• Doric & Corinthian columns of the Roman colonade in the Forum of Pompeii.
  • Roman Frescos of Pompei arhaeological site.
  • Roman Frescos of Pompei arhaeological site.
  • Roman Temple of Apollo  Pompeii archaeological site, Italy
  • Cobbled street of Pompeii archaeological site.
  • Cobbled street of Pompeii archaeological site.
  • Cobbled street of Pompeii archaeological site.
  • Doric & Corinthian columns of the Roman colonade in the Forum of Pompeii.
  • Doric & Corinthian columns of the Roman colonade in the Forum of Pompeii.
  • Doric & Corinthian columns of the Roman colonade in the Forum of Pompeii.
  • Doric & Corinthian columns of the Roman colonade in the Forum of Pompeii.
  • Doric & Corinthian columns of the Roman colonade in the Forum of Pompeii.
  • The Roman Columns of The Building of Eumachia, Pompeii. The inscription on lintel above the columns is to Concordia Augusta, wife of Emperor Augustus, from the priestess Eumachia the patron of the "fullones", an artisan association of dyers. The building was a prototype of medieval hostels were travelling merchant rented accommodation.
  • The Roman Columns of The Building of Eumachia, Pompeii. The inscription on lintel above the columns is to Concordia Augusta, wife of Emperor Augustus, from the priestess Eumachia the patron of the "fullones", an artisan association of dyers. The building was a prototype of medieval hostels were travelling merchant rented accommodation.
  • The Roman Corinthian Porticus, columns & tables of the money changers at the entrance of the Macellum in the Forum of Pompeii archaeological site, Italy.
  • The Roman Corinthian Porticus, columns & tables of the money changers at the entrance of the Macellum in the Forum of Pompeii archaeological site, Italy.
  • The Roman Corinthian Porticus, columns & tables of the money changers at the entrance of the Macellum in the Forum of Pompeii archaeological site, Italy.
  • The Roman Great Theatre of Pompeii. Seating up to 5000 spectators the theatre was originally built in Hellanistic time (200-150 B.C)
  • The columns of the 2nd cent. B.C Roman Basilica of Pompeii which was the Roman courts of justice and the core of economic life in Pompeii.
  • The columns of the 2nd cent. B.C Roman Basilica of Pompeii which was the Roman courts of justice and the core of economic life in Pompeii.
  • The columns of the 2nd cent. B.C Roman Basilica of Pompeii which was the Roman courts of justice and the core of economic life in Pompeii.
  • Peristyle of `Roman Villa of Pompeii
  • Doric & Corinthian columns of the Roman colonade in the Forum of Pompeii.
  • Roman Temple of Apollo  Pompeii archaeological site, Italy
  • The Thermopolium of Lucius Vetutius Placidus on the Via del Abbondante, with the serving counter with holes that contained amphora of food for sale. The Thermopolium was an eating & drinking house. The painting depicts at the centre the God of the patron and on either side are the lars or protectors of the house, Mercury , God of Commerce & Dionysus, God of wine.
  • Roman Frescos of Pompei arhaeological site.
  • Stone dying baths of the Fullery of Stephanus on the Via del Abbondante, Pompeii. Fulleries were an important business in ancient Pompeii.  Fullers processed, dyed, and washed cloth. 
  • Fullery of Stephanus on the Via del Abbondante, Pompeii. Fulleries were an important business in ancient Pompeii.  Fullers processed, dyed, and washed cloth. 
  • The Thermopolium of Lucius Vetutius Placidus on the Via del Abbondante, with the serving counter with holes that contained amphora of food for sale. The Thermopolium was an eating & drinking house. The painting depicts at the centre the God of the patron and on either side are the lars or protectors of the house, Mercury , God of Commerce & Dionysus, God of wine.
  • The Thermopolium of Lucius Vetutius Placidus on the Via del Abbondante, with the serving counter with holes that contained amphora of food for sale. The Thermopolium was an eating & drinking house. The painting depicts at the centre the God of the patron and on either side are the lars or protectors of the house, Mercury , God of Commerce & Dionysus, God of wine.
  • Well in the street of Pompeii archaeological site.
  • Street of Pompeii archaeological site.
  • Street of Pompeii archaeological site.
  • Cobbled street of Pompeii archaeological site.
  • The Arch of Tiberius at the entrance to the Forum of Pompeii.
  • The Arch of Tiberius at the entrance to the Forum of Pompeii.
  • Doric & Corinthian columns of the Roman colonade in the Forum of Pompeii.
  • The Arch of Tiberius at the entrance to the Forum of Pompeii.
  • Doric & Corinthian columns of the Roman colonade in the Forum of Pompeii.
  • Doric & Corinthian columns of the Roman colonade in the Forum of Pompeii.
  • Doric & Corinthian columns of the Roman colonade in the Forum of Pompeii.
  • Doric & Corinthian columns of the Roman colonade in the Forum of Pompeii.
  • The Roman Columns of The Building of Eumachia, Pompeii. The inscription on lintel above the columns is to Concordia Augusta, wife of Emperor Augustus, from the priestess Eumachia the patron of the "fullones", an artisan association of dyers. The building was a prototype of medieval hostels were travelling merchant rented accommodation.
  • The Roman Columns of The Building of Eumachia, Pompeii. The inscription on lintel above the columns is to Concordia Augusta, wife of Emperor Augustus, from the priestess Eumachia the patron of the "fullones", an artisan association of dyers. The building was a prototype of medieval hostels were travelling merchant rented accommodation.
  • The Roman Columns of The Building of Eumachia, Pompeii. The inscription on lintel above the columns is to Concordia Augusta, wife of Emperor Augustus, from the priestess Eumachia the patron of the "fullones", an artisan association of dyers. The building was a prototype of medieval hostels were travelling merchant rented accommodation.
  • The Roman Columns of The Building of Eumachia, Pompeii. The inscription on lintel above the columns is to Concordia Augusta, wife of Emperor Augustus, from the priestess Eumachia the patron of the "fullones", an artisan association of dyers. The building was a prototype of medieval hostels were travelling merchant rented accommodation.
  • The Roman Columns of The Building of Eumachia, Pompeii. The inscription on lintel above the columns is to Concordia Augusta, wife of Emperor Augustus, from the priestess Eumachia the patron of the "fullones", an artisan association of dyers. The building was a prototype of medieval hostels were travelling merchant rented accommodation.
  • The Roman Columns of The Building of Eumachia, Pompeii. The inscription on lintel above the columns is to Concordia Augusta, wife of Emperor Augustus, from the priestess Eumachia the patron of the "fullones", an artisan association of dyers. The building was a prototype of medieval hostels were travelling merchant rented accommodation.
  • The Roman Corinthian Porticus, columns & tables of the money changers at the entrance of the Macellum in the Forum of Pompeii archaeological site, Italy.
  • The Roman Corinthian Porticus, columns & tables of the money changers at the entrance of the Macellum in the Forum of Pompeii archaeological site, Italy.
  • The Roman Great Theatre of Pompeii. Seating up to 5000 spectators the theatre was originally built in Hellanistic time (200-150 B.C)
  • The columns of the 2nd cent. B.C Roman Basilica of Pompeii which was the Roman courts of justice and the core of economic life in Pompeii.
  • The Roman Great Theatre of Pompeii. Seating up to 5000 spectators the theatre was originally built in Hellanistic time (200-150 B.C)
  • The columns of the 2nd cent. B.C Roman Basilica of Pompeii which was the Roman courts of justice and the core of economic life in Pompeii.
