• Picture of a Roman raised sarcophagus of the North Necropolis. Hierapolis archaeological site near Pamukkale in Turkey.
  • Picture of Roman sacrcophagi on a Tomb North Necropolis. Hierapolis archaeological site near Pamukkale in Turkey.
  • Picture of Tombs North Necropolis. Hierapolis archaeological site near Pamukkale in Turkey.
  • Picture of a Roman raised sarcophagus of the North Necropolis. Hierapolis archaeological site near Pamukkale in Turkey.
  • Picture of a Roman raised sarcophagus of the North Necropolis. Hierapolis archaeological site near Pamukkale in Turkey.
  • Picture of Tombs on the edge of the white travatines of the  North Necropolis. Hierapolis archaeological site near Pamukkale in Turkey.
  • Picture of Tomb North Necropolis  main road . Hierapolis archaeological site near Pamukkale in Turkey.
  • Picture of a Tomb North Necropolis. Hierapolis archaeological site near Pamukkale in Turkey.
  • Picture of  A18 of the Tomb North Necropolis. Hierapolis archaeological site near Pamukkale in Turkey.<br />
<br />
Tomb A 18 ( 1st century AD) <br />
<br />
The building, one of the most representative and best conserved of the North Necropolis, has the shape of a small temple, built to a square plan with regular walls. The facade is framed by projecting pilasters; the roofing slabs rest on the, two frontons and the lateral cornices.- Beneath the base is a subterranean chamber partially carved into of the rock. The two chambers have sepulchral beds along the walls.
  • Picture of  A18 of the Tomb North Necropolis. Hierapolis archaeological site near Pamukkale in Turkey.<br />
<br />
Tomb A 18 ( 1st century AD) <br />
<br />
The building, one of the most representative and best conserved of the North Necropolis, has the shape of a small temple, built to a square plan with regular walls. The facade is framed by projecting pilasters; the roofing slabs rest on the, two frontons and the lateral cornices.- Beneath the base is a subterranean chamber partially carved into of the rock. The two chambers have sepulchral beds along the walls.
  • Picture of Tomb  81 of North Necropolis. Hierapolis archaeological site near Pamukkale in Turkey.<br />
<br />
Tomb 81 (2nd - 3rd centuries AD)<br />
The tomb is built on a high platform that compensates for <br />
difference in level of the land behind it. Inside the <br />
chamber are three sepulchre beds, arranged along the walls, an a very deep ossuary. On the roof slabs, which jut out a long way, are two sarcophagi. Two inscriptions beside the door end the inscription on the slab that closed it (now in the museum ) refer to the successive occupants, including Eutyches Pompeios, who left 100 denari to the association of wool washers for the periodic decoration of  <br />
the tomb.
  • Picture of a Tomb A6  and Sarcophagus of the North Necropolis. Hierapolis archaeological site near Pamukkale in Turkey.
  • Picture of Tomb A2 of the North Necropolis. Hierapolis archaeological site near Pamukkale in Turkey.
  • Picture of a Tomb  North Necropolis. Hierapolis archaeological site near Pamukkale in Turkey.
  • Picture of Tomb Tomb 114 "tomb of curses" of the North Necropolis. Hierapolis archaeological site near Pamukkale in Turkey.<br />
<br />
TOMB 114 (Second half of the 2nd century AD) <br />
<br />
The tomb lies on the left hand side of the road and is enclosed by a perimeter wall; it rests on a base withifiree steps, with a bench piked(1 front of it. Inside are three beds and the ossuary. On the roof, a sarcophagus, broken as result of an <br />
earthquake, bears an inscription mentioning the occupant Aelios Apollinarios and his wife Neratia Apollonis. On the facade is an inscription of great interest which refers to the punishment inflicted on those who violate the sepulchre: as well as the usual fines, it invokes diseases, misfortunes and punishments in the next world. This inscription has led to the building being named the Tomb of the Curses.
  • Picture of Tomb A2 of the North Necropolis. Hierapolis archaeological site near Pamukkale in Turkey.
  • Paros Marble Lycian Sarcophagus from the end of the 5th Cent. B.C  from the Royal Necropolis of Sidon (lebanon), Chamber no IV. Istanbul Archaeological Museum Inv. No 369T Cat. Mendel 63.
  • Greek relief sculptures on Alexander The Great ( Alexander III of Macedon ) 4th Cent BC. Sarcophagus calved from Pentelic Marble from the Royal Necropolis of Sidon, Chamber no.III, Lebanon. Istanbul Archaeological Museum Inv. 370T Cat. Mendel 68
  • Paros Marble Lycian Sarcophagus from the end of the 5th Cent. B.C  from the Royal Necropolis of Sidon (lebanon), Chamber no IV. Istanbul Archaeological Museum Inv. No 369T Cat. Mendel 63.
  • Sarcophagus of The Mourning Women, 4th cent. B.C Greek from the Royal Necropolis of Sidon , Chamber no I, Lebanon, Istanbul Archaeological Museum Inv. 386T  Cat. Mendel 10.
  • Sarcophagus of The Mourning Women, 4th cent. B.C Greek from the Royal Necropolis of Sidon , Chamber no I, Lebanon, Istanbul Archaeological Museum Inv. 386T  Cat. Mendel 10.
  • Paros Marble Lycian Sarcophagus from the end of the 5th Cent. B.C  from the Royal Necropolis of Sidon (lebanon), Chamber no IV. Istanbul Archaeological Museum Inv. No 369T Cat. Mendel 63.
  • Paros Marble Lycian Sarcophagus from the end of the 5th Cent. B.C  from the Royal Necropolis of Sidon (lebanon), Chamber no IV. Istanbul Archaeological Museum Inv. No 369T Cat. Mendel 63.
  • Alexander The Great ( Alexander III of Macedon) 4th Cent BC. Sarcophagus calved from Pentelic Marble from the Royal Necropolis of Sidon, Chamber no.III, Lebanon. Istanbul Archaeological Museum Inv. 370T Cat. Mendel 68
  • Greek relief sculptures on Alexander The Great ( Alexander III of Macedon ) 4th Cent BC. Sarcophagus calved from Pentelic Marble from the Royal Necropolis of Sidon, Chamber no.III, Lebanon. Istanbul Archaeological Museum Inv. 370T Cat. Mendel 68
  • Greek relief sculpture of a lion hunt  on Alexander The Great ( Alexander III of Macedon )4th Cent BC. Sarcophagus calved from Pentelic Marble from the Royal Necropolis of Sidon, Chamber no.III, Lebanon. Istanbul Archaeological Museum Inv. 370T Cat. Mendel 68
  • Greek relief sculptures of a battle on Alexander The Great ( Alexander III of Macedon )4th Cent BC. Sarcophagus calved from Pentelic Marble from the Royal Necropolis of Sidon, Chamber no.III, Lebanon. Istanbul Archaeological Museum Inv. 370T Cat. Mendel 68
  • Paros Marble Lycian Sarcophagus from the end of the 5th Cent. B.C  from the Royal Necropolis of Sidon (lebanon), Chamber no IV. Istanbul Archaeological Museum Inv. No 369T Cat. Mendel 63.
  • Satrap Sarcophagus, Paros marble from the Royal Necropolis of Sidon, Chamber no. VI. Second half of the 5th cent. B.C.  Istanbul Archaeological museum Inv 367 T.  Cat. Mendel 9
  • Paros Marble Lycian Sarcophagus from the end of the 5th Cent. B.C  from the Royal Necropolis of Sidon (lebanon), Chamber no IV. Istanbul Archaeological Museum Inv. No 369T Cat. Mendel 63.
  • Paros Marble Lycian Sarcophagus from the end of the 5th Cent. B.C  from the Royal Necropolis of Sidon (lebanon), Chamber no IV. Istanbul Archaeological Museum Inv. No 369T Cat. Mendel 63.
  • Satrap Sarcophagus, Paros marble from the Royal Necropolis of Sidon, Chamber no. VI. Second half of the 5th cent. B.C.  Istanbul Archaeological museum Inv 367 T.  Cat. Mendel 9
  • Paros Marble Lycian Sarcophagus from the end of the 5th Cent. B.C  from the Royal Necropolis of Sidon (lebanon), Chamber no IV. Istanbul Archaeological Museum Inv. No 369T Cat. Mendel 63.
  • Paros Marble Lycian Sarcophagus from the end of the 5th Cent. B.C  from the Royal Necropolis of Sidon (lebanon), Chamber no IV. Istanbul Archaeological Museum Inv. No 369T Cat. Mendel 63.
  • Alexander The Great ( Alexander III of Macedon) 4th Cent BC. Sarcophagus calved from Pentelic Marble from the Royal Necropolis of Sidon, Chamber no.III, Lebanon. Istanbul Archaeological Museum Inv. 370T Cat. Mendel 68
  • Paros Marble Lycian Sarcophagus from the end of the 5th Cent. B.C  from the Royal Necropolis of Sidon (lebanon), Chamber no IV. Istanbul Archaeological Museum Inv. No 369T Cat. Mendel 63.
  • Sarcophagus of The Mourning Women, 4th cent. B.C Greek from the Royal Necropolis of Sidon , Chamber no I, Lebanon, Istanbul Archaeological Museum Inv. 386T  Cat. Mendel 10.
