• Neolithic Marble Female Figurine grave offering of the early Cycladic II period from the Chalandriani, from Syros. 2800-2300BC. Athens Archaeological Museum Ref No 6169.
  • Neolithic Marble Female Figurine grave offering of the early Cycladic II period from the Chalandriani, from Syros. 2800-2300BC. Athens Archaeological Museum Ref No 6169.
  • Neolithic Marble Female Figurine grave offering of the early Cycladic II period from the Chalandriani, from Syros. 2800-2300BC. Athens Archaeological Museum Ref No 6169.
  • Neolithic Marble Female Figurine grave offering of the early Cycladic II period from the Chalandriani, from Syros. 2800-2300BC. Athens Archaeological Museum Ref No 6169.
  • Neolithic Marble Female Figurine grave offering of the early Cycladic II period from the Chalandriani, from Syros. 2800-2300BC. Athens Archaeological Museum Ref No 6169.
  • Gold Death Mask Known from Grave IV, Grave Circle A, Mycenae. 16th Century BC. The mask is made of a thin sheet of beaten gold . 16th century BC. Cat No 253 Athens Archaeological Museum.
  • Gold Death Mask Known from Grave IV, Grave Circle A, Mycenae. 16th Century BC. The mask is made of a thin sheet of beaten gold . 16th century BC. Cat No 253 Athens Archaeological Museum.
  • Gold Death Mask Known from Grave IV, Grave Circle A, Mycenae. 16th Century BC. The mask is made of a thin sheet of beaten gold . 16th century BC. Cat No 253 Athens Archaeological Museum.
  • Gold Death Mask Known from Grave IV, Grave Circle A, Mycenae. 16th Century BC. The mask is made of a thin sheet of beaten gold . 16th century BC. Cat No 253 Athens Archaeological Museum.
  • Gold Death Mask Known from Grave IV, Grave Circle A, Mycenae. 16th Century BC. The mask is made of a thin sheet of beaten gold . 16th century BC. Cat No 253 Athens Archaeological Museum.
  • Gold Death Mask  from Grave Circle A, Mycenae. 16th Century BC. The mask is made of a thin sheet of beaten gold . 16th century BC.  Athens Archaeological Museum.
  • Gold Death Mask  from Grave Circle A, Mycenae. 16th Century BC. The mask is made of a thin sheet of beaten gold . 16th century BC.  Athens Archaeological Museum.
  • Gold Death Mask  from Grave Circle A, Mycenae. 16th Century BC. The mask is made of a thin sheet of beaten gold . 16th century BC.  Athens Archaeological Museum.
  • Gold Death Mask  from Grave Circle A, Mycenae. 16th Century BC. The mask is made of a thin sheet of beaten gold . 16th century BC.  Athens Archaeological Museum.
  • Gold Death Mask  from Grave Circle A, Mycenae. 16th Century BC. The mask is made of a thin sheet of beaten gold . 16th century BC.  Athens Archaeological Museum.
  • Gold Death Mask Known as the "mask of Agamemnon"  from Grave V, Grave Circle A, Mycenae. The mask is made of a thin sheet of beaten gold & shows a man with a beard. 16th century BC. Cat No 624 Athens Archaeological Museum.
  • Gold Death Mask Known as the "mask of Agamemnon"  from Grave V, Grave Circle A, Mycenae. The mask is made of a thin sheet of beaten gold & shows a man with a beard. 16th century BC. Cat No 624 Athens Archaeological Museum.
  • Gold Death Mask Known as the "mask of Agamemnon"  from Grave V, Grave Circle A, Mycenae. The mask is made of a thin sheet of beaten gold & shows a man with a beard. 16th century BC. Cat No 624 Athens Archaeological Museum.
  • Gold Death Mask Known as the "mask of Agamemnon"  from Grave V, Grave Circle A, Mycenae. The mask is made of a thin sheet of beaten gold & shows a man with a beard. 16th century BC. Cat No 624 Athens Archaeological Museum.
  • Gold Death Mask Known as the "mask of Agamemnon"  from Grave V, Grave Circle A, Mycenae. The mask is made of a thin sheet of beaten gold & shows a man with a beard. 16th century BC. Cat No 624 Athens Archaeological Museum.
  • Gold Death Mask  from Grave V, Grave Circle A, Mycenae. The mask is made of a thin sheet of beaten gold and is the only mask from grave circle A with eyes open. 16th century BC. Cat No 259 Athens Archaeological Museum.
  • Gold Death Mask  from Grave V, Grave Circle A, Mycenae. The mask is made of a thin sheet of beaten gold and is the only mask from grave circle A with eyes open. 16th century BC. Cat No 259 Athens Archaeological Museum.
  • Gold Death Mask  from Grave V, Grave Circle A, Mycenae. The mask is made of a thin sheet of beaten gold and is the only mask from grave circle A with eyes open. 16th century BC. Cat No 259 Athens Archaeological Museum.
  • Gold Death Mask  from Grave V, Grave Circle A, Mycenae. The mask is made of a thin sheet of beaten gold and is the only mask from grave circle A with eyes open. 16th century BC. Cat No 259 Athens Archaeological Museum.
  • Gold Death Mask  from Grave V, Grave Circle A, Mycenae. The mask is made of a thin sheet of beaten gold and is the only mask from grave circle A with eyes open. 16th century BC. Cat No 259 Athens Archaeological Museum.
  • Large wine krater known as "House of the Warrior Vase", showing men in full armour ( helmet, cuirass, greaves, shield and spear ) as they depart fro war with a sack of supplies hanging from their spears. A fine example of Mycenaean Pictoral Style. Mycenae acropolis, Greece. 12th century BC, cat no: 1426 ,  National Archaeological Museum, Athens.
  • Large wine krater known as "House of the Warrior Vase", showing men in full armour ( helmet, cuirass, greaves, shield and spear ) as they depart fro war with a sack of supplies hanging from their spears. A fine example of Mycenaean Pictoral Style. Mycenae acropolis, Greece. 12th century BC, cat no: 1426 ,  National Archaeological Museum, Athens.