  • Graffitti on buildings along the Via del Abbondante, Pompeii.
  • The Roman tombs & mausoleums on the street of Tombs in the Herculaneum cemetry, Pompeii
  • The Roman tombs & mausoleums on the street of Tombs in the Herculaneum cemetry, Pompeii
  • Roman road of Via Consolare , Pompeii, with a well and a surgeons house.
  • Peristyle of `Roman Villa of Pompeii
  • Graffitti on buildings along the Via del Abbondante, Pompeii.
  • Graffitti on buildings along the Via del Abbondante, Pompeii.
  • Gothic decorative painted beam panels with griffins and a carved syalise tree, Tempera on wood. National Museum of Catalan Art (MNAC), Barcelona, Spain
  • Gothic decorative painted beam panels with griffins and a carved syalise tree, Tempera on wood. National Museum of Catalan Art (MNAC), Barcelona, Spain
  • Gothic decorative painted beam panels with griffins and a carved syalise tree, Tempera on wood. National Museum of Catalan Art (MNAC), Barcelona, Spain
  • Gothic decorative painted beam panels with griffins and a carved syalise tree, Tempera on wood. National Museum of Catalan Art (MNAC), Barcelona, Spain. Against a art background.
  • Gothic decorative painted beam panels with griffins and a carved syalise tree, Tempera on wood. National Museum of Catalan Art (MNAC), Barcelona, Spain. Against a grey art background.
  • Gothic Catalan altarpiece of, left to right, the martydom of St Bartholomew, Calvaty and the deat of St Mary Magdelene, by Jaume Huguet, Barcelona circa 11465-1480, tempera and gold leaf on for wood, from the church of San Marti de Petegas de san Seloni, Valle Oriental, Spain.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC   24365.
  • Gothic altarpiece of Madonna and Child and the Saints, by Rossello di Jacopo Franchi, from Florence, 1st quarter of 15th century.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  15932.
  • Gothic altarpiece of Madonna and Child possibly by Francesco del Cossa of Ferrara, circa 1460, tempera and gold leaf on wood.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  64971.
  • Virgin Mary; Mother of God; The Virgin; Mare de deu; Gothic altarpiece of Madonna and Child by Joan Reixach of Barcelona, circa 1450, tempera and gold leaf on wood, from the sanctuary of San Pau d'Albocasser, Castello..  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  64055.
  • Virgin Mary; Mother of God; The Virgin; Mare de deu; Gothic altarpiece of Madonna and Child by Joan Reixach of Barcelona, circa 1450, tempera and gold leaf on wood, from the sanctuary of San Pau d'Albocasser, Castello..  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  64055. Against a black background.
  • Virgin Mary; Mother of God; The Virgin; Mare de deu; Gothic altarpiece of Madonna and Child by Joan Reixach of Barcelona, circa 1450, tempera and gold leaf on wood, from the sanctuary of San Pau d'Albocasser, Castello..  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  64055.
  • Virgin Mary; Mother of God; The Virgin; Mare de deu; Gothic altarpiece of Madonna and Child by Joan Reixach of Barcelona, circa 1450, tempera and gold leaf on wood, from the sanctuary of San Pau d'Albocasser, Castello..  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  64055. Against a art background.
  • Virgin Mary; Mother of God; The Virgin; Mare de deu; Gothic altarpiece of Madonna and Child by Joan Reixach of Barcelona, circa 1450, tempera and gold leaf on wood, from the sanctuary of San Pau d'Albocasser, Castello..  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  64055. Against a grey art background.
  • Gothic decorative painted beam panels with gknights on horses, Tempera on wood. National Museum of Catalan Art (MNAC), Barcelona, Spain, Against a white background.
  • Gothic decorative painted beam panels with gknights on horses, Tempera on wood. National Museum of Catalan Art (MNAC), Barcelona, Spain, Against a black background.
  • Gothic decorative painted beam panels with gknights on horses, Tempera on wood. National Museum of Catalan Art (MNAC), Barcelona, Spain
  • Gothic decorative painted beam panels with lions and a carved syalise tree, Tempera on wood. National Museum of Catalan Art (MNAC), Barcelona, Spain. Against a white background.
  • Gothic decorative painted beam panels with gknights on horses, Tempera on wood. National Museum of Catalan Art (MNAC), Barcelona, Spain. Against a art background.
  • Gothic decorative painted beam panels with lions and a carved syalise tree, Tempera on wood. National Museum of Catalan Art (MNAC), Barcelona, Spain. Against a black background.
  • Gothic painted panel of the Nativity scene by Taddeo Gabbi of Florence, circa 1325, tempera and gold leaf on wood. National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC 212807. <br />
Taddeo Gabbi, one of Giotto's most brilliant disciples, painted this Nativity when he was still part of Giotto's workshop. The painting has many of Giotto's hallmarks such as  spatial illusionism or the reality of figures that can be seen in the nativity of the Peruzzi Chapel.<br />
<br />
SPANISH<br />
<br />
Taddeo Gabbi, uno de los discipulos mas brillantes de Giotto, debio pintar esta Natividad cuando aun formaba parte del taller del maestro. En ella se ven las conquistas de la "revolucion giottesca", como el illusioismo espacial o el realismo de las figuras. Maria arropa a Jesus dentro del establo, mientras los sobrevuela un grupo de angeles. La posicion de uno de ellos y la presencia de una oveja indican que la composicion se completaba a la izquierda con el Anuncio a los pastores. En primer termino aparecen un pensativo Jose y las dos parteras que susurran, un recurso ya utilizado pr Giotto en los frescos de la Capilla Peruzzi.
  • Gothic decorative painted beam panels with lions and a carved syalise tree, Tempera on wood. National Museum of Catalan Art (MNAC), Barcelona, Spain
  • Gothic decorative painted beam panels with lions and a carved syalise tree, Tempera on wood. National Museum of Catalan Art (MNAC), Barcelona, Spain. Against a art background.
  • Gothic statue of The Virgin Mary (Madonna) holding the baby Jesus. Polychrome and gold leaf on wood by the Circle of Gil de Siloe around 1500, probably from Castella. Inv MNAC 64028. National Museum of Catalan Art (MNAC), Barcelona, Spain. Against a white background.
  • Gothic statue of The Virgin Mary (Madonna) holding the baby Jesus. Polychrome and gold leaf on wood by the Circle of Gil de Siloe around 1500, probably from Castella. Inv MNAC 64028. National Museum of Catalan Art (MNAC), Barcelona, Spain. Against a black background.
  • Gothic statue of The Virgin Mary (Madonna) holding the baby Jesus. Polychrome and gold leaf on wood by the Circle of Gil de Siloe around 1500, probably from Castella. Inv MNAC 64028. National Museum of Catalan Art (MNAC), Barcelona, Spain
  • Gothic statue of The Virgin Mary (Madonna) holding the baby Jesus. Polychrome and gold leaf on wood by the Circle of Gil de Siloe around 1500, probably from Castella. Inv MNAC 64028. National Museum of Catalan Art (MNAC), Barcelona, Spain. Against a art background.
  • Gothic statue of The Virgin Mary (Madonna) holding the baby Jesus. Polychrome and gold leaf on wood by the Circle of Gil de Siloe around 1500, probably from Castella. Inv MNAC 64028. National Museum of Catalan Art (MNAC), Barcelona, Spain. Against a grey art background.