  • Greek relief sculpture of a hunt  on Alexander The Great ( Alexander III of Macedon )4th Cent BC. Sarcophagus calved from Pentelic Marble from the Royal Necropolis of Sidon, Chamber no.III, Lebanon. Istanbul Archaeological Museum Inv. 370T Cat. Mendel 68
  • Sarcophagus of The Mourning Women, 4th cent. B.C Greek from the Royal Necropolis of Sidon , Chamber no I, Lebanon, Istanbul Archaeological Museum Inv. 386T  Cat. Mendel 10.
  • Sarcophagus of The Mourning Women, 4th cent. B.C Greek from the Royal Necropolis of Sidon , Chamber no I, Lebanon, Istanbul Archaeological Museum Inv. 386T  Cat. Mendel 10.
  • Satrap Sarcophagus, Paros marble from the Royal Necropolis of Sidon, Chamber no. VI. Second half of the 5th cent. B.C.  Istanbul Archaeological museum Inv 367 T.  Cat. Mendel 9
  • Satrap Sarcophagus, Paros marble from the Royal Necropolis of Sidon, Chamber no. VI. Second half of the 5th cent. B.C.  Istanbul Archaeological museum Inv 367 T.  Cat. Mendel 9
  • Greek relief sculptures of a battle on Alexander The Great ( Alexander III of Macedon )4th Cent BC. Sarcophagus calved from Pentelic Marble from the Royal Necropolis of Sidon, Chamber no.III, Lebanon. Istanbul Archaeological Museum Inv. 370T Cat. Mendel 68
  • Sarcophagus of The Mourning Women, 4th cent. B.C Greek from the Royal Necropolis of Sidon , Chamber no I, Lebanon, Istanbul Archaeological Museum Inv. 386T  Cat. Mendel 10.
  • Alexander The Great ( Alexander III of Macedon) 4th Cent BC. Sarcophagus calved from Pentelic Marble from the Royal Necropolis of Sidon, Chamber no.III, Lebanon. Istanbul Archaeological Museum Inv. 370T Cat. Mendel 68
  • Paros Marble Lycian Sarcophagus from the end of the 5th Cent. B.C  from the Royal Necropolis of Sidon (lebanon), Chamber no IV. Istanbul Archaeological Museum Inv. No 369T Cat. Mendel 63.
  • Paros Marble Lycian Sarcophagus from the end of the 5th Cent. B.C  from the Royal Necropolis of Sidon (lebanon), Chamber no IV. Istanbul Archaeological Museum Inv. No 369T Cat. Mendel 63.
  • Sarcophagus of The Mourning Women, 4th cent. B.C Greek from the Royal Necropolis of Sidon , Chamber no I, Lebanon, Istanbul Archaeological Museum Inv. 386T  Cat. Mendel 10.
  • Alexander The Great ( Alexander III of Macedon) 4th Cent BC. Sarcophagus calved from Pentelic Marble from the Royal Necropolis of Sidon, Chamber no.III, Lebanon. Istanbul Archaeological Museum Inv. 370T Cat. Mendel 68
  • Sarcophagus of The Mourning Women, 4th cent. B.C Greek from the Royal Necropolis of Sidon , Chamber no I, Lebanon, Istanbul Archaeological Museum Inv. 386T  Cat. Mendel 10.
  • Greek relief sculptures of a battle on Alexander The Great ( Alexander III of Macedon )4th Cent BC. Sarcophagus calved from Pentelic Marble from the Royal Necropolis of Sidon, Chamber no.III, Lebanon. Istanbul Archaeological Museum Inv. 370T Cat. Mendel 68
  • Greek relief sculptures of a battle on Alexander The Great ( Alexander III of Macedon )4th Cent BC. Sarcophagus calved from Pentelic Marble from the Royal Necropolis of Sidon, Chamber no.III, Lebanon. Istanbul Archaeological Museum Inv. 370T Cat. Mendel 68
  • Paros Marble Lycian Sarcophagus from the end of the 5th Cent. B.C  from the Royal Necropolis of Sidon (lebanon), Chamber no IV. Istanbul Archaeological Museum Inv. No 369T Cat. Mendel 63.
  • Paros Marble Lycian Sarcophagus from the end of the 5th Cent. B.C  from the Royal Necropolis of Sidon (lebanon), Chamber no IV. Istanbul Archaeological Museum Inv. No 369T Cat. Mendel 63.
  • Pictures of Copper age Domus de Janas Sas Concas prhistoric chambered rock burial chambers cared into trachyte ,  Abealzu-Filigosa culture 3000 BC, Oniferi,  province of Nuoro, Sardinia.
  • Pictures of Copper age Domus de Janas Sas Concas prhistoric chambered rock burial chambers cared into trachyte ,  Abealzu-Filigosa culture 3000 BC, Oniferi,  province of Nuoro, Sardinia.
  • Pictures of Copper age Domus de Janas Sas Concas prhistoric chambered rock burial chambers cared into trachyte ,  Abealzu-Filigosa culture 3000 BC, Oniferi,  province of Nuoro, Sardinia.
  • Pictures of Copper age Domus de Janas Sas Concas prhistoric chambered rock burial chambers cared into trachyte ,  Abealzu-Filigosa culture 3000 BC, Oniferi,  province of Nuoro, Sardinia.
  • Pictures of Copper age Domus de Janas Sas Concas prhistoric chambered rock burial chambers cared into trachyte ,  Abealzu-Filigosa culture 3000 BC, Oniferi,  province of Nuoro, Sardinia.
  • Pictures of Copper age Domus de Janas Sas Concas prhistoric chambered rock burial chambers cared into trachyte ,  Abealzu-Filigosa culture 3000 BC, Oniferi,  province of Nuoro, Sardinia.
  • Pictures of Copper age Domus de Janas Sas Concas prhistoric chambered rock burial chambers cared into trachyte ,  Abealzu-Filigosa culture 3000 BC, Oniferi,  province of Nuoro, Sardinia.
  • Pictures of Copper age Domus de Janas Sas Concas prhistoric chambered rock burial chambers cared into trachyte ,  Abealzu-Filigosa culture 3000 BC, Oniferi,  province of Nuoro, Sardinia.
  • Pictures of Copper age Domus de Janas Sas Concas prhistoric chambered rock burial chambers cared into trachyte ,  Abealzu-Filigosa culture 3000 BC, Oniferi,  province of Nuoro, Sardinia.
  • Pictures of Copper age Domus de Janas Sas Concas prhistoric chambered rock burial chambers cared into trachyte ,  Abealzu-Filigosa culture 3000 BC, Oniferi,  province of Nuoro, Sardinia.
  • Pictures of Copper age Domus de Janas Sas Concas prhistoric chambered rock burial chambers cared into trachyte ,  Abealzu-Filigosa culture 3000 BC, Oniferi,  province of Nuoro, Sardinia.
  • Pictures of Copper age Domus de Janas Sas Concas prhistoric chambered rock burial chambers cared into trachyte ,  Abealzu-Filigosa culture 3000 BC, Oniferi,  province of Nuoro, Sardinia.
  • Pictures of Copper age Domus de Janas Sas Concas prhistoric chambered rock burial chambers cared into trachyte ,  Abealzu-Filigosa culture 3000 BC, Oniferi,  province of Nuoro, Sardinia.
  • Picture of the Roman Basilica Baths. Hierapolis archaeological site near Pamukkale in Turkey.
  • Pictures of Copper age Domus de Janas Sas Concas prhistoric chambered rock burial chambers cared into trachyte ,  Abealzu-Filigosa culture 3000 BC, Oniferi,  province of Nuoro, Sardinia.
  • Pictures of Copper age Domus de Janas Sas Concas prhistoric chambered rock burial chambers cared into trachyte ,  Abealzu-Filigosa culture 3000 BC, Oniferi,  province of Nuoro, Sardinia.
  • Pictures of Copper age Domus de Janas Sas Concas prhistoric chambered rock burial chambers cared into trachyte ,  Abealzu-Filigosa culture 3000 BC, Oniferi,  province of Nuoro, Sardinia.
  • Pictures of Copper age Domus de Janas Sas Concas prhistoric chambered rock burial chambers cared into trachyte ,  Abealzu-Filigosa culture 3000 BC, Oniferi,  province of Nuoro, Sardinia.
  • Pictures of Copper age Domus de Janas Sas Concas prhistoric chambered rock burial chambers cared into trachyte ,  Abealzu-Filigosa culture 3000 BC, Oniferi,  province of Nuoro, Sardinia.
  • Pictures of Copper age Domus de Janas Sas Concas prhistoric chambered rock burial chambers cared into trachyte ,  Abealzu-Filigosa culture 3000 BC, Oniferi,  province of Nuoro, Sardinia.
  • Pictures of Copper age Domus de Janas Sas Concas prhistoric chambered rock burial chambers cared into trachyte ,  Abealzu-Filigosa culture 3000 BC, Oniferi,  province of Nuoro, Sardinia.
  • Pictures of Copper age Domus de Janas Sas Concas prhistoric chambered rock burial chambers cared into trachyte ,  Abealzu-Filigosa culture 3000 BC, Oniferi,  province of Nuoro, Sardinia.
  • Pictures of Copper age Domus de Janas Sas Concas prhistoric chambered rock burial chambers cared into trachyte ,  Abealzu-Filigosa culture 3000 BC, Oniferi,  province of Nuoro, Sardinia.
  • Pictures of Copper age Domus de Janas Sas Concas prhistoric chambered rock burial chambers cared into trachyte ,  Abealzu-Filigosa culture 3000 BC, Oniferi,  province of Nuoro, Sardinia.
