• Early Roman mummy mask of a women from  Egypt 1st century BC . Neues Museum Berlin Cat No: AM 34434.
  • Early Roman mummy mask of a women from  Egypt 1st century BC . Neues Museum Berlin Cat No: AM 34434.
  • Ancient Egyptian mummy mask of Pasyg. 1st century BC. Neues Museum Berlin AM 34436.
  • Ancient Egyptian mummy mask of Pasyg. 1st century BC. Neues Museum Berlin AM 34436.
  • Ancient Egyptian mummy mask of Pasyg. 1st century BC. Neues Museum Berlin AM 34436.
  • Ancient Egyptian mummy mask of Pasyg. 1st century BC. Neues Museum Berlin AM 34436.
  • Ancient Egyptian mummy mask of Pasyg. 1st century BC. Neues Museum Berlin AM 34436.
  • Ancient Egyptian mummy mask of Pasyg. 1st century BC. Neues Museum Berlin VAGM 1989/111.
  • Ancient Egyptian mummy mask of Pasyg. 1st century BC. Neues Museum Berlin VAGM 1989/111.
  • Ancient Egyptian mummy mask of Pasyg. 1st century BC. Neues Museum Berlin VAGM 1989/111.
  • Ancient Egyptian mummy mask of Pasyg. 1st century BC. Neues Museum Berlin VAGM 1989/111.
  • Ancient Egyptian mummy mask of Pasyg. 1st century BC. Neues Museum Berlin VAGM 1989/111.
  • Early Roman mummy mask of a women from  Egypt 1st century BC . Neues Museum Berlin Cat No: AM 34434.
  • Early Roman mummy mask of a women from  Egypt 1st century BC . Neues Museum Berlin Cat No: AM 34434.
  • Early Roman mummy mask of a women from  Egypt 1st century BC . Neues Museum Berlin Cat No: AM 34434.
  • Ushabti. Ptolemaic Dynasty  Egyptian textile & gold mummy mask depicting various gods, 306-30 BC. Neues Reiche Museum, Berlin. Cat No AM813
  • Ushabti. Ptolemaic Dynasty  Egyptian textile & gold mummy mask depicting various gods, 306-30 BC. Neues Reiche Museum, Berlin. Cat No AM813
  • Ushabti. Ptolemaic Dynasty  Egyptian textile & gold mummy mask depicting various gods, 306-30 BC. Neues Reiche Museum, Berlin. Cat No AM813
  • Ushabti. Ptolemaic Dynasty  Egyptian textile & gold mummy mask depicting various gods, 306-30 BC. Neues Reiche Museum, Berlin. Cat No AM813
  • Ushabti. Ptolemaic Dynasty  Egyptian textile & gold mummy mask depicting various gods, 306-30 BC. Neues Reiche Museum, Berlin. Cat No AM813
  • Hittite orthostat relief depicting a god. Hittie Period 1450 - 1200 BC. Hattusa Boğazkale. Çorum Archaeological Museum, Corum, Turkey. Çorum Archaeological Museum, Corum, Turkey. Against a white bacground.
  • Hittite orthostat relief depicting a god. Hittie Period 1450 - 1200 BC. Hattusa Boğazkale. Çorum Archaeological Museum, Corum, Turkey. Çorum Archaeological Museum, Corum, Turkey. Against a warm art bacground.
  • Hittite orthostat relief depicting a god. Hittie Period 1450 - 1200 BC. Hattusa Boğazkale. Çorum Archaeological Museum, Corum, Turkey. Çorum Archaeological Museum, Corum, Turkey
  • Hittite orthostat relief depicting a god. Hittie Period 1450 - 1200 BC. Hattusa Boğazkale. Hattusa Boğazkale. Çorum Archaeological Museum, Corum, Turkey. Çorum Archaeological Museum, Corum, Turkey. Against a white bacground.
  • Hittite orthostat relief depicting a god. Hittie Period 1450 - 1200 BC. Hattusa Boğazkale. Hattusa Boğazkale. Çorum Archaeological Museum, Corum, Turkey. Çorum Archaeological Museum, Corum, Turkey
  • Hittite orthostat relief depicting a god. Hittie Period 1450 - 1200 BC. Hattusa Boğazkale. Hattusa Boğazkale. Çorum Archaeological Museum, Corum, Turkey. Çorum Archaeological Museum, Corum, Turkey. Against a warm art bacground.
  • Hittite orthostat relief depicting a god. Hittie Period 1450 - 1200 BC. Hattusa Boğazkale. Hattusa Boğazkale. Çorum Archaeological Museum, Corum, Turkey. Çorum Archaeological Museum, Corum, Turkey. Against a grey bacground.
  • Alaca Hoyuk Sphinx Gate Hittite monumental relief sculpted orthostat stone pane of Goddess. Anatolian Civilizations Museum, Ankara, Turkey.<br />
<br />
Sitting in a chair without a backrest, the head and the face of the figure are completely destroyed. She has a long veil on her head, a long dress hanging down to her ankles, and the shoes with the curved ends. The stool under her feet indicates that she is an important person. She drinks something from the vessel in her right hand and she keeps the handled goblet in her hand a little higher.  <br />
<br />
Against a brown art background.
  • Hittite orthostat relief depicting a god. Hittie Period 1450 - 1200 BC. Hattusa Boğazkale. Çorum Archaeological Museum, Corum, Turkey. Çorum Archaeological Museum, Corum, Turkey. Against a black bacground.
  • Hittite orthostat relief depicting a god. Hittie Period 1450 - 1200 BC. Hattusa Boğazkale. Çorum Archaeological Museum, Corum, Turkey. Çorum Archaeological Museum, Corum, Turkey. Against a grey bacground.
  • Hittite orthostat relief depicting a god. Hittie Period 1450 - 1200 BC. Hattusa Boğazkale. Hattusa Boğazkale. Çorum Archaeological Museum, Corum, Turkey. Çorum Archaeological Museum, Corum, Turkey. Against a black bacground.
  • Roman relief sculpted sarcophagus of Aurelia Botiano and Demetria, 2nd century AD, Perge Inv 1.35.99. Antalya Archaeology Museum, Turkey.
  • Roman relief sculpted sarcophagus of Aurelia Botiano and Demetria, 2nd century AD, Perge Inv 1.35.99. Antalya Archaeology Museum, Turkey.. Against a grey background.
  • Roman relief sculpted sarcophagus of Aurelia Botiano and Demetria, 2nd century AD, Perge Inv 1.35.99. Antalya Archaeology Museum, Turkey.
  • Roman relief sculpture funerary stele. Late Roman Period. Hierapolis Archaeology Museum, Turkey. Against a grey background
  • Roman relief sculpture funerary stele. Late Roman Period. Hierapolis Archaeology Museum, Turkey
  • Roman relief sculpted sarcophagus of Aurelia Botiano and Demetria, 2nd century AD, Perge Inv 1.35.99. Antalya Archaeology Museum, Turkey.. Against a black background.
  • Roman relief sculpted sarcophagus of Aurelia Botiano and Demetria, 2nd century AD, Perge Inv 1.35.99. Antalya Archaeology Museum, Turkey.. Against a warm art background.
  • Roman relief sculpture funerary stele. Late Roman Period. Hierapolis Archaeology Museum, Turkey . Against an black background
  • Roman relief sculpture funerary stele. Late Roman Period. Hierapolis Archaeology Museum, Turkey. Against an white background
  • Roman relief sculpture funerary stele. Late Roman Period. Hierapolis Archaeology Museum, Turkey. Against an art background
  • Roman relief funereal stele from Hierapolis Northern Necropolis. Hierapolis Archaeology Museum, Turkey. Against an white background
  • Roman relief funereal stele from Hierapolis Northern Necropolis. Hierapolis Archaeology Museum, Turkey . Against an black background
  • Roman relief funereal stele from Hierapolis Northern Necropolis. Hierapolis Archaeology Museum, Turkey. Against a grey background
  • Roman relief funereal stele from Hierapolis Northern Necropolis. Hierapolis Archaeology Museum, Turkey. Against an art background
  • Roman relief funereal stele from Hierapolis Northern Necropolis. Hierapolis Archaeology Museum, Turkey
  • Ushabti. 18 dynasty Egyptian kneeling sculpture of queen Hatshepsut with a cultic vessel, 1475BC Deir el-Bahari . Neues Reiche Museum, Berlin. Cat No AM22883
  • Ushabti. 18 dynasty Egyptian kneeling sculpture of queen Hatshepsut with a cultic vessel, 1475BC Deir el-Bahari . Neues Reiche Museum, Berlin. Cat No AM22883
  • Ancient Egyptian granite statue of Sobekhotep V kneeling with ointment vessels. Egypt 13-14 Dynastie (1750-1700 BC) Berlin Neues Museum Cat No: AM 10645
  • Ancient Egyptian statue head of Queen Hatshepsut or King Thutmose III. Ancient Egypt 18th Dynaty, 1460-1450 BC. Neues Museum Berlin Cat No: AM 34431.
  • Ancient Egyptian statue head of Queen Hatshepsut or King Thutmose III. Ancient Egypt 18th Dynaty, 1460-1450 BC. Neues Museum Berlin Cat No: AM 34431.
  • Ancient Egyptian relief portrait fragment of King Akhenaten from Amarna. 18th Dynasty 1345 BC . Neues Museum Berlin 1985.328.3: Gift from New York Metropolitan Museum, Norbert Schimmel.