  • Gothic altarpiece of the Dormition of the Madonna (Dormicio de la Mare de Dieu) by Pere Garcia de Benavarri, circa 1460-1465, tempera and gold leaf on wood.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  64040. Against a white background.
  • Gothic altarpiece of the Dormition of the Madonna (Dormicio de la Mare de Dieu) by Pere Garcia de Benavarri, circa 1460-1465, tempera and gold leaf on wood.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  64040. Against a black background.
  • Gothic altarpiece of the Dormition of the Madonna (Dormicio de la Mare de Dieu) by Pere Garcia de Benavarri, circa 1460-1465, tempera and gold leaf on wood.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  64040.
  • Gothic altarpiece of the Dormition of the Madonna (Dormicio de la Mare de Dieu) by Pere Garcia de Benavarri, circa 1460-1465, tempera and gold leaf on wood.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  64040. Against a art background.
  • Gothic altarpiece of the Dormition of the Madonna (Dormicio de la Mare de Dieu) by Pere Garcia de Benavarri, circa 1460-1465, tempera and gold leaf on wood.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  64040. Against a grey art background.
  • Gothic painted panel of the Nativity scene by Taddeo Gabbi of Florence, circa 1325, tempera and gold leaf on wood. National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC 212807. Against a black background. <br />
Taddeo Gabbi, one of Giotto's most brilliant disciples, painted this Nativity when he was still part of Giotto's workshop. The painting has many of Giotto's hallmarks such as  spatial illusionism or the reality of figures that can be seen in the nativity of the Peruzzi Chapel.<br />
<br />
SPANISH<br />
<br />
Taddeo Gabbi, uno de los discipulos mas brillantes de Giotto, debio pintar esta Natividad cuando aun formaba parte del taller del maestro. En ella se ven las conquistas de la "revolucion giottesca", como el illusioismo espacial o el realismo de las figuras. Maria arropa a Jesus dentro del establo, mientras los sobrevuela un grupo de angeles. La posicion de uno de ellos y la presencia de una oveja indican que la composicion se completaba a la izquierda con el Anuncio a los pastores. En primer termino aparecen un pensativo Jose y las dos parteras que susurran, un recurso ya utilizado pr Giotto en los frescos de la Capilla Peruzzi.
  • Gothic painted panel of the Nativity scene by Taddeo Gabbi of Florence, circa 1325, tempera and gold leaf on wood. National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC 212807. Against a art background. <br />
Taddeo Gabbi, one of Giotto's most brilliant disciples, painted this Nativity when he was still part of Giotto's workshop. The painting has many of Giotto's hallmarks such as  spatial illusionism or the reality of figures that can be seen in the nativity of the Peruzzi Chapel.<br />
<br />
SPANISH<br />
<br />
Taddeo Gabbi, uno de los discipulos mas brillantes de Giotto, debio pintar esta Natividad cuando aun formaba parte del taller del maestro. En ella se ven las conquistas de la "revolucion giottesca", como el illusioismo espacial o el realismo de las figuras. Maria arropa a Jesus dentro del establo, mientras los sobrevuela un grupo de angeles. La posicion de uno de ellos y la presencia de una oveja indican que la composicion se completaba a la izquierda con el Anuncio a los pastores. En primer termino aparecen un pensativo Jose y las dos parteras que susurran, un recurso ya utilizado pr Giotto en los frescos de la Capilla Peruzzi.
  • Gothic painted panel of the Nativity scene by Taddeo Gabbi of Florence, circa 1325, tempera and gold leaf on wood. National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC 212807. <br />
Taddeo Gabbi, one of Giotto's most brilliant disciples, painted this Nativity when he was still part of Giotto's workshop. The painting has many of Giotto's hallmarks such as  spatial illusionism or the reality of figures that can be seen in the nativity of the Peruzzi Chapel.<br />
<br />
SPANISH<br />
<br />
Taddeo Gabbi, uno de los discipulos mas brillantes de Giotto, debio pintar esta Natividad cuando aun formaba parte del taller del maestro. En ella se ven las conquistas de la "revolucion giottesca", como el illusioismo espacial o el realismo de las figuras. Maria arropa a Jesus dentro del establo, mientras los sobrevuela un grupo de angeles. La posicion de uno de ellos y la presencia de una oveja indican que la composicion se completaba a la izquierda con el Anuncio a los pastores. En primer termino aparecen un pensativo Jose y las dos parteras que susurran, un recurso ya utilizado pr Giotto en los frescos de la Capilla Peruzzi.
  • Gothic painted panel of the Nativity scene by Taddeo Gabbi of Florence, circa 1325, tempera and gold leaf on wood. National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC 212807. Against a grey art background. <br />
Taddeo Gabbi, one of Giotto's most brilliant disciples, painted this Nativity when he was still part of Giotto's workshop. The painting has many of Giotto's hallmarks such as  spatial illusionism or the reality of figures that can be seen in the nativity of the Peruzzi Chapel.<br />
<br />
SPANISH<br />
<br />
Taddeo Gabbi, uno de los discipulos mas brillantes de Giotto, debio pintar esta Natividad cuando aun formaba parte del taller del maestro. En ella se ven las conquistas de la "revolucion giottesca", como el illusioismo espacial o el realismo de las figuras. Maria arropa a Jesus dentro del establo, mientras los sobrevuela un grupo de angeles. La posicion de uno de ellos y la presencia de una oveja indican que la composicion se completaba a la izquierda con el Anuncio a los pastores. En primer termino aparecen un pensativo Jose y las dos parteras que susurran, un recurso ya utilizado pr Giotto en los frescos de la Capilla Peruzzi.
  • Gothic altarpiece of Madonna and Child by Bernardo Daddi, circa 1340-1345, tempera and gold leaf on wood.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  212806. Against a white background.
  • Gothic altarpiece of Madonna and Child by Bernardo Daddi, circa 1340-1345, tempera and gold leaf on wood.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  212806. Against a black background.
  • Gothic altarpiece of Madonna and Child by Bernardo Daddi, circa 1340-1345, tempera and gold leaf on wood.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  212806.
  • Gothic altarpiece of Madonna and Child by Bernardo Daddi, circa 1340-1345, tempera and gold leaf on wood.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  212806. Against a art background.
  • Gothic altarpiece of Madonna and Child by Bernardo Daddi, circa 1340-1345, tempera and gold leaf on wood.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  212806. Against a grey art background.
  • Gothic altarpiece of Madonna Of Humility With The Eternal Father In Glory, by Cenni di Francesco di Ser Cenni of Florence, circa 1375-80, tempera and gold leaf on wood. The Madonna and Child are depicted with the 12 apostles. National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  212805. Against a black background.
  • Gothic altarpiece of Madonna Of Humility With The Eternal Father In Glory, by Cenni di Francesco di Ser Cenni of Florence, circa 1375-80, tempera and gold leaf on wood. The Madonna and Child are depicted with the 12 apostles. National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  212805. Against a white background.
  • Gothic altarpiece of Madonna Of Humility With The Eternal Father In Glory, by Cenni di Francesco di Ser Cenni of Florence, circa 1375-80, tempera and gold leaf on wood. The Madonna and Child are depicted with the 12 apostles. National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  212805.
  • Gothic altarpiece of Madonna Of Humility With The Eternal Father In Glory, by Cenni di Francesco di Ser Cenni of Florence, circa 1375-80, tempera and gold leaf on wood. The Madonna and Child are depicted with the 12 apostles. National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  212805. Against a art background.
