• Ettore Infesera windmill on the sea salt making pans , Masala Sicily. travel stock photos
  • Women making Strudel from the Neszmely area. ( Retessutø Assonyok ) Hungarian Regional Gastronomic Festival 2009 - Gyor ( Gy?r ) Hungary
  • Women making Strudel from the Neszmely area. ( Retessutø Assonyok ) Hungarian Regional Gastronomic Festival 2009 - Gyor ( Gy?r ) Hungary
  • Women making Strudel from the Neszmely area. ( Retessutø Assonyok ) Hungarian Regional Gastronomic Festival 2009 - Gyor ( Gy?r ) Hungary
  • Women making Strudel from the Neszmely area. ( Retessutø Assonyok ) Hungarian Regional Gastronomic Festival 2009 - Gyor ( Gy?r ) Hungary
  • Women making Strudel from the Neszmely area. ( Retessutø Assonyok ) Hungarian Regional Gastronomic Festival 2009 - Gyor ( Gy?r ) Hungary
  • Women making Strudel from the Neszmely area. ( Retessutø Assonyok ) Hungarian Regional Gastronomic Festival 2009 - Gyor ( Gy?r ) Hungary
  • Women making Strudel from the Neszmely area. ( Retessutø Assonyok ) Hungarian Regional Gastronomic Festival 2009 - Gyor ( Gy?r ) Hungary
  • Women making Strudel from the Neszmely area. ( Retessutø Assonyok ) Hungarian Regional Gastronomic Festival 2009 - Gyor ( Gy?r ) Hungary
  • Women making Strudel from the Neszmely area. ( Retessutø Assonyok ) Hungarian Regional Gastronomic Festival 2009 - Gyor ( Gy?r ) Hungary
  • Chianti vineyards and vines of San Gimignano at sunrise, Tuscany Italy
  • Chianti vineyards and vines of San Gimignano at sunrise, Tuscany Italy
  • Chianti vineyards and vines of San Gimignano at sunrise, Tuscany Italy
  • Chianti vineyards and vines of San Gimignano at sunrise, Tuscany Italy
  • Paris - France - Montmatre - Busker with guitar
  • Nubia Salt Museum, Trapani Sicily. travel stock photos
  • Nubia Salt Museum, Trapani Sicily. travel stock photos
  • Nubia Salt Museum, Trapani Sicily. travel stock photos
  • Nubia Salt Museum, Trapani Sicily. travel stock photos
  • Nubia Salt Museum, Trapani Sicily. travel stock photos
  • Nubia Salt Museum, Trapani Sicily. travel stock photos
  • Nubia Salt Museum, Trapani Sicily. travel stock photos
  • Nubia Salt Museum, Trapani Sicily. travel stock photos
  • Nubia Salt Museum, Trapani Sicily. travel stock photos
  • Nubia Salt Museum, Trapani Sicily. travel stock photos
  • Ettore Infesera windmill, Masala Sicily. travel stock photos Mulino d’Infersa (mill of Infersa) wind mill, Ettore saltworks,  Saline della Laguna, Masala, Sicily.
  • Ettore Infesera windmill, Masala Sicily. travel stock photos Mulino d’Infersa (mill of Infersa) wind mill, Ettore saltworks,  Saline della Laguna, Masala, Sicily.
  • Ettore Infesera windmill, Masala Sicily. travel stock photos Mulino d’Infersa (mill of Infersa) wind mill, Ettore saltworks,  Saline della Laguna, Masala, Sicily.
  • Ettore Infesera windmill, Masala Sicily. travel stock photos Mulino d’Infersa (mill of Infersa) wind mill, Ettore saltworks,  Saline della Laguna, Masala, Sicily.
  • Ettore Infesera windmill, Masala Sicily. travel stock photos Mulino d’Infersa (mill of Infersa) wind mill, Ettore saltworks,  Saline della Laguna, Masala, Sicily.
  • Ettore Infesera windmill, Masala Sicily. travel stock photos
  • Ettore Infesera windmill, Masala Sicily. travel stock photos Mulino d’Infersa (mill of Infersa) wind mill, Ettore saltworks,  Saline della Laguna, Masala, Sicily.
  • Ettore Infesera windmill, Masala Sicily. travel stock photos Mulino d’Infersa (mill of Infersa) wind mill, Ettore saltworks,  Saline della Laguna, Masala, Sicily.
  • Ettore Infesera windmill, Masala Sicily. travel stock photos Mulino d’Infersa (mill of Infersa) wind mill, Ettore saltworks,  Saline della Laguna, Masala, Sicily.
  • Ettore Infesera windmill, Masala Sicily. travel stock photos
  • Ettore Infesera windmill, Masala Sicily. travel stock photos
  • Ettore Infesera windmill, Masala Sicily. travel stock photos Mulino d’Infersa (mill of Infersa) wind mill, Ettore saltworks,  Saline della Laguna, Masala, Sicily.
  • Paris - France - Montmatre - Busker with guitar
  • Paris - France - Montmatre - Living Statue
  • Adult couple. Man opening womens shirt to reveal her breast
  • Adult couple. Man opening womens shirt to reveal her breast
  • Adult couple. Man opening womens shirt to reveal her breast
  • Adult naked couple hugging. Man's arms across women's breasts. Artistic sepia.
  • Adult naked couple hugging. Man's arms across women's breasts. Artistic sepia.
  • Nubia Salt Museum, Trapani Sicily. travel stock photos
  • Ettore Infesera windmill, Masala Sicily. travel stock photos Mulino d’Infersa (mill of Infersa) wind mill, Ettore saltworks,  Saline della Laguna, Masala, Sicily.
  • Ettore Infesera windmill, Masala Sicily. travel stock photos Mulino d’Infersa (mill of Infersa) wind mill, Ettore saltworks,  Saline della Laguna, Masala, Sicily.
  • Adult naked couple hugging. Man's arms across women's breasts. Artistic sepia.
  • View of the ancient Sassi of Matera area exterior, Basilicata, Italy. <br />
<br />
The area of Matera has been occupied since the Palaeolithic (10th millennium BC) making it one of the oldest continually inhabited settlements in the world. <br />
<br />
The town of Matera was founded by the Roman Lucius Caecilius Metellus in 251 BC and remained a Roman town until  was conquered by the Lombards In AD 664 becoming part of the Duchy of Benevento.  Matera was subject to the power struggles of southern Italy coming under the rule of the Byzantine Roman, the Germans and finally Matera was ruled by the Normans from 1043 until the Aragonese took possession in the 15th century. <br />
<br />
At the ancient heart of Matera are cave dwellings known as Sassi. As the fortunes of Matera failed the sassy became slum dwelling and the appalling living conditions became be the disgrace of Italy. From the 1970’s families were forcibly removed from the Sassi and rehoused in the new town of Matera. Today tourism has regenerated Matera and the sassi have been modernised and are lived in again making them probably the longest inhabited houses in the world dating back 9000 years.
  • Vew of "la Gravina" ravine and the Sassi of Matera, Basilicata, Italy. A UNESCO World Heritage site.<br />
<br />
The area of Matera has been occupied since the Palaeolithic (10th millennium BC) making it one of the oldest continually inhabited settlements in the world. <br />
The town of Matera was founded by the Roman Lucius Caecilius Metellus in 251 BC and remained a Roman town until  was conquered by the Lombards In AD 664 becoming part of the Duchy of Benevento.  Matera was subject to the power struggles of southern Italy coming under the rule of the Byzantine Roman, the Germans and finally Matera was ruled by the Normans from 1043 until the Aragonese took possession in the 15th century. <br />
<br />
At the ancient heart of Matera are cave dwellings known as Sassi. As the fortunes of Matera failed the sassy became slum dwelling and the appalling living conditions became be the disgrace of Italy. From the 1970’s families were forcibly removed from the Sassi and rehoused in the new town of Matera. Today tourism has regenerated Matera and the sassi have been modernised and are lived in again making them probably the longest inhabited houses in the world dating back 9000 years.
  • View of the ancient Sassi of Matera area exterior, Basilicata, Italy. <br />
<br />
The area of Matera has been occupied since the Palaeolithic (10th millennium BC) making it one of the oldest continually inhabited settlements in the world. <br />
<br />
The town of Matera was founded by the Roman Lucius Caecilius Metellus in 251 BC and remained a Roman town until  was conquered by the Lombards In AD 664 becoming part of the Duchy of Benevento.  Matera was subject to the power struggles of southern Italy coming under the rule of the Byzantine Roman, the Germans and finally Matera was ruled by the Normans from 1043 until the Aragonese took possession in the 15th century. <br />
<br />
At the ancient heart of Matera are cave dwellings known as Sassi. As the fortunes of Matera failed the sassy became slum dwelling and the appalling living conditions became be the disgrace of Italy. From the 1970’s families were forcibly removed from the Sassi and rehoused in the new town of Matera. Today tourism has regenerated Matera and the sassi have been modernised and are lived in again making them probably the longest inhabited houses in the world dating back 9000 years.
  • Medieval stained glass Window of the Gothic Cathedral of Chartres, France - dedicated to St John The Evangelist. Bottom panel - Flight into Egypt . Above left - Armourers making shields and saddles, above right - Armourers making stirrups. Central panel - Death of Satheus, above left - John's journey into exile on Patmos, above right - St John on Patmos. A UNESCO World Heritage Site..
  • Panoramic long view across "la Gravina" ravine to the Sassi of Matera at sunrise, Basilicata, Italy. A UNESCO World Heritage site.<br />
<br />
The area of Matera has been occupied since the Palaeolithic (10th millennium BC) making it one of the oldest continually inhabited settlements in the world. <br />
The town of Matera was founded by the Roman Lucius Caecilius Metellus in 251 BC and remained a Roman town until  was conquered by the Lombards In AD 664 becoming part of the Duchy of Benevento.  Matera was subject to the power struggles of southern Italy coming under the rule of the Byzantine Roman, the Germans and finally Matera was ruled by the Normans from 1043 until the Aragonese took possession in the 15th century. <br />
<br />
At the ancient heart of Matera are cave dwellings known as Sassi. As the fortunes of Matera failed the sassy became slum dwelling and the appalling living conditions became be the disgrace of Italy. From the 1970’s families were forcibly removed from the Sassi and rehoused in the new town of Matera. Today tourism has regenerated Matera and the sassi have been modernised and are lived in again making them probably the longest inhabited houses in the world dating back 9000 years.
  • Long view across "la Gravina" ravine to the Sassi of Matera at sunrise, Basilicata, Italy. A UNESCO World Heritage site.<br />
<br />
The area of Matera has been occupied since the Palaeolithic (10th millennium BC) making it one of the oldest continually inhabited settlements in the world. <br />
The town of Matera was founded by the Roman Lucius Caecilius Metellus in 251 BC and remained a Roman town until  was conquered by the Lombards In AD 664 becoming part of the Duchy of Benevento.  Matera was subject to the power struggles of southern Italy coming under the rule of the Byzantine Roman, the Germans and finally Matera was ruled by the Normans from 1043 until the Aragonese took possession in the 15th century. <br />
<br />
At the ancient heart of Matera are cave dwellings known as Sassi. As the fortunes of Matera failed the sassy became slum dwelling and the appalling living conditions became be the disgrace of Italy. From the 1970’s families were forcibly removed from the Sassi and rehoused in the new town of Matera. Today tourism has regenerated Matera and the sassi have been modernised and are lived in again making them probably the longest inhabited houses in the world dating back 9000 years.
  • Long view across "la Gravina" ravine to the Sassi of Matera at sunrise, Basilicata, Italy. A UNESCO World Heritage site.<br />
<br />
The area of Matera has been occupied since the Palaeolithic (10th millennium BC) making it one of the oldest continually inhabited settlements in the world. <br />
The town of Matera was founded by the Roman Lucius Caecilius Metellus in 251 BC and remained a Roman town until  was conquered by the Lombards In AD 664 becoming part of the Duchy of Benevento.  Matera was subject to the power struggles of southern Italy coming under the rule of the Byzantine Roman, the Germans and finally Matera was ruled by the Normans from 1043 until the Aragonese took possession in the 15th century. <br />
<br />
At the ancient heart of Matera are cave dwellings known as Sassi. As the fortunes of Matera failed the sassy became slum dwelling and the appalling living conditions became be the disgrace of Italy. From the 1970’s families were forcibly removed from the Sassi and rehoused in the new town of Matera. Today tourism has regenerated Matera and the sassi have been modernised and are lived in again making them probably the longest inhabited houses in the world dating back 9000 years.
  • Panoramic long view across "la Gravina" ravine to the Sassi of Matera at sunrise, Basilicata, Italy. A UNESCO World Heritage site.<br />
<br />
The area of Matera has been occupied since the Palaeolithic (10th millennium BC) making it one of the oldest continually inhabited settlements in the world. <br />
The town of Matera was founded by the Roman Lucius Caecilius Metellus in 251 BC and remained a Roman town until  was conquered by the Lombards In AD 664 becoming part of the Duchy of Benevento.  Matera was subject to the power struggles of southern Italy coming under the rule of the Byzantine Roman, the Germans and finally Matera was ruled by the Normans from 1043 until the Aragonese took possession in the 15th century. <br />
<br />
At the ancient heart of Matera are cave dwellings known as Sassi. As the fortunes of Matera failed the sassy became slum dwelling and the appalling living conditions became be the disgrace of Italy. From the 1970’s families were forcibly removed from the Sassi and rehoused in the new town of Matera. Today tourism has regenerated Matera and the sassi have been modernised and are lived in again making them probably the longest inhabited houses in the world dating back 9000 years.
  • Panoramic long view across "la Gravina" ravine to the Sassi of Matera at sunrise, Basilicata, Italy. A UNESCO World Heritage site.<br />
<br />
The area of Matera has been occupied since the Palaeolithic (10th millennium BC) making it one of the oldest continually inhabited settlements in the world. <br />
The town of Matera was founded by the Roman Lucius Caecilius Metellus in 251 BC and remained a Roman town until  was conquered by the Lombards In AD 664 becoming part of the Duchy of Benevento.  Matera was subject to the power struggles of southern Italy coming under the rule of the Byzantine Roman, the Germans and finally Matera was ruled by the Normans from 1043 until the Aragonese took possession in the 15th century. <br />
<br />
At the ancient heart of Matera are cave dwellings known as Sassi. As the fortunes of Matera failed the sassy became slum dwelling and the appalling living conditions became be the disgrace of Italy. From the 1970’s families were forcibly removed from the Sassi and rehoused in the new town of Matera. Today tourism has regenerated Matera and the sassi have been modernised and are lived in again making them probably the longest inhabited houses in the world dating back 9000 years.
  • Panoramic long view across "la Gravina" ravine to the Sassi of Matera at sunrise, Basilicata, Italy. A UNESCO World Heritage site.<br />
<br />
The area of Matera has been occupied since the Palaeolithic (10th millennium BC) making it one of the oldest continually inhabited settlements in the world. <br />
The town of Matera was founded by the Roman Lucius Caecilius Metellus in 251 BC and remained a Roman town until  was conquered by the Lombards In AD 664 becoming part of the Duchy of Benevento.  Matera was subject to the power struggles of southern Italy coming under the rule of the Byzantine Roman, the Germans and finally Matera was ruled by the Normans from 1043 until the Aragonese took possession in the 15th century. <br />
<br />
At the ancient heart of Matera are cave dwellings known as Sassi. As the fortunes of Matera failed the sassy became slum dwelling and the appalling living conditions became be the disgrace of Italy. From the 1970’s families were forcibly removed from the Sassi and rehoused in the new town of Matera. Today tourism has regenerated Matera and the sassi have been modernised and are lived in again making them probably the longest inhabited houses in the world dating back 9000 years.
  • Panoramic long view across "la Gravina" ravine to the Sassi of Matera at sunrise, Basilicata, Italy. A UNESCO World Heritage site.<br />
<br />
The area of Matera has been occupied since the Palaeolithic (10th millennium BC) making it one of the oldest continually inhabited settlements in the world. <br />
The town of Matera was founded by the Roman Lucius Caecilius Metellus in 251 BC and remained a Roman town until  was conquered by the Lombards In AD 664 becoming part of the Duchy of Benevento.  Matera was subject to the power struggles of southern Italy coming under the rule of the Byzantine Roman, the Germans and finally Matera was ruled by the Normans from 1043 until the Aragonese took possession in the 15th century. <br />
<br />
At the ancient heart of Matera are cave dwellings known as Sassi. As the fortunes of Matera failed the sassy became slum dwelling and the appalling living conditions became be the disgrace of Italy. From the 1970’s families were forcibly removed from the Sassi and rehoused in the new town of Matera. Today tourism has regenerated Matera and the sassi have been modernised and are lived in again making them probably the longest inhabited houses in the world dating back 9000 years.
