• Pictures of Dun Carloway Broch on the Isle of Lewis in the Outer Hebrides, Scotland. Brochs are among Scotland's most impressive prehistoric buildings and were the precursors of the Medieval Scottish Tower Houses. The world Broch is derived from lowland scots who called forts Brough from the old Norse Borg. <br />
<br />
Broch stone roundhouses date from about 2,300 to 1,900 years ago, and are found mainly in north and west Scotland. Dun Carloway Broch was probably built around the time of the Roman occupation in Britain in 43AD and was probably the primary dwelling-places for the principal family in the area. Dun Carloway Broch would have provided some protection against sporadic raiding, but were not purely defensive structure but a focal point for the clan of the area.
  • Picture and image of the prehistoric triangular shaped magalith ruins of Nuraghe Losa, archaeological site, Bronze age (14 -9 th century BC),  Abbasanta, Southern Sardinia.
  • Picture and image of the prehistoric triangular shaped magalith ruins of Nuraghe Losa, archaeological site, Bronze age (14 -9 th century BC),  Abbasanta, Southern Sardinia.
  • Picture and image of the prehistoric triangular shaped magalith ruins of Nuraghe Losa, archaeological site, Bronze age (14 -9 th century BC),  Abbasanta, Southern Sardinia.
  • Traditional Norcineria shop selling Norcia salamis, Norcia, Umbria, Italy
  • The Matterhorn or Monte Cervino mountain peak, Zermatt, Switzerland
  • The Matterhorn or Monte Cervino mountain peak, Zermatt, Switzerland
  • The Matterhorn or Monte Cervino mountain peak, Zermatt, Switzerland
  • The Matterhorn or Monte Cervino mountain peak, Zermatt, Switzerland
  • Sassolungo Mountain range, 3081m high, from the Sulla Pass between the Val Gardena and Val di Fassa, the Western Dolomites, Southern Tyrol; Trentino, Italy.
  • Sassolungo Mountain range, 3081m high, from the Sulla Pass between the Val Gardena and Val di Fassa, the Western Dolomites, Southern Tyrol; Trentino, Italy.
  • Sassolungo Mountain range, 3081m high, from the Sulla Pass between the Val Gardena and Val di Fassa, the Western Dolomites, Southern Tyrol; Trentino, Italy.
  • Sassolungo Mountain range, 3081m high, from the Sulla Pass between the Val Gardena and Val di Fassa, the Western Dolomites, Southern Tyrol; Trentino, Italy.
  • Sassolungo Mountain range, 3081m high, from the Sulla Pass between the Val Gardena and Val di Fassa, the Western Dolomites, Southern Tyrol; Trentino, Italy.
  • Sassolungo Mountain range, 3081m high, from the Sulla Pass between the Val Gardena and Val di Fassa, the Western Dolomites, Southern Tyrol; Trentino, Italy.
  • Sassolungo Mountain range, 3081m high, from the Sulla Pass between the Val Gardena and Val di Fassa, the Western Dolomites, Southern Tyrol; Trentino, Italy.
  • Sassolungo Mountain range, 3081m high, from the Sulla Pass between the Val Gardena and Val di Fassa, the Western Dolomites, Southern Tyrol; Trentino, Italy.
  • Sassolungo Mountain range, 3081m high, from the Sulla Pass between the Val Gardena and Val di Fassa, the Western Dolomites, Southern Tyrol; Trentino, Italy.
  • Sassolungo Mountain range, 3081m high, from the Sulla Pass between the Val Gardena and Val di Fassa, the Western Dolomites, Southern Tyrol; Trentino, Italy.
  • The Fountain of Emperor Trajan and  Curetes Street constructed between 102 - 114 A.D. Ephesus Archaeological Site, Anatolia, Turkey.
  • The Fountain of Emperor Trajan on Curetes Street constructed between 102 - 114 A.D. Ephesus Archaeological Site, Anatolia, Turkey.
  • Pictures & Images of the statues of around the tomb of Commagene King Antochus 1 on the top of Mount Nemrut, Turkey. Stock photos & Photo art prints. In 62 BC, King Antiochus I Theos of Commagene built on the mountain top a tomb-sanctuary flanked by huge statues (8–9 m/26–30 ft high) of himself, two lions, two eagles and various Greek, Armenian, and Iranian gods. The photos show the broken statues on the  2,134 m (7,001 ft)  mountain. 2
  • Picture and image of the prehistoric triangular shaped magalith ruins of Nuraghe Losa, archaeological site, Bronze age (14 -9 th century BC),  Abbasanta, Southern Sardinia.
  • Picture and image of the prehistoric triangular shaped magalith ruins of Nuraghe Losa, archaeological site, Bronze age (14 -9 th century BC),  Abbasanta, Southern Sardinia.
  • Picture and image of the prehistoric triangular shaped magalith ruins of Nuraghe Losa, archaeological site, Bronze age (14 -9 th century BC),  Abbasanta, Southern Sardinia.
  • Picture and image of the prehistoric triangular shaped magalith ruins of Nuraghe Losa, archaeological site, Bronze age (14 -9 th century BC),  Abbasanta, Southern Sardinia.
  • Picture and image of the prehistoric triangular shaped magalith ruins of Nuraghe Losa, archaeological site, Bronze age (14 -9 th century BC),  Abbasanta, Southern Sardinia.
  • Picture and image of the prehistoric triangular shaped magalith ruins of Nuraghe Losa, archaeological site, Bronze age (14 -9 th century BC),  Abbasanta, Southern Sardinia.
  • Picture and image of the prehistoric triangular shaped magalith ruins of Nuraghe Losa, archaeological site, Bronze age (14 -9 th century BC),  Abbasanta, Southern Sardinia.
  • Picture and image of the prehistoric doorway with false triangular corbel of Nuraghe Losa, archaeological site, Bronze age (14 -9 th century BC), Abbasanta, Southern Sardinia..
  • Picture and image of the prehistoric p[assageway inside the walls  of Nuraghe Losa, archaeological site, Bronze age (14 -9 th century BC), Abbasanta, Southern Sardinia.
  • Picture and image of the prehistoric tholos shaped interior of Nuraghe Losa, archaeological site, Bronze age (14 -9 th century BC), Abbasanta, Southern Sardinia..
  • Picture and image of the prehistoric p[assageway inside the walls  of Nuraghe Losa, archaeological site, Bronze age (14 -9 th century BC), Abbasanta, Southern Sardinia.
  • Wild boar heads outside a typical Norcineria shop, Norcia, Umbria, Italy
  • Wild boar heads outside a typical Norcineria shop, Norcia, Umbria, Italy
  • Traditional Norcineria shop selling Norcia meat products, Norcia, Umbria, Italy
  • Traditional Norcineria shop selling Norcia salamis, Norcia, Umbria, Italy
  • Traditional Norcineria shop selling Norcia salamis, Norcia, Umbria, Italy
  • Traditional Norcineria shop selling Norcia salamis, Norcia, Umbria, Italy
  • Traditional Norcineria shop selling Norcia salamis, Norcia, Umbria, Italy
  • The Matterhorn or Monte Cervino mountain peak, Zermatt, Switzerland
  • Sassolungo Mountain range, 3081m high, from the Sulla Pass between the Val Gardena and Val di Fassa, the Western Dolomites, Southern Tyrol; Trentino, Italy.