  • Gothic altarpiece of Madonna Of Humility With The Eternal Father In Glory, by Cenni di Francesco di Ser Cenni of Florence, circa 1375-80, tempera and gold leaf on wood. The Madonna and Child are depicted with the 12 apostles. National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  212805. Against a grey art background.
  • Gothic altarpiece of Madonna and Child with St Peter and Paul by Vicenzo Frediani, circa 1490, tempera and gold leaf on wood.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  64978. Against a white background.
  • Gothic altarpiece of Madonna and Child with St Peter and Paul by Vicenzo Frediani, circa 1490, tempera and gold leaf on wood.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  64978. Against a black background.
  • Gothic altarpiece of Madonna and Child with St Peter and Paul by Vicenzo Frediani, circa 1490, tempera and gold leaf on wood.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  64978.
  • Gothic altarpiece of Madonna and Child with St Peter and Paul by Vicenzo Frediani, circa 1490, tempera and gold leaf on wood.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  64978. Against a grey art background.
  • Gothic altarpiece of Madonna and Child with St Peter and Paul by Vicenzo Frediani, circa 1490, tempera and gold leaf on wood.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  64978. Against a art background.
  • Gothic Catalan Alterpiece of Sant Jeroni Penetant by Mestre de la Seu d'Urgell, circa 1495, tempera and gold leaf on wood, from the church of Santa Maria de Puigcerda, Baixa Cerdanya, Spain.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  15821. Against a white background.
  • Gothic Catalan Alterpiece of Sant Jeroni Penetant by Mestre de la Seu d'Urgell, circa 1495, tempera and gold leaf on wood, from the church of Santa Maria de Puigcerda, Baixa Cerdanya, Spain.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  15821. Against a black background.
  • Gothic Catalan Alterpiece of Sant Jeroni Penetant by Mestre de la Seu d'Urgell, circa 1495, tempera and gold leaf on wood, from the church of Santa Maria de Puigcerda, Baixa Cerdanya, Spain.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  15821.
  • Gothic Catalan Alterpiece of Sant Jeroni Penetant by Mestre de la Seu d'Urgell, circa 1495, tempera and gold leaf on wood, from the church of Santa Maria de Puigcerda, Baixa Cerdanya, Spain.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  15821. Against a art background.
  • Gothic Catalan Alterpiece of Sant Jeroni Penetant by Mestre de la Seu d'Urgell, circa 1495, tempera and gold leaf on wood, from the church of Santa Maria de Puigcerda, Baixa Cerdanya, Spain.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  15821. Against a grey art background.
  • Gothic wood relief sculpture of the crwoning of of the Virgin Mary in the central European sgchiool style, end of 15th Century.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  5270. Against a white background.
  • Gothic wood relief sculpture of the crwoning of of the Virgin Mary in the central European sgchiool style, end of 15th Century.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  5270. Against a black background.
  • Gothic wood relief sculpture of the crwoning of of the Virgin Mary in the central European sgchiool style, end of 15th Century.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  5270.
  • Gothic wood relief sculpture of the crwoning of of the Virgin Mary in the central European sgchiool style, end of 15th Century.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  5270. Against a art background.
  • Gothic wood relief sculpture of the crwoning of of the Virgin Mary in the central European sgchiool style, end of 15th Century.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  5270. Against a grey art background.
  • Gothic marble relief sculpture of the Coronation of the Virgin Mary made in London or York, 1420-1460.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  64124. Against a white background.
  • Gothic marble relief sculpture of the Coronation of the Virgin Mary made in London or York, 1420-1460.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  64124.
  • Gothic marble relief sculpture of the Coronation of the Virgin Mary made in London or York, 1420-1460.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  64124. Against a black background.
  • Gothic marble relief sculpture of the Coronation of the Virgin Mary made in London or York, 1420-1460.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  64124. Against a art background.
  • Gothic marble relief sculpture of the Coronation of the Virgin Mary made in London or York, 1420-1460.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  64124. Against a grey art background.
  • Gothic Catalan altarpiece of Saint Peter enthroned, by Roderic d'Orsona of Valencia, circa 1475, tempera and gold leaf on wood.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC 15816. Against a white background.
  • Gothic Catalan altarpiece of Saint Peter enthroned, by Roderic d'Orsona of Valencia, circa 1475, tempera and gold leaf on wood.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC 15816. Against a black background.
  • Gothic Catalan altarpiece of Saint Peter enthroned, by Roderic d'Orsona of Valencia, circa 1475, tempera and gold leaf on wood.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC 15816. Against a art background.
  • Gothic Catalan altarpiece of Saint Peter enthroned, by Roderic d'Orsona of Valencia, circa 1475, tempera and gold leaf on wood.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC 15816.
  • Gothic Catalan altarpiece of Saint Peter enthroned, by Roderic d'Orsona of Valencia, circa 1475, tempera and gold leaf on wood.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC 15816. Against a grey art background.
  • Gothic altarpiece of Madonna and Child and 4 angels, by Pere Garcia de Benavarri, circa 1445-1485, tempera and gold leaf on wood.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  15817. Against a white background.
  • Gothic altarpiece of Madonna and Child and 4 angels, by Pere Garcia de Benavarri, circa 1445-1485, tempera and gold leaf on wood.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  15817. Against a black background.
  • Gothic altarpiece of Madonna and Child and 4 angels, by Pere Garcia de Benavarri, circa 1445-1485, tempera and gold leaf on wood.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  15817.
  • Gothic altarpiece of Madonna and Child and 4 angels, by Pere Garcia de Benavarri, circa 1445-1485, tempera and gold leaf on wood.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  15817. Against a art background.
  • Gothic altarpiece of Madonna and Child and 4 angels, by Pere Garcia de Benavarri, circa 1445-1485, tempera and gold leaf on wood.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  15817. Against a grey art background.
  • Gothic altarpiece depicting the Last Supper (Sant Sopar) by Jaume Huguet, circa 1463 - 1475, Temperal and gold leaf on wood, from the convent of Sant Augusti Vell, Barcelona.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  40412. Against a white background.
  • Gothic altarpiece depicting the Last Supper (Sant Sopar) by Jaume Huguet, circa 1463 - 1475, Temperal and gold leaf on wood, from the convent of Sant Augusti Vell, Barcelona.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  40412. Against a black background.
  • Gothic altarpiece depicting the Last Supper (Sant Sopar) by Jaume Huguet, circa 1463 - 1475, Temperal and gold leaf on wood, from the convent of Sant Augusti Vell, Barcelona.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  40412.
  • Gothic altarpiece depicting the Last Supper (Sant Sopar) by Jaume Huguet, circa 1463 - 1475, Temperal and gold leaf on wood, from the convent of Sant Augusti Vell, Barcelona.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  40412. Against a art background.
  • Gothic altarpiece depicting the Last Supper (Sant Sopar) by Jaume Huguet, circa 1463 - 1475, Temperal and gold leaf on wood, from the convent of Sant Augusti Vell, Barcelona.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  40412. Against a grey art background.
  • Gothic Catalan altarpiece of the martydom of Sant Vicenc (Saint Vincent), by Jaume Huguet of Barcelona, circa 1455-1460, tempera and gold leaf on wood, from the church of San Vicenc de Sarria, Barcelona..  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC 15866. Against a white background.
