• Bayeux Tapestry scene 54: Bishop Odo, holding club, urges Norman cavalry against the Saon soldiers on a hill at the Battle of Hastings.
  • Bayeux Tapestry scene 53b: Norman cavalry attack Saxon soldiers ontop of a hill at the Battle of Hastings.
  • Bayeux Tapestry scene 51b: The Norman cavalry charge the Saxon foot solders.
  • Bayeux Tapestry scene 51b: The Norman cavalry charge the Saxon foot solders.
  • Bayeux Tapestry scene 48 :  Duke Williams Norman cavalry advance on Harols Saxons.
  • Bayeux Tapestry scene 48 :  Duke Williams Norman cavalry advance on Harols Saxons.
  • Bayeux Tapestry scene 51b: The Norman cavalry charge the Saxon foot solders.
  • Bayeux Tapestry scene 51b: The Norman cavalry charge the Saxon foot solders.
  • Bayeux Tapestry scene 48 :  Duke Williams Norman cavalry advance on Harols Saxons.
  • Bayeux Tapestry scene 54: Bishop Odo, holding club, urges Norman cavalry against the Saon soldiers on a hill at the Battle of Hastings. BYX54
  • Bayeux Tapestry scene 51c:  The Norman cavalry charge the Saxon foot solders. BYX51c
  • Bayeux Tapestry scene 53a : Fierce fighting between Norman and Saxon soldiers at The Battle of Hastings.  BYX53a
  • Bayeux Tapestry scene 53b: Norman cavalry attack Saxon soldiers ontop of a hill at the Battle of Hastings.   BYX53b
  • Bayeux Tapestry scene 51b: The Norman cavalry charge the Saxon foot solders.  BYX51b
  • Bayeux Tapestry scene 48 :  Duke Williams Norman cavalry advance on Harols Saxons. BYX48
  • Bayeux Tapestry scene 51c:  The Norman cavalry charge the Saxon foot solders.
  • Bayeux Tapestry scene 53a : Fierce fighting between Norman and Saxon soldiers at The Battle of Hastings.
  • Bayeux Tapestry scene 48 :  Duke Williams Norman cavalry advance on Harols Saxons.
  • Bayeux Tapestry scene 48 :  Duke Williams Norman cavalry advance on Harols Saxons.
  • Bayeux Tapestry scene 48 :  Duke Williams Norman cavalry advance on Harols Saxons.
  • Bayeux Tapestry scene 56: Norman caalry breaks through Saxon lines and Harolds army is slaughtered.
  • Bayeux Tapestry scene 56: Norman caalry breaks through Saxon lines and Harolds army is slaughtered. BYX56
  • Bayeux Tapestry scene 50:  A saxon watchman warns of the approaching Norman army.
  • Bayeux Tapestry scene 50:  A saxon watchman warns of the approaching Norman army. BYX50
  • Bayeux Tapestry scene 45:  Norman soldiers train and built a fortified camp.
  • Bayeux Tapestry scene 40:  Norman soldiers ride to Hastings to make camp.
  • Bayeux Tapestry scene 40:  Norman soldiers ride to Hastings to make camp. BYX40
  • Bayeux Tapestry scene 18: The Norman army of Duke Willam enters Dol and the Rennes, Duke Conan of Brittany flees.   BYX18
  • Bayeux Tapestry scene 18: The Norman army of Duke Willam enters Dol and the Rennes, Duke Conan of Brittany flees.   BYX18
  • Bayeux Tapestry scene 45:  Norman soldiers train and built a fortified camp. BYX45
  • Bayeux Tapestry Scene 19 - After the Norman attacjk of Dinan the Duke of Brittany surrenders and hands over the city keys to Duke William
  • Tympanum of the south door of the 12the century  church of St Peter & St Paul depicting Chirst in Majest, Pantocrator, with flying angels each side holding up the Mandorla or aureol he is sitting in. This is very typical of Eastern Roman or Byzantine art and the geometric designs suggest this is Norman art of the 12th century rebuilding  of Malmesbury Abbey, Wiltshire, England
  • Tympanum of the south door of the 12the century  church of St Peter & St Paul depicting Chirst in Majest, Pantocrator, with flying angels each side holding up the Mandorla or aureol he is sitting in. This is very typical of Eastern Roman or Byzantine art and the geometric designs suggest this is Norman art of the 12th century rebuilding  of Malmesbury Abbey, Wiltshire, England
  • Byzantine Christian Mosaics of The Palatine Chapel  ( Capella Palatina) in The Norman Palace (Palazzo dei Normanni), Palermo, Sicily. Scenes of Christ and from the Bible.
