• Nile Scene Roman Mosaic ( Scena Nileotica )  from Pompei Archaeological Site. Naples Archaeological Museum inv 9990
  • Roman mosaic of a skull called "Mimento Mori" from Pompeii, inv 100982, Naples National Archeological Museum,  Art background
  • Roman Mosaic of  Lycurgus and Ambrosia the presence of Dionysus from Herculaneum, Naples Archaeological Museum, Italy
  • Roman mosaics from Pompeii showing a Panther with Dionysus symbol (Pantera con simboli dionisiaci) from the Santangelo collection, Naples Archaeological Museum, Italy
  • Roman Mosaic portrait of a women from Pompei Archaeological Site. Naples Archaeological Museum inv 124666
  • Roman Mosaic portrait of a Cockerall Fight  from Pompei Archaeological Site. Naples Archaeological Museum
  • Nile Scene Roman Mosaic ( Scena Nileotica )  from Pompei Archaeological Site. Naples Archaeological Museum inv 9990
  • 1 cent AD Roman Erotic  fresco from a house in Pompeii. Naples Archaological Museum
  • Pictures of Roman Mosaics of a Lion Dionysus and Manadi from the Casa del Centauro (VI 9, 3) Pompeii, inv 10019, Naples Archaeological Museum - Stock Photos
  • Nile Scene Roman Mosaic ( Scena Nileotica )  from Pompei Archaeological Site. Naples Archaeological Museum inv 9990
  • Nile Scene Roman Mosaic ( Scena Nileotica )  from Pompei Archaeological Site. Naples Archaeological Museum inv 9990
  • 1 cent AD Roman Mythical Erotic  fresco from a house in Pompeii. Naples Archaological Museum inv no: 110590
  • 1 cent AD Roman Erotic  fresco depicting Mars and Venus  Pompeii (VI, 9, 2,) Casa die Meleagro, inv 9250, 1st century AD, Naples Archaological Museum , Italy
  • 1 cent AD Roman Erotic  fresco depicting Mars and Venus  Pompeii (VI, 9, 2,) Casa die Meleagro, inv 9250, 1st century AD, Naples Archaological Museum , Italy
  • 1 cent AD Roman Erotic  fresco depicting Mars and Venus  Pompeii (VI, 9, 2,) Casa die Meleagro, inv 9250, 1st century AD, Naples Archaological Museum , Italy
  • 1 cent AD Roman Erotic fresco depicting Pan and Hermaphrodite, Pompeii (VI, 9, 6,) Casa die Dioscuri, inv 27700, 1-50 AD, Naples Archaological Museum, Italy
  • 1 cent AD Roman Erotic fresco depicting Pan and Hermaphrodite, Pompeii (VI, 9, 6,) Casa die Dioscuri, inv 27700, 1-50 AD, Naples Archaological Museum, Italy
  • 1 cent AD Roman Erotic  fresco from a house in Pompeii. Naples Archaological Museum
  • 1 cent AD Roman Erotic  fresco from a house in Pompeii. Naples Archaological Museum
  • 1 cent AD Roman Erotic  fresco from a house in Pompeii. Naples Archaological Museum
  • 1 cent AD Roman Erotic Mosaic from a house in Pompeii. Naples Archaological Museum
  • 1 cent AD Roman Erotic  fresco depicting Mars and Venus  Pompeii (VI, 9, 2,) Casa die Meleagro, inv 9250, 1st century AD, Naples Archaological Museum , Italy
  • 1 cent AD Roman Erotic fresco depicting Pan and Hermaphrodite, Pompeii (VI, 9, 6,) Casa die Dioscuri, inv 27700, 1-50 AD, Naples Archaological Museum, Italy
  • 1 cent AD Roman Erotic Mosaic from a house in Pompeii. Naples Archaological Museum
  • 1 cent AD Roman Erotic  Mythical fresco from a house in Pompeii. Naples Archaological Museum inv no: 110590
  • 1 cent AD Roman Erotic  fresco of a man & woman having sex  from a house in Pompeii. Naples Archaological Museum inv no: 27696
  • 1 cent AD Roman Erotic  fresco of a man & woman having sex  from a house in Pompeii. Naples Archaological Museum inv no: 27696
  • 1 cent AD Roman Erotic  fresco from a house in Pompeii. Naples Archaological Museum inv no 27875
  • 1 cent AD Roman Erotic  fresco from a house in Pompeii. Naples Archaological Museum
  • 1 cent AD Roman Erotic  Mythical fresco  from a house in Pompeii. Naples Archaological Museum  inv no: 27697
  • 1 cent AD Roman Erotic  fresco of a man & woman having sex  from a house in Pompeii. Naples Archaological Museum inv no: 27686
  • 1 cent AD Roman Erotic  fresco from a house in Pompeii. Naples Archaological Museum
  • Roman Erotic  fresco with pigmies from Csa Detto del Medico Peristyle in Pompeii. 50-97 AD, Naples Archaological Museum inv no: 113196
  • 1 cent AD Roman Erotic  fresco from a house in Pompeii. Naples Archaological Museum
  • 1 cent AD Roman Mythical Erotic  fresco from a house in Pompeii. Naples Archaological Museum inv no: 110590
  • Workshop Banner showing Mercury with a massive phalus. Erotic Fresco from Pompeii, Naples Archaeological Museum 1st cent AD
  • 1 cent AD Roman Erotic  fresco from a house in Pompeii. Naples Archaological Museum
  • 1 cent AD Roman Erotic  Mythical fresco  from a house in Pompeii. Naples Archaological Museum  inv no: 27697
  • 1 cent AD Roman Erotic fresco depicting Pan and Hermaphrodite, Pompeii (VI, 9, 6,) Casa die Dioscuri, inv 27700, 1-50 AD, Naples Archaological Museum, Italy
  • 1 cent AD Roman Erotic Mosaic from a house in Pompeii. Naples Archaological Museum
  • 1 cent AD Roman Erotic  fresco from a house in Pompeii. Naples Archaological Museum
  • Opus Sectile Roman of a Dionysian scene, Pompeii, inv 9979 , Naples National Archaeological Museum
  • Opus Sectile Roman Venus loosing a sandal, Pompeii, inv 2109678 , Naples National Archaeological Museum
  • Roman Mosaic of Satyr and Ninfa from the Casa del Fauno (House of the Faun) Pompeii, inv 27707 , Naples National Archaeological Museum , white background
  • Roman Mosaic of Satyr and Ninfa from the Casa del Fauno (House of the Faun) Pompeii, inv 27707 , Naples National Archaeological Museum , grey art background
  • Roman Mosaic of Satyr and Ninfa from the Casa del Fauno (House of the Faun) Pompeii, inv 27707 , Naples National Archaeological Museum , black background
  • Roman Mosaic with the head of Medusa, from Casa delle Vestali, Pompeii , Naples National Archaeological Museum , grey background
  • Erotic Roman Mosaic of Pigmies in boats fornicating on the River Nile from Rome, inv 122861,  Secret Museum or Secret Cabinet, Naples National Archaeological Museum , grey background
  • Erotic Roman Mosaic of Pigmies in boats fornicating on the River Nile from Rome, inv 122861,  Secret Museum or Secret Cabinet, Naples National Archaeological Museum , grey background
  • Erotic Roman Mosaic of Pigmies in boats fornicating on the River Nile from Rome, inv 122861,  Secret Museum or Secret Cabinet, Naples National Archaeological Museum , white background
  • Erotic Roman Mosaic of Pigmies in boats fornicating on the River Nile from Rome, inv 122861,  Secret Museum or Secret Cabinet, Naples National Archaeological Museum , grey background
  • Erotic Roman Mosaic of Pigmies in boats fornicating on the River Nile from Rome, inv 122861,  Secret Museum or Secret Cabinet, Naples National Archaeological Museum , black background
  • Erotic Roman Mosaic of Pigmies in boats fornicating on the River Nile from Rome, inv 122861,  Secret Museum or Secret Cabinet, Naples National Archaeological Museum , art background