  • Panoramic long view across "la Gravina" ravine to the Sassi of Matera at sunrise, Basilicata, Italy. A UNESCO World Heritage site.<br />
<br />
The area of Matera has been occupied since the Palaeolithic (10th millennium BC) making it one of the oldest continually inhabited settlements in the world. <br />
The town of Matera was founded by the Roman Lucius Caecilius Metellus in 251 BC and remained a Roman town until  was conquered by the Lombards In AD 664 becoming part of the Duchy of Benevento.  Matera was subject to the power struggles of southern Italy coming under the rule of the Byzantine Roman, the Germans and finally Matera was ruled by the Normans from 1043 until the Aragonese took possession in the 15th century. <br />
<br />
At the ancient heart of Matera are cave dwellings known as Sassi. As the fortunes of Matera failed the sassy became slum dwelling and the appalling living conditions became be the disgrace of Italy. From the 1970’s families were forcibly removed from the Sassi and rehoused in the new town of Matera. Today tourism has regenerated Matera and the sassi have been modernised and are lived in again making them probably the longest inhabited houses in the world dating back 9000 years.
  • Panoramic long view across "la Gravina" ravine to the Sassi of Matera at sunrise, Basilicata, Italy. A UNESCO World Heritage site.<br />
<br />
The area of Matera has been occupied since the Palaeolithic (10th millennium BC) making it one of the oldest continually inhabited settlements in the world. <br />
The town of Matera was founded by the Roman Lucius Caecilius Metellus in 251 BC and remained a Roman town until  was conquered by the Lombards In AD 664 becoming part of the Duchy of Benevento.  Matera was subject to the power struggles of southern Italy coming under the rule of the Byzantine Roman, the Germans and finally Matera was ruled by the Normans from 1043 until the Aragonese took possession in the 15th century. <br />
<br />
At the ancient heart of Matera are cave dwellings known as Sassi. As the fortunes of Matera failed the sassy became slum dwelling and the appalling living conditions became be the disgrace of Italy. From the 1970’s families were forcibly removed from the Sassi and rehoused in the new town of Matera. Today tourism has regenerated Matera and the sassi have been modernised and are lived in again making them probably the longest inhabited houses in the world dating back 9000 years.
  • Panoramic view of the ancient Sassi of Matera area exterior, Basilicata, Italy. <br />
<br />
The area of Matera has been occupied since the Palaeolithic (10th millennium BC) making it one of the oldest continually inhabited settlements in the world. <br />
<br />
The town of Matera was founded by the Roman Lucius Caecilius Metellus in 251 BC and remained a Roman town until  was conquered by the Lombards In AD 664 becoming part of the Duchy of Benevento.  Matera was subject to the power struggles of southern Italy coming under the rule of the Byzantine Roman, the Germans and finally Matera was ruled by the Normans from 1043 until the Aragonese took possession in the 15th century. <br />
<br />
At the ancient heart of Matera are cave dwellings known as Sassi. As the fortunes of Matera failed the sassy became slum dwelling and the appalling living conditions became be the disgrace of Italy. From the 1970’s families were forcibly removed from the Sassi and rehoused in the new town of Matera. Today tourism has regenerated Matera and the sassi have been modernised and are lived in again making them probably the longest inhabited houses in the world dating back 9000 years.
  • Long view across "la Gravina" ravine to the Sassi of Matera at sunrise, Basilicata, Italy. A UNESCO World Heritage site.<br />
<br />
The area of Matera has been occupied since the Palaeolithic (10th millennium BC) making it one of the oldest continually inhabited settlements in the world. <br />
The town of Matera was founded by the Roman Lucius Caecilius Metellus in 251 BC and remained a Roman town until  was conquered by the Lombards In AD 664 becoming part of the Duchy of Benevento.  Matera was subject to the power struggles of southern Italy coming under the rule of the Byzantine Roman, the Germans and finally Matera was ruled by the Normans from 1043 until the Aragonese took possession in the 15th century. <br />
<br />
At the ancient heart of Matera are cave dwellings known as Sassi. As the fortunes of Matera failed the sassy became slum dwelling and the appalling living conditions became be the disgrace of Italy. From the 1970’s families were forcibly removed from the Sassi and rehoused in the new town of Matera. Today tourism has regenerated Matera and the sassi have been modernised and are lived in again making them probably the longest inhabited houses in the world dating back 9000 years.
  • Long view across "la Gravina" ravine to the Sassi of Matera at sunrise, Basilicata, Italy. A UNESCO World Heritage site.<br />
<br />
The area of Matera has been occupied since the Palaeolithic (10th millennium BC) making it one of the oldest continually inhabited settlements in the world. <br />
The town of Matera was founded by the Roman Lucius Caecilius Metellus in 251 BC and remained a Roman town until  was conquered by the Lombards In AD 664 becoming part of the Duchy of Benevento.  Matera was subject to the power struggles of southern Italy coming under the rule of the Byzantine Roman, the Germans and finally Matera was ruled by the Normans from 1043 until the Aragonese took possession in the 15th century. <br />
<br />
At the ancient heart of Matera are cave dwellings known as Sassi. As the fortunes of Matera failed the sassy became slum dwelling and the appalling living conditions became be the disgrace of Italy. From the 1970’s families were forcibly removed from the Sassi and rehoused in the new town of Matera. Today tourism has regenerated Matera and the sassi have been modernised and are lived in again making them probably the longest inhabited houses in the world dating back 9000 years.
  • Vew of "la Gravina" ravine and the Sassi of Matera, Basilicata, Italy. A UNESCO World Heritage site.<br />
<br />
The area of Matera has been occupied since the Palaeolithic (10th millennium BC) making it one of the oldest continually inhabited settlements in the world. <br />
The town of Matera was founded by the Roman Lucius Caecilius Metellus in 251 BC and remained a Roman town until  was conquered by the Lombards In AD 664 becoming part of the Duchy of Benevento.  Matera was subject to the power struggles of southern Italy coming under the rule of the Byzantine Roman, the Germans and finally Matera was ruled by the Normans from 1043 until the Aragonese took possession in the 15th century. <br />
<br />
At the ancient heart of Matera are cave dwellings known as Sassi. As the fortunes of Matera failed the sassy became slum dwelling and the appalling living conditions became be the disgrace of Italy. From the 1970’s families were forcibly removed from the Sassi and rehoused in the new town of Matera. Today tourism has regenerated Matera and the sassi have been modernised and are lived in again making them probably the longest inhabited houses in the world dating back 9000 years.
  • Panoramic ew of "la Gravina" ravine and the Sassi of Matera, Basilicata, Italy. A UNESCO World Heritage site.<br />
<br />
The area of Matera has been occupied since the Palaeolithic (10th millennium BC) making it one of the oldest continually inhabited settlements in the world. <br />
The town of Matera was founded by the Roman Lucius Caecilius Metellus in 251 BC and remained a Roman town until  was conquered by the Lombards In AD 664 becoming part of the Duchy of Benevento.  Matera was subject to the power struggles of southern Italy coming under the rule of the Byzantine Roman, the Germans and finally Matera was ruled by the Normans from 1043 until the Aragonese took possession in the 15th century. <br />
<br />
At the ancient heart of Matera are cave dwellings known as Sassi. As the fortunes of Matera failed the sassy became slum dwelling and the appalling living conditions became be the disgrace of Italy. From the 1970’s families were forcibly removed from the Sassi and rehoused in the new town of Matera. Today tourism has regenerated Matera and the sassi have been modernised and are lived in again making them probably the longest inhabited houses in the world dating back 9000 years.
  • Panoramic ew of "la Gravina" ravine and the Sassi of Matera, Basilicata, Italy. A UNESCO World Heritage site.<br />
<br />
The area of Matera has been occupied since the Palaeolithic (10th millennium BC) making it one of the oldest continually inhabited settlements in the world. <br />
The town of Matera was founded by the Roman Lucius Caecilius Metellus in 251 BC and remained a Roman town until  was conquered by the Lombards In AD 664 becoming part of the Duchy of Benevento.  Matera was subject to the power struggles of southern Italy coming under the rule of the Byzantine Roman, the Germans and finally Matera was ruled by the Normans from 1043 until the Aragonese took possession in the 15th century. <br />
<br />
At the ancient heart of Matera are cave dwellings known as Sassi. As the fortunes of Matera failed the sassy became slum dwelling and the appalling living conditions became be the disgrace of Italy. From the 1970’s families were forcibly removed from the Sassi and rehoused in the new town of Matera. Today tourism has regenerated Matera and the sassi have been modernised and are lived in again making them probably the longest inhabited houses in the world dating back 9000 years.
  • Panoramic view of the ancient Sassi of Matera area exterior, Basilicata, Italy. <br />
<br />
The area of Matera has been occupied since the Palaeolithic (10th millennium BC) making it one of the oldest continually inhabited settlements in the world. <br />
<br />
The town of Matera was founded by the Roman Lucius Caecilius Metellus in 251 BC and remained a Roman town until  was conquered by the Lombards In AD 664 becoming part of the Duchy of Benevento.  Matera was subject to the power struggles of southern Italy coming under the rule of the Byzantine Roman, the Germans and finally Matera was ruled by the Normans from 1043 until the Aragonese took possession in the 15th century. <br />
<br />
At the ancient heart of Matera are cave dwellings known as Sassi. As the fortunes of Matera failed the sassy became slum dwelling and the appalling living conditions became be the disgrace of Italy. From the 1970’s families were forcibly removed from the Sassi and rehoused in the new town of Matera. Today tourism has regenerated Matera and the sassi have been modernised and are lived in again making them probably the longest inhabited houses in the world dating back 9000 years.
  • Vew of "la Gravina" ravine and the Sassi of Matera, Basilicata, Italy. A UNESCO World Heritage site.<br />
<br />
The area of Matera has been occupied since the Palaeolithic (10th millennium BC) making it one of the oldest continually inhabited settlements in the world. <br />
The town of Matera was founded by the Roman Lucius Caecilius Metellus in 251 BC and remained a Roman town until  was conquered by the Lombards In AD 664 becoming part of the Duchy of Benevento.  Matera was subject to the power struggles of southern Italy coming under the rule of the Byzantine Roman, the Germans and finally Matera was ruled by the Normans from 1043 until the Aragonese took possession in the 15th century. <br />
<br />
At the ancient heart of Matera are cave dwellings known as Sassi. As the fortunes of Matera failed the sassy became slum dwelling and the appalling living conditions became be the disgrace of Italy. From the 1970’s families were forcibly removed from the Sassi and rehoused in the new town of Matera. Today tourism has regenerated Matera and the sassi have been modernised and are lived in again making them probably the longest inhabited houses in the world dating back 9000 years.
  • View of the ancient Sassi of Matera area exterior, Basilicata, Italy. <br />
<br />
The area of Matera has been occupied since the Palaeolithic (10th millennium BC) making it one of the oldest continually inhabited settlements in the world. <br />
<br />
The town of Matera was founded by the Roman Lucius Caecilius Metellus in 251 BC and remained a Roman town until  was conquered by the Lombards In AD 664 becoming part of the Duchy of Benevento.  Matera was subject to the power struggles of southern Italy coming under the rule of the Byzantine Roman, the Germans and finally Matera was ruled by the Normans from 1043 until the Aragonese took possession in the 15th century. <br />
<br />
At the ancient heart of Matera are cave dwellings known as Sassi. As the fortunes of Matera failed the sassy became slum dwelling and the appalling living conditions became be the disgrace of Italy. From the 1970’s families were forcibly removed from the Sassi and rehoused in the new town of Matera. Today tourism has regenerated Matera and the sassi have been modernised and are lived in again making them probably the longest inhabited houses in the world dating back 9000 years.
  • View of the ancient Sassi of Matera area exterior, Basilicata, Italy. <br />
<br />
The area of Matera has been occupied since the Palaeolithic (10th millennium BC) making it one of the oldest continually inhabited settlements in the world. <br />
<br />
The town of Matera was founded by the Roman Lucius Caecilius Metellus in 251 BC and remained a Roman town until  was conquered by the Lombards In AD 664 becoming part of the Duchy of Benevento.  Matera was subject to the power struggles of southern Italy coming under the rule of the Byzantine Roman, the Germans and finally Matera was ruled by the Normans from 1043 until the Aragonese took possession in the 15th century. <br />
<br />
At the ancient heart of Matera are cave dwellings known as Sassi. As the fortunes of Matera failed the sassy became slum dwelling and the appalling living conditions became be the disgrace of Italy. From the 1970’s families were forcibly removed from the Sassi and rehoused in the new town of Matera. Today tourism has regenerated Matera and the sassi have been modernised and are lived in again making them probably the longest inhabited houses in the world dating back 9000 years.
  • View of the ancient Sassi of Matera area exterior, Basilicata, Italy. <br />
<br />
The area of Matera has been occupied since the Palaeolithic (10th millennium BC) making it one of the oldest continually inhabited settlements in the world. <br />
<br />
The town of Matera was founded by the Roman Lucius Caecilius Metellus in 251 BC and remained a Roman town until  was conquered by the Lombards In AD 664 becoming part of the Duchy of Benevento.  Matera was subject to the power struggles of southern Italy coming under the rule of the Byzantine Roman, the Germans and finally Matera was ruled by the Normans from 1043 until the Aragonese took possession in the 15th century. <br />
<br />
At the ancient heart of Matera are cave dwellings known as Sassi. As the fortunes of Matera failed the sassy became slum dwelling and the appalling living conditions became be the disgrace of Italy. From the 1970’s families were forcibly removed from the Sassi and rehoused in the new town of Matera. Today tourism has regenerated Matera and the sassi have been modernised and are lived in again making them probably the longest inhabited houses in the world dating back 9000 years.
  • View of the ancient Sassi of Matera area exterior, Basilicata, Italy. <br />
<br />
The area of Matera has been occupied since the Palaeolithic (10th millennium BC) making it one of the oldest continually inhabited settlements in the world. <br />
<br />
The town of Matera was founded by the Roman Lucius Caecilius Metellus in 251 BC and remained a Roman town until  was conquered by the Lombards In AD 664 becoming part of the Duchy of Benevento.  Matera was subject to the power struggles of southern Italy coming under the rule of the Byzantine Roman, the Germans and finally Matera was ruled by the Normans from 1043 until the Aragonese took possession in the 15th century. <br />
<br />
At the ancient heart of Matera are cave dwellings known as Sassi. As the fortunes of Matera failed the sassy became slum dwelling and the appalling living conditions became be the disgrace of Italy. From the 1970’s families were forcibly removed from the Sassi and rehoused in the new town of Matera. Today tourism has regenerated Matera and the sassi have been modernised and are lived in again making them probably the longest inhabited houses in the world dating back 9000 years.
  • View of the ancient Sassi of Matera area exterior, Basilicata, Italy. <br />
<br />
The area of Matera has been occupied since the Palaeolithic (10th millennium BC) making it one of the oldest continually inhabited settlements in the world. <br />
<br />
The town of Matera was founded by the Roman Lucius Caecilius Metellus in 251 BC and remained a Roman town until  was conquered by the Lombards In AD 664 becoming part of the Duchy of Benevento.  Matera was subject to the power struggles of southern Italy coming under the rule of the Byzantine Roman, the Germans and finally Matera was ruled by the Normans from 1043 until the Aragonese took possession in the 15th century. <br />
<br />
At the ancient heart of Matera are cave dwellings known as Sassi. As the fortunes of Matera failed the sassy became slum dwelling and the appalling living conditions became be the disgrace of Italy. From the 1970’s families were forcibly removed from the Sassi and rehoused in the new town of Matera. Today tourism has regenerated Matera and the sassi have been modernised and are lived in again making them probably the longest inhabited houses in the world dating back 9000 years.
  • View of the ancient Sassi of Matera area exterior, Basilicata, Italy. <br />
<br />
The area of Matera has been occupied since the Palaeolithic (10th millennium BC) making it one of the oldest continually inhabited settlements in the world. <br />
<br />
The town of Matera was founded by the Roman Lucius Caecilius Metellus in 251 BC and remained a Roman town until  was conquered by the Lombards In AD 664 becoming part of the Duchy of Benevento.  Matera was subject to the power struggles of southern Italy coming under the rule of the Byzantine Roman, the Germans and finally Matera was ruled by the Normans from 1043 until the Aragonese took possession in the 15th century. <br />
<br />
At the ancient heart of Matera are cave dwellings known as Sassi. As the fortunes of Matera failed the sassy became slum dwelling and the appalling living conditions became be the disgrace of Italy. From the 1970’s families were forcibly removed from the Sassi and rehoused in the new town of Matera. Today tourism has regenerated Matera and the sassi have been modernised and are lived in again making them probably the longest inhabited houses in the world dating back 9000 years.
