• Cascata delle Marmore (Marmore Falls), part of a Roman land drainage system built 271BC, at 165 m (541 feet) high it is one of the higest man made waterfalls in Europe, near Terni, Umbria Italy.
  • Cascata delle Marmore (Marmore Falls), part of a Roman land drainage system built 271BC, at 165 m (541 feet) high it is one of the higest man made waterfalls in Europe, near Terni, Umbria Italy.
  • Cascata delle Marmore (Marmore Falls), part of a Roman land drainage system built 271BC, at 165 m (541 feet) high it is one of the higest man made waterfalls in Europe, near Terni, Umbria Italy.
  • Cascata delle Marmore (Marmore Falls), part of a Roman land drainage system built 271BC, at 165 m (541 feet) high it is one of the higest man made waterfalls in Europe, near Terni, Umbria Italy.
  • Cascata delle Marmore (Marmore Falls), part of a Roman land drainage system built 271BC, at 165 m (541 feet) high it is one of the higest man made waterfalls in Europe, near Terni, Umbria Italy.
  • Cascata delle Marmore (Marmore Falls), part of a Roman land drainage system built 271BC, at 165 m (541 feet) high it is one of the higest man made waterfalls in Europe, near Terni, Umbria Italy.
  • Cascata delle Marmore (Marmore Falls), part of a Roman land drainage system built 271BC, at 165 m (541 feet) high it is one of the higest man made waterfalls in Europe, near Terni, Umbria Italy.
  • Cascata delle Marmore (Marmore Falls), part of a Roman land drainage system built 271BC, at 165 m (541 feet) high it is one of the higest man made waterfalls in Europe, near Terni, Umbria Italy.
  • Cascata delle Marmore (Marmore Falls), part of a Roman land drainage system built 271BC, at 165 m (541 feet) high it is one of the higest man made waterfalls in Europe, near Terni, Umbria Italy.
  • Cascata delle Marmore (Marmore Falls), part of a Roman land drainage system built 271BC, at 165 m (541 feet) high it is one of the higest man made waterfalls in Europe, near Terni, Umbria Italy.
  • Cascata delle Marmore (Marmore Falls), part of a Roman land drainage system built 271BC, at 165 m (541 feet) high it is one of the higest man made waterfalls in Europe, near Terni, Umbria Italy.
  • Cascata delle Marmore (Marmore Falls), part of a Roman land drainage system built 271BC, at 165 m (541 feet) high it is one of the higest man made waterfalls in Europe, near Terni, Umbria Italy.
  • Cascata delle Marmore (Marmore Falls), part of a Roman land drainage system built 271BC, at 165 m (541 feet) high it is one of the higest man made waterfalls in Europe, near Terni, Umbria Italy.
  • Cascata delle Marmore (Marmore Falls), part of a Roman land drainage system built 271BC, at 165 m (541 feet) high it is one of the higest man made waterfalls in Europe, near Terni, Umbria Italy.
  • Cascata delle Marmore (Marmore Falls), part of a Roman land drainage system built 271BC, at 165 m (541 feet) high it is one of the higest man made waterfalls in Europe, near Terni, Umbria Italy.
  • Cascata delle Marmore (Marmore Falls), part of a Roman land drainage system built 271BC, at 165 m (541 feet) high it is one of the higest man made waterfalls in Europe, near Terni, Umbria Italy.
  • Cascata delle Marmore (Marmore Falls), part of a Roman land drainage system built 271BC, at 165 m (541 feet) high it is one of the higest man made waterfalls in Europe, near Terni, Umbria Italy.
  • Cascata delle Marmore (Marmore Falls), part of a Roman land drainage system built 271BC, at 165 m (541 feet) high it is one of the higest man made waterfalls in Europe, near Terni, Umbria Italy.
  • Cascata delle Marmore (Marmore Falls), part of a Roman land drainage system built 271BC, at 165 m (541 feet) high it is one of the higest man made waterfalls in Europe, near Terni, Umbria Italy.