  • A Roman erotic fresco painting from Pompeii form the venereum, a room for sexual activities, of Casa di Cecilio Giocondo 50-79 AD  , inv no 10569 , Secret Museum or Secret Cabinet, Naples National Archaeological Museum
  • A satyr caressing a maiden a Roman erotic fresco painting from Pompeii 1st cent AD , from the Casa di L Cecilio Giocondo, inv no 110590 , Secret Museum or Secret Cabinet, Naples Archaeological Museum
  • A satyr caressing a maiden a Roman erotic fresco painting from Pompeii 1st cent AD , from the Casa di L Cecilio Giocondo, inv no 110590 , Secret Museum or Secret Cabinet, Naples Archaeological Museum
  • A satyr caressing a maiden a Roman erotic fresco painting from Pompeii 1st cent AD , from the Casa di L Cecilio Giocondo, inv no 110590 , Secret Museum or Secret Cabinet, Naples Archaeological Museum
  • Satyr surprising a maiden, a Roman erotic fresco painting from Pompeii, 50-79 AD , inv no 27693 , Secret Museum or Secret Cabinet, Naples National Archaeological Museum
  • Roman Erotic Fresco from Pompeii, 1st cent AD , workshop Banner showing Mercury with a massive phalus , Secret Museum or Secret Cabinet, Naples National Archaeological Museum
  • Satyr being rejected by Hermaphrodite, a Roman erotic fresco painting from Pompeii, 50-79 AD , inv no 110878 , Secret Museum or Secret Cabinet, Naples National Archaeological Museum
  • Pan and  Hermaphrodite, a Roman erotic fresco painting from Pompeii, 50-79 AD , inv no 27700 , Naples National Secret Museum or Secret Cabinet, Archaeological Museum
  • Roman Erotic Fresco from Pompeii, 1st cent AD , workshop Banner showing Mercury with a massive phalus , Secret Museum or Secret Cabinet, Naples National Archaeological Museum
  • Polyphemus caressing Galatea, a Roman erotic fresco painting from Pompeii, 50-79 AD , from the Casa dei Capitelli colorati, inv no 27687 , Secret Museum or Secret Cabinet, Naples National Archaeological Museum
  • Mars caressing Venus  a Roman erotic fresco painting from Pompeii 1st cent AD , from the Casa del Meleagro, inv no 9250 , Secret Museum or Secret Cabinet, Naples National Archaeological Museum
  • A Roman erotic fresco painting from Pompeii form a private house venereum, a room for sexual activities, 50-79 AD , , inv no 27696 , Secret Museum or Secret Cabinet, Naples National Archaeological Museum
  • Mars caressing Venus  a Roman erotic fresco painting from Pompeii 1st cent AD , from the Casa del Meleagro, inv no 9250 , Secret Museum or Secret Cabinet, Naples National Archaeological Museum
  • Roman Mosaic of Satyr and Ninfa from the Casa del Fauno (House of the Faun) Pompeii, inv 27707 , Naples National Archaeological Museum , grey background
  • Roman Mosaic of Satyr and Ninfa from the Casa del Fauno (House of the Faun) Pompeii, inv 27707 , Naples National Archaeological Museum ,  art background
  • Roman Mosaic with the head of Medusa , Naples National Archaeological Museum ,
  • Roman Mosaic with the head of Medusa, from Casa delle Vestali, Pompeii , Naples National Archaeological Museum , white background
  • Roman Mosaic with the head of Medusa, from Casa delle Vestali, Pompeii , Naples National Archaeological Museum ,  art background
  • Roman Mosaic with the head of Medusa, from Casa delle Vestali, Pompeii , Naples National Archaeological Museum , black background
  • Roman Mosaic with the head of Medusa, from Casa delle Vestali, Pompeii , Naples National Archaeological Museum , grey art background
  • Roman mosaic of Pan and Hamadryad, a Greek mythological being that lives in trees , found in Pompeii, from the Farnese Collection, inv no 227708, Naples Archaeological Museum
  • Satyr caressing Hermaphrodite, a Roman erotic fresco painting from Pompeii, 50-79 AD , from the tablium of the Casa di Epidio Sabino, inv no 27875 ,Secret Museum or Secret Cabinet, Naples National Archaeological Museum
  • Roman erotic fresco painting of Hermaphrodite from Heraculeum, 1-50 AD , inv no 9224 , Secret Museum or Secret Cabinet, Naples National Archaeological Museum
  • Roman fresco wall painting of Ariadne fast asleep on a bed of seaweed does not realise that Theseus is about to abandon her and sailaway on a ship to Athens, Pompeii House of colored Capitals, VII,31-51, inv 9052 , Naples National Archaeological Museum
  • Satyr caressing Hermaphrodite, a Roman erotic fresco painting from Pompeii, 50-79 AD , from the tablium of the Casa di Epidio Sabino, inv no 27875 ,Secret Museum or Secret Cabinet, Naples National Archaeological Museum
  • Polyphemus caressing Galatea, a Roman erotic fresco painting from Pompeii, 50-79 AD , from the Casa dei Capitelli colorati, inv no 27687 , Secret Museum or Secret Cabinet, Naples National Archaeological Museum
  • Satyr caressing Hermaphrodite, a Roman erotic fresco painting from Pompeii, 50-79 AD , from the tablium of the Casa di Epidio Sabino, inv no 27875 ,Secret Museum or Secret Cabinet, Naples National Archaeological Museum
  • Satyr being rejected by Hermaphrodite, a Roman erotic fresco painting from Pompeii, 50-79 AD , inv no 110878 , Secret Museum or Secret Cabinet, Naples National Archaeological Museum
  • Roman mosaic of a mythical procession, Pompeii, Naples Archaeological Musum, Italy
  • Roman mosaic of birds drinking from Pompeii,  Naples Archaeological Musum, Italy
  • Roman mosaic of a skull called "Mimento Mori" from Pompeii, inv 100982, Naples National Archeological Museum, White background
  • Roman mosaic of a scene from Meanders comedy Theophoroumene(the passed girl) with musical hawkers by Dioscurides of Samos. Pompeii from the so-called Villa of Cicero, Inv 9985, Naples Archaeological Musum, Italy
  • Roman mosaic of  the Academy of Plato from the Villa of T. Siminius Stephanus, inv no 124545, Naples Archaeological Musum, Italy
  • Roman mosaic of actors from the Casa del Poet Tragic (VI 8, 3,) Pompeii, inv 9986. Naples Archaeological Musum, Italy
  • Roman mosaic of actors from the Casa del Poet Tragic (VI 8, 3,) Pompeii, inv 9986. Naples Archaeological Musum, Italy
  • Roman Mosaic of  Lycurgus and Ambrosia the presence of Dionysus from Herculaneum, Naples Archaeological Museum, Italy
  • Alexander the Great from the Roman mosaic  of Battle beween Alexander the Great and Persian King Darius, 120-125 BC, Casa del Fauno, Pompeii, inv 10020, Naples National Archaeological Museum
  • King Darius from the Roman mosaic  of Battle beween Alexander the Great and Persian King Darius, 120-125 BC, Casa del Fauno, Pompeii, inv 10020, Naples National Archaeological Museum
  • King Darius from the Roman mosaic  of Battle beween Alexander the Great and Persian King Darius, 120-125 BC, Casa del Fauno, Pompeii, inv 10020, Naples National Archaeological Museum
  • Roman mosaic of drinking birds from Santa Maria Capua Vetere, ancient Capua, inv no 9992, Naples Archaeological Musum, Italy
  • Roman mosaic of a skull called "Mimento Mori" from Pompeii, inv 100982, Naples National Archeological Museum, Black background