  • Gothic Catalan altarpiece of the martydom of Sant Vicenc (Saint Vincent), by Jaume Huguet of Barcelona, circa 1455-1460, tempera and gold leaf on wood, from the church of San Vicenc de Sarria, Barcelona..  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC 15866.  Against a black background.
  • Gothic Catalan altarpiece of the martydom of Sant Vicenc (Saint Vincent), by Jaume Huguet of Barcelona, circa 1455-1460, tempera and gold leaf on wood, from the church of San Vicenc de Sarria, Barcelona..  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC 15866.
  • Gothic Catalan altarpiece of the martydom of Sant Vicenc (Saint Vincent), by Jaume Huguet of Barcelona, circa 1455-1460, tempera and gold leaf on wood, from the church of San Vicenc de Sarria, Barcelona..  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC 15866. Against a art background.
  • Gothic Catalan altarpiece of the martydom of Sant Vicenc (Saint Vincent), by Jaume Huguet of Barcelona, circa 1455-1460, tempera and gold leaf on wood, from the church of San Vicenc de Sarria, Barcelona..  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC 15866. Against a grey art background.
  • Gothic altarpiece tableau of the Archangel Gabriel  by Joan Mates of Vlafranca de Penedes, circa 1410-1430, tempera and gold leaf on for wood from the church of Santa Maria de Penafel, Alt Penedes, Spain.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  214533. Against a white background.
  • Gothic altarpiece tableau of the Archangel Gabriel  by Joan Mates of Vlafranca de Penedes, circa 1410-1430, tempera and gold leaf on for wood from the church of Santa Maria de Penafel, Alt Penedes, Spain.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  214533. Against a black background.
  • Gothic altarpiece tableau of the Archangel Gabriel  by Joan Mates of Vlafranca de Penedes, circa 1410-1430, tempera and gold leaf on for wood from the church of Santa Maria de Penafel, Alt Penedes, Spain.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  214533.
  • Gothic altarpiece tableau of the Archangel Gabriel  by Joan Mates of Vlafranca de Penedes, circa 1410-1430, tempera and gold leaf on for wood from the church of Santa Maria de Penafel, Alt Penedes, Spain.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  214533. Against a art background.
  • Gothic altarpiece tableau of the Archangel Gabriel  by Joan Mates of Vlafranca de Penedes, circa 1410-1430, tempera and gold leaf on for wood from the church of Santa Maria de Penafel, Alt Penedes, Spain.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  214533. Against a grey art background.
  • Gothic altarpiece tableau of the Archangel Gabriel  by Joan Mates of Vlafranca de Penedes, circa 1410-1430, tempera and gold leaf on for wood from the church of Santa Maria de Penafel, Alt Penedes, Spain.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  214533.  Against a white background.
  • Gothic altarpiece tableau of the Archangel Gabriel  by Joan Mates of Vlafranca de Penedes, circa 1410-1430, tempera and gold leaf on for wood from the church of Santa Maria de Penafel, Alt Penedes, Spain.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  214533. Against a black background.
  • Gothic altarpiece tableau of the Archangel Gabriel  by Joan Mates of Vlafranca de Penedes, circa 1410-1430, tempera and gold leaf on for wood from the church of Santa Maria de Penafel, Alt Penedes, Spain.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  214533.
  • Gothic altarpiece tableau of the Archangel Gabriel  by Joan Mates of Vlafranca de Penedes, circa 1410-1430, tempera and gold leaf on for wood from the church of Santa Maria de Penafel, Alt Penedes, Spain.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  214533.  Against a art background.
  • Gothic altarpiece tableau of the Archangel Gabriel  by Joan Mates of Vlafranca de Penedes, circa 1410-1430, tempera and gold leaf on for wood from the church of Santa Maria de Penafel, Alt Penedes, Spain.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  214533.  Against a grey art background.
  • Gothic altarpiece depicting top, Calvary, bottom, St Sebastia (Sebastian) , by Joan Mates of Villafranca de Penedes, circa 1417-1425, from the refrectory of Pia Almoina, Barcelona, Temperal and gold leaf on wood.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  32340. Joan Mates was a Spanish painter of the International Gothic style. Against a white background.
  • Gothic altarpiece depicting top, Calvary, bottom, St Sebastia (Sebastian) , by Joan Mates of Villafranca de Penedes, circa 1417-1425, from the refrectory of Pia Almoina, Barcelona, Temperal and gold leaf on wood.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  32340. Joan Mates was a Spanish painter of the International Gothic style. Against a black background.
  • Gothic altarpiece depicting top, Calvary, bottom, St Sebastia (Sebastian) , by Joan Mates of Villafranca de Penedes, circa 1417-1425, from the refrectory of Pia Almoina, Barcelona, Temperal and gold leaf on wood.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  32340. Joan Mates was a Spanish painter of the International Gothic style.
  • Gothic altarpiece depicting top, Calvary, bottom, St Sebastia (Sebastian) , by Joan Mates of Villafranca de Penedes, circa 1417-1425, from the refrectory of Pia Almoina, Barcelona, Temperal and gold leaf on wood.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  32340. Joan Mates was a Spanish painter of the International Gothic style. Against a art background.
  • Gothic altarpiece depicting top, Calvary, bottom, St Sebastia (Sebastian) , by Joan Mates of Villafranca de Penedes, circa 1417-1425, from the refrectory of Pia Almoina, Barcelona, Temperal and gold leaf on wood.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  32340. Joan Mates was a Spanish painter of the International Gothic style. Against a grey art background.
  • Gothic altarpiece ofthe Nativity from the workshop of Taller de Pere Garcia de Benavarri, circa 1475, tempera and gold leaf on for wood, from the church of Nostra Senyora de Baldos de Montanyana, Osca.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC   114750-1. Against a white background.
  • Gothic altarpiece ofthe Nativity from the workshop of Taller de Pere Garcia de Benavarri, circa 1475, tempera and gold leaf on for wood, from the church of Nostra Senyora de Baldos de Montanyana, Osca.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC   114750-1. Against a black background.
  • Gothic altarpiece ofthe Nativity from the workshop of Taller de Pere Garcia de Benavarri, circa 1475, tempera and gold leaf on for wood, from the church of Nostra Senyora de Baldos de Montanyana, Osca.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC   114750-1.
  • Gothic altarpiece ofthe Nativity from the workshop of Taller de Pere Garcia de Benavarri, circa 1475, tempera and gold leaf on for wood, from the church of Nostra Senyora de Baldos de Montanyana, Osca.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC   114750-1. Against a art background.
  • Gothic altarpiece ofthe Nativity from the workshop of Taller de Pere Garcia de Benavarri, circa 1475, tempera and gold leaf on for wood, from the church of Nostra Senyora de Baldos de Montanyana, Osca.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC   114750-1. Against a grey art background.
  • Gothic altarpiece of Archangel Michael ( Sant Miguel Arcangel) by Blasco de Branen of Saragossa, circa 1435-1445 , tempera and gold leaf on for wood.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC   114741. Against a white background.
  • Gothic altarpiece of Archangel Michael ( Sant Miguel Arcangel) by Blasco de Branen of Saragossa, circa 1435-1445 , tempera and gold leaf on for wood.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC   114741. Against a black background.
  • Gothic altarpiece of Archangel Michael ( Sant Miguel Arcangel) by Blasco de Branen of Saragossa, circa 1435-1445 , tempera and gold leaf on for wood.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC   114741.