  • Cascata delle Marmore (Marmore Falls), part of a Roman land drainage system built 271BC, at 165 m (541 feet) high it is one of the higest man made waterfalls in Europe, near Terni, Umbria Italy.
  • Cascata delle Marmore (Marmore Falls), part of a Roman land drainage system built 271BC, at 165 m (541 feet) high it is one of the higest man made waterfalls in Europe, near Terni, Umbria Italy.
  • Cascata delle Marmore (Marmore Falls), part of a Roman land drainage system built 271BC, at 165 m (541 feet) high it is one of the higest man made waterfalls in Europe, near Terni, Umbria Italy.
  • Cascata delle Marmore (Marmore Falls), part of a Roman land drainage system built 271BC, at 165 m (541 feet) high it is one of the higest man made waterfalls in Europe, near Terni, Umbria Italy.
  • Cascata delle Marmore (Marmore Falls), part of a Roman land drainage system built 271BC, at 165 m (541 feet) high it is one of the higest man made waterfalls in Europe, near Terni, Umbria Italy.
  • First half of the 6th century B.C Etruscan clay head of a young man made in Chiusi, inv 94612, National Archaeological Museum Florence, Italy , white background
  • First half of the 6th century B.C Etruscan clay head of a young man made in Chiusi, inv 94612, National Archaeological Museum Florence, Italy
  • First half of the 6th century B.C Etruscan clay head of a young man made in Chiusi, inv 94612, National Archaeological Museum Florence, Italy , black background
  • First half of the 6th century B.C Etruscan clay head of a young man made in Chiusi, inv 94612, National Archaeological Museum Florence, Italy , against grey
  • First half of the 6th century B.C Etruscan clay head of a young man made in Chiusi, inv 94612, National Archaeological Museum Florence, Italy , grey art background
  • Electrum, gold silver alloy, Mycenaean death mask from Grave delta and Gamma, Grave Circle B, Mycenae, Greece. National Archaeological Museum of Athens.  White background.
  • Electrum, gold silver alloy, Mycenaean death mask from Grave delta and Gamma, Grave Circle B, Mycenae, Greece. National Archaeological Museum of Athens.  Black Background
  • Electrum, gold silver alloy, Mycenaean death mask from Grave delta and Gamma, Grave Circle B, Mycenae, Greece. National Archaeological Museum of Athens.  Grey Background
  • Electrum, gold silver alloy, Mycenaean death mask from Grave delta and Gamma, Grave Circle B, Mycenae, Greece. National Archaeological Museum of Athens
  • Electrum, gold silver alloy, Mycenaean death mask from Grave delta and Gamma, Grave Circle B, Mycenae, Greece. National Archaeological Museum of Athens
  • Gold Death Mask Known as the "mask of Agamemnon"  from Grave V, Grave Circle A, Mycenae. The mask is made of a thin sheet of beaten gold & shows a man with a beard. 16th century BC. Cat No 624 Athens Archaeological Museum.
  • 323-300B.C Etruscan Hellenistisc style column Krater with red figure of a young man against a black background, made in Volterra (Pisa), National Archaeological Museum Florence, Italy , black background
  • 323-300B.C Etruscan Hellenistisc style column Krater with red figure of a young man against a black background, made in Volterra (Pisa), National Archaeological Museum Florence, Italy, against grey
  • 323-300B.C Etruscan Hellenistisc style column Krater with red figure of a young man against a black background, made in Volterra (Pisa), National Archaeological Museum Florence, Italy
  • Gold Death Mask Known as the "mask of Agamemnon"  from Grave V, Grave Circle A, Mycenae. The mask is made of a thin sheet of beaten gold & shows a man with a beard. 16th century BC. Cat No 624 Athens Archaeological Museum.
  • Gold Death Mask Known as the "mask of Agamemnon"  from Grave V, Grave Circle A, Mycenae. The mask is made of a thin sheet of beaten gold & shows a man with a beard. 16th century BC. Cat No 624 Athens Archaeological Museum.
  • Gold Death Mask Known as the "mask of Agamemnon"  from Grave V, Grave Circle A, Mycenae. The mask is made of a thin sheet of beaten gold & shows a man with a beard. 16th century BC. Cat No 624 Athens Archaeological Museum.