  • Pictures of Copper age Domus de Janas Sas Concas prhistoric chambered rock burial chambers cared into trachyte ,  Abealzu-Filigosa culture 3000 BC, Oniferi,  province of Nuoro, Sardinia.
  • Pictures of Copper age Domus de Janas Sas Concas prhistoric chambered rock burial chambers cared into trachyte ,  Abealzu-Filigosa culture 3000 BC, Oniferi,  province of Nuoro, Sardinia.
  • Pictures of Copper age Domus de Janas Sas Concas prhistoric chambered rock burial chambers cared into trachyte ,  Abealzu-Filigosa culture 3000 BC, Oniferi,  province of Nuoro, Sardinia.
  • Pictures of Copper age Domus de Janas Sas Concas prhistoric chambered rock burial chambers cared into trachyte ,  Abealzu-Filigosa culture 3000 BC, Oniferi,  province of Nuoro, Sardinia.
  • Pictures of Copper age Domus de Janas Sas Concas prhistoric chambered rock burial chambers cared into trachyte ,  Abealzu-Filigosa culture 3000 BC, Oniferi,  province of Nuoro, Sardinia.
  • Pictures of Copper age Domus de Janas Sas Concas prhistoric chambered rock burial chambers cared into trachyte ,  Abealzu-Filigosa culture 3000 BC, Oniferi,  province of Nuoro, Sardinia.
  • Pictures of Copper age Domus de Janas Sas Concas prhistoric chambered rock burial chambers cared into trachyte ,  Abealzu-Filigosa culture 3000 BC, Oniferi,  province of Nuoro, Sardinia.
  • Picture and image of the prehistoric nuragic Giants Tomb foundation ruins, The Prehistoric Nuragic Complex of Tamuli, Macomer, Sardinia.
  • Picture and image of the prehistoric nuragic Giants Tomb foundation ruins, The Prehistoric Nuragic Complex of Tamuli, Macomer, Sardinia.
  • Phrygian and later rock tombs of the necropolis of Midas . From the 8th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
The earliest Phrygian settlement here began in the last quarter of the 8th century BC. Even after the Phrygian kingdom collapsed politically, the city was not abandoned and the Phrygian rock structures and tombs were conserved, with some additions and changes made.in the Persian, Hellenistic, Roman and Byzantine periods.
  • Underground Etruscan tomb  A single chamber with double sloping ceiling decorated with a painted chequered design, Etruscan Necropolis of Monterozzi, Monte del Calvario, Tarquinia, Italy. A UNESCO World Heritage Site.
  • Underground Etruscan tomb no 5636 made about 1second half of the 3rd century BC. This tomb has a flat roof and stone benches on each side. On the pillar is painted a threatening Caronte grasping a hammer. Excavated 1969 , Etruscan Necropolis of Monterozzi, Monte del Calvario, Tarquinia, Italy. A UNESCO World Heritage Site.
  • Underground Etruscan tomb  A single chamber with double sloping ceiling. In the tympanium are two wild animals below wich is a scene with a portait of the deceased seated watching a dancer and a flute player. Circa 400 BC, Etruscan Necropolis of Monterozzi, Monte del Calvario, Tarquinia, Italy. A UNESCO World Heritage Site.
  • Phrygian and later rock tombs of the necropolis of Midas . From the 8th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
The earliest Phrygian settlement here began in the last quarter of the 8th century BC. Even after the Phrygian kingdom collapsed politically, the city was not abandoned and the Phrygian rock structures and tombs were conserved, with some additions and changes made.in the Persian, Hellenistic, Roman and Byzantine periods.
  • Phrygian and later rock tombs of the necropolis of Midas . From the 8th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
The earliest Phrygian settlement here began in the last quarter of the 8th century BC. Even after the Phrygian kingdom collapsed politically, the city was not abandoned and the Phrygian rock structures and tombs were conserved, with some additions and changes made.in the Persian, Hellenistic, Roman and Byzantine periods.
  • Phrygian and later rock tombs of the necropolis of Midas . From the 8th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
The earliest Phrygian settlement here began in the last quarter of the 8th century BC. Even after the Phrygian kingdom collapsed politically, the city was not abandoned and the Phrygian rock structures and tombs were conserved, with some additions and changes made.in the Persian, Hellenistic, Roman and Byzantine periods.
  • Underground Etruscan tomb  A single chamber with double sloping ceiling decorated with a painted chequered design, Etruscan Necropolis of Monterozzi, Monte del Calvario, Tarquinia, Italy. A UNESCO World Heritage Site.
  • Underground Etruscan tomb  A single chamber with double sloping ceiling. In the tympanium are two wild animals below wich is a scene with a portait of the deceased seated watching a dancer and a flute player. Circa 400 BC, Etruscan Necropolis of Monterozzi, Monte del Calvario, Tarquinia, Italy. A UNESCO World Heritage Site.
  • Underground Etruscan tomb  A single chamber with double sloping ceiling. In the tympanium are two wild animals below wich is a scene with a portait of the deceased seated watching a dancer and a flute player. Circa 400 BC, Etruscan Necropolis of Monterozzi, Monte del Calvario, Tarquinia, Italy. A UNESCO World Heritage Site.
  • Phrygian and later rock tombs of the necropolis of Midas . From the 8th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
The earliest Phrygian settlement here began in the last quarter of the 8th century BC. Even after the Phrygian kingdom collapsed politically, the city was not abandoned and the Phrygian rock structures and tombs were conserved, with some additions and changes made.in the Persian, Hellenistic, Roman and Byzantine periods.
  • Phrygian and later rock tombs of the necropolis of Midas . From the 8th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
The earliest Phrygian settlement here began in the last quarter of the 8th century BC. Even after the Phrygian kingdom collapsed politically, the city was not abandoned and the Phrygian rock structures and tombs were conserved, with some additions and changes made.in the Persian, Hellenistic, Roman and Byzantine periods.
  • Underground Etruscan tomb Known as "Tomba Claudio Bettini no 5513" A single chamber with double sloping ceiling. In the tympanium on the back wall is a painted two lions, a two men lying on beds (Klinai) are  banquetting with two women bellow. On the dide walls are dancers and musicians. 5th century BC. Excavated 1967 , Etruscan Necropolis of Monterozzi, Monte del Calvario, Tarquinia, Italy. A UNESCO World Heritage Site.
  • Underground Etruscan tomb Known as "Tomba delle Leonesse". A single chamber with double sloping ceiling decorated with a painted chequered design. Six painted columns divide the walls to give the tomb the appearance of a pavillion. In the typanium of the back wall are two lionesses below which is a large Krater used to mix water and wine, flanked by two musicians and a female dancer.  Circa 520 BC. Excavated 1874, Etruscan Necropolis of Monterozzi, Monte del Calvario, Tarquinia, Italy. A UNESCO World Heritage Site.
  • Underground Etruscan tomb Known as "Tomb of the Leopard A single chamber with double sloping ceiling decorated with a painted chequered design. In the tympanuim are painted two leopards below which is a banquet sceneOn the back wall is painted a banquet scene in honour of the dead. Circa 470 BC. Excavated 1857, Etruscan Necropolis of Monterozzi, Monte del Calvario, Tarquinia, Italy. A UNESCO World Heritage Site.
  • Underground Etruscan tomb Known as "Tomba Claudio Bettini no 5513" A single chamber with double sloping ceiling. In the tympanium on the back wall is a painted two lions, a two men lying on beds (Klinai) are  banquetting with two women bellow. On the dide walls are dancers and musicians. 5th century BC. Excavated 1967 , Etruscan Necropolis of Monterozzi, Monte del Calvario, Tarquinia, Italy. A UNESCO World Heritage Site.
  • Underground Etruscan tomb no 5636 made about 1second half of the 3rd century BC. This tomb has a flat roof and stone benches on each side. On the right wall is a scene with protraits of the dead buried in the tomb followed by a female demon of death carrying a torch to light the way to the after life. Excavated 1969 , Etruscan Necropolis of Monterozzi, Monte del Calvario, Tarquinia, Italy. A UNESCO World Heritage Site.
  • Underground Etruscan tomb Known as "Tomba Claudio Bettini no 5513" A single chamber with double sloping ceiling. In the tympanium on the back wall is a painted two lions, a two men lying on beds (Klinai) are  banquetting with two women bellow. On the dide walls are dancers and musicians. 5th century BC. Excavated 1967 , Etruscan Necropolis of Monterozzi, Monte del Calvario, Tarquinia, Italy. A UNESCO World Heritage Site.
  • Underground Etruscan tomb Known as "Tomba Massimo Pallottino no 3713". A single chamber with double sloping ceiling decorated. On the back wall are a painted dancing harpist, and couples dancing holding dinking cups.  Circa 580 BC. Excavated 1962, Etruscan Necropolis of Monterozzi, Monte del Calvario, Tarquinia, Italy. A UNESCO World Heritage Site.
  • Underground Etruscan tomb Known as "Tomba delle Leonesse". A single chamber with double sloping ceiling decorated with a painted chequered design. Six painted columns divide the walls to give the tomb the appearance of a pavillion. In the typanium of the back wall are two lionesses below which is a large Krater used to mix water and wine, flanked by two musicians and a female dancer.  Circa 520 BC. Excavated 1874, Etruscan Necropolis of Monterozzi, Monte del Calvario, Tarquinia, Italy. A UNESCO World Heritage Site.