  • Ancient Egyptian relief portrait fragment of King Akhenaten from Amarna. 18th Dynasty 1345 BC . Neues Museum Berlin 1985.328.3: Gift from New York Metropolitan Museum, Norbert Schimmel.
  • Ancient Egyptian relief portrait fragment of King Akhenaten from Amarna. 18th Dynasty 1345 BC . Neues Museum Berlin 1985.328.3: Gift from New York Metropolitan Museum, Norbert Schimmel.
  • Ancient Egyptian relief portrait fragment of King Akhenaten from Amarna. 18th Dynasty 1345 BC . Neues Museum Berlin 1985.328.3: Gift from New York Metropolitan Museum, Norbert Schimmel.
  • Ancient Egyptian relief portrait fragment of King Akhenaten from Amarna. 18th Dynasty 1345 BC . Neues Museum Berlin 1985.328.3: Gift from New York Metropolitan Museum, Norbert Schimmel.
  • Ushabti. 18 dynasty Egyptian kneeling sculpture of queen Hatshepsut with a cultic vessel, 1475BC Deir el-Bahari . Neues Reiche Museum, Berlin. Cat No AM22883
  • Ushabti. 18 dynasty Egyptian kneeling sculpture of queen Hatshepsut with a cultic vessel, 1475BC Deir el-Bahari . Neues Reiche Museum, Berlin. Cat No AM22883
  • Ushabti. 18 dynasty Egyptian kneeling sculpture of queen Hatshepsut with a cultic vessel, 1475BC Deir el-Bahari . Neues Reiche Museum, Berlin. Cat No AM22883
  • Ancient Egyptian Statue the " Berlin Green Man ". / Berliner Grüner Kopf. / Egypt 30.  Dynasty  (350 BC) Berlin Neues Museum Cat No: AM 12500.
  • Ancient Egyptian Statue the " Berlin Green Man ". / Berliner Grüner Kopf. / Egypt 30.  Dynasty  (350 BC) Berlin Neues Museum Cat No: AM 12500.
  • Ancient Egyptian Statue the " Berlin Green Man ". / Berliner Grüner Kopf. / Egypt 30.  Dynasty  (350 BC) Berlin Neues Museum Cat No: AM 12500.
  • Ancient Egyptian Statue the " Berlin Green Man ". / Berliner Grüner Kopf. / Egypt 30.  Dynasty  (350 BC) Berlin Neues Museum Cat No: AM 12500.
  • Ancient Egyptian granite statue of Sobekhotep V kneeling with ointment vessels. Egypt 13-14 Dynastie (1750-1700 BC) Berlin Neues Museum Cat No: AM 10645
  • Ancient Egyptian granite statue of Sobekhotep V kneeling with ointment vessels. Egypt 13-14 Dynastie (1750-1700 BC) Berlin Neues Museum Cat No: AM 10645
  • Ancient Egyptian granite statue of Sobekhotep V kneeling with ointment vessels. Egypt 13-14 Dynastie (1750-1700 BC) Berlin Neues Museum Cat No: AM 10645
  • Ancient Egyptian Ptolemaic sacrophagus of the prophet Ahmose. 332-30 BC. Neues Museum Berlin AM 38.
  • Ancient Egyptian Ptolemaic sacrophagus of the prophet Ahmose. 332-30 BC. Neues Museum Berlin AM 38.
  • Ancient Egyptian Ptolemaic sacrophagus of the prophet Ahmose. 332-30 BC. Neues Museum Berlin AM 38.
  • Ancient Egyptian Ptolemaic sacrophagus of the prophet Ahmose. 332-30 BC. Neues Museum Berlin AM 38.
  • Ancient Egyptian Ptolemaic sacrophagus of the prophet Ahmose. 332-30 BC. Neues Museum Berlin AM 38.
  • Ancient Egyptian statue head of Queen Hatshepsut or King Thutmose III. Ancient Egypt 18th Dynaty, 1460-1450 BC. Neues Museum Berlin Cat No: AM 34431.
  • Ancient Egyptian statue head of Queen Hatshepsut or King Thutmose III. Ancient Egypt 18th Dynaty, 1460-1450 BC. Neues Museum Berlin Cat No: AM 34431.
  • Ancient Egyptian statue head of Queen Hatshepsut or King Thutmose III. Ancient Egypt 18th Dynaty, 1460-1450 BC. Neues Museum Berlin Cat No: AM 34431.
  • Alaca Hoyuk - Hittite lion sculpture corner Stone . Andesite. Alacahoyuk, 1399 - 1301 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Corner stone with sculpted lion, bull and winged sun disk. It was discovered at the right side of the Alacahoyuk sphinx door. The lion puts his front legs on a small bull. There is a Hittite winged sun disk on the abdomen of the lion, which can be seen from a lower location. The position of the sun course indicates that the stone is situated in a high place.<br />
<br />
Against a brown gray background.
  • Neo Hittite Period Hieroglyphic inscription on a stone orthostat - Anatolian Civilisations Museum, Ankara, Turkey.
  • Alaca Hoyuk - Hittite lion sculpture corner Stone . Andesite. Alacahoyuk, 1399 - 1301 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Corner stone with sculpted lion, bull and winged sun disk. It was discovered at the right side of the Alacahoyuk sphinx door. The lion puts his front legs on a small bull. There is a Hittite winged sun disk on the abdomen of the lion, which can be seen from a lower location. The position of the sun course indicates that the stone is situated in a high place.<br />
<br />
Against a black background.
  • Alaca Hoyuk - Hittite lion sculpture corner Stone . Andesite. Alacahoyuk, 1399 - 1301 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Corner stone with sculpted lion, bull and winged sun disk. It was discovered at the right side of the Alacahoyuk sphinx door. The lion puts his front legs on a small bull. There is a Hittite winged sun disk on the abdomen of the lion, which can be seen from a lower location. The position of the sun course indicates that the stone is situated in a high place.<br />
<br />
Against a white background.
  • Alaca Hoyuk - Hittite lion sculpture corner Stone . Andesite. Alacahoyuk, 1399 - 1301 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Corner stone with sculpted lion, bull and winged sun disk. It was discovered at the right side of the Alacahoyuk sphinx door. The lion puts his front legs on a small bull. There is a Hittite winged sun disk on the abdomen of the lion, which can be seen from a lower location. The position of the sun course indicates that the stone is situated in a high place.
  • Alaca Hoyuk - Hittite lion sculpture corner Stone . Andesite. Alacahoyuk, 1399 - 1301 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Corner stone with sculpted lion, bull and winged sun disk. It was discovered at the right side of the Alacahoyuk sphinx door. The lion puts his front legs on a small bull. There is a Hittite winged sun disk on the abdomen of the lion, which can be seen from a lower location. The position of the sun course indicates that the stone is situated in a high place.<br />
<br />
Against a grey art background.
  • Aslantepe Hittite relief sculpted orthostat stone panel. Limestone, Aslantepe, Malatya, 1200-700 B.C. Anatolian Civilizations Museum, Ankara, Turkey. Scene of two Gods walking one carrying a spear, dressed in tunics.<br />
<br />
Anatolian Civilizations Museum, Ankara, Turkey
  • Aslantepe Hittite relief sculpted orthostat stone panel. Limestone, Aslantepe, Malatya, 1200-700 B.C. Anatolian Civilizations Museum, Ankara, Turkey. Scene of two Gods walking one carrying a spear, dressed in tunics.<br />
<br />
Against a black background.
  • Aslantepe Hittite relief sculpted orthostat stone panel. Limestone, Aslantepe, Malatya, 1200-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Scene of king's offering drink and sacrifice to the god. The god is on the deer, with the bow attached to his shoulder and with a triple bundle of lightning in his hand. The king looks at the god, and makes the libation to the god while carrying a scepter with a curled end - lituus. Behind the king is a servant holding a goat for sacrifice to the god. Hieroglyphs read; "God Parata, Strong King... ". <br />
<br />
Anatolian Civilizations Museum, Ankara, Turkey
  • Hittite relief sculpted stone panel. Lion. Aslantepe Gate Limestone, Aslantepe, Malatya, 1200-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
The lion on the left of the two lions at the gate of the palace. His head and his front part were processed as high embossing and his body as regular embossing. The signs behind the lion and over his tail read; "Halposulupis, Mighty (?) King".<br />
<br />
Against a brown art background.
  • Hittite relief sculpted stone panel. Lion. Aslantepe Gate Limestone, Aslantepe, Malatya, 1200-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
The lion on the left of the two lions at the gate of the palace. His head and his front part were processed as high embossing and his body as regular embossing. The signs behind the lion and over his tail read; "Halposulupis, Mighty (?) King".<br />
<br />
Against a white background.
  • Hittite relief sculpted stone panel. Lion. Aslantepe Gate Limestone, Aslantepe, Malatya, 1200-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
The lion on the left of the two lions at the gate of the palace. His head and his front part were processed as high embossing and his body as regular embossing. The signs behind the lion and over his tail read; "Halposulupis, Mighty (?) King".<br />
<br />
Against a grey art background.
  • Hittite relief sculpted stone panel. Lion. Aslantepe Gate Limestone, Aslantepe, Malatya, 1200-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
The lion on the left of the two lions at the gate of the palace. His head and his front part were processed as high embossing and his body as regular embossing. The signs behind the lion and over his tail read; "Halposulupis, Mighty (?) King".<br />
<br />
Against a black background.
