• Smoked salmon rolls filled with cream cheese and cream cheese and peppers, in a party buffet setting.
  • Hotel terrace overlooking the volcanic plug  of Imerovigli, Santorini, Greece.
  • The hotel island Sveti Stefan in Montenegro
  • The hotel island Sveti Stefan in Montenegro
  • The hotel island Sveti Stefan in Montenegro
  • Smoked salmon parcel filled with cream cheese and cream cheese and crab, in a party buffet setting.
  • Smoked salmon parcel filled with cream cheese and cream cheese and crab, in a party buffet setting.
  • Smoked salmon rolls filled with cream cheese and cream cheese and peppers, in a party buffet setting.
  • Crab mousse made into a ring and cut, in a party buffet setting.
  • The hotel island Sveti Stefan in Montenegro
  • Minoan small luxury rock crystal rhython with a handle of crstal deads and guilded ivory, Zakros Centural Sanctuary Complex  1500-1400 BC; Heraklion Archaeological  Museum, grey background.
  • Minoan luxury "teapot" with elaborate spout from Phaistos Palace 1800-1600 BC; Heraklion Archaeological  Museum, black background.<br />
<br />
This style of pottery is named afetr Kamares cave where this style of pottery was first found
  • Luxury Minoan Kamares banqueting Ware fruit stand richly decorated, Phaistos  1800-1700 BC; Heraklion Archaeological  Museum, black background.<br />
<br />
This style of pottery is named afetr Kamares cave where this style of pottery was first found.
  • Luxury Minoan Kamares banqueting Ware fruit stand richly decorated, Phaistos  1800-1700 BC; Heraklion Archaeological  Museum.<br />
<br />
This style of pottery is named afetr Kamares cave where this style of pottery was first found.
  • Luxury Minoan Kamares banqueting Ware  ewer with chequor board decorations , Knossos 1800-1700 BC; Heraklion Archaeological  Museum, grey background.<br />
<br />
This style of pottery is named afetr Kamares cave where this style of pottery was first found.
  • Luxury Minoan Kamares banqueting Ware  ewer with chequor board decorations , Knossos 1800-1700 BC; Heraklion Archaeological  Museum.<br />
<br />
This style of pottery is named afetr Kamares cave where this style of pottery was first found.
  • Luxury Minoan Kamares banqueting Ware  krater richly decorated with appiique lilies, Phaistos  1800-1700 BC; Heraklion Archaeological  Museum, white background.<br />
<br />
This style of pottery is named afetr Kamares cave where this style of pottery was first found.
  • Luxury Minoan Kamares banqueting Ware  krater richly decorated with appiique lilies, Phaistos  1800-1700 BC; Heraklion Archaeological  Museum, grey background.<br />
<br />
This style of pottery is named afetr Kamares cave where this style of pottery was first found.
  • Luxury Minoan Kamares banqueting Ware  krater richly decorated with appiique lilies, Phaistos  1800-1700 BC; Heraklion Archaeological  Museum, white background.<br />
<br />
This style of pottery is named afetr Kamares cave where this style of pottery was first found.
  • Luxury Minoan Kamares banqueting Ware  krater richly decorated with appiique lilies, Phaistos  1800-1700 BC; Heraklion Archaeological  Museum, black background.<br />
<br />
This style of pottery is named afetr Kamares cave where this style of pottery was first found.
  • Luxury Minoan Kamares Ware ewer jug with polychrome decorations , Phaistos 1900-1700 BC; Heraklion Archaeological  Museum, white background.<br />
<br />
This style of pottery is named afetr Kamares cave where this style of pottery was first found
  • Luxury Minoan Kamares Ware ewer jug with polychrome decorations , Phaistos 1900-1700 BC; Heraklion Archaeological  Museum, black background.<br />
<br />
This style of pottery is named afetr Kamares cave where this style of pottery was first found
  • Luxury Minoan Kamares Ware ewer jug with polychrome decorations , Phaistos 1900-1700 BC; Heraklion Archaeological  Museum, grey background.<br />
<br />
This style of pottery is named afetr Kamares cave where this style of pottery was first found
  • Luxury Minoan Kamares Ware ewer jug with polychrome decorations , Phaistos 1900-1700 BC; Heraklion Archaeological  Museum, grey background.<br />
<br />
This style of pottery is named afetr Kamares cave where this style of pottery was first found
  • Luxury Minoan Kamares Ware Pseudostomos jug with spout and polychrome decorations , Phaistos 1900-1700 BC; Heraklion Archaeological  Museum, black background.<br />
<br />
This style of pottery is named afetr Kamares cave where this style of pottery was first found
  • Luxury Minoan Kamares Ware Pseudostomos jug with spout and polychrome decorations , Phaistos 1900-1700 BC; Heraklion Archaeological  Museum.<br />
<br />
This style of pottery is named afetr Kamares cave where this style of pottery was first found
  • Luxury Minoan Kamares Ware Pseudostomos jug with spout and polychrome decorations , Phaistos 1900-1700 BC; Heraklion Archaeological  Museum, grey background.<br />
<br />
This style of pottery is named afetr Kamares cave where this style of pottery was first found