  • Gold Death Mask Known as the "mask of Agamemnon"  from Grave V, Grave Circle A, Mycenae. The mask is made of a thin sheet of beaten gold & shows a man with a beard. 16th century BC. Cat No 624 Athens Archaeological Museum.
  • 323-300B.C Etruscan Hellenistisc style column Krater with red figure of a young man against a black background, made in Volterra (Pisa), National Archaeological Museum Florence, Italy , white background
  • 323-300B.C Etruscan Hellenistisc style column Krater with red figure of a young man against a black background, made in Volterra (Pisa), National Archaeological Museum Florence, Italy , grey art background
  • Mycenaean Funerary Stele made of Porus stone with a chariot relief, Mycenae Grave Circle A, Grave V, Archaeological Museum Athens. Cat No 1429.16th Cent BC.<br />
<br />
The upper register of the Mycenaean Funerary Stele are filled with spiral reliefs while the central register panel has a relief of galloping horses driven by a charioteer. In front of the galloping horse stands a man with a spear who appears to attacking the chariot.
  • Mycenaean Funerary Stele made of Porus stone with a chariot relief, Mycenae Grave Circle A, Grave V, Archaeological Museum Athens. Cat No 1429.16th Cent BC. White Background.<br />
<br />
The upper register of the Mycenaean Funerary Stele are filled with spiral reliefs while the central register panel has a relief of galloping horses driven by a charioteer. In front of the galloping horse stands a man with a spear who appears to attacking the chariot.
  • Mycenaean Funerary Stele made of Porus stone with a chariot relief, Mycenae Grave Circle A, Grave V, Archaeological Museum Athens. Cat No 1429.16th Cent BC. Black Background<br />
<br />
The upper register of the Mycenaean Funerary Stele are filled with spiral reliefs while the central register panel has a relief of galloping horses driven by a charioteer. In front of the galloping horse stands a man with a spear who appears to attacking the chariot.
  • Mycenaean Funerary Stele made of Porus stone with a chariot relief, Mycenae Grave Circle A, Grave V, Archaeological Museum Athens. Cat No 1429.16th Cent BC. Grey Background<br />
<br />
The upper register of the Mycenaean Funerary Stele are filled with spiral reliefs while the central register panel has a relief of galloping horses driven by a charioteer. In front of the galloping horse stands a man with a spear who appears to attacking the chariot.
  • Mycenaean Funerary Stele made of Porus stone with a chariot relief, Mycenae Grave Circle A, Grave V, Archaeological Museum Athens. Cat No 1429.16th Cent BC.  Grey art Background <br />
<br />
The upper register of the Mycenaean Funerary Stele are filled with spiral reliefs while the central register panel has a relief of galloping horses driven by a charioteer. In front of the galloping horse stands a man with a spear who appears to attacking the chariot.
  • Mycenaean gold death mask, Mask of Agamemnon, Grave Cicle A, Mycenae, Greece.National Archaeological Museum of Athens.  White background.<br />
<br />
The mask from Grave V depicts an imposing face of a bearded man descovered by  Heinrich Schliemann who believed it was the body of Agamemnon, this is unproven to date.  The Mycenaean death mask belonged to a warrior and made of gold leaf it cocered the dead mans face held on by cord threaded tgrough the two sides of the mask.  The mask of Agamemnon was created from a single thick gold sheet, heated and hammered against a wooden background with the details chased on later with a sharp tool. The artifact dates from the 16th century BC.
  • Mycenaean gold death mask, Mask of Agamemnon, Grave Cicle A, Mycenae, Greece.National Archaeological Museum of Athens.   Grey Art Background<br />
<br />
The mask from Grave V depicts an imposing face of a bearded man descovered by  Heinrich Schliemann who believed it was the body of Agamemnon, this is unproven to date.  The Mycenaean death mask belonged to a warrior and made of gold leaf it cocered the dead mans face held on by cord threaded tgrough the two sides of the mask.  The mask of Agamemnon was created from a single thick gold sheet, heated and hammered against a wooden background with the details chased on later with a sharp tool. The artifact dates from the 16th century BC.