  • Byzantine mosaics at the Palatine Chapel ( Capella Palatina ) Norman Palace Palermo, Sicily, Italy. Christ above the Alter.
  • Bayeux Tapestry scene 36: The Normans launch an invasion fleet BYX36
  • Bayeux Tapestry scene 36: The Normans launch an invasion fleet
  • Bayeux Tapestry Scene 19 - Normans attack Dinan
  • Bayeux Tapestry Scene 18 - Normans attack Dol Rennes
  • Bayeux Tapestry Scene 18 - Normans attack Dol and make the Duke of Brittany flee
  • Bayeux Tapestry Scene 18 - Normans attack Dol and make the Duke of Brittany flee then they attack Dinan and finaly the Duke of Britany surrenders
  • Geometric relief decoration around the south proch of the 12the century early transitional Norman architecture of the parish church of St Peter & St Paul part of Malmesbury Abbey, Wiltshire, England
  • Geometric relief decoration around the south proch of the 12the century early transitional Norman architecture of the parish church of St Peter & St Paul part of Malmesbury Abbey, Wiltshire, England
  • The Aisle of the 12the century early transitional Norman architecture of the parish church of St Peter & St Paul part of Malmesbury Abbey, Wiltshire, England
  • The Aisle of the 12the century early transitional Norman architecture of the parish church of St Peter & St Paul part of Malmesbury Abbey, Wiltshire, England
  • The 12th century medieval Norman ruins of Goodrich Castle fortifications, Goodrich, Herefordshire, England
  • Early Anglo Saxon sulptures of an Apostle holding a book now part of the south porch of Malmesbury Abbey, Wiltshire, England. The apostles, apart from Peter who holds a crude key, have no distinguishing feature to allow identification. Some are holding books, none have halos and some hold their heads at awkward angles. These three styles are typical of Anglo Saxon art. The two panels are 10 ft long and 4ft 6" high are date from the original Ango Saxon church of 705. They were probablbly built into the proch during the Norman rebuilding. The style of these sculptures is of the Roman Byzantine style and were probably sculpted by masions from Gaul.  Malmesbury Abbey, Wiltshire, England
  • Early Anglo Saxon sulptures of an Apostle holding a book now part of the south porch of Malmesbury Abbey, Wiltshire, England. The apostles, apart from Peter who holds a crude key, have no distinguishing feature to allow identification. Some are holding books, none have halos and some hold their heads at awkward angles. These three styles are typical of Anglo Saxon art. The two panels are 10 ft long and 4ft 6" high are date from the original Ango Saxon church of 705. They were probablbly built into the proch during the Norman rebuilding. The style of these sculptures is of the Roman Byzantine style and were probably sculpted by masions from Gaul.  Malmesbury Abbey, Wiltshire, England
  • Early Anglo Saxon sulptures of the Apostles now part of the south porch of Malmesbury Abbey, Wiltshire, England. The apostles, apart from Peter who holds a crude key, have no distinguishing feature to allow identification. Some are holding books, none have halos and some hold their heads at awkward angles. These three styles are typical of Anglo Saxon art. The two panels are 10 ft long and 4ft 6" high are date from the original Ango Saxon church of 705. They were probablbly built into the proch during the Norman rebuilding. The style of these sculptures is of the Roman Byzantine style and were probably sculpted by masions from Gaul.  Malmesbury Abbey, Wiltshire, England
  • Early Anglo Saxon sulptures of Christ and the  Apostles now part of the south porch of Malmesbury Abbey, Wiltshire, England. The apostles, apart from Peter who holds a crude key, have no distinguishing feature to allow identification. Some are holding books, none have halos and some hold their heads at awkward angles. These three styles are typical of Anglo Saxon art. The two panels are 10 ft long and 4ft 6" high are date from the original Ango Saxon church of 705. They were probablbly built into the proch during the Norman rebuilding. The style of these sculptures is of the Roman Byzantine style and were probably sculpted by masions from Gaul.  Malmesbury Abbey, Wiltshire, England
  • Early Anglo Saxon sulptures of Christ and the  Apostles now part of the south porch of Malmesbury Abbey, Wiltshire, England. The apostles, apart from Peter who holds a crude key, have no distinguishing feature to allow identification. Some are holding books, none have halos and some hold their heads at awkward angles. These three styles are typical of Anglo Saxon art. The two panels are 10 ft long and 4ft 6" high are date from the original Ango Saxon church of 705. They were probablbly built into the proch during the Norman rebuilding. The style of these sculptures is of the Roman Byzantine style and were probably sculpted by masions from Gaul.  Malmesbury Abbey, Wiltshire, England
