• The Romanesque Altar Front of Avia<br />
<br />
Around 1200, Tempera on wood with metalic ornamention from the church of Santa Maria d'Avia, Spain.<br />
<br />
National Art Museum of Catalonia, Barcelona. MNAC 15784<br />
<br />
<br />
The altar front of Byzantine art d'Avia depicting scenes from the life of the Virgin Mary and the nativity. The artistic style of the Altar front relies heavily of Byzantine influences. The intensity and variety of colors and the systematic application of appliqué are typical of eastern Mediterranean and Byzantine art . This can also be seen in the style and hand positions of the Virgin Mary and child, at the centre of the altar piece, which copies a style known as “Our Lady of the Way” which in turn minics the orthodox icon “the Virgin Hodegetria”.
  • The Romanesque Altar Front of Avia<br />
<br />
Around 1200, Tempera on wood with metalic ornamention from the church of Santa Maria d'Avia, Spain.<br />
<br />
National Art Museum of Catalonia, Barcelona. MNAC 15784<br />
<br />
<br />
The altar front of Byzantine art d'Avia depicting the Virgin Mary in the style of “Our Lady of the Way”. The artistic style of the Altar front relies heavily of Byzantine influences. The intensity and variety of colors and the systematic application of appliqué are typical of eastern Mediterranean and Byzantine art . This can also be seen in the style and hand positions of the Virgin Mary and child, at the centre of the altar piece, which copies a style known as “Our Lady of the Way” which in turn minics the orthodox icon “the Virgin Hodegetria”.
  • The Romanesque Altar Front of Avia<br />
<br />
Around 1200, Tempera on wood with metalic ornamention from the church of Santa Maria d'Avia, Spain.<br />
<br />
National Art Museum of Catalonia, Barcelona. MNAC 15784<br />
<br />
<br />
The altar front of Byzantine art d'Avia depicting scenes from the life of the Virgin Mary and the nativity. The artistic style of the Altar front relies heavily of Byzantine influences. The intensity and variety of colors and the systematic application of appliqué are typical of eastern Mediterranean and Byzantine art . This can also be seen in the style and hand positions of the Virgin Mary and child, at the centre of the altar piece, which copies a style known as “Our Lady of the Way” which in turn minics the orthodox icon “the Virgin Hodegetria”.
  • The Romanesque Altar Front of Avia<br />
<br />
Around 1200, Tempera on wood with metalic ornamention from the church of Santa Maria d'Avia, Spain.<br />
<br />
National Art Museum of Catalonia, Barcelona. MNAC 15784<br />
<br />
<br />
The altar front of Byzantine art d'Avia depicting scenes from the life of the Virgin Mary and the nativity. The artistic style of the Altar front relies heavily of Byzantine influences. The intensity and variety of colors and the systematic application of appliqué are typical of eastern Mediterranean and Byzantine art . This can also be seen in the style and hand positions of the Virgin Mary and child, at the centre of the altar piece, which copies a style known as “Our Lady of the Way” which in turn minics the orthodox icon “the Virgin Hodegetria”.
  • The Romanesque Altar Front of Avia<br />
<br />
Around 1200, Tempera on wood with metalic ornamention from the church of Santa Maria d'Avia, Spain.<br />
<br />
National Art Museum of Catalonia, Barcelona. MNAC 15784<br />
<br />
<br />
The altar front of Byzantine art d'Avia depicting scenes from the life of the Virgin Mary and the nativity. The artistic style of the Altar front relies heavily of Byzantine influences. The intensity and variety of colors and the systematic application of appliqué are typical of eastern Mediterranean and Byzantine art . This can also be seen in the style and hand positions of the Virgin Mary and child, at the centre of the altar piece, which copies a style known as “Our Lady of the Way” which in turn minics the orthodox icon “the Virgin Hodegetria”.
  • The Romanesque Altar Front of Avia<br />
<br />
Around 1200, Tempera on wood with metalic ornamention from the church of Santa Maria d'Avia, Spain.<br />
<br />
National Art Museum of Catalonia, Barcelona. MNAC 15784<br />
<br />
<br />
The altar front of Byzantine art d'Avia depicting scenes from the life of the Virgin Mary and the nativity. The artistic style of the Altar front relies heavily of Byzantine influences. The intensity and variety of colors and the systematic application of appliqué are typical of eastern Mediterranean and Byzantine art . This can also be seen in the style and hand positions of the Virgin Mary and child, at the centre of the altar piece, which copies a style known as “Our Lady of the Way” which in turn minics the orthodox icon “the Virgin Hodegetria”.