  • Luxury Minoan Kamares Ware storage pot with handles and polychrome floral decorations , Phaistos 1900-1700 BC; Heraklion Archaeological  Museum.<br />
<br />
This style of pottery is named afetr Kamares cave where this style of pottery was first found
  • Luxury Minoan Kamares Ware storage pot with handles and polychrome floral decorations , Phaistos 1900-1700 BC; Heraklion Archaeological  Museum, black background.<br />
<br />
This style of pottery is named afetr Kamares cave where this style of pottery was first found
  • Luxury Minoan Kamares Ware storage pot with handles and polychrome floral decorations , Phaistos 1900-1700 BC; Heraklion Archaeological  Museum, grey background.<br />
<br />
This style of pottery is named afetr Kamares cave where this style of pottery was first found
  • Luxury Minoan Kamares Ware storage pot with handles and polychrome floral decorations , Phaistos 1900-1700 BC; Heraklion Archaeological  Museum.<br />
<br />
This style of pottery is named afetr Kamares cave where this style of pottery was first found
  • Luxury Minoan Kamares Ware pot with spout and lid with polychrome decorations , Phaistos 1900-1700 BC; Heraklion Archaeological  Museum, white background.<br />
<br />
This style of pottery is named afetr Kamares cave where this style of pottery was first found
  • Luxury Minoan Kamares Ware pot with spout and lid with polychrome decorations , Phaistos 1900-1700 BC; Heraklion Archaeological  Museum, grey background.<br />
<br />
This style of pottery is named afetr Kamares cave where this style of pottery was first found
  • Luxury Minoan Kamares Ware storage poy with swirl olychrome decorations , Phaistos 1900-1700 BC; Heraklion Archaeological  Museum, white background.<br />
<br />
This style of pottery is named afetr Kamares cave where this style of pottery was first found
  • Luxury Minoan Kamares Ware storage poy with swirl olychrome decorations , Phaistos 1900-1700 BC; Heraklion Archaeological  Museum, black background.<br />
<br />
This style of pottery is named afetr Kamares cave where this style of pottery was first found
  • Luxury Minoan Kamares Ware storage poy with swirl olychrome decorations , Phaistos 1900-1700 BC; Heraklion Archaeological  Museum, grey background.<br />
<br />
This style of pottery is named afetr Kamares cave where this style of pottery was first found
  • Luxury Minoan Kamares Ware pithos storage pot with incised swirl  decorations , Phaistos 1900-1700 BC; Heraklion Archaeological  Museum, white background.<br />
<br />
This style of pottery is named afetr Kamares cave where this style of pottery was first found
  • Luxury Minoan Kamares Ware pithos storage pot with incised swirl  decorations , Phaistos 1900-1700 BC; Heraklion Archaeological  Museum.<br />
<br />
This style of pottery is named afetr Kamares cave where this style of pottery was first found
  • Luxury Minoan Kamares Ware pithos storage pot with incised swirl  decorations , Phaistos 1900-1700 BC; Heraklion Archaeological  Museum, grey background.<br />
<br />
This style of pottery is named afetr Kamares cave where this style of pottery was first found
  • Minoan small luxury rock crystal rhython with a handle of crstal deads and guilded ivory, Zakros Centural Sanctuary Complex  1500-1400 BC; Heraklion Archaeological  Museum, white background.
  • Minoan small luxury rock crystal rhython with a handle of crstal deads and guilded ivory, Zakros Centural Sanctuary Complex  1500-1400 BC; Heraklion Archaeological  Museum, black background.
  • Minoan small luxury rock crystal rhython with a handle of crstal deads and guilded ivory, Zakros Centural Sanctuary Complex  1500-1400 BC; Heraklion Archaeological  Museum.
  • Minoan small luxury rock crystal rhython with a handle of crstal deads and guilded ivory, Zakros Centural Sanctuary Complex  1500-1400 BC; Heraklion Archaeological  Museum, grey background.
  • Minoan luxury "teapot" with elaborate spout from Phaistos Palace 1800-1600 BC; Heraklion Archaeological  Museum, white background.<br />
<br />
This style of pottery is named afetr Kamares cave where this style of pottery was first found
  • Minoan luxury "teapot" with elaborate spout from Phaistos Palace 1800-1600 BC; Heraklion Archaeological  Museum, grey background.<br />
<br />
This style of pottery is named afetr Kamares cave where this style of pottery was first found
  • Minoan luxury "teapot" with elaborate spout from Phaistos Palace 1800-1600 BC; Heraklion Archaeological  Museum.<br />
<br />
This style of pottery is named afetr Kamares cave where this style of pottery was first found
  • Minoan luxury "teapot" with elaborate spout from Phaistos Palace 1800-1600 BC; Heraklion Archaeological  Museum, grey background.<br />
<br />
This style of pottery is named afetr Kamares cave where this style of pottery was first found
  • Luxury Minoan Kamares banqueting Ware fruit stand richly decorated, Phaistos  1800-1700 BC; Heraklion Archaeological  Museum, white background.<br />
<br />
This style of pottery is named afetr Kamares cave where this style of pottery was first found.