  • Boar's tusk helmet with cheek guards and double bone hook on top. Tomb 515 Mycenae, Greece. 14th-15th century BC. National Archaeological Museum, Athens.. The Boar's tusk helmet was described in the Iliad as follows "Meriones gave Odysseus a bow, a quiver and a sword, and put a cleverly made leather helmet on his head. On the inside there was a strong lining on interwoven straps, onto which a felt cap had been sewn in. The outside was cleverly adorned all around with rows of white tusks from a shiny-toothed boar, the tusks running in alternate directions in each row.<br />
—Homer, Iliad 10.260–5"
  • Boar's tusk helmet with cheek guards and double bone hook on top. Tomb 515 Mycenae, Greece. 14th-15th century BC. National Archaeological Museum, Athens.. The Boar's tusk helmet was described in the Iliad as follows "Meriones gave Odysseus a bow, a quiver and a sword, and put a cleverly made leather helmet on his head. On the inside there was a strong lining on interwoven straps, onto which a felt cap had been sewn in. The outside was cleverly adorned all around with rows of white tusks from a shiny-toothed boar, the tusks running in alternate directions in each row.<br />
—Homer, Iliad 10.260–5"
  • Boar's tusk helmet with cheek guards and double bone hook on top. Tomb 515 Mycenae, Greece. 14th-15th century BC. National Archaeological Museum, Athens.. The Boar's tusk helmet was described in the Iliad as follows "Meriones gave Odysseus a bow, a quiver and a sword, and put a cleverly made leather helmet on his head. On the inside there was a strong lining on interwoven straps, onto which a felt cap had been sewn in. The outside was cleverly adorned all around with rows of white tusks from a shiny-toothed boar, the tusks running in alternate directions in each row.<br />
—Homer, Iliad 10.260–5"
  • Boar's tusk helmet with cheek guards and double bone hook on top. Tomb 515 Mycenae, Greece. 14th-15th century BC. National Archaeological Museum, Athens.. The Boar's tusk helmet was described in the Iliad as follows "Meriones gave Odysseus a bow, a quiver and a sword, and put a cleverly made leather helmet on his head. On the inside there was a strong lining on interwoven straps, onto which a felt cap had been sewn in. The outside was cleverly adorned all around with rows of white tusks from a shiny-toothed boar, the tusks running in alternate directions in each row.<br />
—Homer, Iliad 10.260–5"
  • Boar's tusk helmet with cheek guards and double bone hook on top. Tomb 515 Mycenae, Greece. 14th-15th century BC. National Archaeological Museum, Athens.. The Boar's tusk helmet was described in the Iliad as follows "Meriones gave Odysseus a bow, a quiver and a sword, and put a cleverly made leather helmet on his head. On the inside there was a strong lining on interwoven straps, onto which a felt cap had been sewn in. The outside was cleverly adorned all around with rows of white tusks from a shiny-toothed boar, the tusks running in alternate directions in each row.<br />
—Homer, Iliad 10.260–5"
  • Three handled Mycenaean  Palace Style amphora with large palm trees symmetrically placed on the sides and smaller palm trees with floral motifs in between. This Mycenaean  vase is distinguished by the high quality of clay and paint, and by the naturalistic rendering of the decoration. From the Mycenaean cemetery at Argive Deiras, Greece. 15th Century BC. Cat No 6725 Athens Archaeological Museum.
  • Three handled Mycenaean  Palace Style amphora with large palm trees symmetrically placed on the sides and smaller palm trees with floral motifs in between. This Mycenaean  vase is distinguished by the high quality of clay and paint, and by the naturalistic rendering of the decoration. From the Mycenaean cemetery at Argive Deiras, Greece. 15th Century BC. Cat No 6725 Athens Archaeological Museum.
  • Three handled Mycenaean  Palace Style amphora with large palm trees symmetrically placed on the sides and smaller palm trees with floral motifs in between. This Mycenaean  vase is distinguished by the high quality of clay and paint, and by the naturalistic rendering of the decoration. From the Mycenaean cemetery at Argive Deiras, Greece. 15th Century BC. Cat No 6725 Athens Archaeological Museum.
  • Three handled Mycenaean  Palace Style amphora with large palm trees symmetrically placed on the sides and smaller palm trees with floral motifs in between. This Mycenaean  vase is distinguished by the high quality of clay and paint, and by the naturalistic rendering of the decoration. From the Mycenaean cemetery at Argive Deiras, Greece. 15th Century BC. Cat No 6725 Athens Archaeological Museum.
  • Three handled Mycenaean  Palace Style amphora with large palm trees symmetrically placed on the sides and smaller palm trees with floral motifs in between. This Mycenaean  vase is distinguished by the high quality of clay and paint, and by the naturalistic rendering of the decoration. From the Mycenaean cemetery at Argive Deiras, Greece. 15th Century BC. Cat No 6725 Athens Archaeological Museum.
  • Photo of a Three handles "Palace Style" amphora with three large octopuses within a marines cape of rocks and seaweed. A mycenaean copy of a Minoan Marine Style.   Mycenae tomb 2, Greece. 15th century BC,  cat no: 6725, National Archaeological Museum, Athens.
  • Photo of a Three handles "Palace Style" amphora with three large octopuses within a marines cape of rocks and seaweed. A mycenaean copy of a Minoan Marine Style.   Mycenae tomb 2, Greece. 15th century BC,  cat no: 6725, National Archaeological Museum, Athens.
  • Photo of a Three handles "Palace Style" amphora with three large octopuses within a marines cape of rocks and seaweed. A mycenaean copy of a Minoan Marine Style.   Mycenae tomb 2, Greece. 15th century BC,  cat no: 6725, National Archaeological Museum, Athens.
  • Photo of a Three handles "Palace Style" amphora with three large octopuses within a marines cape of rocks and seaweed. A mycenaean copy of a Minoan Marine Style.   Mycenae tomb 2, Greece. 15th century BC,  cat no: 6725, National Archaeological Museum, Athens.
  • Photo of a Three handles "Palace Style" amphora with three large octopuses within a marines cape of rocks and seaweed. A mycenaean copy of a Minoan Marine Style.   Mycenae tomb 2, Greece. 15th century BC,  cat no: 6725, National Archaeological Museum, Athens.
  • Three handled Mycenaean  Palace Style amphora with three large octopuses within a marinescape of rocks and seaweed. A Mycenaean imitation of Minoan Marine Style. From the Mycenaean cemetery of Argive Prosymna, tomb 2, Greece. 15th Century BC. Cat No 6725 Athens Archaeological Museum.
  • Three handled Mycenaean  Palace Style amphora with three large octopuses within a marinescape of rocks and seaweed. A Mycenaean imitation of Minoan Marine Style. From the Mycenaean cemetery of Argive Prosymna, tomb 2, Greece. 15th Century BC. Cat No 6725 Athens Archaeological Museum.
  • Three handled Mycenaean  Palace Style amphora with three large octopuses within a marinescape of rocks and seaweed. A Mycenaean imitation of Minoan Marine Style. From the Mycenaean cemetery of Argive Prosymna, tomb 2, Greece. 15th Century BC. Cat No 6725 Athens Archaeological Museum.
  • Three handled Mycenaean  Palace Style amphora with three large octopuses within a marinescape of rocks and seaweed. A Mycenaean imitation of Minoan Marine Style. From the Mycenaean cemetery of Argive Prosymna, tomb 2, Greece. 15th Century BC. Cat No 6725 Athens Archaeological Museum.
  • Three handled Mycenaean  Palace Style amphora with three large octopuses within a marinescape of rocks and seaweed. A Mycenaean imitation of Minoan Marine Style. From the Mycenaean cemetery of Argive Prosymna, tomb 2, Greece. 15th Century BC. Cat No 6725 Athens Archaeological Museum.
  • Ancient Egyptian voitive stele of Takasu for the Gods Harmakhis and Atun from Thebes. Ancient Egypt 25/26 Dynaty, 630 BC. Neues Museum Berlin Cat No: AM 935.
  • Ancient Egyptian voitive stele of Takasu for the Gods Harmakhis and Atun from Thebes. Ancient Egypt 25/26 Dynaty, 630 BC. Neues Museum Berlin Cat No: AM 935.
  • Ancient Egyptian voitive stele of Takasu for the Gods Harmakhis and Atun from Thebes. Ancient Egypt 25/26 Dynaty, 630 BC. Neues Museum Berlin Cat No: AM 935.
  • Ancient Egyptian voitive stele of Takasu for the Gods Harmakhis and Atun from Thebes. Ancient Egypt 25/26 Dynaty, 630 BC. Neues Museum Berlin Cat No: AM 935.
  • Ancient Egyptian voitive stele of Takasu for the Gods Harmakhis and Atun from Thebes. Ancient Egypt 25/26 Dynaty, 630 BC. Neues Museum Berlin Cat No: AM 935.