  • Underground Etruscan tomb Known as "Tomba delle Leonesse". A single chamber with double sloping ceiling decorated with a painted chequered design. Six painted columns divide the walls to give the tomb the appearance of a pavillion. In the typanium of the back wall are two lionesses below which is a large Krater used to mix water and wine, flanked by two musicians and a female dancer.  Circa 520 BC. Excavated 1874, Etruscan Necropolis of Monterozzi, Monte del Calvario, Tarquinia, Italy. A UNESCO World Heritage Site.
  • Underground Etruscan tomb Known as "Tomba delle Leonesse". A single chamber with double sloping ceiling decorated with a painted chequered design. Six painted columns divide the walls to give the tomb the appearance of a pavillion. In the typanium of the back wall are two lionesses below which is a large Krater used to mix water and wine, flanked by two musicians and a female dancer.  Circa 520 BC. Excavated 1874, Etruscan Necropolis of Monterozzi, Monte del Calvario, Tarquinia, Italy. A UNESCO World Heritage Site.
  • Underground Etruscan tomb Known as "Tomba del Cacciatore A single chamber with double sloping ceiling decorated with a painted chequered design, the rest of the tomb is decorated like a hunting tent with hanging wild ducks and hats. 510-500 BC. Excavated 1962, Etruscan Necropolis of Monterozzi, Monte del Calvario, Tarquinia, Italy. A UNESCO World Heritage Site.
  • Underground Etruscan tomb Known as "Tomb of the Leopard A single chamber with double sloping ceiling decorated with a painted chequered design. In the tympanuim are painted two leopards below which is a banquet sceneOn the back wall is painted a banquet scene in honour of the dead. Circa 470 BC. Excavated 1857, Etruscan Necropolis of Monterozzi, Monte del Calvario, Tarquinia, Italy. A UNESCO World Heritage Site.
  • Underground Etruscan tomb Known as "Tomba della Caccia al Cervo" A single chamber with double sloping ceiling. On the back wall is painted a banquet scene with three couples lying on beds (Klinai). On the dide walls are dancers and musicians. Circa 450 BC. Excavated 1960 , Etruscan Necropolis of Monterozzi, Monte del Calvario, Tarquinia, Italy. A UNESCO World Heritage Site.
  • Underground Etruscan tomb Known as "Tomb of the Leopard A single chamber with double sloping ceiling decorated with a painted chequered design. In the tympanuim are painted two leopards below which is a banquet sceneOn the back wall is painted a banquet scene in honour of the dead. Circa 470 BC. Excavated 1857, Etruscan Necropolis of Monterozzi, Monte del Calvario, Tarquinia, Italy. A UNESCO World Heritage Site.
  • Underground Etruscan tomb Known as "Tomba dei Fiorellini" A single chamber with double sloping ceiling decorated with red circles and three petalled flowers. In the tympanium on the back wall is a painted pillar and two cockerals, a couple are depicted banquetting bellow. 475-450 BC. Excavated 1960 , Etruscan Necropolis of Monterozzi, Monte del Calvario, Tarquinia, Italy. A UNESCO World Heritage Site.
  • Underground Etruscan tomb "Tomba dei Caronti" made about 150-125 BC. This tomb has a higher level with 2 painted false doors that was furnished with seats as was probably used for religious functions, steps lead down to a lower burial chamber. Excavated 1960 , Etruscan Necropolis of Monterozzi, Monte del Calvario, Tarquinia, Italy. A UNESCO World Heritage Site.
  • Underground Etruscan tomb Known as "Tomba della Caccia e della Pesca". A double chamber with double sloping ceiling. In the tsecond chamber can be see a scene of hunting and fishing in the style of the "little Ionic masters" . 520-510 BC. Excavated 1873 , Etruscan Necropolis of Monterozzi, Monte del Calvario, Tarquinia, Italy. A UNESCO World Heritage Site.
  • Underground Etruscan tomb Known as "Tomba Cardarelli" A single chamber with double sloping ceiling decorated with circles. In the tympanium has a scene of fighting animals below which is a flute player, a male figure holding a kylix. 510-500 BC. Excavated 1959 , Etruscan Necropolis of Monterozzi, Monte del Calvario, Tarquinia, Italy. A UNESCO World Heritage Site.
  • Underground Etruscan tomb Known as "Maurio Moretti no 5591" A single chamber with double sloping ceiling decorated with flowers. In the tympanium are two lions below which is a flute player, a male figure holding a kylix and a richly dressed female figure. 500-490 BC. Excavated 1968 , Etruscan Necropolis of Monterozzi, Monte del Calvario, Tarquinia, Italy. A UNESCO World Heritage Site.
  • Underground Etruscan tomb Known as "Tomba dei Fiorellini" A single chamber with double sloping ceiling decorated with red circles and three petalled flowers. In the tympanium on the back wall is a painted pillar and two cockerals, a couple are depicted banquetting bellow. 475-450 BC. Excavated 1960 , Etruscan Necropolis of Monterozzi, Monte del Calvario, Tarquinia, Italy. A UNESCO World Heritage Site.
  • Underground Etruscan tomb Known as "Tomba Massimo Pallottino no 3713". A single chamber with double sloping ceiling decorated. On the back wall are a painted dancing harpist, and couples dancing holding dinking cups.  Circa 580 BC. Excavated 1962, Etruscan Necropolis of Monterozzi, Monte del Calvario, Tarquinia, Italy. A UNESCO World Heritage Site.
  • Underground Etruscan tomb Known as "Tomba del Fiore di Loto". A single chamber with double sloping ceiling decorated with a painted ca flower design. In the typanium on the back wall are a painted Lion and panther.  Circa 520 BC. Excavated 1962, Etruscan Necropolis of Monterozzi, Monte del Calvario, Tarquinia, Italy. A UNESCO World Heritage Site.
  • Underground Etruscan tomb Known as "Tomba dei Fiorellini" A single chamber with double sloping ceiling decorated with red circles and three petalled flowers. In the tympanium on the back wall is a painted pillar and two cockerals, a couple are depicted banquetting bellow. 475-450 BC. Excavated 1960 , Etruscan Necropolis of Monterozzi, Monte del Calvario, Tarquinia, Italy. A UNESCO World Heritage Site.
  • Underground Etruscan tomb no 5636 made about 1second half of the 3rd century BC. This tomb has a flat roof and stone benches on each side. On the right wall is a scene with protraits of the dead buried in the tomb followed by a female demon of death carrying a torch to light the way to the after life. Excavated 1969 , Etruscan Necropolis of Monterozzi, Monte del Calvario, Tarquinia, Italy. A UNESCO World Heritage Site.
  • Underground Etruscan tomb "Tomba dei Caronti" made about 150-125 BC. This tomb has a higher level with 2 painted false doors that was furnished with seats as was probably used for religious functions, steps lead down to a lower burial chamber. Excavated 1960 , Etruscan Necropolis of Monterozzi, Monte del Calvario, Tarquinia, Italy. A UNESCO World Heritage Site.
  • Underground Etruscan tomb "Tomba dei Caronti" made about 150-125 BC. This tomb has a higher level with 2 painted false doors that was furnished with seats as was probably used for religious functions, steps lead down to a lower burial chamber. Excavated 1960 , Etruscan Necropolis of Monterozzi, Monte del Calvario, Tarquinia, Italy. A UNESCO World Heritage Site.
  • Underground Etruscan tomb "Tomba dei Caronti" made about 150-125 BC. This tomb has a higher level with 2 painted false doors that was furnished with seats as was probably used for religious functions, steps lead down to a lower burial chamber. Excavated 1960 , Etruscan Necropolis of Monterozzi, Monte del Calvario, Tarquinia, Italy. A UNESCO World Heritage Site.
  • Underground Etruscan tomb "Tomba dei Caronti" made about 150-125 BC. This tomb has a higher level with 2 painted false doors that was furnished with seats as was probably used for religious functions, steps lead down to a lower burial chamber. Excavated 1960 , Etruscan Necropolis of Monterozzi, Monte del Calvario, Tarquinia, Italy. A UNESCO World Heritage Site.
  • Underground Etruscan tomb "Tomba dei Caronti" made about 150-125 BC. This tomb has a higher level with 2 painted false doors that was furnished with seats as was probably used for religious functions, steps lead down to a lower burial chamber. Excavated 1960 , Etruscan Necropolis of Monterozzi, Monte del Calvario, Tarquinia, Italy. A UNESCO World Heritage Site.
  • Underground Etruscan tomb Known as "Tomba delle Leonesse". A single chamber with double sloping ceiling decorated with a painted chequered design. Six painted columns divide the walls to give the tomb the appearance of a pavillion. In the typanium of the back wall are two lionesses below which is a large Krater used to mix water and wine, flanked by two musicians and a female dancer.  Circa 520 BC. Excavated 1874, Etruscan Necropolis of Monterozzi, Monte del Calvario, Tarquinia, Italy. A UNESCO World Heritage Site.
  • Underground Etruscan tomb Known as "Tomba Claudio Bettini no 5513" A single chamber with double sloping ceiling. In the tympanium on the back wall is a painted two lions, a two men lying on beds (Klinai) are  banquetting with two women bellow. On the dide walls are dancers and musicians. 5th century BC. Excavated 1967 , Etruscan Necropolis of Monterozzi, Monte del Calvario, Tarquinia, Italy. A UNESCO World Heritage Site.