  • Early Anglo Saxon sulptures of an Apostle holding a book now part of the south porch of Malmesbury Abbey, Wiltshire, England. The apostles, apart from Peter who holds a crude key, have no distinguishing feature to allow identification. Some are holding books, none have halos and some hold their heads at awkward angles. These three styles are typical of Anglo Saxon art. The two panels are 10 ft long and 4ft 6" high are date from the original Ango Saxon church of 705. They were probablbly built into the proch during the Norman rebuilding. The style of these sculptures is of the Roman Byzantine style and were probably sculpted by masions from Gaul.  Malmesbury Abbey, Wiltshire, England
  • Early Anglo Saxon sulptures of the Apostles now part of the south porch of Malmesbury Abbey, Wiltshire, England. The apostles, apart from Peter who holds a crude key, have no distinguishing feature to allow identification. Some are holding books, none have halos and some hold their heads at awkward angles. These three styles are typical of Anglo Saxon art. The two panels are 10 ft long and 4ft 6" high are date from the original Ango Saxon church of 705. They were probablbly built into the proch during the Norman rebuilding. The style of these sculptures is of the Roman Byzantine style and were probably sculpted by masions from Gaul.  Malmesbury Abbey, Wiltshire, England
  • Early Anglo Saxon sulptures of the Apostles now part of the south porch of Malmesbury Abbey, Wiltshire, England. The apostles, apart from Peter who holds a crude key, have no distinguishing feature to allow identification. Some are holding books, none have halos and some hold their heads at awkward angles. These three styles are typical of Anglo Saxon art. The two panels are 10 ft long and 4ft 6" high are date from the original Ango Saxon church of 705. They were probablbly built into the proch during the Norman rebuilding. The style of these sculptures is of the Roman Byzantine style and were probably sculpted by masions from Gaul.  Malmesbury Abbey, Wiltshire, England
  • Early Anglo Saxon sulptures of the Apostles now part of the south porch of Malmesbury Abbey, Wiltshire, England. The apostles, apart from Peter who holds a crude key, have no distinguishing feature to allow identification. Some are holding books, none have halos and some hold their heads at awkward angles. These three styles are typical of Anglo Saxon art. The two panels are 10 ft long and 4ft 6" high are date from the original Ango Saxon church of 705. They were probablbly built into the proch during the Norman rebuilding. The style of these sculptures is of the Roman Byzantine style and were probably sculpted by masions from Gaul.  Malmesbury Abbey, Wiltshire, England
  • Medieval sculptures of the south porch of the 12the century early transitional Norman architecture of the parish church of St Peter & St Paul part of Malmesbury Abbey, Wiltshire, England
  • Medieval sculptures of the south porch of the 12the century early transitional Norman architecture of the parish church of St Peter & St Paul part of Malmesbury Abbey, Wiltshire, England
  • Medieval sculptures of the south porch of the 12the century early transitional Norman architecture of the parish church of St Peter & St Paul part of Malmesbury Abbey, Wiltshire, England
  • Medieval sculptures of the south porch of the 12the century early transitional Norman architecture of the parish church of St Peter & St Paul part of Malmesbury Abbey, Wiltshire, England
  • Medieval sculptures of the south porch of the 12the century early transitional Norman architecture of the parish church of St Peter & St Paul part of Malmesbury Abbey, Wiltshire, England
  • Medieval sculptures of the south porch of the 12the century early transitional Norman architecture of the parish church of St Peter & St Paul part of Malmesbury Abbey, Wiltshire, England
  • Medieval sculptures of the south porch of the 12the century early transitional Norman architecture of the parish church of St Peter & St Paul part of Malmesbury Abbey, Wiltshire, England
  • Medieval sculptures of the south porch of the 12the century early transitional Norman architecture of the parish church of St Peter & St Paul part of Malmesbury Abbey, Wiltshire, England
  • Medieval sculptures of the south porch of the 12the century early transitional Norman architecture of the parish church of St Peter & St Paul part of Malmesbury Abbey, Wiltshire, England
  • Bayeux Tapestry scene 38:  Duke Williams invasion fleet  ships cross the channel to England.
