• Zander being cooked over charcoals in the open air, Croatian style. Paprika festival, Kalocsa Hungary
  • Zander being cooked over charcoals in the open air, Croatian style. Paprika festival, Kalocsa Hungary
  • Zander being cooked over charcoals in the open air, Croatian style. Paprika festival, Kalocsa Hungary
  • Zander being cooked over charcoals in the open air, Croatian style. Paprika festival, Kalocsa Hungary
  • Zander being cooked over charcoals in the open air, Croatian style. Paprika festival, Kalocsa Hungary
  • Zander being cooked over charcoals in the open air, Croatian style. Paprika festival, Kalocsa Hungary
  • Chicken fillets cooking on a bbq. Food photos, pictures & images.
  • B-B-Q burgers cooking
  • Chicken fillets cooking on a bbq. Food photos, pictures & images.
  • Italian pepperoni Pizza slice photo. Funky Stock pizzas photos
  • Chicken fillets cooking on a bbq. Food photos, pictures & images.
  • Beef burgers being cooked. Food photos, pictures & images.
  • Whole pepperoni & cheese pizzas with a slice being taken out
  • Whole pepperoni & cheese pizzas with a slice being taken out
  • Whole Cheese and Tomato thin crust pizza
  • Whole Cheese and Tomato thin crust pizza
  • Whole prosciutto pizza
  • Whole prosciutto pizza
  • Whole Cheese and Tomato thin crust pizza
  • Barbecue burgers on a BBQ grill
  • Traditional barbecue Chicken wings
  • Sirloin beef steaks being cooked on a bbq. Meat food photos, pictures & images.
  • Sirloin beef steaks , tomatoes & chips being pan fried on a bbq. Meat food photos, pictures & images.
  • Sirloin beef steaks being cooked on a bbq. Meat food photos, pictures & images.
  • Sirloin beef steaks & chips being pan fried on a bbq. Meat food photos, pictures & images.
  • Sirloin beef steaks & tomatoes being pan fried on a bbq. Meat food photos, pictures & images.
  • Beef rump steaks & pancetta being pan fried  on a bbq. Meat food photos, pictures & images.
  • Beef rump steaks & tomatoes being pan fried  on a bbq. Meat food photos, pictures & images.
  • Beef fillet steaks, chips & roast p[eppers  being pan fried on a bbq. Meat food photos, pictures & images.
  • Beef fillet steaks & roast peppers being pan fried on a bbq. Meat food photos, pictures & images.
  • Beef fillet steaks & mushrooms being pan fried on a bbq. Meat food photos, pictures & images.
  • Beef burgers being cooked. Food photos, pictures & images.
  • Sirloin beef steaks & tomaotoes being pan fried on a bbq. Meat food photos, pictures & images.
  • Sirloin beef steaks & mushrooms being pan fried on a bbq. Meat food photos, pictures & images.
  • Beef fillet steaks & chips being pan fried on a bbq. Meat food photos, pictures & images.
  • Chicken fillets cooking on a bbq. Food photos, pictures & images.
  • Beef rump steaks and chips being pan fried  on a bbq. Meat food photos, pictures & images.
  • Beef fillet steaks & tomatoes being cooked on a bbq. Meat food photos, pictures & images.
  • Beef fillet steaks & mushrooms being pan fried on a bbq. Meat food photos, pictures & images.
  • Chicken fillets cooking on a bbq. Food photos, pictures & images.
  • Chicken skewers being cooked over open flames. Food photos, pictures & images.
  • BBQ spare ribs being cooked over open flames. Food bbq photos, pictures & images.
  • Kebabs being cooked over hot charcoal. Food photos, pictures & images.
  • Barbecue chicken legs & thighs on a barbecue grill and bbq sauce
  • Italian pepperoni Pizza photo. Funky Stock pizzas photos
  • Italian cheese Pizza with rocket - margerita photo. Funky stock photos
  • Italian cheese Pizza - margerita photo. Funky Stock pizzas photos
  • Italian cheese Pizza with rocket - margerita photo. Funky Stock pizzas photos
  • Italian cheese topped Pizza with rocket - margerita.