  • Sassolungo Mountain range, 3081m high, from the Sulla Pass between the Val Gardena and Val di Fassa, the Western Dolomites, Southern Tyrol; Trentino, Italy.
  • Sassolungo Mountain range, 3081m high, from the Sulla Pass between the Val Gardena and Val di Fassa, the Western Dolomites, Southern Tyrol; Trentino, Italy.
  • Mountains and pastures of the Sella plateau near Colfosco, 1,645 m (5,396 ft),  at the foot of the Sella group (Grup dl Sela) and Mount Sassongher, the Dolomite mountains, Alta Badia, Italy
  • Mountains and pastures of the Sella plateau near Colfosco, 1,645 m (5,396 ft),  at the foot of the Sella group (Grup dl Sela) and Mount Sassongher, the Dolomite mountains, Alta Badia, Italy
  • Dolomite Mountain range from the Sulla Pass between the Val Gardena and Val di Fassa, the Western Dolomites, Southern Tyrol, Trentino, Italy.
  • Mountains and pastures of the Sella plateau near Colfosco, 1,645 m (5,396 ft),  at the foot of the Sella group (Grup dl Sela) and Mount Sassongher, the Dolomite mountains, Alta Badia, Italy
  • Sculptures on the 12th century Romanesque facade of the Chiesa di San Pietro extra moenia (St Peters), Spoletto, Italy
  • Sassolungo Mountain range, 3081m high, from the Sulla Pass between the Val Gardena and Val di Fassa, the Western Dolomites, Southern Tyrol; Trentino, Italy.
  • Sassolungo Mountain range, 3081m high, from the Sulla Pass between the Val Gardena and Val di Fassa, the Western Dolomites, Southern Tyrol; Trentino, Italy.
  • Sassolungo Mountain range, 3081m high, from the Sulla Pass between the Val Gardena and Val di Fassa, the Western Dolomites, Southern Tyrol; Trentino, Italy.
  • Sassolungo Mountain range, 3081m high, from the Sulla Pass between the Val Gardena and Val di Fassa, the Western Dolomites, Southern Tyrol; Trentino, Italy.
  • Sassolungo Mountain range, 3081m high, from the Sulla Pass between the Val Gardena and Val di Fassa, the Western Dolomites, Southern Tyrol; Trentino, Italy.
  • Sassolungo Mountain range, 3081m high, from the Sulla Pass between the Val Gardena and Val di Fassa, the Western Dolomites, Southern Tyrol; Trentino, Italy.
  • Sassolungo Mountain range, 3081m high, from the Sulla Pass between the Val Gardena and Val di Fassa, the Western Dolomites, Southern Tyrol; Trentino, Italy.
  • Sassolungo Mountain range, 3081m high, from the Sulla Pass between the Val Gardena and Val di Fassa, the Western Dolomites, Southern Tyrol; Trentino, Italy.
  • Sassolungo Mountain range, 3081m high, from the Sulla Pass between the Val Gardena and Val di Fassa, the Western Dolomites, Southern Tyrol; Trentino, Italy.
  • Sassolungo Mountain range, 3081m high, from the Sulla Pass between the Val Gardena and Val di Fassa, the Western Dolomites, Southern Tyrol; Trentino, Italy.
  • Sassolungo Mountain range, 3081m high, from the Sulla Pass between the Val Gardena and Val di Fassa, the Western Dolomites, Southern Tyrol; Trentino, Italy.
  • Sassolungo Mountain range, 3081m high, from the Sulla Pass between the Val Gardena and Val di Fassa, the Western Dolomites, Southern Tyrol; Trentino, Italy.
  • Sassolungo Mountain range, 3081m high, from the Sulla Pass between the Val Gardena and Val di Fassa, the Western Dolomites, Southern Tyrol; Trentino, Italy.
  • Sassolungo Mountain range, 3081m high, from the Sulla Pass between the Val Gardena and Val di Fassa, the Western Dolomites, Southern Tyrol; Trentino, Italy.
  • Sassolungo Mountain range, 3081m high, from the Sulla Pass between the Val Gardena and Val di Fassa, the Western Dolomites, Southern Tyrol; Trentino, Italy.
  • Sassolungo Mountain range, 3081m high, from the Sulla Pass between the Val Gardena and Val di Fassa, the Western Dolomites, Southern Tyrol; Trentino, Italy.
  • Sassolungo Mountain range, 3081m high, from the Sulla Pass between the Val Gardena and Val di Fassa, the Western Dolomites, Southern Tyrol; Trentino, Italy.
  • Sassolungo Mountain range, 3081m high, from the Sulla Pass between the Val Gardena and Val di Fassa, the Western Dolomites, Southern Tyrol; Trentino, Italy.
  • Sassolungo Mountain range, 3081m high, from the Sulla Pass between the Val Gardena and Val di Fassa, the Western Dolomites, Southern Tyrol; Trentino, Italy.
  • Sassolungo Mountain range, 3081m high, from the Sulla Pass between the Val Gardena and Val di Fassa, the Western Dolomites, Southern Tyrol; Trentino, Italy.
  • Sassolungo Mountain range, 3081m high, from the Sulla Pass between the Val Gardena and Val di Fassa, the Western Dolomites, Southern Tyrol; Trentino, Italy.
  • Sassolungo Mountain range, 3081m high, from the Sulla Pass between the Val Gardena and Val di Fassa, the Western Dolomites, Southern Tyrol; Trentino, Italy.
  • Sassolungo Mountain range, 3081m high, from the Sulla Pass between the Val Gardena and Val di Fassa, the Western Dolomites, Southern Tyrol; Trentino, Italy.
  • The Temple of Emperor Hadrian on Curetes Street ( 117 - 138 A.D ).  Ephesus Archaeological Site, Anatolia, Turkey.
  • Pillars of The Basilica, 1st Century A.D. Ephesus Archaeological Site, Anatolia, Turkey.
  • The Library of Celsus & the Agora to the right. Ephesus Archaeological Site, Anatolia, Turkey.
  • The Library of Celsus & the Agora to the right. Ephesus Archaeological Site, Anatolia, Turkey.
  • Statue on  Curetes Street looking towards the Library of Celsus. Ephesus Archaeological Site, Anatolia, Turkey.
  • The Fountain of Emperor Trajan on Curetes Street constructed between 102 - 114 A.D. Ephesus Archaeological Site, Anatolia, Turkey.
  • Arch of The Roman  Pollio Fountain, early 1st century B.C. Ephesus Archaeological Site, Anatolia, Turkey.
  • The Rhodian Peristyle built in the time of Emperor Augustus ( 27 B.C. -A.D. 14) and dedicated to Julius Caesar  and the goddess Roma then Augustus & Artemis. Ephesus Archaeological Site, Anatolia, Turkey.
  • Entrance to the Odeion (Small Thaetre) that was built as a council chamber in 2nd century A.D. Ephesus Archaeological Site, Anatolia, Turkey.
  • The entrance to the Temple of Emperor Domitian ( 81-96 AD) . Ephesus Archaeological Site, Anatolia, Turkey.
  • The entrance to the Temple of Emperor Domitian ( 81-96 AD) . Ephesus Archaeological Site, Anatolia, Turkey.
