• Camden lock - London. Tattoo
  • Camden lock - London. Tattoo
  • Camden lock - London. Body Piercing
  • Camden lock - London. Body Piercing
  • Camden lock - London. Shoes sculptures
  • Camden lock - London. Tattoo
  • Camden lock - London. Tattoo
  • Camden lock - London. Orange Juice stall
  • Camden lock - London. Manakin Heads
  • Camden lock - London. Airoplane sculpture
  • Camden lock - London. Airoplane sculpture
  • Camden lock - London. Painted Shop
  • Camden lock - London. Painted Shop
  • Camden lock - London.
  • Camden lock - London. Goth and Punk Clothes
  • Camden lock - London. Goth and Punk Clothes
  • Camden lock - London. Goth and Punk Clothes
  • Camden lock - London. Cat Sculpture
  • Camden lock - London. Cat Sculpture
  • Camden lock - London. Cat Sculpture
  • Camden lock - London.
  • Camden lock - London. Shoes sculptures
  • Camden lock - London. Shoes sculptures
  • Camden lock - London.
  • Camden lock - London. Tattoo
  • Camden lock - London. Tattoo
  • Camden lock - London. Tattoo
  • Camden lock - London. Shoes sculptures
  • Camden lock - London. Shoes sculptures
  • Camden lock - London. Shoes sculptures
  • Camden lock - London. Shoes sculptures
  • Camden lock - London. Shoes sculptures
  • Camden lock - London. Shoes sculptures
  • Camden lock - London. Indian food
  • Camden lock - London. Mexican and Vietmese food
  • Camden lock - London. Sweetcorn stall
  • Camden lock - London. Sign on Bridge
  • Camden lock - London. Sign on Bridge
  • Camden lock - London. Sign on Bridge
  • Camden lock - London. Sign on building
  • Locks of lovers with messages chained on the railings in Pecs ( Pécs ) - European Cultural City of The Year 2010 , Hungary
  • Locks of lovers with messages chained on the railings in Pecs ( Pécs ) - European Cultural City of The Year 2010 , Hungary
  • Locks of lovers with messages chained on the railings in Pecs ( Pécs ) - European Cultural City of The Year 2010 , Hungary
  • Locks of lovers with messages chained on the railings in Pecs ( Pécs ) - European Cultural City of The Year 2010 , Hungary
  • Locks of lovers with messages chained on the railings in Pecs ( Pécs ) - European Cultural City of The Year 2010 , Hungary
  • Locks of lovers with messages chained on the railings in Pecs ( Pécs ) - European Cultural City of The Year 2010 , Hungary
  • Locks of lovers with messages chained on the railings in Pecs ( Pécs ) - European Cultural City of The Year 2010 , Hungary
  • Locks of lovers with messages chained on the railings in Pecs ( Pécs ) - European Cultural City of The Year 2010 , Hungary
  • "Unreliable Sightings No: 5 " - Manakins with headbands, Camden Lock, London. Selective colour photo art print by photographer Paul E Williams.
  • Roman bust of Alexander the Great, 2nd cent B.C bronze with gold leaf. The head is from a smaller than life size statue. The elongated curls, the parted locks and the diadem that fastens the hair at the back, are clear indications that the head is a portrait of the Macedonian King Alexander the Great (356-323 B.C.). Inv 66177, The National Roman Museum, Rome, Italy
  • Roman bust of Alexander the Great, 2nd cent B.C bronze with gold leaf. The head is from a smaller than life size statue. The elongated curls, the parted locks and the diadem that fastens the hair at the back, are clear indications that the head is a portrait of the Macedonian King Alexander the Great (356-323 B.C.). Inv 66177, The National Roman Museum, Rome, Italy
  • Roman bust of Alexander the Great, 2nd cent B.C bronze with gold leaf. The head is from a smaller than life size statue. The elongated curls, the parted locks and the diadem that fastens the hair at the back, are clear indications that the head is a portrait of the Macedonian King Alexander the Great (356-323 B.C.). Inv 66177, The National Roman Museum, Rome, Italy
  • Roman bust of Alexander the Great, 2nd cent B.C bronze with gold leaf. The head is from a smaller than life size statue. The elongated curls, the parted locks and the diadem that fastens the hair at the back, are clear indications that the head is a portrait of the Macedonian King Alexander the Great (356-323 B.C.). Inv 66177, The National Roman Museum, Rome, Italy
  • Roman bust of Alexander the Great, 2nd cent B.C bronze with gold leaf. The head is from a smaller than life size statue. The elongated curls, the parted locks and the diadem that fastens the hair at the back, are clear indications that the head is a portrait of the Macedonian King Alexander the Great (356-323 B.C.). Inv 66177, The National Roman Museum, Rome, Italy
  • Roman portrait bust of a young man from the reign of Nero, 54-68 AD. This portrait can be dated to the reign of Nero due to the facial features and hair style, with short locks and long fringe over the forehead. The young man is wearing a tunic, stopped with a small fibula (clasp) on the left shoulder. Inv 281, The National Roman Museum, Rome, Italy
