• Pictures of Dun Carloway Broch on the Isle of Lewis in the Outer Hebrides, Scotland. Brochs are among Scotland's most impressive prehistoric buildings and were the precursors of the Medieval Scottish Tower Houses. The world Broch is derived from lowland scots who called forts Brough from the old Norse Borg. <br />
<br />
Broch stone roundhouses date from about 2,300 to 1,900 years ago, and are found mainly in north and west Scotland. Dun Carloway Broch was probably built around the time of the Roman occupation in Britain in 43AD and was probably the primary dwelling-places for the principal family in the area. Dun Carloway Broch would have provided some protection against sporadic raiding, but were not purely defensive structure but a focal point for the clan of the area.
  • Pictures & Images of the statues of around the tomb of Commagene King Antochus 1 on the top of Mount Nemrut, Turkey. Stock photos & Photo art prints. In 62 BC, King Antiochus I Theos of Commagene built on the mountain top a tomb-sanctuary flanked by huge statues (8–9 m/26–30 ft high) of himself, two lions, two eagles and various Greek, Armenian, and Iranian gods. The photos show the broken statues on the  2,134 m (7,001 ft)  mountain. 2
  • Pictures & Image  of Pamukkale Travetine Terrace, Turkey. Images of the white Calcium carbonate rock formations. Buy as stock photos or as photo art prints. 4 Pamukkale travetine terrace water cascades, composed of white Calcium carbonate rock formations, Pamukkale, Anatolia, Turkey
  • Pictures & Image  of Pamukkale Travetine Terrace, Turkey. Images of the white Calcium carbonate rock formations. Buy as stock photos or as photo art prints. 3 Pamukkale travetine terrace water cascades, composed of white Calcium carbonate rock formations, Pamukkale, Anatolia, Turkey
  • Photo & Image  of Pamukkale Travetine Terrace, Turkey. Picture of the white Calcium carbonate rock formations. Buy as stock photos or as photo art prints. 4 Pamukkale travetine terrace water cascades, composed of white Calcium carbonate rock formations, Pamukkale, Anatolia, Turkey
  • Photo & Image  of Pamukkale Travetine Terrace, Turkey. Picture of the white Calcium carbonate rock formations. Buy as stock photos or as photo art prints. 3 Pamukkale travetine terrace water cascades, composed of white Calcium carbonate rock formations, Pamukkale, Anatolia, Turkey
  • Photo & Image  of Pamukkale Travetine Terrace, Turkey, at sunset. Images of the white Calcium carbonate rock formations. Buy as stock photos or as photo art prints. 5 Pamukkale travetine terrace water cascades, composed of white Calcium carbonate rock formations, Pamukkale, Anatolia, Turkey
  • Pictures & Images of the statues of around the tomb of Commagene King Antochus 1 on the top of Mount Nemrut, Turkey. Stock photos & Photo art prints. In 62 BC, King Antiochus I Theos of Commagene built on the mountain top a tomb-sanctuary flanked by huge statues (8–9 m/26–30 ft high) of himself, two lions, two eagles and various Greek, Armenian, and Iranian gods. The photos show the broken statues on the  2,134 m (7,001 ft)  mountain. 3
  • Pictures & Images of the statues of around the tomb of Commagene King Antochus 1 on the top of Mount Nemrut, Turkey. Stock photos & Photo art prints. In 62 BC, King Antiochus I Theos of Commagene built on the mountain top a tomb-sanctuary flanked by huge statues (8–9 m/26–30 ft high) of himself, two lions, two eagles and various Greek, Armenian, and Iranian gods. The photos show the broken statues on the  2,134 m (7,001 ft)  mountain. 1
  • Pictures of the statues of around the tomb of Commagene King Antochus 1 on the top of Mount Nemrut, Turkey. Stock photos & Photo art prints. In 62 BC, King Antiochus I Theos of Commagene built on the mountain top a tomb-sanctuary flanked by huge statues (8–9 m/26–30 ft high) of himself, two lions, two eagles and various Greek, Armenian, and Iranian gods. The photos show the broken statues on the  2,134 m (7,001 ft)  mountain. 6
  • Pictures of the statues of around the tomb of Commagene King Antochus 1 on the top of Mount Nemrut, Turkey. Stock photos & Photo art prints. In 62 BC, King Antiochus I Theos of Commagene built on the mountain top a tomb-sanctuary flanked by huge statues (8–9 m/26–30 ft high) of himself, two lions, two eagles and various Greek, Armenian, and Iranian gods. The photos show the broken statues on the  2,134 m (7,001 ft)  mountain. 5
  • Pictures of the statues of around the tomb of Commagene King Antochus 1 on the top of Mount Nemrut, Turkey. Stock photos & Photo art prints. In 62 BC, King Antiochus I Theos of Commagene built on the mountain top a tomb-sanctuary flanked by huge statues (8–9 m/26–30 ft high) of himself, two lions, two eagles and various Greek, Armenian, and Iranian gods. The photos show the broken statues on the  2,134 m (7,001 ft)  mountain. 4
  • Pictures of the statues of around the tomb of Commagene King Antochus 1 on the top of Mount Nemrut, Turkey. Stock photos & Photo art prints. In 62 BC, King Antiochus I Theos of Commagene built on the mountain top a tomb-sanctuary flanked by huge statues (8–9 m/26–30 ft high) of himself, two lions, two eagles and various Greek, Armenian, and Iranian gods. The photos show the broken statues on the  2,134 m (7,001 ft)  mountain. 3
  • Pictures of the statues of around the tomb of Commagene King Antochus 1 on the top of Mount Nemrut, Turkey. Stock photos & Photo art prints. In 62 BC, King Antiochus I Theos of Commagene built on the mountain top a tomb-sanctuary flanked by huge statues (8–9 m/26–30 ft high) of himself, two lions, two eagles and various Greek, Armenian, and Iranian gods. The photos show the broken statues on the  2,134 m (7,001 ft)  mountain. 2
  • Pictures of the statues of around the tomb of Commagene King Antochus 1 on the top of Mount Nemrut, Turkey. Stock photos & Photo art prints. In 62 BC, King Antiochus I Theos of Commagene built on the mountain top a tomb-sanctuary flanked by huge statues (8–9 m/26–30 ft high) of himself, two lions, two eagles and various Greek, Armenian, and Iranian gods. The photos show the broken statues on the  2,134 m (7,001 ft)  mountain. 1
  • Image of the statues of around the tomb of Commagene King Antochus 1 on the top of Mount Nemrut, Turkey. Stock photos & Photo art prints. In 62 BC, King Antiochus I Theos of Commagene built on the mountain top a tomb-sanctuary flanked by huge statues (8–9 m/26–30 ft high) of himself, two lions, two eagles and various Greek, Armenian, and Iranian gods. The photos show the broken statues on the  2,134 m (7,001 ft)  mountain. 5
  • Image of the statues of around the tomb of Commagene King Antochus 1 on the top of Mount Nemrut, Turkey. Stock photos & Photo art prints. In 62 BC, King Antiochus I Theos of Commagene built on the mountain top a tomb-sanctuary flanked by huge statues (8–9 m/26–30 ft high) of himself, two lions, two eagles and various Greek, Armenian, and Iranian gods. The photos show the broken statues on the  2,134 m (7,001 ft)  mountain. 4
  • Image of the statues of around the tomb of Commagene King Antochus 1 on the top of Mount Nemrut, Turkey. Stock photos & Photo art prints. In 62 BC, King Antiochus I Theos of Commagene built on the mountain top a tomb-sanctuary flanked by huge statues (8–9 m/26–30 ft high) of himself, two lions, two eagles and various Greek, Armenian, and Iranian gods. The photos show the broken statues on the  2,134 m (7,001 ft)  mountain. 3
  • Image of the statues of around the tomb of Commagene King Antochus 1 on the top of Mount Nemrut, Turkey. Stock photos & Photo art prints. In 62 BC, King Antiochus I Theos of Commagene built on the mountain top a tomb-sanctuary flanked by huge statues (8–9 m/26–30 ft high) of himself, two lions, two eagles and various Greek, Armenian, and Iranian gods. The photos show the broken statues on the  2,134 m (7,001 ft)  mountain. 2
  • Pictures of the statues of around the tomb of Commagene King Antochus 1 on the top of Mount Nemrut, Turkey. Stock photos & Photo art prints. In 62 BC, King Antiochus I Theos of Commagene built on the mountain top a tomb-sanctuary flanked by huge statues (8–9 m/26–30 ft high) of himself, two lions, two eagles and various Greek, Armenian, and Iranian gods. The photos show the broken statues on the  2,134 m (7,001 ft)  mountain. 1
  • Pictures of the statues of around the tomb of Commagene King Antochus 1 on the top of Mount Nemrut, Turkey. Stock photos & Photo art prints. In 62 BC, King Antiochus I Theos of Commagene built on the mountain top a tomb-sanctuary flanked by huge statues (8–9 m/26–30 ft high) of himself, two lions, two eagles and various Greek, Armenian, and Iranian gods. The photos show the broken statues on the  2,134 m (7,001 ft)  mountain. 4
  • Pictures of the statues of around the tomb of Commagene King Antochus 1 on the top of Mount Nemrut, Turkey. Stock photos & Photo art prints. In 62 BC, King Antiochus I Theos of Commagene built on the mountain top a tomb-sanctuary flanked by huge statues (8–9 m/26–30 ft high) of himself, two lions, two eagles and various Greek, Armenian, and Iranian gods. The photos show the broken statues on the  2,134 m (7,001 ft)  mountain. 3
  • Pictures of the statues of around the tomb of Commagene King Antochus 1 on the top of Mount Nemrut, Turkey. Stock photos & Photo art prints. In 62 BC, King Antiochus I Theos of Commagene built on the mountain top a tomb-sanctuary flanked by huge statues (8–9 m/26–30 ft high) of himself, two lions, two eagles and various Greek, Armenian, and Iranian gods. The photos show the broken statues on the  2,134 m (7,001 ft)  mountain. 2
  • Pictures of the statues of around the tomb of Commagene King Antochus 1 on the top of Mount Nemrut, Turkey. Stock photos & Photo art prints. In 62 BC, King Antiochus I Theos of Commagene built on the mountain top a tomb-sanctuary flanked by huge statues (8–9 m/26–30 ft high) of himself, two lions, two eagles and various Greek, Armenian, and Iranian gods. The photos show the broken statues on the  2,134 m (7,001 ft)  mountain. 1
  • Photo & pictures  of Pamukkale Travetine Terrace, Turkey. Photography of the white Calcium carbonate rock formations. Buy as stock photos or as photo art prints. 4 Pamukkale travetine terrace water cascades, composed of white Calcium carbonate rock formations, Pamukkale, Anatolia, Turkey