  • Italian cheese Pizza with rocket - margerita photo. Funky Stock pizzas photos
  • Italian cheese Pizza with rocket - margerita photo. Funky Stock pizzas photos
  • Italian Cheese Pizza slice photo. Funky Stock Pizzas slice
  • Italian pepperoni Pizza slice photo. Funky Stock pizzas photos
  • Italian pepperoni Pizza photo. Funky stock pizzas photos
  • Italian pepperoni Pizza photo. Funky stock pizzas photos
  • Italian pepperoni Pizza photo. Funky stock pizzas photos
  • Italian Quatro Fromaggi Pizza ( 4 cheese) photo. FFunky Stock pizzas photos
  • Italian prosciutto ham Pizza photos. Funky Stock pizzas photos
  • Italian prosciutto ham Pizza photos. Funky Stock pizzas photos
  • Italian cheese Pizza photo. Funky Stock pizzas photos
  • Italian cheese Pizza - margarita photo. Funky Stock pizzas photos
  • Chicken topped Pizzas photos. Funky Stock pizzas photos
  • Italian pepperoni Pizza photos. Funky Stock pizzas photos
  • Italian pepperoni Pizza photos. FFunky Stock pizzas photos
  • Italian cheese Pizza with rocket - margerita photos. Funky Stock pizzas photos
  • Italian cheese Pizza - margerita photo. Funky Stock pizzas photos
  • Italian cheese Pizza - margerita photo. Funky Stock pizzas photos
  • Italian cheese Pizza - margerita photo. Funky Stock pizzas photos
  • Italian cheese Pizza - margerita photo. Funky Stock pizzas photos
  • Italian Quattro Fromaggi Pizza ( 4 cheese) photo. Funky Stock pizzas photos
  • Italian cheese Pizza - margerita photo. Funky Stock pizzas photos
  • Italian mushroom and cheese Pizza slice photo. Funky Stock pizzas photos
  • Pizza topped with Pepperoni, cheese, chilli & basil photo. Funky Stock pizzas photos
  • Pizza topped with Pepperoni, cheese, chilli & basil photo. Funky Stock pizzas photos
  • Pizza topped with Pepperoni, cheese, chilli & basil with a slice out photo. Funky Stock pizzas photos
  • Pizza topped with Pepperoni, cheese, chilli & basil with a slice out photo.Funky Stock pizzas photos
  • Pizza topped with  3 cheeses. A Margarita Neopolitan Pizza photos. Funky Stock pizzas photos
  • 3 cheese margarita pizzas with basil photos. Funky Stock pizzas photos
  • Pizza topped with  3 cheeses, Parma ham & basil photos. Funky Stock pizzas photos
  • Pizza topped with Pepperoni, cheese, chilli & basil with a slice out photo. Funky Stock pizzas photos
  • Pizza topped with pepperoni & cheese  with a slice out photo.Funky Stock pizzas photos
  • Pizza topped with pesto  chicken and red peppers photos. Funky Stock pizzas photos
  • Pizza topped with pesto  chicken and red peppers photos. Funky Stock pizzas photos
  • Pizza topped with pesto  chicken and red peppers photos. Funky Stock pizzas photos
  • Pizza topped with pesto  chicken and red peppers photos. Funky Stock pizzas photos
  • Pizza topped with pesto  chicken and red peppers photos. Funky Stock pizzas photos
  • Pizza topped with pepperoni & cheese  with a slice out photo. Funky Stock pizzas photos
  • Pepperoni pizzas slice photos. Funky Stock pizzas photos
  • Pizza topped with  3 cheeses. A Margarita Neopolitan Pizza photos. Funky Stock pizzas photos
  • Pizza topped with  3 cheeses. A Margarita Neopolitan Pizza photos. Funky Stock pizzas photos
  • BBQ chicken wings being cooked on a bbq grill. Funky Stock library chicken wings images of bbq food.
  • BBQ chicken wings being cooked on a bbq grill. Funky Stock library chicken wings images of bbq food.
  • BBQ beef burgers being cooked on a bbq grill. Funky Stock library burger images of bbq food.
  • BBQ Lamb cutlets being cooked on a bbq grill. Funky Stock library images of bbq food.
  • BBQ Lamb cutlets being cooked. Funky Stock library images of bbq food.