  • View of the ancient Sassi of Matera area exterior, Basilicata, Italy. <br />
<br />
The area of Matera has been occupied since the Palaeolithic (10th millennium BC) making it one of the oldest continually inhabited settlements in the world. <br />
<br />
The town of Matera was founded by the Roman Lucius Caecilius Metellus in 251 BC and remained a Roman town until  was conquered by the Lombards In AD 664 becoming part of the Duchy of Benevento.  Matera was subject to the power struggles of southern Italy coming under the rule of the Byzantine Roman, the Germans and finally Matera was ruled by the Normans from 1043 until the Aragonese took possession in the 15th century. <br />
<br />
At the ancient heart of Matera are cave dwellings known as Sassi. As the fortunes of Matera failed the sassy became slum dwelling and the appalling living conditions became be the disgrace of Italy. From the 1970’s families were forcibly removed from the Sassi and rehoused in the new town of Matera. Today tourism has regenerated Matera and the sassi have been modernised and are lived in again making them probably the longest inhabited houses in the world dating back 9000 years.
  • View of the ancient Sassi of Matera area exterior, Basilicata, Italy. <br />
<br />
The area of Matera has been occupied since the Palaeolithic (10th millennium BC) making it one of the oldest continually inhabited settlements in the world. <br />
<br />
The town of Matera was founded by the Roman Lucius Caecilius Metellus in 251 BC and remained a Roman town until  was conquered by the Lombards In AD 664 becoming part of the Duchy of Benevento.  Matera was subject to the power struggles of southern Italy coming under the rule of the Byzantine Roman, the Germans and finally Matera was ruled by the Normans from 1043 until the Aragonese took possession in the 15th century. <br />
<br />
At the ancient heart of Matera are cave dwellings known as Sassi. As the fortunes of Matera failed the sassy became slum dwelling and the appalling living conditions became be the disgrace of Italy. From the 1970’s families were forcibly removed from the Sassi and rehoused in the new town of Matera. Today tourism has regenerated Matera and the sassi have been modernised and are lived in again making them probably the longest inhabited houses in the world dating back 9000 years.
  • Long view across "la Gravina" ravine to the Sassi of Matera at sunrise, Basilicata, Italy. A UNESCO World Heritage site.<br />
<br />
The area of Matera has been occupied since the Palaeolithic (10th millennium BC) making it one of the oldest continually inhabited settlements in the world. <br />
The town of Matera was founded by the Roman Lucius Caecilius Metellus in 251 BC and remained a Roman town until  was conquered by the Lombards In AD 664 becoming part of the Duchy of Benevento.  Matera was subject to the power struggles of southern Italy coming under the rule of the Byzantine Roman, the Germans and finally Matera was ruled by the Normans from 1043 until the Aragonese took possession in the 15th century. <br />
<br />
At the ancient heart of Matera are cave dwellings known as Sassi. As the fortunes of Matera failed the sassy became slum dwelling and the appalling living conditions became be the disgrace of Italy. From the 1970’s families were forcibly removed from the Sassi and rehoused in the new town of Matera. Today tourism has regenerated Matera and the sassi have been modernised and are lived in again making them probably the longest inhabited houses in the world dating back 9000 years.
  • Long view across "la Gravina" ravine to the Sassi of Matera at sunrise, Basilicata, Italy. A UNESCO World Heritage site.<br />
<br />
The area of Matera has been occupied since the Palaeolithic (10th millennium BC) making it one of the oldest continually inhabited settlements in the world. <br />
The town of Matera was founded by the Roman Lucius Caecilius Metellus in 251 BC and remained a Roman town until  was conquered by the Lombards In AD 664 becoming part of the Duchy of Benevento.  Matera was subject to the power struggles of southern Italy coming under the rule of the Byzantine Roman, the Germans and finally Matera was ruled by the Normans from 1043 until the Aragonese took possession in the 15th century. <br />
<br />
At the ancient heart of Matera are cave dwellings known as Sassi. As the fortunes of Matera failed the sassy became slum dwelling and the appalling living conditions became be the disgrace of Italy. From the 1970’s families were forcibly removed from the Sassi and rehoused in the new town of Matera. Today tourism has regenerated Matera and the sassi have been modernised and are lived in again making them probably the longest inhabited houses in the world dating back 9000 years.
  • Long view across "la Gravina" ravine to the Sassi of Matera at sunrise, Basilicata, Italy. A UNESCO World Heritage site.<br />
<br />
The area of Matera has been occupied since the Palaeolithic (10th millennium BC) making it one of the oldest continually inhabited settlements in the world. <br />
The town of Matera was founded by the Roman Lucius Caecilius Metellus in 251 BC and remained a Roman town until  was conquered by the Lombards In AD 664 becoming part of the Duchy of Benevento.  Matera was subject to the power struggles of southern Italy coming under the rule of the Byzantine Roman, the Germans and finally Matera was ruled by the Normans from 1043 until the Aragonese took possession in the 15th century. <br />
<br />
At the ancient heart of Matera are cave dwellings known as Sassi. As the fortunes of Matera failed the sassy became slum dwelling and the appalling living conditions became be the disgrace of Italy. From the 1970’s families were forcibly removed from the Sassi and rehoused in the new town of Matera. Today tourism has regenerated Matera and the sassi have been modernised and are lived in again making them probably the longest inhabited houses in the world dating back 9000 years.
  • Vew of "la Gravina" ravine and the Sassi of Matera, Basilicata, Italy. A UNESCO World Heritage site.<br />
<br />
The area of Matera has been occupied since the Palaeolithic (10th millennium BC) making it one of the oldest continually inhabited settlements in the world. <br />
<br />
The town of Matera was founded by the Roman Lucius Caecilius Metellus in 251 BC and remained a Roman town until  was conquered by the Lombards In AD 664 becoming part of the Duchy of Benevento.  Matera was subject to the power struggles of southern Italy coming under the rule of the Byzantine Roman, the Germans and finally Matera was ruled by the Normans from 1043 until the Aragonese took possession in the 15th century. <br />
<br />
At the ancient heart of Matera are cave dwellings known as Sassi. As the fortunes of Matera failed the sassy became slum dwelling and the appalling living conditions became be the disgrace of Italy. From the 1970’s families were forcibly removed from the Sassi and rehoused in the new town of Matera. Today tourism has regenerated Matera and the sassi have been modernised and are lived in again making them probably the longest inhabited houses in the world dating back 9000 years.
  • Panoramic long view across "la Gravina" ravine to the Sassi of Matera at sunrise, Basilicata, Italy. A UNESCO World Heritage site.<br />
<br />
The area of Matera has been occupied since the Palaeolithic (10th millennium BC) making it one of the oldest continually inhabited settlements in the world. <br />
The town of Matera was founded by the Roman Lucius Caecilius Metellus in 251 BC and remained a Roman town until  was conquered by the Lombards In AD 664 becoming part of the Duchy of Benevento.  Matera was subject to the power struggles of southern Italy coming under the rule of the Byzantine Roman, the Germans and finally Matera was ruled by the Normans from 1043 until the Aragonese took possession in the 15th century. <br />
<br />
At the ancient heart of Matera are cave dwellings known as Sassi. As the fortunes of Matera failed the sassy became slum dwelling and the appalling living conditions became be the disgrace of Italy. From the 1970’s families were forcibly removed from the Sassi and rehoused in the new town of Matera. Today tourism has regenerated Matera and the sassi have been modernised and are lived in again making them probably the longest inhabited houses in the world dating back 9000 years.
  • Panoramic long view across "la Gravina" ravine to the Sassi of Matera at sunrise, Basilicata, Italy. A UNESCO World Heritage site.<br />
<br />
The area of Matera has been occupied since the Palaeolithic (10th millennium BC) making it one of the oldest continually inhabited settlements in the world. <br />
The town of Matera was founded by the Roman Lucius Caecilius Metellus in 251 BC and remained a Roman town until  was conquered by the Lombards In AD 664 becoming part of the Duchy of Benevento.  Matera was subject to the power struggles of southern Italy coming under the rule of the Byzantine Roman, the Germans and finally Matera was ruled by the Normans from 1043 until the Aragonese took possession in the 15th century. <br />
<br />
At the ancient heart of Matera are cave dwellings known as Sassi. As the fortunes of Matera failed the sassy became slum dwelling and the appalling living conditions became be the disgrace of Italy. From the 1970’s families were forcibly removed from the Sassi and rehoused in the new town of Matera. Today tourism has regenerated Matera and the sassi have been modernised and are lived in again making them probably the longest inhabited houses in the world dating back 9000 years.
  • Panoramic long view across "la Gravina" ravine to the Sassi of Matera at sunrise, Basilicata, Italy. A UNESCO World Heritage site.<br />
<br />
The area of Matera has been occupied since the Palaeolithic (10th millennium BC) making it one of the oldest continually inhabited settlements in the world. <br />
The town of Matera was founded by the Roman Lucius Caecilius Metellus in 251 BC and remained a Roman town until  was conquered by the Lombards In AD 664 becoming part of the Duchy of Benevento.  Matera was subject to the power struggles of southern Italy coming under the rule of the Byzantine Roman, the Germans and finally Matera was ruled by the Normans from 1043 until the Aragonese took possession in the 15th century. <br />
<br />
At the ancient heart of Matera are cave dwellings known as Sassi. As the fortunes of Matera failed the sassy became slum dwelling and the appalling living conditions became be the disgrace of Italy. From the 1970’s families were forcibly removed from the Sassi and rehoused in the new town of Matera. Today tourism has regenerated Matera and the sassi have been modernised and are lived in again making them probably the longest inhabited houses in the world dating back 9000 years.
  • Panoramic long view across "la Gravina" ravine to the Sassi of Matera at sunrise, Basilicata, Italy. A UNESCO World Heritage site.<br />
<br />
The area of Matera has been occupied since the Palaeolithic (10th millennium BC) making it one of the oldest continually inhabited settlements in the world. <br />
The town of Matera was founded by the Roman Lucius Caecilius Metellus in 251 BC and remained a Roman town until  was conquered by the Lombards In AD 664 becoming part of the Duchy of Benevento.  Matera was subject to the power struggles of southern Italy coming under the rule of the Byzantine Roman, the Germans and finally Matera was ruled by the Normans from 1043 until the Aragonese took possession in the 15th century. <br />
<br />
At the ancient heart of Matera are cave dwellings known as Sassi. As the fortunes of Matera failed the sassy became slum dwelling and the appalling living conditions became be the disgrace of Italy. From the 1970’s families were forcibly removed from the Sassi and rehoused in the new town of Matera. Today tourism has regenerated Matera and the sassi have been modernised and are lived in again making them probably the longest inhabited houses in the world dating back 9000 years.
  • Panoramic long view across "la Gravina" ravine to the Sassi of Matera at sunrise, Basilicata, Italy. A UNESCO World Heritage site.<br />
<br />
The area of Matera has been occupied since the Palaeolithic (10th millennium BC) making it one of the oldest continually inhabited settlements in the world. <br />
The town of Matera was founded by the Roman Lucius Caecilius Metellus in 251 BC and remained a Roman town until  was conquered by the Lombards In AD 664 becoming part of the Duchy of Benevento.  Matera was subject to the power struggles of southern Italy coming under the rule of the Byzantine Roman, the Germans and finally Matera was ruled by the Normans from 1043 until the Aragonese took possession in the 15th century. <br />
<br />
At the ancient heart of Matera are cave dwellings known as Sassi. As the fortunes of Matera failed the sassy became slum dwelling and the appalling living conditions became be the disgrace of Italy. From the 1970’s families were forcibly removed from the Sassi and rehoused in the new town of Matera. Today tourism has regenerated Matera and the sassi have been modernised and are lived in again making them probably the longest inhabited houses in the world dating back 9000 years.
  • Long view across "la Gravina" ravine to the Sassi of Matera at sunrise, Basilicata, Italy. A UNESCO World Heritage site.<br />
<br />
The area of Matera has been occupied since the Palaeolithic (10th millennium BC) making it one of the oldest continually inhabited settlements in the world. <br />
The town of Matera was founded by the Roman Lucius Caecilius Metellus in 251 BC and remained a Roman town until  was conquered by the Lombards In AD 664 becoming part of the Duchy of Benevento.  Matera was subject to the power struggles of southern Italy coming under the rule of the Byzantine Roman, the Germans and finally Matera was ruled by the Normans from 1043 until the Aragonese took possession in the 15th century. <br />
<br />
At the ancient heart of Matera are cave dwellings known as Sassi. As the fortunes of Matera failed the sassy became slum dwelling and the appalling living conditions became be the disgrace of Italy. From the 1970’s families were forcibly removed from the Sassi and rehoused in the new town of Matera. Today tourism has regenerated Matera and the sassi have been modernised and are lived in again making them probably the longest inhabited houses in the world dating back 9000 years.
  • Panoramic long view across "la Gravina" ravine to the Sassi of Matera at sunrise, Basilicata, Italy. A UNESCO World Heritage site.<br />
<br />
The area of Matera has been occupied since the Palaeolithic (10th millennium BC) making it one of the oldest continually inhabited settlements in the world. <br />
The town of Matera was founded by the Roman Lucius Caecilius Metellus in 251 BC and remained a Roman town until  was conquered by the Lombards In AD 664 becoming part of the Duchy of Benevento.  Matera was subject to the power struggles of southern Italy coming under the rule of the Byzantine Roman, the Germans and finally Matera was ruled by the Normans from 1043 until the Aragonese took possession in the 15th century. <br />
<br />
At the ancient heart of Matera are cave dwellings known as Sassi. As the fortunes of Matera failed the sassy became slum dwelling and the appalling living conditions became be the disgrace of Italy. From the 1970’s families were forcibly removed from the Sassi and rehoused in the new town of Matera. Today tourism has regenerated Matera and the sassi have been modernised and are lived in again making them probably the longest inhabited houses in the world dating back 9000 years.
  • Long view across "la Gravina" ravine to the Sassi of Matera at sunrise, Basilicata, Italy. A UNESCO World Heritage site.<br />
<br />
The area of Matera has been occupied since the Palaeolithic (10th millennium BC) making it one of the oldest continually inhabited settlements in the world. <br />
The town of Matera was founded by the Roman Lucius Caecilius Metellus in 251 BC and remained a Roman town until  was conquered by the Lombards In AD 664 becoming part of the Duchy of Benevento.  Matera was subject to the power struggles of southern Italy coming under the rule of the Byzantine Roman, the Germans and finally Matera was ruled by the Normans from 1043 until the Aragonese took possession in the 15th century. <br />
<br />
At the ancient heart of Matera are cave dwellings known as Sassi. As the fortunes of Matera failed the sassy became slum dwelling and the appalling living conditions became be the disgrace of Italy. From the 1970’s families were forcibly removed from the Sassi and rehoused in the new town of Matera. Today tourism has regenerated Matera and the sassi have been modernised and are lived in again making them probably the longest inhabited houses in the world dating back 9000 years.
  • Panoramic long view across "la Gravina" ravine to the Sassi of Matera at sunrise, Basilicata, Italy. A UNESCO World Heritage site.<br />
<br />
The area of Matera has been occupied since the Palaeolithic (10th millennium BC) making it one of the oldest continually inhabited settlements in the world. <br />
The town of Matera was founded by the Roman Lucius Caecilius Metellus in 251 BC and remained a Roman town until  was conquered by the Lombards In AD 664 becoming part of the Duchy of Benevento.  Matera was subject to the power struggles of southern Italy coming under the rule of the Byzantine Roman, the Germans and finally Matera was ruled by the Normans from 1043 until the Aragonese took possession in the 15th century. <br />
<br />
At the ancient heart of Matera are cave dwellings known as Sassi. As the fortunes of Matera failed the sassy became slum dwelling and the appalling living conditions became be the disgrace of Italy. From the 1970’s families were forcibly removed from the Sassi and rehoused in the new town of Matera. Today tourism has regenerated Matera and the sassi have been modernised and are lived in again making them probably the longest inhabited houses in the world dating back 9000 years.