  • Roman mosaic of a skull called "Mimento Mori" from Pompeii, inv 100982, Naples National Archeological Museum, Grey  background
  • Roman mosaic of  the Academy of Plato from the Villa of T. Siminius Stephanus, inv no 124545, Naples Archaeological Musum, Italy
  • Round Roman mosaic of a Lion and Cupids between Dionysus and Manadi, Pompeii, House of the Centaur (VI 9.3,) inv No 10019,  Naples Archaeological Musuem, Italy
  • Roman panel with candelabra and a cupid hunter in glass paste from  Pompeii VI, Inv 38 No 10012, Naples Archaeological Musuem, Italy
  • Roman Mosaic of  Lycurgus and Ambrosia the presence of Dionysus from Herculaneum, Naples Archaeological Museum, Italy
  • Roman Mosaic of  Lycurgus and Ambrosia the presence of Dionysus from Herculaneum, Naples Archaeological Museum, Italy
  • Roman mosaics from Pompeii showing a Panther with Dionysus symbol (Pantera con simboli dionisiaci) from the Santangelo collection, Naples Archaeological Museum, Italy
  • Roman Mosaic of  Lycurgus and Ambrosia the presence of Dionysus from Herculaneum, Naples Archaeological Museum, Italy
  • Roman mosaics from Pompeii showing a Panther with Dionysus symbol (Pantera con simboli dionisiaci) from the Santangelo collection, Naples Archaeological Museum, Italy
  • Roman mosaics from Pompeii showing a Panther with Dionysus symbol (Pantera con simboli dionisiaci) from the Santangelo collection, Naples Archaeological Museum, Italy
  • Roman mosaics from Pompeii showing a Panther with Dionysus symbol (Pantera con simboli dionisiaci) from the Santangelo collection, Naples Archaeological Museum, Italy
  • Roman mosaic of a Lion from Pompeii,  Naples Archaeological Musum, Italy
  • Roman mosaic of a skull called "Mimento Mori" from Pompeii, inv 100982, Naples National Archeological Museum, Grey Art background
  • "Pan & Goat" Roman Mythical erotic sculpture from Pompeii. Naples Archaeological inv no: 27709
  • Enamelled plaque of Louis 12th known as the Sorrowful Virgin made in Limoge around 1500. inv 11170, The Louvre Museum, Paris.
  • Medieval elephant ivory plaque with traces of paint made in Italy in the 13th or start of the 14th century.  The crucifixion is a rare example of a Gothic piece being inspired by 11th century Romanesque works.  inv 7268, The Louvre Museum, Paris.
  • Painted relief panel of the Annonciation of the Virgin, made at the start of the 16th century possibly in the Tyrol, Austria.  Inv 2352 The Louvre Museum, Paris.
  • Enamelled terracotta relief panel of Saint George sleighing the Dragon. Made in Florence around 1520. Inv RF 3096, The Louvre Museum, Paris.
  • Painted wood sculpture of Saint Roch, circa 1510-1515  from Carinthie, Austria. Inv RF  4514,  The Louvre Museum, Paris.
  • Painted oak relief of three soldiers and two men in a rocky landscape below the walls of Jerusalem, from Antwerp circa 1510-1515. This is a panel from the Passion.  Inv RF  297,  The Louvre Museum, Paris.
  • Painted Gothic gilded wooden statue altarpiece of Saint Catherine, circa 1520-1525 by Niklaus Weckmann from Ulm, Germany. The young Christian martyr is represented with his usual attributes, crown, book, wheel, sword, which make reference to her legendary life and her martyrdom. The bas-relief of Saint Catherine was originally part of an altarpiece. The treatment  and refined painted facial highlights executed the prettiness of the saint. The style is typical of  Niklaus Weckmann, one great masters of late Gothic Swabian art . Inv RF 2207.6,  The Louvre Museum, Paris.
  • Painted wooden relief sculptured altarpiece of two Popes, a  Cardinal, a Bishop a cannon and 7 priests praying made in 1505 by Daniel Mauch from Ulm. Inv RF 2805,  The Louvre Museum, Paris.
  • Painted panels of the Martyrdom of Saint Catherine painted in 1524 by Hans Gieng of Fribourg.  From the church of Ependes near Fribourg, Switzerland. Inv RF 4721 The Louvre Museum, Paris.
  • Painted panels of the Martyrdom of Saint Catherine painted in 1524 by Hans Gieng of Fribourg.  From the church of Ependes near Fribourg, Switzerland. Inv RF 4721 The Louvre Museum, Paris.
  • Wooden Gothic sculpture of the Virgin and Child attributeed to Martin Hoffman from the city of Basle, 1507, Switzerland. From the Commandry of Isenheim, Haut Rhin. This sculpture is probably the "big and ancient wooden statue of the Virgin” cited in 1793 in the inventory of the property of the Commandry of Isenheim.  The vervatious deep folds in the Virgins dress, the laughing child Jesus  and the style of Mary were repeatedly imitated in Basel at the beginning of the sixteenth century. This masterpiece of the German late Gothic sculpture was executed in a Basel workshop and can be attributed to Martin Hoffman. Expressive and enigmatic, the style of this masterpiece is the heir of the sculpture schools of Stragbourg and Veit Stoss Franconian art.  Inv RF 1833 The Louvre Museum, Paris.
  • Enamelled terracotta relief panel of the Ascension of Christ made around 1490 for the Cordoni chapel in the church of Saint Agostino in the Citta de Castello, Umbria, Italy by Andrea  della Robbia of Florence.  The Louvre Museum, Paris.
  • Enamelled terracotta relief panel of the Virgin and Child with Cherubs by Andrea  della Robbia, Florence circa 1435-1525.  Inv  Campana 32,  The Louvre Museum, Paris.
  • Enamelled terracotta relief panel of the Virgin’s adoration of the Child in the presence of the infant Jean the Baptist by Andrea and Giovanni della Robbia, Florence circa 1500.  Inv LP 3410,  The Louvre Museum, Paris.
  • Painted stucco bust of a female possibly the Virgin of the Annonciation or Saint Catherine of Sienna. made in Florence around 1429- 1484 from Papiano, Palagio Fiorentino.  Inv  The Louvre Museum, Paris.
  • Enamelled plaque depicting Christ in front of Pilate made in Limoges at the end of the 15th century, attributed to Master Pseudo-Monvaerni. inv 6309, The Louvre Museum, Paris.
  • Medieval Gothic ivory statuette of the Virgin and Child known as “a La Supplique” (supplication) made in Paris oat the beginning of the the 15th century.  inv 2745, The Louvre Museum, Paris.
  • Medieval ivory figure of Christ at the pillar made in Paris around 1300-1320.  inv 12380, The Louvre Museum, Paris.
  • Medieval Gothic ivory diptych depicting the Annunciation, Nativity, the adoration of the Magi and the crucifixion  made in Paris in second quarter of the 14th century.  inv 103, The Louvre Museum, Paris.
  • Medieval Gothic ivory statuette of the Virgin and Child with traces of polychrome, third quarter of 13th century before 1279 made in Paris. From the treasury of the Saint Chapelle, Paris. inv 67, The Louvre Museum, Paris.
  • Medieval ivory plaque depicting the Crucifixion and the saints at the tomb, end of 11th cent from Salerne or Amalfi. AD. Inv OA 4085, The Louvre Museum, Paris.