  • Pizza topped with  3 cheeses, & basil.n A Margarita Neopolitan Pizza photos. Funky Stock pizzas photos
  • Roman Sarcophagus with detailed relief sculptured panels with battle scenes. This large sarcophagus which was found in 1931 near the Tiburtina, in the eastern suburbs of the ancient city, shows on its front a symbolic battle, staged on two levels. This composition focuses on the progress of the Roman horseman, depicted in the guise of a universal victor, in a melee of soldiers, spears and horses; the Romans are delivering savage blows, devastating their enemies. The bloody scenes are framed by two pairs of enslaved barbarians, whose afflicted demeanour expresses the suffering which comes to those who rebel against the dominion of Rome. The dramatic animation of the combat emphasised by the deep chiaroscuro obtained by a skilful feat of carving. The low relief on the sides of the sarcophagus shows events subsequent to the encounter; on one side barbarian prisoners cross the river on the other chiefs submit to the Roman officials. The freeze on the lid, between two corner masks, celebrates the dead man and his wife, presented in the centre is the act of ‘dextarum iunctio’; on the left, the women exercises her ‘virtue’ in the house, educating her children; on the right, the, after his warlike activities, receives his 'clementia'. The faces of the principle characters remain incomplete, awaiting the carving of the features of the dead people. The decoration of the sarcophagus, inspired by many scenes on the Antonine Column, can be dated to around 180AD. The military insignia represented on the upper edge of the casket - the eagle of the Legio III Flavia and the boar of the Legio I Itlaica - enable us perhaps to identify the dead man as Aurelius Iulius Pompilius, an official of Marcus Aurelius in command of two cavalry squadron on detachment to those two legions during the war against Marcomanni (1720-175AD). National Roman Museum, Rome, Italy
  • Roman Sarcophagus with detailed relief sculptured panels with battle scenes. This large sarcophagus which was found in 1931 near the Tiburtina, in the eastern suburbs of the ancient city, shows on its front a symbolic battle, staged on two levels. This composition focuses on the progress of the Roman horseman, depicted in the guise of a universal victor, in a melee of soldiers, spears and horses; the Romans are delivering savage blows, devastating their enemies. The bloody scenes are framed by two pairs of enslaved barbarians, whose afflicted demeanour expresses the suffering which comes to those who rebel against the dominion of Rome. The dramatic animation of the combat emphasised by the deep chiaroscuro obtained by a skilful feat of carving. The low relief on the sides of the sarcophagus shows events subsequent to the encounter; on one side barbarian prisoners cross the river on the other chiefs submit to the Roman officials. The freeze on the lid, between two corner masks, celebrates the dead man and his wife, presented in the centre is the act of ‘dextarum iunctio’; on the left, the women exercises her ‘virtue’ in the house, educating her children; on the right, the, after his warlike activities, receives his 'clementia'. The faces of the principle characters remain incomplete, awaiting the carving of the features of the dead people. The decoration of the sarcophagus, inspired by many scenes on the Antonine Column, can be dated to around 180AD. The military insignia represented on the upper edge of the casket - the eagle of the Legio III Flavia and the boar of the Legio I Itlaica - enable us perhaps to identify the dead man as Aurelius Iulius Pompilius, an official of Marcus Aurelius in command of two cavalry squadron on detachment to those two legions during the war against Marcomanni (1720-175AD). National Roman Museum, Rome, Italy
  • Roman Sarcophagus with detailed relief sculptured panels with battle scenes. This large sarcophagus which was found in 1931 near the Tiburtina, in the eastern suburbs of the ancient city, shows on its front a symbolic battle, staged on two levels. This composition focuses on the progress of the Roman horseman, depicted in the guise of a universal victor, in a melee of soldiers, spears and horses; the Romans are delivering savage blows, devastating their enemies. The bloody scenes are framed by two pairs of enslaved barbarians, whose afflicted demeanour expresses the suffering which comes to those who rebel against the dominion of Rome. The dramatic animation of the combat emphasised by the deep chiaroscuro obtained by a skilful feat of carving. The low relief on the sides of the sarcophagus shows events subsequent to the encounter; on one side barbarian prisoners cross the river on the other chiefs submit to the Roman officials. The freeze on the lid, between two corner masks, celebrates the dead man and his wife, presented in the centre is the act of ‘dextarum iunctio’; on the left, the women exercises her ‘virtue’ in the house, educating her children; on the right, the, after his warlike activities, receives his 'clementia'. The faces of the principle characters remain incomplete, awaiting the carving of the features of the dead people. The decoration of the sarcophagus, inspired by many scenes on the Antonine Column, can be dated to around 180AD. The military insignia represented on the upper edge of the casket - the eagle of the Legio III Flavia and the boar of the Legio I Itlaica - enable us perhaps to identify the dead man as Aurelius Iulius Pompilius, an official of Marcus Aurelius in command of two cavalry squadron on detachment to those two legions during the war against Marcomanni (1720-175AD). National Roman Museum, Rome, Italy
