Province, Turkey. Against art background
  • Pictures & images of the North Gate Hittite sculpture stele depicting musicians playing instruments. 8the century BC.  Karatepe Aslantas Open-Air Museum (Karatepe-Aslantaş Açık Hava Müzesi), Osmaniye Province, Turkey. Against grey art background
  • Pictures & images of the North Gate Hittite sculpture stele depicting Hittite Gods. 8th century BC. Karatepe Aslantas Open-Air Museum (Karatepe-Aslantaş Açık Hava Müzesi), Osmaniye Province, Turkey. Against grey art background
  • Pictures & images of the North Gate Hittite sculpture stele depicting Hittite Gods. 8th century BC. Karatepe Aslantas Open-Air Museum (Karatepe-Aslantaş Açık Hava Müzesi), Osmaniye Province, Turkey. Against grey art background
  • Pictures & images of the North Gate Hittite sculpture stele depicting Hittite God hunting a lion. 8th century BC. Karatepe Aslantas Open-Air Museum (Karatepe-Aslantaş Açık Hava Müzesi), Osmaniye Province, Turkey. Against grey art background
  • Pictures & images of the North Gate Hittite sculpture stele depicting Hittite mythical animal Gods. 8th century BC. Karatepe Aslantas Open-Air Museum (Karatepe-Aslantaş Açık Hava Müzesi), Osmaniye Province, Turkey. Against grey art background
  • Pictures & images of the North Gate Hittite sculpture stele depicting a ship with fish. 8the century BC.  Karatepe Aslantas Open-Air Museum (Karatepe-Aslantaş Açık Hava Müzesi), Osmaniye Province, Turkey. Against grey art background
  • Pictures & images of the South Gate Hittite sculpture stele depicting Hittite Gods. 8th century BC. Karatepe Aslantas Open-Air Museum (Karatepe-Aslantaş Açık Hava Müzesi), Osmaniye Province, Turkey.  Against art background
  • Phygian relief sculpted orthostat stone panel. Andesite, Etimesgut, Ankara. Phrygian. 1200-700 BC. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Figure of a roaring lion. The cross mark on the chest draws attention. The muscles in his legs are schematic. There are frame edges in front and behind the lion. <br />
<br />
Against a grey art background.
  • Photo of Phrygian relief sculpted orthostat stone panel Andesite, Atateirk Orman ciftligi, Ankara, 12OO-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
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Winged griffin with a bird's head and a lion's body. There is a bird's head at the end of its tail. The chest was processed like fish scales. Its wing extends along the body. Muscles in its legs are schematic. <br />
<br />
Against a brown art background.
  • Photo of Phrygian relief sculpted orthostat stone panel. Andesite, Ahiyakup, Ankara Phrygian, 1200-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Sphinx. Curly-haired and bearded, the figure has the head of a human and the body of a lion, with its wings extending down to its tail. Muscles in its legs are schematic. There is a band on its head. <br />
<br />
Against a brown art background.
  • Phrygian relief sculpted orthostat stone panel Andesite, Kalaba Village, Ankara, , 1200-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Figure of a roaring lion. The cross mark on his chest draws attention. The muscles in his legs are schematic.<br />
<br />
Against a grey art background.
  • Pictures & images of the North Gate Hittite sculpture stele depicting a Hittite chariot. 8th century BC. Karatepe Aslantas Open-Air Museum (Karatepe-Aslantaş Açık Hava Müzesi), Osmaniye Province, Turkey. Against art background
  • Pictures & images of the North Gate Hittite sculpture stele depicting a ship with fish. 8the century BC.  Karatepe Aslantas Open-Air Museum (Karatepe-Aslantaş Açık Hava Müzesi), Osmaniye Province, Turkey. Against art background
  • Pictures & images of the North Gate Hittite sculpture stele depicting man with wolves. 8the century BC.  Karatepe Aslantas Open-Air Museum (Karatepe-Aslantaş Açık Hava Müzesi), Osmaniye Province, Turkey. Against art background
  • Pictures & images of the North Gate Hittite sculpture stele depicting Hittite Gods. 8th century BC. Karatepe Aslantas Open-Air Museum (Karatepe-Aslantaş Açık Hava Müzesi), Osmaniye Province, Turkey. Against art background
  • Pictures & images of the North Gate Hittite sculpture stele depicting Hittite mythical animal Gods. 8th century BC. Karatepe Aslantas Open-Air Museum (Karatepe-Aslantaş Açık Hava Müzesi), Osmaniye Province, Turkey. Against art background