  • Medieval ivory Triptych relief panel depicting the Ascension, end of 11th cent. AD. Inv OA 6340, The Louvre Museum, Paris.
  • Medieval Bouquetin goats horn ivory crosier with traces of paint, circa 12th century from the south of Italy. Inv OA 11150, The Louvre Museum, Paris.
  • Medieval elephant ivory relief panel depicting the Crucifixtion. From southern Germany or north of Italy, end of 10th or 11th cent. AD. Inv. OA 12231, The Louvre Museum, Paris.
  • Medieval ivory relief panel depicting the arrest of Christ.  From the workshop of Charles-le-Chauve circa 870 AD.. Inv. OA 9526, The Louvre Museum, Paris.
  • Medieval Christian relief Icon depicting scenes from the Nativity, A central ivory panel surrounded by beaten silver border. From Constantinople, 11th or 12th century. Inv. OA 11399, The Louvre Museum, Paris.
  • Medieval ivory relief panel from a diptych depicting a triumphant Byzantine Roman Emperor, probably Justinian. From Constantinople, 6th century. Inv. OA 9063, The Louvre Museum, Paris.
  • Medieval Christian relief Icon depicting scenes from the Nativity, A central ivory panel surrounded by beaten silver border. From Constantinople, 11th or 12th century. Inv. OA 11399, The Louvre Museum, Paris.
  • Medieval Christian ivory diptych depicting the Nativity, the crucifixion and the Profits. Thirteenth century probably from Byzantine Roman Constantinople, present day Istanbul. Inv. OA 12442, The Louvre Museum, Paris.
  • Painted walnut sculpture of the decent from the Cross, circa 1470-1490 possibly from Antwerp or the Brabant region of Belgium.  Inv RF 4696,  The Louvre Museum, Paris.
  • Enamelled terracotta relief panel of the Virgin and Child with two cherubs a copy of the “Madonna de l’Impuuneta” by Luca della Robbia, Florence 1399-1482).  Inv Campana 32,  The Louvre Museum, Paris.
  • Medieval Gothic reliquary of Saint Martin probably made in Avignon in the second quarter of the 14th century. From the church of Soudeilles, Correze, France.  inv 6459, The Louvre Museum, Paris.
  • Medieval Gothic gold leaf funerary mask, end of 13th century made in Limoges. AD. From the Priory of Papillaye, Maine et Loire, the death mask came from the tomb of Herbert Lasnier who died in 1290. inv 6485, The Louvre Museum, Paris.
  • Medieval ivory comb with a central relief panel depicting David defeating a Lion. Third quarter of the 9th cent. AD from Metz. Inv. OA 354, The Louvre Museum, Paris.
  • Painted plaster statue of Saint Mary Magdalene, circa 1515-1520, suspended from the vault of the church of St. Mary Magdalene Dominican convent of Augsburg. Inspired by an engraving of Albrecht Durer which depicted Mary Magdalene nude. Inv RF 1338,  The Louvre Museum, Paris.
  • Painted wooden relief sculptured altarpiece of two Popes, a  Cardinal, a Bishop a cannon and 7 priests praying made in 1505 by Daniel Mauch from Ulm. Inv RF 2805,  The Louvre Museum, Paris.
  • Painted Gothic wooden Fourteen Intercessors altarpiece made at the end of the 15th century in Franconia.  The panel depict 14 saints in total. Inv RF 2531,  The Louvre Museum, Paris.
  • Enamelled terracotta panel depicting Saint Anne, the Virgin Mary and Child with Saint Anthony made in the 2nd half of the 16th century by Santi Bugloni of Florence. This is a typical Tuscan theme of the period. Saint Anne was particularly venerated during the expulsion of the tyrant Gaultier de Brienne, Duke of Athens. .  Inv Camp 38,  The Louvre Museum, Paris.
  • Painted marble bust of Ferdinand of Aragon, King of Naples (1423-1494) from the “Porta Salvatore” Sulmona, Italy. Variously  attributed to Pietro do Milano (around 1435-1473) Francesco Laurana (circa 1430-1502) and Domenico Gagini (quote from 1448-492).  Inv RF 745, The Louvre Museum, Paris.
  • Medieval Gothic ivory diptych with scenes from the life of Christ and the Virgin made in Paris around 1370-1380.  inv 4089, The Louvre Museum, Paris.
  • Medieval enamelled box with scenes of the Massacre of the Innocents, last quarter of the 12th century from Limoges, enamel on gold. Monflanquin, Lot-en-Gironne. AD. Inv OA 10406, The Louvre Museum, Paris.
  • Medieval case known as “of Saint Louis”,  made in Limoges around 1236. Given by Philip the Fair to the Abbey of Notre Dame du Lis with relics of Saint Louis inside., Paris. inv 253, The Louvre Museum, Paris.
  • Medieval enamelled box depicting angels, circa12th century from Limoges, enamel on gold. AD.  The Louvre Museum, Paris.
  • Medieval enamelled box with scenes from the martyrdom of Saint Thomas Becket, end of the 12th beginning of the 13th century from Limoges, enamel on gold. AD. Inv OA 7745, The Louvre Museum, Paris.
  • Medieval enamelled box depicting the entombment of a Saint, beginning of the 13th century from Limoges, enamel on gold. AD. Inv OA 949, The Louvre Museum, Paris.
  • Medieval enamelled box depicting the martyrdom of Saint Thomas Becket, 12th century from Limoges, enamel on gold. AD. Inv OA 11333, The Louvre Museum, Paris.
  • Painted Gothic wooden Fourteen Intercessors altarpiece made at the end of the 15th century in Franconia.  The panel depict 14 saints in total. Inv RF 2531,  The Louvre Museum, Paris.
  • Painted alabaster statue of the Virgin of the annunciation, made around 1495 by Tilman Riemenschneider of Heiligenstadt im Eichsfeld, Germany The statue would have originally bee accompanied by another of the  Gabriel and both would have formed part of an altarpiece. Inv RF 1384,  The Louvre Museum, Paris.
  • Painted plaster statue of Saint Mary Magdalene, circa 1515-1520, suspended from the vault of the church of St. Mary Magdalene Dominican convent of Augsburg. Inspired by an engraving of Albrecht Durer which depicted Mary Magdalene nude. Inv RF 1338,  The Louvre Museum, Paris.
  • Painted plaster statue of Saint Mary Magdalene, circa 1515-1520, suspended from the vault of the church of St. Mary Magdalene Dominican convent of Augsburg. Inspired by an engraving of Albrecht Durer which depicted Mary Magdalene nude. Inv RF 1338,  The Louvre Museum, Paris.
  • Medieval Gothic ivory diptych with scenes from the Passion made in Paris in the second quarter of the 14th century.  inv 10006, The Louvre Museum, Paris.
  • Medieval Gothic ivory tabernacle depicting the Virgin and Child with scenes from the Annunciation, Nativity, the adoration of the Magi and the presentation at the Temple  made in Paris in second quarter of the 14th century and is a typical example of tabernacles made in Paris at that period.  inv 2587, The Louvre Museum, Paris.
  • Medieval Gothic ivory diptych depicting the Virgin and child,  made in Paris in the first quarter of the 14th century.  inv 11097, The Louvre Museum, Paris.
  • Medieval Gothic reliquary of Saint Francis of Assisi made in Limoges around 1228, enamel on gold. inv 4083, The Louvre Museum, Paris.
  • Medieval enamelled crosier with a lion and serpent, circa 12th century from Limoges, enamel on gold.  AD. Inv OA 7287, The Louvre Museum, Paris.
  • Medieval enamelled crosier with palm leaf flower, beginning of the 13th century from Limoges, enamel on gold. Nieul-sur-L’Autise. AD. Inv OA 8105, The Louvre Museum, Paris.