  • Luxury Minoan Kamares banqueting Ware fruit stand richly decorated, Phaistos  1800-1700 BC; Heraklion Archaeological  Museum, grey background.<br />
<br />
This style of pottery is named afetr Kamares cave where this style of pottery was first found.
  • Luxury Minoan Kamares banqueting Ware fruit stand richly decorated, Phaistos  1800-1700 BC; Heraklion Archaeological  Museum, grey background.<br />
<br />
This style of pottery is named afetr Kamares cave where this style of pottery was first found.
  • Luxury Minoan Kamares banqueting Ware  ewer with chequor board decorations , Knossos 1800-1700 BC; Heraklion Archaeological  Museum, white background.<br />
<br />
This style of pottery is named afetr Kamares cave where this style of pottery was first found.
  • Luxury Minoan Kamares banqueting Ware  ewer with chequor board decorations , Knossos 1800-1700 BC; Heraklion Archaeological  Museum, black background.<br />
<br />
This style of pottery is named afetr Kamares cave where this style of pottery was first found.
  • Luxury Minoan Kamares banqueting Ware  ewer with chequor board decorations , Knossos 1800-1700 BC; Heraklion Archaeological  Museum, grey background.<br />
<br />
This style of pottery is named afetr Kamares cave where this style of pottery was first found.
  • Luxury Minoan Kamares banqueting Ware  krater richly decorated with appiique lilies, Phaistos  1800-1700 BC; Heraklion Archaeological  Museum, black background.<br />
<br />
This style of pottery is named afetr Kamares cave where this style of pottery was first found.
  • Luxury Minoan Kamares banqueting Ware  krater richly decorated with appiique lilies, Phaistos  1800-1700 BC; Heraklion Archaeological  Museum, grey background.<br />
<br />
This style of pottery is named afetr Kamares cave where this style of pottery was first found.
  • Luxury Minoan Kamares banqueting Ware  krater richly decorated with appiique lilies, Phaistos  1800-1700 BC; Heraklion Archaeological  Museum.<br />
<br />
This style of pottery is named afetr Kamares cave where this style of pottery was first found.
  • Luxury Minoan Kamares banqueting Ware  krater richly decorated with appiique lilies, Phaistos  1800-1700 BC; Heraklion Archaeological  Museum, grey background.<br />
<br />
This style of pottery is named afetr Kamares cave where this style of pottery was first found.
  • Luxury Minoan Kamares banqueting Ware  krater richly decorated with appiique lilies, Phaistos  1800-1700 BC; Heraklion Archaeological  Museum, grey background.<br />
<br />
This style of pottery is named afetr Kamares cave where this style of pottery was first found.
  • Luxury Minoan Kamares banqueting Ware  krater richly decorated with appiique lilies, Phaistos  1800-1700 BC; Heraklion Archaeological  Museum.<br />
<br />
This style of pottery is named afetr Kamares cave where this style of pottery was first found.
  • Luxury Minoan Kamares Ware ewer jug with polychrome decorations , Phaistos 1900-1700 BC; Heraklion Archaeological  Museum.<br />
<br />
This style of pottery is named afetr Kamares cave where this style of pottery was first found
  • Luxury Minoan Kamares Ware Pseudostomos jug with spout and polychrome decorations , Phaistos 1900-1700 BC; Heraklion Archaeological  Museum , white background.<br />
<br />
This style of pottery is named afetr Kamares cave where this style of pottery was first found
  • Luxury Minoan Kamares Ware Pseudostomos jug with spout and polychrome decorations , Phaistos 1900-1700 BC; Heraklion Archaeological  Museum, grey background.<br />
<br />
This style of pottery is named afetr Kamares cave where this style of pottery was first found
  • Luxury Minoan Kamares Ware storage pot with handles and polychrome floral decorations , Phaistos 1900-1700 BC; Heraklion Archaeological  Museum, grey background.<br />
<br />
This style of pottery is named afetr Kamares cave where this style of pottery was first found
  • Luxury Minoan Kamares Ware pot with spout and lid with polychrome decorations , Phaistos 1900-1700 BC; Heraklion Archaeological  Museum, grey background.<br />
<br />
This style of pottery is named afetr Kamares cave where this style of pottery was first found
  • Luxury Minoan Kamares Ware pot with spout and lid with polychrome decorations , Phaistos 1900-1700 BC; Heraklion Archaeological  Museum, black background.<br />
<br />
This style of pottery is named afetr Kamares cave where this style of pottery was first found
  • Luxury Minoan Kamares Ware pot with spout and lid with polychrome decorations , Phaistos 1900-1700 BC; Heraklion Archaeological  Museum.<br />
<br />
This style of pottery is named afetr Kamares cave where this style of pottery was first found
  • Luxury Minoan Kamares Ware storage poy with swirl olychrome decorations , Phaistos 1900-1700 BC; Heraklion Archaeological  Museum.<br />
<br />
This style of pottery is named afetr Kamares cave where this style of pottery was first found
  • Luxury Minoan Kamares Ware storage poy with swirl olychrome decorations , Phaistos 1900-1700 BC; Heraklion Archaeological  Museum, grey background.<br />
<br />
This style of pottery is named afetr Kamares cave where this style of pottery was first found