  • Roman Sarcophagus with detailed relief sculptured panels with battle scenes. This large sarcophagus which was found in 1931 near the Tiburtina, in the eastern suburbs of the ancient city, shows on its front a symbolic battle, staged on two levels. This composition focuses on the progress of the Roman horseman, depicted in the guise of a universal victor, in a melee of soldiers, spears and horses; the Romans are delivering savage blows, devastating their enemies. The bloody scenes are framed by two pairs of enslaved barbarians, whose afflicted demeanour expresses the suffering which comes to those who rebel against the dominion of Rome. The dramatic animation of the combat emphasised by the deep chiaroscuro obtained by a skilful feat of carving. The low relief on the sides of the sarcophagus shows events subsequent to the encounter; on one side barbarian prisoners cross the river on the other chiefs submit to the Roman officials. The freeze on the lid, between two corner masks, celebrates the dead man and his wife, presented in the centre is the act of ‘dextarum iunctio’; on the left, the women exercises her ‘virtue’ in the house, educating her children; on the right, the, after his warlike activities, receives his 'clementia'. The faces of the principle characters remain incomplete, awaiting the carving of the features of the dead people. The decoration of the sarcophagus, inspired by many scenes on the Antonine Column, can be dated to around 180AD. The military insignia represented on the upper edge of the casket - the eagle of the Legio III Flavia and the boar of the Legio I Itlaica - enable us perhaps to identify the dead man as Aurelius Iulius Pompilius, an official of Marcus Aurelius in command of two cavalry squadron on detachment to those two legions during the war against Marcomanni (1720-175AD). National Roman Museum, Rome, Italy
  • Roman Sarcophagus with detailed relief sculptured panels with battle scenes. This large sarcophagus which was found in 1931 near the Tiburtina, in the eastern suburbs of the ancient city, shows on its front a symbolic battle, staged on two levels. This composition focuses on the progress of the Roman horseman, depicted in the guise of a universal victor, in a melee of soldiers, spears and horses; the Romans are delivering savage blows, devastating their enemies. The bloody scenes are framed by two pairs of enslaved barbarians, whose afflicted demeanour expresses the suffering which comes to those who rebel against the dominion of Rome. The dramatic animation of the combat emphasised by the deep chiaroscuro obtained by a skilful feat of carving. The low relief on the sides of the sarcophagus shows events subsequent to the encounter; on one side barbarian prisoners cross the river on the other chiefs submit to the Roman officials. The freeze on the lid, between two corner masks, celebrates the dead man and his wife, presented in the centre is the act of ‘dextarum iunctio’; on the left, the women exercises her ‘virtue’ in the house, educating her children; on the right, the, after his warlike activities, receives his 'clementia'. The faces of the principle characters remain incomplete, awaiting the carving of the features of the dead people. The decoration of the sarcophagus, inspired by many scenes on the Antonine Column, can be dated to around 180AD. The military insignia represented on the upper edge of the casket - the eagle of the Legio III Flavia and the boar of the Legio I Itlaica - enable us perhaps to identify the dead man as Aurelius Iulius Pompilius, an official of Marcus Aurelius in command of two cavalry squadron on detachment to those two legions during the war against Marcomanni (1720-175AD). National Roman Museum, Rome, Italy
  • Roman Sarcophagus with detailed relief sculptured panels with battle scenes. This large sarcophagus which was found in 1931 near the Tiburtina, in the eastern suburbs of the ancient city, shows on its front a symbolic battle, staged on two levels. This composition focuses on the progress of the Roman horseman, depicted in the guise of a universal victor, in a melee of soldiers, spears and horses; the Romans are delivering savage blows, devastating their enemies. The bloody scenes are framed by two pairs of enslaved barbarians, whose afflicted demeanour expresses the suffering which comes to those who rebel against the dominion of Rome. The dramatic animation of the combat emphasised by the deep chiaroscuro obtained by a skilful feat of carving. The low relief on the sides of the sarcophagus shows events subsequent to the encounter; on one side barbarian prisoners cross the river on the other