  • Underground Etruscan tomb no 5636 made about 1second half of the 3rd century BC. This tomb has a flat roof and stone benches on each side. On the right wall is a scene with protraits of the dead buried in the tomb followed by a female demon of death carrying a torch to light the way to the after life. Excavated 1969 , Etruscan Necropolis of Monterozzi, Monte del Calvario, Tarquinia, Italy. A UNESCO World Heritage Site.
  • Underground Etruscan tomb Known as "Tomba Cardarelli" A single chamber with double sloping ceiling decorated with circles. In the tympanium has a scene of fighting animals below which is a flute player, a male figure holding a kylix. 510-500 BC. Excavated 1959 , Etruscan Necropolis of Monterozzi, Monte del Calvario, Tarquinia, Italy. A UNESCO World Heritage Site.
  • Underground Etruscan tomb Known as "Tomba Cardarelli" A single chamber with double sloping ceiling decorated with circles. In the tympanium has a scene of fighting animals below which is a flute player, a male figure holding a kylix. 510-500 BC. Excavated 1959 , Etruscan Necropolis of Monterozzi, Monte del Calvario, Tarquinia, Italy. A UNESCO World Heritage Site.
  • Underground Etruscan tomb Known as "Tomba delle Leonesse". A single chamber with double sloping ceiling decorated with a painted chequered design. Six painted columns divide the walls to give the tomb the appearance of a pavillion. In the typanium of the back wall are two lionesses below which is a large Krater used to mix water and wine, flanked by two musicians and a female dancer.  Circa 520 BC. Excavated 1874, Etruscan Necropolis of Monterozzi, Monte del Calvario, Tarquinia, Italy. A UNESCO World Heritage Site.
  • Underground Etruscan tomb Known as "Tomba del Cacciatore A single chamber with double sloping ceiling decorated with a painted chequered design, the rest of the tomb is decorated like a hunting tent with hanging wild ducks and hats. 510-500 BC. Excavated 1962, Etruscan Necropolis of Monterozzi, Monte del Calvario, Tarquinia, Italy. A UNESCO World Heritage Site.
  • Underground Etruscan tomb Known as "Tomb of the Leopard A single chamber with double sloping ceiling decorated with a painted chequered design. In the tympanuim are painted two leopards below which is a banquet sceneOn the back wall is painted a banquet scene in honour of the dead. Circa 470 BC. Excavated 1857, Etruscan Necropolis of Monterozzi, Monte del Calvario, Tarquinia, Italy. A UNESCO World Heritage Site.
  • Underground Etruscan tomb "Tomba dei Caronti" made about 150-125 BC. This tomb has a higher level with 2 painted false doors that was furnished with seats as was probably used for religious functions, steps lead down to a lower burial chamber. Excavated 1960 , Etruscan Necropolis of Monterozzi, Monte del Calvario, Tarquinia, Italy. A UNESCO World Heritage Site.
  • Paros Marble Lycian Sarcophagus from the end of the 5th Cent. B.C  from the Royal Necropolis of Sidon (lebanon), Chamber no IV. Istanbul Archaeological Museum Inv. No 369T Cat. Mendel 63.
  • Sarcophagus of The Mourning Women, 4th cent. B.C Greek from the Royal Necropolis of Sidon , Chamber no I, Lebanon, Istanbul Archaeological Museum Inv. 386T  Cat. Mendel 10.
  • Satrap Sarcophagus, Paros marble from the Royal Necropolis of Sidon, Chamber no. VI. Second half of the 5th cent. B.C.  Istanbul Archaeological museum Inv 367 T.  Cat. Mendel 9
  • Roman relief sculptures of gladiator fights 3rd century AD from Hierapolis Northern Necropolis. Hierapolis Archaeology Museum, Turkey. Against a grey background
  • Three quarters view of the 6th century BC Etruscan Bull headed bucherro style oinochoe, or wine jug,  made in Chuisi and excavated from the necropolis de Fonte Rotella, inv 3190, National Archaeological Museum Florence, Italy , black background
  • Side view of the 6th century BC Etruscan Bull headed bucherro style oinochoe, or wine jug,  made in Chuisi and excavated from the necropolis de Fonte Rotella, inv 3190, National Archaeological Museum Florence, Italy , white background
  • Paros Marble Lycian Sarcophagus from the end of the 5th Cent. B.C  from the Royal Necropolis of Sidon (lebanon), Chamber no IV. Istanbul Archaeological Museum Inv. No 369T Cat. Mendel 63.
  • Paros Marble Lycian Sarcophagus from the end of the 5th Cent. B.C  from the Royal Necropolis of Sidon (lebanon), Chamber no IV. Istanbul Archaeological Museum Inv. No 369T Cat. Mendel 63.
  • Paros Marble Lycian Sarcophagus from the end of the 5th Cent. B.C  from the Royal Necropolis of Sidon (lebanon), Chamber no IV. Istanbul Archaeological Museum Inv. No 369T Cat. Mendel 63.
  • Paros Marble Lycian Sarcophagus from the end of the 5th Cent. B.C  from the Royal Necropolis of Sidon (lebanon), Chamber no IV. Istanbul Archaeological Museum Inv. No 369T Cat. Mendel 63.
  • Sarcophagus of The Mourning Women, 4th cent. B.C Greek from the Royal Necropolis of Sidon , Chamber no I, Lebanon, Istanbul Archaeological Museum Inv. 386T  Cat. Mendel 10.
  • Alexander The Great ( Alexander III of Macedon) 4th Cent BC. Sarcophagus calved from Pentelic Marble from the Royal Necropolis of Sidon, Chamber no.III, Lebanon. Istanbul Archaeological Museum Inv. 370T Cat. Mendel 68
  • Alexander The Great ( Alexander III of Macedon) 4th Cent BC. Sarcophagus calved from Pentelic Marble from the Royal Necropolis of Sidon, Chamber no.III, Lebanon. Istanbul Archaeological Museum Inv. 370T Cat. Mendel 68
  • Alexander The Great ( Alexander III of Macedon) 4th Cent BC. Sarcophagus calved from Pentelic Marble from the Royal Necropolis of Sidon, Chamber no.III, Lebanon. Istanbul Archaeological Museum Inv. 370T Cat. Mendel 68
  • Sarcophagus of The Mourning Women, 4th cent. B.C Greek from the Royal Necropolis of Sidon , Chamber no I, Lebanon, Istanbul Archaeological Museum Inv. 386T  Cat. Mendel 10.
  • Sarcophagus of The Mourning Women, 4th cent. B.C Greek from the Royal Necropolis of Sidon , Chamber no I, Lebanon, Istanbul Archaeological Museum Inv. 386T  Cat. Mendel 10.
  • Satrap Sarcophagus, Paros marble from the Royal Necropolis of Sidon, Chamber no. VI. Second half of the 5th cent. B.C.  Istanbul Archaeological museum Inv 367 T.  Cat. Mendel 9
  • Satrap Sarcophagus, Paros marble from the Royal Necropolis of Sidon, Chamber no. VI. Second half of the 5th cent. B.C.  Istanbul Archaeological museum Inv 367 T.  Cat. Mendel 9
  • Roman relief sculptures of gladiator fights 3rd century AD from Hierapolis Northern Necropolis. Hierapolis Archaeology Museum, Turkey. Against an white background
  • Roman relief sculptures of gladiator fights 3rd century AD from Hierapolis Northern Necropolis. Hierapolis Archaeology Museum, Turkey. Against a grey background
  • Roman relief sculptures of gladiator fights 3rd century AD from Hierapolis Northern Necropolis. Hierapolis Archaeology Museum, Turkey. Against an art background
  • Roman relief sculptures of gladiator fights 3rd century AD from Hierapolis Northern Necropolis. Hierapolis Archaeology Museum, Turkey
  • Etruscan cinerary, funreary, urn cover depicting a husband and wife,  from the Padata Necropolis, Chianciano, end of 5th century B.C., inv 94352 National Archaeological Museum Florence, Italy , against grey
  • Etruscan cinerary, funreary, urn cover depicting a husband and wife,  from the Padata Necropolis, Chianciano, end of 5th century B.C., inv 94352 National Archaeological Museum Florence, Italy
  • Etruscan cinerary, funreary, urn cover depicting a husband and wife,  from the Padata Necropolis, Chianciano, end of 5th century B.C., inv 94352 National Archaeological Museum Florence, Italy , grey art background
  • Three quarters view of the 6th century BC Etruscan Bull headed bucherro style oinochoe, or wine jug,  made in Chuisi and excavated from the necropolis de Fonte Rotella, inv 3190, National Archaeological Museum Florence, Italy , white background
  • 6th century BC Etruscan Bull headed bucherro style oinochoe, or wine jug,  made in Chuisi and excavated from the necropolis de Fonte Rotella, inv 3190, National Archaeological Museum Florence, Italy
  • Three quarters view of the 6th century BC Etruscan Bull headed bucherro style oinochoe, or wine jug,  made in Chuisi and excavated from the necropolis de Fonte Rotella, inv 3190, National Archaeological Museum Florence, Italy
  • 6th century BC Etruscan Bull headed bucherro style oinochoe, or wine jug,  made in Chuisi and excavated from the necropolis de Fonte Rotella, inv 3190, National Archaeological Museum Florence, Italy , white background
  • 6th century BC Etruscan Bull headed bucherro style oinochoe, or wine jug,  made in Chuisi and excavated from the necropolis de Fonte Rotella, inv 3190, National Archaeological Museum Florence, Italy
  • Side view of the 6th century BC Etruscan Bull headed bucherro style oinochoe, or wine jug,  made in Chuisi and excavated from the necropolis de Fonte Rotella, inv 3190, National Archaeological Museum Florence, Italy , against grey
  • Paros Marble Lycian Sarcophagus from the end of the 5th Cent. B.C  from the Royal Necropolis of Sidon (lebanon), Chamber no IV. Istanbul Archaeological Museum Inv. No 369T Cat. Mendel 63.