  • Gothic altarpiece of Archangel Michael ( Sant Miguel Arcangel) by Blasco de Branen of Saragossa, circa 1435-1445 , tempera and gold leaf on for wood.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC   114741. Against a art background.
  • Gothic altarpiece of Archangel Michael ( Sant Miguel Arcangel) by Blasco de Branen of Saragossa, circa 1435-1445 , tempera and gold leaf on for wood.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC   114741. Against a grey art background.
  • Gothic Aaltarpiece of Saint Barbara, 3rd quarter of the 15th century, tempera and gold leaf on for wood.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC   114746-7. Against a white background.
  • Gothic Aaltarpiece of Saint Barbara, 3rd quarter of the 15th century, tempera and gold leaf on for wood.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC   114746-7. Against a black background.
  • Gothic Aaltarpiece of Saint Barbara, 3rd quarter of the 15th century, tempera and gold leaf on for wood.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC   114746-7.
  • Gothic Aaltarpiece of Saint Barbara, 3rd quarter of the 15th century, tempera and gold leaf on for wood.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC   114746-7. Against a art background.
  • Gothic Aaltarpiece of Saint Barbara, 3rd quarter of the 15th century, tempera and gold leaf on for wood.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC   114746-7. Against a grey art background.
  • Gothic altarpiece of Saint Catarina (Catherine), 3rd quarter of the 15th century, tempera and gold leaf on for wood.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC   114746-7. Against a white background.
  • Gothic altarpiece of Saint Catarina (Catherine), 3rd quarter of the 15th century, tempera and gold leaf on for wood.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC   114746-7. Against a black background.
  • Gothic altarpiece of Saint Catarina (Catherine), 3rd quarter of the 15th century, tempera and gold leaf on for wood.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC   114746-7.
  • Gothic altarpiece of Saint Catarina (Catherine), 3rd quarter of the 15th century, tempera and gold leaf on for wood.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC   114746-7. Against a art background.
  • Gothic altarpiece of Saint Catarina (Catherine), 3rd quarter of the 15th century, tempera and gold leaf on for wood.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC   114746-7. Against a grey art background.
  • Gothic Catalan altarpiece depicting the Madonna of Mercy by Bonant Zaortiga, circa 1430-1440, tempera and gold leaf on wood, from the church of Mare de Dieu de Carrasca , Blancas, Terol, Spain. Against a white background.<br />
Bonnat Zaortiga was one of the most prominent representatives of the international Gothic. The Mother of God of Mercy  protects humans with her cape, symbolizing one of the most feared evils of the European Middle Ages, plague, often understood as a punishment for the sins of mankind. This was the central panel of the altarpiece of the church of the Mother of God. National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC 3945.
  • Gothic Catalan altarpiece depicting the Madonna of Mercy by Bonant Zaortiga, circa 1430-1440, tempera and gold leaf on wood, from the church of Mare de Dieu de Carrasca , Blancas, Terol, Spain. Against a black background. <br />
Bonnat Zaortiga was one of the most prominent representatives of the international Gothic. The Mother of God of Mercy  protects humans with her cape, symbolizing one of the most feared evils of the European Middle Ages, plague, often understood as a punishment for the sins of mankind. This was the central panel of the altarpiece of the church of the Mother of God. National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC 3945.
  • Gothic Catalan altarpiece depicting the Madonna of Mercy by Bonant Zaortiga, circa 1430-1440, tempera and gold leaf on wood, from the church of Mare de Dieu de Carrasca , Blancas, Terol, Spain<br />
Bonnat Zaortiga was one of the most prominent representatives of the international Gothic. The Mother of God of Mercy  protects humans with her cape, symbolizing one of the most feared evils of the European Middle Ages, plague, often understood as a punishment for the sins of mankind. This was the central panel of the altarpiece of the church of the Mother of God. National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC 3945.
  • Gothic Catalan altarpiece depicting the Madonna of Mercy by Bonant Zaortiga, circa 1430-1440, tempera and gold leaf on wood, from the church of Mare de Dieu de Carrasca , Blancas, Terol, Spain. Against a art background. <br />
Bonnat Zaortiga was one of the most prominent representatives of the international Gothic. The Mother of God of Mercy  protects humans with her cape, symbolizing one of the most feared evils of the European Middle Ages, plague, often understood as a punishment for the sins of mankind. This was the central panel of the altarpiece of the church of the Mother of God. National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC 3945.
  • Gothic Catalan altarpiece depicting the Madonna of Mercy by Bonant Zaortiga, circa 1430-1440, tempera and gold leaf on wood, from the church of Mare de Dieu de Carrasca , Blancas, Terol, Spain. Against a grey art background. <br />
Bonnat Zaortiga was one of the most prominent representatives of the international Gothic. The Mother of God of Mercy  protects humans with her cape, symbolizing one of the most feared evils of the European Middle Ages, plague, often understood as a punishment for the sins of mankind. This was the central panel of the altarpiece of the church of the Mother of God. National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC 3945.
  • Gothic altarpiece of Saint Peter and Saint Paul by Mestre de Soriguerola, 14th century, tempera and gold leaf on for wood, from the church of Sant Cristofol de Toses, Ripolles, Spain.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC 35700. Against a white background.
  • Gothic altarpiece of Saint Peter and Saint Paul by Mestre de Soriguerola, 14th century, tempera and gold leaf on for wood, from the church of Sant Cristofol de Toses, Ripolles, Spain.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC 35700. Against a black background.
  • Gothic altarpiece of Saint Peter and Saint Paul by Mestre de Soriguerola, 14th century, tempera and gold leaf on for wood, from the church of Sant Cristofol de Toses, Ripolles, Spain.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC 35700.
  • Gothic altarpiece of Saint Peter and Saint Paul by Mestre de Soriguerola, 14th century, tempera and gold leaf on for wood, from the church of Sant Cristofol de Toses, Ripolles, Spain.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC 35700. Against a art background.
  • Gothic altarpiece of Saint Peter and Saint Paul by Mestre de Soriguerola, 14th century, tempera and gold leaf on for wood, from the church of Sant Cristofol de Toses, Ripolles, Spain.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC 35700. Against a grey art background.
  • Gothic altarpiece dedicated to St Vincent by Bernat Martorell circa 1483-1440 in Barcelona, tempera and gold lef on wood from the Parish church of St Vincent of menarguens, Noguera, Spain. At the top of the central panels of the altar tryptic, replacing the traditional Calvery scene, can be seen in the centre the Virgin of Mercy and kneeling to the left is Sant Benet de Bages, in black, and to the right St. Bernard of Clairvaux, patron saint of thr Benedictine and Cistercian orders . Below this is a depiction of St Vincent and either side are scenes of the Mardom of Vincent. Along the bottom are scenes from the Passion of Christ, with Judas in a yellow tunic kissing Christ and a furious Peter cutting off the ear of Malcus. National Museum of Catalan Art (MNAC), Barcelona, Spain, inv 15797. Against a white background.
  • Gothic altarpiece dedicated to St Vincent by Bernat Martorell circa 1483-1440 in Barcelona, tempera and gold lef on wood from the Parish church of St Vincent of menarguens, Noguera, Spain. At the top of the central panels of the altar tryptic, replacing the traditional Calvery scene, can be seen in the centre the Virgin of Mercy and kneeling to the left is Sant Benet de Bages, in black, and to the right St. Bernard of Clairvaux, patron saint of thr Benedictine and Cistercian orders . Below this is a depiction of St Vincent and either side are scenes of the Mardom of Vincent. Along the bottom are scenes from the Passion of Christ, with Judas in a yellow tunic kissing Christ and a furious Peter cutting off the ear of Malcus. National Museum of Catalan Art (MNAC), Barcelona, Spain, inv 15797. Against a black background.