  • Pictures & images of the North Gate Hittite sculpture stele depicting Hittite Gods. 8th century BC. Karatepe Aslantas Open-Air Museum (Karatepe-Aslantaş Açık Hava Müzesi), Osmaniye Province, Turkey. Against art background
  • Pictures & images of the North Gate Hittite sculpture stele depicting Hittite Gods. 8th century BC. Karatepe Aslantas Open-Air Museum (Karatepe-Aslantaş Açık Hava Müzesi), Osmaniye Province, Turkey. Against art background
  • Pictures & images of the North Gate Hittite sculpture stele depicting Hittite man with abow and a bear. 8th century BC. Karatepe Aslantas Open-Air Museum (Karatepe-Aslantaş Açık Hava Müzesi), Osmaniye Province, Turkey. Against art background
  • Pictures & images of the North Gate Hittite sculpture stele depicting a women breast feeding a child. 8the century BC.  Karatepe Aslantas Open-Air Museum (Karatepe-Aslantaş Açık Hava Müzesi), Osmaniye Province, Turkey. Against art background
  • Pictures & images of the North Gate Hittite sculpture stele depicting musicians playing instruments. 8the century BC.  Karatepe Aslantas Open-Air Museum (Karatepe-Aslantaş Açık Hava Müzesi), Osmaniye Province, Turkey. Against art background
  • Pictures & images of the North Gate Hittite sculpture stele depicting Hittite Gods. 8th century BC. Karatepe Aslantas Open-Air Museum (Karatepe-Aslantaş Açık Hava Müzesi), Osmaniye Province, Turkey. Against art background
  • Pictures & images of the North Gate Hittite sculpture stele depicting Hittite God hunting a lion. 8th century BC. Karatepe Aslantas Open-Air Museum (Karatepe-Aslantaş Açık Hava Müzesi), Osmaniye Province, Turkey. Against art background
  • Pictures & images of the North Gate Hittite sculpture stele depicting Hittite Gods. 8th century BC. Karatepe Aslantas Open-Air Museum (Karatepe-Aslantaş Açık Hava Müzesi), Osmaniye Province, Turkey. Against art background
  • Pictures & images of the North Gate Hittite sculpture stele depicting a winged bird God. 8the century BC.  Karatepe Aslantas Open-Air Museum (Karatepe-Aslantaş Açık Hava Müzesi), Osmaniye Province, Turkey. Against art background
  • Pictures & images of the North Gate ancient Hittite stele stone slabs with stele of Hittite Gods, mythical beasts and lion as well as carvings of the Phoenician language  known as the Karatepe bilingual, which allowed academics to translate Hittite hieroglyphs. 8th century BC discovered in 1946. Karatepe Aslantas Open-Air Museum (Karatepe-Aslantaş Açık Hava Müzesi), Osmaniye Province, Turkey. Against art background
  • Pictures & images of the North Gate Hittite sculpture stele depicting Hittite Gods. 8th century BC. Karatepe Aslantas Open-Air Museum (Karatepe-Aslantaş Açık Hava Müzesi), Osmaniye Province, Turkey. Against grey art background
  • Pictures & images of the North Gate Hittite sculpture stele depicting a winged bird God. 8the century BC.  Karatepe Aslantas Open-Air Museum (Karatepe-Aslantaş Açık Hava Müzesi), Osmaniye Province, Turkey. Against grey art background
  • Pictures & images of the North Gate Hittite sculpture stele depicting man with wolves. 8the century BC.  Karatepe Aslantas Open-Air Museum (Karatepe-Aslantaş Açık Hava Müzesi), Osmaniye Province, Turkey. Against grey art background
  • Pictures & images of the North Gate Hittite sculpture stele depicting Hittite Gods. 8th century BC. Karatepe Aslantas Open-Air Museum (Karatepe-Aslantaş Açık Hava Müzesi), Osmaniye Province, Turkey. Against grey art background
  • Pictures & images of the North Gate Hittite sculpture stele depicting a Hittite chariot. 8th century BC. Karatepe Aslantas Open-Air Museum (Karatepe-Aslantaş Açık Hava Müzesi), Osmaniye Province, Turkey. Against grey art background
  • Pictures & images of the North Gate Hittite sculpture stele depicting Hittite man with abow and a bear. 8th century BC. Karatepe Aslantas Open-Air Museum (Karatepe-Aslantaş Açık Hava Müzesi), Osmaniye Province, Turkey. Against grey art background
  • Pictures & images of the North Gate Hittite sculpture stele depicting Hittite Gods. 8th century BC. Karatepe Aslantas Open-Air Museum (Karatepe-Aslantaş Açık Hava Müzesi), Osmaniye Province, Turkey. Against grey art background
  • Pictures & images of the North Gate Hittite sculpture stele depicting Hittite winged God. 8th century BC. Karatepe Aslantas Open-Air Museum (Karatepe-Aslantaş Açık Hava Müzesi), Osmaniye Province, Turkey. Against grey art background