  • The Romanesque Altar Front of Avia<br />
<br />
Around 1200, Tempera on wood with metalic ornamention from the church of Santa Maria d'Avia, Spain.<br />
<br />
National Art Museum of Catalonia, Barcelona. MNAC 15784<br />
<br />
<br />
The altar front of Byzantine art d'Avia depicting the Virgin Mary in the style of “Our Lady of the Way”. The artistic style of the Altar front relies heavily of Byzantine influences. The intensity and variety of colors and the systematic application of appliqué are typical of eastern Mediterranean and Byzantine art . This can also be seen in the style and hand positions of the Virgin Mary and child, at the centre of the altar piece, which copies a style known as “Our Lady of the Way” which in turn minics the orthodox icon “the Virgin Hodegetria”.
  • The Romanesque Altar Front of Avia<br />
<br />
Around 1200, Tempera on wood with metalic ornamention from the church of Santa Maria d'Avia, Spain.<br />
<br />
National Art Museum of Catalonia, Barcelona. MNAC 15784<br />
<br />
<br />
The altar front of Byzantine art d'Avia depicting scenes from the life of the Virgin Mary and the nativity. The artistic style of the Altar front relies heavily of Byzantine influences. The intensity and variety of colors and the systematic application of appliqué are typical of eastern Mediterranean and Byzantine art . This can also be seen in the style and hand positions of the Virgin Mary and child, at the centre of the altar piece, which copies a style known as “Our Lady of the Way” which in turn minics the orthodox icon “the Virgin Hodegetria”.
  • The Romanesque Altar Front of Avia<br />
<br />
Around 1200, Tempera on wood with metalic ornamention from the church of Santa Maria d'Avia, Spain.<br />
<br />
National Art Museum of Catalonia, Barcelona. MNAC 15784<br />
<br />
<br />
The altar front of Byzantine art d'Avia depicting scenes from the life of the Virgin Mary and the nativity. The artistic style of the Altar front relies heavily of Byzantine influences. The intensity and variety of colors and the systematic application of appliqué are typical of eastern Mediterranean and Byzantine art . This can also be seen in the style and hand positions of the Virgin Mary and child, at the centre of the altar piece, which copies a style known as “Our Lady of the Way” which in turn minics the orthodox icon “the Virgin Hodegetria”.
  • The Romanesque Altar Front of Avia<br />
<br />
Around 1200, Tempera on wood with metalic ornamention from the church of Santa Maria d'Avia, Spain.<br />
<br />
National Art Museum of Catalonia, Barcelona. MNAC 15784<br />
<br />
<br />
The altar front of Byzantine art d'Avia depicting scenes from the life of the Virgin Mary and the nativity. The artistic style of the Altar front relies heavily of Byzantine influences. The intensity and variety of colors and the systematic application of appliqué are typical of eastern Mediterranean and Byzantine art . This can also be seen in the style and hand positions of the Virgin Mary and child, at the centre of the altar piece, which copies a style known as “Our Lady of the Way” which in turn minics the orthodox icon “the Virgin Hodegetria”.
  • The Romanesque Altar Front of Avia<br />
<br />
Around 1200, Tempera on wood with metalic ornamention from the church of Santa Maria d'Avia, Spain.<br />
<br />
National Art Museum of Catalonia, Barcelona. MNAC 15784<br />
<br />
<br />
The altar front of Byzantine art d'Avia depicting the Virgin Mary in the style of “Our Lady of the Way”. The artistic style of the Altar front relies heavily of Byzantine influences. The intensity and variety of colors and the systematic application of appliqué are typical of eastern Mediterranean and Byzantine art . This can also be seen in the style and hand positions of the Virgin Mary and child, at the centre of the altar piece, which copies a style known as “Our Lady of the Way” which in turn minics the orthodox icon “the Virgin Hodegetria”.
  • The Romanesque Altar Front of Avia<br />
<br />
Around 1200, Tempera on wood with metalic ornamention from the church of Santa Maria d'Avia, Spain.<br />
<br />
National Art Museum of Catalonia, Barcelona. MNAC 15784<br />
<br />
<br />
The altar front of Byzantine art d'Avia depicting scenes from the life of the Virgin Mary and the nativity. The artistic style of the Altar front relies heavily of Byzantine influences. The intensity and variety of colors and the systematic application of appliqué are typical of eastern Mediterranean and Byzantine art . This can also be seen in the style and hand positions of the Virgin Mary and child, at the centre of the altar piece, which copies a style known as “Our Lady of the Way” which in turn minics the orthodox icon “the Virgin Hodegetria”.
  • The Romanesque Altar Front of Avia<br />
<br />
Around 1200, Tempera on wood with metalic ornamention from the church of Santa Maria d'Avia, Spain.<br />
<br />
National Art Museum of Catalonia, Barcelona. MNAC 15784<br />
<br />
<br />
The altar front of Byzantine art d'Avia depicting scenes from the life of the Virgin Mary and the nativity. The artistic style of the Altar front relies heavily of Byzantine influences. The intensity and variety of colors and the systematic application of appliqué are typical of eastern Mediterranean and Byzantine art . This can also be seen in the style and hand positions of the Virgin Mary and child, at the centre of the altar piece, which copies a style known as “Our Lady of the Way” which in turn minics the orthodox icon “the Virgin Hodegetria”.