  • Ancient Egyptian statue from Thebes, 500 BC, Neues Museum Berlin
  • Ancient Egyptian statue from Thebes, 500 BC, Neues Museum Berlin
  • Ancient Egyptian statue from Thebes, 500 BC, Neues Museum Berlin
  • Ancient Egyptian statue from Thebes, 500 BC, Neues Museum Berlin
  • Ancient Egyptian statue from Thebes, 500 BC, Neues Museum Berlin
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict mythical animals that have magical properties. Pergamon Museum, Berlin
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict mythical animals that have magical properties. Pergamon Museum, Berlin
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict mythical animals that have magical properties. Pergamon Museum, Berlin
  • Ancient Egyptian mummy mask of Pasyg. 1st century BC. Neues Museum Berlin AM 34436.
  • Ancient Egyptian mummy mask of Pasyg. 1st century BC. Neues Museum Berlin AM 34436.
  • Ancient Egyptian mummy mask of Pasyg. 1st century BC. Neues Museum Berlin AM 34436.
  • Ancient Egyptian mummy mask of Pasyg. 1st century BC. Neues Museum Berlin VAGM 1989/111.
  • Ancient Egyptian mummy mask of Pasyg. 1st century BC. Neues Museum Berlin VAGM 1989/111.
  • Ancient Egyptian mummy mask of Pasyg. 1st century BC. Neues Museum Berlin VAGM 1989/111.
  • Ancient Egyptian mummy mask of Pasyg. 1st century BC. Neues Museum Berlin VAGM 1989/111.
  • Early Roman mummy mask of a women from  Egypt 1st century BC . Neues Museum Berlin Cat No: AM 34434.
  • Early Roman mummy mask of a women from  Egypt 1st century BC . Neues Museum Berlin Cat No: AM 34434.
  • Early Roman mummy mask of a women from  Egypt 1st century BC . Neues Museum Berlin Cat No: AM 34434.
  • Early Roman mummy mask of a women from  Egypt 1st century BC . Neues Museum Berlin Cat No: AM 34434.
  • Ancient Egyptian mummy mask of Pasyg. 1st century BC. Neues Museum Berlin AM 34436.
  • Ancient Egyptian mummy mask of Pasyg. 1st century BC. Neues Museum Berlin AM 34436.
  • Ancient Egyptian mummy mask of Pasyg. 1st century BC. Neues Museum Berlin VAGM 1989/111.
  • Early Roman mummy mask of a women from  Egypt 1st century BC . Neues Museum Berlin Cat No: AM 34434.
  • Ushabti. Ptolemaic Dynasty  Egyptian textile & gold mummy mask depicting various gods, 306-30 BC. Neues Reiche Museum, Berlin. Cat No AM813
  • Ushabti. Ptolemaic Dynasty  Egyptian textile & gold mummy mask depicting various gods, 306-30 BC. Neues Reiche Museum, Berlin. Cat No AM813
  • Ushabti. Ptolemaic Dynasty  Egyptian textile & gold mummy mask depicting various gods, 306-30 BC. Neues Reiche Museum, Berlin. Cat No AM813
  • Ushabti. Ptolemaic Dynasty  Egyptian textile & gold mummy mask depicting various gods, 306-30 BC. Neues Reiche Museum, Berlin. Cat No AM813
  • Ushabti. Ptolemaic Dynasty  Egyptian textile & gold mummy mask depicting various gods, 306-30 BC. Neues Reiche Museum, Berlin. Cat No AM813
  • Kouros Statues of the Archaic Period. Early 6th c. B.C. (circa 580 B.C.)  Known as Kleovis and Biton, the two boys who heroically pulled their mother on her chariot to the sanctuary where she was to worship. They pulled the chariot for a distance of about 8km. They died the same night peacefully in their sleep according to Herodotus. Delphi Archaeological Museum.
  • Kouros Statues of the Archaic Period. Early 6th c. B.C. (circa 580 B.C.)  Known as Kleovis and Biton, the two boys who heroically pulled their mother on her chariot to the sanctuary where she was to worship. They pulled the chariot for a distance of about 8km. They died the same night peacefully in their sleep according to Herodotus. Delphi Archaeological Museum.
  • Kouros Statues of the Archaic Period. Early 6th c. B.C. (circa 580 B.C.)  Known as Kleovis and Biton, the two boys who heroically pulled their mother on her chariot to the sanctuary where she was to worship. They pulled the chariot for a distance of about 8km. They died the same night peacefully in their sleep according to Herodotus. Delphi Archaeological Museum.
  • "Charioteer of Delphi" 470 BC. The "Charioteer of Delphi" is one of the best known ancient Greek statues, and one of the best preserved examples of classical bronze casts. It is considered a fine example of the "Severe" style. Delphi Archaeological Museum.
  • "Charioteer of Delphi" 470 BC. The "Charioteer of Delphi" is one of the best known ancient Greek statues, and one of the best preserved examples of classical bronze casts. It is considered a fine example of the "Severe" style. Delphi Archaeological Museum.
  • "Charioteer of Delphi" 470 BC. The "Charioteer of Delphi" is one of the best known ancient Greek statues, and one of the best preserved examples of classical bronze casts. It is considered a fine example of the "Severe" style. Delphi Archaeological Museum.
  • "Charioteer of Delphi" 470 BC. The "Charioteer of Delphi" is one of the best known ancient Greek statues, and one of the best preserved examples of classical bronze casts. It is considered a fine example of the "Severe" style. Delphi Archaeological Museum.
  • "Charioteer of Delphi" 470 BC. The "Charioteer of Delphi" is one of the best known ancient Greek statues, and one of the best preserved examples of classical bronze casts. It is considered a fine example of the "Severe" style. Delphi Archaeological Museum.
  • "Charioteer of Delphi" 470 BC. The "Charioteer of Delphi" is one of the best known ancient Greek statues, and one of the best preserved examples of classical bronze casts. It is considered a fine example of the "Severe" style. Delphi Archaeological Museum.
  • "Charioteer of Delphi" 470 BC. The "Charioteer of Delphi" is one of the best known ancient Greek statues, and one of the best preserved examples of classical bronze casts. It is considered a fine example of the "Severe" style. Delphi Archaeological Museum.
  • "Charioteer of Delphi" 470 BC. The "Charioteer of Delphi" is one of the best known ancient Greek statues, and one of the best preserved examples of classical bronze casts. It is considered a fine example of the "Severe" style. Delphi Archaeological Museum.
  • "Charioteer of Delphi" 470 BC. The "Charioteer of Delphi" is one of the best known ancient Greek statues, and one of the best preserved examples of classical bronze casts. It is considered a fine example of the "Severe" style. Delphi Archaeological Museum.
  • "Charioteer of Delphi" 470 BC. The "Charioteer of Delphi" is one of the best known ancient Greek statues, and one of the best preserved examples of classical bronze casts. It is considered a fine example of the "Severe" style. Delphi Archaeological Museum.
  • Large Sphinx of Naxos sitting on an Ionic column circa 560 B.C. Delphi Archaeological Museum.
  • Large Sphinx of Naxos sitting on an Ionic column circa 560 B.C. Delphi Archaeological Museum.
  • Large Sphinx of Naxos sitting on an Ionic column circa 560 B.C. Delphi Archaeological Museum.
  • Large Sphinx of Naxos sitting on an Ionic column circa 560 B.C. Delphi Archaeological Museum.