  • Hittite relief sculpted stone panel. Lion. Aslantepe Gate Limestone, Aslantepe, Malatya, 1200-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
The lion on the left of the two lions at the gate of the palace. His head and his front part were processed as high embossing and his body as regular embossing. The signs behind the lion and over his tail read; "Halposulupis, Mighty (?) King".<br />
<br />
Against a black background.
  • Hittite relief sculpted stone panel. Lion. Aslantepe Gate Limestone, Aslantepe, Malatya, 1200-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
The lion on the left of the two lions at the gate of the palace. His head and his front part were processed as high embossing and his body as regular embossing. The signs behind the lion and over his tail read; "Halposulupis, Mighty (?) King".<br />
<br />
Against a brown art background.
  • Aslantepe Hittite relief sculpted orthostat stone panel. Limestone, Aslantepe, Malatya, 1200-700 B.C. . Anatolian Civilisations Museum, Ankara, Turkey. Depiction of a horse walking.<br />
<br />
Against a gray background.
  • Hittite relief sculpted stone panel. Lion. Aslantepe Gate Limestone, Aslantepe, Malatya, 1200-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
The lion on the left of the two lions at the gate of the palace. His head and his front part were processed as high embossing and his body as regular embossing. The signs behind the lion and over his tail read; "Halposulupis, Mighty (?) King".<br />
<br />
Against a grey art background.
  • Aslantepe Hittite relief sculpted orthostat stone panel. Limestone, Aslantepe, Malatya, 1200-700 BC.  Anatolian Civilisations Museum, Ankara, Turkey. Depiction of a horse walking.<br />
<br />
Against a white background.
  • Aslantepe Hittite relief sculpted orthostat stone panel. Limestone, Aslantepe, Malatya, 1200-700 B.C. . Anatolian Civilisations Museum, Ankara, Turkey. Depiction of a horse walking .<br />
<br />
Against a black background.
  • Aslantepe Hittite relief sculpted orthostat stone panel. Limestone, Aslantepe, Malatya, 1200-700 B.C. . Anatolian Civilisations Museum, Ankara, Turkey<br />
Depiction of a horse walking
  • Aslantepe Hittite relief sculpted orthostat stone panel. Limestone, Aslantepe, Malatya, 1200-700 B.C. . Anatolian Civilisations Museum, Ankara, Turkey<br />
Depiction of a horse walking
  • Aslantepe Hittite relief sculpted orthostat stone panel. Limestone, Aslantepe, Malatya, 1200-700 B.C. . Anatolian Civilisations Museum, Ankara, Turkey<br />
Depiction of a horse walking <br />
<br />
Against a grey art background.
  • Aslantepe Hittite relief sculpted orthostat stone panel. Limestone, Aslantepe, Malatya, 1200-700 B.C. . Anatolian Civilisations Museum, Ankara, Turkey<br />
<br />
Scene of the king's offering drink and sacrifice to the gods. King pours from the pitcher to the vessel (libation); behind the king is a servant bringing a sacrifice. Storm God across the king holds Teshup, a triple lightning bundle - sickle, and a spear-mace set in the other orthostat; the goddess Ishtar holds weapon in both. All six figures have shoes with the curled ends. <br />
<br />
Against a black background.
  • Aslantepe Hittite relief sculpted orthostat stone panel. Limestone, Aslantepe, Malatya, 1200-700 B.C. . Anatolian Civilisations Museum, Ankara, Turkey<br />
<br />
Scene of the king's offering drink and sacrifice to the gods. King pours from the pitcher to the vessel (libation); behind the king is a servant bringing a sacrifice. Storm God across the king holds Teshup, a triple lightning bundle - sickle, and a spear-mace set in the other orthostat; the goddess Ishtar holds weapon in both. All six figures have shoes with the curled ends. <br />
<br />
Against a gray background.
  • Aslantepe Hittite relief sculpted orthostat stone panel. Limestone, Aslantepe, Malatya, 1200-700 B.C. . Anatolian Civilisations Museum, Ankara, Turkey<br />
<br />
Scene of the king's offering drink and sacrifice to the gods. King pours from the pitcher to the vessel (libation); behind the king is a servant bringing a sacrifice. Storm God across the king holds Teshup, a triple lightning bundle - sickle, and a spear-mace set in the other orthostat; the goddess Ishtar holds weapon in both. All six figures have shoes with the curled ends. <br />
<br />
Against a brown art background.
  • Aslantepe Hittite relief sculpted orthostat stone panel. Limestone, Aslantepe, Malatya, 1200-700 B.C. . Anatolian Civilisations Museum, Ankara, Turkey. Depiction of a horse walking.<br />
<br />
Against a grey art background.
  • Aslantepe Hittite relief sculpted orthostat stone panel Limestone, Aslantepe, Malatya, 1200-700 BC. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
A short-dressed and winged demon (mixed creature), and on the third face is the Storm God. The Storm God holds a triple lightning bundle in his left hand and a hammer in his right hand. His both arms are in an upright position. <br />
<br />
Against a brown art background.
  • Aslantepe Hittite relief sculpted orthostat stone panel Limestone, Aslantepe, Malatya, 1200-700 BC. Anatolian Civilizations Museum, Ankara, Turkey.<br />
<br />
A short-dressed and winged demon (mixed creature), and on the third face is the Storm God. The Storm God holds a triple lightning bundle in his left hand and a hammer in his right hand. His both arms are in an upright position. <br />
<br />
Against a grey art background.
  • Aslantepe Hittite relief sculpted orthostat stone panel. Limestone, Aslantepe Malatya, 1200-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Winged protective god holds a branch with fruits. in his left hand, and a fruit in his right hand.<br />
<br />
Against a gray background.
  • Aslantepe Hittite relief sculpted orthostat stone panel. Limestone, Aslantepe Malatya, 1200-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Winged protective god holds a branch with fruits. in his left hand, and a fruit in his right hand.<br />
<br />
Against a brown art background.
  • Aslantepe Hittite relief sculpted orthostat stone panel. Limestone, Aslantepe Malatya, 1200-700 B.C. Anatolian Civilizations Museum, Ankara, Turkey.<br />
<br />
Winged protective god holds a branch with fruits. in his left hand, and a fruit in his right hand.<br />
<br />
Against a grey art background.
  • Aslantepe Hittite relief sculpted orthostat stone panel of Lion Men. Limestone, 1399-1301 BC. Anatolian Civilizations Museum, Ankara, Turkey.<br />
<br />
There are two lion-men with a sword at their waists on both sides of the tree of life. The figure on the right holds a sickle in his left hand resting on his shoulder and a symbol his right hand. The figure on the left carries a double-faced ax in his right hand.
  • Aslantepe Hittite relief sculpted orthostat stone panel of Lion Men. Limestone, 1399-1301 BC. Anatolian Civilizations Museum, Ankara, Turkey.<br />
<br />
There are two lion-men with a sword at their waists on both sides of the tree of life. The figure on the right holds a sickle in his left hand resting on his shoulder and a symbol his right hand. The figure on the left carries a double-faced ax in his right hand.
  • Aslantepe Hittite relief sculpted Stele. Limestone, Aslantepe, Malatya, 1200-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Under the winged sun disk, is a god standing on a lion and across the god is a sitting goddess. The hieroglyphs reads "Karhuhas, the stag god" for the god, and "Kubaba" for the Goddess. <br />
<br />
Against a gray background.
  • Aslantepe Hittite relief sculpted Stele. Limestone, Aslantepe, Malatya, 1200-700 B.C. Anatolian Civilizations Museum, Ankara, Turkey.<br />
<br />
Under the winged sun disk, is a god standing on a lion and across the god is a sitting goddess. The hieroglyphs reads "Karhuhas, the stag god" for the god, and "Kubaba" for the Goddess.
  • Aslantepe Hittite relief sculpted Stele. Limestone, Aslantepe, Malatya, 1200-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Under the winged sun disk, is a god standing on a lion and across the god is a sitting goddess. The hieroglyphs reads "Karhuhas, the stag god" for the god, and "Kubaba" for the Goddess. <br />
<br />
Against a brown art background.
  • Photo of the Hittite Fasillar Monument, finished replica of 13th century BC original. Anatolian Civilisations Museum, Ankara, Turkey. Against a black background.<br />
<br />
The original is an unfinished monumental stele that is situated fiat on the back on a slope at the immediate vicinity of the village Fasillar within the Konya province, Beysehir. This is an exact replica of the original that was made of trachyte igneous rock. This represents the origin& that was cast into the mould of the same dimensions and colour. <br />
<br />
The height from the toes to the top of the lions is 7,40 meters. There is also a socket that is 80 cm. Long inserted into the basement. The Hittite monument dates from the end of 13th century BC There appears the great God higher than 4 meters stepping on the smaller mountain God that is accompanied by the lions on.
  • The Hittite Fasillar Monument, finished replica of 13th century BC original. Anatolian Civilizations Museum, Ankara, Turkey. Against a gray background.<br />
<br />
The original is an unfinished monumental stele that is situated fiat on the back on a slope at the immediate vicinity of the village Fasillar within the Konya province, Beysehir. This is an exact replica of the original that was made of trachyte igneous rock. This represents the origin& that was cast into the mould of the same dimensions and colour. <br />
<br />
The height from the toes to the top of the lions is 7,40 meters. There is also a socket that is 80 cm. Long inserted into the basement. The Hittite monument dates from the end of 13th century BC There appears the great God higher than 4 meters stepping on the smaller mountain God that is accompanied by the lions on.