  • Paros Marble Lycian Sarcophagus from the end of the 5th Cent. B.C  from the Royal Necropolis of Sidon (lebanon), Chamber no IV. Istanbul Archaeological Museum Inv. No 369T Cat. Mendel 63.
  • Sarcophagus of The Mourning Women, 4th cent. B.C Greek from the Royal Necropolis of Sidon , Chamber no I, Lebanon, Istanbul Archaeological Museum Inv. 386T  Cat. Mendel 10.
  • Sarcophagus of The Mourning Women, 4th cent. B.C Greek from the Royal Necropolis of Sidon , Chamber no I, Lebanon, Istanbul Archaeological Museum Inv. 386T  Cat. Mendel 10.
  • Satrap Sarcophagus, Paros marble from the Royal Necropolis of Sidon, Chamber no. VI. Second half of the 5th cent. B.C.  Istanbul Archaeological museum Inv 367 T.  Cat. Mendel 9
  • Phrygian and later rock tombs of the necropolis of Midas . From the 8th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
The earliest Phrygian settlement here began in the last quarter of the 8th century BC. Even after the Phrygian kingdom collapsed politically, the city was not abandoned and the Phrygian rock structures and tombs were conserved, with some additions and changes made.in the Persian, Hellenistic, Roman and Byzantine periods.
  • Roman relief sculptures of gladiator fights 3rd century AD from Hierapolis Northern Necropolis. Hierapolis Archaeology Museum, Turkey . Against an black background
  • Roman relief sculptures of gladiator fights 3rd century AD from Hierapolis Northern Necropolis. Hierapolis Archaeology Museum, Turkey. Against an art background
  • Roman relief sculptures of gladiator fights 3rd century AD from Hierapolis Northern Necropolis. Hierapolis Archaeology Museum, Turkey
  • Roman relief sculptures of gladiator fights 3rd century AD from Hierapolis Northern Necropolis. Hierapolis Archaeology Museum, Turkey . Against an black background
  • Roman relief sculptures of gladiator fights 3rd century AD from Hierapolis Northern Necropolis. Hierapolis Archaeology Museum, Turkey. Against an art background
  • Etruscan cinerary, funreary, urn cover depicting a husband and wife,  from the Padata Necropolis, Chianciano, end of 5th century B.C., inv 94352 National Archaeological Museum Florence, Italy , white background
  • Etruscan cinerary, funreary, urn cover depicting a husband and wife,  from the Padata Necropolis, Chianciano, end of 5th century B.C., inv 94352 National Archaeological Museum Florence, Italy , black background
  • Three quarters view of the 6th century BC Etruscan Bull headed bucherro style oinochoe, or wine jug,  made in Chuisi and excavated from the necropolis de Fonte Rotella, inv 3190, National Archaeological Museum Florence, Italy  , grey art background
  • Paros Marble Lycian Sarcophagus from the end of the 5th Cent. B.C  from the Royal Necropolis of Sidon (lebanon), Chamber no IV. Istanbul Archaeological Museum Inv. No 369T Cat. Mendel 63.
  • Paros Marble Lycian Sarcophagus from the end of the 5th Cent. B.C  from the Royal Necropolis of Sidon (lebanon), Chamber no IV. Istanbul Archaeological Museum Inv. No 369T Cat. Mendel 63.
  • Paros Marble Lycian Sarcophagus from the end of the 5th Cent. B.C  from the Royal Necropolis of Sidon (lebanon), Chamber no IV. Istanbul Archaeological Museum Inv. No 369T Cat. Mendel 63.
  • Paros Marble Lycian Sarcophagus from the end of the 5th Cent. B.C  from the Royal Necropolis of Sidon (lebanon), Chamber no IV. Istanbul Archaeological Museum Inv. No 369T Cat. Mendel 63.
  • Paros Marble Lycian Sarcophagus from the end of the 5th Cent. B.C  from the Royal Necropolis of Sidon (lebanon), Chamber no IV. Istanbul Archaeological Museum Inv. No 369T Cat. Mendel 63.
  • Paros Marble Lycian Sarcophagus from the end of the 5th Cent. B.C  from the Royal Necropolis of Sidon (lebanon), Chamber no IV. Istanbul Archaeological Museum Inv. No 369T Cat. Mendel 63.
  • Alexander The Great ( Alexander III of Macedon) 4th Cent BC. Sarcophagus calved from Pentelic Marble from the Royal Necropolis of Sidon, Chamber no.III, Lebanon. Istanbul Archaeological Museum Inv. 370T Cat. Mendel 68
  • Sarcophagus of The Mourning Women, 4th cent. B.C Greek from the Royal Necropolis of Sidon , Chamber no I, Lebanon, Istanbul Archaeological Museum Inv. 386T  Cat. Mendel 10.
  • Satrap Sarcophagus, Paros marble from the Royal Necropolis of Sidon, Chamber no. VI. Second half of the 5th cent. B.C.  Istanbul Archaeological museum Inv 367 T.  Cat. Mendel 9
  • Roman relief sculptures of gladiator fights 3rd century AD from Hierapolis Northern Necropolis. Hierapolis Archaeology Museum, Turkey
  • Roman relief sculptures of gladiator fights 3rd century AD from Hierapolis Northern Necropolis. Hierapolis Archaeology Museum, Turkey . Against an black background
  • Roman relief sculptures of gladiator fights 3rd century AD from Hierapolis Northern Necropolis. Hierapolis Archaeology Museum, Turkey
  • Three quarters view of the 6th century BC Etruscan Bull headed bucherro style oinochoe, or wine jug,  made in Chuisi and excavated from the necropolis de Fonte Rotella, inv 3190, National Archaeological Museum Florence, Italy , against grey
  • 6th century BC Etruscan Bull headed bucherro style oinochoe, or wine jug,  made in Chuisi and excavated from the necropolis de Fonte Rotella, inv 3190, National Archaeological Museum Florence, Italy  , grey art background
  • Side view of the 6th century BC Etruscan Bull headed bucherro style oinochoe, or wine jug,  made in Chuisi and excavated from the necropolis de Fonte Rotella, inv 3190, National Archaeological Museum Florence, Italy  , grey art background
  • Side view of the 6th century BC Etruscan Bull headed bucherro style oinochoe, or wine jug,  made in Chuisi and excavated from the necropolis de Fonte Rotella, inv 3190, National Archaeological Museum Florence, Italy
  • Paros Marble Lycian Sarcophagus from the end of the 5th Cent. B.C  from the Royal Necropolis of Sidon (lebanon), Chamber no IV. Istanbul Archaeological Museum Inv. No 369T Cat. Mendel 63.
  • Paros Marble Lycian Sarcophagus from the end of the 5th Cent. B.C  from the Royal Necropolis of Sidon (lebanon), Chamber no IV. Istanbul Archaeological Museum Inv. No 369T Cat. Mendel 63.
  • Paros Marble Lycian Sarcophagus from the end of the 5th Cent. B.C  from the Royal Necropolis of Sidon (lebanon), Chamber no IV. Istanbul Archaeological Museum Inv. No 369T Cat. Mendel 63.
  • Sarcophagus of The Mourning Women, 4th cent. B.C Greek from the Royal Necropolis of Sidon , Chamber no I, Lebanon, Istanbul Archaeological Museum Inv. 386T  Cat. Mendel 10.
  • Sarcophagus of The Mourning Women, 4th cent. B.C Greek from the Royal Necropolis of Sidon , Chamber no I, Lebanon, Istanbul Archaeological Museum Inv. 386T  Cat. Mendel 10.
  • Alexander The Great ( Alexander III of Macedon) 4th Cent BC. Sarcophagus calved from Pentelic Marble from the Royal Necropolis of Sidon, Chamber no.III, Lebanon. Istanbul Archaeological Museum Inv. 370T Cat. Mendel 68
  • Sarcophagus of The Mourning Women, 4th cent. B.C Greek from the Royal Necropolis of Sidon , Chamber no I, Lebanon, Istanbul Archaeological Museum Inv. 386T  Cat. Mendel 10.
  • Phrygian and later rock tombs of the necropolis of Midas . From the 8th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
The earliest Phrygian settlement here began in the last quarter of the 8th century BC. Even after the Phrygian kingdom collapsed politically, the city was not abandoned and the Phrygian rock structures and tombs were conserved, with some additions and changes made.in the Persian, Hellenistic, Roman and Byzantine periods.