  • Pictures & Images of the statues of around the tomb of Commagene King Antochus 1 on the top of Mount Nemrut, Turkey. Stock photos & Photo art prints. In 62 BC, King Antiochus I Theos of Commagene built on the mountain top a tomb-sanctuary flanked by huge statues (8–9 m/26–30 ft high) of himself, two lions, two eagles and various Greek, Armenian, and Iranian gods. The photos show the broken statues on the  2,134 m (7,001 ft)  mountain. 3
  • Pictures & Images of the statues of around the tomb of Commagene King Antochus 1 on the top of Mount Nemrut, Turkey. Stock photos & Photo art prints. In 62 BC, King Antiochus I Theos of Commagene built on the mountain top a tomb-sanctuary flanked by huge statues (8–9 m/26–30 ft high) of himself, two lions, two eagles and various Greek, Armenian, and Iranian gods. The photos show the broken statues on the  2,134 m (7,001 ft)  mountain. 1
  • Pictures of the statues of around the tomb of Commagene King Antochus 1 on the top of Mount Nemrut, Turkey. Stock photos & Photo art prints. In 62 BC, King Antiochus I Theos of Commagene built on the mountain top a tomb-sanctuary flanked by huge statues (8–9 m/26–30 ft high) of himself, two lions, two eagles and various Greek, Armenian, and Iranian gods. The photos show the broken statues on the  2,134 m (7,001 ft)  mountain. 6
  • Pictures of the statues of around the tomb of Commagene King Antochus 1 on the top of Mount Nemrut, Turkey. Stock photos & Photo art prints. In 62 BC, King Antiochus I Theos of Commagene built on the mountain top a tomb-sanctuary flanked by huge statues (8–9 m/26–30 ft high) of himself, two lions, two eagles and various Greek, Armenian, and Iranian gods. The photos show the broken statues on the  2,134 m (7,001 ft)  mountain. 5
  • Pictures of the statues of around the tomb of Commagene King Antochus 1 on the top of Mount Nemrut, Turkey. Stock photos & Photo art prints. In 62 BC, King Antiochus I Theos of Commagene built on the mountain top a tomb-sanctuary flanked by huge statues (8–9 m/26–30 ft high) of himself, two lions, two eagles and various Greek, Armenian, and Iranian gods. The photos show the broken statues on the  2,134 m (7,001 ft)  mountain. 4
  • Pictures of the statues of around the tomb of Commagene King Antochus 1 on the top of Mount Nemrut, Turkey. Stock photos & Photo art prints. In 62 BC, King Antiochus I Theos of Commagene built on the mountain top a tomb-sanctuary flanked by huge statues (8–9 m/26–30 ft high) of himself, two lions, two eagles and various Greek, Armenian, and Iranian gods. The photos show the broken statues on the  2,134 m (7,001 ft)  mountain. 3
  • Pictures of the statues of around the tomb of Commagene King Antochus 1 on the top of Mount Nemrut, Turkey. Stock photos & Photo art prints. In 62 BC, King Antiochus I Theos of Commagene built on the mountain top a tomb-sanctuary flanked by huge statues (8–9 m/26–30 ft high) of himself, two lions, two eagles and various Greek, Armenian, and Iranian gods. The photos show the broken statues on the  2,134 m (7,001 ft)  mountain. 2
  • Pictures of the statues of around the tomb of Commagene King Antochus 1 on the top of Mount Nemrut, Turkey. Stock photos & Photo art prints. In 62 BC, King Antiochus I Theos of Commagene built on the mountain top a tomb-sanctuary flanked by huge statues (8–9 m/26–30 ft high) of himself, two lions, two eagles and various Greek, Armenian, and Iranian gods. The photos show the broken statues on the  2,134 m (7,001 ft)  mountain. 1
  • Image of the statues of around the tomb of Commagene King Antochus 1 on the top of Mount Nemrut, Turkey. Stock photos & Photo art prints. In 62 BC, King Antiochus I Theos of Commagene built on the mountain top a tomb-sanctuary flanked by huge statues (8–9 m/26–30 ft high) of himself, two lions, two eagles and various Greek, Armenian, and Iranian gods. The photos show the broken statues on the  2,134 m (7,001 ft)  mountain. 5
  • Image of the statues of around the tomb of Commagene King Antochus 1 on the top of Mount Nemrut, Turkey. Stock photos & Photo art prints. In 62 BC, King Antiochus I Theos of Commagene built on the mountain top a tomb-sanctuary flanked by huge statues (8–9 m/26–30 ft high) of himself, two lions, two eagles and various Greek, Armenian, and Iranian gods. The photos show the broken statues on the  2,134 m (7,001 ft)  mountain. 4
  • Image of the statues of around the tomb of Commagene King Antochus 1 on the top of Mount Nemrut, Turkey. Stock photos & Photo art prints. In 62 BC, King Antiochus I Theos of Commagene built on the mountain top a tomb-sanctuary flanked by huge statues (8–9 m/26–30 ft high) of himself, two lions, two eagles and various Greek, Armenian, and Iranian gods. The photos show the broken statues on the  2,134 m (7,001 ft)  mountain. 3
  • Image of the statues of around the tomb of Commagene King Antochus 1 on the top of Mount Nemrut, Turkey. Stock photos & Photo art prints. In 62 BC, King Antiochus I Theos of Commagene built on the mountain top a tomb-sanctuary flanked by huge statues (8–9 m/26–30 ft high) of himself, two lions, two eagles and various Greek, Armenian, and Iranian gods. The photos show the broken statues on the  2,134 m (7,001 ft)  mountain. 2
  • Pictures of the statues of around the tomb of Commagene King Antochus 1 on the top of Mount Nemrut, Turkey. Stock photos & Photo art prints. In 62 BC, King Antiochus I Theos of Commagene built on the mountain top a tomb-sanctuary flanked by huge statues (8–9 m/26–30 ft high) of himself, two lions, two eagles and various Greek, Armenian, and Iranian gods. The photos show the broken statues on the  2,134 m (7,001 ft)  mountain. 1
  • Pictures of the statues of around the tomb of Commagene King Antochus 1 on the top of Mount Nemrut, Turkey. Stock photos & Photo art prints. In 62 BC, King Antiochus I Theos of Commagene built on the mountain top a tomb-sanctuary flanked by huge statues (8–9 m/26–30 ft high) of himself, two lions, two eagles and various Greek, Armenian, and Iranian gods. The photos show the broken statues on the  2,134 m (7,001 ft)  mountain. 4
  • Pictures of the statues of around the tomb of Commagene King Antochus 1 on the top of Mount Nemrut, Turkey. Stock photos & Photo art prints. In 62 BC, King Antiochus I Theos of Commagene built on the mountain top a tomb-sanctuary flanked by huge statues (8–9 m/26–30 ft high) of himself, two lions, two eagles and various Greek, Armenian, and Iranian gods. The photos show the broken statues on the  2,134 m (7,001 ft)  mountain. 3
  • Pictures of the statues of around the tomb of Commagene King Antochus 1 on the top of Mount Nemrut, Turkey. Stock photos & Photo art prints. In 62 BC, King Antiochus I Theos of Commagene built on the mountain top a tomb-sanctuary flanked by huge statues (8–9 m/26–30 ft high) of himself, two lions, two eagles and various Greek, Armenian, and Iranian gods. The photos show the broken statues on the  2,134 m (7,001 ft)  mountain. 2
  • Pictures of the statues of around the tomb of Commagene King Antochus 1 on the top of Mount Nemrut, Turkey. Stock photos & Photo art prints. In 62 BC, King Antiochus I Theos of Commagene built on the mountain top a tomb-sanctuary flanked by huge statues (8–9 m/26–30 ft high) of himself, two lions, two eagles and various Greek, Armenian, and Iranian gods. The photos show the broken statues on the  2,134 m (7,001 ft)  mountain. 1
  • Chicken fillets cooking on a bbq. Food photos, pictures & images.