  • Large Sphinx of Naxos sitting on an Ionic column circa 560 B.C. Delphi Archaeological Museum.
  • Large Sphinx of Naxos sitting on an Ionic column circa 560 B.C. Delphi Archaeological Museum.
  • Greek Classical Period Bronze Statue of Zeus or Poseidon found in the sea of Cape Artemision of the north Eastern Euboea Island, Greece.  The God is shown in a great stride about to throw either a trident of a thunderbolt that is now missing from his right hand. The statue is one of the only preserved statues of the preserved style with exquisite rendering of motion & anatomy. The identity of the statue is controversial and is probably more likely to be Zeus rather than Poseidon. 460 BC Ref No X15161 Athens Archaeological Museum
  • Greek Classical Period Bronze Statue of Zeus or Poseidon found in the sea of Cape Artemision of the north Eastern Euboea Island, Greece.  The God is shown in a great stride about to throw either a trident of a thunderbolt that is now missing from his right hand. The statue is one of the only preserved statues of the preserved style with exquisite rendering of motion & anatomy. The identity of the statue is controversial and is probably more likely to be Zeus rather than Poseidon. 460 BC Ref No X15161 Athens Archaeological Museum
  • Greek Classical Period Bronze Statue of Zeus or Poseidon found in the sea of Cape Artemision of the north Eastern Euboea Island, Greece.  The God is shown in a great stride about to throw either a trident of a thunderbolt that is now missing from his right hand. The statue is one of the only preserved statues of the preserved style with exquisite rendering of motion & anatomy. The identity of the statue is controversial and is probably more likely to be Zeus rather than Poseidon. 460 BC Ref No X15161 Athens Archaeological Museum
  • Greek Classical Period Bronze Statue of Zeus or Poseidon found in the sea of Cape Artemision of the north Eastern Euboea Island, Greece.  The God is shown in a great stride about to throw either a trident of a thunderbolt that is now missing from his right hand. The statue is one of the only preserved statues of the preserved style with exquisite rendering of motion & anatomy. The identity of the statue is controversial and is probably more likely to be Zeus rather than Poseidon. 460 BC Ref No X15161 Athens Archaeological Museum
  • Greek Classical Period Bronze Statue of Zeus or Poseidon found in the sea of Cape Artemision of the north Eastern Euboea Island, Greece.  The God is shown in a great stride about to throw either a trident of a thunderbolt that is now missing from his right hand. The statue is one of the only preserved statues of the preserved style with exquisite rendering of motion & anatomy. The identity of the statue is controversial and is probably more likely to be Zeus rather than Poseidon. 460 BC Ref No X15161 Athens Archaeological Museum
  • Kouros Statues of the Archaic Period. Early 6th c. B.C. (circa 580 B.C.)  Known as Kleovis and Biton, the two boys who heroically pulled their mother on her chariot to the sanctuary where she was to worship. They pulled the chariot for a distance of about 8km. They died the same night peacefully in their sleep according to Herodotus. Delphi Archaeological Museum.
  • Kouros Statues of the Archaic Period. Early 6th c. B.C. (circa 580 B.C.)  Known as Kleovis and Biton, the two boys who heroically pulled their mother on her chariot to the sanctuary where she was to worship. They pulled the chariot for a distance of about 8km. They died the same night peacefully in their sleep according to Herodotus. Delphi Archaeological Museum.
  • Large Sphinx of Naxos sitting on an Ionic column circa 560 B.C. Delphi Archaeological Museum.
  • Large Sphinx of Naxos sitting on an Ionic column circa 560 B.C. Delphi Archaeological Museum.
  • Large Sphinx of Naxos sitting on an Ionic column circa 560 B.C. Delphi Archaeological Museum.
  • Large Sphinx of Naxos sitting on an Ionic column circa 560 B.C. Delphi Archaeological Museum.
  • Large Sphinx of Naxos sitting on an Ionic column circa 560 B.C. Delphi Archaeological Museum.
  • Large Sphinx of Naxos sitting on an Ionic column circa 560 B.C. Delphi Archaeological Museum.
  • Large Sphinx of Naxos sitting on an Ionic column circa 560 B.C. Delphi Archaeological Museum.
  • Large Sphinx of Naxos sitting on an Ionic column circa 560 B.C. Delphi Archaeological Museum.
  • Large Sphinx of Naxos sitting on an Ionic column circa 560 B.C. Delphi Archaeological Museum.
  • Large Sphinx of Naxos sitting on an Ionic column circa 560 B.C. Delphi Archaeological Museum.
  • Large Sphinx of Naxos sitting on an Ionic column circa 560 B.C. Delphi Archaeological Museum.
  • Large Sphinx of Naxos sitting on an Ionic column circa 560 B.C. Delphi Archaeological Museum.
  • Large Sphinx of Naxos sitting on an Ionic column circa 560 B.C. Delphi Archaeological Museum.
  • Large Sphinx of Naxos sitting on an Ionic column circa 560 B.C. Delphi Archaeological Museum.
  • Phrygian terracotta decorated architectural wall plaque. 8th-7th century BC . Çorum Archaeological Museum, Corum, Turkey
  • Phrygian terracotta decorated architectural wall plaque. 8th-7th century BC . Çorum Archaeological Museum, Corum, Turkey
  • Phrygian terracotta decorated architectural wall plaque. 8th-7th century BC . Çorum Archaeological Museum, Corum, Turkey
  • Phrygian terracotta decorated architectural wall plaque. 8th-7th century BC . Çorum Archaeological Museum, Corum, Turkey
  • Phrygian terracotta decorated architectural wall plaque. 8th-7th century BC . Çorum Archaeological Museum, Corum, Turkey
  • Picture & image of a Hittite Monument with Heiroglyphics  from Sultanhani near Kayseri, Turkey. Ereceted by the town ruler Wassume to the God Tarhui to ask for a good harvest from the vineyards & Orchards. At the end is a warning of damnation for anyone who damages the monument. Museum of Anatolian Civilisations, Ankara.
  • Picture & image of a Hittite Monument with Heiroglyphics  from Sultanhani near Kayseri, Turkey. Ereceted by the town ruler Wassume to the God Tarhui to ask for a good harvest from the vineyards & Orchards. At the end is a warning of damnation for anyone who damages the monument. Museum of Anatolian Civilisations, Ankara.
  • Picture & image of a Hittite Monument with Heiroglyphics  from Sultanhani near Kayseri, Turkey. Ereceted by the town ruler Wassume to the God Tarhui to ask for a good harvest from the vineyards & Orchards. At the end is a warning of damnation for anyone who damages the monument. Museum of Anatolian Civilisations, Ankara.
  • Picture & image of a Neo-Hittite orthostat with a releif sculpture a libation for the gods from Aslantepe ,  Malatya, Turkey. Museum of Anatolian Civilisations, Ankara. The figure on the far left is beleived to be a king. He is facing a Bearded God wearing a bore tusk helmet. The God is holding a 3 pronged object and has a club resting on his shoulder. The 2 shaven characters on the right are mirror images of the two figures on the right except this time the king is on the far right waering a winged sun disc headress and holding a Lituus. The epigraphs identify the king and the cresent on the beared gods helmet identify him as Pugnus Mili The Sum and Moon God. 2
  • Picture & image of a Hittite Sculpture of a Lion Fron the Gate To Aslantepe, Malatya Province Turkey. Museum of Anatolian Civilisations, Ankara.