  • Mycenaean gold death mask, Mask of Agamemnon, Grave Cicle A, Mycenae, Greece.National Archaeological Museum of Athens.  Grey Background<br />
<br />
<br />
The mask from Grave V depicts an imposing face of a bearded man descovered by  Heinrich Schliemann who believed it was the body of Agamemnon, this is unproven to date.  The Mycenaean death mask belonged to a warrior and made of gold leaf it cocered the dead mans face held on by cord threaded tgrough the two sides of the mask.  The mask of Agamemnon was created from a single thick gold sheet, heated and hammered against a wooden background with the details chased on later with a sharp tool. The artifact dates from the 16th century BC.
  • Mycenaean gold death mask, Mask of Agamemnon, Grave Cicle A, Mycenae, Greece.National Archaeological Museum of Athens.  Grey Background<br />
<br />
<br />
The mask from Grave V depicts an imposing face of a bearded man descovered by  Heinrich Schliemann who believed it was the body of Agamemnon, this is unproven to date.  The Mycenaean death mask belonged to a warrior and made of gold leaf it cocered the dead mans face held on by cord threaded tgrough the two sides of the mask.  The mask of Agamemnon was created from a single thick gold sheet, heated and hammered against a wooden background with the details chased on later with a sharp tool. The artifact dates from the 16th century BC.
  • Mycenaean gold death mask, Mask of Agamemnon, Grave Cicle A, Mycenae, Greece.National Archaeological Museum of Athens.  Black Background<br />
<br />
The mask from Grave V depicts an imposing face of a bearded man descovered by  Heinrich Schliemann who believed it was the body of Agamemnon, this is unproven to date.  The Mycenaean death mask belonged to a warrior and made of gold leaf it cocered the dead mans face held on by cord threaded tgrough the two sides of the mask.  The mask of Agamemnon was created from a single thick gold sheet, heated and hammered against a wooden background with the details chased on later with a sharp tool. The artifact dates from the 16th century BC.
  • Mycenaean gold death mask, Mask of Agamemnon, Grave Cicle A, Mycenae, Greece.National Archaeological Museum of Athens. <br />
<br />
The mask from Grave V depicts an imposing face of a bearded man descovered by  Heinrich Schliemann who believed it was the body of Agamemnon, this is unproven to date.  The Mycenaean death mask belonged to a warrior and made of gold leaf it cocered the dead mans face held on by cord threaded tgrough the two sides of the mask.  The mask of Agamemnon was created from a single thick gold sheet, heated and hammered against a wooden background with the details chased on later with a sharp tool. The artifact dates from the 16th century BC.
  • Mycenaean gold death mask, Mask of Agamemnon, Grave Cicle A, Mycenae, Greece.National Archaeological Museum of Athens.  Black Background<br />
<br />
The mask from Grave V depicts an imposing face of a bearded man descovered by  Heinrich Schliemann who believed it was the body of Agamemnon, this is unproven to date.  The Mycenaean death mask belonged to a warrior and made of gold leaf it cocered the dead mans face held on by cord threaded tgrough the two sides of the mask.  The mask of Agamemnon was created from a single thick gold sheet, heated and hammered against a wooden background with the details chased on later with a sharp tool. The artifact dates from the 16th century BC.
  • Mycenaean gold death mask, Mask of Agamemnon, Grave Cicle A, Mycenae, Greece.National Archaeological Museum of Athens.  White background.<br />
<br />
The mask from Grave V depicts an imposing face of a bearded man descovered by  Heinrich Schliemann who believed it was the body of Agamemnon, this is unproven to date.  The Mycenaean death mask belonged to a warrior and made of gold leaf it cocered the dead mans face held on by cord threaded tgrough the two sides of the mask.  The mask of Agamemnon was created from a single thick gold sheet, heated and hammered against a wooden background with the details chased on later with a sharp tool. The artifact dates from the 16th century BC.