  • The Romanesque Altar Front of Avia<br />
<br />
Around 1200, Tempera on wood with metalic ornamention from the church of Santa Maria d'Avia, Spain.<br />
<br />
National Art Museum of Catalonia, Barcelona. MNAC 15784<br />
<br />
<br />
The altar front of Byzantine art d'Avia depicting scenes from the life of the Virgin Mary and the nativity. The artistic style of the Altar front relies heavily of Byzantine influences. The intensity and variety of colors and the systematic application of appliqué are typical of eastern Mediterranean and Byzantine art . This can also be seen in the style and hand positions of the Virgin Mary and child, at the centre of the altar piece, which copies a style known as “Our Lady of the Way” which in turn minics the orthodox icon “the Virgin Hodegetria”.
  • The Romanesque Altar Front of Avia<br />
<br />
Around 1200, Tempera on wood with metalic ornamention from the church of Santa Maria d'Avia, Spain.<br />
<br />
National Art Museum of Catalonia, Barcelona. MNAC 15784<br />
<br />
<br />
The altar front of Byzantine art d'Avia depicting scenes from the life of the Virgin Mary and the nativity. The artistic style of the Altar front relies heavily of Byzantine influences. The intensity and variety of colors and the systematic application of appliqué are typical of eastern Mediterranean and Byzantine art . This can also be seen in the style and hand positions of the Virgin Mary and child, at the centre of the altar piece, which copies a style known as “Our Lady of the Way” which in turn minics the orthodox icon “the Virgin Hodegetria”.
  • The Matterhorn or Monte Cervino mountain peak, Zermatt, Switzerland
  • The Matterhorn or Monte Cervino mountain peak, Zermatt, Switzerland
  • The Matterhorn or Monte Cervino mountain peak, Zermatt, Switzerland
  • The Matterhorn or Monte Cervino mountain peak, Zermatt, Switzerland
  • The Matterhorn or Monte Cervino mountain peak, Zermatt, Switzerland
  • The Leaning Tower Of Pisa, Italy
  • Leaning Tower of Pisa - Piazza  del Miracoli - Pisa - Italy
  • The Leaning Tower Of Pisa, Italy
  • Leaning Tower of Pisa - Piazza  del Miracoli - Pisa - Italy
  • Leaning Tower of Pisa - Piazza  del Miracoli - Pisa - Italy
  • Leaning Tower of Pisa - Pizza  del Miracoli - Pisa - Italy Leaning Tower of Pisa - Piazza  del Miracoli - Pisa - Italy
  • Leaning Tower of Pisa - Piazza  del Miracoli - Pisa - Italy
  • Leaning Tower of Pisa - Piazza  del Miracoli - Pisa - Italy
  • Leaning Tower of Pisa - Piazza  del Miracoli - Pisa - Italy
  • Leaning Tower of Pisa - Piazza  del Miracoli - Pisa - Italy
  • Leaning Tower of Pisa - Piazza  del Miracoli - Pisa - Italy
  • Leaning Tower of Pisa - Piazza  del Miracoli - Pisa - Italy
  • Leaning Tower of Pisa - Piazza  del Miracoli - Pisa - Italy
  • Leaning Tower of Pisa - Piazza  del Miracoli - Pisa - Italy
  • Catherderal and Leaning Tower - Piazza  del Miracoli - Pisa - Italy
  • Catherderal and Leaning Tower - Piazza  del Miracoli - Pisa - Italy
  • Leaning Tower of Pisa - Piazza  del Miracoli - Pisa - Italy
  • The Leaning Tower Of Pisa, Italy
  • The Leaning Tower Of Pisa, Italy
  • The Leaning Tower Of Pisa, Italy
  • The Leaning Tower Of Pisa, Italy
  • The Leaning Tower Of Pisa, Italy
  • The Leaning Tower Of Pisa, Italy
  • The Leaning Tower Of Pisa, Italy
  • The Leaning Tower Of Pisa, Italy
  • The Leaning Tower Of Pisa, Italy
  • The Leaning Tower Of Pisa, Italy
  • The Leaning Tower Of Pisa, Italy
  • The Leaning Tower Of Pisa, Italy
  • The Leaning Tower Of Pisa, Italy
  • The Duomo & Leaning Tower of Pisa, Italy
  • The Duomo & Leaning Tower of Pisa, Italy
  • The Duomo & Leaning Tower of Pisa, Italy
  • The Duomo & Leaning Tower of Pisa, Italy
  • The Duomo & Leaning Tower of Pisa, Italy
  • The Leaning Tower Of Pisa, Italy
  • The Leaning Tower Of Pisa, Italy
  • The Leaning Tower Of Pisa, Italy