  • Luxury Minoan Kamares Ware pithos storage pot with incised swirl  decorations , Phaistos 1900-1700 BC; Heraklion Archaeological  Museum, grey background.<br />
<br />
This style of pottery is named afetr Kamares cave where this style of pottery was first found
  • Luxury Minoan Kamares Ware pithos storage pot with incised swirl  decorations , Phaistos 1900-1700 BC; Heraklion Archaeological  Museum, black background.<br />
<br />
This style of pottery is named afetr Kamares cave where this style of pottery was first found
  • Apse of Saint Peter de la Seu d'Urgell<br />
<br />
Second quarter of the twelfth century<br />
Fresco transferred to canvas<br />
From the church of St. Peter currently dedicated to St. Michael and St. Peter Cathedral group of Seu d'Urgell (Alt Urgell)<br />
<br />
Acquisition of the Museum Board Campaign 1919-1923<br />
MNAC 15867<br />
<br />
<br />
The apse is the most important part of the church as it was where the altar was located. The apse of La Seu d'Urgell like most Romanesque apses was decorated with frescoes of a Theophany (referring to images of the Incarnation of Jesus).High up in the semi circular cupola of the apse is a large image of Christ in Majesty, or Christ Pantocrator, in a mandorla, a pointed verticle oval shaped aureola which surrounds the figures of Christ and the Virgin Mary in traditional Christian art.  This is flanked by Tetramorph showing the four evangelical symbols - St Matthew the man, St Mark the lion, St Luke the ox, and John the eagle. In the middle register is are a series of  frescoes of the Apostles and the figure of Mary. The lower register, which has not been preserved, must have been painted curtains that imitated luxury fabrics.
  • Apse of Saint Peter de la Seu d'Urgell<br />
<br />
Second quarter of the twelfth century<br />
Fresco transferred to canvas<br />
From the church of St. Peter currently dedicated to St. Michael and St. Peter Cathedral group of Seu d'Urgell (Alt Urgell)<br />
<br />
Acquisition of the Museum Board Campaign 1919-1923<br />
MNAC 15867<br />
<br />
<br />
The apse is the most important part of the church as it was where the altar was located. The apse of La Seu d'Urgell like most Romanesque apses was decorated with frescoes of a Theophany (referring to images of the Incarnation of Jesus).High up in the semi circular cupola of the apse is a large image of Christ in Majesty, or Christ Pantocrator, in a mandorla, a pointed verticle oval shaped aureola which surrounds the figures of Christ and the Virgin Mary in traditional Christian art.  This is flanked by Tetramorph showing the four evangelical symbols - St Matthew the man, St Mark the lion, St Luke the ox, and John the eagle. In the middle register is are a series of  frescoes of the Apostles and the figure of Mary. The lower register, which has not been preserved, must have been painted curtains that imitated luxury fabrics.
  • Apse of Saint Peter de la Seu d'Urgell<br />
<br />
Second quarter of the twelfth century<br />
Fresco transferred to canvas<br />
From the church of St. Peter currently dedicated to St. Michael and St. Peter Cathedral group of Seu d'Urgell (Alt Urgell)<br />
<br />
Acquisition of the Museum Board Campaign 1919-1923<br />
MNAC 15867<br />
<br />
<br />
The apse is the most important part of the church as it was where the altar was located. The apse of La Seu d'Urgell like most Romanesque apses was decorated with frescoes of a Theophany (referring to images of the Incarnation of Jesus).High up in the semi circular cupola of the apse is a large image of Christ in Majesty, or Christ Pantocrator, in a mandorla, a pointed verticle oval shaped aureola which surrounds the figures of Christ and the Virgin Mary in traditional Christian art.  This is flanked by Tetramorph showing the four evangelical symbols - St Matthew the man, St Mark the lion, St Luke the ox, and John the eagle. In the middle register is are a series of  frescoes of the Apostles and the figure of Mary. The lower register, which has not been preserved, must have been painted curtains that imitated luxury fabrics.
  • Apse of Saint Peter de la Seu d'Urgell<br />
<br />
Second quarter of the twelfth century<br />
Fresco transferred to canvas<br />
From the church of St. Peter currently dedicated to St. Michael and St. Peter Cathedral group of Seu d'Urgell (Alt Urgell)<br />
<br />
Acquisition of the Museum Board Campaign 1919-1923<br />
MNAC 15867<br />
<br />
<br />
The apse is the most important part of the church as it was where the altar was located. The apse of La Seu d'Urgell like most Romanesque apses was decorated with frescoes of a Theophany (referring to images of the Incarnation of Jesus).High up in the semi circular cupola of the apse is a large image of Christ in Majesty, or Christ Pantocrator, in a mandorla, a pointed verticle oval shaped aureola which surrounds the figures of Christ and the Virgin Mary in traditional Christian art.  This is flanked by Tetramorph showing the four evangelical symbols - St Matthew the man, St Mark the lion, St Luke the ox, and John the eagle. In the middle register is are a series of  frescoes of the Apostles and the figure of Mary. The lower register, which has not been preserved, must have been painted curtains that imitated luxury fabrics.