  • Photo & pictures  of Pamukkale Travetine Terrace, Turkey. Photography of the white Calcium carbonate rock formations. Buy as stock photos or as photo art prints. 3 Pamukkale travetine terrace water cascades, composed of white Calcium carbonate rock formations, Pamukkale, Anatolia, Turkey
  • Photo & pictures  of Pamukkale Travetine Terrace, Turkey. Photography of the white Calcium carbonate rock formations. Buy as stock photos or as photo art prints. 2 Pamukkale travetine terrace water cascades, composed of white Calcium carbonate rock formations, Pamukkale, Anatolia, Turkey
  • Photo & Image  of Pamukkale Travetine Terrace, Turkey. Images of the white Calcium carbonate rock formations. Buy as stock photos or as photo art prints. 1 Pamukkale travetine terrace water cascades, composed of white Calcium carbonate rock formations, Pamukkale, Anatolia, Turkey
  • Photo  of Pamukkale Travetine Terrace, Turkey. Images of the white Calcium carbonate rock formations. Buy as stock photos or as photo art prints. 12 Pamukkale travetine terrace water cascades, composed of white Calcium carbonate rock formations, Pamukkale, Anatolia, Turkey
  • Photo  of Pamukkale Travetine Terrace, Turkey. Images of the white Calcium carbonate rock formations. Buy as stock photos or as photo art prints. 11 Pamukkale travetine terrace water cascades, composed of white Calcium carbonate rock formations, Pamukkale, Anatolia, Turkey
  • Photo  of Pamukkale Travetine Terrace, Turkey. Images of the white Calcium carbonate rock formations. Buy as stock photos or as photo art prints. 10 Pamukkale travetine terrace water cascades, composed of white Calcium carbonate rock formations, Pamukkale, Anatolia, Turkey
  • Photo  of Pamukkale Travetine Terrace, Turkey. Images of the white Calcium carbonate rock formations. Buy as stock photos or as photo art prints. 9 Pamukkale travetine terrace water cascades, composed of white Calcium carbonate rock formations, Pamukkale, Anatolia, Turkey
  • Photo  of Pamukkale Travetine Terrace, Turkey. Images of the white Calcium carbonate rock formations. Buy as stock photos or as photo art prints. 8 Pamukkale travetine terrace water cascades, composed of white Calcium carbonate rock formations, Pamukkale, Anatolia, Turkey
  • Pictures & Image  of Pamukkale Travetine Terrace, Turkey. Images of the white Calcium carbonate rock formations. Buy as stock photos or as photo art prints. 5 Pamukkale travetine terrace water cascades, composed of white Calcium carbonate rock formations, Pamukkale, Anatolia, Turkey
  • Pictures & Image  of Pamukkale Travetine Terrace, Turkey. Images of the white Calcium carbonate rock formations. Buy as stock photos or as photo art prints. 2 Pamukkale travetine terrace water cascades, composed of white Calcium carbonate rock formations, Pamukkale, Anatolia, Turkey
  • Photo & Image  of Pamukkale Travetine Terrace, Turkey. Images of the white Calcium carbonate rock formations. Buy as stock photos or as photo art prints. 1 Pamukkale travetine terrace water cascades, composed of white Calcium carbonate rock formations, Pamukkale, Anatolia, Turkey
  • Photo & Image  of Pamukkale Travetine Terrace, Turkey. Picture of the white Calcium carbonate rock formations. Buy as stock photos or as photo art prints. 5 Pamukkale travetine terrace water cascades, composed of white Calcium carbonate rock formations, Pamukkale, Anatolia, Turkey
  • Photo & Image  of Pamukkale Travetine Terrace, Turkey. Picture of the white Calcium carbonate rock formations. Buy as stock photos or as photo art prints. 2 Pamukkale travetine terrace water cascades, composed of white Calcium carbonate rock formations, Pamukkale, Anatolia, Turkey
  • Photo & Image  of Pamukkale Travetine Terrace, Turkey. Images of the white Calcium carbonate rock formations. Buy as stock photos or as photo art prints. 1 Pamukkale travetine terrace water cascades, composed of white Calcium carbonate rock formations, Pamukkale, Anatolia, Turkey
  • Photo & Image  of Pamukkale Travetine Terrace, Turkey. Images of the white Calcium carbonate rock formations. Buy as stock photos or as photo art prints. 5 Pamukkale travetine terrace water cascades, composed of white Calcium carbonate rock formations, Pamukkale, Anatolia, Turkey
  • Photo & Image  of Pamukkale Travetine Terrace, Turkey. Images of the white Calcium carbonate rock formations. Buy as stock photos or as photo art prints. 4 Pamukkale travetine terrace water cascades, composed of white Calcium carbonate rock formations, Pamukkale, Anatolia, Turkey
  • Photo & Image  of Pamukkale Travetine Terrace, Turkey. Images of the white Calcium carbonate rock formations. Buy as stock photos or as photo art prints. 3 Pamukkale travetine terrace water cascades, composed of white Calcium carbonate rock formations, Pamukkale, Anatolia, Turkey
  • Photo & Image  of Pamukkale Travetine Terrace, Turkey. Images of the white Calcium carbonate rock formations. Buy as stock photos or as photo art prints. 2 Pamukkale travetine terrace water cascades, composed of white Calcium carbonate rock formations, Pamukkale, Anatolia, Turkey
  • Photo & Image  of Pamukkale Travetine Terrace, Turkey. Images of the white Calcium carbonate rock formations. Buy as stock photos or as photo art prints. 1 Pamukkale travetine terrace water cascades, composed of white Calcium carbonate rock formations, Pamukkale, Anatolia, Turkey
  • Photo & Image  of Pamukkale Travetine Terrace, Turkey, at sunset. Images of the white Calcium carbonate rock formations. Buy as stock photos or as photo art prints. 4 Pamukkale travetine terrace water cascades, composed of white Calcium carbonate rock formations, Pamukkale, Anatolia, Turkey
  • Photo & Image  of Pamukkale Travetine Terrace, Turkey, at sunset. Images of the white Calcium carbonate rock formations. Buy as stock photos or as photo art prints. 3 Pamukkale travetine terrace water cascades, composed of white Calcium carbonate rock formations, Pamukkale, Anatolia, Turkey
  • Photo & Image  of Pamukkale Travetine Terrace, Turkey, at sunset. Images of the white Calcium carbonate rock formations. Buy as stock photos or as photo art prints. 2 Pamukkale travetine terrace water cascades, composed of white Calcium carbonate rock formations, Pamukkale, Anatolia, Turkey
  • Photo & Image  of Pamukkale Travetine Terrace, Turkey, at sunset. Images of the white Calcium carbonate rock formations. Buy as stock photos or as photo art prints. 1 Pamukkale travetine terrace water cascades, composed of white Calcium carbonate rock formations, Pamukkale, Anatolia, Turkey
  • Ballowall Barrow prehistoric chambered tomb, Carn Gluze, Ballowall Common, near St Just in Cornwall, England,
  • Trethevy Quoit megalithic standing stone tomb, known as the giant's house, near St Cleer, circa 4000 BC, Cornwall, England, United Kingdom
  • Ballowall Barrow prehistoric chambered tomb, Carn Gluze, Ballowall Common, near St Just in Cornwall, England,
  • Ballowall Barrow prehistoric chambered tomb, Carn Gluze, Ballowall Common, near St Just in Cornwall, England,
  • Trethevy Quoit megalithic standing stone tomb, known as the giant's house, near St Cleer, circa 4000 BC, Cornwall, England, United Kingdom
  • Ballowall Barrow prehistoric chambered tomb, Carn Gluze, Ballowall Common, near St Just in Cornwall, England,
  • Ballowall Barrow prehistoric chambered tomb, Carn Gluze, Ballowall Common, near St Just in Cornwall, England,
  • Ballowall Barrow prehistoric chambered tomb, Carn Gluze, Ballowall Common, near St Just in Cornwall, England,
  • Ballowall Barrow prehistoric chambered tomb, Carn Gluze, Ballowall Common, near St Just in Cornwall, England,
  • Ballowall Barrow prehistoric chambered tomb, Carn Gluze, Ballowall Common, near St Just in Cornwall, England,
  • Ballowall Barrow prehistoric chambered tomb, Carn Gluze, Ballowall Common, near St Just in Cornwall, England,
  • Ballowall Barrow prehistoric chambered tomb, Carn Gluze, Ballowall Common, near St Just in Cornwall, England,
  • Ballowall Barrow prehistoric chambered tomb, Carn Gluze, Ballowall Common, near St Just in Cornwall, England,
  • Ballowall Barrow prehistoric chambered tomb, Carn Gluze, Ballowall Common, near St Just in Cornwall, England,
  • Ballowall Barrow prehistoric chambered tomb, Carn Gluze, Ballowall Common, near St Just in Cornwall, England,
  • Ballowall Barrow prehistoric chambered tomb, Carn Gluze, Ballowall Common, near St Just in Cornwall, England,
  • Ballowall Barrow prehistoric chambered tomb, Carn Gluze, Ballowall Common, near St Just in Cornwall, England,
  • Ballowall Barrow prehistoric chambered tomb, Carn Gluze, Ballowall Common, near St Just in Cornwall, England,
  • Ballowall Barrow prehistoric chambered tomb, Carn Gluze, Ballowall Common, near St Just in Cornwall, England,
  • Ballowall Barrow prehistoric chambered tomb, Carn Gluze, Ballowall Common, near St Just in Cornwall, England,
  • Ballowall Barrow prehistoric chambered tomb, Carn Gluze, Ballowall Common, near St Just in Cornwall, England,
  • Ballowall Barrow prehistoric chambered tomb, Carn Gluze, Ballowall Common, near St Just in Cornwall, England,
  • Ballowall Barrow prehistoric chambered tomb, Carn Gluze, Ballowall Common, near St Just in Cornwall, England,
  • Trethevy Quoit megalithic standing stone tomb, known as the giant's house, near St Cleer, circa 4000 BC, Cornwall, England, United Kingdom
  • Trethevy Quoit megalithic standing stone tomb, known as the giant's house, near St Cleer, circa 4000 BC, Cornwall, England, United Kingdom
  • Trethevy Quoit megalithic standing stone tomb, known as the giant's house, near St Cleer, circa 4000 BC, Cornwall, England, United Kingdom
  • Trethevy Quoit megalithic standing stone tomb, known as the giant's house, near St Cleer, circa 4000 BC, Cornwall, England, United Kingdom
  • Trethevy Quoit megalithic standing stone tomb, known as the giant's house, near St Cleer, circa 4000 BC, Cornwall, England, United Kingdom
  • Trethevy Quoit megalithic standing stone tomb, known as the giant's house, near St Cleer, circa 4000 BC, Cornwall, England, United Kingdom
  • Trethevy Quoit megalithic standing stone tomb, known as the giant's house, near St Cleer, circa 4000 BC, Cornwall, England, United Kingdom
  • Trethevy Quoit megalithic standing stone tomb, known as the giant's house, near St Cleer, circa 4000 BC, Cornwall, England, United Kingdom
  • St Michael’s Mount tidal island,  Mount's Bay, Cornwall, England, United Kingdom.
