• Italian party buffet food with sundried tomatoes, bread sticks, olives and  marinated wild mushrooms
  • Italian party buffet food with sundried tomatoes, bread sticks, olives and  marinated wild mushrooms
  • Party buffet food with chicken satay and BBQ drum sticks
  • Party buffet food with chicken satay and BBQ drum sticks
  • Party buffet food with chicken satay and BBQ drum sticks
  • oriental party buffet food with chicken satay
  • oriental party buffet food with chicken satay
  • Greek meze Party buffet food with humous
  • Greek meze Party buffet food with humous
  • Party food with chicken satay and tappas
  • Italian party buffet food with sundried tomatoes, bread sticks, olives and  marinated wild mushrooms
  • Italian party buffet food with sundried tomatoes, bread sticks, olives and  marinated wild mushrooms
  • Party buffet food with southern fried chicken, bhajis, mini quiche and deep fried camembert
  • Party buffet food with chicken satay and BBQ drum sticks
  • Party buffet food with chicken satay and BBQ drum sticks
  • Party buffet food with chicken satay and BBQ drum sticks
  • Party buffet food with chicken satay and BBQ drum sticks
  • Party buffet food with Humous, meatballs, chicken satay and sundried tomatoes
  • Party buffet food with Humous, meatballs, chicken satay and sundried tomatoes
  • oriental party buffet food with chicken satay
  • oriental party buffet food with chicken satay
  • Greek meze Party buffet food with humous
  • Party food with chicken teriyaki  and tappas
  • Party food with chicken drum sticks and tappas
  • Party buffet food with southern fried chicken, bhajis, mini quiche and deep fried camembert
  • Party food - tappas with bread sticks and breaded butterfly prawns
  • Greek meze Party buffet food with humous
  • Relief sculpture panels depicting men bearing gifts in the New Year festival, . From the reign of Darius 1st or Xerxes (485-465 BC) of the First Persian or Achaemenid Empire excavated from the Palace of Darius 1st Persepolis, present day Iran. Persepolis was one of the residential cities of the Achaemenid Kings. The panels depict the festival of New Year (Noruz) in which representatives of all the peoples of the realm participated. This panel comes from the stairways of the palace and show men bearing gifts. The clothing of this man with a lamb identifies him as a Mede. Persepolis was one of the residential cities of the Achaemenid Kings. The panels depict the festival of New Year (Noruz) in which representatives of all the peoples of the realm participated. This panel comes from the stairways of the palace and show men bearing gifts. The clothing of this man identifies him as a Persian. The Vorderasiatisches Museum, part of the Pergamon Museum, Berlin
  • Relief sculpture panels depicting men bearing gifts in the New Year festival, . From the reign of Darius 1st or Xerxes (485-465 BC) of the First Persian or Achaemenid Empire excavated from the Palace of Darius 1st Persepolis, present day Iran. Persepolis was one of the residential cities of the Achaemenid Kings. The panels depict the festival of New Year (Noruz) in which representatives of all the peoples of the realm participated. This panel comes from the stairways of the palace and show men bearing gifts. The clothing of this man with a lamb identifies him as a Mede. Persepolis was one of the residential cities of the Achaemenid Kings. The panels depict the festival of New Year (Noruz) in which representatives of all the peoples of the realm participated. This panel comes from the stairways of the palace and show men bearing gifts. The clothing of this man with a lamb identifies him as a Mede.. The Vorderasiatisches Museum, part of the Pergamon Museum, Berlin
  • Coloured glazed terracotta brick panel depicting striding lions from Babylon (Iraq). Neo-Babylonian Period, reign of Nebuchadnezzar II 604-562 BC. This panel belonged to the tiled decorated walls either side of the Processional Way in Babylon which was 3280 ft (1km) long. It led from the temple of Marduk, through the Ishtar Gate to the temple of Akitu. The lion is the is associated with the Babylonian goddess Ishtar. T processional Way played a key role in the  New Year festival which was held in the spring equinox. Babylonian Gods were believed to leave their temples on this day and visit the god Marduk in his temple in Babylon. Kings like Nebuchanezzar would have played an important role in this procession and they aside their regal regalia for the procession and recited “negative confessions” as they preceded down the Processional way. Inv Ao 21118, The Louvre Museum, Paris.