  • Picture & image of a Neo-Hittite orthostat with a releif sculpture of A Winged God from Aslantepe ,  Malatya, Turkey. Museum of Anatolian Civilisations, Ankara.  The God holds a branch of fruit in his left hand and a single fruit in the right hand. 5
  • Picture & image of a Neo-Hittite orthostat showing a releif sculpture  of the Goddess Kubaba from Karkamis,, Turkey. Museum of Anatolian Civilisations, Ankara. In her right hand she is holding a pomegranate
  • Picture & image of a Neo-Hittite orthostat showing a releif sculpture  of the Goddess Kubaba from Karkamis,, Turkey. Museum of Anatolian Civilisations, Ankara.  In her right hand she is holding a pomegranate
  • Picture & image of a Neo-Hittite orthostat showing a releif sculpture  of the Goddess Kubaba from Karkamis,, Turkey. Museum of Anatolian Civilisations, Ankara. 3 In her right hand she is holding a pomegranate
  • Picture & image of a Neo-Hittite orthostat with a releif sculpture of Bull Men from The legend of Gilgamesh , Karkamis, Turkey. Museum of Anatolian Civilisations, Ankara.
  • Picture & image of a Neo-Hittite orthostat with a releif sculpture of Bull Men from The legend of Gilgamesh , Karkamis, Turkey. Museum of Anatolian Civilisations, Ankara.
  • Picture & image of a Neo-Hittite orthostat with a releif sculpture of Bull Men from The legend of Gilgamesh , Karkamis, Turkey. Museum of Anatolian Civilisations, Ankara.
  • Picture & image of a Neo-Hittite orthostat with a releif sculpture of Bull Men from The legend of Gilgamesh , Karkamis, Turkey. Ancora Archaeological Museum. 3
  • Picture & image of a Neo-Hittite orthostat with a chariot Releif sculpture from Karkamis,, Turkey. Museum of Anatolian Civilisations, Ankara. The Cahiot is pulled by horses with plumed headresses. One man os about to shoot an arrow from his bow, the other man is driving the cahriot. Below the horse is a man dying. 1
  • Picture & image of a Neo-Hittite orthostat showing a Conjurer & acrobats from Alacahöyük, Alaca Çorum Province, Turkey. Ancora Archaeological Museum.  The conjurer on the left has long hair and is swallowing a dagger whilst the acrobats go up the stairs without holding on. All the figures are wearing horned headress and large looped earings. The acrobats are thought to be foreigners which is why they are smaller than the conjurer. Old Bronze age Chalcolithic Period. 2
  • Picture & image of a Neo-Hittite orthostat showing Sacrificial animals being led from Alacahöyük, Alaca Çorum Province, Turkey. Museum of Anatolian Civilisations, Ankara.  Old Bronze age Chalcolithic Period. 4
  • Picture & image of a Neo-Hittite orthostat showing Sacrificial animals being led from Alacahöyük, Alaca Çorum Province, Turkey. Museum of Anatolian Civilisations, Ankara. Old Bronze age Chalcolithic Period. 3
  • Picture & image of an Imperial Hittite orthostat dshowing a King & Queen before an altar from Alacahöyük,  Alaca Çorum Province,, Turkey. Museum of Anatolian Civilisations, Ankara. Old Bronze age Chalcolithic Period. 5
  • Picture & image of a Neo-Hittite orthostat showing goddess Kubaba  from  the legend of Gilgamesh from Karkamis,, Turkey. Museum of Anatolian Civilisations, Ankara.
  • Picture & image of a Neo-Hittite orthostat showing goddess Kubaba  from  the legend of Gilgamesh from Karkamis,, Turkey. Museum of Anatolian Civilisations, Ankara.
  • Picture & image of a Neo-Hittite orthostat showing goddess Kubaba  from  the legend of Gilgamesh from Karkamis,, Turkey. Museum of Anatolian Civilisations, Ankara.
  • Picture & image of a Neo-Hittite orthostat of 3 warriors from the legend of Gilgamesh from Karkamis,, Turkey. Museum of Anatolian Civilisations, Ankara. The warrior on the far left holds a spear in one hand and the branch of a tree in the other. The middle warrior has a clenched fist an carries an impliment over his shoulder. The warrior on the far right carries a saff. All 3 are wearing swords. 5
  • Picture & image of a Neo-Hittite orthostat of 3 warriors from the legend of Gilgamesh from Karkamis,, Turkey. Museum of Anatolian Civilisations, Ankara. The warrior on the far left holds a spear in one hand and the branch of a tree in the other. The middle warrior has a clenched fist an carries an impliment over his shoulder. The warrior on the far right carries a saff. All 3 are wearing swords.  4
  • Picture & image of a Neo-Hittite orthostat of 3 warriors from the legend of Gilgamesh from Karkamis,, Turkey. Museum of Anatolian Civilisations, Ankara. The warrior on the far left holds a spear in one hand and the branch of a tree in the other. The middle warrior has a clenched fist an carries an impliment over his shoulder. The warrior on the far right carries a saff. All 3 are wearing swords.  3
  • Image of Neo-Hittite orthostat with releif sculpture of 3 soldiers from the legend of Gilgamesh from Karkamis,, Turkey. Museum of Anatolian Civilisations, Ankara.
  • Picture & image of a Neo-Hittite orthostat describing the legend of Gilgamesh from Karkamis,, Turkey. Museum of Anatolian Civilisations, Ankara.
  • Picture & image of a Neo-Hittite orthostat describing the legend of Gilgamesh from Karkamis,, Turkey. Museum of Anatolian Civilisations, Ankara.
  • Picture & image of a Neo-Hittite orthostat describing the legend of Gilgamesh from Karkamis,, Turkey. Museum of Anatolian Civilisations, Ankara. A three headed Sphinx which is a winged lion with a human heas and a bird of prey's head on the end of its tail 5
  • Picture & image of a Neo-Hittite orthostat describing the legend of Gilgamesh from Karkamis,, Turkey. Museum of Anatolian Civilisations, Ankara. A three headed Sphinx which is a winged lion with a human heas and a bird of prey's head on the end of its tail 4
  • Picture & Image of  Neo-Hittite orthostat describing the legend of Gilgamesh from Karkamis,, Turkey. Museum of Anatolian Civilisations, Ankara. To the left a bearded deity with a horned helmet is holding a lions back leg and is about to strike it with an axe. To the right a man is stabbing the lion with a dagger. 4
  • Picture & Image of  Neo-Hittite orthostat describing the legend of Gilgamesh from Karkamis,, Turkey. Museum of Anatolian Civilisations, Ankara. To the left a bearded deity with a horned helmet is holding a lions back leg and is about to strike it with an axe. To the right a man is stabbing the lion with a dagger. 5
  • Picture & Image of  Neo-Hittite orthostat describing the legend of Gilgamesh from Karkamis,, Turkey. Museum of Anatolian Civilisations, Ankara. To the left a bearded deity with a horned helmet is holding a lions back leg and is about to strike it with an axe. To the right a man is stabbing the lion with a dagger. 3
  • Picture & image of a Hittite Monument with Heiroglyphics  from Sultanhani near Kayseri, Turkey. Ereceted by the town ruler Wassume to the God Tarhui to ask for a good harvest from the vineyards & Orchards. At the end is a warning of damnation for anyone who damages the monument. Museum of Anatolian Civilisations, Ankara.