chiefs submit to the Roman officials. The freeze on the lid, between two corner masks, celebrates the dead man and his wife, presented in the centre is the act of ‘dextarum iunctio’; on the left, the women exercises her ‘virtue’ in the house, educating her children; on the right, the, after his warlike activities, receives his 'clementia'. The faces of the principle characters remain incomplete, awaiting the carving of the features of the dead people. The decoration of the sarcophagus, inspired by many scenes on the Antonine Column, can be dated to around 180AD. The military insignia represented on the upper edge of the casket - the eagle of the Legio III Flavia and the boar of the Legio I Itlaica - enable us perhaps to identify the dead man as Aurelius Iulius Pompilius, an official of Marcus Aurelius in command of two cavalry squadron on detachment to those two legions during the war against Marcomanni (1720-175AD). National Roman Museum, Rome, Italy
  • Roman Sarcophagus with detailed relief sculptured panels with battle scenes. This large sarcophagus which was found in 1931 near the Tiburtina, in the eastern suburbs of the ancient city, shows on its front a symbolic battle, staged on two levels. This composition focuses on the progress of the Roman horseman, depicted in the guise of a universal victor, in a melee of soldiers, spears and horses; the Romans are delivering savage blows, devastating their enemies. The bloody scenes are framed by two pairs of enslaved barbarians, whose afflicted demeanour expresses the suffering which comes to those who rebel against the dominion of Rome. The dramatic animation of the combat emphasised by the deep chiaroscuro obtained by a skilful feat of carving. The low relief on the sides of the sarcophagus shows events subsequent to the encounter; on one side barbarian prisoners cross the river on the other chiefs submit to the Roman officials. The freeze on the lid, between two corner masks, celebrates the dead man and his wife, presented in the centre is the act of ‘dextarum iunctio’; on the left, the women exercises her ‘virtue’ in the house, educating her children; on the right, the, after his warlike activities, receives his 'clementia'. The faces of the principle characters remain incomplete, awaiting the carving of the features of the dead people. The decoration of the sarcophagus, inspired by many scenes on the Antonine Column, can be dated to around 180AD. The military insignia represented on the upper edge of the casket - the eagle of the Legio III Flavia and the boar of the Legio I Itlaica - enable us perhaps to identify the dead man as Aurelius Iulius Pompilius, an official of Marcus Aurelius in command of two cavalry squadron on detachment to those two legions during the war against Marcomanni (1720-175AD). National Roman Museum, Rome, Italy
  • Roman Sarcophagus with detailed relief sculptured panels with battle scenes. This large sarcophagus which was found in 1931 near the Tiburtina, in the eastern suburbs of the ancient city, shows on its front a symbolic battle, staged on two levels. This composition focuses on the progress of the Roman horseman, depicted in the guise of a universal victor, in a melee of soldiers, spears and horses; the Romans are delivering savage blows, devastating their enemies. The bloody scenes are framed by two pairs of enslaved barbarians, whose afflicted demeanour expresses the suffering which comes to those who rebel against the dominion of Rome. The dramatic animation of the combat emphasised by the deep chiaroscuro obtained by a skilful feat of carving. The low relief on the sides of the sarcophagus shows events subsequent to the encounter; on one side barbarian prisoners cross the river on the other chiefs submit to the Roman officials. The freeze on the lid, between two corner masks, celebrates the dead man and his wife, presented in the centre is the act of ‘dextarum iunctio’; on the left, the women exercises her ‘virtue’ in the house, educating her children; on the right, the, after his warlike activities, receives his 'clementia'. The faces of the principle characters remain incomplete, awaiting the carving of the features of the dead people. The decoration of the sarcophagus, inspired by many scenes on the Antonine Column, can be dated to around 180AD. The military insignia represented on the upper edge of the casket - the eagle of the Legio III Flavia and the boar of the Legio I Itlaica - enable us perhaps to identify the dead man as Aurelius Iulius Pompilius, an official of Marcus Aurelius in command of two cavalry squadron on detachment to those two legions during the war against Marcomanni (1720-175AD). National Roman Museum, Rome, Italy