  • The Leaning Tower Of Pisa, Italy
  • The Leaning Tower Of Pisa, Italy
  • The Leaning Tower Of Pisa, Italy
  • The Leaning Tower Of Pisa, Italy
  • The Leaning Tower Of Pisa, Italy
  • The Leaning Tower Of Pisa, Italy
  • The Duomo & Leaning Tower of Pisa, Italy
  • The Duomo & Leaning Tower of Pisa, Italy
  • The Duomo & Leaning Tower of Pisa, Italy
  • The Leaning Tower Of Pisa, Italy
  • The Leaning Tower Of Pisa, Italy
  • The Leaning Tower Of Pisa, Italy
  • The Leaning Tower Of Pisa, Italy
  • The Leaning Tower Of Pisa, Italy
  • The Leaning Tower Of Pisa, Italy
  • The Leaning Tower Of Pisa, Italy
  • The Leaning Tower Of Pisa, Italy
  • The Leaning Tower Of Pisa, Italy
  • The Leaning Tower Of Pisa, Italy
  • The Leaning Tower Of Pisa, Italy
  • The Leaning Tower Of Pisa, Italy
  • The Leaning Tower Of Pisa, Italy
  • Leaning Tower of Pisa - Piazza  del Miracoli - Pisa - Italy
  • Leaning Tower of Pisa - Piazza  del Miracoli - Pisa - Italy
  • Leaning Tower of Pisa - Pizza  del Miracoli - Pisa - Italy Leaning Tower of Pisa - Piazza  del Miracoli - Pisa - Italy
  • Leaning Tower of Pisa - Piazza  del Miracoli - Pisa - Italy
  • Leaning Tower of Pisa - Piazza  del Miracoli - Pisa - Italy
  • Leaning Tower of Pisa - Piazza  del Miracoli - Pisa - Italy
  • Leaning Tower of Pisa - Piazza  del Miracoli - Pisa - Italy
  • Leaning Tower of Pisa - Pizza  del Miracoli - Pisa - Italy Leaning Tower of Pisa - Piazza  del Miracoli - Pisa - Italy
  • Leaning Tower of Pisa - Piazza  del Miracoli - Pisa - Italy
  • Leaning Tower of Pisa - Pizza  del Miracoli - Pisa - Italy Leaning Tower of Pisa - Piazza  del Miracoli - Pisa - Italy
  • Leaning Tower of Pisa - Pizza  del Miracoli - Pisa - Italy Leaning Tower of Pisa - Piazza  del Miracoli - Pisa - Italy
  • Leaning Tower of Pisa - Pizza  del Miracoli - Pisa - Italy Leaning Tower of Pisa - Piazza  del Miracoli - Pisa - Italy
  • Leaning Tower of Pisa - Piazza  del Miracoli - Pisa - Italy
  • Catherderal and Leaning Tower - Piazza  del Miracoli - Pisa - Italy
  • Catherderal and Leaning Tower - Piazza  del Miracoli - Pisa - Italy
  • Leaning Tower of Pisa - Piazza  del Miracoli - Pisa - Italy
  • The Matterhorn or Monte Cervino mountain peak, Zermatt, Switzerland
  • The Matterhorn or Monte Cervino mountain peak, Zermatt, Switzerland
  • The Matterhorn or Monte Cervino mountain peak, Zermatt, Switzerland
  • The Matterhorn or Monte Cervino mountain peak, Zermatt, Switzerland
  • The Matterhorn or Monte Cervino mountain peak, Zermatt, Switzerland
  • The Matterhorn or Monte Cervino mountain peak, Zermatt, Switzerland
  • The Matterhorn or Monte Cervino mountain peak, Zermatt, Switzerland
  • The Matterhorn or Monte Cervino mountain peak, Zermatt, Switzerland
  • Paragliders over the Matterhorn mountain peak - Swiss Alps - Switzerland
  • Matterhorn mountain peak - Swiss Alps - Switzerland
  • Matterhorn mountain peak - Swiss Alps - Switzerland
  • Matterhorn mountain peak - Swiss Alps - Switzerland
  • Paragliders over the Matterhorn mountain peak - Swiss Alps - Switzerland
  • Paragliders over the Gornergletscher  glacier above Zermatt Switzerland
  • Paragliders over the Gornergletscher  glacier above Zermatt Switzerland
  • Matterhorn Mountain - Swiss Alps
  • Matterhorn Mountain - Swiss Alps
  • the Matterhorn mountain peak - Swiss Alps - Switzerland
  • the Matterhorn mountain peak - Swiss Alps - Switzerland
  • the Matterhorn mountain peak - Swiss Alps - Switzerland
  • the Matterhorn mountain peak - Swiss Alps - Switzerland
  • the Matterhorn mountain peak - Swiss Alps - Switzerland
  • Paragliders over the Matterhorn mountain peak - Swiss Alps - Switzerland
  • the Matterhorn mountain peak - Swiss Alps - Switzerland
  • Paragliders over the Matterhorn mountain peak - Swiss Alps - Switzerland
  • the Gornergletscher glacier viewed from Gornergrat. Zermatt .