  • Picture & image of a Hittite Monument with Heiroglyphics  from Sultanhani near Kayseri, Turkey. Ereceted by the town ruler Wassume to the God Tarhui to ask for a good harvest from the vineyards & Orchards. At the end is a warning of damnation for anyone who damages the monument. Museum of Anatolian Civilisations, Ankara.
  • Picture & image of a Hittite Monument with Heiroglyphics  from Sultanhani near Kayseri, Turkey. Ereceted by the town ruler Wassume to the God Tarhui to ask for a good harvest from the vineyards & Orchards. At the end is a warning of damnation for anyone who damages the monument. Museum of Anatolian Civilisations, Ankara.
  • Picture & image of a Hittite Monument with Heiroglyphics  from Sultanhani near Kayseri, Turkey. Ereceted by the town ruler Wassume to the God Tarhui to ask for a good harvest from the vineyards & Orchards. At the end is a warning of damnation for anyone who damages the monument. Museum of Anatolian Civilisations, Ankara.
  • Picture & image of a Hittite Monument with Heiroglyphics  from Sultanhani near Kayseri, Turkey. Ereceted by the town ruler Wassume to the God Tarhui to ask for a good harvest from the vineyards & Orchards. At the end is a warning of damnation for anyone who damages the monument. Ancora Archaeological Museum.  3
  • Picture & image of a Hittite Monument with Heiroglyphics  from Sultanhani near Kayseri, Turkey. Ereceted by the town ruler Wassume to the God Tarhui to ask for a good harvest from the vineyards & Orchards. At the end is a warning of damnation for anyone who damages the monument. Museum of Anatolian Civilisations, Ankara.
  • Picture & image of a Neo-Hittite orthostat with a releif sculpture of A Winged God from Aslantepe ,  Malatya, Turkey. Museum of Anatolian Civilisations, Ankara.  The God holds a branch of fruit in his left hand and a single fruit in the right hand. The First beared god is holding out a 3 pronged object to the king and has a boomerang in his other hand. Behind him is a 2 winged Godess with a  bare leg showing from her tunic. She is carrying a double headed axe. Behind her is another dearded God with a bore tusk helmet holding a spear. On the far right is another Godess, bare headed holding a double headed axe. On the far right is an attendant holding a bull. Above him the epographs indicate the name of the King & Gods. 2
  • Picture & image of a Neo-Hittite orthostat with a releif sculpture of Lion Men  from Aslantepe ,  Malatya, Turkey. Museum of Anatolian Civilisations, Ankara.
  • Picture & image of a Neo-Hittite orthostat showing a releif sculpture  of the Goddess Kubaba from Karkamis,, Turkey. Ancora Archaeological Museum. 8 In her right hand she is holding a pomegranate
  • Picture & image of a Neo-Hittite orthostat showing a releif sculpture  of the Goddess Kubaba from Karkamis,, Turkey. Museum of Anatolian Civilisations, Ankara. In her right hand she is holding a pomegranate
  • Picture & image of a Neo-Hittite orthostat showing a releif sculpture  of the Goddess Kubaba from Karkamis,, Turkey. Museum of Anatolian Civilisations, Ankara. 5 In her right hand she is holding a pomegranate
  • Picture & image of a Neo-Hittite orthostat showing a releif sculpture  of the Goddess Kubaba from Karkamis,, Turkey. Museum of Anatolian Civilisations, Ankara. 4 In her right hand she is holding a pomegranate
  • Picture & image of a Neo-Hittite orthostat showing a releif sculpture  of the Goddess Kubaba from Karkamis,, Turkey. Museum of Anatolian Civilisations, Ankara. 2 In her right hand she is holding a pomegranate
  • Picture & image of a Neo-Hittite orthostat describing the legend of Gilgamesh from Karkamis,, Turkey. Museum of Anatolian Civilisations, Ankara.
  • Picture & image of a Neo-Hittite orthostat with a chariot Releif sculpture from Karkamis,, Turkey. Museum of Anatolian Civilisations, Ankara. The Chariot is pulled by horses with plumed headresses. One man os about to shoot an arrow from his bow, the other man is driving the cahriot. Below the horse is a man dying. 5
  • Picture & image of a Neo-Hittite orthostat with a chariot Releif sculpture from Karkamis,, Turkey.Museum of Anatolian Civilisations, Ankara. The Cahiot is pulled by horses with plumed headresses. One man os about to shoot an arrow from his bow, the other man is driving the cahriot. Below the horse is a man dying. 4
  • Picture & image of a Neo-Hittite orthostat with a chariot Releif sculpture from Karkamis,, Turkey. Museum of Anatolian Civilisations, Ankara. The Cahiot is pulled by horses with plumed headresses. One man os about to shoot an arrow from his bow, the other man is driving the cahriot. Below the horse is a man dying. 2
  • Picture & image of a Neo-Hittite orthostat with a chariot Releif sculpture from Karkamis,, Turkey. Museum of Anatolian Civilisations, Ankara. The Cahiot is pulled by horses with plumed headresses. One man os about to shoot an arrow from his bow, the other man is driving the cahriot. Below the horse is a animal cowering. 6
  • Picture & image of a Neo-Hittite orthostat with a chariot Releif sculpture from Karkamis,, Turkey. Museum of Anatolian Civilisations, Ankara. The Cahiot is pulled by horses with plumed headresses. One man os about to shoot an arrow from his bow, the other man is driving the cahriot. Below the horse is a animal cowering. 4
  • Picture & image of a Neo-Hittite orthostat with a chariot Releif sculpture from Karkamis,, Turkey. Ancora Archaeological Museum. The Cahiot is pulled by horses with plumed headresses. One man os about to shoot an arrow from his bow, the other man is driving the cahriot. Below the horse is a animal cowering. 3
  • Picture & image of a Neo-Hittite orthostat with a chariot Releif sculpture from Karkamis,, Turkey.Museum of Anatolian Civilisations, Ankara. The Cahiot is pulled by horses with plumed headresses. One man os about to shoot an arrow from his bow, the other man is driving the cahriot. Below the horse is a animal cowering. 2
  • Picture & image of a Neo-Hittite orthostat with a chariot Releif sculpture from Karkamis,, Turkey. Museum of Anatolian Civilisations, Ankara. The Cahiot is pulled by horses with plumed headresses. One man os about to shoot an arrow from his bow, the other man is driving the cahriot. Below the horse is a animal cowering.
  • Picture & image of a Neo-Hittite orthostat showing a Deer from Alacahöyük, Alaca Çorum Province, Turkey. Museum of Anatolian Civilisations, Ankara.  Old Bronze age Chalcolithic Period.
  • Picture & image of a Neo-Hittite orthostat showing a Conjurer & acrobats from Alacahöyük, Alaca Çorum Province, Turkey. Museum of Anatolian Civilisations, Ankara.  The conjurer on the left has long hair and is swallowing a dagger whilst the acrobats go up the stairs without holding on. All the figures are wearing horned headress and large looped earings. The acrobats are thought to be foreigners which is why they are smaller than the conjurer. Old Bronze age Chalcolithic Period.
  • Picture & image of a Neo-Hittite orthostat showing a Conjurer & acrobats from Alacahöyük, Alaca Çorum Province, Turkey. Museum of Anatolian Civilisations, Ankara.  The conjurer on the left has long hair and is swallowing a dagger whilst the acrobats go up the stairs without holding on. All the figures are wearing horned headress and large looped earings. The acrobats are thought to be foreigners which is why they are smaller than the conjurer. Old Bronze age Chalcolithic Period. 3
  • Picture & image of a Neo-Hittite orthostat showing a Conjurer & acrobats from Alacahöyük, Alaca Çorum Province, Turkey. Museum of Anatolian Civilisations, Ankara.  The conjurer on the left has long hair and is swallowing a dagger whilst the acrobats go up the stairs without holding on. All the figures are wearing horned headress and large looped earings. The acrobats are thought to be foreigners which is why they are smaller than the conjurer. Old Bronze age Chalcolithic Period.