  • Roman statue of Hecate. Marble. Perge. 2nd century AD. Inv no 2010/541. Antalya Archaeology Museum; Turkey.<br />
<br />
 Hekate is a goddess in ancient Greek religion and mythology, most often shown holding a pair of torches or a key and in later periods depicted in triple form. She was variously associated with crossroads, entrance-ways, light, magic, witchcraft, knowledge of herbs and poisonous plants, ghosts, necromancy, and sorcery.
  • Roman statue of Hecate. Marble. Perge. 2nd century AD. Inv no 2010/541. Antalya Archaeology Museum; Turkey. Against a warm art background.<br />
<br />
 Hekate is a goddess in ancient Greek religion and mythology, most often shown holding a pair of torches or a key and in later periods depicted in triple form. She was variously associated with crossroads, entrance-ways, light, magic, witchcraft, knowledge of herbs and poisonous plants, ghosts, necromancy, and sorcery.
  • Roman statue of Hecate. Marble. Perge. 2nd century AD. Inv no 2010/541. Antalya Archaeology Museum; Turkey. Against a white background.<br />
<br />
 Hekate is a goddess in ancient Greek religion and mythology, most often shown holding a pair of torches or a key and in later periods depicted in triple form. She was variously associated with crossroads, entrance-ways, light, magic, witchcraft, knowledge of herbs and poisonous plants, ghosts, necromancy, and sorcery.
  • Roman statue of Hecate. Marble. Perge. 2nd century AD. Inv no 2010/541. Antalya Archaeology Museum; Turkey. Against a black background.<br />
<br />
 Hekate is a goddess in ancient Greek religion and mythology, most often shown holding a pair of torches or a key and in later periods depicted in triple form. She was variously associated with crossroads, entrance-ways, light, magic, witchcraft, knowledge of herbs and poisonous plants, ghosts, necromancy, and sorcery.
  • Roman statue of Hecate. Marble. Perge. 2nd century AD. Inv no 2010/541. Antalya Archaeology Museum; Turkey.<br />
<br />
 Hekate is a goddess in ancient Greek religion and mythology, most often shown holding a pair of torches or a key and in later periods depicted in triple form. She was variously associated with crossroads, entrance-ways, light, magic, witchcraft, knowledge of herbs and poisonous plants, ghosts, necromancy, and sorcery. Against a grey background
  • Roman statue of Sabina .Marble. Perge. 2nd century AD. Inv no 3066-3086. Antalya Archaeology Museum; Turkey. Against a black background.
  • Roman statue of Sabina .Marble. Perge. 2nd century AD. Inv no 3066-3086. Antalya Archaeology Museum; Turkey. Against a white background.
  • Roman statue of Sabina .Marble. Perge. 2nd century AD. Inv no 3066-3086. Antalya Archaeology Museum; Turkey.
  • Roman statue of Sabina .Marble. Perge. 2nd century AD. Inv no 3066-3086. Antalya Archaeology Museum; Turkey. Against a warm art background.
  • Roman statue of Sabina .Marble. Perge. 2nd century AD. Inv no 3066-3086. Antalya Archaeology Museum; Turkey.
  • Roman statue of Emperor Hadrian .Marble. Perge. 2nd century AD. Inv no 3861-3863 .Antalya Archaeology Museum; Turkey. Against a white background.
  • Roman statue of Emperor Hadrian .Marble. Perge. 2nd century AD. Inv no 3861-3863 .Antalya Archaeology Museum; Turkey. Against a black background.
  • Roman statue of Emperor Hadrian .Marble. Perge. 2nd century AD. Inv no 3861-3863 .Antalya Archaeology Museum; Turkey.
  • Roman statue of Emperor Hadrian .Marble. Perge. 2nd century AD. Inv no 3861-3863 .Antalya Archaeology Museum; Turkey. Against a warm art background.
  • Roman statue of Emperor Hadrian .Marble. Perge. 2nd century AD. Inv no 3861-3863 .Antalya Archaeology Museum; Turkey. Against a grey background
  • Roman statue of young Faustina. Marble. Perge. 2nd century AD. Inv no 3045 . Antalya Archaeology Museum; Turkey. Against a black background.
  • Roman statue of young Faustina. Marble. Perge. 2nd century AD. Inv no 3045 . Antalya Archaeology Museum; Turkey. Against a warm art background.
  • Roman statue of young Faustina. Marble. Perge. 2nd century AD. Inv no 3045 . Antalya Archaeology Museum; Turkey. Against a grey background
  • Roman statue of Emperor Septimus Severus. Marble. Perge. 2nd century AD. Inv no 3266 . Antalya Archaeology Museum; Turkey. Against a white background.
  • Roman statue of Emperor Septimus Severus. Marble. Perge. 2nd century AD. Inv no 3266 . Antalya Archaeology Museum; Turkey.
  • Roman statue of Emperor Septimus Severus. Marble. Perge. 2nd century AD. Inv no 3266 . Antalya Archaeology Museum; Turkey. Against a black background.
  • Roman statue of Emperor Septimus Severus. Marble. Perge. 2nd century AD. Inv no 3266 . Antalya Archaeology Museum; Turkey. Against a warm art background.
  • Roman statue of Emperor Septimus Severus. Marble. Perge. 2nd century AD. Inv no 3266 . Antalya Archaeology Museum; Turkey. Against a grey background
  • Roman statue of Julia Domina . Marble. Perge. 2nd century AD. Inv no 3268. Antalya Archaeology Museum; Turkey. Against a white background.
  • Roman statue of Julia Domina . Marble. Perge. 2nd century AD. Inv no 3268. Antalya Archaeology Museum; Turkey.
  • Roman statue of Julia Domina . Marble. Perge. 2nd century AD. Inv no 3268. Antalya Archaeology Museum; Turkey. Against a black background.
  • Roman statue of Julia Domina . Marble. Perge. 2nd century AD. Inv no 3268. Antalya Archaeology Museum; Turkey. Against a warm art background.
  • Roman statue of Julia Domina . Marble. Perge. 2nd century AD. Inv no 3268. Antalya Archaeology Museum; Turkey.  Against a grey background
  • Roman statue of a priestess. Marble. Perge. 2nd century AD. Inv no 2015/192. Antalya Archaeology Museum; Turkey. Against a white background.
  • Roman statue of a priestess. Marble. Perge. 2nd century AD. Inv no 2015/192. Antalya Archaeology Museum; Turkey.
  • Roman statue of a priestess. Marble. Perge. 2nd century AD. Inv no 2015/192. Antalya Archaeology Museum; Turkey. Against a warm art background.
  • Roman statue of a priestess. Marble. Perge. 2nd century AD. Inv no 2015/192. Antalya Archaeology Museum; Turkey. Against a black background.
  • Roman statue of a priestess. Marble. Perge. 2nd century AD. Inv no 2015/192. Antalya Archaeology Museum; Turkey.  Against a grey background
  • Roman statue of Asklepios. Marble. Perge. 2nd century AD. Inv no . Antalya Archaeology Museum; Turkey. Against a white background.<br />
<br />
Asclepius was a hero and god of medicine in ancient Greek religion and mythology.