  • Medieval enamelled crucifix, end of the 12th century from Limoges, enamel on gold. AD. Inv OA 7284, The Louvre Museum, Paris.
  • Medieval enamelled crucifix, circa end of 12th century from Limoges, enamel on gold. AD. Inv OA 2956, The Louvre Museum, Paris.
  • Medieval enamelled tabernacle depicting Christ in majesty, circa 1200 AD from Limoges, enamel on gold. AD. Inv OA 8984, The Louvre Museum, Paris.
  • Medieval enamelled panel depicting the Crucifixion, end of 12th cent from Limoges, enamel on gold. AD. Inv OA 7285, The Louvre Museum, Paris.
  • Medieval relief panel depicting Christ, Enamel on gold from Limoges, circa 1220-1230. Inv OA 11935, The Louvre Museum, Paris.
  • Medieval gilded manuscript cover depicting the Crucifixion. 11th century from the treasury of the Cathedral of Maastricht. AD.  <br />
This gilded with relief panel with inlaid stones was originally a manuscript cover. Since 1677, it contained the 'documents of the oath of the Dukes of Brabant'. The back of the panel is covered with precious fabrics. On the front, in the central part, is depicted a crucifixion the style of which is reminiscent of the works of the goldsmiths of the Emperor Henry II. On the borders are small icons and emblems including those of the Carolingians. The main interest of this work lies in the four enamelled on gold symbols of the evangelists in the four corners, two being 'Enforced’ on a background of gold, the others being painted.<br />
<br />
One of Latin inscriptions states that 'Beatrice  ordered the execution ( of this work) in honour of Almighty God and his saints“. It could be Beatrice wife of Hermann II of Swabia and daughter Emperor's sister-Conrad II or, more likely, Beatrice of Tuscany who in 1036 was wife of Boniface III, Marquis of Tuscany, and second wife of Geoffrey the Bearded, Duke of Lower Lorraine and Brabant.<br />
 The Louvre Museum, Paris.
  • Painted oak relief of three soldiers and two men in a rocky landscape below the walls of Jerusalem, from Antwerp circa 1510-1515. This is a panel from the Passion.  Inv RF  297,  The Louvre Museum, Paris.
  • Painted walnut sculpture of the decent from the Cross, circa 1470-1490 possibly from Antwerp or the Brabant region of Belgium.  Inv RF 4696,  The Louvre Museum, Paris.
  • Painted Gothic gilded wooden statue altarpiece of Saint Catherine, circa 1520-1525 by Niklaus Weckmann from Ulm, Germany. The young Christian martyr is represented with his usual attributes, crown, book, wheel, sword, which make reference to her legendary life and her martyrdom. The bas-relief of Saint Catherine was originally part of an altarpiece. The treatment  and refined painted facial highlights executed the prettiness of the saint. The style is typical of  Niklaus Weckmann, one great masters of late Gothic Swabian art . Inv RF 2207.6,  The Louvre Museum, Paris.
  • Medieval Gothic reliquary of Saint Martin probably made in Avignon in the second quarter of the 14th century. From the church of Soudeilles, Correze, France.  inv 6459, The Louvre Museum, Paris.
  • Medieval ivory figure of Christ at the pillar made in Paris around 1300-1320.  inv 12380, The Louvre Museum, Paris.
  • Medieval elephant ivory plaque with traces of paint made in Italy in the 13th or start of the 14th century.  The crucifixion is a rare example of a Gothic piece being inspired by 11th century Romanesque works.  inv 7268, The Louvre Museum, Paris.
  • Medieval ivory plaque depicting the Crucifixion and the saints at the tomb, end of 11th cent from Salerne or Amalfi. AD. Inv OA 4085, The Louvre Museum, Paris.
  • Medieval ivory Triptych relief panel depicting the Ascension, end of 11th cent. AD. Inv OA 6340, The Louvre Museum, Paris.
  • Medieval Bouquetin goats horn ivory crosier with traces of paint, circa 12th century from the south of Italy. Inv OA 11150, The Louvre Museum, Paris.
  • Medieval gilded manuscript cover depicting the Crucifixion. 11th century from the treasury of the Cathedral of Maastricht. AD.  <br />
This gilded with relief panel with inlaid stones was originally a manuscript cover. Since 1677, it contained the 'documents of the oath of the Dukes of Brabant'. The back of the panel is covered with precious fabrics. On the front, in the central part, is depicted a crucifixion the style of which is reminiscent of the works of the goldsmiths of the Emperor Henry II. On the borders are small icons and emblems including those of the Carolingians. The main interest of this work lies in the four enamelled on gold symbols of the evangelists in the four corners, two being 'Enforced’ on a background of gold, the others being painted.<br />
<br />
One of Latin inscriptions states that 'Beatrice  ordered the execution ( of this work) in honour of Almighty God and his saints“. It could be Beatrice wife of Hermann II of Swabia and daughter Emperor's sister-Conrad II or, more likely, Beatrice of Tuscany who in 1036 was wife of Boniface III, Marquis of Tuscany, and second wife of Geoffrey the Bearded, Duke of Lower Lorraine and Brabant.<br />
 The Louvre Museum, Paris.
  • Medieval elephant ivory relief panel depicting the Crucifixtion. From southern Germany or north of Italy, end of 10th or 11th cent. AD. Inv. OA 12231, The Louvre Museum, Paris.
  • Medieval ivory relief panel depicting the arrest of Christ.  From the workshop of Charles-le-Chauve circa 870 AD.. Inv. OA 9526, The Louvre Museum, Paris.
  • Medieval ivory comb with a central relief panel depicting David defeating a Lion. Third quarter of the 9th cent. AD from Metz. Inv. OA 354, The Louvre Museum, Paris.
  • Medieval ivory relief panel from a diptych depicting a triumphant Byzantine Roman Emperor, probably Justinian. From Constantinople, 6th century. Inv. OA 9063, The Louvre Museum, Paris.
  • Medieval Christian relief Icon depicting scenes from the Nativity, A central ivory panel surrounded by beaten silver border. From Constantinople, 11th or 12th century. Inv. OA 11399, The Louvre Museum, Paris.
  • Medieval Christian ivory diptych depicting the Nativity, the crucifixion and the Profits. Thirteenth century probably from Byzantine Roman Constantinople, present day Istanbul. Inv. OA 12442, The Louvre Museum, Paris.