  • Picture & image of a Neo-Hittite orthostat showing Sacrificial animals being led from Alacahöyük, Alaca Çorum Province, Turkey. Museum of Anatolian Civilisations, Ankara. Old Bronze age Chalcolithic Period. 2
  • Picture & image of a Neo-Hittite orthostat showing Sacrificial animals being led from Alacahöyük, Alaca Çorum Province, Turkey. Museum of Anatolian Civilisations, Ankara. Old Bronze age Chalcolithic Period.
  • Picture & image of an Imperial Hittite orthostat dshowing a King & Queen before an altar from Alacahöyük, Alaca Çorum Province,, Turkey. Museum of Anatolian Civilisations, Ankara. Old Bronze age Chalcolithic Period. 4
  • Picture & image of an Imperial Hittite orthostat dshowing a King & Queen before an altar from  Alacahöyük, Alaca Çorum Province,, Turkey. Museum of Anatolian Civilisations, Ankara. Old Bronze age Chalcolithic Period. 3
  • Picture & image of an Imperial Hittite orthostat dshowing a King & Queen before an altar from Alacahöyük , Alaca Çorum Province,, Turkey. Museum of Anatolian Civilisations, Ankara. Old Bronze age Chalcolithic Period. 2
  • Picture & image of a Neo-Hittite orthostat showing goddess Kubaba  from  the legend of Gilgamesh from Karkamis,, Turkey. Museum of Anatolian Civilisations, Ankara.
  • Picture & image of a Neo-Hittite orthostat of 3 warriors from the legend of Gilgamesh from Karkamis,, Turkey. Museum of Anatolian Civilisations, Ankara. The warrior on the far left holds a spear in one hand and the branch of a tree in the other. The middle warrior has a clenched fist an carries an impliment over his shoulder. The warrior on the far right carries a saff. All 3 are wearing swords. 2
  • Picture & image of a Neo-Hittite orthostat describing the legend of Gilgamesh from Karkamis,, Turkey. Museum of Anatolian Civilisations, Ankara.
  • Picture & image of a Neo-Hittite orthostat describing the legend of Gilgamesh from Karkamis,, Turkey.  Museum of Anatolian Civilisations, Ankara.
  • Picture & image of a Neo-Hittite orthostat describing the legend of Gilgamesh from Karkamis,, Turkey. Museum of Anatolian Civilisations, Ankara.
  • Picture & image of a Neo-Hittite orthostat describing the legend of Gilgamesh from Karkamis,, Turkey. Museum of Anatolian Civilisations, Ankara.
  • Picture & image of a Neo-Hittite orthostat describing the legend of Gilgamesh from Karkamis,, Turkey. Museum of Anatolian Civilisations, Ankara.
  • Picture & image of a Neo-Hittite orthostat describing the legend of Gilgamesh from Karkamis,, Turkey. Museum of Anatolian Civilisations, Ankara.
  • Picture & image of a Neo-Hittite orthostat describing the legend of Gilgamesh from Karkamis,, Turkey. Museum of Anatolian Civilisations, Ankara.. A three headed Sphinx which is a winged lion with a human heas and a bird of prey's head on the end of its tail 6
  • Picture & Image of  Neo-Hittite orthostat describing the legend of Gilgamesh from Karkamis,, Turkey. Museum of Anatolian Civilisations, Ankara. To the left a bearded deity with a horned helmet is holding a lions back leg and is about to strike it with an axe. To the right a man is stabbing the lion with a dagger. 2
  • Picture of Neo-Hittite orthostat describing the legend of Gilgamesh from Karkamis,, Turkey. Museum of Anatolian Civilisations, Ankara.Symetrical mythological Scene depicting "Winged Griffin Demons", half men with birds heads & wings. Their hands are raised above their heads supposidly carrying the sky. 3
  • Picture of Neo-Hittite orthostat describing the legend of Gilgamesh from Karkamis,, Turkey. Museum of Anatolian Civilisations, Ankara. Symetrical mythological Scene depicting "Winged Griffin Demons", half men with birds heads & wings. Their hands are raised above their heads supposidly carrying the sky. 5
  • Picture of Neo-Hittite orthostat describing the legend of Gilgamesh from Karkamis,, Turkey. Museum of Anatolian Civilisations, Ankara.Symetrical mythological Scene depicting "Winged Griffin Demons", half men with birds heads & wings. Their hands are raised above their heads supposidly carrying the sky. 4
  • Picture & Image of  Neo-Hittite orthostat describing the legend of Gilgamesh from Karkamis,, Turkey. Museum of Anatolian Civilisations, Ankara.  To the left a bearded deity with a horned helmet is holding a lions back leg and is about to strike it with an axe. To the right a man is stabbing the lion with a dagger.
  • Picture of Neo-Hittite orthostat describing the legend of Gilgamesh from Karkamis,, Turkey. Museum of Anatolian Civilisations, Ankara. Mythological scene. The 2 figures in the center are flanked by lion headed men who have one fist outstretched and are known as Ugallu. The 2 figures in the middle holding spears are men with bodies of bulls known as Kusarikku. 3
  • Photo of Neo-Hittite orthostat from Karkamis, Turkey. Museum of Anatolian Civilisations, Ankara.  The meeting of the "Storm God" on right and a King on the left. 4
  • Picture of Neo-Hittite orthostat describing the legend of Gilgamesh from Karkamis,, Turkey. Museum of Anatolian Civilisations, Ankara. Mythological scene. The 2 figures in the center are flanked by lion headed men who have one fist outstretched and are known as Ugallu. The 2 figures in the middle holding spears are men with bodies of bulls known as Kusarikku. 5
  • Picture of Neo-Hittite orthostat describing the legend of Gilgamesh from Karkamis,, Turkey. Museum of Anatolian Civilisations, Ankara. Mythological scene. The 2 figures in the center are flanked by lion headed men who have one fist outstretched and are known as Ugallu. The 2 figures in the middle holding spears are men with bodies of bulls known as Kusarikku. 1
  • Photo of Neo-Hittite orthostat from Karkamis, Turkey. Museum of Anatolian Civilisations, Ankara.  The meeting of the "Storm God" on right and a King on the left. 3
  • Picture of a Neo-Hittite orthostat describing the legend of Gilgamesh from Karkamis, Turkey. Museum of Anatolian Civilisations, Ankara. Mythological Scene of 2 Spinxes standing on their back legs either side of a winged horse which is also standing on its rear legs. 3
  • Picture of a Neo-Hittite orthostat describing the legend of Gilgamesh from Karkamis, Turkey. Museum of Anatolian Civilisations, Ankara. Mythological Scene of 2 Spinxes standing on their back legs either side of a winged horse which is also standing on its rear legs. 1
  • Picture of a Neo-Hittite orthostat describing the legend of Gilgamesh from Karkamis, Turkey. Museum of Anatolian Civilisations, Ankara. Mythological Scene of 2 Spinxes standing on their back legs either side of a winged horse which is also standing on its rear legs. 4
  • Hittite statue head of the Sun Goddess . Basalt, Hittie Period 1650 - 1450 BC. Hattusa Boğazkale. Çorum Archaeological Museum, Corum, Turkey. Against a white bacground.