  • Roman statue of Asklepios. Marble. Perge. 2nd century AD. Inv no . Antalya Archaeology Museum; Turkey.<br />
<br />
Asclepius was a hero and god of medicine in ancient Greek religion and mythology.
  • Roman statue of Asklepios. Marble. Perge. 2nd century AD. Inv no . Antalya Archaeology Museum; Turkey. Against a warm art background.<br />
<br />
Asclepius was a hero and god of medicine in ancient Greek religion and mythology.
  • Roman statue of Asklepios. Marble. Perge. 2nd century AD. Inv no . Antalya Archaeology Museum; Turkey. Against a black background.<br />
<br />
Asclepius was a hero and god of medicine in ancient Greek religion and mythology.
  • Roman statue of a woman. Marble. Perge. 2nd century AD. Inv no 2015/186. Antalya Archaeology Museum; Turkey. Against a black background.
  • Roman statue of a woman. Marble. Perge. 2nd century AD. Inv no 2015/186. Antalya Archaeology Museum; Turkey. Against a white background.
  • Roman statue of a woman. Marble. Perge. 2nd century AD. Inv no 2015/186. Antalya Archaeology Museum; Turkey. Against a warm art background.
  • Roman statue of Hecate. Marble. Perge. 2nd century AD. Inv no 2010/541. Antalya Archaeology Museum; Turkey. Against a black background.<br />
<br />
 Hekate is a goddess in ancient Greek religion and mythology, most often shown holding a pair of torches or a key and in later periods depicted in triple form. She was variously associated with crossroads, entrance-ways, light, magic, witchcraft, knowledge of herbs and poisonous plants, ghosts, necromancy, and sorcery.
  • Roman statue of Hecate. Marble. Perge. 2nd century AD. Inv no 2010/541. Antalya Archaeology Museum; Turkey.<br />
<br />
 Hekate is a goddess in ancient Greek religion and mythology, most often shown holding a pair of torches or a key and in later periods depicted in triple form. She was variously associated with crossroads, entrance-ways, light, magic, witchcraft, knowledge of herbs and poisonous plants, ghosts, necromancy, and sorcery.
  • Roman statue of a woman. Marble. Perge. 2nd century AD. Inv no 2015/186. Antalya Archaeology Museum; Turkey. Against a grey background
  • Roman statue of Hecate. Marble. Perge. 2nd century AD. Inv no 2010/541. Antalya Archaeology Museum; Turkey. Against a white background.<br />
<br />
 Hekate is a goddess in ancient Greek religion and mythology, most often shown holding a pair of torches or a key and in later periods depicted in triple form. She was variously associated with crossroads, entrance-ways, light, magic, witchcraft, knowledge of herbs and poisonous plants, ghosts, necromancy, and sorcery.
  • Roman statue of Hecate. Marble. Perge. 2nd century AD. Inv no 2010/541. Antalya Archaeology Museum; Turkey. Against a warm art background.<br />
<br />
 Hekate is a goddess in ancient Greek religion and mythology, most often shown holding a pair of torches or a key and in later periods depicted in triple form. She was variously associated with crossroads, entrance-ways, light, magic, witchcraft, knowledge of herbs and poisonous plants, ghosts, necromancy, and sorcery.
  • Roman statue of Hecate. Marble. Perge. 2nd century AD. Inv no 2010/541. Antalya Archaeology Museum; Turkey.<br />
<br />
 Hekate is a goddess in ancient Greek religion and mythology, most often shown holding a pair of torches or a key and in later periods depicted in triple form. She was variously associated with crossroads, entrance-ways, light, magic, witchcraft, knowledge of herbs and poisonous plants, ghosts, necromancy, and sorcery.  Against a grey background
  • Roman statue of Hermes. Marble. Perge. 2nd century AD. Inv no . Antalya Archaeology Museum; Turkey.<br />
<br />
Hermes is the god of trade, heraldry, merchants, commerce, roads, sports, travelers, and athletes in Ancient Greek religion and mythology; the son of Zeus and the Pleiad Maia, he was the second youngest of the Olympian gods
  • Roman statue of Hermes. Marble. Perge. 2nd century AD. Inv no . Antalya Archaeology Museum; Turkey. Against a white background.<br />
<br />
Hermes is the god of trade, heraldry, merchants, commerce, roads, sports, travelers, and athletes in Ancient Greek religion and mythology; the son of Zeus and the Pleiad Maia, he was the second youngest of the Olympian gods
  • Roman statue of Hermes. Marble. Perge. 2nd century AD. Inv no . Antalya Archaeology Museum; Turkey. Against a black background.<br />
<br />
Hermes is the god of trade, heraldry, merchants, commerce, roads, sports, travelers, and athletes in Ancient Greek religion and mythology; the son of Zeus and the Pleiad Maia, he was the second youngest of the Olympian gods
  • Roman statue of Hermes. Marble. Perge. 2nd century AD. Inv no . Antalya Archaeology Museum; Turkey. Against a warm art background.<br />
<br />
Hermes is the god of trade, heraldry, merchants, commerce, roads, sports, travelers, and athletes in Ancient Greek religion and mythology; the son of Zeus and the Pleiad Maia, he was the second youngest of the Olympian gods
  • Roman statue of Hermes. Marble. Perge. 2nd century AD. Inv no . Antalya Archaeology Museum; Turkey.  Against a grey background<br />
<br />
Hermes is the god of trade, heraldry, merchants, commerce, roads, sports, travelers, and athletes in Ancient Greek religion and mythology; the son of Zeus and the Pleiad Maia, he was the second youngest of the Olympian gods
  • Roman statue of Emperor Trajan . Marble. Perge. 2nd century AD. Inv no . Antalya Archaeology Museum; Turkey.
  • Roman statue of Emperor Trajan . Marble. Perge. 2nd century AD. Inv no . Antalya Archaeology Museum; Turkey. Against a black background.
  • Roman statue of Emperor Trajan . Marble. Perge. 2nd century AD. Inv no . Antalya Archaeology Museum; Turkey. Against a warm art background.
  • Roman statue of Asklepios. Marble. Perge. 2nd century AD. Inv no . Antalya Archaeology Museum; Turkey.<br />
<br />
Asclepius was a hero and god of medicine in ancient Greek religion and mythology.
  • Roman statue of Emperor Trajan . Marble. Perge. 2nd century AD. Inv no . Antalya Archaeology Museum; Turkey.  Against a grey background
  • Roman statue of Asklepios. Marble. Perge. 2nd century AD. Inv no . Antalya Archaeology Museum; Turkey. Against a warm art background.<br />
<br />
Asclepius was a hero and god of medicine in ancient Greek religion and mythology.
  • Roman statue of Asklepios. Marble. Perge. 2nd century AD. Inv no . Antalya Archaeology Museum; Turkey. Against a white background.<br />
<br />
Asclepius was a hero and god of medicine in ancient Greek religion and mythology.
  • Roman statue of Asklepios. Marble. Perge. 2nd century AD. Inv no . Antalya Archaeology Museum; Turkey. Against a black background.<br />
<br />
Asclepius was a hero and god of medicine in ancient Greek religion and mythology.
  • Roman statue of Asklepios. Marble. Perge. 2nd century AD. Inv no . Antalya Archaeology Museum; Turkey.  Against a grey background<br />
<br />
Asclepius was a hero and god of medicine in ancient Greek religion and mythology.