  • Mosaic depicting Abel making sacrifice. Byzantine Roman mosaics of the Basilica of San Vitale in Ravenna, Italy. Mosaic decoration paid for by Emperor Justinian I in 547. A UNESCO World Heritage Site
  • Mosaic depicting Abel making sacrifice. Byzantine Roman mosaics of the Basilica of San Vitale in Ravenna, Italy. Mosaic decoration paid for by Emperor Justinian I in 547. A UNESCO World Heritage Site
  • Mosaic depicting Abel making sacrifice. Byzantine Roman mosaics of the Basilica of San Vitale in Ravenna, Italy. Mosaic decoration paid for by Emperor Justinian I in 547. A UNESCO World Heritage Site
  • Mosaic depicting Abel making sacrifice. Byzantine Roman mosaics of the Basilica of San Vitale in Ravenna, Italy. Mosaic decoration paid for by Emperor Justinian I in 547. A UNESCO World Heritage Site
  • Hunters making a sacrifice to the goddess Diana from the Room of The Small Nunt, no 25 - Roman mosaics at the Villa Romana del Casale which containis the richest, largest and most complex collection of Roman mosaics in the world, circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Hunters making a sacrifice to the goddess Diana from the Room of The Small Nunt, no 25 - Roman mosaics at the Villa Romana del Casale which containis the richest, largest and most complex collection of Roman mosaics in the world, circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Hunters making a sacrifice to the goddess Diana after a hunt from the Room of The Small Nunt, no 25 - Roman mosaics at the Villa Romana del Casale which containis the richest, largest and most complex collection of Roman mosaics in the world, circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Mosaic depicting Abel making sacrifice. Byzantine Roman mosaics of the Basilica of San Vitale in Ravenna, Italy. Mosaic decoration paid for by Emperor Justinian I in 547. A UNESCO World Heritage Site
  • Medieval stained glass Window of the Gothic Cathedral of Chartres, France - dedicated to St John The Evangelist. Bottom panel - Flight into Egypt . Above left - Armourers making shields and saddles, above right - Armourers making stirrups. Central panel - Death of Satheus, above left - John's journey into exile on Patmos, above right - St John on Patmos. A UNESCO World Heritage Site..
  • Medieval stained glass Window of the Gothic Cathedral of Chartres, France - dedicated to St John The Evangelist. Bottom left - Armourers making shields and saddles, above right - Armourers making stirrups. Central bottom panel - Death of Satheus, above left - John's journey into exile on Patmos, above right - St John on Patmos. Central top panel - St John confronting Aristodemus, above left and right - The raising of Drusiana . A UNESCO World Heritage Site..
  • Medieval stained glass Window of the Gothic Cathedral of Chartres, France - dedicated to St John The Evangelist. Bottom left - Armourers making shields and saddles, above right - Armourers making stirrups. Central bottom panel - Death of Satheus, above left - John's journey into exile on Patmos, above right - St John on Patmos. Central top panel - St John confronting Aristodemus, above left and right - The raising of Drusiana . A UNESCO World Heritage Site..
  • Early classical ancient Greek bronze statue of Zeus or Poseidon, circa 450 BC. Athens National Arcjaeological Museum, cat no X15161. White background<br />
<br />
This bronze statue was found in the sea off Cape Artemision in northern Euobea. Zeus or Poseidon is shown making a great stride. His lefy arm is extended forward and his righy arm extends back which would have held a thunderbolt, if Zeus, or a trident if Poseidon. The identification of the statue is controversial though it ios more likely Zeus. <br />
<br />
It is one of the few preserved original statues of Severe Style, notable for the exuisite rendering of motion and anatomy. Iy is certainly the work of a great sculptor of the early ancient Greek Classical period
  • Early classical ancient Greek bronze statue of Zeus or Poseidon, circa 450 BC. Athens National Arcjaeological Museum, cat no X15161. Grey background.<br />
<br />
This bronze statue was found in the sea off Cape Artemision in northern Euobea. Zeus or Poseidon is shown making a great stride. His lefy arm is extended forward and his righy arm extends back which would have held a thunderbolt, if Zeus, or a trident if Poseidon. The identification of the statue is controversial though it ios more likely Zeus. <br />
<br />
It is one of the few preserved original statues of Severe Style, notable for the exuisite rendering of motion and anatomy. Iy is certainly the work of a great sculptor of the early ancient Greek Classical period
  • Early classical ancient Greek bronze statue of Zeus or Poseidon, circa 450 BC. Athens National Arcjaeological Museum, cat no X15161. Black background<br />
<br />
This bronze statue was found in the sea off Cape Artemision in northern Euobea. Zeus or Poseidon is shown making a great stride. His lefy arm is extended forward and his righy arm extends back which would have held a thunderbolt, if Zeus, or a trident if Poseidon. The identification of the statue is controversial though it ios more likely Zeus. <br />
<br />
It is one of the few preserved original statues of Severe Style, notable for the exuisite rendering of motion and anatomy. Iy is certainly the work of a great sculptor of the early ancient Greek Classical period
  • Early classical ancient Greek bronze statue of Zeus or Poseidon, circa 450 BC. Athens National Arcjaeological Museum, cat no X15161. White background<br />
<br />
This bronze statue was found in the sea off Cape Artemision in northern Euobea. Zeus or Poseidon is shown making a great stride. His lefy arm is extended forward and his righy arm extends back which would have held a thunderbolt, if Zeus, or a trident if Poseidon. The identification of the statue is controversial though it ios more likely Zeus. <br />
<br />
It is one of the few preserved original statues of Severe Style, notable for the exuisite rendering of motion and anatomy. Iy is certainly the work of a great sculptor of the early ancient Greek Classical period
  • Early classical ancient Greek bronze statue of Zeus or Poseidon, circa 450 BC. Athens National Arcjaeological Museum, cat no X15161. Black background<br />
<br />
This bronze statue was found in the sea off Cape Artemision in northern Euobea. Zeus or Poseidon is shown making a great stride. His lefy arm is extended forward and his righy arm extends back which would have held a thunderbolt, if Zeus, or a trident if Poseidon. The identification of the statue is controversial though it ios more likely Zeus. <br />
<br />
It is one of the few preserved original statues of Severe Style, notable for the exuisite rendering of motion and anatomy. Iy is certainly the work of a great sculptor of the early ancient Greek Classical period
  • Early classical ancient Greek bronze statue of Zeus or Poseidon, circa 450 BC. Athens National Arcjaeological Museum, cat no X15161<br />
<br />
This bronze statue was found in the sea off Cape Artemision in northern Euobea. Zeus or Poseidon is shown making a great stride. His lefy arm is extended forward and his righy arm extends back which would have held a thunderbolt, if Zeus, or a trident if Poseidon. The identification of the statue is controversial though it ios more likely Zeus. <br />
<br />
It is one of the few preserved original statues of Severe Style, notable for the exuisite rendering of motion and anatomy. Iy is certainly the work of a great sculptor of the early ancient Greek Classical period
  • Early classical ancient Greek bronze statue of Zeus or Poseidon, circa 450 BC. Athens National Arcjaeological Museum, cat no X15161<br />
<br />
This bronze statue was found in the sea off Cape Artemision in northern Euobea. Zeus or Poseidon is shown making a great stride. His lefy arm is extended forward and his righy arm extends back which would have held a thunderbolt, if Zeus, or a trident if Poseidon. The identification of the statue is controversial though it ios more likely Zeus. <br />
<br />
It is one of the few preserved original statues of Severe Style, notable for the exuisite rendering of motion and anatomy. Iy is certainly the work of a great sculptor of the early ancient Greek Classical period
  • Early classical ancient Greek bronze statue of Zeus or Poseidon, circa 450 BC. Athens National Arcjaeological Museum, cat no X15161. Grey background.<br />
<br />
This bronze statue was found in the sea off Cape Artemision in northern Euobea. Zeus or Poseidon is shown making a great stride. His lefy arm is extended forward and his righy arm extends back which would have held a thunderbolt, if Zeus, or a trident if Poseidon. The identification of the statue is controversial though it ios more likely Zeus. <br />
<br />
It is one of the few preserved original statues of Severe Style, notable for the exuisite rendering of motion and anatomy. Iy is certainly the work of a great sculptor of the early ancient Greek Classical period
  • Early classical ancient Greek bronze statue of Zeus or Poseidon, circa 450 BC. Athens National Arcjaeological Museum, cat no X15161. Black background<br />
<br />
This bronze statue was found in the sea off Cape Artemision in northern Euobea. Zeus or Poseidon is shown making a great stride. His lefy arm is extended forward and his righy arm extends back which would have held a thunderbolt, if Zeus, or a trident if Poseidon. The identification of the statue is controversial though it ios more likely Zeus. <br />
<br />
It is one of the few preserved original statues of Severe Style, notable for the exuisite rendering of motion and anatomy. Iy is certainly the work of a great sculptor of the early ancient Greek Classical period
  • Early classical ancient Greek bronze statue of Zeus or Poseidon, circa 450 BC. Athens National Arcjaeological Museum, cat no X15161. Grey background.<br />
<br />
This bronze statue was found in the sea off Cape Artemision in northern Euobea. Zeus or Poseidon is shown making a great stride. His lefy arm is extended forward and his righy arm extends back which would have held a thunderbolt, if Zeus, or a trident if Poseidon. The identification of the statue is controversial though it ios more likely Zeus. <br />
<br />
It is one of the few preserved original statues of Severe Style, notable for the exuisite rendering of motion and anatomy. Iy is certainly the work of a great sculptor of the early ancient Greek Classical period
  • Early classical ancient Greek bronze statue of Zeus or Poseidon, circa 450 BC. Athens National Arcjaeological Museum, cat no X15161<br />
<br />
This bronze statue was found in the sea off Cape Artemision in northern Euobea. Zeus or Poseidon is shown making a great stride. His lefy arm is extended forward and his righy arm extends back which would have held a thunderbolt, if Zeus, or a trident if Poseidon. The identification of the statue is controversial though it ios more likely Zeus. <br />
<br />
It is one of the few preserved original statues of Severe Style, notable for the exuisite rendering of motion and anatomy. Iy is certainly the work of a great sculptor of the early ancient Greek Classical period
  • Early classical ancient Greek bronze statue of Zeus or Poseidon, circa 450 BC. Athens National Arcjaeological Museum, cat no X15161. Grey background.<br />
<br />
This bronze statue was found in the sea off Cape Artemision in northern Euobea. Zeus or Poseidon is shown making a great stride. His lefy arm is extended forward and his righy arm extends back which would have held a thunderbolt, if Zeus, or a trident if Poseidon. The identification of the statue is controversial though it ios more likely Zeus. <br />
<br />
It is one of the few preserved original statues of Severe Style, notable for the exuisite rendering of motion and anatomy. Iy is certainly the work of a great sculptor of the early ancient Greek Classical period
  • Early classical ancient Greek bronze statue of Zeus or Poseidon, circa 450 BC. Athens National Arcjaeological Museum, cat no X15161. Black background<br />
<br />
This bronze statue was found in the sea off Cape Artemision in northern Euobea. Zeus or Poseidon is shown making a great stride. His lefy arm is extended forward and his righy arm extends back which would have held a thunderbolt, if Zeus, or a trident if Poseidon. The identification of the statue is controversial though it ios more likely Zeus. <br />
<br />
It is one of the few preserved original statues of Severe Style, notable for the exuisite rendering of motion and anatomy. Iy is certainly the work of a great sculptor of the early ancient Greek Classical period
  • Early classical ancient Greek bronze statue of Zeus or Poseidon, circa 450 BC. Athens National Arcjaeological Museum, cat no X15161. White background<br />
<br />
This bronze statue was found in the sea off Cape Artemision in northern Euobea. Zeus or Poseidon is shown making a great stride. His lefy arm is extended forward and his righy arm extends back which would have held a thunderbolt, if Zeus, or a trident if Poseidon. The identification of the statue is controversial though it ios more likely Zeus. <br />
<br />
It is one of the few preserved original statues of Severe Style, notable for the exuisite rendering of motion and anatomy. Iy is certainly the work of a great sculptor of the early ancient Greek Classical period
  • Early classical ancient Greek bronze statue of Zeus or Poseidon, circa 450 BC. Athens National Arcjaeological Museum, cat no X15161. Grey background.<br />
<br />
This bronze statue was found in the sea off Cape Artemision in northern Euobea. Zeus or Poseidon is shown making a great stride. His lefy arm is extended forward and his righy arm extends back which would have held a thunderbolt, if Zeus, or a trident if Poseidon. The identification of the statue is controversial though it ios more likely Zeus. <br />
<br />
It is one of the few preserved original statues of Severe Style, notable for the exuisite rendering of motion and anatomy. Iy is certainly the work of a great sculptor of the early ancient Greek Classical period
  • Early classical ancient Greek bronze statue of Zeus or Poseidon, circa 450 BC. Athens National Arcjaeological Museum, cat no X15161<br />
<br />
This bronze statue was found in the sea off Cape Artemision in northern Euobea. Zeus or Poseidon is shown making a great stride. His lefy arm is extended forward and his righy arm extends back which would have held a thunderbolt, if Zeus, or a trident if Poseidon. The identification of the statue is controversial though it ios more likely Zeus. <br />
<br />
It is one of the few preserved original statues of Severe Style, notable for the exuisite rendering of motion and anatomy. Iy is certainly the work of a great sculptor of the early ancient Greek Classical period
  • Early classical ancient Greek bronze statue of Zeus or Poseidon, circa 450 BC. Athens National Arcjaeological Museum, cat no X15161. Grey background.<br />
<br />
This bronze statue was found in the sea off Cape Artemision in northern Euobea. Zeus or Poseidon is shown making a great stride. His lefy arm is extended forward and his righy arm extends back which would have held a thunderbolt, if Zeus, or a trident if Poseidon. The identification of the statue is controversial though it ios more likely Zeus. <br />
<br />
It is one of the few preserved original statues of Severe Style, notable for the exuisite rendering of motion and anatomy. Iy is certainly the work of a great sculptor of the early ancient Greek Classical period
  • Early classical ancient Greek bronze statue of Zeus or Poseidon, circa 450 BC. Athens National Arcjaeological Museum, cat no X15161. White background<br />
<br />
This bronze statue was found in the sea off Cape Artemision in northern Euobea. Zeus or Poseidon is shown making a great stride. His lefy arm is extended forward and his righy arm extends back which would have held a thunderbolt, if Zeus, or a trident if Poseidon. The identification of the statue is controversial though it ios more likely Zeus. <br />
<br />
It is one of the few preserved original statues of Severe Style, notable for the exuisite rendering of motion and anatomy. Iy is certainly the work of a great sculptor of the early ancient Greek Classical period
  • Early classical ancient Greek bronze statue of Zeus or Poseidon, circa 450 BC. Athens National Arcjaeological Museum, cat no X15161. Black background<br />
<br />
This bronze statue was found in the sea off Cape Artemision in northern Euobea. Zeus or Poseidon is shown making a great stride. His lefy arm is extended forward and his righy arm extends back which would have held a thunderbolt, if Zeus, or a trident if Poseidon. The identification of the statue is controversial though it ios more likely Zeus. <br />
<br />
It is one of the few preserved original statues of Severe Style, notable for the exuisite rendering of motion and anatomy. Iy is certainly the work of a great sculptor of the early ancient Greek Classical period
  • Early classical ancient Greek bronze statue of Zeus or Poseidon, circa 450 BC. Athens National Arcjaeological Museum, cat no X15161<br />
<br />
This bronze statue was found in the sea off Cape Artemision in northern Euobea. Zeus or Poseidon is shown making a great stride. His lefy arm is extended forward and his righy arm extends back which would have held a thunderbolt, if Zeus, or a trident if Poseidon. The identification of the statue is controversial though it ios more likely Zeus. <br />
<br />
It is one of the few preserved original statues of Severe Style, notable for the exuisite rendering of motion and anatomy. Iy is certainly the work of a great sculptor of the early ancient Greek Classical period
  • Early classical ancient Greek bronze statue of Zeus or Poseidon, circa 450 BC. Athens National Arcjaeological Museum, cat no X15161. White background<br />
<br />
This bronze statue was found in the sea off Cape Artemision in northern Euobea. Zeus or Poseidon is shown making a great stride. His lefy arm is extended forward and his righy arm extends back which would have held a thunderbolt, if Zeus, or a trident if Poseidon. The identification of the statue is controversial though it ios more likely Zeus. <br />
<br />
It is one of the few preserved original statues of Severe Style, notable for the exuisite rendering of motion and anatomy. Iy is certainly the work of a great sculptor of the early ancient Greek Classical period
  • Early classical ancient Greek bronze statue of Zeus or Poseidon, circa 450 BC. Athens National Arcjaeological Museum, cat no X15161. Black background<br />
<br />
This bronze statue was found in the sea off Cape Artemision in northern Euobea. Zeus or Poseidon is shown making a great stride. His lefy arm is extended forward and his righy arm extends back which would have held a thunderbolt, if Zeus, or a trident if Poseidon. The identification of the statue is controversial though it ios more likely Zeus. <br />
<br />
It is one of the few preserved original statues of Severe Style, notable for the exuisite rendering of motion and anatomy. Iy is certainly the work of a great sculptor of the early ancient Greek Classical period
  • Early classical ancient Greek bronze statue of Zeus or Poseidon, circa 450 BC. Athens National Arcjaeological Museum, cat no X15161<br />