  • Gothic chest decorated with the Slaughter of the Innocents from Limoges Circa 1210-1220. Engraved copper with inlaid enamel  enamel champlevé and glass on wooden core. National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC 65529
  • Gothic painted Panel Altarpiece of Saint Barbara by Goncal Peris Sarria. Tempera and gold leaf on wood. Date Circa 1410-1425. Dimesions 278 x 207.7 x 17 cm. At the beginning of the 20th century, the altarpiece was kept in the parish church of Puertomingalvo (Teruel), but it could originally have come from the chapel of Santa Bárbara near this town. This altarpiece is attributed to the painter Gonçal Peris Sarrià, one of the chief representatives of Valencian International Gothic. His style is marked by expressive and picturesque elements, the flowing line and the charm of the colour. The main compartment of the altarpiece represents the titular saint with her distinctive attributes –the tower, in allusion to her imprisonment, and the palm, as she is considered a martyr-- and above her the Calvary. On either side are depicted various episodes from the life of Saint Barbara, who was called on to keep away lightning and storms. . National Museum of Catalan Art, Barcelona, Spain, inv no: 035672-CJT
  • Gothic painted Panel Virgin of the Angels by Pere Serra. Tempera and gold leaf on wood. Circa 1385. 195.8 x 131 x 11 cm. Comes from Tortosa cathedral (Baix Ebre). <br />
This splendid central panel and the two sections of the predella with saints (which must once have flanked a tabernacle) are all that remains of an altarpiece. It was dedicated to the Virgin Mary and was painted for one of the chapels in the ambulatory of Tortosa cathedral, probably towards the 1380s. The compartment with the Virgin and Child surrounded by angels playing music is a very graceful and refined version of an iconographic type that was extremely popular at the time. Pere Serra, author of the altarpiece, came from a family of painters who grew to head the Catalan painting of the second half of the fourteenth century. National Museum of Catalan Art, Barcelona, Spain, inv no: 003950-000
  • Gothic painted Panel Altarpiece of the Annunciation and Three Kings of the Epiphany by the Circle of Ferrer and Arnau Bassa. Tempera and gold leaf on wood. Circa 1347-1360. 282.9 x 151 x 11 cm. The origin of this panel has traditionally been associated with the collegiate church of Sant Vicenç de Cardona (Bages). National Museum of Catalan Art, Barcelona, Spain, inv no: 015855-000
  • Gothic painted Altar frontal of Saint Christopher by Master of Soriguerola. Tempera and varnished metal plate on wood. Beginning of 14th century. 134 x 193 x 8.3 cm. The traditional hypothesis is that it could have come from the parish church of Sant Cristòfol de Toses (Ripollès), as the titular saint coincides with the church's dedication.. National Museum of Catalan Art, inv no: 015825-000
  • Gothic painted Panel of the life of Saint Dominic, anonymous artist from Aragon. Tempera and varnished metal plate on wood. First quarter of 14th century. 134 x 193 x 8.3 cm. From the church of Sant Miquel de Tamarit de Llitera (Huesca). National Museum of Catalan Art, inv no: 015825-000
  • Gothic painted Panel of the life of Saint Ursula. Tempera and varnished metal plate on wood. National Museum of Catalan Art, inv no: 004377-000
  • Gothic panel of the (Virgin Mary) Madonna of Humility. Polychrome and gold leaf on wood, circa 1433-1435. The Virgin is seated on a cushion on the floor holding the baby Jesus. She hand a jug with roses a symbol of motherhood and purity. Behind her a gold curtain is held by three angels, while two others are sitting on the floor are playing the organ and lute. The skill of the use of light and shade and the fine brushwork points to an artist of great skill using the Quattrocento style. The piece has been identified as that described by the writer on art Giorgia Vasari in 1568 which was owned Gondi family in Florence.. Inv MNAC 212817. National Museum of Catalan Art (MNAC), Barcelona, Spain
  • Gothic painted wood panels with scenes of the Martyrdom of Saint Lucy<br />
Circa 1300. Tempera on wood. Date Circa 1300. Dimensions 66 x 25.8 x 2 cm. From the parish church of Santa Llúcia de Mur (Guàrdia de Noguera, Pallars Jussà). National Museum of Catalan Art, Barcelona, Spain, inv no: 035703-CJT
  • Gothic panel depicting scenes from the Life of St Nicholas. End of the 13th century, fresco transferred to canvas from a mural on the north wall of  The Church of San Fructuoso, Nicholas and John the Evangelist, Huesca, Spain. Inv MNAC 45796. National Museum of Catalan Art (MNAC), Barcelona, Spain
  • Gothic decorative relief panel depicting the Virgin Mary and Saint Antony. circa 1378-1390 from the church of Salvador of Gerb, Noguera. inv MNAC 25071, National Museum of Catalan Art (MNAC), Barcelona, Spain
  • Gothic statue of The Virgin Mary (Madonna) holding the baby Jesus. Polychrome and gold leaf on wood by the Circle of Gil de Siloe around 1500, probably from Castella. Inv MNAC 64028. National Museum of Catalan Art (MNAC), Barcelona, Spain
  • Gothic chest decorated with the Slaughter of the Innocents from Limoges Circa 1210-1220. Engraved copper with inlaid enamel  enamel champlevé and glass on wooden core. National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC 65529
  • Gothic chest decorated with the Resurection of Christ from Limoges Circa 1220. Engraved copper with inlaid enamel  enamel champlevé and glass on wooden core. National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC 65530
  • Gothic chest decorated with the Resurection of Christ from Limoges Circa 1220. Engraved copper with inlaid enamel  enamel champlevé and glass on wooden core. National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC 65530
  • Gothic cast bronze statue of Christ. Date circa 1180 probably comes from Cerdanya.  National Museum of Catalan Art, Barcelona, Spain inv no: MNAC 4553
  • Gothic cast bronze statue of Christ. Date circa 1180 probably comes from Cerdanya.  National Museum of Catalan Art, Barcelona, Spain inv no: MNAC 4553
  • Gothic statue of the Virgin Mary and Child. Polychrome and gold leaf on alabaster. Date - Second half of the 14th century. National Museum of Catalan Art, Barcelona, Spain inv no: 9874
  • Gothic statue of the Virgin Mary and Child. Polychrome and gold leaf on alabaster. Date - Second half of the 14th century. National Museum of Catalan Art, Barcelona, Spain inv no: 9874
  • Gothic wood statue of the Virgin Mary and Child. Polychrome wood carving with varnished metal-plating. Date - First quarter of the 13th century. National Museum of Catalan Art, Barcelona, Spain inv no: 3924
  • Gothic wood statue of the Virgin Mary and Child. Polychrome wood carving with varnished metal-plating. Date - First quarter of the 13th century. National Museum of Catalan Art, Barcelona, Spain inv no: 3924
  • Gothic painted bas-relief of Life of St Peter by Joan Gasco. Polycchrome and gold leaf on wood. Date Circa 1516.  From the church of Santa Maria of Palautordera (Valles Oriental). National Museum of Catalan Art, Barcelona, Spain, inv no: 015934-000
  • Gothic painted wood panels with scenes of the Martyrdom of Saint Lucy<br />
Circa 1300. Tempera on wood. Date Circa 1300. Dimensions 66 x 25.8 x 2 cm. From the parish church of Santa Llúcia de Mur (Guàrdia de Noguera, Pallars Jussà). National Museum of Catalan Art, Barcelona, Spain, inv no: 035703-CJT
  • Gothic painted wood panels with scenes of the Martyrdom of Saint Lucy<br />
Circa 1300. Tempera on wood. Date Circa 1300. From the parish church of Santa Llúcia de Mur (Guàrdia de Noguera, Pallars Jussà). National Museum of Catalan Art, Barcelona, Spain, inv no: 035703-CJT