  • The Hittite Fasillar Monument, finished replica of 13th century BC original. Anatolian Civilizations Museum, Ankara, Turkey. Against a brown art background.<br />
<br />
The original is an unfinished monumental stele that is situated fiat on the back on a slope at the immediate vicinity of the village Fasillar within the Konya province, Beysehir. This is an exact replica of the original that was made of trachyte igneous rock. This represents the origin& that was cast into the mould of the same dimensions and colour. <br />
<br />
The height from the toes to the top of the lions is 7,40 meters. There is also a socket that is 80 cm. Long inserted into the basement. The Hittite monument dates from the end of 13th century BC There appears the great God higher than 4 meters stepping on the smaller mountain God that is accompanied by the lions on.
  • Alaca Hoyuk Hittite monumental relief sculpted orthostat stone panel. Andesite, Alaca, Corum, 1399 - 1301 B.C. Anatolian Civilizations Museum, Ankara, Turkey.<br />
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Hunters - A human figure with a spear in his hands attacking to a lion with two dogs helping him. The lion is on the defensive. One of the dogs has climbed on the back of the lion and bites it while the other attacks towards the lion's belly. The lion steps over the dog with its left hind foot.  Against a white background.
  • Alaca Hoyuk Hittite monumental relief sculpted orthostat stone panel. Andesite, Alaca, Corum, 1399 - 1301 B.C. Anatolian Civilizations Museum, Ankara, Turkey.<br />
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Hunters - A human figure with a spear in his hands attacking to a lion with two dogs helping him. The lion is on the defensive. One of the dogs has climbed on the back of the lion and bites it while the other attacks towards the lion's belly. The lion steps over the dog with its left hind foot.  <br />
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Against a grey art background.
  • Alaca Hoyuk Hittite monumental relief sculpted orthostat stone panel of a hunt.  Anatolian Civilizations Museum. Ankara. Turkey.<br />
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A kneeling figure on the top right is shooting arrows from a bow at a wild boar. Below them deer are grazing. Another hunter is in the bottom right of the panel but has been badly weathered.<br />
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Against a black background.
  • Alaca Hoyuk Hittite monumental relief sculpted orthostat stone panel. Andesite, Alaca, Corum, 1399-1301 B.C. Anatolian Civilizations Museum, Ankara, Turkey.<br />
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Four deer figures are depicted in various positions with a flower in the lower right corner and a tree in the upper left corner. A faded human figure and an animal figure in the upper section are noteworthy. <br />
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Against a brown gray background.
  • Alaca Hoyuk Hittite monumental relief sculpted orthostat stone panel. Andesite, Alaca, Corum, 1399-1301 B.C. Anatolian Civilizations Museum, Ankara, Turkey.<br />
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Four deer figures are depicted in various positions with a flower in the lower right corner and a tree in the upper left corner. A faded human figure and an animal figure in the upper section are noteworthy.
  • Alaca Hoyuk Hittite monumental relief sculpted orthostat stone panel. Andesite, Alaca, Corum, 1399-1301 B.C. Anatolian Civilizations Museum, Ankara, Turkey.<br />
<br />
Four deer figures are depicted in various positions with a flower in the lower right corner and a tree in the upper left corner. A faded human figure and an animal figure in the upper section are noteworthy. <br />
<br />
Against a brown art background.
  • Alaca Hoyuk Hittite monumental relief sculpted orthostat stone panel. Andesite, Alaca, Corum, 1399-1301 B.C. Anatolian Civilizations Museum, Ankara, Turkey.<br />
<br />
Four deer figures are depicted in various positions with a flower in the lower right corner and a tree in the upper left corner. A faded human figure and an animal figure in the upper section are noteworthy. <br />
<br />
Against a grey art background.
  • Alaca Hoyuk Hittite monumental relief sculpted orthostat stone panel. Andesite, Alaca, Corum, 1399 - 1301 B.C. Anatolian Civilizations Museum, Ankara, Turkey<br />
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The rightmost figure wears a long coat and tailed dress. With both hands, he holds a sceptre with a ring in the middle. This item is thought to be a cult object in Assyria reliefs. The pointed and twisted tips of his shoes also show that he is in a high rank.  <br />
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Against a black background.
  • Alaca Hoyuk Hittite monumental relief sculpted orthostat stone panel. Andesite, Alaca, Corum, 1399 - 1301 B.C. Anatolian Civilizations Museum, Ankara, Turkey<br />
<br />
The rightmost figure wears a long coat and tailed dress. With both hands, he holds a sceptre with a ring in the middle. This item is thought to be a cult object in Assyria reliefs. The pointed and twisted tips of his shoes also show that he is in a high rank.  <br />
<br />
Against a brown gray background.
  • Alaca Hoyuk Sphinx Gate Hittite monumental relief sculpted orthostat stone panel. Andesite. Alaca, Corum, 1399 - 1301 B.C. Anatolian Civilizations Museum, Ankara, Turkey.<br />
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Left Panel - Sitting in a chair without a backrest, the head and the face of the figure are completely destroyed. She has a long veil on her head, a long dress hanging down to her ankles, and the shoes with the curved ends. The stool under her feet indicates that she is an important person. She drinks something from the vessel in her right hand and she keeps the handled goblet in her hand a little higher.  <br />
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Right Panel - Three figures with short skirts have their right arms positioned ahead. They each carry a sceptre in their left hand, which they lean against their shoulder. <br />
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Against a black background.
  • Alaca Hoyuk Sphinx Gate Hittite monumental relief sculpted orthostat stone panel. Andesite. Alaca, Corum, 1399 - 1301 B.C. Anatolian Civilizations Museum, Ankara, Turkey.<br />
<br />
Left Panel - Sitting in a chair without a backrest, the head and the face of the figure are completely destroyed. She has a long veil on her head, a long dress hanging down to her ankles, and the shoes with the curved ends. The stool under her feet indicates that she is an important person. She drinks something from the vessel in her right hand and she keeps the handled goblet in her hand a little higher.  <br />
<br />
Right Panel - Three figures with short skirts have their right arms positioned ahead. They each carry a sceptre in their left hand, which they lean against their shoulder. <br />
<br />
Against a grey art background.
  • Alaca Hoyuk Sphinx Gate Hittite monumental relief sculpted orthostat stone pane of Goddess. Anatolian Civilizations Museum, Ankara, Turkey.<br />
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Sitting in a chair without a backrest, the head and the face of the figure are completely destroyed. She has a long veil on her head, a long dress hanging down to her ankles, and the shoes with the curved ends. The stool under her feet indicates that she is an important person. She drinks something from the vessel in her right hand and she keeps the handled goblet in her hand a little higher.  <br />
<br />
Against a black background.
  • Alaca Hoyuk Sphinx Gate Hittite monumental relief sculpted orthostat stone pane of Goddess. Anatolian Civilizations Museum, Ankara, Turkey.<br />
<br />
Sitting in a chair without a backrest, the head and the face of the figure are completely destroyed. She has a long veil on her head, a long dress hanging down to her ankles, and the shoes with the curved ends. The stool under her feet indicates that she is an important person. She drinks something from the vessel in her right hand and she keeps the handled goblet in her hand a little higher.  <br />
<br />
Against a brown gray background.
  • Alaca Hoyuk Sphinx Gate Hittite monumental relief sculpted orthostat stone panel. Andesite, Alaca, Corum, 1399 - 1301 BC. Anatolian Civilizations Museum, Ankara, Turkey.<br />
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The figure playing a musical instrument similar to a guitar is followed by another figure carrying an animal. The stem of the musical instrument is fringed. The left side of the Orthostat is uncompleted.<br />
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Against a brown gray background.
  • Alaca Hoyuk Sphinx Gate Hittite monumental relief sculpted orthostat stone panel. Andesite, Alaca, Corum, 1399 - 1301 BC. Anatolian Civilizations Museum, Ankara, Turkey.<br />
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The figure playing a musical instrument similar to a guitar is followed by another figure carrying an animal. The stem of the musical instrument is fringed. The left side of the Orthostat is uncompleted. <br />
<br />
Against a grey art background.
  • Upright picture of Alaca Hoyuk Sphinx Gate Hittite monumental relief sculpted orthostat stone panel. Andesite, Alaca, Corum, 1399 - 1301 B.C. Jugglers and acrobats.  Anatolian Civilizations Museum, Ankara, Turkey<br />
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The juggler facing towards left, with long hair and a short dress, swallows a dagger; the smaller acrobats behind go up the stairs without holding on. All the figures have horned headdresses and earrings with a huge ring on their ears. It is thought that the acrobats are of different nationality, which is the reason why they are depicted smaller. <br />
<br />
 Against a white background.
  • Upright picture of Alaca Hoyuk Sphinx Gate Hittite monumental relief sculpted orthostat stone panel. Andesite, Alaca, Corum, 1399 - 1301 B.C. Jugglers and acrobats.  Anatolian Civilizations Museum, Ankara, Turkey<br />
<br />
The juggler facing towards left, with long hair and a short dress, swallows a dagger; the smaller acrobats behind go up the stairs without holding on. All the figures have horned headdresses and earrings with a huge ring on their ears. It is thought that the acrobats are of different nationality, which is the reason why they are depicted smaller. <br />
<br />
Against a black background.