  • Mycenaean gold death mask, Mask of Agamemnon, Grave Cicle A, Mycenae, Greece.National Archaeological Museum of Athens.   Grey Art Background<br />
<br />
The mask from Grave V depicts an imposing face of a bearded man descovered by  Heinrich Schliemann who believed it was the body of Agamemnon, this is unproven to date.  The Mycenaean death mask belonged to a warrior and made of gold leaf it cocered the dead mans face held on by cord threaded tgrough the two sides of the mask.  The mask of Agamemnon was created from a single thick gold sheet, heated and hammered against a wooden background with the details chased on later with a sharp tool. The artifact dates from the 16th century BC.
  • Mycenaean gold death mask, Mask of Agamemnon, Grave Cicle A, Mycenae, Greece.National Archaeological Museum of Athens.<br />
<br />
The mask from Grave V depicts an imposing face of a bearded man descovered by  Heinrich Schliemann who believed it was the body of Agamemnon, this is unproven to date.  The Mycenaean death mask belonged to a warrior and made of gold leaf it cocered the dead mans face held on by cord threaded tgrough the two sides of the mask.  The mask of Agamemnon was created from a single thick gold sheet, heated and hammered against a wooden background with the details chased on later with a sharp tool. The artifact dates from the 16th century BC.
  • Gold Death Mask Known as the "mask of Agamemnon"  from Grave V, Grave Circle A, Mycenae. The mask is made of a thin sheet of beaten gold & shows a man with a beard. 16th century BC. Cat No 624 Athens Archaeological Museum.
  • Gold Death Mask Known as the "mask of Agamemnon"  from Grave V, Grave Circle A, Mycenae. The mask is made of a thin sheet of beaten gold & shows a man with a beard. 16th century BC Cat No 624 Athens Archaeological Museum.
  • Gold Death Mask Known as the "mask of Agamemnon"  from Grave V, Grave Circle A, Mycenae. The mask is made of a thin sheet of beaten gold & shows a man with a beard. 16th century BC. Cat No 624 Athens Archaeological Museum.
  • Gold Death Mask Known as the "mask of Agamemnon"  from Grave V, Grave Circle A, Mycenae. The mask is made of a thin sheet of beaten gold & shows a man with a beard. 16th century BC Cat No 624 Athens Archaeological Museum.
  • Gold Death Mask Known as the "mask of Agamemnon"  from Grave V, Grave Circle A, Mycenae. The mask is made of a thin sheet of beaten gold & shows a man with a beard. 16th century BC Cat No 624 Athens Archaeological Museum.
  • Gold Death Mask Known as the "mask of Agamemnon"  from Grave V, Grave Circle A, Mycenae. The mask is made of a thin sheet of beaten gold & shows a man with a beard. 16th century BC Cat No 624 Athens Archaeological Museum.
  • Gold Death Mask Known as the "mask of Agamemnon"  from Grave V, Grave Circle A, Mycenae. The mask is made of a thin sheet of beaten gold & shows a man with a beard. 16th century BC Cat No 624 Athens Archaeological Museum.