  • St Michael’s Mount tidal island,  Mount's Bay, Cornwall, England, United Kingdom.
  • St Michael’s Mount tidal island,  Mount's Bay, Cornwall, England, United Kingdom.
  • St Michael’s Mount tidal island,  Mount's Bay, Cornwall, England, United Kingdom.
  • St Michael’s Mount tidal island,  Mount's Bay, Cornwall, England, United Kingdom.
  • St Michael’s Mount tidal island,  Mount's Bay, Cornwall, England, United Kingdom.
  • St Michael’s Mount tidal island,  Mount's Bay, Cornwall, England, United Kingdom.
  • St Michael’s Mount tidal island, Mount's Bay, Cornwall, England, United Kingdom.
  • St Michael’s Mount tidal island, Mount's Bay, Cornwall, England, United Kingdom.
  • St Michael’s Mount tidal island, Mount's Bay, Cornwall, England, United Kingdom.
  • St Michael’s Mount tidal island,  Mount's Bay, Cornwall, England, United Kingdom.
  • St Michael’s Mount tidal island, Mount's Bay, Cornwall, England, United Kingdom.
  • St Michael’s Mount tidal island,  Mount's Bay, Cornwall, England, United Kingdom.
  • St Michael’s Mount tidal island,  Mount's Bay, Cornwall, England, United Kingdom.
  • St Michael’s Mount tidal island,  Mount's Bay, Cornwall, England, United Kingdom.
  • St Michael’s Mount tidal island,  Mount's Bay, Cornwall, England, United Kingdom.
  • St Michael’s Mount tidal island, Mount's Bay, Cornwall, England, United Kingdom.
  • St Michael’s Mount tidal island, Mount's Bay, Cornwall, England, United Kingdom.
  • St Michael’s Mount tidal island, Mount's Bay, Cornwall, England, United Kingdom.
  • St Michael’s Mount tidal island, Mount's Bay, Cornwall, England, United Kingdom.
  • St Michael’s Mount tidal island, Mount's Bay, Cornwall, England, United Kingdom.
  • St Michael’s Mount tidal island, Mount's Bay, Cornwall, England, United Kingdom.
  • St Michael’s Mount tidal island,  Mount's Bay, Cornwall, England, United Kingdom.
  • Wide picture of the Roman mosaics of The Four Seasons, room no 23 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Wide picture of the Ambulatory corridor of the Great Hunt Roman mosaic and the entrance to the audience hall, room no 28, at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Great Hunt ambulatory is around 60 meters long (200 Roman feet) and connects the master’s northern apartments with the triclinium in the south. The door in the centre of the the Great Hunt ambulatory leads to audience hall. <br />
<br />
The Great Hunt Roman mosaic depicts African animals being hunted and put onto ships to be taken to the Colosseum.
  • Wide picture of the Ambulatory corridor of the Great Hunt Roman mosaic and the entrance to the audience hall, room no 28, at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Great Hunt ambulatory is around 60 meters long (200 Roman feet) and connects the master’s northern apartments with the triclinium in the south. The door in the centre of the the Great Hunt ambulatory leads to audience hall. <br />
<br />
The Great Hunt Roman mosaic depicts African animals being hunted and put onto ships to be taken to the Colosseum.
  • Wide picture of the Ambulatory corridor of the Great Hunt Roman mosaic and the entrance to the audience hall, room no 28, at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Great Hunt ambulatory is around 60 meters long (200 Roman feet) and connects the master’s northern apartments with the triclinium in the south. The door in the centre of the the Great Hunt ambulatory leads to audience hall. <br />
<br />
The Great Hunt Roman mosaic depicts African animals being hunted and put onto ships to be taken to the Colosseum.
  • Wide picture of the Ambulatory corridor of the Great Hunt Roman mosaic and the entrance to the audience hall, room no 28, at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Great Hunt ambulatory is around 60 meters long (200 Roman feet) and connects the master’s northern apartments with the triclinium in the south. The door in the centre of the the Great Hunt ambulatory leads to audience hall. <br />
<br />
The Great Hunt Roman mosaic depicts African animals being hunted and put onto ships to be taken to the Colosseum.
  • Wide picture of the Roman mosaics of The Four Seasons, room no 23 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Close up picture of the Roman mosaics of The Four Seasons, room no 23 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Close up picture of the Roman mosaics of the Kitchen floor depicting geometric mosaic patterns, room no 19 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Close up picture of the Roman mosaics of the Room with Star Shaped Decorations depicting an octagonal rosette geometric mosaic patterns, room no 22 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Close up picture of the Roman mosaics of the Room with Star Shaped Decorations depicting an octagonal rosette geometric mosaic patterns, room no 22 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Close up picture of the Roman mosaics of the Room with Star Shaped Decorations depicting a braid geometric mosaic patterns, room no 18 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Close up picture of the Roman mosaics of the Interlying Utility Room depicting geometric mosaic patterns, room no 18 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Close up picture of the Roman mosaics of the Interlying Utility Room depicting geometric mosaic patterns, room no 18 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Close up picture of the Roman mosaics of the Peristyle depicting animals in a geometric mosaic wreath inside square panels, room no 13 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The peristyle mosaic floor of Villa Romana del Casale is decorated with square mosaic repeating designs which have a rope design geometric mosaic on the outside, inside which is are laurel wreath mosaics which surround Protomas, the representation of the head and neck of an animal often used decoratively in architecture, of wild and domesticated animals. The two sides of the peristyle have been identified as one side for visitors use and the other for the family. The peristyle mosaics lead on both sides around three sides of the peristyle to steps that lead up to the corridor of the Great Hunt Mosaics,
  • Close up picture of the Roman mosaics of the Peristyle depicting animals in a geometric mosaic wreath inside square panels, room no 13 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The peristyle mosaic floor of Villa Romana del Casale is decorated with square mosaic repeating designs which have a rope design geometric mosaic on the outside, inside which is are laurel wreath mosaics which surround Protomas, the representation of the head and neck of an animal often used decoratively in architecture, of wild and domesticated animals. The two sides of the peristyle have been identified as one side for visitors use and the other for the family. The peristyle mosaics lead on both sides around three sides of the peristyle to steps that lead up to the corridor of the Great Hunt Mosaics,
  • Close up picture of the Roman mosaics of the Peristyle depicting animals in a geometric mosaic wreath inside square panels, room no 13 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The peristyle mosaic floor of Villa Romana del Casale is decorated with square mosaic repeating designs which have a rope design geometric mosaic on the outside, inside which is are laurel wreath mosaics which surround Protomas, the representation of the head and neck of an animal often used decoratively in architecture, of wild and domesticated animals. The two sides of the peristyle have been identified as one side for visitors use and the other for the family. The peristyle mosaics lead on both sides around three sides of the peristyle to steps that lead up to the corridor of the Great Hunt Mosaics,
  • Close up picture of the Roman mosaics of the Peristyle depicting animals in a geometric mosaic wreath inside square panels, room no 13 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The peristyle mosaic floor of Villa Romana del Casale is decorated with square mosaic repeating designs which have a rope design geometric mosaic on the outside, inside which is are laurel wreath mosaics which surround Protomas, the representation of the head and neck of an animal often used decoratively in architecture, of wild and domesticated animals. The two sides of the peristyle have been identified as one side for visitors use and the other for the family. The peristyle mosaics lead on both sides around three sides of the peristyle to steps that lead up to the corridor of the Great Hunt Mosaics,
  • Close up picture of the Roman mosaics of the Peristyle depicting animals in a geometric mosaic wreath inside square panels, room no 13 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The peristyle mosaic floor of Villa Romana del Casale is decorated with square mosaic repeating designs which have a rope design geometric mosaic on the outside, inside which is are laurel wreath mosaics which surround Protomas, the representation of the head and neck of an animal often used decoratively in architecture, of wild and domesticated animals. The two sides of the peristyle have been identified as one side for visitors use and the other for the family. The peristyle mosaics lead on both sides around three sides of the peristyle to steps that lead up to the corridor of the Great Hunt Mosaics,
  • Close up picture of the Roman mosaics of the Peristyle depicting animals in a geometric mosaic wreath inside square panels, room no 13 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The peristyle mosaic floor of Villa Romana del Casale is decorated with square mosaic repeating designs which have a rope design geometric mosaic on the outside, inside which is are laurel wreath mosaics which surround Protomas, the representation of the head and neck of an animal often used decoratively in architecture, of wild and domesticated animals. The two sides of the peristyle have been identified as one side for visitors use and the other for the family. The peristyle mosaics lead on both sides around three sides of the peristyle to steps that lead up to the corridor of the Great Hunt Mosaics,
  • Close up picture of the Roman mosaics of the Peristyle depicting animals in a geometric mosaic wreath inside square panels, room no 13 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The peristyle mosaic floor of Villa Romana del Casale is decorated with square mosaic repeating designs which have a rope design geometric mosaic on the outside, inside which is are laurel wreath mosaics which surround Protomas, the representation of the head and neck of an animal often used decoratively in architecture, of wild and domesticated animals. The two sides of the peristyle have been identified as one side for visitors use and the other for the family. The peristyle mosaics lead on both sides around three sides of the peristyle to steps that lead up to the corridor of the Great Hunt Mosaics,
  • Close up picture of the Roman mosaics of the Peristyle depicting animals in a geometric mosaic wreath inside square panels, room no 13 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The peristyle mosaic floor of Villa Romana del Casale is decorated with square mosaic repeating designs which have a rope design geometric mosaic on the outside, inside which is are laurel wreath mosaics which surround Protomas, the representation of the head and neck of an animal often used decoratively in architecture, of wild and domesticated animals. The two sides of the peristyle have been identified as one side for visitors use and the other for the family. The peristyle mosaics lead on both sides around three sides of the peristyle to steps that lead up to the corridor of the Great Hunt Mosaics,
  • Close up picture of the Roman mosaics of the Trapedoizal Vestibule room, the so called Domina of the Villa, probably Eutropia the wife of Emperor Maximinianus, accompanied by her children, room no 16 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Trapedoizal Vestibule was probably a private entrance to the Villa Romana del Casale. The Roman mosaics of the Trapedoizal Vestibule depicts the Domina (mistress) of the house, wife of Emperor Maximianus, Eutropia at  its centre. To her right if Maxentius and to her left is Fausta
  • Close up picture of the Roman mosaics of the Trapedoizal Vestibule room, the so called Domina of the Villa, probably Eutropia the wife of Emperor Maximinianus, accompanied by her children, room no 16 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Trapedoizal Vestibule was probably a private entrance to the Villa Romana del Casale. The Roman mosaics of the Trapedoizal Vestibule depicts the Domina (mistress) of the house, wife of Emperor Maximianus, Eutropia at  its centre. To her right if Maxentius and to her left is Fausta
  • Wide picture of the Roman mosaics of Circus Maximus from the Palaestra depicting a chariot race at the Circus Maximus, room no 15 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The room of the  Circus Maximus was used as an excersise room and the rooms to the baths of the Villa Romana del Casale run off this room.