  • Hittite statue head of the Sun Goddess . Basalt, Hittie Period 1650 - 1450 BC. Hattusa Boğazkale. Çorum Archaeological Museum, Corum, Turkey
  • Hittite statue head of the Sun Goddess . Basalt, Hittie Period 1650 - 1450 BC. Hattusa Boğazkale. Çorum Archaeological Museum, Corum, Turkey. Against a black bacground.
  • Hittite statue head of the Sun Goddess . Basalt, Hittie Period 1650 - 1450 BC. Hattusa Boğazkale. Çorum Archaeological Museum, Corum, Turkey. Against a warm art bacground.
  • Hittite statue head of the Sun Goddess . Basalt, Hittie Period 1650 - 1450 BC. Hattusa Boğazkale. Çorum Archaeological Museum, Corum, Turkey. Against a grey bacground.
  • Picture of Neo-Hittite orthostat with releif sculpture of 3 soldiers from the legend of Gilgamesh from Karkamis,, Turkey. Museum of Anatolian Civilisations, Ankara.
  • Neo-Hittite orthostat describing the legend of Gilgamesh from Karkamis,, Turkey. Museum of Anatolian Civilisations, Ankara. A three headed Sphinx which is a winged lion with a human heas and a bird of prey's head on the end of its tail 1
  • Picture of Neo-Hittite orthostat describing the legend of Gilgamesh from Karkamis,, Turkey. Museum of Anatolian Civilisations, Ankara. Symetrical mythological Scene depicting "Winged Griffin Demons", half men with birds heads & wings. Their hands are raised above their heads supposidly carrying the sky. 2
  • Picture of Neo-Hittite orthostat describing the legend of Gilgamesh from Karkamis,, Turkey. Museum of Anatolian Civilisations, Ankara. Mythological scene. The 2 figures in the center are flanked by lion headed men who have one fist outstretched and are known as Ugallu. The 2 figures in the middle holding spears are men with bodies of bulls known as Kusarikku. 2
  • Photo of Neo-Hittite orthostat from Karkamis, Turkey. Museum of Anatolian Civilisations, Ankara.  The meeting of the "Storm God" on right and a King on the left. 2
  • Photo of Neo-Hittite orthostat from Karkamis, Turkey. Museum of Anatolian Civilisations, Ankara.  The meeting of the "Storm God" on right and a King on the left. 1
  • Picture of a Neo-Hittite orthostat describing the legend of Gilgamesh from Karkamis, Turkey. Museum of Anatolian Civilisations, Ankara. Mythological Scene of 2 Spinxes standing on their back legs either side of a winged horse which is also standing on its rear legs. 2
  • Phrygian terra cotta pottery vessel with a strainer and long pouring lip, decorated with geometric designs and images of animals and birds, from Gordion. Phrygian Collection, 9th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against a black background
  • Phrygian terra cotta pottery vessel with a strainer and long pouring lip, decorated with geometric designs and images of animals and birds, from Gordion. Phrygian Collection, 9th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against a white background
  • Phrygian terra cotta pottery vessel with a strainer and long pouring lip, decorated with geometric designs and images of animals and birds, from Gordion. Phrygian Collection, 9th century BC - Museum of Anatolian Civilisations Ankara. Turkey.
  • Phrygian terra cotta pottery vessel with a strainer and long pouring lip, decorated with geometric designs and images of animals and birds, from Gordion. Phrygian Collection, 9th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against an art background
  • Phrygian terra cotta pottery vessel with a strainer and long pouring lip, decorated with geometric designs and images of animals and birds, from Gordion. Phrygian Collection, 9th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against a grey background
  • Phrygian table base support decorated with ivory roaring lion statuettes. From Gordion. Phrygian Collection, 8th-7th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against a black background
  • Phrygian table base support decorated with ivory roaring lion statuettes. From Gordion. Phrygian Collection, 8th-7th century BC -  Museum of Anatolian Civilisations Ankara, Turkey.
  • Phrygian table base support decorated with ivory roaring lion statuettes. From Gordion. Phrygian Collection, 8th-7th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against an art background
  • Phrygian table base support decorated with ivory roaring lion statuettes. From Gordion. Phrygian Collection, 8th-7th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against a grey background
  • Phrygian ivory statuette carved as a roaring lion lying down from a table base decoration. From Gordion. Phrygian Collection, 8th-7th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against a black background
  • Phrygian ivory statuette carved as a roaring lion lying down from a table base decoration. From Gordion. Phrygian Collection, 8th-7th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against a grey background
  • Phrygian ivory statuette carved as a roaring lion lying down from a table base decoration. From Gordion. Phrygian Collection, 8th-7th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against a black background
  • Phrygian ivory statuette carved as a roaring lion lying down from a table base decoration. From Gordion. Phrygian Collection, 8th-7th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against a grey background
  • Stone stele fragment with a Phrygian written inscription. From Grodion . Phrygian Collection, 8th-7th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against a black background
  • Stone stele fragment with a Phrygian written inscription. From Grodion . Phrygian Collection, 8th-7th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against an art background
  • Phrygian terra cotta jug decorated with a painetd deer. From Gordion. Phrygian Collection, 6th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against a black background
  • Phrygian terra cotta jug decorated with a painetd deer. From Gordion. Phrygian Collection, 6th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against an art background
  • Phrygian terra cotta jug decorated with a painetd deer. From Gordion. Phrygian Collection, 6th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against a grey background
  • Phrygian bronze trefoil spouted jug from Gordion . Phrygian Collection, 8th century BC - Museum of Anatolian Civilisations Ankara. Turkey.
  • Phrygian bronze trefoil spouted jug from Gordion . Phrygian Collection, 8th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against a grey background
  • Phrygian bronze trefoil spouted jug from Gordion . Phrygian Collection, 8th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against a black background
  • Phrygian bronze trefoil spouted jug from Gordion . Phrygian Collection, 8th century BC - Museum of Anatolian Civilisations Ankara. Turkey.
  • Phrygian bronze trefoil spouted jug from Gordion . Phrygian Collection, 8th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against an art background
  • Phrygian bronze trefoil spouted jug from Gordion . Phrygian Collection, 8th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against a white background
  • Phrygian bronze trefoil spouted jug from Gordion . Phrygian Collection, 8th century BC - Museum of Anatolian Civilisations Ankara. Turkey.
  • Phrygian bronze trefoil spouted jug from Gordion . Phrygian Collection, 8th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against a grey background
  • Phrygian bronze trefoil jug with a beated geometric design. From Gordion. Phrygian Collection, 8th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against a grey background
  • Phrygian Gold bowl with deeply beated design from Gordion. Phrygian Collection, 8th-7th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against a white background

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Pictures and Images can be downloaded or bought as stock photos or photo art prints.

COUNTRIES

Browse travel pictures and images of historic places and archaeological sites of countries in Europe and the Middle East.

VIEW COUNTRIES INDEX....

HISTORICAL

Explore the past through pictures and images of its historic places. See the great palaces, castles and cities of antiquity as well as the great archaeological sites where our ancestors made history.

EXPLORE HISTORICAL PLACES...

MUSEUMS

Browse pictures & images the treasured artefacts and antiquities exhibits from the great Museum of Europe and the Middle East. See the art and objects made by our ancestors.

SEE MUESEUM ANTIQUITIES....