  • the Matterhorn mountain peak - Swiss Alps - Switzerland
  • Paragliders over the Matterhorn mountain peak - Swiss Alps - Switzerland
  • the Gornergletscher glacier viewed from Gornergrat. Zermatt .
  • Detail of the Arabesque Mudéjar style plaster work of the Patio de las Doncellas (Courtyard of the Maidens) an Italian Renaissance courtyard (1540-72) , Alcazar of Seville, Seville, Spain
  • Detail of the Arabesque Mudéjar style plaster work of the Patio de las Doncellas (Courtyard of the Maidens) an Italian Renaissance courtyard (1540-72) , Alcazar of Seville, Seville, Spain
  • Detail of the Arabesque Mudéjar style plaster work of the Patio de las Doncellas (Courtyard of the Maidens) an Italian Renaissance courtyard (1540-72) , Alcazar of Seville, Seville, Spain
  • Patio de las Doncellas (Courtyard of the Maidens) an Italian Renaissance courtyard (1540-72) with Arabesque Mudéjar style plaster work, Alcazar of Seville, Seville, Spain
  • Patio de las Doncellas (Courtyard of the Maidens) an Italian Renaissance courtyard (1540-72) with Arabesque Mudéjar style plaster work, Alcazar of Seville, Seville, Spain
  • Arabesque Mudjar plasterwork and arches of the 12th century Salón de Embajadores (Ambassadors' Hall or Throne Room). Alcazar of Seville, Seville, Spain
  • Arabesque Mudjar plasterwork of the 12th century Patio de las Muñecas (Courtyard of the Dolls), . Alcazar of Seville, Seville, Spain
  • Gothic architectural detail of the Door of the Prince, Seville Cathedral, Spain
  • Gothic architectural detail of the Door of the Prince, Seville Cathedral, Spain
  • Gothic architectural detail of the Door of the Prince, Seville Cathedral, Spain
  • Gothic architectural detail of the Door of the Prince, Seville Cathedral, Spain
  • Statues of The Gothic Puerta de Campanilla entrance door of the Cathedral of Seville, Spain
  • Christ's Entry into Jerusalem by Lope Marin in 1548 on the Gothic Puerta de Campanilla entrance door of the Cathedral of Seville, Spain
  • Christ's Entry into Jerusalem by Lope Marin in 1548 on the Gothic Puerta de Campanilla entrance door of the Cathedral of Seville, Spain
  • Christ's Entry into Jerusalem by Lope Marin in 1548 on the Gothic Puerta de Campanilla entrance door of the Cathedral of Seville, Spain
  • Patio de las Doncellas (Courtyard of the Maidens) an Italian Renaissance courtyard (1540-72) with Arabesque Mudéjar style plaster work, Alcazar of Seville, Seville, Spain
  • 16th century Spanish Mudjar tiles from the Pavillion of Carlos V, Selivve Alcazar, Seville, Spain
  • 16th century Spanish Mudjar tiles from the Pavillion of Carlos V, Selivve Alcazar, Seville, Spain
  • The Baths of Dona Maria de Padill, part of the original Almohad garden that is now below the Alcazar, Alcazar of Seville, Spain.
  • Arabesque Zellighe tiles with Mudjar plasterwork from tyhe vestibule of the Alcazar of Seville, Seville, Spain
  • Arabesque Mudjar plasterwork of the 12th century Salón de Embajadores (Ambassadors' Hall or Throne Room). Alcazar of Seville, Seville, Spain
  • Arabesque Mudjar plasterwork and arches of the 12th century Salón de Embajadores (Ambassadors' Hall or Throne Room). Alcazar of Seville, Seville, Spain
  • Arabesque Mudjar plasterwork of the 12th century Patio de las Muñecas (Courtyard of the Dolls), . Alcazar of Seville, Seville, Spain
  • Arabesque Mudjar plasterwork of the 12th century Patio de las Muñecas (Courtyard of the Dolls), . Alcazar of Seville, Seville, Spain
  • Arabesque Mudjar plasterwork of the 12th century Patio de las Muñecas (Courtyard of the Dolls), . Alcazar of Seville, Seville, Spain
  • Arabesque Mudjar plasterwork of the 12th century Patio de las Muñecas (Courtyard of the Dolls), . Alcazar of Seville, Seville, Spain
  • Arabesque Mudjar plasterwork of the 12th century Patio de las Muñecas (Courtyard of the Dolls), . Alcazar of Seville, Seville, Spain
  • Arabesque Mudjar plaster work of the entrance to Don Pedro's Palace, completed in 1366. Alcazar of Seville, Seville, Spain
  • Arabesque Mudéjar style plaster workof the  Alcazar of Seville, Seville, Spain
  • Detail of the Arabesque Mudéjar style plaster work of the Patio de las Doncellas (Courtyard of the Maidens) an Italian Renaissance courtyard (1540-72) , Alcazar of Seville, Seville, Spain
  • Detail of the Arabesque Mudéjar style plaster work of the Patio de las Doncellas (Courtyard of the Maidens) an Italian Renaissance courtyard (1540-72) , Alcazar of Seville, Seville, Spain