  • Mycenaean gold death mask, Grave Cicle A, Mycenae, Greece. National Archaeological Museum of Athens. Black Background<br />
<br />
This death mask is typical of the other Mycenaean gold death masks fround in Grave V. made from a sigle sheet of gold the shape of the face would have been hammered ot against wood. two holes either side of the gold mask allowed it to be held over the dead mans face. As weapons were found in the graves of Grave Circle A at Mycenae, those buried here wer warriors and maybe kings as the grave goods buried with them were of great value. 16th century BC
  • Mycenaean gold death mask, Grave Cicle A, Mycenae, Greece. National Archaeological Museum of Athens.  White background.<br />
<br />
This death mask is typical of the other Mycenaean gold death masks fround in Grave V. made from a sigle sheet of gold the shape of the face would have been hammered ot against wood. two holes either side of the gold mask allowed it to be held over the dead mans face. As weapons were found in the graves of Grave Circle A at Mycenae, those buried here wer warriors and maybe kings as the grave goods buried with them were of great value. 16th century BC
  • Mycenaean gold death mask, Grave Cicle A, Mycenae, Greece. National Archaeological Museum of Athens.  Grey Background<br />
<br />
<br />
This death mask is typical of the other Mycenaean gold death masks fround in Grave V. made from a sigle sheet of gold the shape of the face would have been hammered ot against wood. two holes either side of the gold mask allowed it to be held over the dead mans face. As weapons were found in the graves of Grave Circle A at Mycenae, those buried here wer warriors and maybe kings as the grave goods buried with them were of great value. 16th century BC
  • Mycenaean gold death mask, Grave Cicle A, Mycenae, Greece. National Archaeological Museum of Athens. <br />
<br />
This death mask is typical of the other Mycenaean gold death masks fround in Grave V. made from a sigle sheet of gold the shape of the face would have been hammered ot against wood. two holes either side of the gold mask allowed it to be held over the dead mans face. As weapons were found in the graves of Grave Circle A at Mycenae, those buried here wer warriors and maybe kings as the grave goods buried with them were of great value. 16th century BC
  • Mycenaean gold death mask, Grave Cicle A, Mycenae, Greece. National Archaeological Museum of Athens.   Grey Art Background<br />
<br />
This death mask is typical of the other Mycenaean gold death masks fround in Grave V. made from a sigle sheet of gold the shape of the face would have been hammered ot against wood. two holes either side of the gold mask allowed it to be held over the dead mans face. As weapons were found in the graves of Grave Circle A at Mycenae, those buried here wer warriors and maybe kings as the grave goods buried with them were of great value. 16th century BC
  • Mycenaean gold death mask, Grave Cicle A, Mycenae, Greece. National Archaeological Museum of Athens.  White background.<br />
<br />
This death mask is typical of the other Mycenaean gold death masks fround in Grave V. made from a sigle sheet of gold the shape of the face would have been hammered ot against wood. two holes either side of the gold mask allowed it to be held over the dead mans face. As weapons were found in the graves of Grave Circle A at Mycenae, those buried here wer warriors and maybe kings as the grave goods buried with them were of great value. 16th century BC
  • Mycenaean gold death mask, Grave Cicle A, Mycenae, Greece. National Archaeological Museum of Athens.  Black Background<br />
<br />
This death mask is typical of the other Mycenaean gold death masks fround in Grave V. made from a sigle sheet of gold the shape of the face would have been hammered ot against wood. two holes either side of the gold mask allowed it to be held over the dead mans face. As weapons were found in the graves of Grave Circle A at Mycenae, those buried here wer warriors and maybe kings as the grave goods buried with them were of great value. 16th century BC
  • Mycenaean gold death mask, Grave Cicle A, Mycenae, Greece. National Archaeological Museum of Athens.  Grey Background<br />
<br />
<br />
This death mask is typical of the other Mycenaean gold death masks fround in Grave V. made from a sigle sheet of gold the shape of the face would have been hammered ot against wood. two holes either side of the gold mask allowed it to be held over the dead mans face. As weapons were found in the graves of Grave Circle A at Mycenae, those buried here wer warriors and maybe kings as the grave goods buried with them were of great value. 16th century BC
  • Mycenaean gold death mask, Grave Cicle A, Mycenae, Greece. National Archaeological Museum of Athens. <br />
<br />