  • Wide picture of the Roman mosaics of Circus Maximus from the Palaestra depicting a chariot race at the Circus Maximus, room no 15 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Small Hunt room was used as a living room for guests of the Villa Romana del Casale. The Small hunt mosaic design has 4 registers running across the mosaic depicting hunting scenes. In the first register two servants are handling hunting dogs. In the second register figures are depicted burning incense at an altar to Diana, the goddess of hunting, before the hunt starts. The offering is being made by Constantius Clorus , the Caesar of Emperor Maximianus who owned the Villa Romana del Casale. Behind him is his son the future Emperor Constantine. To the right of the altar is a figure holding the reins of a horse dressed in a clavi decorated with ivy leaves indicating that he belongs to the family of Maximianus.
  • Wide picture of the Roman mosaics of the small hunt, room no 24 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Small Hunt room was used as a living room for guests of the Villa Romana del Casale. The Small hunt mosaic design has 4 registers running across the mosaic depicting hunting scenes. In the first register two servants are handling hunting dogs. In the second register figures are depicted burning incense at an altar to Diana, the goddess of hunting, before the hunt starts. The offering is being made by Constantius Clorus , the Caesar of Emperor Maximianus who owned the Villa Romana del Casale. Behind him is his son the future Emperor Constantine. To the right of the altar is a figure holding the reins of a horse dressed in a clavi decorated with ivy leaves indicating that he belongs to the family of Maximianus.
  • Wide picture of the Roman mosaics of the small hunt, room no 24 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Small Hunt room was used as a living room for guests of the Villa Romana del Casale. The Small hunt mosaic design has 4 registers running across the mosaic depicting hunting scenes. In the first register two servants are handling hunting dogs. In the second register figures are depicted burning incense at an altar to Diana, the goddess of hunting, before the hunt starts. The offering is being made by Constantius Clorus , the Caesar of Emperor Maximianus who owned the Villa Romana del Casale. Behind him is his son the future Emperor Constantine. To the right of the altar is a figure holding the reins of a horse dressed in a clavi decorated with ivy leaves indicating that he belongs to the family of Maximianus.
  • Wide picture of the Roman mosaics of the small hunt, room no 24 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Small Hunt room was used as a living room for guests of the Villa Romana del Casale. The Small hunt mosaic design has 4 registers running across the mosaic depicting hunting scenes. In the first register two servants are handling hunting dogs. In the second register figures are depicted burning incense at an altar to Diana, the goddess of hunting, before the hunt starts. The offering is being made by Constantius Clorus , the Caesar of Emperor Maximianus who owned the Villa Romana del Casale. Behind him is his son the future Emperor Constantine. To the right of the altar is a figure holding the reins of a horse dressed in a clavi decorated with ivy leaves indicating that he belongs to the family of Maximianus.
  • Close up detail picture of the Roman mosaics of the small hunt depicting hunters with a dead boar and hunters making an offering at an altar, room no 24 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Small Hunt room was used as a living room for guests of the Villa Romana del Casale. The Small hunt mosaic design has 4 registers running across the mosaic depicting hunting scenes. In the first register two servants are handling hunting dogs. In the second register figures are depicted burning incense at an altar to Diana, the goddess of hunting, before the hunt starts. The offering is being made by Constantius Clorus , the Caesar of Emperor Maximianus who owned the Villa Romana del Casale. Behind him is his son the future Emperor Constantine. To the right of the altar is a figure holding the reins of a horse dressed in a clavi decorated with ivy leaves indicating that he belongs to the family of Maximianus.
  • Wide picture of the Roman mosaics of the small hunt, room no 24 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Small Hunt room was used as a living room for guests of the Villa Romana del Casale. The Small hunt mosaic design has 4 registers running across the mosaic depicting hunting scenes. In the first register two servants are handling hunting dogs. In the second register figures are depicted burning incense at an altar to Diana, the goddess of hunting, before the hunt starts. The offering is being made by Constantius Clorus , the Caesar of Emperor Maximianus who owned the Villa Romana del Casale. Behind him is his son the future Emperor Constantine. To the right of the altar is a figure holding the reins of a horse dressed in a clavi decorated with ivy leaves indicating that he belongs to the family of Maximianus.
  • Close up detail picture of the Roman mosaics of the small hunt depicting deer being caught in a net trap, room no 24 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Small Hunt room was used as a living room for guests of the Villa Romana del Casale. The Small hunt mosaic design has 4 registers running across the mosaic depicting hunting scenes. In the first register two servants are handling hunting dogs. In the second register figures are depicted burning incense at an altar to Diana, the goddess of hunting, before the hunt starts. The offering is being made by Constantius Clorus , the Caesar of Emperor Maximianus who owned the Villa Romana del Casale. Behind him is his son the future Emperor Constantine. To the right of the altar is a figure holding the reins of a horse dressed in a clavi decorated with ivy leaves indicating that he belongs to the family of Maximianus.
  • Close up detail picture of the Roman mosaics of the small hunt depicting boys hunting a song bird in a tree, room no 24 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Small Hunt room was used as a living room for guests of the Villa Romana del Casale. The Small hunt mosaic design has 4 registers running across the mosaic depicting hunting scenes. In the first register two servants are handling hunting dogs. In the second register figures are depicted burning incense at an altar to Diana, the goddess of hunting, before the hunt starts. The offering is being made by Constantius Clorus , the Caesar of Emperor Maximianus who owned the Villa Romana del Casale. Behind him is his son the future Emperor Constantine. To the right of the altar is a figure holding the reins of a horse dressed in a clavi decorated with ivy leaves indicating that he belongs to the family of Maximianus.
  • Close up detail picture of the Roman mosaics of the small hunt depicting a dead boar being carried by hunters, room no 24 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Small Hunt room was used as a living room for guests of the Villa Romana del Casale. The Small hunt mosaic design has 4 registers running across the mosaic depicting hunting scenes. In the first register two servants are handling hunting dogs. In the second register figures are depicted burning incense at an altar to Diana, the goddess of hunting, before the hunt starts. The offering is being made by Constantius Clorus , the Caesar of Emperor Maximianus who owned the Villa Romana del Casale. Behind him is his son the future Emperor Constantine. To the right of the altar is a figure holding the reins of a horse dressed in a clavi decorated with ivy leaves indicating that he belongs to the family of Maximianus.
  • Close up detail picture of the Roman mosaics of the small hunt depicting dogs chasing a fox, room no 24 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Small Hunt room was used as a living room for guests of the Villa Romana del Casale. The Small hunt mosaic design has 4 registers running across the mosaic depicting hunting scenes. In the first register two servants are handling hunting dogs. In the second register figures are depicted burning incense at an altar to Diana, the goddess of hunting, before the hunt starts. The offering is being made by Constantius Clorus , the Caesar of Emperor Maximianus who owned the Villa Romana del Casale. Behind him is his son the future Emperor Constantine. To the right of the altar is a figure holding the reins of a horse dressed in a clavi decorated with ivy leaves indicating that he belongs to the family of Maximianus.
  • Close up detail picture of the Roman mosaics of the small hunt depicting offerings being made at an altar, room no 24 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Small Hunt room was used as a living room for guests of the Villa Romana del Casale. The Small hunt mosaic design has 4 registers running across the mosaic depicting hunting scenes. In the first register two servants are handling hunting dogs. In the second register figures are depicted burning incense at an altar to Diana, the goddess of hunting, before the hunt starts. The offering is being made by Constantius Clorus , the Caesar of Emperor Maximianus who owned the Villa Romana del Casale. Behind him is his son the future Emperor Constantine. To the right of the altar is a figure holding the reins of a horse dressed in a clavi decorated with ivy leaves indicating that he belongs to the family of Maximianus.
  • Close up detail picture of the Roman mosaics of the small hunt depicting offerings being made at an altar, room no 24 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Small Hunt room was used as a living room for guests of the Villa Romana del Casale. The Small hunt mosaic design has 4 registers running across the mosaic depicting hunting scenes. In the first register two servants are handling hunting dogs. In the second register figures are depicted burning incense at an altar to Diana, the goddess of hunting, before the hunt starts. The offering is being made by Constantius Clorus , the Caesar of Emperor Maximianus who owned the Villa Romana del Casale. Behind him is his son the future Emperor Constantine. To the right of the altar is a figure holding the reins of a horse dressed in a clavi decorated with ivy leaves indicating that he belongs to the family of Maximianus.