  • Bayeux Tapestry scene 38:  Duke Williams invasion fleet  ships cross the channel to England. BYX38
  • Bayeux Tapestry scene 55:  Duke William raises his visor to show that a rumour he was killed is un-true.
  • Bayeux Tapestry scene 52:  Harpld brother, Duke of Lewine and Byrd is killed in the Battle of Hastings. BYX52
  • Bayeux Tapestry scene 52:  Harpld brother, Duke of Lewine and Byrd is killed in the Battle of Hastings.
  • Bayeux Tapestry scene 51a : Duke William talks to his soldiers ordering them into battle.
  • Bayeux Tapestry scene 55:  Duke William raises his visor to show that a rumour he was killed is un-true.
  • Bayeux Tapestry scene 55:  Duke William raises his visor to show that a rumour he was killed is un-true. BYX55
  • Bayeux Tapestry scene 51a : Duke William talks to his soldiers ordering them into battle.  BYX51a
  • Bayeux Tapestry scene 55:  Duke William raises his visor to show that a rumour he was killed is un-true.
  • Bayeux Tapestry scene 57: King Harold is killed by an arrow in his eye as he looses the Battle of Hastings.
  • Bayeux Tapestry scene 35:  Duke William reacts to Harold's Corination by ordering an invasion fleet to be built.
  • Bayeux Tapestry scene 57: King Harold is killed by an arrow in his eye as he looses the Battle of Hastings.
  • Bayeux Tapestry scene 35:  Duke William reacts to Harold's Corination by ordering an invasion fleet to be built. BYX35
  • Bayeux Tapestry scene 57: King Harold is killed by an arrow in his eye as he looses the Battle of Hastings.
  • Bayeux Tapestry scene 57: King Harold is killed by an arrow in his eye as he looses the Battle of Hastings.  BYX57
  • Bayeux Tapestry scene 43 - 44:  Duke William, his barons and Bishop Odo hold a banquet to celebrate their safe arrival in England.
  • Bayeux Tapestry scene 34:  Messengers sail from England to tell Duke William of Harold's corination.
  • Bayeux Tapestry scene 22:  Duke William and Harold ride to Bayeux after defeating Duke of Britany.
  • Bayeux Tapestry scene 8 : Guy de Ponthieu, holding falcon, escorts his prisoner, Harold, to Beaurain.
  • Bayeux Tapestry scene 4: Harold boards his ship to sail across the Channel to Normandy.
  • Bayeux Tapestry scene 46:  Duke William id told of Harolds army arrival and a house is burnt to clear the way.
  • Bayeux Tapestry scene 23 :  In front of Duke William, Harold touches 2 reliqueries and swears fealty to Duke William.
  • Bayeux Tapestry scene 9:  Guy de Ponthieu, on throne, discussed his with Harold his ransom demands.
  • Bayeux Tapestry scene 1 : Edward The confessor send Harold to inform William he will succeed to English Throne.
  • Bayeux Tapestry scene 58 :  Duke William wins the Battle of Hastings and is proclaimed King of England. BYX58
  • Bayeux Tapestry scene 1 : Edward The confessor send Harold to inform William he will succeed to English Throne.