  • Apse of Saint Peter de la Seu d'Urgell<br />
<br />
Second quarter of the twelfth century<br />
Fresco transferred to canvas<br />
From the church of St. Peter currently dedicated to St. Michael and St. Peter Cathedral group of Seu d'Urgell (Alt Urgell)<br />
<br />
Acquisition of the Museum Board Campaign 1919-1923<br />
MNAC 15867<br />
<br />
<br />
The apse is the most important part of the church as it was where the altar was located. The apse of La Seu d'Urgell like most Romanesque apses was decorated with frescoes of a Theophany (referring to images of the Incarnation of Jesus).High up in the semi circular cupola of the apse is a large image of Christ in Majesty, or Christ Pantocrator, in a mandorla, a pointed verticle oval shaped aureola which surrounds the figures of Christ and the Virgin Mary in traditional Christian art.  This is flanked by Tetramorph showing the four evangelical symbols - St Matthew the man, St Mark the lion, St Luke the ox, and John the eagle. In the middle register is are a series of  frescoes of the Apostles and the figure of Mary. The lower register, which has not been preserved, must have been painted curtains that imitated luxury fabrics.
  • Apse of Saint Peter de la Seu d'Urgell<br />
<br />
Second quarter of the twelfth century<br />
Fresco transferred to canvas<br />
From the church of St. Peter currently dedicated to St. Michael and St. Peter Cathedral group of Seu d'Urgell (Alt Urgell)<br />
<br />
Acquisition of the Museum Board Campaign 1919-1923<br />
MNAC 15867<br />
<br />
<br />
The apse is the most important part of the church as it was where the altar was located. The apse of La Seu d'Urgell like most Romanesque apses was decorated with frescoes of a Theophany (referring to images of the Incarnation of Jesus).High up in the semi circular cupola of the apse is a large image of Christ in Majesty, or Christ Pantocrator, in a mandorla, a pointed verticle oval shaped aureola which surrounds the figures of Christ and the Virgin Mary in traditional Christian art.  This is flanked by Tetramorph showing the four evangelical symbols - St Matthew the man, St Mark the lion, St Luke the ox, and John the eagle. In the middle register is are a series of  frescoes of the Apostles and the figure of Mary. The lower register, which has not been preserved, must have been painted curtains that imitated luxury fabrics.
  • Apse of Saint Peter de la Seu d'Urgell<br />
<br />
Second quarter of the twelfth century<br />
Fresco transferred to canvas<br />
From the church of St. Peter currently dedicated to St. Michael and St. Peter Cathedral group of Seu d'Urgell (Alt Urgell)<br />
<br />
Acquisition of the Museum Board Campaign 1919-1923<br />
MNAC 15867<br />
<br />
<br />
The apse is the most important part of the church as it was where the altar was located. The apse of La Seu d'Urgell like most Romanesque apses was decorated with frescoes of a Theophany (referring to images of the Incarnation of Jesus).High up in the semi circular cupola of the apse is a large image of Christ in Majesty, or Christ Pantocrator, in a mandorla, a pointed verticle oval shaped aureola which surrounds the figures of Christ and the Virgin Mary in traditional Christian art.  This is flanked by Tetramorph showing the four evangelical symbols - St Matthew the man, St Mark the lion, St Luke the ox, and John the eagle. In the middle register is are a series of  frescoes of the Apostles and the figure of Mary. The lower register, which has not been preserved, must have been painted curtains that imitated luxury fabrics.
  • Apse of Saint Peter de la Seu d'Urgell<br />
<br />
Second quarter of the twelfth century<br />
Fresco transferred to canvas<br />
From the church of St. Peter currently dedicated to St. Michael and St. Peter Cathedral group of Seu d'Urgell (Alt Urgell)<br />
<br />
Acquisition of the Museum Board Campaign 1919-1923<br />
MNAC 15867<br />
<br />
<br />
The apse is the most important part of the church as it was where the altar was located. The apse of La Seu d'Urgell like most Romanesque apses was decorated with frescoes of a Theophany (referring to images of the Incarnation of Jesus).High up in the semi circular cupola of the apse is a large image of Christ in Majesty, or Christ Pantocrator, in a mandorla, a pointed verticle oval shaped aureola which surrounds the figures of Christ and the Virgin Mary in traditional Christian art.  This is flanked by Tetramorph showing the four evangelical symbols - St Matthew the man, St Mark the lion, St Luke the ox, and John the eagle. In the middle register is are a series of  frescoes of the Apostles and the figure of Mary. The lower register, which has not been preserved, must have been painted curtains that imitated luxury fabrics.
  • Apse of Saint Peter de la Seu d'Urgell<br />
<br />
Second quarter of the twelfth century<br />
Fresco transferred to canvas<br />
From the church of St. Peter currently dedicated to St. Michael and St. Peter Cathedral group of Seu d'Urgell (Alt Urgell)<br />
<br />
Acquisition of the Museum Board Campaign 1919-1923<br />
MNAC 15867<br />
<br />
<br />
The apse is the most important part of the church as it was where the altar was located. The apse of La Seu d'Urgell like most Romanesque apses was decorated with frescoes of a Theophany (referring to images of the Incarnation of Jesus).High up in the semi circular cupola of the apse is a large image of Christ in Majesty, or Christ Pantocrator, in a mandorla, a pointed verticle oval shaped aureola which surrounds the figures of Christ and the Virgin Mary in traditional Christian art.  This is flanked by Tetramorph showing the four evangelical symbols - St Matthew the man, St Mark the lion, St Luke the ox, and John the eagle. In the middle register is are a series of  frescoes of the Apostles and the figure of Mary. The lower register, which has not been preserved, must have been painted curtains that imitated luxury fabrics.