  • Close up detail picture of the Roman mosaics of the small hunt depicting a hare about to be speared,  room no 24 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Small Hunt room was used as a living room for guests of the Villa Romana del Casale. The Small hunt mosaic design has 4 registers running across the mosaic depicting hunting scenes. In the first register two servants are handling hunting dogs. In the second register figures are depicted burning incense at an altar to Diana, the goddess of hunting, before the hunt starts. The offering is being made by Constantius Clorus , the Caesar of Emperor Maximianus who owned the Villa Romana del Casale. Behind him is his son the future Emperor Constantine. To the right of the altar is a figure holding the reins of a horse dressed in a clavi decorated with ivy leaves indicating that he belongs to the family of Maximianus.
  • Close up detail picture of the Roman mosaics of the small hunt depicting food being cooked, room no 24 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
The Small Hunt room was used as a living room for guests of the Villa Romana del Casale. The Small hunt mosaic design has 4 registers running across the mosaic depicting hunting scenes. In the first register two servants are handling hunting dogs. In the second register figures are depicted burning incense at an altar to Diana, the goddess of hunting, before the hunt starts. The offering is being made by Constantius Clorus , the Caesar of Emperor Maximianus who owned the Villa Romana del Casale. Behind him is his son the future Emperor Constantine. To the right of the altar is a figure holding the reins of a horse dressed in a clavi decorated with ivy leaves indicating that he belongs to the family of Maximianus.
  • Close up detail picture of the Roman mosaics of the small hunt, room no 24 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Small Hunt room was used as a living room for guests of the Villa Romana del Casale. The Small hunt mosaic design has 4 registers running across the mosaic depicting hunting scenes. In the first register two servants are handling hunting dogs. In the second register figures are depicted burning incense at an altar to Diana, the goddess of hunting, before the hunt starts. The offering is being made by Constantius Clorus , the Caesar of Emperor Maximianus who owned the Villa Romana del Casale. Behind him is his son the future Emperor Constantine. To the right of the altar is a figure holding the reins of a horse dressed in a clavi decorated with ivy leaves indicating that he belongs to the family of Maximianus.
  • Close up detail picture of the Roman mosaics of the small hunt, room no 24 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Ambulatory of the Great Hunt Roman mosaic, hunter, room no 28, at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Great Hunt ambulatory is around 60 meters long (200 Roman feet) and connects the master’s northern apartments with the triclinium in the south. The door in the centre of the the Great Hunt ambulatory leads to audience hall. <br />
<br />
The Great Hunt Roman mosaic depicts African animals being hunted and put onto ships to be taken to the Colosseum.
  • Ambulatory of the Great Hunt Roman mosaic, hunter, room no 28, at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Great Hunt ambulatory is around 60 meters long (200 Roman feet) and connects the master’s northern apartments with the triclinium in the south. The door in the centre of the the Great Hunt ambulatory leads to audience hall. <br />
<br />
The Great Hunt Roman mosaic depicts African animals being hunted and put onto ships to be taken to the Colosseum.
  • Close up detail of the Roman mosaics of the Vestibule of Eros & Pan depicting Pan, room no 43  at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Vestibule of Eros and Pan Roman floor mosaic at the Villa Romana del Casale depicts a scene that is intended to show how difficult it is for someone like Pan , who is ugly but has a good heart, to conquer love, represented by Eros. Between the two divinities are a palm leaf and a coin symbolising the prizes to be awarded to the winner of the contest.
  • Close up detail picture of the Roman mosaics of the Diaeta of Arione used as a poetry and music room, room no 39 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Diaeta of Arione is a large room of the Villa Romana del Casale where the Domina ( mistress of the Villa) gathered with members of the family to listen to poetry and music in a private setting. The floor mosaic depicts scenes of the marine court of Arione.
  • Close up detail picture of the Roman mosaics of the Diaeta of Arione used as a poetry and music room, room no 39 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Diaeta of Arione is a large room of the Villa Romana del Casale where the Domina ( mistress of the Villa) gathered with members of the family to listen to poetry and music in a private setting. The floor mosaic depicts scenes of the marine court of Arione.
  • Close up detail picture of the Roman mosaics of the Diaeta of Arione used as a poetry and music room, room no 39 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Diaeta of Arione is a large room of the Villa Romana del Casale where the Domina ( mistress of the Villa) gathered with members of the family to listen to poetry and music in a private setting. The floor mosaic depicts scenes of the marine court of Arione.
  • Close up detail picture of the Roman mosaics of the Diaeta of Arione used as a poetry and music room, room no 39 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Diaeta of Arione is a large room of the Villa Romana del Casale where the Domina ( mistress of the Villa) gathered with members of the family to listen to poetry and music in a private setting. The floor mosaic depicts scenes of the marine court of Arione.
  • Close up detail picture of the Roman mosaics of the Diaeta of Arione used as a poetry and music room, room no 39 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Diaeta of Arione is a large room of the Villa Romana del Casale where the Domina ( mistress of the Villa) gathered with members of the family to listen to poetry and music in a private setting. The floor mosaic depicts scenes of the marine court of Arione.
  • Close up detail picture of the Roman mosaics of the Diaeta of Arione used as a poetry and music room, room no 39 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Diaeta of Arione is a large room of the Villa Romana del Casale where the Domina ( mistress of the Villa) gathered with members of the family to listen to poetry and music in a private setting. The floor mosaic depicts scenes of the marine court of Arione.
  • Close up detail picture of the Roman mosaics of the Vestibule of Ulysses and Polyphemus, room no 47 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Close up detail picture of the Roman mosaics of the Diaeta of Arione used as a poetry and music room, room no 39 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Diaeta of Arione is a large room of the Villa Romana del Casale where the Domina ( mistress of the Villa) gathered with members of the family to listen to poetry and music in a private setting. The floor mosaic depicts scenes of the marine court of Arione.
  • Close up detail picture of the Roman mosaics of the Diaeta of Arione used as a poetry and music room, room no 39 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Diaeta of Arione is a large room of the Villa Romana del Casale where the Domina ( mistress of the Villa) gathered with members of the family to listen to poetry and music in a private setting. The floor mosaic depicts scenes of the marine court of Arione.
  • Close up detail picture of the Roman mosaics of the Cubilcle with Erotic Scene, a geometric mosiac with an erotic scene at its center, room no 48 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Close up detail picture of the Roman mosaics of the Cubilcle with Erotic Scene, a geometric mosiac with an erotic scene at its center, room no 48 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Wide picture of the Roman mosaics of the Cubilcle with Erotic Scene, a geometric mosiac with an erotic scene at its center, room no 48 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Close up detail picture of the Roman mosaics of the Cubilcle with Erotic Scene, a geometric mosiac with an erotic scene at its center, room no 48 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Close up detail picture of the Roman mosaics of the Cubilcle with Erotic Scene, a geometric mosiac with an erotic scene at its center, room no 48 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Close up detail picture of the Roman mosaics of the Cubilcle with Erotic Scene, a geometric mosiac with an erotic scene at its center, room no 48 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Close up detail picture of the Roman mosaics of the Cubilcle with Erotic Scene, a geometric mosiac with an erotic scene at its center, room no 48 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Wide picture of the Roman mosaics of the Room of the Chidrens's Hunt depicting children hunting animals, room no 44 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Roman mosaic on the floor of the cubicle of the Child Hunt in the Villa Romana del Casale is divided into three registers with a floral theme.<br />
<br />
In the first register boys are spearing a hare with a venabulum ( spear) while to their right another boy has trapped a duckling. <br />
<br />
In the second register tree young hunters are portrayed being attacked by animals, one boy has fallen down having been bitten on the calf by a weasel. The boy in the middle has his hands raised calling for help and to his right a boy is about to be attacked bu a cockerel.<br />
<br />
In the lower register a boy is holding a raised club about to hit a peacock while another boy is spearing a goat and another is using a shield to protect himself from a Great Bustard.
  • Close up detail picture of the Roman mosaics of the Room of the Chidrens's Hunt depicting children hunting animals, room no 44 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Roman mosaic on the floor of the cubicle of the Child Hunt in the Villa Romana del Casale is divided into three registers with a floral theme.<br />
<br />
In the first register boys are spearing a hare with a venabulum ( spear) while to their right another boy has trapped a duckling. <br />
<br />
In the second register tree young hunters are portrayed being attacked by animals, one boy has fallen down having been bitten on the calf by a weasel. The boy in the middle has his hands raised calling for help and to his right a boy is about to be attacked bu a cockerel.<br />
<br />
In the lower register a boy is holding a raised club about to hit a peacock while another boy is spearing a goat and another is using a shield to protect himself from a Great Bustard.
  • Close up detail picture of the Roman mosaics of the Room of the Chidrens's Hunt depicting children hunting animals, room no 44 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Roman mosaic on the floor of the cubicle of the Child Hunt in the Villa Romana del Casale is divided into three registers with a floral theme.<br />
<br />
In the first register boys are spearing a hare with a venabulum ( spear) while to their right another boy has trapped a duckling. <br />
<br />
In the second register tree young hunters are portrayed being attacked by animals, one boy has fallen down having been bitten on the calf by a weasel. The boy in the middle has his hands raised calling for help and to his right a boy is about to be attacked bu a cockerel.<br />
<br />
In the lower register a boy is holding a raised club about to hit a peacock while another boy is spearing a goat and another is using a shield to protect himself from a Great Bustard.
  • Close up detail picture of the Roman mosaics of the Room of the Chidrens's Hunt depicting children hunting animals, room no 44 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Roman mosaic on the floor of the cubicle of the Child Hunt in the Villa Romana del Casale is divided into three registers with a floral theme.<br />
<br />
In the first register boys are spearing a hare with a venabulum ( spear) while to their right another boy has trapped a duckling. <br />
<br />
In the second register tree young hunters are portrayed being attacked by animals, one boy has fallen down having been bitten on the calf by a weasel. The boy in the middle has his hands raised calling for help and to his right a boy is about to be attacked bu a cockerel.<br />
<br />
In the lower register a boy is holding a raised club about to hit a peacock while another boy is spearing a goat and another is using a shield to protect himself from a Great Bustard.
  • Close up detail picture of the Roman mosaics of the Room of the Chidrens's Hunt depicting children hunting animals, room no 44 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Roman mosaic on the floor of the cubicle of the Child Hunt in the Villa Romana del Casale is divided into three registers with a floral theme.<br />
<br />
In the first register boys are spearing a hare with a venabulum ( spear) while to their right another boy has trapped a duckling. <br />
<br />
In the second register tree young hunters are portrayed being attacked by animals, one boy has fallen down having been bitten on the calf by a weasel. The boy in the middle has his hands raised calling for help and to his right a boy is about to be attacked bu a cockerel.<br />
<br />
In the lower register a boy is holding a raised club about to hit a peacock while another boy is spearing a goat and another is using a shield to protect himself from a Great Bustard.