  • Gothic altarpiece dedicated to St Vincent by Bernat Martorell circa 1483-1440 in Barcelona, tempera and gold lef on wood from the Parish church of St Vincent of menarguens, Noguera, Spain. At the top of the central panels of the altar tryptic, replacing the traditional Calvery scene, can be seen in the centre the Virgin of Mercy and kneeling to the left is Sant Benet de Bages, in black, and to the right St. Bernard of Clairvaux, patron saint of thr Benedictine and Cistercian orders . Below this is a depiction of St Vincent and either side are scenes of the Mardom of Vincent. Along the bottom are scenes from the Passion of Christ, with Judas in a yellow tunic kissing Christ and a furious Peter cutting off the ear of Malcus. National Museum of Catalan Art (MNAC), Barcelona, Spain, inv 15797
  • Gothic altarpiece dedicated to St Vincent by Bernat Martorell circa 1483-1440 in Barcelona, tempera and gold lef on wood from the Parish church of St Vincent of menarguens, Noguera, Spain. At the top of the central panels of the altar tryptic, replacing the traditional Calvery scene, can be seen in the centre the Virgin of Mercy and kneeling to the left is Sant Benet de Bages, in black, and to the right St. Bernard of Clairvaux, patron saint of thr Benedictine and Cistercian orders . Below this is a depiction of St Vincent and either side are scenes of the Mardom of Vincent. Along the bottom are scenes from the Passion of Christ, with Judas in a yellow tunic kissing Christ and a furious Peter cutting off the ear of Malcus. National Museum of Catalan Art (MNAC), Barcelona, Spain, inv 15797. Against a art background.
  • Gothic altarpiece dedicated to St Vincent by Bernat Martorell circa 1483-1440 in Barcelona, tempera and gold lef on wood from the Parish church of St Vincent of menarguens, Noguera, Spain. At the top of the central panels of the altar tryptic, replacing the traditional Calvery scene, can be seen in the centre the Virgin of Mercy and kneeling to the left is Sant Benet de Bages, in black, and to the right St. Bernard of Clairvaux, patron saint of thr Benedictine and Cistercian orders . Below this is a depiction of St Vincent and either side are scenes of the Mardom of Vincent. Along the bottom are scenes from the Passion of Christ, with Judas in a yellow tunic kissing Christ and a furious Peter cutting off the ear of Malcus. National Museum of Catalan Art (MNAC), Barcelona, Spain, inv 15797, Against a grey art background.
  • Gothic Altarpiece of the Madonna Nursing or Madonna Lactans, by Ramon de Mur, active around Tarrega and Montblanc circa 1412-1435, tempera and gold leaf on for wood, from the parish church of Santa Maria de Cervera (Segarra),  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  15818. Against a white background.
  • Gothic Altarpiece of the Madonna Nursing or Madonna Lactans, by Ramon de Mur, active around Tarrega and Montblanc circa 1412-1435, tempera and gold leaf on for wood, from the parish church of Santa Maria de Cervera (Segarra),  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  15818. Against a black background.
  • Gothic Altarpiece of the Madonna Nursing or Madonna Lactans, by Ramon de Mur, active around Tarrega and Montblanc circa 1412-1435, tempera and gold leaf on for wood, from the parish church of Santa Maria de Cervera (Segarra),  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  15818.
  • Gothic Altarpiece of the Madonna Nursing or Madonna Lactans, by Ramon de Mur, active around Tarrega and Montblanc circa 1412-1435, tempera and gold leaf on for wood, from the parish church of Santa Maria de Cervera (Segarra),  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  15818. Against a grey art background.
  • Gothic altarpiece of Madonna and Child by Niccolo di Tommaso, circa 1362-1367, tempera and gold leaf on wood.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  212809. Against a white background.
  • Gothic Altarpiece of the Madonna Nursing or Madonna Lactans, by Ramon de Mur, active around Tarrega and Montblanc circa 1412-1435, tempera and gold leaf on for wood, from the parish church of Santa Maria de Cervera (Segarra),  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  15818. Against a art background.
  • Gothic altarpiece of Madonna and Child by Niccolo di Tommaso, circa 1362-1367, tempera and gold leaf on wood.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  212809. Against a black background.
  • Gothic altarpiece of Madonna and Child by Niccolo di Tommaso, circa 1362-1367, tempera and gold leaf on wood.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  212809. Against a art background.
  • Gothic altarpiece of Madonna and Child by Niccolo di Tommaso, circa 1362-1367, tempera and gold leaf on wood.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  212809.
  • Gothic altarpiece of Madonna and Child by Niccolo di Tommaso, circa 1362-1367, tempera and gold leaf on wood.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  212809. Against a grey art background.
  • Gothic marble statue of Mary Magdelane (Magdelena) by Mestre de Pedralbes of Barcelona, 2nd half of 14th Century, from the cemetery of the cathedral of Barcelona.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  9797. Against a black background.
  • Gothic marble statue of Mary Magdelane (Magdelena) by Mestre de Pedralbes of Barcelona, 2nd half of 14th Century, from the cemetery of the cathedral of Barcelona.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  9797. Against a white background.
  • Gothic marble statue of Mary Magdelane (Magdelena) by Mestre de Pedralbes of Barcelona, 2nd half of 14th Century, from the cemetery of the cathedral of Barcelona.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  9797.
  • Gothic marble statue of Mary Magdelane (Magdelena) by Mestre de Pedralbes of Barcelona, 2nd half of 14th Century, from the cemetery of the cathedral of Barcelona.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  9797. Against a art background.
  • Gothic marble statue of Mary Magdelane (Magdelena) by Mestre de Pedralbes of Barcelona, 2nd half of 14th Century, from the cemetery of the cathedral of Barcelona.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  9797. Against a grey art background.
  • Gothic alabaster statue of Saint Anne and the Virgin Mary as a child from the Nottingham School England, 15th Century, from the cemetery of the vall de Bertizana, Nivarra.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  4353. Against a white background.
  • Gothic alabaster statue of Saint Anne and the Virgin Mary as a child from the Nottingham School England, 15th Century, from the cemetery of the vall de Bertizana, Nivarra.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  4353. Against a black background.
  • Gothic alabaster statue of Saint Anne and the Virgin Mary as a child from the Nottingham School England, 15th Century, from the cemetery of the vall de Bertizana, Nivarra.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  4353.
  • Gothic alabaster statue of Saint Anne and the Virgin Mary as a child from the Nottingham School England, 15th Century, from the cemetery of the vall de Bertizana, Nivarra.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  4353. Against a art background.
  • Gothic alabaster statue of Saint Anne and the Virgin Mary as a child from the Nottingham School England, 15th Century, from the cemetery of the vall de Bertizana, Nivarra.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  4353. Against a grey art background.
  • Gothic terracotta statue of the Archangel Gabriel attributed to Lorenzo Mercadante de Bretanya of Seville, circa 1460, from the convent of Santa Clara de Fregenal de la Sierra, Badajoz..  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  4367. Against a white background.