  • Pictures & images of the South Gate Hittite sculpture stele depicting Hittite Gods. 8th century BC. Karatepe Aslantas Open-Air Museum (Karatepe-Aslantaş Açık Hava Müzesi), Osmaniye Province, Turkey.  Against art background
  • Pictures & images of the South Gate Hittite sculpture stele depicting Hittite Gods. 8th century BC. Karatepe Aslantas Open-Air Museum (Karatepe-Aslantaş Açık Hava Müzesi), Osmaniye Province, Turkey.  Against art background
  • Pictures & images of the South Gate Hittite sculpture stele depicting Hittite Gods. 8th century BC. Karatepe Aslantas Open-Air Museum (Karatepe-Aslantaş Açık Hava Müzesi), Osmaniye Province, Turkey.  Against art background
  • Pictures & images of the South Gate Hittite sculpture stele depicting Hittite Gods. 8th century BC. Karatepe Aslantas Open-Air Museum (Karatepe-Aslantaş Açık Hava Müzesi), Osmaniye Province, Turkey.  Against art background
  • Pictures & images of the South Gate Hittite sculpture stele depicting Hittite Gods. 8th century BC. Karatepe Aslantas Open-Air Museum (Karatepe-Aslantaş Açık Hava Müzesi), Osmaniye Province, Turkey.  Against art background
  • Pictures & images of the South Gate Hittite sculpture stele depicting Hittite Gods. 8th century BC. Karatepe Aslantas Open-Air Museum (Karatepe-Aslantaş Açık Hava Müzesi), Osmaniye Province, Turkey.  Against grey art background
  • Pictures & images of the South Gate Hittite sculpture stele depicting Hittite Gods. 8th century BC. Karatepe Aslantas Open-Air Museum (Karatepe-Aslantaş Açık Hava Müzesi), Osmaniye Province, Turkey.  Against grey art background
  • Pictures & images of the South Gate Hittite sculpture stele depicting Hittite Gods. 8th century BC. Karatepe Aslantas Open-Air Museum (Karatepe-Aslantaş Açık Hava Müzesi), Osmaniye Province, Turkey.  Against grey art background
  • Pictures & images of the South Gate Hittite sculpture stele depicting Hittite Gods. 8th century BC. Karatepe Aslantas Open-Air Museum (Karatepe-Aslantaş Açık Hava Müzesi), Osmaniye Province, Turkey.  Against grey art background
  • Photo of Phrygian relief sculpted orthostat stone panel. Andesite, Kucukevler, Ankara., 1200-700 B.C.  Walking horse. Muscles in the legs of the figure are schematic. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Against a brown art background.
  • Phrygian relief sculpted orthostat stone panel. Andesite, Kucukevler, Ankara., 1200-700 B.C.  Walking horse. Muscles in the legs of the figure are schematic. Anatolian Civilisations Museum, Ankara, Turkey<br />
<br />
Against a grey art background.
  • Phrygian relief sculpted orthostat stone panel. Andesite, Ahiyakup, Ankara Phrygian, 1200-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Sphinx. Curly-haired and bearded, the figure has the head of a human and the body of a lion, with its wings extending down to its tail. Muscles in its legs are schematic. There is a band on its head. <br />
<br />
Against a grey art background.
  • Phrygian relief sculpted orthostat stone panel Andesite, Atateirk Orman ciftligi, Ankara, 12OO-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Winged griffin with a bird's head and a lion's body. There is a bird's head at the end of its tail. The chest was processed like fish scales. Its wing extends along the body. Muscles in its legs are schematic. <br />
<br />
Against a grey art background.
  • Photo of Phrygian relief sculpted orthostat stone panel, 1200-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey. Figure of a walking bull. <br />
<br />
Against a brown art background.
  • Phrygian relief sculpted orthostat stone panel, 1200-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey. Figure of a walking bull. <br />
<br />
Against a grey art background.
  • Photo of Phygian relief sculpted orthostat stone panel. Andesite, Etimesgut, Ankara. Phrygian. 1200-700 BC. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Figure of a roaring lion. The cross mark on the chest draws attention. The muscles in his legs are schematic. There are frame edges in front and behind the lion. <br />
<br />
Against a brown art background.
  • Photo of Phrygian relief sculpted orthostat stone panel Andesite, Kalaba Village, Ankara, , 1200-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Figure of a roaring lion. The cross mark on his chest draws attention. The muscles in his legs are schematic. <br />
<br />
Against a brown art background.