  • Close up detail picture of the Roman mosaics of the Room of the Chidrens's Hunt depicting children hunting animals, room no 44 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Roman mosaic on the floor of the cubicle of the Child Hunt in the Villa Romana del Casale is divided into three registers with a floral theme.<br />
<br />
In the first register boys are spearing a hare with a venabulum ( spear) while to their right another boy has trapped a duckling. <br />
<br />
In the second register tree young hunters are portrayed being attacked by animals, one boy has fallen down having been bitten on the calf by a weasel. The boy in the middle has his hands raised calling for help and to his right a boy is about to be attacked bu a cockerel.<br />
<br />
In the lower register a boy is holding a raised club about to hit a peacock while another boy is spearing a goat and another is using a shield to protect himself from a Great Bustard.
  • Close up detail picture of the Roman mosaics of the Room of the Chidrens's Hunt depicting children hunting animals, room no 44 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Roman mosaic on the floor of the cubicle of the Child Hunt in the Villa Romana del Casale is divided into three registers with a floral theme.<br />
<br />
In the first register boys are spearing a hare with a venabulum ( spear) while to their right another boy has trapped a duckling. <br />
<br />
In the second register tree young hunters are portrayed being attacked by animals, one boy has fallen down having been bitten on the calf by a weasel. The boy in the middle has his hands raised calling for help and to his right a boy is about to be attacked bu a cockerel.<br />
<br />
In the lower register a boy is holding a raised club about to hit a peacock while another boy is spearing a goat and another is using a shield to protect himself from a Great Bustard.
  • Wide picture of the Roman mosaics of the Room of Fishing Cupids depicting cupids fishing from boats, room no 24  at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Wide picture of the Roman mosaics of the Room of Fishing Cupids depicting cupids fishing from boats, room no 24  at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Wide picture of the Roman mosaics of the Room of Fishing Cupids depicting cupids fishing from boats, room no 24  at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Close up detail picture of the Roman mosaics of the Room of Fishing Cupids depicting cupids fishing from boats, room no 24  at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Fishing cupids room was a dining room for guests of the Villa Romana del Casale. The mosaic floor represents a sea scene with four boats from which cupids are busy fishing. The mosaic depicts sea around the boats abounds with marine life. The mosaic show several Roman fishing techniques using nets, fishing lines, harpoon and fish traps.
  • Close up detail picture of the Roman mosaics of the Room of Fishing Cupids depicting cupids fishing from boats, room no 24  at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Fishing cupids room was a dining room for guests of the Villa Romana del Casale. The mosaic floor represents a sea scene with four boats from which cupids are busy fishing. The mosaic depicts sea around the boats abounds with marine life. The mosaic show several Roman fishing techniques using nets, fishing lines, harpoon and fish traps.
  • Close up detail picture of the Roman mosaics of the Room of Fishing Cupids depicting cupids fishing from boats using a fishing trap and a rod and line, room no 24  at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Fishing cupids room was a dining room for guests of the Villa Romana del Casale. The mosaic floor represents a sea scene with four boats from which cupids are busy fishing. The mosaic depicts sea around the boats abounds with marine life. The mosaic show several Roman fishing techniques using nets, fishing lines, harpoon and fish traps.
  • Close up detail picture of the Roman mosaics of the Room of Fishing Cupids depicting cupids fishing from boats using a fishing trap and a rod and line, room no 24  at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Fishing cupids room was a dining room for guests of the Villa Romana del Casale. The mosaic floor represents a sea scene with four boats from which cupids are busy fishing. The mosaic depicts sea around the boats abounds with marine life. The mosaic show several Roman fishing techniques using nets, fishing lines, harpoon and fish traps.
  • Close up detail picture of the Roman mosaics of the Room of Fishing Cupids depicting cupids a cupid swimming with a dolphin, room no 24  at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Fishing cupids room was a dining room for guests of the Villa Romana del Casale. The mosaic floor represents a sea scene with four boats from which cupids are busy fishing. The mosaic depicts sea around the boats abounds with marine life. The mosaic show several Roman fishing techniques using nets, fishing lines, harpoon and fish traps.
  • Close up detail picture of the Roman mosaics of the Room of Fishing Cupids depicting cupids fishing from boats using a harpoon and a rod and line, room no 24  at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Fishing cupids room was a dining room for guests of the Villa Romana del Casale. The mosaic floor represents a sea scene with four boats from which cupids are busy fishing. The mosaic depicts sea around the boats abounds with marine life. The mosaic show several Roman fishing techniques using nets, fishing lines, harpoon and fish traps.
  • Close up detail picture of the Roman mosaics of the Room of Fishing Cupids depicting cupids fishing from boats using a harpoon and a rod and line, room no 24  at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Fishing cupids room was a dining room for guests of the Villa Romana del Casale. The mosaic floor represents a sea scene with four boats from which cupids are busy fishing. The mosaic depicts sea around the boats abounds with marine life. The mosaic show several Roman fishing techniques using nets, fishing lines, harpoon and fish traps.
  • Wide picture of the Roman mosaics of the Room of Fishing Cupids depicting cupids fishing from boats, room no 24  at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Close up detail picture of the Roman mosaics of the Semi Circular Room, depicting cupids fishing from boats, at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Close up detail picture of the Roman mosaics of the Semi Circular Room, depicting cupids fishing from boats, at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Close up detail picture of the Roman mosaics of the Semi Circular Room, depicting cupids fishing from boats, at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Close up detail picture of the Roman mosaics of the Semi Circular Room, depicting cupids fishing from boats, at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Close up detail picture of the Roman mosaics of the Semi Circular Room, depicting cupids fishing from boats, at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Close up detail picture of the Roman mosaics of the Semi Circular Room, depicting cupids fishing from boats, at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Close up detail picture of the Roman mosaics of the Semi Circular Room, depicting cupids fishing from boats, at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Close up detail of the Roman mosaics of the Semi Circular Room, depicting cupids fishing from boats, at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Wide picture of the Roman mosaics of the Semi Circular Room, depicting cupids fishing from boats, at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Wide picture of the Roman mosaics of the Semi Circular Room, depicting cupids fishing from boats, at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Wide picture of the Roman mosaics of the Semi Circular Room, depicting cupids fishing from boats, at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Wide picture of the Roman mosaics of the Semi Circular Room, depicting cupids fishing from boats, at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Close up detail of the Roman mosaics of the Vestibule of Eros & Pan, room no 43  at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Vestibule of Eros and Pan Roman floor mosaic at the Villa Romana del Casale depicts a scene that is intended to show how difficult it is for someone like Pan , who is ugly but has a good heart, to conquer love, represented by Eros. Between the two divinities are a palm leaf and a coin symbolising the prizes to be awarded to the winner of the contest.
  • Close up detail of the Roman mosaics of the Vestibule of Eros & Pan, room no 43  at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Vestibule of Eros and Pan Roman floor mosaic at the Villa Romana del Casale depicts a scene that is intended to show how difficult it is for someone like Pan , who is ugly but has a good heart, to conquer love, represented by Eros. Between the two divinities are a palm leaf and a coin symbolising the prizes to be awarded to the winner of the contest.
  • Wide picture of the Roman mosaics of the Vestibule of Eros & Pan, room no 43  at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Vestibule of Eros and Pan Roman floor mosaic at the Villa Romana del Casale depicts a scene that is intended to show how difficult it is for someone like Pan , who is ugly but has a good heart, to conquer love, represented by Eros. Between the two divinities are a palm leaf and a coin symbolising the prizes to be awarded to the winner of the contest.
  • wide shot of the Roman mosaics of the room of the Small Circus depicting Roman boys riding small chariots pulled by birds in a small circus, The Vestibule of The Smnall Circus, room no 41  at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Roman mosaic know as the Small Circus at the Villa Romana del Casale depicts a scene of a chariot race from the Circus Maximus in Rome. Two wheeled chariots, driven by children,  are racing around a central Pina (barrier) being drawn by fowl and web footed birds. The four chariots represent the four factions that raced against each other at the Circus and the tunics of the cild charioteers and the birds pulling their chariots are distinguished by the four different colours used by each faction.
  • Close up picture of the Roman mosaics of the room of the Small Circus depicting Roman boys riding small chariots pulled by birds in a small circus, The Vestibule of The Smnall Circus, room no 41  at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Roman mosaic know as the Small Circus at the Villa Romana del Casale depicts a scene of a chariot race from the Circus Maximus in Rome. Two wheeled chariots, driven by children,  are racing around a central Pina (barrier) being drawn by fowl and web footed birds. The four chariots represent the four factions that raced against each other at the Circus and the tunics of the cild charioteers and the birds pulling their chariots are distinguished by the four different colours used by each faction.
  • Close up picture of the Roman mosaics of the room of the Small Circus depicting Roman boys riding small chariots pulled by birds in a small circus, The Vestibule of The Smnall Circus, room no 41  at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Roman mosaic know as the Small Circus at the Villa Romana del Casale depicts a scene of a chariot race from the Circus Maximus in Rome. Two wheeled chariots, driven by children,  are racing around a central Pina (barrier) being drawn by fowl and web footed birds. The four chariots represent the four factions that raced against each other at the Circus and the tunics of the cild charioteers and the birds pulling their chariots are distinguished by the four different colours used by each faction.
  • Close up picture of the Roman mosaics of the room of the Small Circus depicting Roman boys riding small chariots pulled by geese in a small circus, The Vestibule of The Smnall Circus, room no 41  at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Roman mosaic know as the Small Circus at the Villa Romana del Casale depicts a scene of a chariot race from the Circus Maximus in Rome. Two wheeled chariots, driven by children,  are racing around a central Pina (barrier) being drawn by fowl and web footed birds. The four chariots represent the four factions that raced against each other at the Circus and the tunics of the cild charioteers and the birds pulling their chariots are distinguished by the four different colours used by each faction.