  • Detail of the Arabesque Mudéjar style plaster work of the Patio de las Doncellas (Courtyard of the Maidens) an Italian Renaissance courtyard (1540-72) , Alcazar of Seville, Seville, Spain
  • Patio de las Doncellas (Courtyard of the Maidens) an Italian Renaissance courtyard (1540-72) with Arabesque Mudéjar style plaster work, Alcazar of Seville, Seville, Spain
  • Patio de las Doncellas (Courtyard of the Maidens) an Italian Renaissance courtyard (1540-72) with Arabesque Mudéjar style plaster work, Alcazar of Seville, Seville, Spain
  • Patio de las Doncellas (Courtyard of the Maidens) an Italian Renaissance courtyard (1540-72) with Arabesque Mudéjar style plaster work, Alcazar of Seville, Seville, Spain
  • Patio de las Doncellas (Courtyard of the Maidens) an Italian Renaissance courtyard (1540-72) with Arabesque Mudéjar style plaster work, Alcazar of Seville, Seville, Spain
  • Detail of the Arabesque Mudéjar style plaster work of the Patio de las Doncellas (Courtyard of the Maidens) an Italian Renaissance courtyard (1540-72) , Alcazar of Seville, Seville, Spain
  • Detail of the Arabesque Mudéjar style plaster work of the Patio de las Doncellas (Courtyard of the Maidens) an Italian Renaissance courtyard (1540-72) , Alcazar of Seville, Seville, Spain
  • Detail of the Arabesque Mudéjar style plaster work of the Patio de las Doncellas (Courtyard of the Maidens) an Italian Renaissance courtyard (1540-72) , Alcazar of Seville, Seville, Spain
  • Detail of the Arabesque Mudéjar style plaster work of the Patio de las Doncellas (Courtyard of the Maidens) an Italian Renaissance courtyard (1540-72) , Alcazar of Seville, Seville, Spain
  • Detail of the Arabesque Mudéjar style plaster work of the Patio de las Doncellas (Courtyard of the Maidens) an Italian Renaissance courtyard (1540-72) , Alcazar of Seville, Seville, Spain
  • Detail of the Arabesque Mudéjar style plaster work of the Patio de las Doncellas (Courtyard of the Maidens) an Italian Renaissance courtyard (1540-72) , Alcazar of Seville, Seville, Spain
  • Detail of the Arabesque Mudéjar style plaster work of the Patio de las Doncellas (Courtyard of the Maidens) an Italian Renaissance courtyard (1540-72) , Alcazar of Seville, Seville, Spain
  • Patio de las Doncellas (Courtyard of the Maidens) an Italian Renaissance courtyard (1540-72) with Arabesque Mudéjar style plaster work, Alcazar of Seville, Seville, Spain
  • Patio de las Doncellas (Courtyard of the Maidens) an Italian Renaissance courtyard (1540-72) with Arabesque Mudéjar style plaster work, Alcazar of Seville, Seville, Spain
  • Patio de las Doncellas (Courtyard of the Maidens) an Italian Renaissance courtyard (1540-72) with Arabesque Mudéjar style plaster work, Alcazar of Seville, Seville, Spain
  • Patio de las Doncellas (Courtyard of the Maidens) an Italian Renaissance courtyard (1540-72) with Arabesque Mudéjar style plaster work, Alcazar of Seville, Seville, Spain
  • Patio de las Doncellas (Courtyard of the Maidens) an Italian Renaissance courtyard (1540-72) with Arabesque Mudéjar style plaster work, Alcazar of Seville, Seville, Spain
  • Patio de las Doncellas (Courtyard of the Maidens) an Italian Renaissance courtyard (1540-72) with Arabesque Mudéjar style plaster work, Alcazar of Seville, Seville, Spain
  • Patio de las Doncellas (Courtyard of the Maidens) an Italian Renaissance courtyard (1540-72) with Arabesque Mudéjar style plaster work, Alcazar of Seville, Seville, Spain
  • Patio de las Doncellas (Courtyard of the Maidens) an Italian Renaissance courtyard (1540-72) with Arabesque Mudéjar style plaster work, Alcazar of Seville, Seville, Spain
  • Patio de las Doncellas (Courtyard of the Maidens) an Italian Renaissance courtyard (1540-72) with Arabesque Mudéjar style plaster work, Alcazar of Seville, Seville, Spain
  • Patio de las Doncellas (Courtyard of the Maidens) an Italian Renaissance courtyard (1540-72) with Arabesque Mudéjar style plaster work, Alcazar of Seville, Seville, Spain
  • Patio de las Doncellas (Courtyard of the Maidens) an Italian Renaissance courtyard (1540-72) with Arabesque Mudéjar style plaster work, Alcazar of Seville, Seville, Spain
  • Patio de las Doncellas (Courtyard of the Maidens) an Italian Renaissance courtyard (1540-72) with Arabesque Mudéjar style plaster work, Alcazar of Seville, Seville, Spain
  • Arabesque Mudjar plasterwork of the 12th century roof of the Salón de Embajadores (Ambassadors' Hall or Throne Room). Alcazar of Seville, Seville, Spain