  • Gothic painted wood panels with scenes of the Martyrdom of Saint Lucy<br />
Circa 1300. Tempera on wood. Date Circa 1300. Dimensions 68.3 x 25.3 x 1 cm. From the parish church of Santa Llúcia de Mur (Guàrdia de Noguera, Pallars Jussà). National Museum of Catalan Art, Barcelona, Spain, inv no: 035703-CJT
  • Gothic painted Panel Virgin of the "Consellers" by Lluis Dalmau. Tempera and gold leaf on wood. Date 1443-1445. Dimesions 316 x 312.5 x 32.5 cm. From the altar of the chapel of Barcelona City Hall. <br />
The prestige attached to Burgundian courtly culture and the painter Jan van Eyck explain why in 1431 King Alfons the Magnanimous sent his official painter, the Valencian Lluís Dalmau, to Flanders, to learn the new realist language at first hand. In 1443, Dalmau was commissioned to paint this altarpiece for the chapel of the City Hall. This work was a breakthrough in Catalonia on account of the format, the technique used, as it was painted in oil, and the skilful illusionism of a figurative space in which that year's five councillors, painted from life, are represented on the same scale as the Virgin and the Saints. National Museum of Catalan Art, Barcelona, Spain, inv no: 015938-000
  • Gothic painted Panel Virgin of the "Consellers" by Lluis Dalmau. Tempera and gold leaf on wood. Date 1443-1445. Dimesions 316 x 312.5 x 32.5 cm. From the altar of the chapel of Barcelona City Hall. <br />
The prestige attached to Burgundian courtly culture and the painter Jan van Eyck explain why in 1431 King Alfons the Magnanimous sent his official painter, the Valencian Lluís Dalmau, to Flanders, to learn the new realist language at first hand. In 1443, Dalmau was commissioned to paint this altarpiece for the chapel of the City Hall. This work was a breakthrough in Catalonia on account of the format, the technique used, as it was painted in oil, and the skilful illusionism of a figurative space in which that year's five councillors, painted from life, are represented on the same scale as the Virgin and the Saints. National Museum of Catalan Art, Barcelona, Spain, inv no: 015938-000
  • Gothic painted Panel Altarpiece of the Virgin Suckling the Child, Saint Clare and Saint Anthony the Abbott by the Workshop of Llorenc Saragossa. Tempera and gold leaf on wood. Date Last quarter of 14th century. Dimesions 207 x 187.5 x 10 cm. From Xelva (Valencia). National Museum of Catalan Art, Barcelona, Spain, inv no: 064027-CJT
  • Gothic painted Panel Altarpiece of the Virgin Suckling the Child, Saint Clare and Saint Anthony the Abbott by the Workshop of Llorenc Saragossa. Tempera and gold leaf on wood. Date Last quarter of 14th century. Dimesions 207 x 187.5 x 10 cm. From Xelva (Valencia). National Museum of Catalan Art, Barcelona, Spain, inv no: 064027-CJT
  • Gothic painted Panel Altarpiece of the Virgin Suckling the Child, Saint Clare and Saint Anthony the Abbott by the Workshop of Llorenc Saragossa. Tempera and gold leaf on wood. Date Last quarter of 14th century. Dimesions 207 x 187.5 x 10 cm. From Xelva (Valencia). National Museum of Catalan Art, Barcelona, Spain, inv no: 064027-CJT
  • Gothic painted bas-relief of the Presentation of Jesus at the Templeby Master of Albesa, Active in Lleida. Polychrome and gilded limestone bas-relief. Second half of 14th century. Dimesions 57 x 69 x 11 cm. Compartment of a sculptural altarpiece devoted to the Virgin. From the crypt of the collegiate church of Sant Pere d'Àger (Noguera). National Museum of Catalan Art, Barcelona, Spain, inv no: 017343-000
  • Gothic painted bas-relief of the Presentation of Jesus at the Templeby Master of Albesa, Active in Lleida. Polychrome and gilded limestone bas-relief. Second half of 14th century. Dimesions 57 x 69 x 11 cm. Compartment of a sculptural altarpiece devoted to the Virgin. From the crypt of the collegiate church of Sant Pere d'Àger (Noguera). National Museum of Catalan Art, Barcelona, Spain, inv no: 017343-000
  • Gothic painted bas-relief of the Presentation of Jesus at the Templeby Master of Albesa, Active in Lleida. Polychrome and gilded limestone bas-relief. Second half of 14th century. Dimesions 57 x 69 x 11 cm. Compartment of a sculptural altarpiece devoted to the Virgin. From the crypt of the collegiate church of Sant Pere d'Àger (Noguera). National Museum of Catalan Art, Barcelona, Spain, inv no: 017343-000
  • Gothic painted bas-relief of the Nativity by Master of Albesa, Active in Lleida. Polychrome and gilded limestone bas-relief. Second half of 14th century. Dimesions 57 x 69 x 11 cm.Compartment of a sculptural altarpiece devoted to the Virgin. From the crypt of the collegiate church of Sant Pere d'Àger (Noguera). National Museum of Catalan Art, Barcelona, Spain, inv no: 017342-000
  • Gothic painted bas-relief of the Nativity by Master of Albesa, Active in Lleida. Polychrome and gilded limestone bas-relief. Second half of 14th century. Dimesions 57 x 69 x 11 cm.Compartment of a sculptural altarpiece devoted to the Virgin. From the crypt of the collegiate church of Sant Pere d'Àger (Noguera). National Museum of Catalan Art, Barcelona, Spain, inv no: 017342-000
  • Gothic wood statue of Virgin and Child by tan anontmous Catalan Artist. Carved alabaster with remains of polychrome and gold leaf. Date Second half of 14th century. Dimensions 117.5 x 38.6 x 28.4 cm.  Probably comes from Sanaüja (Segarra). National Museum of Catalan Art, Barcelona, Spain inv no: 004359-000
  • Gothic painted Panel Virgin Suckling the Child by Llorenc Saragossa. Tempera, gold leaf and metal plate on wood. Last quarter of 14th century. Dimensions 196.7 x 148.4 x 9.5 cm.  It comes from Albarracín cathedral (Teruel).  National Museum of Catalan Art, Barcelona, Spain, inv no: 005080-000
  • Gothic wood statue of Virgin and Child by tan anontmous Catalan Artist. Carved alabaster with remains of polychrome and gold leaf. Date Second half of 14th century. Dimensions 117.5 x 38.6 x 28.4 cm.  Probably comes from Sanaüja (Segarra). National Museum of Catalan Art, Barcelona, Spain inv no: 004359-000
  • Gothic painted Panel Virgin Suckling the Child by Llorenc Saragossa. Tempera, gold leaf and metal plate on wood. Last quarter of 14th century. Dimensions 196.7 x 148.4 x 9.5 cm.  It comes from Albarracín cathedral (Teruel).  National Museum of Catalan Art, Barcelona, Spain, inv no: 005080-000
  • Gothic painted Panel Virgin Suckling the Child by Llorenc Saragossa. Tempera, gold leaf and metal plate on wood. Last quarter of 14th century. Dimensions 196.7 x 148.4 x 9.5 cm.  It comes from Albarracín cathedral (Teruel).  National Museum of Catalan Art, Barcelona, Spain, inv no: 005080-000
  • Gothic painted Panel Virgin Suckling the Child by Llorenc Saragossa. Tempera, gold leaf and metal plate on wood. Last quarter of 14th century. Dimensions 196.7 x 148.4 x 9.5 cm.  It comes from Albarracín cathedral (Teruel).  National Museum of Catalan Art, Barcelona, Spain, inv no: 005080-000
  • Gothic painted Panel Virgin of the Angels by  Enrique de Estencop. Tempera, stucco reliefs and gold leaf on wood. 1391-1392. Dimensions 142.2 x 99 x 8 cm.  National Museum of Catalan Art, Barcelona, Spain, inv no: 064025-000
  • Gothic painted Panel Virgin of the Angels by  Enrique de Estencop. Tempera, stucco reliefs and gold leaf on wood. 1391-1392. Dimensions 142.2 x 99 x 8 cm.  National Museum of Catalan Art, Barcelona, Spain, inv no: 064025-000
  • Gothic painted Panel Altarpiece of Saint Stephen by  Jaume Serra. Tempera, gold leaf and metal plate on wood. Circa 1385. Dimesions 185.7 x 186.5 x 11 cm. From the monastery of Santa Maria de Gualter (Noguera).. National Museum of Catalan Art, Barcelona, Spain, inv no: 003947-CJT