  • Close up picture of the Roman mosaics of the room of the Small Circus depicting Roman boys riding small chariots pulled by geese in a small circus, The Vestibule of The Smnall Circus, room no 41  at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Roman mosaic know as the Small Circus at the Villa Romana del Casale depicts a scene of a chariot race from the Circus Maximus in Rome. Two wheeled chariots, driven by children,  are racing around a central Pina (barrier) being drawn by fowl and web footed birds. The four chariots represent the four factions that raced against each other at the Circus and the tunics of the cild charioteers and the birds pulling their chariots are distinguished by the four different colours used by each faction.
  • Close up picture of the Roman mosaics of the room of the Small Circus depicting Roman boys riding small chariots pulled by birds in a small circus, The Vestibule of The Smnall Circus, room no 41  at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Roman mosaic know as the Small Circus at the Villa Romana del Casale depicts a scene of a chariot race from the Circus Maximus in Rome. Two wheeled chariots, driven by children,  are racing around a central Pina (barrier) being drawn by fowl and web footed birds. The four chariots represent the four factions that raced against each other at the Circus and the tunics of the cild charioteers and the birds pulling their chariots are distinguished by the four different colours used by each faction.
  • Close up picture of the Roman mosaics of the room of the Small Circus depicting Roman boys riding small chariots pulled by pigeons in a small circus, The Vestibule of The Smnall Circus, room no 41  at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Roman mosaic know as the Small Circus at the Villa Romana del Casale depicts a scene of a chariot race from the Circus Maximus in Rome. Two wheeled chariots, driven by children,  are racing around a central Pina (barrier) being drawn by fowl and web footed birds. The four chariots represent the four factions that raced against each other at the Circus and the tunics of the cild charioteers and the birds pulling their chariots are distinguished by the four different colours used by each faction.
  • Close up picture of the Roman mosaics of the room of the Small Circus depicting Roman boys riding small chariots pulled by birds in a small circus, The Vestibule of The Smnall Circus, room no 41  at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Roman mosaic know as the Small Circus at the Villa Romana del Casale depicts a scene of a chariot race from the Circus Maximus in Rome. Two wheeled chariots, driven by children,  are racing around a central Pina (barrier) being drawn by fowl and web footed birds. The four chariots represent the four factions that raced against each other at the Circus and the tunics of the cild charioteers and the birds pulling their chariots are distinguished by the four different colours used by each faction.
  • Wide picture of the Roman mosaics of the room of the Small Circus depicting Roman boys riding small chariots pulled by birds in a small circus, The Vestibule of The Smnall Circus, room no 41  at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Roman mosaic know as the Small Circus at the Villa Romana del Casale depicts a scene of a chariot race from the Circus Maximus in Rome. Two wheeled chariots, driven by children,  are racing around a central Pina (barrier) being drawn by fowl and web footed birds. The four chariots represent the four factions that raced against each other at the Circus and the tunics of the cild charioteers and the birds pulling their chariots are distinguished by the four different colours used by each faction.
  • Wide picture of the Roman mosaics of the room of the Small Circus depicting Roman boys riding small chariots pulled by birds in a small circus, The Vestibule of The Smnall Circus, room no 41  at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Roman mosaic know as the Small Circus at the Villa Romana del Casale depicts a scene of a chariot race from the Circus Maximus in Rome. Two wheeled chariots, driven by children,  are racing around a central Pina (barrier) being drawn by fowl and web footed birds. The four chariots represent the four factions that raced against each other at the Circus and the tunics of the cild charioteers and the birds pulling their chariots are distinguished by the four different colours used by each faction.
  • Close up picture of the Roman mosaics of the room of the Ten Bikini Girls depicting Roman women in an athletic competition, room no 30, at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Close up picture of the Roman mosaics of the room of the Ten Bikini Girls depicting Roman women in an athletic competition, room no 30, at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Close up picture of the Roman mosaics of the room of the Ten Bikini Girls depicting Roman women in an athletic competition, room no 30, at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Wide picture of the Roman mosaics of the room of the Ten Bikini Girls depicting Roman women in an athletic competition, room no 30, at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Close up picture of the Roman mosaics of the room of the Ten Bikini Girls depicting Roman women in an athletic competition, room no 30, at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Panoramic pictures of the Roman mosaics of the room of the Ten Bikini Girls depicting Roman women in an athletic competition, room no 30, at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Panoramic pictures of the Roman mosaics of the room of the Ten Bikini Girls depicting Roman women in an athletic competition, room no 30, at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Ambulatory of the Great Hunt Roman mosaic, African birds are loaded onto a ship, room no 28, at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Great Hunt ambulatory is around 60 meters long (200 Roman feet) and connects the master’s northern apartments with the triclinium in the south. The door in the centre of the the Great Hunt ambulatory leads to audience hall. <br />
<br />
The Great Hunt Roman mosaic depicts African animals being hunted and put onto ships to be taken to the Colosseum.
  • Wide picture of the Roman mosaics of the room of the Ten Bikini Girls, African birds are loaded onto a ship, room no 30, at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Roman mosaics of the room of the Ten Bikini Girls depicting Roman women in an athletic competition, room no 30, at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Ambulatory of the Great Hunt Roman mosaic, African birds are loaded onto a ship, room no 28, at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Great Hunt ambulatory is around 60 meters long (200 Roman feet) and connects the master’s northern apartments with the triclinium in the south. The door in the centre of the the Great Hunt ambulatory leads to audience hall. <br />
<br />
The Great Hunt Roman mosaic depicts African animals being hunted and put onto ships to be taken to the Colosseum.
  • Ambulatory of the Great Hunt Roman mosaic, African birds are loaded onto a ship, room no 28, at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Great Hunt ambulatory is around 60 meters long (200 Roman feet) and connects the master’s northern apartments with the triclinium in the south. The door in the centre of the the Great Hunt ambulatory leads to audience hall. <br />
<br />
The Great Hunt Roman mosaic depicts African animals being hunted and put onto ships to be taken to the Colosseum.
  • Ambulatory of the Great Hunt Roman mosaic, elephant is loaded onto a ship, room no 28, at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Great Hunt ambulatory is around 60 meters long (200 Roman feet) and connects the master’s northern apartments with the triclinium in the south. The door in the centre of the the Great Hunt ambulatory leads to audience hall. <br />
<br />
The Great Hunt Roman mosaic depicts African animals being hunted and put onto ships to be taken to the Colosseum.
  • Ambulatory of the Great Hunt Roman mosaic, elephant is loaded onto a ship, room no 28, at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Great Hunt ambulatory is around 60 meters long (200 Roman feet) and connects the master’s northern apartments with the triclinium in the south. The door in the centre of the the Great Hunt ambulatory leads to audience hall. <br />
<br />
The Great Hunt Roman mosaic depicts African animals being hunted and put onto ships to be taken to the Colosseum.
  • Ambulatory of the Great Hunt Roman mosaic, elephant is loaded onto a ship, room no 28, at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Great Hunt ambulatory is around 60 meters long (200 Roman feet) and connects the master’s northern apartments with the triclinium in the south. The door in the centre of the the Great Hunt ambulatory leads to audience hall. <br />
<br />
The Great Hunt Roman mosaic depicts African animals being hunted and put onto ships to be taken to the Colosseum.
  • Ambulatory of the Great Hunt Roman mosaic, elephant is loaded onto a ship, room no 28, at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Great Hunt ambulatory is around 60 meters long (200 Roman feet) and connects the master’s northern apartments with the triclinium in the south. The door in the centre of the the Great Hunt ambulatory leads to audience hall. <br />
<br />
The Great Hunt Roman mosaic depicts African animals being hunted and put onto ships to be taken to the Colosseum.
  • Ambulatory of the Great Hunt Roman mosaic, elephant is loaded onto a ship, room no 28, at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Great Hunt ambulatory is around 60 meters long (200 Roman feet) and connects the master’s northern apartments with the triclinium in the south. The door in the centre of the the Great Hunt ambulatory leads to audience hall. <br />
<br />
The Great Hunt Roman mosaic depicts African animals being hunted and put onto ships to be taken to the Colosseum.
  • Ambulatory of the Great Hunt Roman mosaic, african animals are loaded onto a ship, room no 28, at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Great Hunt ambulatory is around 60 meters long (200 Roman feet) and connects the master’s northern apartments with the triclinium in the south. The door in the centre of the the Great Hunt ambulatory leads to audience hall. <br />
<br />
The Great Hunt Roman mosaic depicts African animals being hunted and put onto ships to be taken to the Colosseum.
  • Ambulatory of the Great Hunt Roman mosaic, african animals are loaded onto a ship, room no 28, at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Great Hunt ambulatory is around 60 meters long (200 Roman feet) and connects the master’s northern apartments with the triclinium in the south. The door in the centre of the the Great Hunt ambulatory leads to audience hall. <br />
<br />
The Great Hunt Roman mosaic depicts African animals being hunted and put onto ships to be taken to the Colosseum.
  • Ambulatory of the Great Hunt Roman mosaic, african animals are loaded onto a ship, room no 28, at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Great Hunt ambulatory is around 60 meters long (200 Roman feet) and connects the master’s northern apartments with the triclinium in the south. The door in the centre of the the Great Hunt ambulatory leads to audience hall. <br />
<br />
The Great Hunt Roman mosaic depicts African animals being hunted and put onto ships to be taken to the Colosseum.
  • Ambulatory of the Great Hunt Roman mosaic, african animals are loaded onto a ship, room no 28, at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Great Hunt ambulatory is around 60 meters long (200 Roman feet) and connects the master’s northern apartments with the triclinium in the south. The door in the centre of the the Great Hunt ambulatory leads to audience hall. <br />
<br />
The Great Hunt Roman mosaic depicts African animals being hunted and put onto ships to be taken to the Colosseum.
  • Ambulatory of the Great Hunt Roman mosaic, small boat, room no 28, at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Great Hunt ambulatory is around 60 meters long (200 Roman feet) and connects the master’s northern apartments with the triclinium in the south. The door in the centre of the the Great Hunt ambulatory leads to audience hall. <br />
<br />
The Great Hunt Roman mosaic depicts African animals being hunted and put onto ships to be taken to the Colosseum.
  • Ambulatory of the Great Hunt Roman mosaic, small boat, room no 28, at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Great Hunt ambulatory is around 60 meters long (200 Roman feet) and connects the master’s northern apartments with the triclinium in the south. The door in the centre of the the Great Hunt ambulatory leads to audience hall. <br />
<br />
The Great Hunt Roman mosaic depicts African animals being hunted and put onto ships to be taken to the Colosseum.