  • Roman relief sculptures of gladiator fights 3rd century AD from Hierapolis Northern Necropolis. Hierapolis Archaeology Museum, Turkey. Against a grey background
  • Roman relief sculptures of gladiator fights 3rd century AD from Hierapolis Northern Necropolis. Hierapolis Archaeology Museum, Turkey. Against an white background
  • 6th century BC Etruscan Bull headed bucherro style oinochoe, or wine jug,  made in Chuisi and excavated from the necropolis de Fonte Rotella, inv 3190, National Archaeological Museum Florence, Italy , against grey
  • Side view of the 6th century BC Etruscan Bull headed bucherro style oinochoe, or wine jug,  made in Chuisi and excavated from the necropolis de Fonte Rotella, inv 3190, National Archaeological Museum Florence, Italy
  • Roman sarcophagus with garland reliefs sculptures, 3rd century AD made in Laodicea on the Lycus from Hierapolis Necropolis . Hierapolis Archaeology Museum, Turkey<br />
<br />
Sarcophagus With Garland.<br />
<br />
They were widely used in the valley of Menderes from the beginning of the 2nd century A.D. The Nike on the edges and the Eros in the middle of the long sides carry the garlands. There are Medusa masks on the upper spaces of the garlands, sometimes the portraits of the owners of the tombs and some mythological descriptions take place here. Medusa masks symbolise the protection of the tomb where as the garlands symbolise the meeting of the owner in the other world. Ostoteks are also made in the some manner. . Against an white background
  • Roman sarcophagus with garland reliefs sculptures, 3rd century AD made in Laodicea on the Lycus from Hierapolis Necropolis . Hierapolis Archaeology Museum, Turkey<br />
<br />
Sarcophagus With Garland.<br />
<br />
They were widely used in the valley of Menderes from the beginning of the 2nd century A.D. The Nike on the edges and the Eros in the middle of the long sides carry the garlands. There are Medusa masks on the upper spaces of the garlands, sometimes the portraits of the owners of the tombs and some mythological descriptions take place here. Medusa masks symbolise the protection of the tomb where as the garlands symbolise the meeting of the owner in the other world. Ostoteks are also made in the some manner. . Against a grey background
  • Roman sarcophagus with garland reliefs sculptures, 3rd century AD made in Laodicea on the Lycus from Hierapolis Necropolis . Hierapolis Archaeology Museum, Turkey<br />
<br />
Sarcophagus With Garland.<br />
<br />
They were widely used in the valley of Menderes from the beginning of the 2nd century A.D. The Nike on the edges and the Eros in the middle of the long sides carry the garlands. There are Medusa masks on the upper spaces of the garlands, sometimes the portraits of the owners of the tombs and some mythological descriptions take place here. Medusa masks symbolise the protection of the tomb where as the garlands symbolise the meeting of the owner in the other world. Ostoteks are also made in the some manner. Against an art background
  • Roman sarcophagus with garland reliefs sculptures, 3rd century AD made in Laodicea on the Lycus from Hierapolis Necropolis . Hierapolis Archaeology Museum, Turkey<br />
<br />
Sarcophagus With Garland.<br />
<br />
They were widely used in the valley of Menderes from the beginning of the 2nd century A.D. The Nike on the edges and the Eros in the middle of the long sides carry the garlands. There are Medusa masks on the upper spaces of the garlands, sometimes the portraits of the owners of the tombs and some mythological descriptions take place here. Medusa masks symbolise the protection of the tomb where as the garlands symbolise the meeting of the owner in the other world. Ostoteks are also made in the some manner.
  • Middle Neoloithic statue from grave 410 of the hypogeic necropolis of cuccuru S'Arriu, Cabras, Sardinia, Italy. Museo archeologico nazionale, Cagliari, Italy. (National Archaeological Museum) - Art Grey Background
  • Middle Neoloithic statue from grave 410 of the hypogeic necropolis of cuccuru S'Arriu, Cabras, Sardinia, Italy. Museo archeologico nazionale, Cagliari, Italy. (National Archaeological Museum) - Art Background
  • Fifth Century Christian Eastern Roman Byzantine  funerary mosaic from Mezghani Christian necropolis mounds in the Roman province of Africa Proconsularis , (Tunisian Sfax) dedicated to Priscianus. Above the memorial text is the Constantinian monogram depicting the Christian Chi-Rho symbol used by the Roman emperor Constantine I as part of his military standard (vexillum). The layout of the mosaic is typical of those excavated in the Sfax region from this period.<br />
<br />
The Bardo National Museum, Tunis, Tunisia.   Against a grey background.
  • The Christian Eastern Roman Byzantine memorial funerary mosaic for Crescentia. <br />
Above the funerary portrait of Crescentia are the words: ‘Crescentia, innocent and in Peace’. Crescentia is dressed in a dalmatic, a long wide-sleeved tunic, with a belt around the waiste and a neclace around her neck. Lit candles represent eternal life. 5th century AD from the western necropolis of Thabraca, Tabarka, Tunisia, Bardo Museum, Tunis, Tunisia. Grey background
  • The Christian Eastern Roman Byzantine memorial funerary mosaic for Crescentia. <br />
Above the funerary portrait of Crescentia are the words: ‘Crescentia, innocent and in Peace’. Crescentia is dressed in a dalmatic, a long wide-sleeved tunic, with a belt around the waiste and a neclace around her neck. Lit candles represent eternal life. 5th century AD from the western necropolis of Thabraca, Tabarka, Tunisia, Bardo Museum, Tunis, Tunisia. Black background
  • Roman gold decorative jewellery head band, 1st century AD from Hierapolis Gumusler Necropolis. Hierapolis Archaeology Museum, Turkey . Against an black background
  • Roman gold decorative jewellery head band, 1st century AD from Hierapolis Gumusler Necropolis. Hierapolis Archaeology Museum, Turkey. Against an art background
  • Roman relief funereal stele from Hierapolis Northern Necropolis. Hierapolis Archaeology Museum, Turkey. Against a grey background
  • Roman relief funereal stele from Hierapolis Northern Necropolis. Hierapolis Archaeology Museum, Turkey. Against an art background
  • Roman relief funereal stele from Hierapolis Northern Necropolis. Hierapolis Archaeology Museum, Turkey
  • Roman sarcophagus with garland reliefs sculptures, 3rd century AD made in Laodicea on the Lycus from Hierapolis Necropolis . Hierapolis Archaeology Museum, Turkey<br />
<br />
Sarcophagus With Garland.<br />
<br />
They were widely used in the valley of Menderes from the beginning of the 2nd century A.D. The Nike on the edges and the Eros in the middle of the long sides carry the garlands. There are Medusa masks on the upper spaces of the garlands, sometimes the portraits of the owners of the tombs and some mythological descriptions take place here. Medusa masks symbolise the protection of the tomb where as the garlands symbolise the meeting of the owner in the other world. Ostoteks are also made in the some manner.  . Against an black background
  • Roman sarcophagus with garland reliefs sculptures, 3rd century AD made in Laodicea on the Lycus from Hierapolis Necropolis . Hierapolis Archaeology Museum, Turkey<br />
<br />
Sarcophagus With Garland.<br />
<br />
They were widely used in the valley of Menderes from the beginning of the 2nd century A.D. The Nike on the edges and the Eros in the middle of the long sides carry the garlands. There are Medusa masks on the upper spaces of the garlands, sometimes the portraits of the owners of the tombs and some mythological descriptions take place here. Medusa masks symbolise the protection of the tomb where as the garlands symbolise the meeting of the owner in the other world. Ostoteks are also made in the some manner. . Against an white background
  • Roman sarcophagus with garland reliefs sculptures, 3rd century AD made in Laodicea on the Lycus from Hierapolis Necropolis . Hierapolis Archaeology Museum, Turkey<br />
<br />
Sarcophagus With Garland.<br />
<br />
They were widely used in the valley of Menderes from the beginning of the 2nd century A.D. The Nike on the edges and the Eros in the middle of the long sides carry the garlands. There are Medusa masks on the upper spaces of the garlands, sometimes the portraits of the owners of the tombs and some mythological descriptions take place here. Medusa masks symbolise the protection of the tomb where as the garlands symbolise the meeting of the owner in the other world. Ostoteks are also made in the some manner.  . Against an black background
  • Fifth Century Christian Eastern Roman Byzantine  funerary mosaic from Mezghani Christian necropolis mounds in the Roman province of Africa Proconsularis , (Tunisian Sfax) dedicated to Priscianus. Above the memorial text is the Constantinian monogram depicting the Christian Chi-Rho symbol used by the Roman emperor Constantine I as part of his military standard (vexillum). The layout of the mosaic is typical of those excavated in the Sfax region from this period.<br />
<br />
The Bardo National Museum, Tunis, Tunisia. Against a grey art background.
  • Fifth century AD Eastern Roman Byzantine  Christian  funerary mosaic of of a little girl The fragmentary inscription is at the top: (name of the deceased) who lived 4 years 11 months, 3 days 7 hours. The deceased is featured in a praying attitude, wearing an embroidered dalmatic. A monogrammed cross and a lit candle accompany the funerary idealised portrait. <br />
Christian necropolis of the Mezghani mounds in the Roman province of Africa Proconsularis  (present day Sfax, Tunisia) Fifth c. A.D. <br />
<br />
<br />
The Bardo National Museum Tunis, Tunisia.  Against a black background.