This death mask is typical of the other Mycenaean gold death masks fround in Grave V. made from a sigle sheet of gold the shape of the face would have been hammered ot against wood. two holes either side of the gold mask allowed it to be held over the dead mans face. As weapons were found in the graves of Grave Circle A at Mycenae, those buried here wer warriors and maybe kings as the grave goods buried with them were of great value. 16th century BC
  • Mycenaean gold death mask, Grave Cicle A, Mycenae, Greece. National Archaeological Museum of Athens.  Grey Art Background<br />
<br />
 This death mask is typical of the other Mycenaean gold death masks fround in Grave V. made from a sigle sheet of gold the shape of the face would have been hammered ot against wood. two holes either side of the gold mask allowed it to be held over the dead mans face. As weapons were found in the graves of Grave Circle A at Mycenae, those buried here wer warriors and maybe kings as the grave goods buried with them were of great value. 16th century BC
  • Mycenaean gold death mask, Grave Cicle A, Mycenae, Greece. National Archaeological Museum of Athens. White background.<br />
<br />
This death mask is typical of the other Mycenaean gold death masks fround in Grave V. made from a sigle sheet of gold the shape of the face would have been hammered ot against wood. two holes either side of the gold mask allowed it to be held over the dead mans face. As weapons were found in the graves of Grave Circle A at Mycenae, those buried here wer warriors and maybe kings as the grave goods buried with them were of great value. 16th century BC
  • Mycenaean gold death mask, Grave Cicle A, Mycenae, Greece. National Archaeological Museum of Athens.  Grey Background<br />
<br />
<br />
 This death mask is typical of the other Mycenaean gold death masks fround in Grave V. made from a sigle sheet of gold the shape of the face would have been hammered ot against wood. two holes either side of the gold mask allowed it to be held over the dead mans face. As weapons were found in the graves of Grave Circle A at Mycenae, those buried here wer warriors and maybe kings as the grave goods buried with them were of great value. 16th century BC
  • Mycenaean gold death mask, Grave Cicle A, Mycenae, Greece. National Archaeological Museum of Athens. <br />
<br />
This death mask is typical of the other Mycenaean gold death masks fround in Grave V. made from a sigle sheet of gold the shape of the face would have been hammered ot against wood. two holes either side of the gold mask allowed it to be held over the dead mans face. As weapons were found in the graves of Grave Circle A at Mycenae, those buried here wer warriors and maybe kings as the grave goods buried with them were of great value. 16th century BC
  • Mycenaean gold death mask, Grave Cicle A, Mycenae, Greece. National Archaeological Museum of Athens.  Black Background<br />
<br />
This death mask is typical of the other Mycenaean gold death masks fround in Grave V. made from a sigle sheet of gold the shape of the face would have been hammered ot against wood. two holes either side of the gold mask allowed it to be held over the dead mans face. As weapons were found in the graves of Grave Circle A at Mycenae, those buried here wer warriors and maybe kings as the grave goods buried with them were of great value. 16th century BC
  • Mycenaean gold death mask, Grave Cicle A, Mycenae, Greece. National Archaeological Museum of Athens.   Grey Art Background<br />
<br />
This death mask is typical of the other Mycenaean gold death masks fround in Grave V. made from a sigle sheet of gold the shape of the face would have been hammered ot against wood. two holes either side of the gold mask allowed it to be held over the dead mans face. As weapons were found in the graves of Grave Circle A at Mycenae, those buried here wer warriors and maybe kings as the grave goods buried with them were of great value. 16th century BC
  • Mycenaean gold death mask, Grave Cicle A, Mycenae, Greece. National Archaeological Museum of Athens.  Grey Background<br />
<br />
<br />
This death mask is typical of the other Mycenaean gold death masks fround in Grave V. made from a sigle sheet of gold the shape of the face would have been hammered ot against wood. two holes either side of the gold mask allowed it to be held over the dead mans face. As weapons were found in the graves of Grave Circle A at Mycenae, those buried here wer warriors and maybe kings as the grave goods buried with them were of great value. 16th century BC
  • Mycenaean gold death mask, Grave Cicle A, Mycenae, Greece. National Archaeological Museum of Athens.  White background.<br />
<br />
This death mask is typical of the other Mycenaean gold death masks fround in Grave V. made from a sigle sheet of gold the shape of the face would have been hammered ot against wood. two holes either side of the gold mask allowed it to be held over the dead mans face. As weapons were found in the graves of Grave Circle A at Mycenae, those buried here wer warriors and maybe kings as the grave goods buried with them were of great value. 16th century BC