<br />
This bronze statue was found in the sea off Cape Artemision in northern Euobea. Zeus or Poseidon is shown making a great stride. His lefy arm is extended forward and his righy arm extends back which would have held a thunderbolt, if Zeus, or a trident if Poseidon. The identification of the statue is controversial though it ios more likely Zeus. <br />
<br />
It is one of the few preserved original statues of Severe Style, notable for the exuisite rendering of motion and anatomy. Iy is certainly the work of a great sculptor of the early ancient Greek Classical period
  • Early classical ancient Greek bronze statue of Zeus or Poseidon, circa 450 BC. Athens National Arcjaeological Museum, cat no X15161. Grey background.<br />
<br />
This bronze statue was found in the sea off Cape Artemision in northern Euobea. Zeus or Poseidon is shown making a great stride. His lefy arm is extended forward and his righy arm extends back which would have held a thunderbolt, if Zeus, or a trident if Poseidon. The identification of the statue is controversial though it ios more likely Zeus. <br />
<br />
It is one of the few preserved original statues of Severe Style, notable for the exuisite rendering of motion and anatomy. Iy is certainly the work of a great sculptor of the early ancient Greek Classical period
  • Early classical ancient Greek bronze statue of Zeus or Poseidon, circa 450 BC. Athens National Arcjaeological Museum, cat no X15161. Grey background.<br />
<br />
This bronze statue was found in the sea off Cape Artemision in northern Euobea. Zeus or Poseidon is shown making a great stride. His lefy arm is extended forward and his righy arm extends back which would have held a thunderbolt, if Zeus, or a trident if Poseidon. The identification of the statue is controversial though it ios more likely Zeus. <br />
<br />
It is one of the few preserved original statues of Severe Style, notable for the exuisite rendering of motion and anatomy. Iy is certainly the work of a great sculptor of the early ancient Greek Classical period
  • Early classical ancient Greek bronze statue of Zeus or Poseidon, circa 450 BC. Athens National Arcjaeological Museum, cat no X15161. Grey background.<br />
<br />
This bronze statue was found in the sea off Cape Artemision in northern Euobea. Zeus or Poseidon is shown making a great stride. His lefy arm is extended forward and his righy arm extends back which would have held a thunderbolt, if Zeus, or a trident if Poseidon. The identification of the statue is controversial though it ios more likely Zeus. <br />
<br />
It is one of the few preserved original statues of Severe Style, notable for the exuisite rendering of motion and anatomy. Iy is certainly the work of a great sculptor of the early ancient Greek Classical period
  • Early classical ancient Greek bronze statue of Zeus or Poseidon, circa 450 BC. Athens National Arcjaeological Museum, cat no X15161, White background<br />
<br />
This bronze statue was found in the sea off Cape Artemision in northern Euobea. Zeus or Poseidon is shown making a great stride. His lefy arm is extended forward and his righy arm extends back which would have held a thunderbolt, if Zeus, or a trident if Poseidon. The identification of the statue is controversial though it ios more likely Zeus. <br />
<br />
It is one of the few preserved original statues of Severe Style, notable for the exuisite rendering of motion and anatomy. Iy is certainly the work of a great sculptor of the early ancient Greek Classical period
  • Early classical ancient Greek bronze statue of Zeus or Poseidon, circa 450 BC. Athens National Arcjaeological Museum, cat no X15161. Black background<br />
<br />
<br />
This bronze statue was found in the sea off Cape Artemision in northern Euobea. Zeus or Poseidon is shown making a great stride. His lefy arm is extended forward and his righy arm extends back which would have held a thunderbolt, if Zeus, or a trident if Poseidon. The identification of the statue is controversial though it ios more likely Zeus. <br />
<br />
It is one of the few preserved original statues of Severe Style, notable for the exuisite rendering of motion and anatomy. Iy is certainly the work of a great sculptor of the early ancient Greek Classical period
  • Early classical ancient Greek bronze statue of Zeus or Poseidon, circa 450 BC. Athens National Arcjaeological Museum, cat no X15161. Grey background.<br />
<br />
This bronze statue was found in the sea off Cape Artemision in northern Euobea. Zeus or Poseidon is shown making a great stride. His lefy arm is extended forward and his righy arm extends back which would have held a thunderbolt, if Zeus, or a trident if Poseidon. The identification of the statue is controversial though it ios more likely Zeus. <br />
<br />
It is one of the few preserved original statues of Severe Style, notable for the exuisite rendering of motion and anatomy. Iy is certainly the work of a great sculptor of the early ancient Greek Classical period
  • Early classical ancient Greek bronze statue of Zeus or Poseidon, circa 450 BC. Athens National Arcjaeological Museum, cat no X15161<br />
<br />
This bronze statue was found in the sea off Cape Artemision in northern Euobea. Zeus or Poseidon is shown making a great stride. His lefy arm is extended forward and his righy arm extends back which would have held a thunderbolt, if Zeus, or a trident if Poseidon. The identification of the statue is controversial though it ios more likely Zeus. <br />
<br />
It is one of the few preserved original statues of Severe Style, notable for the exuisite rendering of motion and anatomy. Iy is certainly the work of a great sculptor of the early ancient Greek Classical period
  • Early classical ancient Greek bronze statue of Zeus or Poseidon, circa 450 BC. Athens National Arcjaeological Museum, cat no X15161. Grey background.<br />
<br />
This bronze statue was found in the sea off Cape Artemision in northern Euobea. Zeus or Poseidon is shown making a great stride. His lefy arm is extended forward and his righy arm extends back which would have held a thunderbolt, if Zeus, or a trident if Poseidon. The identification of the statue is controversial though it ios more likely Zeus. <br />
<br />
It is one of the few preserved original statues of Severe Style, notable for the exuisite rendering of motion and anatomy. Iy is certainly the work of a great sculptor of the early ancient Greek Classical period
  • Early classical ancient Greek bronze statue of Zeus or Poseidon, circa 450 BC. Athens National Arcjaeological Museum, cat no X15161, White background<br />
<br />
This bronze statue was found in the sea off Cape Artemision in northern Euobea. Zeus or Poseidon is shown making a great stride. His lefy arm is extended forward and his righy arm extends back which would have held a thunderbolt, if Zeus, or a trident if Poseidon. The identification of the statue is controversial though it ios more likely Zeus. <br />
<br />
It is one of the few preserved original statues of Severe Style, notable for the exuisite rendering of motion and anatomy. Iy is certainly the work of a great sculptor of the early ancient Greek Classical period
  • Early classical ancient Greek bronze statue of Zeus or Poseidon, circa 450 BC. Athens National Arcjaeological Museum, cat no X15161. Black background<br />
<br />
This bronze statue was found in the sea off Cape Artemision in northern Euobea. Zeus or Poseidon is shown making a great stride. His lefy arm is extended forward and his righy arm extends back which would have held a thunderbolt, if Zeus, or a trident if Poseidon. The identification of the statue is controversial though it ios more likely Zeus. <br />
<br />
It is one of the few preserved original statues of Severe Style, notable for the exuisite rendering of motion and anatomy. Iy is certainly the work of a great sculptor of the early ancient Greek Classical period
  • Early classical ancient Greek bronze statue of Zeus or Poseidon, circa 450 BC. Athens National Arcjaeological Museum, cat no X15161<br />
<br />
This bronze statue was found in the sea off Cape Artemision in northern Euobea. Zeus or Poseidon is shown making a great stride. His lefy arm is extended forward and his righy arm extends back which would have held a thunderbolt, if Zeus, or a trident if Poseidon. The identification of the statue is controversial though it ios more likely Zeus. <br />
<br />
It is one of the few preserved original statues of Severe Style, notable for the exuisite rendering of motion and anatomy. Iy is certainly the work of a great sculptor of the early ancient Greek Classical period
  • Early classical ancient Greek bronze statue of Zeus or Poseidon, circa 450 BC. Athens National Arcjaeological Museum, cat no X15161. Grey background.<br />
<br />
This bronze statue was found in the sea off Cape Artemision in northern Euobea. Zeus or Poseidon is shown making a great stride. His lefy arm is extended forward and his righy arm extends back which would have held a thunderbolt, if Zeus, or a trident if Poseidon. The identification of the statue is controversial though it ios more likely Zeus. <br />
<br />
It is one of the few preserved original statues of Severe Style, notable for the exuisite rendering of motion and anatomy. Iy is certainly the work of a great sculptor of the early ancient Greek Classical period
  • Early classical ancient Greek bronze statue of Zeus or Poseidon, circa 450 BC. Athens National Arcjaeological Museum, cat no X15161. Grey background.<br />
<br />
This bronze statue was found in the sea off Cape Artemision in northern Euobea. Zeus or Poseidon is shown making a great stride. His lefy arm is extended forward and his righy arm extends back which would have held a thunderbolt, if Zeus, or a trident if Poseidon. The identification of the statue is controversial though it ios more likely Zeus. <br />
<br />
It is one of the few preserved original statues of Severe Style, notable for the exuisite rendering of motion and anatomy. Iy is certainly the work of a great sculptor of the early ancient Greek Classical period
  • Early classical ancient Greek bronze statue of Zeus or Poseidon, circa 450 BC. Athens National Arcjaeological Museum, cat no X15161. Grey background.<br />
<br />
This bronze statue was found in the sea off Cape Artemision in northern Euobea. Zeus or Poseidon is shown making a great stride. His lefy arm is extended forward and his righy arm extends back which would have held a thunderbolt, if Zeus, or a trident if Poseidon. The identification of the statue is controversial though it ios more likely Zeus. <br />
<br />
It is one of the few preserved original statues of Severe Style, notable for the exuisite rendering of motion and anatomy. Iy is certainly the work of a great sculptor of the early ancient Greek Classical period
  • Close up detail picture of the Roman mosaics of the small hunt depicting hunters with a dead boar and hunters making an offering at an altar, room no 24 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Small Hunt room was used as a living room for guests of the Villa Romana del Casale. The Small hunt mosaic design has 4 registers running across the mosaic depicting hunting scenes. In the first register two servants are handling hunting dogs. In the second register figures are depicted burning incense at an altar to Diana, the goddess of hunting, before the hunt starts. The offering is being made by Constantius Clorus , the Caesar of Emperor Maximianus who owned the Villa Romana del Casale. Behind him is his son the future Emperor Constantine. To the right of the altar is a figure holding the reins of a horse dressed in a clavi decorated with ivy leaves indicating that he belongs to the family of Maximianus.
  • Pictures & Images Hittite relief sculpted orthostat panels of the Sphinx Gate. Panel depicts a procession making offerings to a lion god. Alaca Hoyuk (Alacahoyuk) Hittite archaeological site  Alaca, Çorum Province, Turkey, Also known as Alacahüyük, Aladja-Hoyuk, Euyuk, or Evuk
  • Picture and image  of the Realistic young grieving girl stone funary monument sculpture  commissioned by Enrico Amerigo for his sisters memory. beside the pedestal on which the sculptor set the deceased’s bust he placed, on the left, the figure of an old blind man, kneeling down and leaning on a stick; on the right he placed the figure of a young orphan girl, recognizable as such by her kindergarten uniform, portrayed in the act of making the sign of the cross. This work belongs to the Realism, a trend which was typical during the 1880s and 1890s, according to which the orphans, the poor, the sick and all those who benefited from somebody’s generosity had to be portrayed in a concrete fashion. Sculptor G Moreno 1890. Section A, no 53, The Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image  of the Realistic young grieving girl stone funary monument sculpture  commissioned by Enrico Amerigo for his sisters memory. beside the pedestal on which the sculptor set the deceased’s bust he placed, on the left, the figure of an old blind man, kneeling down and leaning on a stick; on the right he placed the figure of a young orphan girl, recognizable as such by her kindergarten uniform, portrayed in the act of making the sign of the cross. This work belongs to the Realism, a trend which was typical during the 1880s and 1890s, according to which the orphans, the poor, the sick and all those who benefited from somebody’s generosity had to be portrayed in a concrete fashion. Sculptor G Moreno 1890. Section A, no 53, The Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image  of the Realistic young grieving girl stone funary monument sculpture  commissioned by Enrico Amerigo for his sisters memory. beside the pedestal on which the sculptor set the deceased’s bust he placed, on the left, the figure of an old blind man, kneeling down and leaning on a stick; on the right he placed the figure of a young orphan girl, recognizable as such by her kindergarten uniform, portrayed in the act of making the sign of the cross. This work belongs to the Realism, a trend which was typical during the 1880s and 1890s, according to which the orphans, the poor, the sick and all those who benefited from somebody’s generosity had to be portrayed in a concrete fashion. Sculptor G Moreno 1890. Section A, no 53, The Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image  of the Realistic young grieving girl stone funary monument sculpture  commissioned by Enrico Amerigo for his sisters memory. beside the pedestal on which the sculptor set the deceased’s bust he placed, on the left, the figure of an old blind man, kneeling down and leaning on a stick; on the right he placed the figure of a young orphan girl, recognizable as such by her kindergarten uniform, portrayed in the act of making the sign of the cross. This work belongs to the Realism, a trend which was typical during the 1880s and 1890s, according to which the orphans, the poor, the sick and all those who benefited from somebody’s generosity had to be portrayed in a concrete fashion. Sculptor G Moreno 1890. The Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image  of the Realistic young grieving girl stone funary monument sculpture  commissioned by Enrico Amerigo for his sisters memory. beside the pedestal on which the sculptor set the deceased’s bust he placed, on the left, the figure of an old blind man, kneeling down and leaning on a stick; on the right he placed the figure of a young orphan girl, recognizable as such by her kindergarten uniform, portrayed in the act of making the sign of the cross. This work belongs to the Realism, a trend which was typical during the 1880s and 1890s, according to which the orphans, the poor, the sick and all those who benefited from somebody’s generosity had to be portrayed in a concrete fashion. Sculptor G Moreno 1890. Section A, no 53, The Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of the Realistic blind man stone funary monument sculpture commissioned by Enrico Amerigo for his sisters memory. beside the pedestal on which the sculptor set the deceased’s bust he placed, on the left, the figure of an old blind man, kneeling down and leaning on a stick; on the right he placed the figure of a young orphan girl, recognizable as such by her kindergarten uniform, portrayed in the act of making the sign of the cross. This work belongs to the Realism, a trend which was typical during the 1880s and 1890s, according to which the orphans, the poor, the sick and all those who benefited from somebody’s generosity had to be portrayed in a concrete fashion. Sculptor G Moreno 1890. Section A, no 53, The Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of the Realistic blind man stone funary monument sculpture commissioned by Enrico Amerigo for his sisters memory. beside the pedestal on which the sculptor set the deceased’s bust he placed, on the left, the figure of an old blind man, kneeling down and leaning on a stick; on the right he placed the figure of a young orphan girl, recognizable as such by her kindergarten uniform, portrayed in the act of making the sign of the cross. This work belongs to the Realism, a trend which was typical during the 1880s and 1890s, according to which the orphans, the poor, the sick and all those who benefited from somebody’s generosity had to be portrayed in a concrete fashion. Sculptor G Moreno 1890. Section A, no 53, The Staglieno Monumental Cemetery, Genoa, Italy
  • Hunters making an offering at an altar. Roman mosaic floor of the Room of The Small Hunt, no 25 - Roman mosaics at the Villa Romana del Casale ,  circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Hunters making an offering at an altar. Roman mosaic floor of the Room of The Small Hunt, no 25 - Roman mosaics at the Villa Romana del Casale ,  circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Roman fresco wall decorations of Bedroom E of the Villa Farnesia, Rome. Museo Nazionale Romano ( National Roman Museum), Rome, Italy.<br />
<br />
Bedroom E, a private room with a bed (kline), was divided into antechamber and alcove. The room is probably a later reworking, as the doorway is off-center. The decoration of the walls, in contrast to cubicula B and D, is done in muted colors. Slender columns with a surreal superstructure frame aedicula with sacred landscapes. Three of these show travellers making a sacrifice to a herm of Athena. The images refer in various ways to the world of women. The little pictures along the walls of the antechamber show girls engaged in different activities. On the rear wall of the alcove, which has a picture with an amorous theme, the goddess Artemis is shown dressed as both huntress and moon goddess. Two Muses are on the opposite wall. The stucco decorations of the vaulted ceiling show idyllic landscapes with sacred elements and mythological scenes. In one, Phaethon asks his father Apollo to let him drive the chariot of the Sun. Other scenes show statues of Zeus, a statue probably representing Augustus as the new Mercury, disks of the sun, winged victories and grotesque figures, all done in very low relief with the elegance and delicacy of jewellery. The mosaic pavement of this room, known from a contemporary watercolor, had a pattern of squares and stars.