  • Apse of Saint Peter de la Seu d'Urgell<br />
<br />
Second quarter of the twelfth century<br />
Fresco transferred to canvas<br />
From the church of St. Peter currently dedicated to St. Michael and St. Peter Cathedral group of Seu d'Urgell (Alt Urgell)<br />
<br />
Acquisition of the Museum Board Campaign 1919-1923<br />
MNAC 15867<br />
<br />
<br />
The apse is the most important part of the church as it was where the altar was located. The apse of La Seu d'Urgell like most Romanesque apses was decorated with frescoes of a Theophany (referring to images of the Incarnation of Jesus).High up in the semi circular cupola of the apse is a large image of Christ in Majesty, or Christ Pantocrator, in a mandorla, a pointed verticle oval shaped aureola which surrounds the figures of Christ and the Virgin Mary in traditional Christian art.  This is flanked by Tetramorph showing the four evangelical symbols - St Matthew the man, St Mark the lion, St Luke the ox, and John the eagle. In the middle register is are a series of  frescoes of the Apostles and the figure of Mary. The lower register, which has not been preserved, must have been painted curtains that imitated luxury fabrics.
  • Apse of Saint Peter de la Seu d'Urgell<br />
<br />
Second quarter of the twelfth century<br />
Fresco transferred to canvas<br />
From the church of St. Peter currently dedicated to St. Michael and St. Peter Cathedral group of Seu d'Urgell (Alt Urgell)<br />
<br />
Acquisition of the Museum Board Campaign 1919-1923<br />
MNAC 15867<br />
<br />
<br />
The apse is the most important part of the church as it was where the altar was located. The apse of La Seu d'Urgell like most Romanesque apses was decorated with frescoes of a Theophany (referring to images of the Incarnation of Jesus).High up in the semi circular cupola of the apse is a large image of Christ in Majesty, or Christ Pantocrator, in a mandorla, a pointed verticle oval shaped aureola which surrounds the figures of Christ and the Virgin Mary in traditional Christian art.  This is flanked by Tetramorph showing the four evangelical symbols - St Matthew the man, St Mark the lion, St Luke the ox, and John the eagle. In the middle register is are a series of  frescoes of the Apostles and the figure of Mary. The lower register, which has not been preserved, must have been painted curtains that imitated luxury fabrics.
  • Apse of Saint Peter de la Seu d'Urgell<br />
<br />
Second quarter of the twelfth century<br />
Fresco transferred to canvas<br />
From the church of St. Peter currently dedicated to St. Michael and St. Peter Cathedral group of Seu d'Urgell (Alt Urgell)<br />
<br />
Acquisition of the Museum Board Campaign 1919-1923<br />
MNAC 15867<br />
<br />
<br />
The apse is the most important part of the church as it was where the altar was located. The apse of La Seu d'Urgell like most Romanesque apses was decorated with frescoes of a Theophany (referring to images of the Incarnation of Jesus).High up in the semi circular cupola of the apse is a large image of Christ in Majesty, or Christ Pantocrator, in a mandorla, a pointed verticle oval shaped aureola which surrounds the figures of Christ and the Virgin Mary in traditional Christian art.  This is flanked by Tetramorph showing the four evangelical symbols - St Matthew the man, St Mark the lion, St Luke the ox, and John the eagle. In the middle register is are a series of  frescoes of the Apostles and the figure of Mary. The lower register, which has not been preserved, must have been painted curtains that imitated luxury fabrics.
  • Apse of Saint Peter de la Seu d'Urgell<br />
<br />
Second quarter of the twelfth century<br />
Fresco transferred to canvas<br />
From the church of St. Peter currently dedicated to St. Michael and St. Peter Cathedral group of Seu d'Urgell (Alt Urgell)<br />
<br />
Acquisition of the Museum Board Campaign 1919-1923<br />
MNAC 15867<br />
<br />
<br />
The apse is the most important part of the church as it was where the altar was located. The apse of La Seu d'Urgell like most Romanesque apses was decorated with frescoes of a Theophany (referring to images of the Incarnation of Jesus).High up in the semi circular cupola of the apse is a large image of Christ in Majesty, or Christ Pantocrator, in a mandorla, a pointed verticle oval shaped aureola which surrounds the figures of Christ and the Virgin Mary in traditional Christian art.  This is flanked by Tetramorph showing the four evangelical symbols - St Matthew the man, St Mark the lion, St Luke the ox, and John the eagle. In the middle register is are a series of  frescoes of the Apostles and the figure of Mary. The lower register, which has not been preserved, must have been painted curtains that imitated luxury fabrics.