  • Pictures of a geometric Roman mosaics with animals & fruit, from the ancient Roman city of Thysdrus. 3rd century AD. El Djem Archaeological Museum, El Djem, Tunisia. Against an art background
  • Pictures of a geometric Roman mosaics with strap work and cruciform flowers and in the centre a damaged depiction of a running deer, from the ancient Roman city of Thysdrus, Jilani Guirat area. 3rd century AD. El Djem Archaeological Museum, El Djem, Tunisia. Against an art background
  • Picture of a Roman mosaics design depicting scenes from mythology, from the ancient Roman city of Thysdrus House in Jilani Guirat area. End of 2nd century AD. El Djem Archaeological Museum, El Djem, Tunisia. Against an art background<br />
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Detail from a mosaic which depicts Polyphene playing a lyre to charm Galate ; Dionysus drunk ; Alpheus attacking the nymph Arethusa
  • Picture of a Roman mosaics design depicting Orpheus, god of music, playing his lyre,  from the ancient Roman city of Thysdrus, Bir Zid area. 2nd century AD. El Djem Archaeological Museum, El Djem, Tunisia. Against an art background
  • Picture of a Roman mosaics design depicting scenes from the Life of Dionysus, from the ancient Roman city of Thysdrus, House of Silenus. Late 2nd to early 3rd century AD. El Djem Archaeological Museum, El Djem, Tunisia. Against an art background<br />
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In the central panel of this Roman mosaic the  teacher of Dionysus, Silenus, is being carried towards a donkey.
  • Picture of a Roman mosaics design depicting the Four Seasons, from the ancient Roman city of Thysdrus. 3rd century AD, House in Jiliani Guirat area. El Djem Archaeological Museum, El Djem, Tunisia. Against an art background
  • Picture of a Roman mosaics design depicting a Satyr persuing Bacchante, from the ancient Roman city of Thysdrus. End of 2nd century AD, House in Jiliani Guirat area. El Djem Archaeological Museum, El Djem, Tunisia. Against an art background
  • Picture of a Roman mosaics design depicting animals killing people in an ampitheatre, from the ancient Roman city of Thysdrus. End of 2nd century AD, Sollertiana Domus. El Djem Archaeological Museum, El Djem, Tunisia. Against an art background
  • Picture of a Roman mosaics design depicting the Abduction of Ganymede, from the ancient Roman city of Thysdrus. End od 2nd century AD, Sollertiana Domus. El Djem Archaeological Museum, El Djem, Tunisia. Against an art background
  • Picture of a geometric Roman mosaics design using dolphins and swans designs, from the ancient Roman city of Thysdrus. 3rd century AD, House of Dolphins. El Djem Archaeological Museum, El Djem, Tunisia. Against an art background
  • Picture of a Roman mosaics design depicting Silenus and fishing cupids, from the ancient Roman city of Thysdrus. 3rd century AD, House of Silenus. El Djem Archaeological Museum, El Djem, Tunisia. Against an art background
  • Picture of a Roman Dionysiac mosaics design depicting masks and birds, from the ancient Roman city of Thysdrus. 3rd century AD, House of Silenus. El Djem Archaeological Museum, El Djem, Tunisia. Against an art background
  • Picture of a Roman mosaics design depicting a lion attacking two onagers or Asiatic wild ass, from the ancient Roman city of Thysdrus. 3rd century AD. El Djem Archaeological Museum, El Djem, Tunisia. Against an art background
  • Picture of a Roman mosaics design depicting Dionysus riding a lion; from the ancient Roman city of Thysdrus. 2nd century AD House of the Dionysus Proccession. El Djem Archaeological Museum; El Djem; Tunisia. Against an art background
  • Pictures of a geometric Roman doorstep mosaics depicting five fishes surrounded by bars and a medallion, from the ancient Roman city of Thysdrus. 3rd century AD The Small Baths in the M'barek Rhaiem area. El Djem Archaeological Museum, El Djem, Tunisia. Against an art background<br />
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The mosaic depicts the emblem of the Pentasii, a powerful Nortyh African Roman association that organised and  maintained the wild animals and hired animal killers to carry on the games in ampitheatres.
  • Pictures of a geometric Roman mosaic, from the ancient Roman city of Thysdrus. 3rd century AD. El Djem Archaeological Museum, El Djem, Tunisia. Against an art background
  • Pictures of a geometric Roman mosaic, from the ancient Roman city of Thysdrus. 3rd century AD. El Djem Archaeological Museum, El Djem, Tunisia. Against an art background
  • Pictures of a geometric Roman mosaic, from the ancient Roman city of Thysdrus. 3rd century AD. El Djem Archaeological Museum, El Djem, Tunisia. Against an art background
  • Pictures of a Roman mosaics from an apse depicting a fan of multicoloured triangles and vine foliated scrolls, from the ancient Roman city of Thysdrus. 3rd century AD. El Djem Archaeological Museum, El Djem, Tunisia. Against an art background
  • Pictures of a Roman mosaics with medallions containing mosaic birds, fishes and fruit, from the ancient Roman city of Thysdrus, house in the M'Barek R'Haiem area. 3rd century AD. El Djem Archaeological Museum, El Djem, Tunisia. Against an art background
  • Pictures of a Roman mosaics with medallions containing mosaic birds, fishes and fruit, from the ancient Roman city of Thysdrus, house in the M'Barek R'Haiem area. 3rd century AD. El Djem Archaeological Museum, El Djem, Tunisia. Against an art background
  • Pictures of a geometric Roman mosaics with a hexagon at its centre in the middle of which is a cruciform of flowers, from the ancient Roman city of Thysdrus, house in the M'Barek R'Haiem area. Begining of 3rd century AD. El Djem Archaeological Museum, El Djem, Tunisia. Against an art background
  • Picture of a Roman mosaics design depicting scenes from the Life of Dionysus, from the ancient Roman city of Thysdrus, House of Silenus. Late 2nd to early 3rd century AD. El Djem Archaeological Museum, El Djem, Tunisia. Against an art background<br />
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In the central panel of this Roman mosaic the  teacher of Dionysus, Silenus, is being carried towards a donkey.