  • Roman statue of Dioscur. Marble. Perge. 2nd century AD. Antalya Archaeology Museum; Turkey.<br />
<br />
The statue is one of the twin brothers that together are called the Dioscuri which means sons of the God Zeus. Their names are Castor and Pollux.
  • Roman statue of Dioscur. Marble. Perge. 2nd century AD. Antalya Archaeology Museum; Turkey. Against a white background.<br />
<br />
The statue is one of the twin brothers that together are called the Dioscuri which means sons of the God Zeus. Their names are Castor and Pollux.
  • Roman statue of Dioscur. Marble. Perge. 2nd century AD. Antalya Archaeology Museum; Turkey. Against a warm art background.<br />
<br />
The statue is one of the twin brothers that together are called the Dioscuri which means sons of the God Zeus. Their names are Castor and Pollux.
  • Roman statue of Dioscur. Marble. Perge. 2nd century AD. Antalya Archaeology Museum; Turkey. Against a black background.<br />
<br />
The statue is one of the twin brothers that together are called the Dioscuri which means sons of the God Zeus. Their names are Castor and Pollux.
  • Roman statue of Dioscur. Marble. Perge. 2nd century AD. Antalya Archaeology Museum; Turkey.  Against a grey background<br />
<br />
The statue is one of the twin brothers that together are called the Dioscuri which means sons of the God Zeus. Their names are Castor and Pollux.
  • Roman statue of Aphrodite. Marble. Perge. 2nd century AD. Inv no 2014/191 . Antalya Archaeology Museum; Turkey.<br />
<br />
Aphrodite is an ancient Greek goddess associated with love, beauty, pleasure, and procreation. She is identified with the planet Venus, which is named after the Roman goddess Venus, with whom Aphrodite was extensively syncretized. Aphrodite's major symbols include myrtles, roses, doves, sparrows, and swans.
  • Roman statue of Aphrodite. Marble. Perge. 2nd century AD. Inv no 2014/191 . Antalya Archaeology Museum; Turkey. Against a warm art background.<br />
<br />
Aphrodite is an ancient Greek goddess associated with love, beauty, pleasure, and procreation. She is identified with the planet Venus, which is named after the Roman goddess Venus, with whom Aphrodite was extensively syncretized. Aphrodite's major symbols include myrtles, roses, doves, sparrows, and swans.
  • Roman statue of Aphrodite. Marble. Perge. 2nd century AD. Inv no 2014/191 . Antalya Archaeology Museum; Turkey. Against a white background.<br />
<br />
Aphrodite is an ancient Greek goddess associated with love, beauty, pleasure, and procreation. She is identified with the planet Venus, which is named after the Roman goddess Venus, with whom Aphrodite was extensively syncretized. Aphrodite's major symbols include myrtles, roses, doves, sparrows, and swans.
  • Roman statue of Aphrodite. Marble. Perge. 2nd century AD. Inv no 2014/191 . Antalya Archaeology Museum; Turkey. Against a black background.<br />
<br />
Aphrodite is an ancient Greek goddess associated with love, beauty, pleasure, and procreation. She is identified with the planet Venus, which is named after the Roman goddess Venus, with whom Aphrodite was extensively syncretized. Aphrodite's major symbols include myrtles, roses, doves, sparrows, and swans.
  • Roman statue of Aphrodite. Marble. Perge. 2nd century AD. Inv no 2014/191 . Antalya Archaeology Museum; Turkey.  Against a grey background<br />
<br />
Aphrodite is an ancient Greek goddess associated with love, beauty, pleasure, and procreation. She is identified with the planet Venus, which is named after the Roman goddess Venus, with whom Aphrodite was extensively syncretized. Aphrodite's major symbols include myrtles, roses, doves, sparrows, and swans.
  • Roman statue of Aphrodite. Marble. Perge. 2nd century AD. Inv no 2014/191 . Antalya Archaeology Museum; Turkey.<br />
<br />
Aphrodite is an ancient Greek goddess associated with love, beauty, pleasure, and procreation. She is identified with the planet Venus, which is named after the Roman goddess Venus, with whom Aphrodite was extensively syncretized. Aphrodite's major symbols include myrtles, roses, doves, sparrows, and swans.
  • Roman statue of Aphrodite. Marble. Perge. 2nd century AD. Inv no 2014/191 . Antalya Archaeology Museum; Turkey. Against a white background.<br />
<br />
Aphrodite is an ancient Greek goddess associated with love, beauty, pleasure, and procreation. She is identified with the planet Venus, which is named after the Roman goddess Venus, with whom Aphrodite was extensively syncretized. Aphrodite's major symbols include myrtles, roses, doves, sparrows, and swans.
  • Roman statue of Aphrodite. Marble. Perge. 2nd century AD. Inv no 2014/191 . Antalya Archaeology Museum; Turkey. Against a black background.<br />
<br />
Aphrodite is an ancient Greek goddess associated with love, beauty, pleasure, and procreation. She is identified with the planet Venus, which is named after the Roman goddess Venus, with whom Aphrodite was extensively syncretized. Aphrodite's major symbols include myrtles, roses, doves, sparrows, and swans.
  • Roman statue of Aphrodite. Marble. Perge. 2nd century AD. Inv no 2014/191 . Antalya Archaeology Museum; Turkey. Against a warm art background.<br />
<br />
Aphrodite is an ancient Greek goddess associated with love, beauty, pleasure, and procreation. She is identified with the planet Venus, which is named after the Roman goddess Venus, with whom Aphrodite was extensively syncretized. Aphrodite's major symbols include myrtles, roses, doves, sparrows, and swans.
  • Roman statue of Emperor Trajan. Marble. Perge. 2nd century AD. Inv no . Antalya Archaeology Museum; Turkey.
  • Roman statue of Emperor Trajan. Marble. Perge. 2nd century AD. Inv no . Antalya Archaeology Museum; Turkey. Against a white background.
  • Roman statue of Emperor Trajan. Marble. Perge. 2nd century AD. Inv no . Antalya Archaeology Museum; Turkey. Against a warm art background.
  • Roman statue of Emperor Trajan. Marble. Perge. 2nd century AD. Inv no . Antalya Archaeology Museum; Turkey.  Against a grey background
  • Roman statue of Hercules. Marble. Perge. 2nd century AD. Inv no . Antalya Archaeology Museum; Turkey.
  • Roman statue of Hercules. Marble. Perge. 2nd century AD. Inv no . Antalya Archaeology Museum; Turkey. Against a white background.
  • Roman statue of Hercules. Marble. Perge. 2nd century AD. Inv no . Antalya Archaeology Museum; Turkey. Against a black background.
  • Roman statue of Hercules. Marble. Perge. 2nd century AD. Inv no . Antalya Archaeology Museum; Turkey. Against a warm art background.
  • Roman statue of Hercules. Marble. Perge. 2nd century AD. Inv no . Antalya Archaeology Museum; Turkey.  Against a grey background
  • Roman statue of Alexander The Great. Marble. Perge. 2nd century AD. Inv no 2.23.93. Antalya Archaeology Museum; Turkey.
  • Roman statue of Alexander The Great. Marble. Perge. 2nd century AD. Inv no 2.23.93. Antalya Archaeology Museum; Turkey. Against a white background.