  • Coloured glazed terracotta brick panel depicting striding lions from Babylon (Iraq). Neo-Babylonian Period, reign of Nebuchadnezzar II 604-562 BC. This panel belonged to the tiled decorated walls either side of the Processional Way in Babylon which was 3280 ft (1km) long. It led from the temple of Marduk, through the Ishtar Gate to the temple of Akitu. The lion is the is associated with the Babylonian goddess Ishtar. T processional Way played a key role in the  New Year festival which was held in the spring equinox. Babylonian Gods were believed to leave their temples on this day and visit the god Marduk in his temple in Babylon. Kings like Nebuchanezzar would have played an important role in this procession and they aside their regal regalia for the procession and recited “negative confessions” as they preceded down the Processional way. Inv Ao 21118, The Louvre Museum, Paris.
  • Coloured glazed terracotta brick panel depicting striding lions from Babylon (Iraq). Neo-Babylonian Period, reign of Nebuchadnezzar II 604-562 BC. This panel belonged to the tiled decorated walls either side of the Processional Way in Babylon which was 3280 ft (1km) long. It led from the temple of Marduk, through the Ishtar Gate to the temple of Akitu. The lion is the is associated with the Babylonian goddess Ishtar. T processional Way played a key role in the  New Year festival which was held in the spring equinox. Babylonian Gods were believed to leave their temples on this day and visit the god Marduk in his temple in Babylon. Kings like Nebuchanezzar would have played an important role in this procession and they aside their regal regalia for the procession and recited “negative confessions” as they preceded down the Processional way. Inv Ao 21118, The Louvre Museum, Paris.
  • Coloured glazed terracotta brick panel depicting striding lions from Babylon (Iraq). Neo-Babylonian Period, reign of Nebuchadnezzar II 604-562 BC. This panel belonged to the tiled decorated walls either side of the Processional Way in Babylon which was 3280 ft (1km) long. It led from the temple of Marduk, through the Ishtar Gate to the temple of Akitu. The lion is the is associated with the Babylonian goddess Ishtar. T processional Way played a key role in the  New Year festival which was held in the spring equinox. Babylonian Gods were believed to leave their temples on this day and visit the god Marduk in his temple in Babylon. Kings like Nebuchanezzar would have played an important role in this procession and they aside their regal regalia for the procession and recited “negative confessions” as they preceded down the Processional way. Inv Ao 21118, The Louvre Museum, Paris.
  • Coloured glazed terracotta brick panel depicting striding lions from Babylon (Iraq). Neo-Babylonian Period, reign of Nebuchadnezzar II 604-562 BC. This panel belonged to the tiled decorated walls either side of the Processional Way in Babylon which was 3280 ft (1km) long. It led from the temple of Marduk, through the Ishtar Gate to the temple of Akitu. The lion is the is associated with the Babylonian goddess Ishtar. T processional Way played a key role in the  New Year festival which was held in the spring equinox. Babylonian Gods were believed to leave their temples on this day and visit the god Marduk in his temple in Babylon. Kings like Nebuchanezzar would have played an important role in this procession and they aside their regal regalia for the procession and recited “negative confessions” as they preceded down the Processional way. Inv Ao 21118, The Louvre Museum, Paris.
  • Gothic painted Panel Virgin of the "Consellers" by Lluis Dalmau. Tempera and gold leaf on wood. Date 1443-1445. Dimesions 316 x 312.5 x 32.5 cm. From the altar of the chapel of Barcelona City Hall. <br />
The prestige attached to Burgundian courtly culture and the painter Jan van Eyck explain why in 1431 King Alfons the Magnanimous sent his official painter, the Valencian Lluís Dalmau, to Flanders, to learn the new realist language at first hand. In 1443, Dalmau was commissioned to paint this altarpiece for the chapel of the City Hall. This work was a breakthrough in Catalonia on account of the format, the technique used, as it was painted in oil, and the skilful illusionism of a figurative space in which that year's five councillors, painted from life, are represented on the same scale as the Virgin and the Saints. National Museum of Catalan Art, Barcelona, Spain, inv no: 015938-000
  • Gothic painted Panel Virgin of the "Consellers" by Lluis Dalmau. Tempera and gold leaf on wood. Date 1443-1445. Dimesions 316 x 312.5 x 32.5 cm. From the altar of the chapel of Barcelona City Hall. <br />