  • Roman fresco wall decorations of Bedroom E of the Villa Farnesia, Rome. Museo Nazionale Romano ( National Roman Museum), Rome, Italy.<br />
<br />
Bedroom E, a private room with a bed (kline), was divided into antechamber and alcove. The room is probably a later reworking, as the doorway is off-center. The decoration of the walls, in contrast to cubicula B and D, is done in muted colors. Slender columns with a surreal superstructure frame aedicula with sacred landscapes. Three of these show travellers making a sacrifice to a herm of Athena. The images refer in various ways to the world of women. The little pictures along the walls of the antechamber show girls engaged in different activities. On the rear wall of the alcove, which has a picture with an amorous theme, the goddess Artemis is shown dressed as both huntress and moon goddess. Two Muses are on the opposite wall. The stucco decorations of the vaulted ceiling show idyllic landscapes with sacred elements and mythological scenes. In one, Phaethon asks his father Apollo to let him drive the chariot of the Sun. Other scenes show statues of Zeus, a statue probably representing Augustus as the new Mercury, disks of the sun, winged victories and grotesque figures, all done in very low relief with the elegance and delicacy of jewellery. The mosaic pavement of this room, known from a contemporary watercolor, had a pattern of squares and stars.
  • Egyptian funerary Stele from the New Kingdom Period, 1550-1070 B.C, from Thebes (Luxor). The stele is from a carpenters grave a shows at the top left sitting with his wife Amon-Mose holding a chisel between 2 wheat heads. Opposite them their son Honsu is offering a present to both. On the right Neferonpet is making an offering to his parents. At the bottom a sitting couple are offered presents by their sons & daughters. Istanbul Archaeological Museum Inv. no 10865
  • Egyptian funerary Stele from the New Kingdom Period, 1550-1070 B.C, from Thebes (Luxor). The stele is from a carpenters grave a shows at the top left sitting with his wife Amon-Mose holding a chisel between 2 wheat heads. Opposite them their son Honsu is offering a present to both. On the right Neferonpet is making an offering to his parents. At the bottom a sitting couple are offered presents by their sons & daughters. Istanbul Archaeological Museum Inv. no 10865
  • 8th Cent. B.C Babylonian limestone funereal stele with inscription & relief sculpture of the governor of Mari and Suhi praying to the Gods from the Palace Museum Babylon, Iraq. The inscription states that the governor reigned for 13 years and built the city of Gabarri-ibni also making canals for new date palm cultivation in different cities, and working on the development of agriculture in the city of Suhi. Istanbul Archaeological Museum Inv. 7815
  • 8th Cent. B.C Babylonian limestone funereal stele with inscription & relief sculpture of the governor of Mari and Suhi praying to the Gods from the Palace Museum Babylon, Iraq. The inscription states that the governor reigned for 13 years and built the city of Gabarri-ibni also making canals for new date palm cultivation in different cities, and working on the development of agriculture in the city of Suhi. Istanbul Archaeological Museum Inv. 7815
  • 8th Cent. B.C Babylonian limestone  stele with inscription & relief sculpture of the governor of Mari and Suhi praying to the Gods from the Palace Museum Babylon, Iraq. The inscription states that the governor reigned for 13 years and built the city of Gabarri-ibni also making canals for new date palm cultivation in different cities, and working on the development of agriculture in the city of Suhi. Istanbul Archaeological Museum Inv. 7815
  • 8th Cent. B.C Babylonian limestone funereal stele with inscription & relief sculpture of the governor of Mari and Suhi praying to the Gods from the Palace Museum Babylon, Iraq. The inscription states that the governor reigned for 13 years and built the city of Gabarri-ibni also making canals for new date palm cultivation in different cities, and working on the development of agriculture in the city of Suhi. Istanbul Archaeological Museum Inv. 7815
  • 8th Cent. B.C Babylonian limestone funereal stele with inscription & relief sculpture of the governor of Mari and Suhi praying to the Gods from the Palace Museum Babylon, Iraq. The inscription states that the governor reigned for 13 years and built the city of Gabarri-ibni also making canals for new date palm cultivation in different cities, and working on the development of agriculture in the city of Suhi. Istanbul Archaeological Museum Inv. 7815
  • Crouching Aphrodite (Venus). 2nd Century Imperial Roman Marble Statue from Italy. Louvre Museum, Paris. Cat No MR 371 
<br />
This sculpture  is a variation on the Classic Hellanistic 3rd to Ist century BC style of Aphrodite crouching to bathe. Aphrodite crouches with her right knee close to the ground, turns her head to the right and, in most versions, reaches her right arm over to her left shoulder to cover her breasts. The sculpture here changes the pattern by raising the right arm to the neck, rather than making her arm cross her chest, this flattens the composition.
  • Crouching Aphrodite (Venus). 2nd Century Imperial Roman Marble Statue from Italy. Louvre Museum, Paris. Cat No MR 371 
<br />
This sculpture  is a variation on the Classic Hellanistic 3rd to Ist century BC style of Aphrodite crouching to bathe. Aphrodite crouches with her right knee close to the ground, turns her head to the right and, in most versions, reaches her right arm over to her left shoulder to cover her breasts. The sculpture here changes the pattern by raising the right arm to the neck, rather than making her arm cross her chest, this flattens the composition.
  • Crouching Aphrodite (Venus). 2nd Century Imperial Roman Marble Statue from Italy. Louvre Museum, Paris. Cat No MR 371 
<br />
This sculpture  is a variation on the Classic Hellanistic 3rd to Ist century BC style of Aphrodite crouching to bathe. Aphrodite crouches with her right knee close to the ground, turns her head to the right and, in most versions, reaches her right arm over to her left shoulder to cover her breasts. The sculpture here changes the pattern by raising the right arm to the neck, rather than making her arm cross her chest, this flattens the composition.
  • Crouching Aphrodite (Venus). 2nd Century Imperial Roman Marble Statue from Italy. Louvre Museum, Paris. Cat No MR 371 
<br />
This sculpture  is a variation on the Classic Hellanistic 3rd to Ist century BC style of Aphrodite crouching to bathe. Aphrodite crouches with her right knee close to the ground, turns her head to the right and, in most versions, reaches her right arm over to her left shoulder to cover her breasts. The sculpture here changes the pattern by raising the right arm to the neck, rather than making her arm cross her chest, this flattens the composition.
  • Crouching Aphrodite (Venus). 2nd Century Imperial Roman Marble Statue from Italy. Louvre Museum, Paris. Cat No MR 371 
<br />
This sculpture  is a variation on the Classic Hellanistic 3rd to Ist century BC style of Aphrodite crouching to bathe. Aphrodite crouches with her right knee close to the ground, turns her head to the right and, in most versions, reaches her right arm over to her left shoulder to cover her breasts. The sculpture here changes the pattern by raising the right arm to the neck, rather than making her arm cross her chest, this flattens the composition.
  • Crouching Aphrodite (Venus). 2nd Century Imperial Roman Marble Statue from Italy. Louvre Museum, Paris. Cat No MR 371 
<br />
This sculpture  is a variation on the Classic Hellanistic 3rd to Ist century BC style of Aphrodite crouching to bathe. Aphrodite crouches with her right knee close to the ground, turns her head to the right and, in most versions, reaches her right arm over to her left shoulder to cover her breasts. The sculpture here changes the pattern by raising the right arm to the neck, rather than making her arm cross her chest, this flattens the composition.
  • Crouching Aphrodite (Venus). 2nd Century Imperial Roman Marble Statue from Italy. Louvre Museum, Paris. Cat No MR 371 
<br />
This sculpture  is a variation on the Classic Hellanistic 3rd to Ist century BC style of Aphrodite crouching to bathe. Aphrodite crouches with her right knee close to the ground, turns her head to the right and, in most versions, reaches her right arm over to her left shoulder to cover her breasts. The sculpture here changes the pattern by raising the right arm to the neck, rather than making her arm cross her chest, this flattens the composition.
  • Crouching Aphrodite (Venus). 2nd Century Imperial Roman Marble Statue from Italy. Louvre Museum, Paris. Cat No MR 371 
<br />
This sculpture  is a variation on the Classic Hellanistic 3rd to Ist century BC style of Aphrodite crouching to bathe. Aphrodite crouches with her right knee close to the ground, turns her head to the right and, in most versions, reaches her right arm over to her left shoulder to cover her breasts. The sculpture here changes the pattern by raising the right arm to the neck, rather than making her arm cross her chest, this flattens the composition.
  • The Medieval mosaics of the ceiling of The Baptistry of Florence Duomo ( Battistero di San Giovanni ), showing Christ between angels. This panel is strongly influenced by Byxantine style probably through the Venetian craftsmen who made them. The angels are made to a typical Byzantine style and Christ is making the Orthododox blessing of the Eastern church with his hand.  Started in 1225 by Venetian craftsmen in a Byzantine style and completed in the 14th century. Florence Italy
  • Lely's Venus (Aphrodite). 1st or 2nd cent. AD Roman copy of a Greek original. The goddess Venus id surprised whilst bathing and she nervously turns. Her hair is in the style typical of the time and her pose has been designed to be unrevealing from any angle.  British Museum exhibit, London.<br />
<br />
This sculpture  is a variation on the Classic Hellanistic 3rd to Ist century BC style of Aphrodite crouching to bathe. Aphrodite crouches with her right knee close to the ground, turns her head to the right and, in most versions, reaches her right arm over to her left shoulder to cover her breasts. The sculpture here changes the pattern by raising the right arm to the neck, rather than making her arm cross her chest, this flattens the composition.
  • 12th Century Byzantine mosaic of  Empress Irene  (Eirene) making an offering as symbolised by the scroll. Hagia Sophia, Istanbul, Turkey
  • 11th Century Byzantine mosaic of  Emperor Constantine IX Monmachus making an offering of money . Hagia Sophia, Istanbul, Turkey
  • Mangalica pig - A Hungarian rare breed pig that is making a come back because of the health properties of its meat. Hungary
  • Mangalica pig - A Hungarian rare breed pig that is making a come back because of the health properties of its meat. Hungary
  • Mangalica pig - A Hungarian rare breed pig that is making a come back because of the health properties of its meat. Hungary
  • Mangalica pig - A Hungarian rare breed pig that is making a come back because of the health properties of its meat. Hungary
  • Mangalica pig - A Hungarian rare breed pig that is making a come back because of the health properties of its meat. Hungary
  • Mangalica pig - A Hungarian rare breed pig that is making a come back because of the health properties of its meat. Hungary
  • Old women  in traditional Kalocsa dress at the paprka festival making strings of chilis.  Kalocsa, Hungary
  • Old women  in traditional Kalocsa dress at the paprka festival making strings of chilis.  Kalocsa, Hungary
  • Old women  in traditional Kalocsa dress at the paprka festival making strings of chilis.  Kalocsa, Hungary
  • Old women  in traditional Kalocsa dress at the paprka festival making strings of chilis.  Kalocsa, Hungary
  • Old women  in traditional Kalocsa dress at the paprka festival making strings of chilis.  Kalocsa, Hungary
  • Old women  in traditional Kalocsa dress at the paprka festival making strings of chilis.  Kalocsa, Hungary
  • Women fron Nagrecse in traditional dress making Dodolle ( Dödölle ) - Hungarian Regional Gastronomic Festival 2009 - Gyor ( Gy?r ) Hungary
  • Karamoja, Uganda , Africa. - women making grain bin
  • Karamoja, Uganda , Africa. - women making grain bin
  • Runswick Bay - North Yorkshire - England - family making sand castles
  • Runswick Bay - North Yorkshire - England - family making sand castles
  • Karamoja, Uganda , Africa. -warriors making grain bins
  • Early classical ancient Greek bronze statue of Zeus or Poseidon, circa 450 BC. Athens National Arcjaeological Museum, cat no X15161<br />
<br />
This bronze statue was found in the sea off Cape Artemision in northern Euobea. Zeus or Poseidon is shown making a great stride. His lefy arm is extended forward and his righy arm extends back which would have held a thunderbolt, if Zeus, or a trident if Poseidon. The identification of the statue is controversial though it ios more likely Zeus. <br />
<br />
It is one of the few preserved original statues of Severe Style, notable for the exuisite rendering of motion and anatomy. Iy is certainly the work of a great sculptor of the early ancient Greek Classical period
  • Early classical ancient Greek bronze statue of Zeus or Poseidon, circa 450 BC. Athens National Arcjaeological Museum, cat no X15161. Grey background.<br />
<br />
This bronze statue was found in the sea off Cape Artemision in northern Euobea. Zeus or Poseidon is shown making a great stride. His lefy arm is extended forward and his righy arm extends back which would have held a thunderbolt, if Zeus, or a trident if Poseidon. The identification of the statue is controversial though it ios more likely Zeus. <br />
<br />
It is one of the few preserved original statues of Severe Style, notable for the exuisite rendering of motion and anatomy. Iy is certainly the work of a great sculptor of the early ancient Greek Classical period
  • Early classical ancient Greek bronze statue of Zeus or Poseidon, circa 450 BC. Athens National Arcjaeological Museum, cat no X15161. White background<br />
<br />
This bronze statue was found in the sea off Cape Artemision in northern Euobea. Zeus or Poseidon is shown making a great stride. His lefy arm is extended forward and his righy arm extends back which would have held a thunderbolt, if Zeus, or a trident if Poseidon. The identification of the statue is controversial though it ios more likely Zeus. <br />
<br />
It is one of the few preserved original statues of Severe Style, notable for the exuisite rendering of motion and anatomy. Iy is certainly the work of a great sculptor of the early ancient Greek Classical period
  • Early classical ancient Greek bronze statue of Zeus or Poseidon, circa 450 BC. Athens National Arcjaeological Museum, cat no X15161. Grey background.<br />
<br />
This bronze statue was found in the sea off Cape Artemision in northern Euobea. Zeus or Poseidon is shown making a great stride. His lefy arm is extended forward and his righy arm extends back which would have held a thunderbolt, if Zeus, or a trident if Poseidon. The identification of the statue is controversial though it ios more likely Zeus. <br />
<br />
It is one of the few preserved original statues of Severe Style, notable for the exuisite rendering of motion and anatomy. Iy is certainly the work of a great sculptor of the early ancient Greek Classical period
  • Early classical ancient Greek bronze statue of Zeus or Poseidon, circa 450 BC. Athens National Arcjaeological Museum, cat no X15161<br />
<br />
This bronze statue was found in the sea off Cape Artemision in northern Euobea. Zeus or Poseidon is shown making a great stride. His lefy arm is extended forward and his righy arm extends back which would have held a thunderbolt, if Zeus, or a trident if Poseidon. The identification of the statue is controversial though it ios more likely Zeus. <br />
<br />
It is one of the few preserved original statues of Severe Style, notable for the exuisite rendering of motion and anatomy. Iy is certainly the work of a great sculptor of the early ancient Greek Classical period
  • 11th Century Byzantine mosaic of Christ Pantocrator with (left) Emperor Constantine IX Monmachus making an offering of money and (right) Empress Zoe. Hagia Sophia, Istanbul, Turkey
  • Runswick Bay - North Yorkshire - England - family making sand castles
  • Ampitheatre of Xanthos that has been modified by the Romans with a wall around what would have been the stage to make a pit for Gladitorial & animal events. Xanthos UNESCO World Heritage Archaeological Site, Turkey
  • Bayeux Tapestry Scene 18 - Normans attack Dol and make the Duke of Brittany flee then they attack Dinan and finaly the Duke of Britany surrenders
  • Bayeux Tapestry Scene 18 - Normans attack Dol and make the Duke of Brittany flee
  • Close up of The Minoan ' Camp Stool' wall art fresco from the West vwing of Knossos Palace, 1450-1300 BC. Heraklion Archaeological Museum.<br />
<br />
This Minoan fresco probably depicted a typical banquet at Knossos Palace held in the Upper Hall of the West Wing. Figures seated on 'camp stools' are raising cups and kylikes. A female figure with Mediterranean features wearing vivid make up named ' La Parisienne' by Arthur Evans, has a large 'sacred knot' bunched behind her head and maybe she was a priestess.