  • Roman statue of Alexander The Great. Marble. Perge. 2nd century AD. Inv no 2.23.93. Antalya Archaeology Museum; Turkey. Against a black background.
  • Roman statue of Emperor Trajan. Marble. Perge. 2nd century AD. Inv no . Antalya Archaeology Museum; Turkey.<br />
<br />
Trajan Roma Emperor  from 98 to 117 AD.
  • Roman statue of Alexander The Great. Marble. Perge. 2nd century AD. Inv no 2.23.93. Antalya Archaeology Museum; Turkey. Against a warm art background.
  • Roman statue of Alexander The Great. Marble. Perge. 2nd century AD. Inv no 2.23.93. Antalya Archaeology Museum; Turkey.  Against a grey background
  • Roman statue of Emperor Trajan. Marble. Perge. 2nd century AD. Inv no . Antalya Archaeology Museum; Turkey. Against a warm art background.<br />
<br />
Trajan Roma Emperor  from 98 to 117 AD.
  • Roman statue of Emperor Trajan. Marble. Perge. 2nd century AD. Inv no . Antalya Archaeology Museum; Turkey. Against a white background.<br />
Trajan Roma Emperor  from 98 to 117 AD.
  • Roman statue of Emperor Trajan. Marble. Perge. 2nd century AD. Inv no . Antalya Archaeology Museum; Turkey. Against a black background.<br />
<br />
Trajan Roma Emperor  from 98 to 117 AD.
  • Roman statue of Emperor Trajan. Marble. Perge. 2nd century AD. Inv no . Antalya Archaeology Museum; Turkey.  Against a grey background<br />
<br />
Trajan Roma Emperor  from 98 to 117 AD.
  • Roman statue of Hermes. Marble. Perge. 2nd century AD. Inv no . Antalya Archaeology Museum; Turkey.<br />
<br />
Hermes is the god of trade, heraldry, merchants, commerce, roads, sports, travelers, and athletes in Ancient Greek religion and mythology; the son of Zeus and the Pleiad Maia, he was the second youngest of the Olympian gods
  • Roman statue of Hermes. Marble. Perge. 2nd century AD. Inv no . Antalya Archaeology Museum; Turkey.  Against a grey background<br />
<br />
Hermes is the god of trade, heraldry, merchants, commerce, roads, sports, travelers, and athletes in Ancient Greek religion and mythology; the son of Zeus and the Pleiad Maia, he was the second youngest of the Olympian gods
  • Roman statue of Hermes. Marble. Perge. 2nd century AD. Inv no . Antalya Archaeology Museum; Turkey. Against a black background.<br />
<br />
Hermes is the god of trade, heraldry, merchants, commerce, roads, sports, travelers, and athletes in Ancient Greek religion and mythology; the son of Zeus and the Pleiad Maia, he was the second youngest of the Olympian gods
  • Roman statue of Hermes. Marble. Perge. 2nd century AD. Inv no . Antalya Archaeology Museum; Turkey. Against a warm art background.<br />
<br />
Hermes is the god of trade, heraldry, merchants, commerce, roads, sports, travelers, and athletes in Ancient Greek religion and mythology; the son of Zeus and the Pleiad Maia, he was the second youngest of the Olympian gods
  • Roman statue of Dionysus. Marble. Perge. 2nd century AD. Inv no . Antalya Archaeology Museum; Turkey.<br />
<br />
Dionysus  is the god of the grape-harvest, winemaking and wine, of fertility, ritual madness, religious ecstasy, and theatre in ancient Greek religion and myth.
  • Roman statue of Dionysus. Marble. Perge. 2nd century AD. Inv no . Antalya Archaeology Museum; Turkey. Against a black background.<br />
<br />
Dionysus  is the god of the grape-harvest, winemaking and wine, of fertility, ritual madness, religious ecstasy, and theatre in ancient Greek religion and myth.
  • Roman statue of Dionysus. Marble. Perge. 2nd century AD. Inv no . Antalya Archaeology Museum; Turkey. Against a white background.<br />
<br />
Dionysus  is the god of the grape-harvest, winemaking and wine, of fertility, ritual madness, religious ecstasy, and theatre in ancient Greek religion and myth.
  • Roman statue of Dionysus. Marble. Perge. 2nd century AD. Inv no . Antalya Archaeology Museum; Turkey. Against a warm art background.<br />
<br />
Dionysus  is the god of the grape-harvest, winemaking and wine, of fertility, ritual madness, religious ecstasy, and theatre in ancient Greek religion and myth.
  • Roman statue of Dionysus. Marble. Perge. 2nd century AD. Inv no . Antalya Archaeology Museum; Turkey.  Against a grey background<br />
<br />
Dionysus  is the god of the grape-harvest, winemaking and wine, of fertility, ritual madness, religious ecstasy, and theatre in ancient Greek religion and myth.
  • Roman statue of  Dioscuri. Marble. Perge. 2nd century AD. Inv no 2014/175. Antalya Archaeology Museum; Turkey.
  • Roman statue of  Dioscuri. Marble. Perge. 2nd century AD. Inv no 2014/175. Antalya Archaeology Museum; Turkey. Against a black background.
  • Roman statue of  Dioscuri. Marble. Perge. 2nd century AD. Inv no 2014/175. Antalya Archaeology Museum; Turkey. Against a white background.
  • Roman statue of  Dioscuri. Marble. Perge. 2nd century AD. Inv no 2014/175. Antalya Archaeology Museum; Turkey. Against a warm art background.
  • Roman statue of  Dioscuri. Marble. Perge. 2nd century AD. Inv no 2014/175. Antalya Archaeology Museum; Turkey.  Against a grey background
  • Roman statue of Hecate. Marble. Perge. 2nd century AD. Inv no 2010/541. Antalya Archaeology Museum; Turkey.<br />
<br />
 Hekate is a goddess in ancient Greek religion and mythology, most often shown holding a pair of torches or a key and in later periods depicted in triple form. She was variously associated with crossroads, entrance-ways, light, magic, witchcraft, knowledge of herbs and poisonous plants, ghosts, necromancy, and sorcery.
  • Roman statue of Hecate. Marble. Perge. 2nd century AD. Inv no 2010/541. Antalya Archaeology Museum; Turkey. Against a white background.<br />
<br />
 Hekate is a goddess in ancient Greek religion and mythology, most often shown holding a pair of torches or a key and in later periods depicted in triple form. She was variously associated with crossroads, entrance-ways, light, magic, witchcraft, knowledge of herbs and poisonous plants, ghosts, necromancy, and sorcery.
  • Roman statue of Hecate. Marble. Perge. 2nd century AD. Inv no 2010/541. Antalya Archaeology Museum; Turkey. Against a black background.<br />
<br />
 Hekate is a goddess in ancient Greek religion and mythology, most often shown holding a pair of torches or a key and in later periods depicted in triple form. She was variously associated with crossroads, entrance-ways, light, magic, witchcraft, knowledge of herbs and poisonous plants, ghosts, necromancy, and sorcery.
  • Roman statue of Hecate. Marble. Perge. 2nd century AD. Inv no 2010/541. Antalya Archaeology Museum; Turkey. Against a warm art background.<br />
<br />
 Hekate is a goddess in ancient Greek religion and mythology, most often shown holding a pair of torches or a key and in later periods depicted in triple form. She was variously associated with crossroads, entrance-ways, light, magic, witchcraft, knowledge of herbs and poisonous plants, ghosts, necromancy, and sorcery.