  • Apse of Saint Peter de la Seu d'Urgell<br />
<br />
Second quarter of the twelfth century<br />
Fresco transferred to canvas<br />
From the church of St. Peter currently dedicated to St. Michael and St. Peter Cathedral group of Seu d'Urgell (Alt Urgell)<br />
<br />
Acquisition of the Museum Board Campaign 1919-1923<br />
MNAC 15867<br />
<br />
<br />
The apse is the most important part of the church as it was where the altar was located. The apse of La Seu d'Urgell like most Romanesque apses was decorated with frescoes of a Theophany (referring to images of the Incarnation of Jesus).High up in the semi circular cupola of the apse is a large image of Christ in Majesty, or Christ Pantocrator, in a mandorla, a pointed verticle oval shaped aureola which surrounds the figures of Christ and the Virgin Mary in traditional Christian art.  This is flanked by Tetramorph showing the four evangelical symbols - St Matthew the man, St Mark the lion, St Luke the ox, and John the eagle. In the middle register is are a series of  frescoes of the Apostles and the figure of Mary. The lower register, which has not been preserved, must have been painted curtains that imitated luxury fabrics.
  • Apse of Saint Peter de la Seu d'Urgell<br />
<br />
Second quarter of the twelfth century<br />
Fresco transferred to canvas<br />
From the church of St. Peter currently dedicated to St. Michael and St. Peter Cathedral group of Seu d'Urgell (Alt Urgell)<br />
<br />
Acquisition of the Museum Board Campaign 1919-1923<br />
MNAC 15867<br />
<br />
<br />
The apse is the most important part of the church as it was where the altar was located. The apse of La Seu d'Urgell like most Romanesque apses was decorated with frescoes of a Theophany (referring to images of the Incarnation of Jesus).High up in the semi circular cupola of the apse is a large image of Christ in Majesty, or Christ Pantocrator, in a mandorla, a pointed verticle oval shaped aureola which surrounds the figures of Christ and the Virgin Mary in traditional Christian art.  This is flanked by Tetramorph showing the four evangelical symbols - St Matthew the man, St Mark the lion, St Luke the ox, and John the eagle. In the middle register is are a series of  frescoes of the Apostles and the figure of Mary. The lower register, which has not been preserved, must have been painted curtains that imitated luxury fabrics.
  • Apse of Saint Peter de la Seu d'Urgell<br />
<br />
Second quarter of the twelfth century<br />
Fresco transferred to canvas<br />
From the church of St. Peter currently dedicated to St. Michael and St. Peter Cathedral group of Seu d'Urgell (Alt Urgell)<br />
<br />
Acquisition of the Museum Board Campaign 1919-1923<br />
MNAC 15867<br />
<br />
<br />
The apse is the most important part of the church as it was where the altar was located. The apse of La Seu d'Urgell like most Romanesque apses was decorated with frescoes of a Theophany (referring to images of the Incarnation of Jesus).High up in the semi circular cupola of the apse is a large image of Christ in Majesty, or Christ Pantocrator, in a mandorla, a pointed verticle oval shaped aureola which surrounds the figures of Christ and the Virgin Mary in traditional Christian art.  This is flanked by Tetramorph showing the four evangelical symbols - St Matthew the man, St Mark the lion, St Luke the ox, and John the eagle. In the middle register is are a series of  frescoes of the Apostles and the figure of Mary. The lower register, which has not been preserved, must have been painted curtains that imitated luxury fabrics.
  • Apse of Saint Peter de la Seu d'Urgell<br />
<br />
Second quarter of the twelfth century<br />
Fresco transferred to canvas<br />
From the church of St. Peter currently dedicated to St. Michael and St. Peter Cathedral group of Seu d'Urgell (Alt Urgell)<br />
<br />
Acquisition of the Museum Board Campaign 1919-1923<br />
MNAC 15867<br />
<br />
<br />
The apse is the most important part of the church as it was where the altar was located. The apse of La Seu d'Urgell like most Romanesque apses was decorated with frescoes of a Theophany (referring to images of the Incarnation of Jesus).High up in the semi circular cupola of the apse is a large image of Christ in Majesty, or Christ Pantocrator, in a mandorla, a pointed verticle oval shaped aureola which surrounds the figures of Christ and the Virgin Mary in traditional Christian art.  This is flanked by Tetramorph showing the four evangelical symbols - St Matthew the man, St Mark the lion, St Luke the ox, and John the eagle. In the middle register is are a series of  frescoes of the Apostles and the figure of Mary. The lower register, which has not been preserved, must have been painted curtains that imitated luxury fabrics.
  • Apse of Saint Peter de la Seu d'Urgell<br />
<br />
Second quarter of the twelfth century<br />
Fresco transferred to canvas<br />
From the church of St. Peter currently dedicated to St. Michael and St. Peter Cathedral group of Seu d'Urgell (Alt Urgell)<br />
<br />
Acquisition of the Museum Board Campaign 1919-1923<br />
MNAC 15867<br />
<br />
<br />
The apse is the most important part of the church as it was where the altar was located. The apse of La Seu d'Urgell like most Romanesque apses was decorated with frescoes of a Theophany (referring to images of the Incarnation of Jesus).High up in the semi circular cupola of the apse is a large image of Christ in Majesty, or Christ Pantocrator, in a mandorla, a pointed verticle oval shaped aureola which surrounds the figures of Christ and the Virgin Mary in traditional Christian art.  This is flanked by Tetramorph showing the four evangelical symbols - St Matthew the man, St Mark the lion, St Luke the ox, and John the eagle. In the middle register is are a series of  frescoes of the Apostles and the figure of Mary. The lower register, which has not been preserved, must have been painted curtains that imitated luxury fabrics.