  • Gothic painted Panel Altarpiece of Saint Anthony the Abbot by Master of Rubio. Tempera and gold leaf on wood. Circa 1360-1375. Dimensions 173.5 x 176.3 x 11.5 cm.  National Museum of Catalan Art, Barcelona, Spain, inv no: 045854-CJT
  • Gothic painted Panel Virgin of the Angels by Pere Serra. Tempera and gold leaf on wood. Circa 1385. 195.8 x 131 x 11 cm. Comes from Tortosa cathedral (Baix Ebre). <br />
This splendid central panel and the two sections of the predella with saints (which must once have flanked a tabernacle) are all that remains of an altarpiece. It was dedicated to the Virgin Mary and was painted for one of the chapels in the ambulatory of Tortosa cathedral, probably towards the 1380s. The compartment with the Virgin and Child surrounded by angels playing music is a very graceful and refined version of an iconographic type that was extremely popular at the time. Pere Serra, author of the altarpiece, came from a family of painters who grew to head the Catalan painting of the second half of the fourteenth century. National Museum of Catalan Art, Barcelona, Spain, inv no: 003950-000
  • Gothic painted Panel Virgin of the Angels by Pere Serra. Tempera and gold leaf on wood. Circa 1385. 195.8 x 131 x 11 cm. Comes from Tortosa cathedral (Baix Ebre). <br />
This splendid central panel and the two sections of the predella with saints (which must once have flanked a tabernacle) are all that remains of an altarpiece. It was dedicated to the Virgin Mary and was painted for one of the chapels in the ambulatory of Tortosa cathedral, probably towards the 1380s. The compartment with the Virgin and Child surrounded by angels playing music is a very graceful and refined version of an iconographic type that was extremely popular at the time. Pere Serra, author of the altarpiece, came from a family of painters who grew to head the Catalan painting of the second half of the fourteenth century. National Museum of Catalan Art, Barcelona, Spain, inv no: 003950-000
  • Gothic painted Panel Altarpiece of Saint Vincent by  Master of Estopanya. Tempera and gold leaf on wood. Circa 1350-1370. 199 x 255 x 10 cm. Comes from Estopanyà (Baixa Ribagorça, Huesca).. National Museum of Catalan Art, Barcelona, Spain, inv no: 003940-CJT
  • Gothic statue of Saint Peter by Joan Gasco. Tempera, oil, and stucco reliefs in gold leaf on wood. Date circa 1516. From the church of Santa Maria of Palautordera (Valles Oriental).  National Museum of Catalan Art, Barcelona, Spain inv no: 15934
  • Gothic statue of Saint Peter by Joan Gasco. Tempera, oil, and stucco reliefs in gold leaf on wood. Date circa 1516. From the church of Santa Maria of Palautordera (Valles Oriental).  National Museum of Catalan Art, Barcelona, Spain inv no: 15934
  • Gothic painted Panel Altarpiece of the Annunciation  by the Circle of Ferrer and Arnau Bassa. Tempera and gold leaf on wood. Circa 1347-1360. 282.9 x 151 x 11 cm. The origin of this panel has traditionally been associated with the collegiate church of Sant Vicenç de Cardona (Bages). National Museum of Catalan Art, Barcelona, Spain, inv no: 015855-000
  • Gothic painted Panel Altarpiece of the Annunciation and Three Kings of the Epiphany by the Circle of Ferrer and Arnau Bassa. Tempera and gold leaf on wood. Circa 1347-1360. 282.9 x 151 x 11 cm. The origin of this panel has traditionally been associated with the collegiate church of Sant Vicenç de Cardona (Bages). National Museum of Catalan Art, Barcelona, Spain, inv no: 015855-000
  • Gothic painted Panel Altarpiece of the Saints John by  Master of Santa Coloma de Queralt. Tempera and gold leaf on wood. Circa 1356. 220.5 x 209.8 x 11.5 cm. From the church of Sant Miquel de Tamarit de Llitera (Huesca). National Museum of Catalan Art, Barcelona, Spain, inv no: 004351-CJT
  • Gothic painted Panel of the Announcement to the Shepherds and Annunciation by anonymous artist from Navarra. Tempera and varnished metal leaf on wood and applied carving. Circa 1335-1350. 90.8 x 171.2 x 5.8 cm. From the parish church of Arteta (Navarra).. National Museum of Catalan Art, inv no: 004368-000
  • Gothic painted Panel of the Announcement to the Shepherds and Annunciation by anonymous artist from Navarra. Tempera and varnished metal leaf on wood and applied carving. Circa 1335-1350. 90.8 x 171.2 x 5.8 cm. From the parish church of Arteta (Navarra).. National Museum of Catalan Art, inv no: 004368-000
  • Gothic statue of the Head of Christ by  Jaume Cascalls. Carved alabaster with polychrome and gilt remains.  This head must have belonged to a Recumbent Christ which could have formed part of a sculptural group of the Holy Sepulchre. It probably came from the chapel of Corpus Christi of the convent of Sant Agustí Vell, Barcelona.<br />
Jaume Cascalls is one of the most important sculptors of the fourteenth century in Catalonia. This is borne out by his involvement over almost thirty years with the project of the royal pantheon in Poblet for King Peter the Ceremonious and with other large undertakings of the time. Today, on stylistic grounds, he is credited with this 'Head of Christ', which must have formed part of a sculptural group of the Holy Sepulchre, presumably from the church of the convent of Sant Agustí Vell in Barcelona. The break in the neck suggests it belonged to a full-length recumbent Christ, like the one kept at Sant Feliu in Girona and also attributed to Cascalls. National Museum of Catalan Art, inv no: 034879-000
  • Gothic painted Panel Altar frontal of Jesus' childhood by anonymous artist from Navarra. Tempera and gold leaf on wood. Second quarter of 14th century. 90.8 x 171.2 x 5.8 cm. From the parish church of Arteta (Navarra).. National Museum of Catalan Art, inv no: 004368-000
  • Gothic wood statue of the Head of Christ by  Jaume Cascalls. Carved alabaster with polychrome and gilt remains.  This head must have belonged to a Recumbent Christ which could have formed part of a sculptural group of the Holy Sepulchre. It probably came from the chapel of Corpus Christi of the convent of Sant Agustí Vell, Barcelona.<br />
Jaume Cascalls is one of the most important sculptors of the fourteenth century in Catalonia. This is borne out by his involvement over almost thirty years with the project of the royal pantheon in Poblet for King Peter the Ceremonious and with other large undertakings of the time. Today, on stylistic grounds, he is credited with this 'Head of Christ', which must have formed part of a sculptural group of the Holy Sepulchre, presumably from the church of the convent of Sant Agustí Vell in Barcelona. The break in the neck suggests it belonged to a full-length recumbent Christ, like the one kept at Sant Feliu in Girona and also attributed to Cascalls. National Museum of Catalan Art, inv no: 034879-000
  • Gothic painted Panel Altar frontal of Jesus' childhood by anonymous artist from Navarra. Tempera and gold leaf on wood. Second quarter of 14th century. 90.8 x 171.2 x 5.8 cm. From the parish church of Arteta (Navarra).. National Museum of Catalan Art, inv no: 004368-000
  • Gothic painted Altar frontal of the Corpus Christi by Master of Vallbona de les Monges possibly Guillem Seguer. Tempera, stucco reliefs, gold leaf and varnished metal plate on wood. Circa 1335-1345. 106.5 x 223.2 x 9.3 cm. From the chapel of Corpus Christi in the church of the monastery of Santa Maria de Vallbona de les Monges (Urgell).  National Museum of Catalan Art, inv no: 009919-000
  • Gothic painted Altarpiece of the Corpus Christi by Master of Vallbona de les Monges possibly Guillem Seguer. Tempera, stucco reliefs, gold leaf and varnished metal plate on wood. Circa 1335-1345. 108.8 x 222 x 8.7 cm. From the chapel of Corpus Christi in the church of the monastery of Santa Maria de Vallbona de les Monges (Urgell).  National Museum of Catalan Art, inv no: 009920-000

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