  • Landscape picture of Alaca Hoyuk Sphinx Gate Hittite monumental relief sculpted orthostat stone panel. Andesite, Alaca, Corum, 1399 - 1301 B.C. Jugglers and acrobats.  Anatolian Civilizations Museum, Ankara, Turkey<br />
<br />
The juggler facing towards left, with long hair and a short dress, swallows a dagger; the smaller acrobats behind go up the stairs without holding on. All the figures have horned headdresses and earrings with a huge ring on their ears. It is thought that the acrobats are of different nationality, which is the reason why they are depicted smaller.<br />
<br />
Against a black background.
  • Landscape picture of Alaca Hoyuk Sphinx Gate Hittite monumental relief sculpted orthostat stone panel. Andesite, Alaca, Corum, 1399 - 1301 B.C. Jugglers and acrobats.  Anatolian Civilizations Museum, Ankara, Turkey<br />
<br />
The juggler facing towards left, with long hair and a short dress, swallows a dagger; the smaller acrobats behind go up the stairs without holding on. All the figures have horned headdresses and earrings with a huge ring on their ears. It is thought that the acrobats are of different nationality, which is the reason why they are depicted smaller. <br />
<br />
Against a grey art background.
  • Alaca Hoyuk Sphinx Gate Hittite monumental relief sculpted orthostat stone panel. Andesite, Alaca, Corum, 1399 - 1301 B.C. Anatolian Civilizations Museum, Ankara, Turkey.<br />
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Three figures moving towards the altar behind the sacrifices. The figures wearing a long-tailed cloak hold objects in their left hand, which resembles to a sceptre with a twisted end.  <br />
<br />
Against a white background.
  • Upright picture of Alaca Hoyuk Sphinx Gate Hittite monumental relief sculpted orthostat stone panel. Andesite, Alaca, Corum, 1399 - 1301 B.C. Jugglers and acrobats.  Anatolian Civilizations Museum, Ankara, Turkey<br />
<br />
The juggler facing towards left, with long hair and a short dress, swallows a dagger; the smaller acrobats behind go up the stairs without holding on. All the figures have horned headdresses and earrings with a huge ring on their ears. It is thought that the acrobats are of different nationality, which is the reason why they are depicted smaller. <br />
<br />
Against a grey art background.
  • Alaca Hoyuk Sphinx Gate Hittite monumental relief sculpted orthostat stone panel. Andesite, Alaca, Corum, 1399 - 1301 B.C. Anatolian Civilizations Museum, Ankara, Turkey.<br />
<br />
Three figures moving towards the altar behind the sacrifices. The figures wearing a long-tailed cloak hold objects in their left hand, which resembles to a sceptre with a twisted end.  <br />
<br />
Against a brown art background.
  • Alaca Hoyuk Sphinx Gate Hittite monumental relief sculpted orthostat stone panel. Andesite, Alaca, Corum, 1399 - 1301 B.C. Anatolian Civilizations Museum, Ankara, Turkey.<br />
<br />
Three figures moving towards the altar behind the sacrifices. The figures wearing a long-tailed cloak hold objects in their left hand, which resembles to a sceptre with a twisted end.  <br />
<br />
Against a grey art background.
  • Alaca Hoyuk Sphinx Gate Hittite monumental relief sculpted orthostat stone panel. A figure bringing sacrificial animals.  Anatolian Civilizations Museum, Ankara. Turkey<br />
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The figure wearing a long-tailed cloak holds, with the right hand, the horn of the goat coming from behind.  <br />
<br />
Against a white background.
  • Alaca Hoyuk Sphinx Gate Hittite monumental relief sculpted orthostat stone panel. Andesite, Alaca, corum, 1399 - 1301 B.C.  King and queen in front of the altar. Anatolian Civilizations Museum, Ankara, Turkey.<br />
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Left Panel - The king carries the kingdom sceptre - lituus in his right hand, and extends his left hand forward for worship. The queen wears a fancy dress hanging down to the floor; both figures wear earrings with a large ring.<br />
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Right Panel - Bull. It is the sacred animal of the Storm God. It is over a pedestal which is split from top to bottom. It is stocky and short-legged. With a huge horn, the bull has schematic muscles. In the orthostats on the left side, there is a procession moving towards this bull.
  • Alaca Hoyuk Sphinx Gate Hittite monumental relief sculpted orthostat stone panel. Andesite, Alaca, corum, 1399 - 1301 B.C.  King and queen in front of the altar. Anatolian Civilizations Museum, Ankara, Turkey.<br />
<br />
Left Panel - The king carries the kingdom sceptre - lituus in his right hand, and extends his left hand forward for worship. The queen wears a fancy dress hanging down to the floor; both figures wear earrings with a large ring.<br />
<br />
Right Panel - Bull. It is the sacred animal of the Storm God. It is over a pedestal which is split from top to bottom. It is stocky and short-legged. With a huge horn, the bull has schematic muscles. In the orthostats on the left side, there is a procession moving towards this bull. <br />
<br />
Against a grey art background.
  • Alaca Hoyuk Sphinx Gate Hittite monumental relief sculpted orthostat stone panel. Andesite, Alaca, corum, 1399 - 1301 B.C.  King and queen in front of the altar. Anatolian Civilizations Museum, Ankara, Turkey.<br />
<br />
The king carries the kingdom sceptre - lituus in his right hand, and extends his left hand forward for worship. The queen wears a fancy dress hanging down to the floor; both figures wear earrings with a large ring.<br />
 <br />
Against a brown art background.
  • Alaca Hoyuk Sphinx Gate Hittite monumental relief sculpted orthostat stone panel. Andesite, Alaca, Corum, 1399 - 1301 B.C. Anatolian Civilizations Museum, Ankara, Turkey.<br />
<br />
Figure with a sharp and horned headdress (probably a god) sitting on a stool with a short backrest, with a figure (probably the figure of a king) worshipping to it. Both figures wear a large and ring-shaped earring. Among them is a hieroglyph, the symbol of divinity.<br />
<br />
Against a black background.
  • Alaca Hoyuk Sphinx Gate Hittite monumental relief sculpted orthostat stone panel. Andesite, Alaca, Corum, 1399 - 1301 B.C. Anatolian Civilizations Museum, Ankara, Turkey.<br />
<br />
Figure with a sharp and horned headdress (probably a god) sitting on a stool with a short backrest, with a figure (probably the figure of a king) worshipping to it. Both figures wear a large and ring-shaped earring. Among them is a hieroglyph, the symbol of divinity.<br />
<br />
Against a white background.
  • Alaca Hoyuk Sphinx Gate Hittite monumental relief sculpted orthostat stone panel. Andesite, Alaca, Corum, 1399 - 1301 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Figure with a sharp and horned headdress (probably a god) sitting on a stool with a short backrest, with a figure (probably the figure of a king) worshipping to it. Both figures wear a large and ring-shaped earring. Among them is a hieroglyph, the symbol of divinity.<br />
<br />
Against a brown gray background.
  • Alaca Hoyuk - Hittite lion sculptures corner Stone. . Andesite. Alacahoyuk, 1399 - 1301 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
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Corner stone decorated by lion, bull and winged sun disk. It was discovered at the right side of the Alacahoyuk sphinx door. The lion puts his front legs on a small bull. There is a Hittite winged sun disk on the abdomen of the lion, which can be seen from a lower location. The position of the sun course indicates that the stone is situated in a high place. <br />
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Against a white background.
  • Alaca Hoyuk - Hittite lion sculptures corner Stone. . Andesite. Alacahoyuk, 1399 - 1301 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
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Corner stone decorated by lion, bull and winged sun disk. It was discovered at the right side of the Alacahoyuk sphinx door. The lion puts his front legs on a small bull. There is a Hittite winged sun disk on the abdomen of the lion, which can be seen from a lower location. The position of the sun course indicates that the stone is situated in a high place. <br />
<br />
Against a grey art background.
  • Alaca Hoyuk - Hittite lion sculpture corner Stone . Andesite. Alacahoyuk, 1399 - 1301 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
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Corner stone with sculpted lion, bull and winged sun disk. It was discovered at the right side of the Alacahoyuk sphinx door. The lion puts his front legs on a small bull. There is a Hittite winged sun disk on the abdomen of the lion, which can be seen from a lower location. The position of the sun course indicates that the stone is situated in a high place.<br />
<br />
Against a black background.
  • Alaca Hoyuk - Hittite lion sculpture corner Stone . Andesite. Alacahoyuk, 1399 - 1301 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Corner stone with sculpted lion, bull and winged sun disk. It was discovered at the right side of the Alacahoyuk sphinx door. The lion puts his front legs on a small bull. There is a Hittite winged sun disk on the abdomen of the lion, which can be seen from a lower location. The position of the sun course indicates that the stone is situated in a high place.<br />
<br />
Against a brown art background.
  • Pictures & images of the North Gate Hittite sculpture stele depicting Hittite Gods. 8th century BC. Karatepe Aslantas Open-Air Museum (Karatepe-Aslantaş Açık Hava Müzesi), Osmaniye Province, Turkey. Against grey background
  • Pictures & images of the North Gate Hittite sculpture stele depicting Hittite Gods. 8th century BC. Karatepe Aslantas Open-Air Museum (Karatepe-Aslantaş Açık Hava Müzesi), Osmaniye Province, Turkey. Against grey background
  • Pictures & images of the North Gate Hittite sculpture stele depicting Hittite Gods. 8th century BC. Karatepe Aslantas Open-Air Museum (Karatepe-Aslantaş Açık Hava Müzesi), Osmaniye Province, Turkey.