  • Roman statue of Hecate. Marble. Perge. 2nd century AD. Inv no 2010/541. Antalya Archaeology Museum; Turkey.  Against a grey background<br />
<br />
 Hekate is a goddess in ancient Greek religion and mythology, most often shown holding a pair of torches or a key and in later periods depicted in triple form. She was variously associated with crossroads, entrance-ways, light, magic, witchcraft, knowledge of herbs and poisonous plants, ghosts, necromancy, and sorcery.
  • Roman statue head of a woman. Marble. Perge. 2nd century AD. Inv no 1016. Antalya Archaeology Museum; Turkey. Against a white background.
  • Roman statue head of a woman. Marble. Perge. 2nd century AD. Inv no 1016. Antalya Archaeology Museum; Turkey.
  • Roman statue head of a woman. Marble. Perge. 2nd century AD. Inv no 1016. Antalya Archaeology Museum; Turkey. Against a black background.
  • Roman statue head of a woman. Marble. Perge. 2nd century AD. Inv no 1016. Antalya Archaeology Museum; Turkey. Against a warm art background.
  • Roman statue head of a woman. Marble. Perge. 2nd century AD. Inv no 1016. Antalya Archaeology Museum; Turkey. Against a grey background
  • Roman statue of Antinous. Marble. Perge. 2nd century AD. Inv no . Antalya Archaeology Museum; Turkey.
  • Roman statue of Antinous. Marble. Perge. 2nd century AD. Inv no . Antalya Archaeology Museum; Turkey. Against a black background.
  • Roman statue of Antinous. Marble. Perge. 2nd century AD. Inv no . Antalya Archaeology Museum; Turkey. Against a warm art background.
  • Roman statue head of a man. Marble. Perge. 2nd century AD. Inv no 2005/82. Antalya Archaeology Museum; Turkey. Against a white background.
  • Roman statue head of a man. Marble. Perge. 2nd century AD. Inv no 2005/82. Antalya Archaeology Museum; Turkey.
  • Roman statue head of a man. Marble. Perge. 2nd century AD. Inv no 2005/82. Antalya Archaeology Museum; Turkey. Against a warm art background.
  • Roman statue head of a man. Marble. Perge. 2nd century AD. Inv no 2005/82. Antalya Archaeology Museum; Turkey.  Against a grey background
  • Roman statue of a seated woman . Marble. Perge. 2nd century AD. Inv no 17.7. . Antalya Archaeology Museum; Turkey.
  • Roman statue of a seated woman . Marble. Perge. 2nd century AD. Inv no 17.7. . Antalya Archaeology Museum; Turkey. Against a black background.
  • Roman statue of a seated woman . Marble. Perge. 2nd century AD. Inv no 17.7. . Antalya Archaeology Museum; Turkey. Against a white background.
  • Roman statue of a seated woman . Marble. Perge. 2nd century AD. Inv no 17.7. . Antalya Archaeology Museum; Turkey. Against a warm art background.
  • Roman statue of a seated woman . Marble. Perge. 2nd century AD. Inv no 17.7. . Antalya Archaeology Museum; Turkey.  Against a grey background
  • Roman statue of a Man. Marble. Perge. 2nd century AD. Inv no 2016/154. Antalya Archaeology Museum; Turkey.
  • Roman statue of a Man. Marble. Perge. 2nd century AD. Inv no 2016/154. Antalya Archaeology Museum; Turkey. Against a black background.
  • Roman statue of a Man. Marble. Perge. 2nd century AD. Inv no 2016/154. Antalya Archaeology Museum; Turkey. Against a white background.
  • Roman statue of a Man. Marble. Perge. 2nd century AD. Inv no 2016/154. Antalya Archaeology Museum; Turkey.  Against a grey background
  • Roman statue of a woman. Marble. Perge. 2nd century AD. Inv no 2015/186. Antalya Archaeology Museum; Turkey. Against a white background.
  • Roman statue of a woman. Marble. Perge. 2nd century AD. Inv no 2015/186. Antalya Archaeology Museum; Turkey. Against a black background.
  • Roman statue of a woman. Marble. Perge. 2nd century AD. Inv no 2015/186. Antalya Archaeology Museum; Turkey. Against a warm art background.
  • Roman statue of a woman. Marble. Perge. 2nd century AD. Inv no 2015/186. Antalya Archaeology Museum; Turkey.  Against a grey background
  • Roman statue of Nemesis. Marble. Perge. 2nd century AD. Inv no; . Antalya Archaeology Museum; Turkey. Against a black background.
  • Roman statue of Nemesis. Marble. Perge. 2nd century AD. Inv no; . Antalya Archaeology Museum; Turkey. Against a white background.
  • Roman statue of Nemesis. Marble. Perge. 2nd century AD. Inv no; . Antalya Archaeology Museum; Turkey. Against a warm art background.
  • Roman statue of Nemesis. Perge. 2nd century AD. Antalya Archaeology Museum,  Against a grey background
  • Roman statue of Helios. Marble. Perge. 2nd century AD. Inv no . Antalya Archaeology Museum; Turkey.<br />
<br />
Helios is the god and personification of the Sun in Greek mythology. He is the son of the Titan Hyperion and the Titaness Theia (according to Hesiod), also known as Euryphaessa (in Homeric Hymn 31) and brother of the goddesses Selene, the moon, and Eos, the dawn.
  • Roman statue of Helios. Marble. Perge. 2nd century AD. Inv no . Antalya Archaeology Museum; Turkey.  Against a grey background<br />
<br />
Helios is the god and personification of the Sun in Greek mythology. He is the son of the Titan Hyperion and the Titaness Theia (according to Hesiod), also known as Euryphaessa (in Homeric Hymn 31) and brother of the goddesses Selene, the moon, and Eos, the dawn.
  • Roman statue of Helios. Marble. Perge. 2nd century AD. Inv no . Antalya Archaeology Museum; Turkey. Against a warm art background.<br />
<br />
Helios is the god and personification of the Sun in Greek mythology. He is the son of the Titan Hyperion and the Titaness Theia (according to Hesiod), also known as Euryphaessa (in Homeric Hymn 31) and brother of the goddesses Selene, the moon, and Eos, the dawn.
  • Roman statue of Helios. Marble. Perge. 2nd century AD. Inv no . Antalya Archaeology Museum; Turkey. Against a white background.<br />
<br />
Helios is the god and personification of the Sun in Greek mythology. He is the son of the Titan Hyperion and the Titaness Theia (according to Hesiod), also known as Euryphaessa (in Homeric Hymn 31) and brother of the goddesses Selene, the moon, and Eos, the dawn.
  • Roman statue of Helios. Marble. Perge. 2nd century AD. Inv no . Antalya Archaeology Museum; Turkey. Against a black background.<br />
<br />
Helios is the god and personification of the Sun in Greek mythology. He is the son of the Titan Hyperion and the Titaness Theia (according to Hesiod), also known as Euryphaessa (in Homeric Hymn 31) and brother of the goddesses Selene, the moon, and Eos, the dawn.
  • Roman statue of Tyche. Marble. Perge. 2nd century AD. Inv no . Antalya Archaeology Museum; Turkey.<br />
<br />
Tyche was the presiding tutelary deity who governed the fortune and prosperity of a city, its destiny. In Classical Greek mythology, she is the daughter of Aphrodite and Zeus or Hermes.

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