  • Patio de las Doncellas (Courtyard of the Maidens) an Italian Renaissance courtyard (1540-72) with Arabesque Mudéjar style plaster work, Alcazar of Seville, Seville, Spain
  • Patio de las Doncellas (Courtyard of the Maidens) an Italian Renaissance courtyard (1540-72) with Arabesque Mudéjar style plaster work, Alcazar of Seville, Seville, Spain
  • Patio de las Doncellas (Courtyard of the Maidens) an Italian Renaissance courtyard (1540-72) with Arabesque Mudéjar style plaster work, Alcazar of Seville, Seville, Spain
  • Patio de las Doncellas (Courtyard of the Maidens) an Italian Renaissance courtyard (1540-72) with Arabesque Mudéjar style plaster work, Alcazar of Seville, Seville, Spain
  • Patio de las Doncellas (Courtyard of the Maidens) an Italian Renaissance courtyard (1540-72) with Arabesque Mudéjar style plaster work, Alcazar of Seville, Seville, Spain
  • Patio de las Doncellas (Courtyard of the Maidens) an Italian Renaissance courtyard (1540-72) with Arabesque Mudéjar style plaster work, Alcazar of Seville, Seville, Spain
  • Moorish architectural detail on the old mosque tower, now the bell tower of the Cathedral of Seville, Spain
  • Moorish architectural detail on the old mosque tower, now the bell tower of the Cathedral of Seville, Spain
  • Moorish architectural detail on the old mosque tower, now the bell tower of the Cathedral of Seville, Spain
  • Moorish architectural detail on the old mosque tower, now the bell tower of the Cathedral of Seville, Spain
  • Gothic architectural detail of the Seville Cathedral, Spain
  • Gothic architectural detail with flying butresses of the Seville Cathedral, Spain
  • Gothic architectural detail of the Seville Cathedral, Spain
  • Gothic architectural detail of the Door of the Prince, Seville Cathedral, Spain
  • Gothic architectural detail of the Door of the Prince, Seville Cathedral, Spain
  • Gothic architectural detail of the Door of the Prince, Seville Cathedral, Spain
  • Gothic architectural detail of the Door of the Prince, Seville Cathedral, Spain
  • Gothic architectural detail of the Door of the Prince, Seville Cathedral, Spain
  • Gothic architectural detail of the Door of the Prince, Seville Cathedral, Spain
  • Gothic architectural detail of the Door of the Prince, Seville Cathedral, Spain
  • Gothic architectural detail of the Door of the Prince, Seville Cathedral, Spain
  • Door of Sticks or the Adoration of the Magi Statues entrance  of the Cathedral of Seville, Spain
  • Door of Sticks or the Adoration of the Magi Statues entrance  of the Cathedral of Seville, Spain
  • Gothic Angel statues on the Cathedral of Seville Spain
  • Door of Sticks or the Adoration of the Magi Statues entrance  of the Cathedral of Seville, Spain
  • Gothic Angel statues on the Cathedral of Seville Spain
  • Door of Sticks or the Adoration of the Magi Statues entrance  of the Cathedral of Seville, Spain
  • Statues of The Gothic Puerta de Campanilla entrance door of the Cathedral of Seville, Spain
  • Statues of The Gothic Puerta de Campanilla entrance door of the Cathedral of Seville, Spain
  • Statues of The Gothic Puerta de Campanilla entrance door of the Cathedral of Seville, Spain
  • Statues of The Gothic Puerta de Campanilla entrance door of the Cathedral of Seville, Spain
  • Statues of The Gothic Puerta de Campanilla entrance door of the Cathedral of Seville, Spain
  • Statues of The Gothic Puerta de Campanilla entrance door of the Cathedral of Seville, Spain
  • Statues of The Gothic Puerta de Campanilla entrance door of the Cathedral of Seville, Spain
  • Statues of The Gothic Puerta de Campanilla entrance door of the Cathedral of Seville, Spain
  • Statues of The Gothic Puerta de Campanilla entrance door of the Cathedral of Seville, Spain
  • Statues of The Gothic Puerta de Campanilla entrance door of the Cathedral of Seville, Spain
  • Statues of The Gothic Puerta de Campanilla entrance door of the Cathedral of Seville, Spain
  • Statues of The Gothic Puerta de Campanilla entrance door of the Cathedral of Seville, Spain
  • Statues of The Gothic Puerta de Campanilla entrance door of the Cathedral of Seville, Spain
  • Statues of The Gothic Puerta de Campanilla entrance door of the Cathedral of Seville, Spain
  • Christ's Entry into Jerusalem by Lope Marin in 1548 on the Gothic Puerta de Campanilla entrance door of the Cathedral of Seville, Spain