  • The Minoan ' Camp Stool' wall art fresco from the West vwing of Knossos Palace, 1450-1300 BC. Heraklion Archaeological Museum.  Grey Background. <br />
<br />
This Minoan fresco probably depicted a typical banquet at Knossos Palace held in the Upper Hall of the West Wing. Figures seated on 'camp stools' are raising cups and kylikes. A female figure with Mediterranean features wearing vivid make up named ' La Parisienne' by Arthur Evans, has a large 'sacred knot' bunched behind her head and maybe she was a priestess.
  • Close up of The Minoan ' Camp Stool' wall art fresco from the West vwing of Knossos Palace, 1450-1300 BC. Heraklion Archaeological Museum.<br />
<br />
This Minoan fresco probably depicted a typical banquet at Knossos Palace held in the Upper Hall of the West Wing. Figures seated on 'camp stools' are raising cups and kylikes. A female figure with Mediterranean features wearing vivid make up named ' La Parisienne' by Arthur Evans, has a large 'sacred knot' bunched behind her head and maybe she was a priestess.
  • The Minoan ' Camp Stool' wall art fresco from the West vwing of Knossos Palace, 1450-1300 BC. Heraklion Archaeological Museum.  Grey Background. <br />
<br />
This Minoan fresco probably depicted a typical banquet at Knossos Palace held in the Upper Hall of the West Wing. Figures seated on 'camp stools' are raising cups and kylikes. A female figure with Mediterranean features wearing vivid make up named ' La Parisienne' by Arthur Evans, has a large 'sacred knot' bunched behind her head and maybe she was a priestess.
  • The Minoan ' Camp Stool' wall art fresco from the West vwing of Knossos Palace, 1450-1300 BC. Heraklion Archaeological Museum.  White Background. <br />
<br />
This Minoan fresco probably depicted a typical banquet at Knossos Palace held in the Upper Hall of the West Wing. Figures seated on 'camp stools' are raising cups and kylikes. A female figure with Mediterranean features wearing vivid make up named ' La Parisienne' by Arthur Evans, has a large 'sacred knot' bunched behind her head and maybe she was a priestess.
  • Close up of The Minoan ' Camp Stool' wall art fresco from the West vwing of Knossos Palace, 1450-1300 BC. Heraklion Archaeological Museum.<br />
<br />
This Minoan fresco probably depicted a typical banquet at Knossos Palace held in the Upper Hall of the West Wing. Figures seated on 'camp stools' are raising cups and kylikes. A female figure with Mediterranean features wearing vivid make up named ' La Parisienne' by Arthur Evans, has a large 'sacred knot' bunched behind her head and maybe she was a priestess.
  • The Minoan ' Camp Stool' wall art fresco from the West vwing of Knossos Palace, 1450-1300 BC. Heraklion Archaeological Museum. Black Background. <br />
<br />
This Minoan fresco probably depicted a typical banquet at Knossos Palace held in the Upper Hall of the West Wing. Figures seated on 'camp stools' are raising cups and kylikes. A female figure with Mediterranean features wearing vivid make up named ' La Parisienne' by Arthur Evans, has a large 'sacred knot' bunched behind her head and maybe she was a priestess.
  • The Minoan ' Camp Stool' wall art fresco from the West vwing of Knossos Palace, 1450-1300 BC. Heraklion Archaeological Museum.<br />
<br />
This Minoan fresco probably depicted a typical banquet at Knossos Palace held in the Upper Hall of the West Wing. Figures seated on 'camp stools' are raising cups and kylikes. A female figure with Mediterranean features wearing vivid make up named ' La Parisienne' by Arthur Evans, has a large 'sacred knot' bunched behind her head and maybe she was a priestess.
  • Hellenstic marble statue group of Aphrodite (Venus) with Pan and Eros, Circa 100 BC, House of Poseidonaistai of Beryttos, Delos, Athens National Archaeological Museum.  Cat no 3335. Against white.<br />
<br />
The nude goddess Aphrodite (Venus) attempte to fend off goat footed Pan who make erotic advances towards her. Aphrodite holds a sandal in her right hand threatening Pan while the winged god Eros comes to her aid. According to an inscription on the statues base it was dedicated to Dionysus of Beryttos (Beirut) to hai ancestral gods.
  • Hellenstic marble statue group of Aphrodite (Venus) with Pan and Eros, Circa 100 BC, House of Poseidonaistai of Beryttos, Delos, Athens National Archaeological Museum.  Cat no 3335. Against black<br />
<br />
The nude goddess Aphrodite (Venus) attempte to fend off goat footed Pan who make erotic advances towards her. Aphrodite holds a sandal in her right hand threatening Pan while the winged god Eros comes to her aid. According to an inscription on the statues base it was dedicated to Dionysus of Beryttos (Beirut) to hai ancestral gods.
  • Hellenstic marble statue group of Aphrodite (Venus) with Pan and Eros, Circa 100 BC, House of Poseidonaistai of Beryttos, Delos, Athens National Archaeological Museum.  Cat no 3335. Against grey.<br />
<br />
The nude goddess Aphrodite (Venus) attempte to fend off goat footed Pan who make erotic advances towards her. Aphrodite holds a sandal in her right hand threatening Pan while the winged god Eros comes to her aid. According to an inscription on the statues base it was dedicated to Dionysus of Beryttos (Beirut) to hai ancestral gods.
  • Hellenstic marble statue group of Aphrodite (Venus) with Pan and Eros, Circa 100 BC, House of Poseidonaistai of Beryttos, Delos, Athens National Archaeological Museum.  Cat no 3335.<br />
<br />
The nude goddess Aphrodite (Venus) attempte to fend off goat footed Pan who make erotic advances towards her. Aphrodite holds a sandal in her right hand threatening Pan while the winged god Eros comes to her aid. According to an inscription on the statues base it was dedicated to Dionysus of Beryttos (Beirut) to hai ancestral gods.
  • Hellenstic marble statue group of Aphrodite (Venus) with Pan and Eros, Circa 100 BC, House of Poseidonaistai of Beryttos, Delos, Athens National Archaeological Museum.  Cat no 3335. Against grey.<br />
<br />
The nude goddess Aphrodite (Venus) attempte to fend off goat footed Pan who make erotic advances towards her. Aphrodite holds a sandal in her right hand threatening Pan while the winged god Eros comes to her aid. According to an inscription on the statues base it was dedicated to Dionysus of Beryttos (Beirut) to hai ancestral gods.
  • Hellenstic marble statue group of Aphrodite (Venus) with Pan and Eros, Circa 100 BC, House of Poseidonaistai of Beryttos, Delos, Athens National Archaeological Museum.  Cat no 3335. Against black<br />
<br />
The nude goddess Aphrodite (Venus) attempte to fend off goat footed Pan who make erotic advances towards her. Aphrodite holds a sandal in her right hand threatening Pan while the winged god Eros comes to her aid. According to an inscription on the statues base it was dedicated to Dionysus of Beryttos (Beirut) to hai ancestral gods.
  • Hellenstic marble statue group of Aphrodite (Venus) with Pan and Eros, Circa 100 BC, House of Poseidonaistai of Beryttos, Delos, Athens National Archaeological Museum.  Cat no 3335. Against white.<br />
<br />
The nude goddess Aphrodite (Venus) attempte to fend off goat footed Pan who make erotic advances towards her. Aphrodite holds a sandal in her right hand threatening Pan while the winged god Eros comes to her aid. According to an inscription on the statues base it was dedicated to Dionysus of Beryttos (Beirut) to hai ancestral gods.
  • Hellenstic marble statue group of Aphrodite (Venus) with Pan and Eros, Circa 100 BC, House of Poseidonaistai of Beryttos, Delos, Athens National Archaeological Museum.  Cat no 3335. Against grey.<br />
<br />
The nude goddess Aphrodite (Venus) attempte to fend off goat footed Pan who make erotic advances towards her. Aphrodite holds a sandal in her right hand threatening Pan while the winged god Eros comes to her aid. According to an inscription on the statues base it was dedicated to Dionysus of Beryttos (Beirut) to hai ancestral gods.
  • Hellenstic marble statue group of Aphrodite (Venus) with Pan and Eros, Circa 100 BC, House of Poseidonaistai of Beryttos, Delos, Athens National Archaeological Museum.  Cat no 3335.<br />
<br />
The nude goddess Aphrodite (Venus) attempte to fend off goat footed Pan who make erotic advances towards her. Aphrodite holds a sandal in her right hand threatening Pan while the winged god Eros comes to her aid. According to an inscription on the statues base it was dedicated to Dionysus of Beryttos (Beirut) to hai ancestral gods.
  • Hellenstic marble statue group of Aphrodite (Venus) with Pan and Eros, Circa 100 BC, House of Poseidonaistai of Beryttos, Delos, Athens National Archaeological Museum.  Cat no 3335. Against grey.<br />
<br />
The nude goddess Aphrodite (Venus) attempte to fend off goat footed Pan who make erotic advances towards her. Aphrodite holds a sandal in her right hand threatening Pan while the winged god Eros comes to her aid. According to an inscription on the statues base it was dedicated to Dionysus of Beryttos (Beirut) to hai ancestral gods.
  • Hellenstic marble statue group of Aphrodite (Venus) with Pan and Eros, Circa 100 BC, House of Poseidonaistai of Beryttos, Delos, Athens National Archaeological Museum.  Cat no 3335. Against grey.<br />
<br />
The nude goddess Aphrodite (Venus) attempte to fend off goat footed Pan who make erotic advances towards her. Aphrodite holds a sandal in her right hand threatening Pan while the winged god Eros comes to her aid. According to an inscription on the statues base it was dedicated to Dionysus of Beryttos (Beirut) to hai ancestral gods.
  • Hellenstic marble statue group of Aphrodite (Venus) with Pan and Eros, Circa 100 BC, House of Poseidonaistai of Beryttos, Delos, Athens National Archaeological Museum.  Cat no 3335. Against white.<br />
<br />
The nude goddess Aphrodite (Venus) attempte to fend off goat footed Pan who make erotic advances towards her. Aphrodite holds a sandal in her right hand threatening Pan while the winged god Eros comes to her aid. According to an inscription on the statues base it was dedicated to Dionysus of Beryttos (Beirut) to hai ancestral gods.
  • Hellenstic marble statue group of Aphrodite (Venus) with Pan and Eros, Circa 100 BC, House of Poseidonaistai of Beryttos, Delos, Athens National Archaeological Museum.  Cat no 3335. Against black<br />
<br />
The nude goddess Aphrodite (Venus) attempte to fend off goat footed Pan who make erotic advances towards her. Aphrodite holds a sandal in her right hand threatening Pan while the winged god Eros comes to her aid. According to an inscription on the statues base it was dedicated to Dionysus of Beryttos (Beirut) to hai ancestral gods.
  • Hellenstic marble statue group of Aphrodite (Venus) with Pan and Eros, Circa 100 BC, House of Poseidonaistai of Beryttos, Delos, Athens National Archaeological Museum.  Cat no 3335.<br />
<br />
The nude goddess Aphrodite (Venus) attempte to fend off goat footed Pan who make erotic advances towards her. Aphrodite holds a sandal in her right hand threatening Pan while the winged god Eros comes to her aid. According to an inscription on the statues base it was dedicated to Dionysus of Beryttos (Beirut) to hai ancestral gods.
  • Hellenstic marble statue group of Aphrodite (Venus) with Pan and Eros, Circa 100 BC, House of Poseidonaistai of Beryttos, Delos, Athens National Archaeological Museum.  Cat no 3335. Against grey.<br />
<br />
The nude goddess Aphrodite (Venus) attempte to fend off goat footed Pan who make erotic advances towards her. Aphrodite holds a sandal in her right hand threatening Pan while the winged god Eros comes to her aid. According to an inscription on the statues base it was dedicated to Dionysus of Beryttos (Beirut) to hai ancestral gods.
  • Cycladic statue figurine of the naturalistic 'Plastira' type of Paros from Glypha cemetery, grave 23, Cat no 4762. Early Cycladic Period I (Grotta-Pelos Phase 3200-2800 BC). National Archaeological Museum, Athens.   White background.<br />
<br />
<br />
This type of Cycladic figurine stand with feet lat to the ground with detailed facial features and ears to make a more realistic statue.
  • Cycladic statue figurine of the naturalistic 'Plastira' type of Paros from Glypha cemetery, grave 23, Cat no 4762. Early Cycladic Period I (Grotta-Pelos Phase 3200-2800 BC). National Archaeological Museum, Athens. Black background.<br />
<br />
This type of Cycladic figurine stand with feet lat to the ground with detailed facial features and ears to make a more realistic statue.
  • Cycladic statue figurine of the naturalistic 'Plastira' type of Paros from Glypha cemetery, grave 23, Cat no 4762. Early Cycladic Period I (Grotta-Pelos Phase 3200-2800 BC). National Archaeological Museum, Athens. <br />
<br />
This type of Cycladic figurine stand with feet lat to the ground with detailed facial features and ears to make a more realistic statue.
  • Cycladic statue figurine of the naturalistic 'Plastira' type of Paros from Glypha cemetery, grave 23, Cat no 4762. Early Cycladic Period I (Grotta-Pelos Phase 3200-2800 BC). National Archaeological Museum, Athens. <br />
<br />
This type of Cycladic figurine stand with feet lat to the ground with detailed facial features and ears to make a more realistic statue.
  • Cycladic statue figurine of the naturalistic 'Plastira' type of Paros from Glypha cemetery, grave 23, Cat no 4762. Early Cycladic Period I (Grotta-Pelos Phase 3200-2800 BC). National Archaeological Museum, Athens.   Gray background.<br />
<br />
<br />
This type of Cycladic figurine stand with feet lat to the ground with detailed facial features and ears to make a more realistic statue.
  • Cycladic statue figurine of the naturalistic 'Plastira' type of Paros. Early Cycladic Period I (Grotta-Pelos Phase 3200-2800 BC). National Archaeological Museum, Athens.   White background.<br />
<br />
<br />
This type of Cycladic figurine stand with feet lat to the ground with detailed facial features and ears to make a more realistic statue.
  • Cycladic statue figurine of the naturalistic 'Plastira' type of Paros. Early Cycladic Period I (Grotta-Pelos Phase 3200-2800 BC). National Archaeological Museum, Athens. Black background.<br />
<br />
This type of Cycladic figurine stand with feet lat to the ground with detailed facial features and ears to make a more realistic statue.
  • Cycladic statue figurine of the naturalistic 'Plastira' type of Paros. Early Cycladic Period I (Grotta-Pelos Phase 3200-2800 BC). National Archaeological Museum, Athens.   Grey background.<br />
<br />
<br />
This type of Cycladic figurine stand with feet lat to the ground with detailed facial features and ears to make a more realistic statue.
  • Cycladic statue figurine of the naturalistic 'Plastira' type of Paros. Early Cycladic Period I (Grotta-Pelos Phase 3200-2800 BC). National Archaeological Museum, Athens. <br />
<br />
This type of Cycladic figurine stand with feet lat to the ground with detailed facial features and ears to make a more realistic statue.
  • Cycladic statue figurine of the naturalistic 'Plastira' type of Paros. Early Cycladic Period I (Grotta-Pelos Phase 3200-2800 BC). National Archaeological Museum, Athens.   Gray background.<br />
<br />
<br />
This type of Cycladic figurine stand with feet lat to the ground with detailed facial features and ears to make a more realistic statue.
  • Cycladic statue figurine of the naturalistic 'Plastira' type of Paros. Early Cycladic Period I (Grotta-Pelos Phase 3200-2800 BC). National Archaeological Museum, Athens.   White background.<br />
<br />
<br />
This type of Cycladic figurine stand with feet lat to the ground with detailed facial features and ears to make a more realistic statue. This statue is of a hunter or warrior as it bears an incised weapon strap across its chest and holds a knife.
  • Cycladic statue figurine of the naturalistic 'Plastira' type of Paros. Early Cycladic Period I (Grotta-Pelos Phase 3200-2800 BC). National Archaeological Museum, Athens. Black background.<br />
This type of Cycladic figurine stand with feet lat to the ground with detailed facial features and ears to make a more realistic statue. This statue is of a hunter or warrior as it bears an incised weapon strap across its chest and holds a knife.
  • Cycladic statue figurine of the naturalistic 'Plastira' type of Paros. Early Cycladic Period I (Grotta-Pelos Phase 3200-2800 BC). National Archaeological Museum, Athens.   Grey background.<br />
<br />
<br />
This type of Cycladic figurine stand with feet lat to the ground with detailed facial features and ears to make a more realistic statue. This statue is of a hunter or warrior as it bears an incised weapon strap across its chest and holds a knife.