  • Pictures & images of the North Gate Hittite sculpture stele depicting Hittite Gods. 8th century BC. Karatepe Aslantas Open-Air Museum (Karatepe-Aslantaş Açık Hava Müzesi), Osmaniye Province, Turkey. Against grey background
  • Pictures & images of the North Gate Hittite sculpture stele depicting a winged bird God. 8the century BC.  Karatepe Aslantas Open-Air Museum (Karatepe-Aslantaş Açık Hava Müzesi), Osmaniye Province, Turkey.
  • Pictures & images of the North Gate Hittite sculpture stele depicting Hittite Gods. 8th century BC. Karatepe Aslantas Open-Air Museum (Karatepe-Aslantaş Açık Hava Müzesi), Osmaniye Province, Turkey.
  • Pictures & images of the North Gate Hittite sculpture stele depicting Hittite Gods. 8th century BC. Karatepe Aslantas Open-Air Museum (Karatepe-Aslantaş Açık Hava Müzesi), Osmaniye Province, Turkey.
  • Pictures & images of the North Gate Hittite sculpture stele depicting Hittite Gods. 8th century BC. Karatepe Aslantas Open-Air Museum (Karatepe-Aslantaş Açık Hava Müzesi), Osmaniye Province, Turkey.
  • Pictures & images of the North Gate Hittite sculpture stele depicting Hittite Gods. 8th century BC. Karatepe Aslantas Open-Air Museum (Karatepe-Aslantaş Açık Hava Müzesi), Osmaniye Province, Turkey.
  • Pictures & images of the North Gate Hittite sculpture stele depicting Hittite Gods. 8th century BC. Karatepe Aslantas Open-Air Museum (Karatepe-Aslantaş Açık Hava Müzesi), Osmaniye Province, Turkey.
  • Pictures & images of the North Gate Hittite sculpture stele depicting Hittite Gods. 8th century BC. Karatepe Aslantas Open-Air Museum (Karatepe-Aslantaş Açık Hava Müzesi), Osmaniye Province, Turkey. Against art background
  • Pictures & images of the North Gate Hittite sculpture stele depicting Hittite Gods. 8th century BC. Karatepe Aslantas Open-Air Museum (Karatepe-Aslantaş Açık Hava Müzesi), Osmaniye Province, Turkey. Against art background
  • Pictures & images of the North Gate Hittite sculpture stele depicting Hittite Gods. 8th century BC. Karatepe Aslantas Open-Air Museum (Karatepe-Aslantaş Açık Hava Müzesi), Osmaniye Province, Turkey. Against art background
  • Pictures & images of the North Gate Hittite sculpture stele depicting Hittite Gods. 8th century BC. Karatepe Aslantas Open-Air Museum (Karatepe-Aslantaş Açık Hava Müzesi), Osmaniye Province, Turkey. Against grey art background
  • Pictures & images of the North Gate Hittite sculpture stele depicting Hittite man with a sheep on his shoulders. 8th century BC. Karatepe Aslantas Open-Air Museum (Karatepe-Aslantaş Açık Hava Müzesi), Osmaniye Province, Turkey. Against grey art background
  • Pictures & images of the North Gate Hittite sculpture stele men hunting. 8th century BC.  Karatepe Aslantas Open-Air Museum (Karatepe-Aslantaş Açık Hava Müzesi), Osmaniye Province, Turkey. Against grey art background
  • Pictures & images of the North Gate Hittite sculpture stele depicting Hittite Gods. 8th century BC. Karatepe Aslantas Open-Air Museum (Karatepe-Aslantaş Açık Hava Müzesi), Osmaniye Province, Turkey. Against white background
  • Pictures & images of the North Gate Hittite sculpture stele depicting Hittite Gods. 8th century BC. Karatepe Aslantas Open-Air Museum (Karatepe-Aslantaş Açık Hava Müzesi), Osmaniye Province, Turkey. Against white background
  • Pictures & images of the North Gate Hittite sculpture stele depicting Hittite Gods. 8th century BC. Karatepe Aslantas Open-Air Museum (Karatepe-Aslantaş Açık Hava Müzesi), Osmaniye Province, Turkey. Against black background
  • Pictures & images of the North Gate Hittite sculpture stele depicting Hittite Gods. 8th century BC. Karatepe Aslantas Open-Air Museum (Karatepe-Aslantaş Açık Hava Müzesi), Osmaniye Province, Turkey. Against black background
  • Pictures & images of the North Gate Hittite sculpture stele depicting Hittite Gods. 8th century BC. Karatepe Aslantas Open-Air Museum (Karatepe-Aslantaş Açık Hava Müzesi), Osmaniye Province, Turkey. Against black background
  • Pictures & images of the North Gate Hittite sculpture stele depicting Hittite Gods. 8th century BC. Karatepe Aslantas Open-Air Museum (Karatepe-Aslantaş Açık Hava Müzesi), Osmaniye Province, Turkey. Against black background
  • Pictures & images of the North Gate Hittite sculpture stele depicting Hittite Gods. 8th century BC. Karatepe Aslantas Open-Air Museum (Karatepe-Aslantaş Açık Hava Müzesi), Osmaniye Province, Turkey. Against black background
  • Pictures & images of the North Gate Hittite sculpture stele men hunting. 8th century BC.  Karatepe Aslantas Open-Air Museum (Karatepe-Aslantaş Açık Hava Müzesi), Osmaniye Province, Turkey. Against black background
  • Pictures & images of the South Gate Hittite sculpture statue of Hittite Storm God Tarhunzas ( Tarḫunz Tarḫunna or in Hurrian Teshub or in Phoenician Baal Krntrys ). 8th century BC. Karatepe Aslantas Open-Air Museum (Karatepe-Aslantaş Açık Hava Müzesi), Osmaniye Province, Turkey.
  • Pictures & images of the South Gate Hittite sculpture stele depicting Hittite Gods. 8th century BC. Karatepe Aslantas Open-Air Museum (Karatepe-Aslantaş Açık Hava Müzesi), Osmaniye Province, Turkey.
  • Pictures & images of the South Gate Hittite sculpture stele depicting Hittite Gods. 8th century BC. Karatepe Aslantas Open-Air Museum (Karatepe-Aslantaş Açık Hava Müzesi), Osmaniye Province, Turkey.
  • Pictures & images of the South Gate Hittite sculpture stele depicting Hittite Gods. 8th century BC. Karatepe Aslantas Open-Air Museum (Karatepe-Aslantaş Açık Hava Müzesi), Osmaniye Province, Turkey.
  • Pictures & images of the South Gate Hittite sculpture stele depicting Hittite Gods. 8th century BC. Karatepe Aslantas Open-Air Museum (Karatepe-Aslantaş Açık Hava Müzesi), Osmaniye Province, Turkey.
  • Pictures & images of the South Gate Hittite sculpture stele depicting Hittite Gods. 8th century BC. Karatepe Aslantas Open-Air Museum (Karatepe-Aslantaş Açık Hava Müzesi), Osmaniye Province, Turkey.
  • Pictures & images of the South Gate Hittite sculpture stele depicting Hittite Gods. 8th century BC. Karatepe Aslantas Open-Air Museum (Karatepe-Aslantaş Açık Hava Müzesi), Osmaniye Province, Turkey.
  • Pictures & images of the South Gate Hittite sculpture statue of a Lion. 8th century BC. Karatepe Aslantas Open-Air Museum (Karatepe-Aslantaş Açık Hava Müzesi), Osmaniye Province, Turkey.  Against art background
  • Pictures & images of the South Gate Hittite sculpture stele depicting Hittite Gods. 8th century BC. Karatepe Aslantas Open-Air Museum (Karatepe-Aslantaş Açık Hava Müzesi), Osmaniye Province, Turkey.  Against art background
  • Pictures & images of the South Gate Hittite sculpture stele depicting Hittite Gods. 8th century BC. Karatepe Aslantas Open-Air Museum (Karatepe-Aslantaş Açık Hava Müzesi), Osmaniye Province, Turkey.  Against grey art background
  • Pictures & images of the South Gate Hittite sculpture stele depicting Hittite Gods. 8th century BC. Karatepe Aslantas Open-Air Museum (Karatepe-Aslantaş Açık Hava Müzesi), Osmaniye Province, Turkey.  Against grey art background
  • Pictures & images of the South Gate Hittite sculpture stele depicting Hittite Gods. 8th century BC. Karatepe Aslantas Open-Air Museum (Karatepe-Aslantaş Açık Hava Müzesi), Osmaniye Province, Turkey. Against black background
  • Relief panels depicting a lion hunt found in the palace district in the ruins of Coba Höyük, also known as Sakçe Gözü or Sakçagözü, archaeological site in southeastern Anatolia, Turkey.  Warriors are fighting with the lion from a chariot and on foot wearing armour . Basalt to 750 BC, The Pergamon Museum, Berlin inv no VA 971
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf, ancient Guzana, in northeastern Syria close to the Turkish border. The Orthostats from the Palace of King Kapara are in a Neo Hittite style and depict an Archer. Louvre Museum, Paris, inv AO11072
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf, ancient Guzana, in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict a mythical God. Louvre Museum, Paris, inv AO11073
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf, ancient Guzana, in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict a mythical God. Louvre Museum, Paris, inv AO11073
  • Part of an altarpiece made from enameled brick found on the forecourt of the temple-palace of Guyana /Tell Halaf. The decoration is made up of wavebands, rosettes, and semicircles that interpreted as a representing mountains. Pergamon Museum, Berlin, inv no VA14646
  • Part of an altarpiece made from enameled brick found on the forecourt of the temple-palace of Guyana /Tell Halaf. The decoration is made up of wavebands, rosettes, and semicircles that interpreted as a representing mountains. Pergamon Museum, Berlin, inv no VA14646
  • A Colossal statue of a Bird of Prey excavated in the forecourt of a temple palace at Tell Halaf, Syria. Originally the bird statue had coloured stones in its eye socket and was mounted as part of a decorative column. Basalt 9th century BC. Pergamon Museum, Berlin.