  • Fifth century AD Eastern Roman Byzantine  Christian  funerary mosaic of of a little girl The fragmentary inscription is at the top: (name of the deceased) who lived 4 years 11 months, 3 days 7 hours. The deceased is featured in a praying attitude, wearing an embroidered dalmatic. A monogrammed cross and a lit candle accompany the funerary idealised portrait. <br />
Christian necropolis of the Mezghani mounds in the Roman province of Africa Proconsularis  (present day Sfax, Tunisia) Fifth c. A.D. <br />
<br />
<br />
The Bardo National Museum Tunis, Tunisia
  • Fifth century AD Eastern Roman Byzantine  Christian  funerary mosaic of of a little girl The fragmentary inscription is at the top: (name of the deceased) who lived 4 years 11 months, 3 days 7 hours. The deceased is featured in a praying attitude, wearing an embroidered dalmatic. A monogrammed cross and a lit candle accompany the funerary idealised portrait. <br />
Christian necropolis of the Mezghani mounds in the Roman province of Africa Proconsularis  (present day Sfax, Tunisia) Fifth c. A.D. <br />
<br />
<br />
The Bardo National Museum Tunis, Tunisia. Against a grey art background.
  • The Christian Eastern Roman Byzantine memorial funerary mosaic for Felicitas and Victoria. <br />
<br />
A mosaic depiction of a female decorates the grave of  Felicitas and Victoria which bears their inscription and that they departed in peace. Lit candles representing eturnal life and birds are also depicted on the funerary panel.<br />
<br />
5th century AD from the western necropolis of Thabraca, Tabarka, Tunisia, Bardo Museum, Tunis, Tunisia. White background
  • The Christian Eastern Roman Byzantine memorial funerary mosaic for Felicitas and Victoria. <br />
<br />
A mosaic depiction of a female decorates the grave of  Felicitas and Victoria which bears their inscription and that they departed in peace. Lit candles representing eturnal life and birds are also depicted on the funerary panel.<br />
<br />
5th century AD from the western necropolis of Thabraca, Tabarka, Tunisia, Bardo Museum, Tunis, Tunisia
  • The Christian Eastern Roman Byzantine memorial funerary mosaic for Felicitas and Victoria. <br />
<br />
A mosaic depiction of a female decorates the grave of  Felicitas and Victoria which bears their inscription and that they departed in peace. Lit candles representing eturnal life and birds are also depicted on the funerary panel.<br />
<br />
5th century AD from the western necropolis of Thabraca, Tabarka, Tunisia, Bardo Museum, Tunis, Tunisia. Black background
  • Roman gold decorative jewellery head band, 1st century AD from Hierapolis Gumusler Necropolis. Hierapolis Archaeology Museum, Turkey. Against an white background
  • Roman gold decorative jewellery head band, 1st century AD from Hierapolis Gumusler Necropolis. Hierapolis Archaeology Museum, Turkey
  • Roman relief funereal stele from Hierapolis Northern Necropolis. Hierapolis Archaeology Museum, Turkey. Against an white background
  • Roman sarcophagus with garland reliefs sculptures, 3rd century AD made in Laodicea on the Lycus from Hierapolis Necropolis . Hierapolis Archaeology Museum, Turkey<br />
<br />
Sarcophagus With Garland.<br />
<br />
They were widely used in the valley of Menderes from the beginning of the 2nd century A.D. The Nike on the edges and the Eros in the middle of the long sides carry the garlands. There are Medusa masks on the upper spaces of the garlands, sometimes the portraits of the owners of the tombs and some mythological descriptions take place here. Medusa masks symbolise the protection of the tomb where as the garlands symbolise the meeting of the owner in the other world. Ostoteks are also made in the some manner. Against an art background
  • Roman sarcophagus with garland reliefs sculptures, 3rd century AD made in Laodicea on the Lycus from Hierapolis Necropolis . Hierapolis Archaeology Museum, Turkey<br />
<br />
Sarcophagus With Garland.<br />
<br />
They were widely used in the valley of Menderes from the beginning of the 2nd century A.D. The Nike on the edges and the Eros in the middle of the long sides carry the garlands. There are Medusa masks on the upper spaces of the garlands, sometimes the portraits of the owners of the tombs and some mythological descriptions take place here. Medusa masks symbolise the protection of the tomb where as the garlands symbolise the meeting of the owner in the other world. Ostoteks are also made in the some manner.
  • Roman sarcophagus with garland reliefs sculptures, 3rd century AD made in Laodicea on the Lycus from Hierapolis Necropolis . Hierapolis Archaeology Museum, Turkey<br />
<br />
Sarcophagus With Garland.<br />
<br />
They were widely used in the valley of Menderes from the beginning of the 2nd century A.D. The Nike on the edges and the Eros in the middle of the long sides carry the garlands. There are Medusa masks on the upper spaces of the garlands, sometimes the portraits of the owners of the tombs and some mythological descriptions take place here. Medusa masks symbolise the protection of the tomb where as the garlands symbolise the meeting of the owner in the other world. Ostoteks are also made in the some manner.
  • Roman sarcophagus with garland reliefs sculptures, 3rd century AD made in Laodicea on the Lycus from Hierapolis Necropolis . Hierapolis Archaeology Museum, Turkey<br />
<br />
Sarcophagus With Garland.<br />
<br />
They were widely used in the valley of Menderes from the beginning of the 2nd century A.D. The Nike on the edges and the Eros in the middle of the long sides carry the garlands. There are Medusa masks on the upper spaces of the garlands, sometimes the portraits of the owners of the tombs and some mythological descriptions take place here. Medusa masks symbolise the protection of the tomb where as the garlands symbolise the meeting of the owner in the other world. Ostoteks are also made in the some manner. . Against a grey background
  • Middle Neoloithic statue from grave 410 of the hypogeic necropolis of cuccuru S'Arriu, Cabras, Sardinia, Italy. Museo archeologico nazionale, Cagliari, Italy. (National Archaeological Museum) - Black Background
  • Fifth Century Christian Eastern Roman Byzantine  funerary mosaic from Mezghani Christian necropolis mounds in the Roman province of Africa Proconsularis , (Tunisian Sfax) dedicated to Priscianus. Above the memorial text is the Constantinian monogram depicting the Christian Chi-Rho symbol used by the Roman emperor Constantine I as part of his military standard (vexillum). The layout of the mosaic is typical of those excavated in the Sfax region from this period.<br />
<br />
The Bardo National Museum, Tunis, Tunisia.  Against a white background.
  • Fifth Century Christian Eastern Roman Byzantine  funerary mosaic from Mezghani Christian necropolis mounds in the Roman province of Africa Proconsularis , (Tunisian Sfax) dedicated to Priscianus. Above the memorial text is the Constantinian monogram depicting the Christian Chi-Rho symbol used by the Roman emperor Constantine I as part of his military standard (vexillum). The layout of the mosaic is typical of those excavated in the Sfax region from this period.<br />
<br />
The Bardo National Museum, Tunis, Tunisia.
  • Fifth century AD Eastern Roman Byzantine  Christian  funerary mosaic of of a little girl The fragmentary inscription is at the top: (name of the deceased) who lived 4 years 11 months, 3 days 7 hours. The deceased is featured in a praying attitude, wearing an embroidered dalmatic. A monogrammed cross and a lit candle accompany the funerary idealised portrait. <br />
Christian necropolis of the Mezghani mounds in the Roman province of Africa Proconsularis  (present day Sfax, Tunisia) Fifth c. A.D. <br />
<br />
<br />
The Bardo National Museum Tunis, Tunisia.  Against a white background.
  • Fifth century AD Roman Christian  funerary mosaic of of a little girl The fragmentary inscription is at the top: (name of the deceased) who lived 4 years 11 months, 3 days 7 hours. The deceased is featured in a praying attitude, wearing an embroidered dalmatic. A monogrammed cross and a lit candle accompany the funerary idealised portrait. <br />
Christian necropolis of the Mezghani mounds in the Roman province of Africa Proconsularis  (present day Sfax, Tunisia) Fifth c. A.D. <br />
<br />
<br />
The Bardo National Museum Tunis, Tunisia.   Against a grey background.
  • 5th century AD Eastern Roman Byzantine  Christian  funerary mosaic of Crescentia from Tharbarka western Necropolis in the Roman province of Africa Proconsularis, present day Tunisia. The funerary portrait depicts a young girl, Crescentia, dressed in a dalmatic tunic with vertical stripes, pulled in at the waist by a belt , with a necklace around her neck. Today the dalmatic is a long wide-sleeved tunic, which still serves as a liturgical vestment in the Roman Catholic church. To the right side of Crescentia is a lit candle which symbolises eternal faith. <br />
<br />
The Bardo National Museum Tunis, Tunisia
  • The Christian Eastern Roman Byzantine memorial funerary mosaic for Crescentia. <br />
Above the funerary portrait of Crescentia are the words: ‘Crescentia, innocent and in Peace’. Crescentia is dressed in a dalmatic, a long wide-sleeved tunic, with a belt around the waiste and a neclace around her neck. Lit candles represent eternal life. 5th century AD from the western necropolis of Thabraca, Tabarka, Tunisia, Bardo Museum, Tunis, Tunisia
  • The Christian Eastern Roman Byzantine memorial funerary mosaic for Crescentia. <br />
Above the funerary portrait of Crescentia are the words: ‘Crescentia, innocent and in Peace’. Crescentia is dressed in a dalmatic, a long wide-sleeved tunic, with a belt around the waiste and a neclace around her neck. Lit candles represent eternal life. 5th century AD from the western necropolis of Thabraca, Tabarka, Tunisia, Bardo Museum, Tunis, Tunisia. White background
  • Roman gold decorative jewellery head band, 1st century AD from Hierapolis Gumusler Necropolis. Hierapolis Archaeology Museum, Turkey

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