  • Ambulatory of the Great Hunt Roman mosaic, gazelle being caught by lion, room no 28, at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Great Hunt ambulatory is around 60 meters long (200 Roman feet) and connects the master’s northern apartments with the triclinium in the south. The door in the centre of the the Great Hunt ambulatory leads to audience hall. <br />
<br />
The Great Hunt Roman mosaic depicts African animals being hunted and put onto ships to be taken to the Colosseum.
  • Ambulatory of the Great Hunt lion Roman mosaic, room no 28, at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Great Hunt ambulatory is around 60 meters long (200 Roman feet) and connects the master’s northern apartments with the triclinium in the south. The door in the centre of the the Great Hunt ambulatory leads to audience hall. <br />
<br />
The Great Hunt Roman mosaic depicts African animals being hunted and put onto ships to be taken to the Colosseum.
  • Ambulatory of the Great Hunt Roman mosaic, Wilder beast is loaded onto a ship, room no 28, at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Great Hunt ambulatory is around 60 meters long (200 Roman feet) and connects the master’s northern apartments with the triclinium in the south. The door in the centre of the the Great Hunt ambulatory leads to audience hall. <br />
<br />
The Great Hunt Roman mosaic depicts African animals being hunted and put onto ships to be taken to the Colosseum.
  • Ambulatory of the Great Hunt Roman mosaic, Ostrich is being taken off a ship, room no 28, at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Great Hunt ambulatory is around 60 meters long (200 Roman feet) and connects the master’s northern apartments with the triclinium in the south. The door in the centre of the the Great Hunt ambulatory leads to audience hall. <br />
<br />
The Great Hunt Roman mosaic depicts African animals being hunted and put onto ships to be taken to the Colosseum.
  • Ambulatory of the Great Hunt Roman mosaic, Wilder beast is loaded onto a ship, room no 28, at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Great Hunt ambulatory is around 60 meters long (200 Roman feet) and connects the master’s northern apartments with the triclinium in the south. The door in the centre of the the Great Hunt ambulatory leads to audience hall. <br />
<br />
The Great Hunt Roman mosaic depicts African animals being hunted and put onto ships to be taken to the Colosseum.
  • Ambulatory of the Great Hunt Roman mosaic, rhino being loaded onto a ship, room no 28, at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Great Hunt ambulatory is around 60 meters long (200 Roman feet) and connects the master’s northern apartments with the triclinium in the south. The door in the centre of the the Great Hunt ambulatory leads to audience hall. <br />
<br />
The Great Hunt Roman mosaic depicts African animals being hunted and put onto ships to be taken to the Colosseum.
  • Ambulatory of the Great Hunt Roman mosaic, rhino being loaded onto a ship, room no 28, at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Great Hunt ambulatory is around 60 meters long (200 Roman feet) and connects the master’s northern apartments with the triclinium in the south. The door in the centre of the the Great Hunt ambulatory leads to audience hall. <br />
<br />
The Great Hunt Roman mosaic depicts African animals being hunted and put onto ships to be taken to the Colosseum.
  • Ambulatory of the Great Hunt Roman mosaic, gazelle being caught by lion, room no 28, at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Great Hunt ambulatory is around 60 meters long (200 Roman feet) and connects the master’s northern apartments with the triclinium in the south. The door in the centre of the the Great Hunt ambulatory leads to audience hall. <br />
<br />
The Great Hunt Roman mosaic depicts African animals being hunted and put onto ships to be taken to the Colosseum.
  • Ambulatory of the Great Hunt Roman mosaic, room no 28, at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Great Hunt ambulatory is around 60 meters long (200 Roman feet) and connects the master’s northern apartments with the triclinium in the south. The door in the centre of the the Great Hunt ambulatory leads to audience hall. <br />
<br />
The Great Hunt Roman mosaic depicts African animals being hunted and put onto ships to be taken to the Colosseum.
  • Ambulatory of the Great Hunt Roman mosaic, room no 28, at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Great Hunt ambulatory is around 60 meters long (200 Roman feet) and connects the master’s northern apartments with the triclinium in the south. The door in the centre of the the Great Hunt ambulatory leads to audience hall. <br />
<br />
The Great Hunt Roman mosaic depicts African animals being hunted and put onto ships to be taken to the Colosseum.
  • Ambulatory of the Great Hunt Roman mosaic, Emperor Maximianus watches the animal hunt, room no 28, at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Great Hunt ambulatory is around 60 meters long (200 Roman feet) and connects the master’s northern apartments with the triclinium in the south. The door in the centre of the the Great Hunt ambulatory leads to audience hall. <br />
<br />
The Great Hunt Roman mosaic depicts African animals being hunted and put onto ships to be taken to the Colosseum.
  • Ambulatory of the Great Hunt Roman mosaic, room no 28, at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Great Hunt ambulatory is around 60 meters long (200 Roman feet) and connects the master’s northern apartments with the triclinium in the south. The door in the centre of the the Great Hunt ambulatory leads to audience hall. <br />
<br />
The Great Hunt Roman mosaic depicts African animals being hunted and put onto ships to be taken to the Colosseum.
  • Close up picture of the Roman mosaics of The floor of the Polygonal Lavatory at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Ambulatory of the Great Hunt Roman mosaic, Emperor Maximianus watches the animal hunt, room no 28, at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Great Hunt ambulatory is around 60 meters long (200 Roman feet) and connects the master’s northern apartments with the triclinium in the south. The door in the centre of the the Great Hunt ambulatory leads to audience hall. <br />
<br />
The Great Hunt Roman mosaic depicts African animals being hunted and put onto ships to be taken to the Colosseum.
  • Ambulatory of the Great Hunt Roman mosaic, Emperor Maximianus watches the animal hunt, room no 28, at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Great Hunt ambulatory is around 60 meters long (200 Roman feet) and connects the master’s northern apartments with the triclinium in the south. The door in the centre of the the Great Hunt ambulatory leads to audience hall. <br />
<br />
The Great Hunt Roman mosaic depicts African animals being hunted and put onto ships to be taken to the Colosseum.
  • Ambulatory of the Great Hunt Roman mosaic panoramic with animals being loaded onto a ship, room no 28, at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Great Hunt ambulatory is around 60 meters long (200 Roman feet) and connects the master’s northern apartments with the triclinium in the south. The door in the centre of the the Great Hunt ambulatory leads to audience hall. <br />
<br />
The Great Hunt Roman mosaic depicts African animals being hunted and put onto ships to be taken to the Colosseum.
  • Ambulatory of the Great Hunt Roman mosaic, room no 28, at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Great Hunt ambulatory is around 60 meters long (200 Roman feet) and connects the master’s northern apartments with the triclinium in the south. The door in the centre of the the Great Hunt ambulatory leads to audience hall. <br />
<br />
The Great Hunt Roman mosaic depicts African animals being hunted and put onto ships to be taken to the Colosseum.
  • Ambulatory of the Great Hunt Roman mosaic, a lion being hunted, room no 28, at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Great Hunt ambulatory is around 60 meters long (200 Roman feet) and connects the master’s northern apartments with the triclinium in the south. The door in the centre of the the Great Hunt ambulatory leads to audience hall. <br />
<br />
The Great Hunt Roman mosaic depicts African animals being hunted and put onto ships to be taken to the Colosseum.
  • Ambulatory of the Great Hunt Roman mosaic, Wagons being pulled by bullocks, room no 28, at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Great Hunt ambulatory is around 60 meters long (200 Roman feet) and connects the master’s northern apartments with the triclinium in the south. The door in the centre of the the Great Hunt ambulatory leads to audience hall. <br />
<br />
The Great Hunt Roman mosaic depicts African animals being hunted and put onto ships to be taken to the Colosseum.
  • Ambulatory of the Great Hunt Roman mosaic, Wagons being pulled by bullocks, room no 28, at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Great Hunt ambulatory is around 60 meters long (200 Roman feet) and connects the master’s northern apartments with the triclinium in the south. The door in the centre of the the Great Hunt ambulatory leads to audience hall. <br />
<br />
The Great Hunt Roman mosaic depicts African animals being hunted and put onto ships to be taken to the Colosseum.
  • Ambulatory of the Great Hunt Roman mosaic, Wagons being pulled by bullocks, room no 28, at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Great Hunt ambulatory is around 60 meters long (200 Roman feet) and connects the master’s northern apartments with the triclinium in the south. The door in the centre of the the Great Hunt ambulatory leads to audience hall. <br />
<br />
The Great Hunt Roman mosaic depicts African animals being hunted and put onto ships to be taken to the Colosseum.
  • Ambulatory of the Great Hunt Roman mosaic, Wagons being pulled by bullocks, room no 28, at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Great Hunt ambulatory is around 60 meters long (200 Roman feet) and connects the master’s northern apartments with the triclinium in the south. The door in the centre of the the Great Hunt ambulatory leads to audience hall. <br />
<br />
The Great Hunt Roman mosaic depicts African animals being hunted and put onto ships to be taken to the Colosseum.
  • Ambulatory of the Great Hunt Roman mosaic, Wagons being pulled by bullocks, room no 28, at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Great Hunt ambulatory is around 60 meters long (200 Roman feet) and connects the master’s northern apartments with the triclinium in the south. The door in the centre of the the Great Hunt ambulatory leads to audience hall. <br />
<br />
The Great Hunt Roman mosaic depicts African animals being hunted and put onto ships to be taken to the Colosseum.

FunkyStock Picture Library Resource

Picture The Past

ABOUT

FunkyStock Picture Library free resource for professional editorial picture editors, picture researchers, historical scholars and students and enthusiasts who want to browse some of the best pictures and images of historic countries, historical places, archaeological sites and the very best museum antiquities and artefacts exhibits in Europe and the Middle East.

Pictures and Images can be downloaded or bought as stock photos or photo art prints.

COUNTRIES

Browse travel pictures and images of historic places and archaeological sites of countries in Europe and the Middle East.

VIEW COUNTRIES INDEX....

HISTORICAL

Explore the past through pictures and images of its historic places. See the great palaces, castles and cities of antiquity as well as the great archaeological sites where our ancestors made history.

EXPLORE HISTORICAL PLACES...

MUSEUMS

Browse pictures & images the treasured artefacts and antiquities exhibits from the great Museum of Europe and the Middle East. See the art and objects made by our ancestors.

SEE MUESEUM ANTIQUITIES....