  • Cycladic statue figurine of the naturalistic 'Plastira' type of Paros. Early Cycladic Period I (Grotta-Pelos Phase 3200-2800 BC). National Archaeological Museum, Athens. <br />
<br />
This type of Cycladic figurine stand with feet lat to the ground with detailed facial features and ears to make a more realistic statue. This statue is of a hunter or warrior as it bears an incised weapon strap across its chest and holds a knife.
  • Cycladic statue figurine of the naturalistic 'Plastira' type of Paros. Early Cycladic Period I (Grotta-Pelos Phase 3200-2800 BC). National Archaeological Museum, Athens.   Gray background.<br />
<br />
<br />
This type of Cycladic figurine stand with feet lat to the ground with detailed facial features and ears to make a more realistic statue. This statue is of a hunter or warrior as it bears an incised weapon strap across its chest and holds a knife.
  • Roman mosaics - The Gypsy Girls. The House of Menad. Ancient Zeugama, 2nd - 3rd century AD . Zeugma Mosaic Museum, Gaziantep, Turkey.  Against a white background.<br />
<br />
It was discovered in the building called the House of Menad during the excavations conducted by the Gaziantep Museum. As the excavations continued, it was understood that almost all the mosaics inside the building had been stolen by historical _artifact; traffickers. The figure, called the Gypsy. Girl, was fortunately under the soil extracted from the illegal diggings and unseen by the traffickers; then it was brought to our Museum. She was liken to a Gypsy Girl as a joke during the excavations when she was unearthed with her uncombed hair, salient cheekbones, round face and earrings, and then has kept to be called with that name. <br />
<br />
There is no illuminating data regarding her identity but some scholrs claim that she is one of the -mnads present in  Dionysus festivals because of the tendrils near her 1.71eado, and others suggest that this is a portrait of Alexander the Great The most interesting feature of the mosaic is that it follows the beholder in every direction. A special technique was used in the mosaic in order to make her eyes more realistic. On the other hand, the fact that both joy and sorrow are reflected in her face indicates the stage reached in the art of portx4it. <br />
<br />
The piece was made, via the technique -called "three look" in the art of painting during the Hellenistic period. This technique was used by great painters as well. Da vincrs'Mona Lisa is an example for such paintings. With those characteristics, the piece has become the symbol of Zeugma and Gaziantep
  • Roman mosaics - The Gypsy Girls. The House of Menad. Ancient Zeugama, 2nd - 3rd century AD . Zeugma Mosaic Museum, Gaziantep, Turkey.<br />
<br />
It was discovered in the building called the House of Menad during the excavations conducted by the Gaziantep Museum. As the excavations continued, it was understood that almost all the mosaics inside the building had been stolen by historical _artifact; traffickers. The figure, called the Gypsy. Girl, was fortunately under the soil extracted from the illegal diggings and unseen by the traffickers; then it was brought to our Museum. She was liken to a Gypsy Girl as a joke during the excavations when she was unearthed with her uncombed hair, salient cheekbones, round face and earrings, and then has kept to be called with that name. <br />
<br />
There is no illuminating data regarding her identity but some scholrs claim that she is one of the -mnads present in  Dionysus festivals because of the tendrils near her 1.71eado, and others suggest that this is a portrait of Alexander the Great The most interesting feature of the mosaic is that it follows the beholder in every direction. A special technique was used in the mosaic in order to make her eyes more realistic. On the other hand, the fact that both joy and sorrow are reflected in her face indicates the stage reached in the art of portx4it. <br />
<br />
The piece was made, via the technique -called "three look" in the art of painting during the Hellenistic period. This technique was used by great painters as well. Da vincrs'Mona Lisa is an example for such paintings. With those characteristics, the piece has become the symbol of Zeugma and Gaziantep
  • Roman mosaics - The Gypsy Girls. The House of Menad. Ancient Zeugama, 2nd - 3rd century AD . Zeugma Mosaic Museum, Gaziantep, Turkey.   Against a black background.<br />
<br />
It was discovered in the building called the House of Menad during the excavations conducted by the Gaziantep Museum. As the excavations continued, it was understood that almost all the mosaics inside the building had been stolen by historical _artifact; traffickers. The figure, called the Gypsy. Girl, was fortunately under the soil extracted from the illegal diggings and unseen by the traffickers; then it was brought to our Museum. She was liken to a Gypsy Girl as a joke during the excavations when she was unearthed with her uncombed hair, salient cheekbones, round face and earrings, and then has kept to be called with that name. <br />
<br />
There is no illuminating data regarding her identity but some scholrs claim that she is one of the -mnads present in  Dionysus festivals because of the tendrils near her 1.71eado, and others suggest that this is a portrait of Alexander the Great The most interesting feature of the mosaic is that it follows the beholder in every direction. A special technique was used in the mosaic in order to make her eyes more realistic. On the other hand, the fact that both joy and sorrow are reflected in her face indicates the stage reached in the art of portx4it. <br />
<br />
The piece was made, via the technique -called "three look" in the art of painting during the Hellenistic period. This technique was used by great painters as well. Da vincrs'Mona Lisa is an example for such paintings. With those characteristics, the piece has become the symbol of Zeugma and Gaziantep
  • Roman mosaics - The Gypsy Girls. The House of Menad. Ancient Zeugama, 2nd - 3rd century AD . Zeugma Mosaic Museum, Gaziantep, Turkey.   Against an art background.<br />
<br />
It was discovered in the building called the House of Menad during the excavations conducted by the Gaziantep Museum. As the excavations continued, it was understood that almost all the mosaics inside the building had been stolen by historical _artifact; traffickers. The figure, called the Gypsy. Girl, was fortunately under the soil extracted from the illegal diggings and unseen by the traffickers; then it was brought to our Museum. She was liken to a Gypsy Girl as a joke during the excavations when she was unearthed with her uncombed hair, salient cheekbones, round face and earrings, and then has kept to be called with that name. <br />
<br />
There is no illuminating data regarding her identity but some scholrs claim that she is one of the -mnads present in  Dionysus festivals because of the tendrils near her 1.71eado, and others suggest that this is a portrait of Alexander the Great The most interesting feature of the mosaic is that it follows the beholder in every direction. A special technique was used in the mosaic in order to make her eyes more realistic. On the other hand, the fact that both joy and sorrow are reflected in her face indicates the stage reached in the art of portx4it. <br />
<br />
The piece was made, via the technique -called "three look" in the art of painting during the Hellenistic period. This technique was used by great painters as well. Da vincrs'Mona Lisa is an example for such paintings. With those characteristics, the piece has become the symbol of Zeugma and Gaziantep
  • Roman mosaics - The Gypsy Girls. The House of Menad. Ancient Zeugama, 2nd - 3rd century AD . Zeugma Mosaic Museum, Gaziantep, Turkey.   Against a black background.<br />
<br />
It was discovered in the building called the House of Menad during the excavations conducted by the Gaziantep Museum. As the excavations continued, it was understood that almost all the mosaics inside the building had been stolen by historical _artifact; traffickers. The figure, called the Gypsy. Girl, was fortunately under the soil extracted from the illegal diggings and unseen by the traffickers; then it was brought to our Museum. She was liken to a Gypsy Girl as a joke during the excavations when she was unearthed with her uncombed hair, salient cheekbones, round face and earrings, and then has kept to be called with that name. <br />
<br />
There is no illuminating data regarding her identity but some scholrs claim that she is one of the -mnads present in  Dionysus festivals because of the tendrils near her 1.71eado, and others suggest that this is a portrait of Alexander the Great The most interesting feature of the mosaic is that it follows the beholder in every direction. A special technique was used in the mosaic in order to make her eyes more realistic. On the other hand, the fact that both joy and sorrow are reflected in her face indicates the stage reached in the art of portx4it. <br />
<br />
The piece was made, via the technique -called "three look" in the art of painting during the Hellenistic period. This technique was used by great painters as well. Da vincrs'Mona Lisa is an example for such paintings. With those characteristics, the piece has become the symbol of Zeugma and Gaziantep
  • Roman mosaics - The Gypsy Girls. The House of Menad. Ancient Zeugama, 2nd - 3rd century AD . Zeugma Mosaic Museum, Gaziantep, Turkey.  Against a white background.<br />
<br />
It was discovered in the building called the House of Menad during the excavations conducted by the Gaziantep Museum. As the excavations continued, it was understood that almost all the mosaics inside the building had been stolen by historical _artifact; traffickers. The figure, called the Gypsy. Girl, was fortunately under the soil extracted from the illegal diggings and unseen by the traffickers; then it was brought to our Museum. She was liken to a Gypsy Girl as a joke during the excavations when she was unearthed with her uncombed hair, salient cheekbones, round face and earrings, and then has kept to be called with that name. <br />
<br />
There is no illuminating data regarding her identity but some scholrs claim that she is one of the -mnads present in  Dionysus festivals because of the tendrils near her 1.71eado, and others suggest that this is a portrait of Alexander the Great The most interesting feature of the mosaic is that it follows the beholder in every direction. A special technique was used in the mosaic in order to make her eyes more realistic. On the other hand, the fact that both joy and sorrow are reflected in her face indicates the stage reached in the art of portx4it. <br />
<br />
The piece was made, via the technique -called "three look" in the art of painting during the Hellenistic period. This technique was used by great painters as well. Da vincrs'Mona Lisa is an example for such paintings. With those characteristics, the piece has become the symbol of Zeugma and Gaziantep
  • Roman mosaics - The Gypsy Girls. The House of Menad. Ancient Zeugama, 2nd - 3rd century AD . Zeugma Mosaic Museum, Gaziantep, Turkey.<br />
<br />
It was discovered in the building called the House of Menad during the excavations conducted by the Gaziantep Museum. As the excavations continued, it was understood that almost all the mosaics inside the building had been stolen by historical _artifact; traffickers. The figure, called the Gypsy. Girl, was fortunately under the soil extracted from the illegal diggings and unseen by the traffickers; then it was brought to our Museum. She was liken to a Gypsy Girl as a joke during the excavations when she was unearthed with her uncombed hair, salient cheekbones, round face and earrings, and then has kept to be called with that name. <br />
<br />
There is no illuminating data regarding her identity but some scholrs claim that she is one of the -mnads present in  Dionysus festivals because of the tendrils near her 1.71eado, and others suggest that this is a portrait of Alexander the Great The most interesting feature of the mosaic is that it follows the beholder in every direction. A special technique was used in the mosaic in order to make her eyes more realistic. On the other hand, the fact that both joy and sorrow are reflected in her face indicates the stage reached in the art of portx4it. <br />
<br />
The piece was made, via the technique -called "three look" in the art of painting during the Hellenistic period. This technique was used by great painters as well. Da vincrs'Mona Lisa is an example for such paintings. With those characteristics, the piece has become the symbol of Zeugma and Gaziantep
  • Roman mosaics - The Gypsy Girls. The House of Menad. Ancient Zeugama, 2nd - 3rd century AD . Zeugma Mosaic Museum, Gaziantep, Turkey.  Against a grey background.<br />
<br />
It was discovered in the building called the House of Menad during the excavations conducted by the Gaziantep Museum. As the excavations continued, it was understood that almost all the mosaics inside the building had been stolen by historical _artifact; traffickers. The figure, called the Gypsy. Girl, was fortunately under the soil extracted from the illegal diggings and unseen by the traffickers; then it was brought to our Museum. She was liken to a Gypsy Girl as a joke during the excavations when she was unearthed with her uncombed hair, salient cheekbones, round face and earrings, and then has kept to be called with that name. <br />
<br />
There is no illuminating data regarding her identity but some scholrs claim that she is one of the -mnads present in  Dionysus festivals because of the tendrils near her 1.71eado, and others suggest that this is a portrait of Alexander the Great The most interesting feature of the mosaic is that it follows the beholder in every direction. A special technique was used in the mosaic in order to make her eyes more realistic. On the other hand, the fact that both joy and sorrow are reflected in her face indicates the stage reached in the art of portx4it. <br />
<br />
The piece was made, via the technique -called "three look" in the art of painting during the Hellenistic period. This technique was used by great painters as well. Da vincrs'Mona Lisa is an example for such paintings. With those characteristics, the piece has become the symbol of Zeugma and Gaziantep
  • Roman mosaics - The Gypsy Girls. The House of Menad. Ancient Zeugama, 2nd - 3rd century AD . Zeugma Mosaic Museum, Gaziantep, Turkey.   Against an art background.<br />
<br />
It was discovered in the building called the House of Menad during the excavations conducted by the Gaziantep Museum. As the excavations continued, it was understood that almost all the mosaics inside the building had been stolen by historical _artifact; traffickers. The figure, called the Gypsy. Girl, was fortunately under the soil extracted from the illegal diggings and unseen by the traffickers; then it was brought to our Museum. She was liken to a Gypsy Girl as a joke during the excavations when she was unearthed with her uncombed hair, salient cheekbones, round face and earrings, and then has kept to be called with that name. <br />
<br />
There is no illuminating data regarding her identity but some scholrs claim that she is one of the -mnads present in  Dionysus festivals because of the tendrils near her 1.71eado, and others suggest that this is a portrait of Alexander the Great The most interesting feature of the mosaic is that it follows the beholder in every direction. A special technique was used in the mosaic in order to make her eyes more realistic. On the other hand, the fact that both joy and sorrow are reflected in her face indicates the stage reached in the art of portx4it. <br />
<br />
The piece was made, via the technique -called "three look" in the art of painting during the Hellenistic period. This technique was used by great painters as well. Da vincrs'Mona Lisa is an example for such paintings. With those characteristics, the piece has become the symbol of Zeugma and Gaziantep
  • Roman mosaics - The Gypsy Girls. The House of Menad. Ancient Zeugama, 2nd - 3rd century AD . Zeugma Mosaic Museum, Gaziantep, Turkey.  Against a grey background.<br />
<br />
It was discovered in the building called the House of Menad during the excavations conducted by the Gaziantep Museum. As the excavations continued, it was understood that almost all the mosaics inside the building had been stolen by historical _artifact; traffickers. The figure, called the Gypsy. Girl, was fortunately under the soil extracted from the illegal diggings and unseen by the traffickers; then it was brought to our Museum. She was liken to a Gypsy Girl as a joke during the excavations when she was unearthed with her uncombed hair, salient cheekbones, round face and earrings, and then has kept to be called with that name. <br />
<br />
There is no illuminating data regarding her identity but some scholrs claim that she is one of the -mnads present in  Dionysus festivals because of the tendrils near her 1.71eado, and others suggest that this is a portrait of Alexander the Great The most interesting feature of the mosaic is that it follows the beholder in every direction. A special technique was used in the mosaic in order to make her eyes more realistic. On the other hand, the fact that both joy and sorrow are reflected in her face indicates the stage reached in the art of portx4it. <br />
<br />
The piece was made, via the technique -called "three look" in the art of painting during the Hellenistic period. This technique was used by great painters as well. Da vincrs'Mona Lisa is an example for such paintings. With those characteristics, the piece has become the symbol of Zeugma and Gaziantep
  • Aurochs skulls covered in lime plaster to make waht appear to be seats. On the wall are frescoes of hand prints will a platererd bulls skull. A reconstruction of one of four Catalhoyuk houses to help archaeologists understand the finished structure of excavated ruins. 7500 BC to 5700 BC, Catalyhoyuk Archaeological Site, Çumra, Konya, Turkey
  • Pictures & Images Hittite relief sculpted orthostat panels of the Sphinx Gate. Left panel depicts a man leading goats to be sacrificed (right) a king and Queen make offerings to a Bull God.  Alaca Hoyuk (Alacahoyuk) Hittite archaeological site  Alaca, Çorum Province, Turkey, Also known as Alacahüyük, Aladja-Hoyuk, Euyuk, or Evuk
  • Pictures & Images Hittite relief sculpted orthostat panels of the Sphinx Gate. A king and Queen make offerings to a Bull God.  Alaca Hoyuk (Alacahoyuk) Hittite archaeological site  Alaca, Çorum Province, Turkey, Also known as Alacahüyük, Aladja-Hoyuk, Euyuk, or Evuk
  • Pictures & Images Hittite relief sculpted orthostat panels of the Sphinx Gate. A king and Queen make offerings to a Bull God.  Alaca Hoyuk (Alacahoyuk) Hittite archaeological site  Alaca, Çorum Province, Turkey, Also known as Alacahüyük, Aladja-Hoyuk, Euyuk, or Evuk

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