  • Gothic terracotta statue of the Archangel Gabriel attributed to Lorenzo Mercadante de Bretanya of Seville, circa 1460, from the convent of Santa Clara de Fregenal de la Sierra, Badajoz..  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  4367. Against a black background.
  • Gothic terracotta statue of the Archangel Gabriel attributed to Lorenzo Mercadante de Bretanya of Seville, circa 1460, from the convent of Santa Clara de Fregenal de la Sierra, Badajoz..  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  4367.
  • Gothic terracotta statue of the Archangel Gabriel attributed to Lorenzo Mercadante de Bretanya of Seville, circa 1460, from the convent of Santa Clara de Fregenal de la Sierra, Badajoz..  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  4367. Against a grey art background.
  • Gothic terracotta statue of the Archangel Gabriel attributed to Lorenzo Mercadante de Bretanya of Seville, circa 1460, from the convent of Santa Clara de Fregenal de la Sierra, Badajoz..  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  4367. Against a art background.
  • Gothic wooden statue of Madonna and Child from Bohemia, circa 1530-1540, tempera and gold leaf on wood,.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  65506. Against a white background.
  • Gothic wooden statue of Madonna and Child from Bohemia, circa 1530-1540, tempera and gold leaf on wood,.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  65506. Against a black background.
  • Gothic wooden statue of Madonna and Child from Bohemia, circa 1530-1540, tempera and gold leaf on wood,.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  65506.
  • Gothic wooden statue of Madonna and Child from Bohemia, circa 1530-1540, tempera and gold leaf on wood,.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  65506. Against a art background.
  • Gothic wooden statue of Madonna and Child from Bohemia, circa 1530-1540, tempera and gold leaf on wood,.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  65506. Against a grey art background.
  • Gothic wooden statue of Sant Nicolau (Nicholas) from Gremany, circa 1500, tempera and gold leaf on wood, from the church of San Miguel de Medina del Campo, Valladolid..  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  65507. Against a white background.
  • Gothic wooden statue of Sant Nicolau (Nicholas) from Gremany, circa 1500, tempera and gold leaf on wood, from the church of San Miguel de Medina del Campo, Valladolid..  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  65507. Against a black background.
  • Gothic wooden statue of Sant Nicolau (Nicholas) from Gremany, circa 1500, tempera and gold leaf on wood, from the church of San Miguel de Medina del Campo, Valladolid..  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  65507.
  • Gothic wooden statue of Sant Nicolau (Nicholas) from Gremany, circa 1500, tempera and gold leaf on wood, from the church of San Miguel de Medina del Campo, Valladolid..  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  65507. Against a art background.
  • Gothic wooden statue of Sant Nicolau (Nicholas) from Gremany, circa 1500, tempera and gold leaf on wood, from the church of San Miguel de Medina del Campo, Valladolid..  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  65507. Against a grey art background.
  • Gothic wooden statue of Madonna and Child by Seguidor de Diego de Siloe of Burgos, circa 1530-1540, tempera and gold leaf on wood, from the church of San Miguel de Medina del Campo, Valladolid..  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  131050. Against a black background.
  • Gothic wooden statue of Madonna and Child by Seguidor de Diego de Siloe of Burgos, circa 1530-1540, tempera and gold leaf on wood, from the church of San Miguel de Medina del Campo, Valladolid..  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  131050. Against a white background.
  • Gothic wooden statue of Madonna and Child by Seguidor de Diego de Siloe of Burgos, circa 1530-1540, tempera and gold leaf on wood, from the church of San Miguel de Medina del Campo, Valladolid..  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  131050.
  • Gothic wooden statue of Madonna and Child by Seguidor de Diego de Siloe of Burgos, circa 1530-1540, tempera and gold leaf on wood, from the church of San Miguel de Medina del Campo, Valladolid..  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  131050. Against a grey art background.
  • Gothic wooden statue of Madonna and Child by Seguidor de Diego de Siloe of Burgos, circa 1530-1540, tempera and gold leaf on wood, from the church of San Miguel de Medina del Campo, Valladolid..  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  131050. Against a art background.
  • Gothic wooden statue of Sant Joan Evangelista (John the Evangelist) from Gremany, circa 1500, tempera and gold leaf on wood.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  64114. Against a white background.
  • Gothic wooden statue of Sant Joan Evangelista (John the Evangelist) from Gremany, circa 1500, tempera and gold leaf on wood.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  64114. Against a light grey background.
  • Gothic wooden statue of Sant Joan Evangelista (John the Evangelist) from Gremany, circa 1500, tempera and gold leaf on wood.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  64114. Against a black background.
  • Gothic wooden statue of Sant Joan Evangelista (John the Evangelist) from Gremany, circa 1500, tempera and gold leaf on wood.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  64114.
  • Gothic wooden statue of Sant Joan Evangelista (John the Evangelist) from Gremany, circa 1500, tempera and gold leaf on wood.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  64114. Against a grey textured background.
  • Gothic altarpiece of Saint Esteve (Stephen) & John the Baptist by Mestre de Bardalona, early 15th century, tempera and gold leaf on for wood from Santa Maria de Badalona.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC   15824. Against a white background.
  • Gothic altarpiece of Saint Esteve (Stephen) & John the Baptist by Mestre de Bardalona, early 15th century, tempera and gold leaf on for wood from Santa Maria de Badalona.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC   15824. Against a black background.
  • Gothic altarpiece of Saint Esteve (Stephen) & John the Baptist by Mestre de Bardalona, early 15th century, tempera and gold leaf on for wood from Santa Maria de Badalona.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC   15824. Against a light grey background.
  • Gothic altarpiece of Saint Esteve (Stephen) & John the Baptist by Mestre de Bardalona, early 15th century, tempera and gold leaf on for wood from Santa Maria de Badalona.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC   15824. Against a grey textured background.
  • Gothic altarpiece of Saint Esteve (Stephen) & John the Baptist by Mestre de Bardalona, early 15th century, tempera and gold leaf on for wood from Santa Maria de Badalona.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC   15824.
  • Gothic marble relief sculpture from the tomb of Ramon d'Urtx, died 1290, from the convent of Sant Domenee de Puigcerda, Cerdanya, Spain..  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  64011. Against a white background.
  • Gothic marble relief sculpture from the tomb of Ramon d'Urtx, died 1290, from the convent of Sant Domenee de Puigcerda, Cerdanya, Spain..  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  64011. Against a black background.
  • Gothic marble relief sculpture from the tomb of Ramon d'Urtx, died 1290, from the convent of Sant Domenee de Puigcerda, Cerdanya, Spain..  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  64011. Against a light grey background.

FunkyStock Picture Library Resource

Picture The Past

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FunkyStock Picture Library free resource for professional editorial picture editors, picture researchers, historical scholars and students and enthusiasts who want to browse some of the best pictures and images of historic countries, historical places, archaeological sites and the very best museum antiquities and artefacts exhibits in Europe and the Middle East.

Pictures and Images can be downloaded or bought as stock photos or photo art prints.

COUNTRIES

Browse travel pictures and images of historic places and archaeological sites of countries in Europe and the Middle East.

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HISTORICAL

Explore the past through pictures and images of its historic places. See the great palaces, castles and cities of antiquity as well as the great archaeological sites where our ancestors made history.

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MUSEUMS

Browse pictures & images the treasured artefacts and antiquities exhibits from the great Museum of Europe and the Middle East. See the art and objects made by our ancestors.

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