The prestige attached to Burgundian courtly culture and the painter Jan van Eyck explain why in 1431 King Alfons the Magnanimous sent his official painter, the Valencian Lluís Dalmau, to Flanders, to learn the new realist language at first hand. In 1443, Dalmau was commissioned to paint this altarpiece for the chapel of the City Hall. This work was a breakthrough in Catalonia on account of the format, the technique used, as it was painted in oil, and the skilful illusionism of a figurative space in which that year's five councillors, painted from life, are represented on the same scale as the Virgin and the Saints. National Museum of Catalan Art, Barcelona, Spain, inv no: 015938-000
  • Gothic painted Panel Virgin of the "Consellers" by Lluis Dalmau. Tempera and gold leaf on wood. Date 1443-1445. Dimesions 316 x 312.5 x 32.5 cm. From the altar of the chapel of Barcelona City Hall. <br />
The prestige attached to Burgundian courtly culture and the painter Jan van Eyck explain why in 1431 King Alfons the Magnanimous sent his official painter, the Valencian Lluís Dalmau, to Flanders, to learn the new realist language at first hand. In 1443, Dalmau was commissioned to paint this altarpiece for the chapel of the City Hall. This work was a breakthrough in Catalonia on account of the format, the technique used, as it was painted in oil, and the skilful illusionism of a figurative space in which that year's five councillors, painted from life, are represented on the same scale as the Virgin and the Saints. National Museum of Catalan Art, Barcelona, Spain, inv no: 015938-000
  • Gothic painted Panel Virgin of the "Consellers" by Lluis Dalmau. Tempera and gold leaf on wood. Date 1443-1445. Dimesions 316 x 312.5 x 32.5 cm. From the altar of the chapel of Barcelona City Hall. <br />
The prestige attached to Burgundian courtly culture and the painter Jan van Eyck explain why in 1431 King Alfons the Magnanimous sent his official painter, the Valencian Lluís Dalmau, to Flanders, to learn the new realist language at first hand. In 1443, Dalmau was commissioned to paint this altarpiece for the chapel of the City Hall. This work was a breakthrough in Catalonia on account of the format, the technique used, as it was painted in oil, and the skilful illusionism of a figurative space in which that year's five councillors, painted from life, are represented on the same scale as the Virgin and the Saints. National Museum of Catalan Art, Barcelona, Spain, inv no: 015938-000
  • Gothic painted Panel Virgin of the "Consellers" by Lluis Dalmau. Tempera and gold leaf on wood. Date 1443-1445. Dimesions 316 x 312.5 x 32.5 cm. From the altar of the chapel of Barcelona City Hall. <br />
The prestige attached to Burgundian courtly culture and the painter Jan van Eyck explain why in 1431 King Alfons the Magnanimous sent his official painter, the Valencian Lluís Dalmau, to Flanders, to learn the new realist language at first hand. In 1443, Dalmau was commissioned to paint this altarpiece for the chapel of the City Hall. This work was a breakthrough in Catalonia on account of the format, the technique used, as it was painted in oil, and the skilful illusionism of a figurative space in which that year's five councillors, painted from life, are represented on the same scale as the Virgin and the Saints. National Museum of Catalan Art, Barcelona, Spain, inv no: 015938-000
  • Gothic painted Panel Virgin of the "Consellers" by Lluis Dalmau. Tempera and gold leaf on wood. Date 1443-1445. Dimesions 316 x 312.5 x 32.5 cm. From the altar of the chapel of Barcelona City Hall. <br />
The prestige attached to Burgundian courtly culture and the painter Jan van Eyck explain why in 1431 King Alfons the Magnanimous sent his official painter, the Valencian Lluís Dalmau, to Flanders, to learn the new realist language at first hand. In 1443, Dalmau was commissioned to paint this altarpiece for the chapel of the City Hall. This work was a breakthrough in Catalonia on account of the format, the technique used, as it was painted in oil, and the skilful illusionism of a figurative space in which that year's five councillors, painted from life, are represented on the same scale as the Virgin and the Saints. National Museum of Catalan Art, Barcelona, Spain, inv no: 015938-000
  • Gothic painted Panel Virgin of the "Consellers" by Lluis Dalmau. Tempera and gold leaf on wood. Date 1443-1445. Dimesions 316 x 312.5 x 32.5 cm. From the altar of the chapel of Barcelona City Hall. <br />