  • Picture of a Roman mosaics design depicting Dionysus drunk being transported on a chariot pulled by a centaur, they are followed by a Bacchante, follower of Bacchus, and a Satyr, from the ancient Roman city of Thysdrus. 3rd century AD House of Tertulla. El Djem Archaeological Museum, El Djem, Tunisia. Against an art background
  • Picture of a Roman mosaics design depicting scenes from mythology, from the ancient Roman city of Thysdrus. End of 2nd century AD, House in Jiliani Guirat area. El Djem Archaeological Museum, El Djem, Tunisia. Against an art background<br />
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This Roman mosaic depicts Aurore enticing Cephane, Apollo enticing Cyrene and Apollo persuing Daphne
  • Picture of a Roman mosaics design depicting a Nymph lying on a sea horse with two dolphins, from the ancient Roman city of Thysdrus. 3rd century AD, House of Dolphins. El Djem Archaeological Museum, El Djem, Tunisia. Against an art background
  • Picture of a Roman mosaics design depicting Sileuns and two of the Four Seasons, from the ancient Roman city of Thysdrus. 3rd century AD. El Djem Archaeological Museum, El Djem, Tunisia. Against an art background
  • Picture of a Roman mosaics design depicting an owl, symbol of victory over envy. On either side of the Owl are symbols of Telegenii an North African Roman association. From the ancient Roman city of Thysdrus. 3rd century AD. El Djem Archaeological Museum, El Djem, Tunisia. Against an art background
  • Picture of a Roman mosaics design depicting Lions eating a boar, from the ancient Roman city of Thysdrus. 2nd century AD, House of the Dionysus Proccession. El Djem Archaeological Museum, El Djem, Tunisia. Against an art background
  • Picture of a Roman mosaics design depicting the Four Seasons; from the ancient Roman city of Thysdrus. 3rd century AD. El Djem Archaeological Museum; El Djem; Tunisia. Against an art background
  • Picture of a Roman mosaics design depicting Dionysus, God of wine, surrounded by women's busts representing the Four Seasons, from the ancient Roman city of Thysdrus. 3rd century AD. El Djem Archaeological Museum, El Djem, Tunisia. Against an art background
  • Picture of a Roman mosaics design depicting the Muses inside medallions, from the ancient Roman city of Thysdrus. 3rd century AD. El Djem Archaeological Museum, El Djem, Tunisia. Against an art background
  • Picture of a Roman mosaics design depicting Silenus and Cupids, from the House of Sienus, ancient Roman city of Thysdrus. 3rd century AD. El Djem Archaeological Museum, El Djem, Tunisia. Against an art background<br />
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The Silenus Roman mosaic depicts multiple scenes : the tying up of Silenus, who is permanently drunk, and is depicted in the middle of the mosaic lying on a bed of leaves. Around him children are trying to tie his hands and legs with garlands of flowers.
  • Pictures of a Roman mosaics design depicting Dionysus Riding a Panther, from Abdel Jelil. 2nd century AD. El Djem Archaeological Museum, El Djem, Tunisia. Against an art background
  • Pictures of a Roman mosaics design depicting Dionysus Riding a Panther, from Abdel Jelil. 2nd century AD. El Djem Archaeological Museum, El Djem, Tunisia. Against an art  background<br />
<br />
The Roman mosaic depicts Dionysus riding a Panther spilling a glass of wine he is holding. Behind him, a satyr wearing a panther skin plays a flute. In front of Dionysus a Bacchante is praying to Priapus,  a minor god of fertility. Surrounding the scene is a wreath designs with a medallion in each corner containing a wild boar, a panther, and lions.
  • 9th Cent BC Neo- Hittite basalt slabs with Hieroglyphic Inscriptions about the activities of King Urhilina & his son. from Hama, Syria. Istanbul Archaeological Museum.