  • Relief panels depicting a lion hunt found in the palace district in the ruins of Coba Höyük, also known as Sakçe Gözü or Sakçagözü, archaeological site in southeastern Anatolia, Turkey.  Warriors are fighting with the lion from a chariot and on foot wearing armour . Basalt to 750 BC, The Pergamon Museum, Berlin inv no VA 971
  • Relief panels depicting a lion hunt found in the palace district in the ruins of Coba Höyük, also known as Sakçe Gözü or Sakçagözü, archaeological site in southeastern Anatolia, Turkey.  Warriors are fighting with the lion from a chariot and on foot wearing armour . Basalt to 750 BC, The Pergamon Museum, Berlin inv no VA 971
  • Relief panels depicting a lion hunt found in the palace district in the ruins of Coba Hoyuk, also known as Sakçe Gözü or Sakcagozu, archaeological site in southeastern Anatolia, Turkey.  Warriors are fighting with the lion from a chariot and on foot. The soldiers in the chariot have armour as does the horse  The archer, probably the ruler, is under the protection of the gods, indicated by the winged sun above his head. Basalt to 750 BC, The Pergamon Museum, Berlin inv no VA 971
  • Relief panels depicting a lion hunt found in the palace district in the ruins of Coba Hoyuk, also known as Sakçe Gözü or Sakcagozu, archaeological site in southeastern Anatolia, Turkey.  Warriors are fighting with the lion from a chariot and on foot. The soldiers in the chariot have armour as does the horse  The archer, probably the ruler, is under the protection of the gods, indicated by the winged sun above his head. Basalt to 750 BC, The Pergamon Museum, Berlin inv no VA 971
  • Relief panels depicting a lion hunt found in the palace district in the ruins of Coba Hoyuk, also known as Sakçe Gözü or Sakcagozu, archaeological site in southeastern Anatolia, Turkey.  Warriors are fighting with the lion from a chariot and on foot. The soldiers in the chariot have armour as does the horse  The archer, probably the ruler, is under the protection of the gods, indicated by the winged sun above his head. Basalt to 750 BC, The Pergamon Museum, Berlin inv no VA 971
  • 9th century BC Basalt Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict soldiers fighting. Pergamon Museum, Berlin
  • 9th century BC Basalt Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict soldiers fighting. Pergamon Museum, Berlin
  • 9th century BC Basalt Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict soldiers fighting. Pergamon Museum, Berlin
  • 9th century BC Basalt Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict soldiers fighting. Pergamon Museum, Berlin
  • 9th century BC Basalt Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict soldiers fighting. Pergamon Museum, Berlin
  • 9th century BC Basalt Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict soldiers fighting. Pergamon Museum, Berlin
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict a mythical lion. Pergamon Museum, Berlin
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict a mythical lion. Pergamon Museum, Berlin
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict a mythical Bird. Pergamon Museum, Berlin
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict a mythical Bird. Pergamon Museum, Berlin
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict mythical animals that have magical properties. Pergamon Museum, Berlin
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict mythical animals that have magical properties. Pergamon Museum, Berlin
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict mythical animals that have magical properties. Pergamon Museum, Berlin
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict a mythical Bird. Pergamon Museum, Berlin
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict a mythical Bird. Pergamon Museum, Berlin
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict a mythical Bird. Pergamon Museum, Berlin
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict a mythical Bull. Pergamon Museum, Berlin
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict a mythical Bull. Pergamon Museum, Berlin
  • Alaca Hoyuk Sphinx Gate Hittite monumental relief sculpted orthostat stone panel. Andesite, Alaca, corum, 1399 - 1301 B.C.  King and queen in front of the altar. <br />
<br />
The king carries the kingdom sceptre - lituus in his right hand, and extends his left hand forward for worship. The queen wears a fancy dress hanging down to the floor; both figures wear earrings with a large ring.<br />
 Anatolian Civilizations Museum, Ankara, Turkey
  • Neo Hittite Period Hieroglyphic inscription on a stone orthostat - Anatolian Civilisations Museum, Ankara, Turkey. Against a white background.
  • Neo Hittite Period Hieroglyphic inscription on a stone orthostat - Anatolian Civilisations Museum, Ankara, Turkey. Against a gray background.
  • Neo Hittite Period Hieroglyphic inscription on a stone orthostat - Anatolian Civilisations Museum, Ankara, Turkey. Against a black background.
  • Neo Hittite Period Hieroglyphic inscription on a stone orthostat - Anatolian Civilisations Museum, Ankara, Turkey. Against a gray art background.
  • Alaca Hoyuk - Hittite lion sculpture corner Stone . Andesite. Alacahoyuk, 1399 - 1301 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Corner stone with sculpted lion, bull and winged sun disk. It was discovered at the right side of the Alacahoyuk sphinx door. The lion puts his front legs on a small bull. There is a Hittite winged sun disk on the abdomen of the lion, which can be seen from a lower location. The position of the sun course indicates that the stone is situated in a high place.<br />
Against a grey background.
  • Photo of Relief of God of War. Limestone, Kings Gate, Hattusa ( Bogazkoy ). 14th - 13th Century BC. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
The warrior depicted in high relief is dressed in a decorated skirt. The relief takes place on the interior part of the King's gate facing city, to the east of the city walls. He carries a crescent-handled short sword in his belt. The relief is identified as god depiction since the horns on the headdress are the indication of a god.<br />
<br />
Against a brown art background.
  • Relief of God of War. Limestone, Kings Gate, Hattusa ( Bogazkoy ). 14th - 13th Century BC. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
The warrior depicted in high relief is dressed in a decorated skirt. The relief takes place on the interior part of the King's gate facing city, to the east of the city walls. He carries a crescent-handled short sword in his belt. The relief is identified as god depiction since the horns on the headdress are the indication of a god.  <br />
<br />
Against a white background.
  • Picture & imafe of Relief of God of War. Limestone, Kings Gate, Hattusa ( Bogazkoy ). 14th - 13th Century BC. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
The warrior depicted in high relief is dressed in a decorated skirt. The relief takes place on the interior part of the King's gate facing city, to the east of the city walls. He carries a crescent-handled short sword in his belt. The relief is identified as god depiction since the horns on the headdress are the indication of a god.  <br />
<br />
Against a gray background.
  • Relief of God of War. Limestone, Kings Gate, Hattusa ( Bogazkoy ). 14th - 13th Century BC. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
The warrior depicted in high relief is dressed in a decorated skirt. The relief takes place on the interior part of the King's gate facing city, to the east of the city walls. He carries a crescent-handled short sword in his belt. The relief is identified as god depiction since the horns on the headdress are the indication of a god.  <br />
<br />
Against a black background.
  • Relief of God of War. Limestone, Kings Gate, Hattusa ( Bogazkoy ). 14th - 13th Century BC. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
The warrior depicted in high relief is dressed in a decorated skirt. The relief takes place on the interior part of the King's gate facing city, to the east of the city walls. He carries a crescent-handled short sword in his belt. The relief is identified as god depiction since the horns on the headdress are the indication of a god.<br />
<br />
Against a Grey art background.
  • Aslantepe Hittite relief sculpted orthostat stone panel. Limestone, Aslantepe, Malatya, 1200-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey. Scene of two Gods walking one carrying a spear, dressed in tunics.<br />
<br />
Against a brown art background.
  • Aslantepe Hittite relief sculpted orthostat stone panel. Limestone, Aslantepe, Malatya, 1200-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey. Scene of two Gods walking one carrying a spear, dressed in tunics.<br />
<br />
Against a gray background.
  • Aslantepe Hittite relief sculpted orthostat stone panel. Limestone, Aslantepe, Malatya, 1200-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey. Scene of two Gods walking one carrying a spear, dressed in tunics.<br />
<br />
Against a grey art background.
  • Aslantepe Hittite relief sculpted orthostat stone panel. Limestone, Aslantepe, Malatya, 1200-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Scene of king's offering drink and sacrifice to the god. The god is on the deer, with the bow attached to his shoulder and with a triple bundle of lightning in his hand. The king looks at the god, and makes the libation to the god while carrying a scepter with a curled end - lituus. Behind the king is a servant holding a goat for sacrifice to the god. Hieroglyphs read; "God Parata, Strong King... ". <br />
<br />
Against a gray background.