  • Mycenaean gold death mask, Grave Cicle A, Mycenae, Greece. National Archaeological Museum of Athens. Black Background<br />
<br />
 This death mask is typical of the other Mycenaean gold death masks fround in Grave V. made from a sigle sheet of gold the shape of the face would have been hammered ot against wood. two holes either side of the gold mask allowed it to be held over the dead mans face. As weapons were found in the graves of Grave Circle A at Mycenae, those buried here wer warriors and maybe kings as the grave goods buried with them were of great value. 16th century BC
  • Mycenaean gold death mask, Grave Cicle A, Mycenae, Greece. National Archaeological Museum of Athens.   Grey Art Background<br />
<br />
This death mask is typical of the other Mycenaean gold death masks fround in Grave V. made from a sigle sheet of gold the shape of the face would have been hammered ot against wood. two holes either side of the gold mask allowed it to be held over the dead mans face. As weapons were found in the graves of Grave Circle A at Mycenae, those buried here wer warriors and maybe kings as the grave goods buried with them were of great value. 16th century BC
  • Mycenaean gold death mask, Grave Cicle A, Mycenae, Greece. National Archaeological Museum of Athens.  White background.<br />
<br />
This death mask is typical of the other Mycenaean gold death masks fround in Grave V except in this mask the eyes are open. made from a sigle sheet of gold the shape of the face would have been hammered ot against wood. two holes either side of the gold mask allowed it to be held over the dead mans face. As weapons were found in the graves of Grave Circle A at Mycenae, those buried here wer warriors and maybe kings as the grave goods buried with them were of great value. 16th century BC
  • Mycenaean gold death mask, Grave Cicle A, Mycenae, Greece. National Archaeological Museum of Athens.<br />
<br />
This death mask is typical of the other Mycenaean gold death masks fround in Grave V. made from a sigle sheet of gold the shape of the face would have been hammered ot against wood. two holes either side of the gold mask allowed it to be held over the dead mans face. As weapons were found in the graves of Grave Circle A at Mycenae, those buried here wer warriors and maybe kings as the grave goods buried with them were of great value. 16th century BC
  • Mycenaean gold death mask, Grave Cicle A, Mycenae, Greece. National Archaeological Museum of Athens.  Black Background<br />
<br />
This death mask is typical of the other Mycenaean gold death masks fround in Grave V except in this mask the eyes are open. made from a sigle sheet of gold the shape of the face would have been hammered ot against wood. two holes either side of the gold mask allowed it to be held over the dead mans face. As weapons were found in the graves of Grave Circle A at Mycenae, those buried here wer warriors and maybe kings as the grave goods buried with them were of great value. 16th century BC
  • Mycenaean gold death mask, Grave Cicle A, Mycenae, Greece. National Archaeological Museum of Athens.  Grey Background<br />
<br />
<br />
This death mask is typical of the other Mycenaean gold death masks fround in Grave V except in this mask the eyes are open. made from a sigle sheet of gold the shape of the face would have been hammered ot against wood. two holes either side of the gold mask allowed it to be held over the dead mans face. As weapons were found in the graves of Grave Circle A at Mycenae, those buried here wer warriors and maybe kings as the grave goods buried with them were of great value. 16th century BC
  • Mycenaean gold death mask, Grave Cicle A, Mycenae, Greece. National Archaeological Museum of Athens.<br />
<br />
This death mask is typical of the other Mycenaean gold death masks fround in Grave V except in this mask the eyes are open. made from a sigle sheet of gold the shape of the face would have been hammered ot against wood. two holes either side of the gold mask allowed it to be held over the dead mans face. As weapons were found in the graves of Grave Circle A at Mycenae, those buried here wer warriors and maybe kings as the grave goods buried with them were of great value. 16th century BC
  • Mycenaean gold death mask, Grave Cicle A, Mycenae, Greece. National Archaeological Museum of Athens.   Grey Art Background<br />
<br />
 This death mask is typical of the other Mycenaean gold death masks fround in Grave V except in this mask the eyes are open. made from a sigle sheet of gold the shape of the face would have been hammered ot against wood. two holes either side of the gold mask allowed it to be held over the dead mans face. As weapons were found in the graves of Grave Circle A at Mycenae, those buried here wer warriors and maybe kings as the grave goods buried with them were of great value. 16th century BC

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