  • Late Hittite (Aramaean)  Basalt relief sculpture of a Bull from 9th Cent B.C, excavated from the west side of the citadel gate of Sam'al (Hittite: Yadiya) located at Zincirli Höyük in the Anti-Taurus Mountains of modern Turkey's Gaziantep Province. Istanbul Archaeological Museum Inv. No 7709.
  • Late Hittite (Aramaean)  Basalt relief sculpture of a Bull from 9th Cent B.C, excavated from the west side of the citadel gate of Sam'al (Hittite: Yadiya) located at Zincirli Höyük in the Anti-Taurus Mountains of modern Turkey's Gaziantep Province. Istanbul Archaeological Museum Inv. No 7709.
  • Moulding of 8th Cent. BC late Hittite rock relief . Warpalas, King of Tyana land, praying in front of a plant & storm god Tarhunza. From Ivriz (Konya, Ergeli) Turkey. Istanbul Archaeological Museum Inv. No 7869.
  • Late Hittite (Aramaean)  Basalt relief sculpture of a Male with Axe  from 9th Cent B.C, excavated from the west side of the citadel gate of Sam'al (Hittite: Yadiya) located at Zincirli Höyük in the Anti-Taurus Mountains of modern Turkey's Gaziantep Province. Istanbul Archaeological Museum  Inv No. 7727.
  • Late Hittite (Aramaean)  Basalt relief sculptures  from 9th Cent B.C, excavated from the west side of the citadel gate of Sam'al (Hittite: Yadiya) located at Zincirli Höyük in the Anti-Taurus Mountains of modern Turkey's Gaziantep Province. Left Deer Buck, Inv no 7712, Middle Winged Lion inv no. 7706, Left Male with Axe Inv No. 7727. Istanbul Archaeological Museum.
  • Late Hittite (Aramaean)  Basalt relief sculpture of an Aslan Lion from 9th Cent B.C, excavated from the west side of the citadel gate of Sam'al (Hittite: Yadiya) located at Zincirli Höyük in the Anti-Taurus Mountains of modern Turkey's Gaziantep Province. Istanbul Archaeological Museum Inv. No 7727.
  • Late Hittite (Aramaean)  Basalt Double Sphinx  sculpture from 9th Cent B.C, excavated from the entrance of Palace III Sam'al (Hittite: Yadiya) located at Zincirli Höyük in the Anti-Taurus Mountains of modern Turkey's Gaziantep Province. Istanbul Archaeological Museum Inv. No 7731.
  • Late Hittite Basalt funereal Steel with a relief sculpture of a warrior from 9 - 8th Cent B.C, excavated from Arslan Tash (Turkish; Arslan Lion, Taş Stone), ancient Hadātu, is an archaeological site in northern Syria 30km east of the Euphrates River and nearby the town of Ain al-Arab. Istanbul Archaeological Museum Inv. No 1981.
  • Relief panels depicting a lion hunt found in the palace district in the ruins of Coba Höyük, also known as Sakçe Gözü or Sakçagözü, archaeological site in southeastern Anatolia, Turkey.  Warriors are fighting with the lion from a chariot and on foot wearing armour . Basalt to 750 BC, The Pergamon Museum, Berlin inv no VA 971
  • 9th Cent BC Neo- Hittite basalt slabs with Hieroglyphic Inscriptions about the activities of King Urhilina & his son. from Hama, Syria. Istanbul Archaeological Museum.
  • 9th Cent BC Neo- Hittite basalt slabs with Hieroglyphic Inscriptions about the activities of King Urhilina & his son. from Hama, Syria. Istanbul Archaeological Museum.
  • 9th Cent BC Neo- Hittite basalt slabs with Hieroglyphic Inscriptions about the activities of King Urhilina & his son. from Hama, Syria. Istanbul Archaeological Museum.
  • Late Hittite Basalt Portal Lion sculpture from 9th Cent B.C, excavated from Palace Building P Sam'al (Hittite: Yadiya) located at Zincirli Höyük in the Anti-Taurus Mountains of modern Turkey's Gaziantep Province. Istanbul Archaeological Museum inv. No 7777.
  • Late Hittite Basalt Portal Lion sculpture from 9th Cent B.C, excavated from Palace Building P Sam'al (Hittite: Yadiya) located at Zincirli Höyük in the Anti-Taurus Mountains of modern Turkey's Gaziantep Province. Istanbul Archaeological Museum inv. No 7777.
  • Late Hittite Basalt Portal Lion sculpture from 9th Cent B.C, excavated from Palace Building P Sam'al (Hittite: Yadiya) located at Zincirli Höyük in the Anti-Taurus Mountains of modern Turkey's Gaziantep Province. Istanbul Archaeological Museum inv. No 7777.