  • Christ's Entry into Jerusalem by Lope Marin in 1548 on the Gothic Puerta de Campanilla entrance door of the Cathedral of Seville, Spain
  • Christ's Entry into Jerusalem by Lope Marin in 1548 on the Gothic Puerta de Campanilla entrance door of the Cathedral of Seville, Spain
  • Christ's Entry into Jerusalem by Lope Marin in 1548 on the Gothic Puerta de Campanilla entrance door of the Cathedral of Seville, Spain
  • Christ's Entry into Jerusalem by Lope Marin in 1548 on the Gothic Puerta de Campanilla entrance door of the Cathedral of Seville, Spain
  • Christ's Entry into Jerusalem by Lope Marin in 1548 on the Gothic Puerta de Campanilla entrance door of the Cathedral of Seville, Spain
  • Christ's Entry into Jerusalem by Lope Marin in 1548 on the Gothic Puerta de Campanilla entrance door of the Cathedral of Seville, Spain
  • Christ's Entry into Jerusalem by Lope Marin in 1548 on the Gothic Puerta de Campanilla entrance door of the Cathedral of Seville, Spain
  • Christ's Entry into Jerusalem by Lope Marin in 1548 on the Gothic Puerta de Campanilla entrance door of the Cathedral of Seville, Spain
  • Christ's Entry into Jerusalem by Lope Marin in 1548 on the Gothic Puerta de Campanilla entrance door of the Cathedral of Seville, Spain
  • Christ's Entry into Jerusalem by Lope Marin in 1548 on the Gothic Puerta de Campanilla entrance door of the Cathedral of Seville, Spain
  • 14th century Zellige tile panel from the Reala Alcazar of Seville in the time of Peter I of Castile. Seville Alcazar Museum, Seville.
  • Arabesque Mudjar plasterwork and tiles of the  Alcazar of Seville, Seville, Spain
  • Christ's Entry into Jerusalem by Lope Marin in 1548 on the Gothic Puerta de Campanilla entrance door of the Cathedral of Seville, Spain
  • Arabesque Mudjar plasterwork of the 12th century Patio de las Muñecas (Courtyard of the Dolls), . Alcazar of Seville, Seville, Spain
  • 18th century Spanish tiles from the Gothic Palace of the Alcazar of Seville, Spain
  • 16th century Spanish Mudjar tiles from the Pavillion of Carlos V, Selivve Alcazar, Seville, Spain
  • 16th century Spanish Mudjar tiles from the Pavillion of Carlos V, Selivve Alcazar, Seville, Spain
  • 16th century Spanish Mudjar tiles from the Pavillion of Carlos V, Selivve Alcazar, Seville, Spain
  • 16th century Spanish Mudjar tiles from the Pavillion of Carlos V, Selivve Alcazar, Seville, Spain
  • 16th century Spanish Mudjar tiles from the Pavillion of Carlos V, Selivve Alcazar, Seville, Spain
  • 16th century Spanish Mudjar tiles from the Pavillion of Carlos V, Selivve Alcazar, Seville, Spain
  • 16th century Spanish Mudjar tiles from the Pavillion of Carlos V, Selivve Alcazar, Seville, Spain
  • 16th century Spanish Mudjar tiles from the Pavillion of Carlos V, Selivve Alcazar, Seville, Spain
  • The Baths of Dona Maria de Padill, part of the original Almohad garden that is now below the Alcazar, Alcazar of Seville, Spain.
  • The Baths of Dona Maria de Padill, part of the original Almohad garden that is now below the Alcazar, Alcazar of Seville, Spain.
  • Arabesque Zellighe tiles with Mudjar plasterwork of the Alcazar of Seville, Seville, Spain
  • Arabesque Zellighe tiles with Mudjar plasterwork of the Alcazar of Seville, Seville, Spain

FunkyStock Picture Library Resource

Picture The Past

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FunkyStock Picture Library free resource for professional editorial picture editors, picture researchers, historical scholars and students and enthusiasts who want to browse some of the best pictures and images of historic countries, historical places, archaeological sites and the very best museum antiquities and artefacts exhibits in Europe and the Middle East.

Pictures and Images can be downloaded or bought as stock photos or photo art prints.

COUNTRIES

Browse travel pictures and images of historic places and archaeological sites of countries in Europe and the Middle East.

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HISTORICAL

Explore the past through pictures and images of its historic places. See the great palaces, castles and cities of antiquity as well as the great archaeological sites where our ancestors made history.

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MUSEUMS

Browse pictures & images the treasured artefacts and antiquities exhibits from the great Museum of Europe and the Middle East. See the art and objects made by our ancestors.

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