  • Bayeux Tapestry scene 49:  As he advances Duke William is told where the Saxon army is. BYX49
  • Bayeux Tapestry scene 29 - 30: Harold is proclaimed King then crowned.  BYX29 & BYX30
  • Bayeux Tapestry scene 27-28 :  A dying Edward the Confessor makes his last requests' BYX27 BYX 28
  • Bayeux Tapestry scene 21 : Duke William knights Harold for fighting against Duke of Britany. BYX21
  • Bayeux Tapestry scene 19 :  Duke Willam and his army attack Dinan in Britany. BYX19
  • Bayeux Tapestry scene 17 : Crossing the Couesnon River near Mont St Michele, Duke Williams Soldiers sink in quicksand. BYX17
  • Bayeux Tapestry scene 14: Harold arives at Duke William of Normandy Castle. BYX14
  • Bayeux Tapestry scene 3 - 4: Harold stops on way to Normandy to recieve blessing at Bosham church and then feasts.  BYX3
  • Bayeux Tapestry scene 49:  As he advances Duke William is told where the Saxon army is.
  • Bayeux Tapestry scene 47:  A house is burnt to clear the way for Williams Army and Duke William gets ready from battle.
  • Bayeux Tapestry scene 41 - 42:  Cooks are supervised by Wadar, one of Williams servants.
  • Bayeux Tapestry scene 39:  Horses are disembarked in England from Duke Williams invasion fleet.
  • Bayeux Tapestry scene 37:  weapons, wine and horses are loaded on Duke Williams's invasion fleet.
  • Bayeux Tapestry scene 27-28 :  A dying Edward the Confessor makes
  • Bayeux Tapestry scene 29 - 30: Harold is proclaimed King then crowned.
  • Bayeux Tapestry scene 26 :  Edward The Confessor's Corpes is carried to St Peters Church.
  • Bayeux Tapestry scene 21 : Duke William knights Harold for fighting against Duke of Britany.
  • Bayeux Tapestry scene 23 : Having sworn fealty to Duke William Harold sails back to England.
  • Bayeux Tapestry scene 25: Harold reports to Edward thr Confessor about his mission to see Williams in Normandy.
  • Bayeux Tapestry scene 23 :  In front of Duke William, Harold touches 2 reliqueries and swears fealty to Duke William.
  • Bayeux Tapestry scene 20: Conan Duke of Britany surrender Dinan, city keys on end of his lance, to Duke William.
  • Bayeux Tapestry scene 19 :  Duke Willam and his army attack Dinan in Britany.
  • Bayeux Tapestry scene 17 : Crossing the Couesnon River near Mont St Michele, Duke Williams Soldiers sink in quicksand.
  • Bayeux Tapestry scene 15:  Dule William of Normandy hold discussions with Harold and, right, Williams daughter Aelgyve is detroved to him.
  • Bayeux Tapestry scene 12 : William gives orders to his messengers for Harolds release,
  • Bayeux Tapestry scene 13 :  Guy de Ponthieu, left,  hands Harold over to William the Conqueror, right.
  • Bayeux Tapestry scene 14: Harold arives at Duke William of Normandy Castle.
  • Bayeux Tapestry scene 11 :  Two messengers rush from William to Guy de Ponthieu with orders fro Harolds release.
  • Bayeux Tapestry scene 10:  William sends messengers to Guy de Ponthieu ordering Harolds release.
  • Bayeux Tapestry scene 9:  Guy de Ponthieu, on throne, discussed his with Harold his ransom demands.
  • Bayeux Tapestry scene 5 : Strong winds blow Harold ships off course to the lands of Guy de Ponthieu.
  • Bayeux Tapestry scene  6 - 7:  Harold is areested by Guy de Ponthieu for landing without permission.
  • Bayeux Tapestry scene 2 : Harlod leaves for Normandy to inform William he will eucceed to English Throne.
  • Bayeux Tapestry scene 3 - 4: Harold stops on way to Normandy to recieve blessing at Bosham church and then feasts.
  • Bayeux Tapestry scene 1 : Edward The confessor send Harold to inform William he will succeed to English Throne.
  • Bayeux Tapestry scene 46:  Duke William id told of Harolds army arrival and a house is burnt to clear the way.
  • Bayeux Tapestry scene 46:  Duke William id told of Harolds army arrival and a house is burnt to clear the way.
  • Bayeux Tapestry scene 1 : Edward The confessor send Harold to inform William he will succeed to English Throne.