  • Late Hittite (Aramaean)  Basalt relief sculpture of a Bull from 9th Cent B.C, excavated from the west side of the citadel gate of Sam'al (Hittite: Yadiya) located at Zincirli Höyük in the Anti-Taurus Mountains of modern Turkey's Gaziantep Province. Istanbul Archaeological Museum Inv. No 7709.
  • Moulding of 8th Cent. BC late Hittite rock relief . Warpalas, King of Tyana land, praying in front of a plant & storm god Tarhunza. From Ivriz (Konya, Ergeli) Turkey. Istanbul Archaeological Museum Inv. No 7869.
  • Moulding of 8th Cent. BC late Hittite rock relief . Warpalas, King of Tyana land, praying in front of a plant & storm god Tarhunza. From Ivriz (Konya, Ergeli) Turkey. Istanbul Archaeological Museum Inv. No 7869.
  • Late Hittite (Aramaean)  Basalt relief sculptures  from 9th Cent B.C, excavated from the west side of the citadel gate of Sam'al (Hittite: Yadiya) located at Zincirli Höyük in the Anti-Taurus Mountains of modern Turkey's Gaziantep Province. Left Deer Buck, Inv no 7712, Middle Winged Lion inv no. 7706, Left Male with Axe Inv No. 7727. Istanbul Archaeological Museum.
  • Late Hittite (Aramaean)  Basalt relief sculptures  from 9th Cent B.C, excavated from the west side of the citadel gate of Sam'al (Hittite: Yadiya) located at Zincirli Höyük in the Anti-Taurus Mountains of modern Turkey's Gaziantep Province. Left Deer Buck, Inv no 7712, Middle Winged Lion inv no. 7706, Left Male with Axe Inv No. 7727. Istanbul Archaeological Museum.
  • Late Hittite (Aramaean)  Basalt relief sculpture of an Aslan Lion from 9th Cent B.C, excavated from the west side of the citadel gate of Sam'al (Hittite: Yadiya) located at Zincirli Höyük in the Anti-Taurus Mountains of modern Turkey's Gaziantep Province. Istanbul Archaeological Museum Inv. No 7727.
  • Late Hittite (Aramaean)  Basalt relief sculpture of an Aslan Lion from 9th Cent B.C, excavated from the west side of the citadel gate of Sam'al (Hittite: Yadiya) located at Zincirli Höyük in the Anti-Taurus Mountains of modern Turkey's Gaziantep Province. Istanbul Archaeological Museum Inv. No 7727.
  • Late Hittite (Aramaean)  Basalt Double Sphinx  sculpture from 9th Cent B.C, excavated from the entrance of Palace III Sam'al (Hittite: Yadiya) located at Zincirli Höyük in the Anti-Taurus Mountains of modern Turkey's Gaziantep Province. Istanbul Archaeological Museum Inv. No 7731.
  • Late Hittite (Aramaean)  Basalt Double Sphinx  sculpture from 9th Cent B.C, excavated from the entrance of Palace III Sam'al (Hittite: Yadiya) located at Zincirli Höyük in the Anti-Taurus Mountains of modern Turkey's Gaziantep Province. Istanbul Archaeological Museum Inv. No 7731.
  • Late Hittite Basalt Portal Lion sculpture from 9th Cent B.C, excavated from Palace Building P Sam'al (Hittite: Yadiya) located at Zincirli Höyük in the Anti-Taurus Mountains of modern Turkey's Gaziantep Province. Istanbul Archaeological Museum inv. No 7777.
  • Late Hittite Basalt Portal Lion sculpture from 9th Cent B.C, excavated from Palace Building P Sam'al (Hittite: Yadiya) located at Zincirli Höyük in the Anti-Taurus Mountains of modern Turkey's Gaziantep Province. Istanbul Archaeological Museum inv. No 7777.
  • Late Hittite Basalt Portal Lion sculpture from 9th Cent B.C, excavated from Palace Building P Sam'al (Hittite: Yadiya) located at Zincirli Höyük in the Anti-Taurus Mountains of modern Turkey's Gaziantep Province. Istanbul Archaeological Museum inv. No 7777.
  • Late Hittite (Aramaean) Basalt funereal Steel with a relief sculpture of a man from 9 - 8th Cent B.C, excavated from Um-Shershuh, Syria.  Istanbul Archaeological Museum Inv. No 7786.
  • Late Hittite (Aramaean) Basalt funereal Steel with a relief sculpture of a man from 9 - 8th Cent B.C, excavated from Um-Shershuh, Syria.  Istanbul Archaeological Museum Inv. No 7786.
  • Late Hittite (Aramaean) Basalt funereal Steel with a relief sculpture of a man from 9 - 8th Cent B.C, excavated from Um-Shershuh, Syria.  Istanbul Archaeological Museum Inv. No 7786.