The prestige attached to Burgundian courtly culture and the painter Jan van Eyck explain why in 1431 King Alfons the Magnanimous sent his official painter, the Valencian Lluís Dalmau, to Flanders, to learn the new realist language at first hand. In 1443, Dalmau was commissioned to paint this altarpiece for the chapel of the City Hall. This work was a breakthrough in Catalonia on account of the format, the technique used, as it was painted in oil, and the skilful illusionism of a figurative space in which that year's five councillors, painted from life, are represented on the same scale as the Virgin and the Saints. National Museum of Catalan Art, Barcelona, Spain, inv no: 015938-000
  • Gothic painted Panel Virgin of the "Consellers" by Lluis Dalmau. Tempera and gold leaf on wood. Date 1443-1445. Dimesions 316 x 312.5 x 32.5 cm. From the altar of the chapel of Barcelona City Hall. <br />
The prestige attached to Burgundian courtly culture and the painter Jan van Eyck explain why in 1431 King Alfons the Magnanimous sent his official painter, the Valencian Lluís Dalmau, to Flanders, to learn the new realist language at first hand. In 1443, Dalmau was commissioned to paint this altarpiece for the chapel of the City Hall. This work was a breakthrough in Catalonia on account of the format, the technique used, as it was painted in oil, and the skilful illusionism of a figurative space in which that year's five councillors, painted from life, are represented on the same scale as the Virgin and the Saints. National Museum of Catalan Art, Barcelona, Spain, inv no: 015938-000
  • 8th Cent. B.C Babylonian limestone funereal stele with inscription & relief sculpture of the governor of Mari and Suhi praying to the Gods from the Palace Museum Babylon, Iraq. The inscription states that the governor reigned for 13 years and built the city of Gabarri-ibni also making canals for new date palm cultivation in different cities, and working on the development of agriculture in the city of Suhi. Istanbul Archaeological Museum Inv. 7815
  • 8th Cent. B.C Babylonian limestone funereal stele with inscription & relief sculpture of the governor of Mari and Suhi praying to the Gods from the Palace Museum Babylon, Iraq. The inscription states that the governor reigned for 13 years and built the city of Gabarri-ibni also making canals for new date palm cultivation in different cities, and working on the development of agriculture in the city of Suhi. Istanbul Archaeological Museum Inv. 7815
  • 8th Cent. B.C Babylonian limestone  stele with inscription & relief sculpture of the governor of Mari and Suhi praying to the Gods from the Palace Museum Babylon, Iraq. The inscription states that the governor reigned for 13 years and built the city of Gabarri-ibni also making canals for new date palm cultivation in different cities, and working on the development of agriculture in the city of Suhi. Istanbul Archaeological Museum Inv. 7815
  • 8th Cent. B.C Babylonian limestone funereal stele with inscription & relief sculpture of the governor of Mari and Suhi praying to the Gods from the Palace Museum Babylon, Iraq. The inscription states that the governor reigned for 13 years and built the city of Gabarri-ibni also making canals for new date palm cultivation in different cities, and working on the development of agriculture in the city of Suhi. Istanbul Archaeological Museum Inv. 7815
  • 8th Cent. B.C Babylonian limestone funereal stele with inscription & relief sculpture of the governor of Mari and Suhi praying to the Gods from the Palace Museum Babylon, Iraq. The inscription states that the governor reigned for 13 years and built the city of Gabarri-ibni also making canals for new date palm cultivation in different cities, and working on the development of agriculture in the city of Suhi. Istanbul Archaeological Museum Inv. 7815

FunkyStock Picture Library Resource

Picture The Past

ABOUT

FunkyStock Picture Library free resource for professional editorial picture editors, picture researchers, historical scholars and students and enthusiasts who want to browse some of the best pictures and images of historic countries, historical places, archaeological sites and the very best museum antiquities and artefacts exhibits in Europe and the Middle East.

Pictures and Images can be downloaded or bought as stock photos or photo art prints.

COUNTRIES

Browse travel pictures and images of historic places and archaeological sites of countries in Europe and the Middle East.

VIEW COUNTRIES INDEX....

HISTORICAL

Explore the past through pictures and images of its historic places. See the great palaces, castles and cities of antiquity as well as the great archaeological sites where our ancestors made history.

EXPLORE HISTORICAL PLACES...

MUSEUMS

Browse pictures & images the treasured artefacts and antiquities exhibits from the great Museum of Europe and the Middle East. See the art and objects made by our ancestors.

SEE MUESEUM ANTIQUITIES....