  • Apse of Saint Peter de la Seu d'Urgell<br />
<br />
Second quarter of the twelfth century<br />
Fresco transferred to canvas<br />
From the church of St. Peter currently dedicated to St. Michael and St. Peter Cathedral group of Seu d'Urgell (Alt Urgell)<br />
<br />
Acquisition of the Museum Board Campaign 1919-1923<br />
MNAC 15867<br />
<br />
<br />
The apse is the most important part of the church as it was where the altar was located. The apse of La Seu d'Urgell like most Romanesque apses was decorated with frescoes of a Theophany (referring to images of the Incarnation of Jesus).High up in the semi circular cupola of the apse is a large image of Christ in Majesty, or Christ Pantocrator, in a mandorla, a pointed verticle oval shaped aureola which surrounds the figures of Christ and the Virgin Mary in traditional Christian art.  This is flanked by Tetramorph showing the four evangelical symbols - St Matthew the man, St Mark the lion, St Luke the ox, and John the eagle. In the middle register is are a series of  frescoes of the Apostles and the figure of Mary. The lower register, which has not been preserved, must have been painted curtains that imitated luxury fabrics.
  • Apse of Saint Peter de la Seu d'Urgell<br />
<br />
Second quarter of the twelfth century<br />
Fresco transferred to canvas<br />
From the church of St. Peter currently dedicated to St. Michael and St. Peter Cathedral group of Seu d'Urgell (Alt Urgell)<br />
<br />
Acquisition of the Museum Board Campaign 1919-1923<br />
MNAC 15867<br />
<br />
<br />
The apse is the most important part of the church as it was where the altar was located. The apse of La Seu d'Urgell like most Romanesque apses was decorated with frescoes of a Theophany (referring to images of the Incarnation of Jesus).High up in the semi circular cupola of the apse is a large image of Christ in Majesty, or Christ Pantocrator, in a mandorla, a pointed verticle oval shaped aureola which surrounds the figures of Christ and the Virgin Mary in traditional Christian art.  This is flanked by Tetramorph showing the four evangelical symbols - St Matthew the man, St Mark the lion, St Luke the ox, and John the eagle. In the middle register is are a series of  frescoes of the Apostles and the figure of Mary. The lower register, which has not been preserved, must have been painted curtains that imitated luxury fabrics.
  • Apse of Saint Peter de la Seu d'Urgell<br />
<br />
Second quarter of the twelfth century<br />
Fresco transferred to canvas<br />
From the church of St. Peter currently dedicated to St. Michael and St. Peter Cathedral group of Seu d'Urgell (Alt Urgell)<br />
<br />
Acquisition of the Museum Board Campaign 1919-1923<br />
MNAC 15867<br />
<br />
<br />
The apse is the most important part of the church as it was where the altar was located. The apse of La Seu d'Urgell like most Romanesque apses was decorated with frescoes of a Theophany (referring to images of the Incarnation of Jesus).High up in the semi circular cupola of the apse is a large image of Christ in Majesty, or Christ Pantocrator, in a mandorla, a pointed verticle oval shaped aureola which surrounds the figures of Christ and the Virgin Mary in traditional Christian art.  This is flanked by Tetramorph showing the four evangelical symbols - St Matthew the man, St Mark the lion, St Luke the ox, and John the eagle. In the middle register is are a series of  frescoes of the Apostles and the figure of Mary. The lower register, which has not been preserved, must have been painted curtains that imitated luxury fabrics.
  • Apse of Saint Peter de la Seu d'Urgell<br />
<br />
Second quarter of the twelfth century<br />
Fresco transferred to canvas<br />
From the church of St. Peter currently dedicated to St. Michael and St. Peter Cathedral group of Seu d'Urgell (Alt Urgell)<br />
<br />
Acquisition of the Museum Board Campaign 1919-1923<br />
MNAC 15867<br />
<br />
<br />
The apse is the most important part of the church as it was where the altar was located. The apse of La Seu d'Urgell like most Romanesque apses was decorated with frescoes of a Theophany (referring to images of the Incarnation of Jesus).High up in the semi circular cupola of the apse is a large image of Christ in Majesty, or Christ Pantocrator, in a mandorla, a pointed verticle oval shaped aureola which surrounds the figures of Christ and the Virgin Mary in traditional Christian art.  This is flanked by Tetramorph showing the four evangelical symbols - St Matthew the man, St Mark the lion, St Luke the ox, and John the eagle. In the middle register is are a series of  frescoes of the Apostles and the figure of Mary. The lower register, which has not been preserved, must have been painted curtains that imitated luxury fabrics.

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