  • Late Hittite Basalt funereal Steel with a relief sculpture of a warrior from 9 - 8th Cent B.C, excavated from Arslan Tash (Turkish; Arslan Lion, Taş Stone), ancient Hadātu, is an archaeological site in northern Syria 30km east of the Euphrates River and nearby the town of Ain al-Arab. Istanbul Archaeological Museum Inv. No 1981.
  • Late Hittite Basalt funereal Steel with a relief sculpture of a warrior from 9 - 8th Cent B.C, excavated from Arslan Tash (Turkish; Arslan Lion, Taş Stone), ancient Hadātu, is an archaeological site in northern Syria 30km east of the Euphrates River and nearby the town of Ain al-Arab. Istanbul Archaeological Museum Inv. No 1981.
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf, ancient Guzana, in northeastern Syria close to the Turkish border. The Orthostats from the Palace of King Kapara are in a Neo Hittite style and depict an Archer. Louvre Museum, Paris, inv AO11072
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf, ancient Guzana, in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict a mythical God. Louvre Museum, Paris, inv AO11073
  • Sculpted Assyrian relief panels of mace bearers from Hadatu ( Aslantas ) around 800 B.C. Istanbul Archaeological museum Inv No. 14-10
  • Sculpted Assyrian relief panels of Royal Chariot & Guards  from Hadatu ( Aslantas ) around 800 B.C. Istanbul Archaeological museum Inv No. 1946
  • Sculpted Assyrian relief panels of mace bearers from Hadatu ( Aslantas ) around 800 B.C. Istanbul Archaeological museum Inv No. 14-10
  • Part of an altarpiece made from enameled brick found on the forecourt of the temple-palace of Guyana /Tell Halaf. The decoration is made up of wavebands, rosettes, and semicircles that interpreted as a representing mountains. Pergamon Museum, Berlin, inv no VA14646
  • 10th - 8th century BC stone Neo-Hittite/ Aramaean Orthostats from the city of Sam'al (Hittite: Yadiya) near Zincirli Höyük in the Anti-Taurus Mountains of modern Turkey. The Orthostats are in a Neo Hittite style and depict mythical animals and figures that have magical properties. Pergamon Museum, Berlin
  • Lion sculptures from the city gate of  Sam'al - Zincirli. Neo Syro Hittite. Basalt 8th century BC. Pergamon Museum Berlin.
  • 10th - 8th century BC stone Neo-Hittite/ Aramaean Orthostats from the city of Sam'al (Hittite: Yadiya) near Zincirli Höyük in the Anti-Taurus Mountains of modern Turkey. The Orthostats are in a Neo Hittite style and depict mythical animals and figures that have magical properties. Pergamon Museum, Berlin
  • Relief panels orthostat showing a man with a gazelle on the shoulders excavated from the Northern Hall at  Sam'al / Zincirli, Turkey. Vorderasiatisches Museum, Pergamon Museum, Berlin inv no  VA3007
  • Relief panels Orthostats with representation from court officials de front a vessel, the second supporting arms. Found in North Hall of Sam'al - Zincirli. Basalt 8th Century BC. Vorderasiatisches Museum, Pergamon Museum, Berlin, inv no 3000
  • Relief panels orthostat from Sam 'al /Zincirli. Neo Syro Hittite.  Basalt around 730 BC. Vorderasiatisches Museum, Pergamon Museum, Berlin.
  • Column base Sphix sculpture support. Found in North Hall at the Castle of Sam'al - Zincirli. Basalt 8th century BC. Vorderasiatisches Museum, Pergamon Museum, Berlin, inv no 3017
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict mythical animals and figures that have magical properties. Pergamon Museum, Berlin.  Museum Inv No: OP 18, 22, 19, 14, 15, VAS 8854, 8841, 8852
  • Relief panels orthostat from Sam 'al /Zincirli. Neo Syro Hittite.  Basalt around 730 BC. Vorderasiatisches Museum, Pergamon Museum, Berlin.
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict mythical animals and figures that have magical properties. Pergamon Museum, Berlin.  Museum Inv No: OP 18, 22, 19, 14, 15, VAS 8854, 8841, 8852
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict mythical animals and figures that have magical properties. Pergamon Museum, Berlin.  Museum Inv No: OP 18, 22, 19, 14, 15, VAS 8854, 8841, 8852
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict mythical animals and figures that have magical properties. Pergamon Museum, Berlin. Museum Inv No: VA 8859, 8843, 8845, 8840, 8850, 8844, 8856
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict mythical animals and figures that have magical properties. Pergamon Museum, Berlin Museum Inv No: OP 18,
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict mythical animals and figures that have magical properties. Pergamon Museum, Berlin Museum Inv No: OP 18,
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict mythical animals and figures that have magical properties. Pergamon Museum, Berlin Museum Inv No: OP 19,

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