  • Roman Sarcophagus with detailed relief sculptured panels with battle scenes. This large sarcophagus which was found in 1931 near the Tiburtina, in the eastern suburbs of the ancient city, shows on its front a symbolic battle, staged on two levels. This composition focuses on the progress of the Roman horseman, depicted in the guise of a universal victor, in a melee of soldiers, spears and horses; the Romans are delivering savage blows, devastating their enemies. The bloody scenes are framed by two pairs of enslaved barbarians, whose afflicted demeanour expresses the suffering which comes to those who rebel against the dominion of Rome. The dramatic animation of the combat emphasised by the deep chiaroscuro obtained by a skilful feat of carving. The low relief on the sides of the sarcophagus shows events subsequent to the encounter; on one side barbarian prisoners cross the river on the other chiefs submit to the Roman officials. The freeze on the lid, between two corner masks, celebrates the dead man and his wife, presented in the centre is the act of ‘dextarum iunctio’; on the left, the women exercises her ‘virtue’ in the house, educating her children; on the right, the, after his warlike activities, receives his 'clementia'. The faces of the principle characters remain incomplete, awaiting the carving of the features of the dead people. The decoration of the sarcophagus, inspired by many scenes on the Antonine Column, can be dated to around 180AD. The military insignia represented on the upper edge of the casket - the eagle of the Legio III Flavia and the boar of the Legio I Itlaica - enable us perhaps to identify the dead man as Aurelius Iulius Pompilius, an official of Marcus Aurelius in command of two cavalry squadron on detachment to those two legions during the war against Marcomanni (1720-175AD). National Roman Museum, Rome, Italy
  • Roman Sarcophagus with detailed relief sculptured panels with battle scenes. This large sarcophagus which was found in 1931 near the Tiburtina, in the eastern suburbs of the ancient city, shows on its front a symbolic battle, staged on two levels. This composition focuses on the progress of the Roman horseman, depicted in the guise of a universal victor, in a melee of soldiers, spears and horses; the Romans are delivering savage blows, devastating their enemies. The bloody scenes are framed by two pairs of enslaved barbarians, whose afflicted demeanour expresses the suffering which comes to those who rebel against the dominion of Rome. The dramatic animation of the combat emphasised by the deep chiaroscuro obtained by a skilful feat of carving. The low relief on the sides of the sarcophagus shows events subsequent to the encounter; on one side barbarian prisoners cross the river on the other chiefs submit to the Roman officials. The freeze on the lid, between two corner masks, celebrates the dead man and his wife, presented in the centre is the act of ‘dextarum iunctio’; on the left, the women exercises her ‘virtue’ in the house, educating her children; on the right, the, after his warlike activities, receives his 'clementia'. The faces of the principle characters remain incomplete, awaiting the carving of the features of the dead people. The decoration of the sarcophagus, inspired by many scenes on the Antonine Column, can be dated to around 180AD. The military insignia represented on the upper edge of the casket - the eagle of the Legio III Flavia and the boar of the Legio I Itlaica - enable us perhaps to identify the dead man as Aurelius Iulius Pompilius, an official of Marcus Aurelius in command of two cavalry squadron on detachment to those two legions during the war against Marcomanni (1720-175AD). National Roman Museum, Rome, Italy
  • Roman Sarcophagus with detailed relief sculptured panels with battle scenes. This large sarcophagus which was found in 1931 near the Tiburtina, in the eastern suburbs of the ancient city, shows on its front a symbolic battle, staged on two levels. This composition focuses on the progress of the Roman horseman, depicted in the guise of a universal victor, in a melee of soldiers, spears and horses; the Romans are delivering savage blows, devastating their enemies. The bloody scenes are framed by two pairs of enslaved barbarians, whose afflicted demeanour expresses the suffering which comes to those who rebel against the dominion of Rome. The dramatic animation of the combat emphasised by the deep chiaroscuro obtained by a skilful feat of carving. The low relief on the sides of the sarcophagus shows events subsequent to the encounter; on one side barbarian prisoners cross the river on the other chiefs submit to the Roman officials. The freeze on the lid, between two corner masks, celebrates the dead man and his wife, presented in the centre is the act of ‘dextarum iunctio’; on the left, the women exercises her ‘virtue’ in the house, educating her children; on the right, the, after his warlike activities, receives his 'clementia'. The faces of the principle characters remain incomplete, awaiting the carving of the features of the dead people. The decoration of the sarcophagus, inspired by many scenes on the Antonine Column, can be dated to around 180AD. The military insignia represented on the upper edge of the casket - the eagle of the Legio III Flavia and the boar of the Legio I Itlaica - enable us perhaps to identify the dead man as Aurelius Iulius Pompilius, an official of Marcus Aurelius in command of two cavalry squadron on detachment to those two legions during the war against Marcomanni (1720-175AD). National Roman Museum, Rome, Italy

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