  • Aslantepe Hittite relief sculpted orthostat stone panel. Limestone, Aslantepe, Malatya, 1200-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Scene of king's offering drink and sacrifice to the god. The god is on the deer, with the bow attached to his shoulder and with a triple bundle of lightning in his hand. The king looks at the god, and makes the libation to the god while carrying a scepter with a curled end - lituus. Behind the king is a servant holding a goat for sacrifice to the god. Hieroglyphs read; "God Parata, Strong King... ". <br />
<br />
Against a black background.
  • Aslantepe Hittite relief sculpted orthostat stone panel. Limestone, Aslantepe, Malatya, 1200-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Scene of king's offering drink and sacrifice to the god. The god is on the deer, with the bow attached to his shoulder and with a triple bundle of lightning in his hand. The king looks at the god, and makes the libation to the god while carrying a scepter with a curled end - lituus. Behind the king is a servant holding a goat for sacrifice to the god. Hieroglyphs read; "God Parata, Strong King... ". <br />
<br />
Against a brown art background.
  • Aslantepe Hittite relief sculpted orthostat stone panel. Limestone, Aslantepe, Malatya, 1200-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Scene of king's offering drink and sacrifice to the god. The god is on the deer, with the bow attached to his shoulder and with a triple bundle of lightning in his hand. The king looks at the god, and makes the libation to the god while carrying a scepter with a curled end - lituus. Behind the king is a servant holding a goat for sacrifice to the god. Hieroglyphs read; "God Parata, Strong King... ". <br />
<br />
Against a grey art background.
  • Aslantepe Hittite Orthostat. Limestone, Aslantepe, Malatya, 1200-700 BC. Anatolian Civilizations Museum, Ankara, Turkey.<br />
<br />
Scene of offering drink and sacrifice. The god, with a symbol of divinity above, is in the chariot while holding a boomerang in his hand and a sword at his waist. The same god holds a lightning bundle in the middle. On the right, the king offers a drink to god. The inscription above reads "Great, powerful King Sulumeli". A servant stands behind holding a bull for sacrifice to the gods. <br />
<br />
Against a gray background.
  • Aslantepe Hittite Orthostat. Limestone, Aslantepe, Malatya, 1200-700 B.C. Anatolian Civilizations Museum, Ankara, Turkey.<br />
<br />
Scene of offering drink and sacrifice. The god, with a symbol of divinity above, is in the chariot while holding a boomerang in his hand and a sword at his waist. The same god holds a lightning bundle in the middle. On the right, the king offers a drink to god. The inscription above reads "Great, powerful King Sulumeli". A servant stands behind holding a bull for sacrifice to the gods. Anatolian Civilizations Museum, Ankara, Turkey<br />
<br />
Against a black background.
  • Aslantepe Hittite Orthostat. Limestone, Aslantepe, Malatya, 1200-700 BC. Anatolian Civilizations Museum, Ankara, Turkey.<br />
<br />
Scene of offering drink and sacrifice. The god, with a symbol of divinity above, is in the chariot while holding a boomerang in his hand and a sword at his waist. The same god holds a lightning bundle in the middle. On the right, the king offers a drink to god. The inscription above reads "Great, powerful King Sulumeli". A servant stands behind holding a bull for sacrifice to the gods. <br />
<br />
Against a white background.
  • Aslantepe Hittite Orthostat. Limestone, Aslantepe, Malatya, 1200-700 B.C. <br />
<br />
Scene of offering drink and sacrifice. The god, with a symbol of divinity above, is in the chariot while holding a boomerang in his hand and a sword at his waist. The same god holds a lightning bundle in the middle. On the right, the king offers a drink to god. The inscription above reads "Great, powerful King Sulumeli". A servant stands behind holding a bull for sacrifice to the gods. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Against a brown art background.
  • Aslantepe Hittite Orthostat. Limestone, Aslantepe, Malatya, 1200-700 B.C. <br />
<br />
Scene of offering drink and sacrifice. The god, with a symbol of divinity above, is in the chariot while holding a boomerang in his hand and a sword at his waist. The same god holds a lightning bundle in the middle. On the right, the king offers a drink to god. The inscription above reads "Great, powerful King Sulumeli". A servant stands behind holding a bull for sacrifice to the gods. Anatolian Civilisations Museum, Ankara, Turkey<br />
<br />
Against a grey art background.
  • Hittite relief sculpted stone panel. Lion. Aslantepe Gate Limestone, Aslantepe, Malatya, 1200-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
The lion on the left of the two lions at the gate of the palace. His head and his front part were processed as high embossing and his body as regular embossing. The signs behind the lion and over his tail read; "Halposulupis, Mighty (?) King".<br />
<br />
Against a white background.
  • Hittite relief sculpted stone panel. Lion. Aslantepe Gate Limestone, Aslantepe, Malatya, 1200-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
The lion on the left of the two lions at the gate of the palace. His head and his front part were processed as high embossing and his body as regular embossing. The signs behind the lion and over his tail read; "Halposulupis, Mighty (?) King".<br />
<br />
Against a gray background.
  • Aslantepe Hittite relief sculpted orthostat stone panel. Limestone, Aslantepe, Malatya, 1200-700 B.C. . Anatolian Civilisations Museum, Ankara, Turkey. Depiction of a horse walking. <br />
<br />
Against a black background.
  • Aslantepe Hittite relief sculpted orthostat stone panel. Limestone, Aslantepe, Malatya, 1200-700 BC. Anatolian Civilisations Museum, Ankara, Turkey. Depiction of a horse walking.<br />
<br />
Against a white background.
  • Aslantepe Hittite relief sculpted orthostat stone panel. Limestone, Aslantepe, Malatya, 1200-700 B.C.  Anatolian Civilisations Museum, Ankara, Turkey<br />
<br />
Scene of the king's offering drink and sacrifice to the gods. King pours from the pitcher to the vessel (libation); behind the king is a servant bringing a sacrifice. Storm God across the king holds Teshup, a triple lightning bundle - sickle, and a spear-mace set in the other orthostat; the goddess Ishtar holds weapon in both. All six figures have shoes with the curled ends. <br />
<br />
Against a white background.
  • Aslantepe Hittite relief sculpted orthostat stone panel. Limestone, Aslantepe, Malatya, 1200-700 B.C. . Anatolian Civilisations Museum, Ankara, Turkey. Depiction of a horse walking.<br />
<br />
Against a gray background.
  • Aslantepe Hittite relief sculpted orthostat stone panel. Limestone, Aslantepe, Malatya, 1200-700 B.C. . Anatolian Civilisations Museum, Ankara, Turkey<br />
<br />
Scene of the king's offering drink and sacrifice to the gods. King pours from the pitcher to the vessel (libation); behind the king is a servant bringing a sacrifice. Storm God across the king holds Teshup, a triple lightning bundle - sickle, and a spear-mace set in the other orthostat; the goddess Ishtar holds weapon in both. All six figures have shoes with the curled ends. <br />
<br />
Against a grey art background.
  • Aslantepe Hittite relief sculpted orthostat stone panel Limestone, Aslantepe, Malatya, 1200-700 BC. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
A short-dressed and winged demon (mixed creature), and on the third face is the Storm God. The Storm God holds a triple lightning bundle in his left hand and a hammer in his right hand. His both arms are in an upright position. <br />
<br />
Against a black background.
  • Aslantepe Hittite relief sculpted orthostat stone panel Limestone, Aslantepe, Malatya, 1200-700 BC. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
A short-dressed and winged demon (mixed creature), and on the third face is the Storm God. The Storm God holds a triple lightning bundle in his left hand and a hammer in his right hand. His both arms are in an upright position. <br />
<br />
Against a white background.
  • Aslantepe Hittite relief sculpted orthostat stone panel Limestone, Aslantepe, Malatya, 1200-700 BC. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
A short-dressed and winged demon (mixed creature), and on the third face is the Storm God. The Storm God holds a triple lightning bundle in his left hand and a hammer in his right hand. His both arms are in an upright position. <br />
<br />
Against a gray background.
  • Aslantepe Hittite relief sculpted orthostat stone panel. Limestone, Aslantepe Malatya, 1200-700 B.C. Anatolian Civilizations Museum, Ankara, Turkey. Winged protective god holds a branch with fruits. in his left hand, and a fruit in his right hand.<br />
<br />
Against a black background.
  • Aslantepe Hittite relief sculpted orthostat stone panel. Limestone, Aslantepe Malatya, 1200-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey. Winged protective god holds a branch with fruits. in his left hand, and a fruit in his right hand.<br />
<br />
Against a white background.
  • Aslantepe Hittite relief sculpted orthostat stone panel of Lion Men. Limestone, 1399-1301 BC. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
There are two lion-men with a sword at their waists on both sides of the tree of life. The figure on the right holds a sickle in his left hand resting on his shoulder and a symbol his right hand. The figure on the left carries a double-faced ax in his right hand. <br />
<br />
Against a gray background.
  • Aslantepe Hittite relief sculpted orthostat stone panel of Lion Men. Limestone, 1399-1301 BC. Anatolian Civilizations Museum, Ankara, Turkey.<br />
<br />
There are two lion-men with a sword at their waists on both sides of the tree of life. The figure on the right holds a sickle in his left hand resting on his shoulder and a symbol his right hand. The figure on the left carries a double-faced ax in his right hand. <br />
<br />
Against a grey art background.

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