  • Roman portrait bust of a young man from the reign of Nero, 54-68 AD. This portrait can be dated to the reign of Nero due to the facial features and hair style, with short locks and long fringe over the forehead. The young man is wearing a tunic, stopped with a small fibula (clasp) on the left shoulder. Inv 281, The National Roman Museum, Rome, Italy
  • Roman portrait bust of a young man from the reign of Nero, 54-68 AD. This portrait can be dated to the reign of Nero due to the facial features and hair style, with short locks and long fringe over the forehead. The young man is wearing a tunic, stopped with a small fibula (clasp) on the left shoulder. Inv 281, The National Roman Museum, Rome, Italy
  • Roman portrait bust of a young man from the reign of Nero, 54-68 AD. This portrait can be dated to the reign of Nero due to the facial features and hair style, with short locks and long fringe over the forehead. The young man is wearing a tunic, stopped with a small fibula (clasp) on the left shoulder. Inv 281, The National Roman Museum, Rome, Italy
  • Roman portrait bust of a young man from the reign of Nero, 54-68 AD. This portrait can be dated to the reign of Nero due to the facial features and hair style, with short locks and long fringe over the forehead. The young man is wearing a tunic, stopped with a small fibula (clasp) on the left shoulder. Inv 281, The National Roman Museum, Rome, Italy
  • Roman portrait bust of a young man from the reign of Nero, 54-68 AD. This portrait can be dated to the reign of Nero due to the facial features and hair style, with short locks and long fringe over the forehead. The young man is wearing a tunic, stopped with a small fibula (clasp) on the left shoulder. Inv 281, The National Roman Museum, Rome, Italy
  • Roman portrait bust of a young man from the reign of Nero, 54-68 AD. This portrait can be dated to the reign of Nero due to the facial features and hair style, with short locks and long fringe over the forehead. The young man is wearing a tunic, stopped with a small fibula (clasp) on the left shoulder. Inv 281, The National Roman Museum, Rome, Italy
  • Roman portrait bust of a young man from the reign of Nero, 54-68 AD. This portrait can be dated to the reign of Nero due to the facial features and hair style, with short locks and long fringe over the forehead. The young man is wearing a tunic, stopped with a small fibula (clasp) on the left shoulder. Inv 281, The National Roman Museum, Rome, Italy
  • Roman portrait bust of a young man from the reign of Nero, 54-68 AD. This portrait can be dated to the reign of Nero due to the facial features and hair style, with short locks and long fringe over the forehead. The young man is wearing a tunic, stopped with a small fibula (clasp) on the left shoulder. Inv 281, The National Roman Museum, Rome, Italy
  • Roman portrait bust of a young man from the reign of Nero, 54-68 AD. This portrait can be dated to the reign of Nero due to the facial features and hair style, with short locks and long fringe over the forehead. The young man is wearing a tunic, stopped with a small fibula (clasp) on the left shoulder. Inv 281, The National Roman Museum, Rome, Italy
  • Roman bust of Alexander the Great, 2nd cent B.C bronze with gold leaf. The head is from a smaller than life size statue. The elongated curls, the parted locks and the diadem that fastens the hair at the back, are clear indications that the head is a portrait of the Macedonian King Alexander the Great (356-323 B.C.). Inv 66177, The National Roman Museum, Rome, Italy
  • Roman bust of Alexander the Great, 2nd cent B.C bronze with gold leaf. The head is from a smaller than life size statue. The elongated curls, the parted locks and the diadem that fastens the hair at the back, are clear indications that the head is a portrait of the Macedonian King Alexander the Great (356-323 B.C.). Inv 66177, The National Roman Museum, Rome, Italy
  • Roman bust of Alexander the Great, 2nd cent B.C bronze with gold leaf. The head is from a smaller than life size statue. The elongated curls, the parted locks and the diadem that fastens the hair at the back, are clear indications that the head is a portrait of the Macedonian King Alexander the Great (356-323 B.C.). Inv 66177, The National Roman Museum, Rome, Italy
  • Roman bust of Alexander the Great, 2nd cent B.C bronze with gold leaf. The head is from a smaller than life size statue. The elongated curls, the parted locks and the diadem that fastens the hair at the back, are clear indications that the head is a portrait of the Macedonian King Alexander the Great (356-323 B.C.). Inv 66177, The National Roman Museum, Rome, Italy
  • Roman bust of Alexander the Great, 2nd cent B.C bronze with gold leaf. The head is from a smaller than life size statue. The elongated curls, the parted locks and the diadem that fastens the hair at the back, are clear indications that the head is a portrait of the Macedonian King Alexander the Great (356-323 B.C.). Inv 66177, The National Roman Museum, Rome, Italy

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