  • Bayeux Tapestry scene 47:  A house is burnt to clear the way for Williams Army and Duke William gets ready from battle. BYX47
  • Bayeux Tapestry scene 46:  Duke William id told of Harolds army arrival and a house is burnt to clear the way. BYX46
  • Bayeux Tapestry scene 41 - 42:  Cooks are supervised by Wadar, one of Williams servants. BYX41 - 42
  • Bayeux Tapestry scene 43 - 44:  Duke William, his barons and Bishop Odo hold a banquet to celebrate their safe arrival in England. BYX43 BYX44
  • Bayeux Tapestry scene 39:  Horses are disembarked in England from Duke Williams invasion fleet. BYX39
  • Bayeux Tapestry scene 37:  weapons, wine and horses are loaded on Duke Williams's invasion fleet. BYX37
  • Bayeux Tapestry scene 31-32-33 : Astrologers see a comet in the sky and predict an evil omen for Harold. BYX31
  • Bayeux Tapestry scene 34:  Messengers sail from England to tell Duke William of Harold's corination. BYX34
  • Bayeux Tapestry scene 23 : Having sworn fealty to Duke William Harold sails back to England. BYX23
  • Bayeux Tapestry scene 26 :  Edward The Confessor's Corpes is carried to St Peters Church. BYX26
  • Bayeux Tapestry scene 25: Harold reports to Edward thr Confessor about his mission to see Williams in Normandy. BYX25
  • Bayeux Tapestry scene 23 :  In front of Duke William, Harold touches 2 reliqueries and swears fealty to Duke William. BYX23
  • Bayeux Tapestry scene 22:  Duke William and Harold ride to Bayeux after defeating Duke of Britany. BYX22
  • Bayeux Tapestry scene 20: Conan Duke of Britany surrender Dinan, city keys on end of his lance, to Duke William. BYX20
  • Bayeux Tapestry scene 15:  Dule William of Normandy hold discussions with Harold and, right, Williams daughter Aelgyve is detroved to him. BYX15
  • Bayeux Tapestry scene 16: Harold rides with Duke William to fight Conan, Duke of Britany.  BYX16
  • Bayeux Tapestry scene 13 :  Guy de Ponthieu, left,  hands Harold over to William the Conqueror, right. BYX13
  • Bayeux Tapestry scene 8 : Guy de Ponthieu, holding falcon, escorts his prisoner, Harold, to Beaurain. BYX8
  • Bayeux Tapestry scene 12 : William gives orders to his messengers for Harolds release, BYX12
  • Bayeux Tapestry scene 11 :  Two messengers rush from William to Guy de Ponthieu with orders fro Harolds release.  BYX11
  • Bayeux Tapestry scene 10:  William sends messengers to Guy de Ponthieu ordering Harolds release. BYX10
  • Bayeux Tapestry scene  6 - 7:  Harold is areested by Guy de Ponthieu for landing without permission. BYX6 BYX7
  • Bayeux Tapestry scene 5 : Strong winds blow Harold ships off course to the lands of Guy de Ponthieu. BYX5
  • Bayeux Tapestry scene 4: Harold boards his ship to sail across the Channel to Normandy.  BYX4
  • Bayeux Tapestry scene 2 : Harlod leaves for Normandy to inform William he will eucceed to English Throne.  BYX2
  • Bayeux Tapestry scene 58 :  Duke William wins the Battle of Hastings and is proclaimed King of England.
  • Bayeux Tapestry scene 31-32-33 : Astrologers see a comet in the sky and predict an evil omen for Harold.
  • Bayeux Tapestry scene 16: Harold rides with Duke William to fight Conan, Duke of Britany.
  • Bayeux Tapestry scene 9:  Guy de Ponthieu, on throne, discussed his with Harold his ransom demands. BYX9
  • Bayeux Tapestry scene 1 : Edward The confessor send Harold to inform William he will succeed to English Throne.  BYX1
  • Bayeux Tapestry Scene 21 - Harold id Knighted by Duke William
  • Bayeux Tapestry Scene  23 - At  Bayeux Harold,  holding two relics, swears fealty to Duke William
  • Bayeux Tapestry Scene 22 and 23 - Harold and William go to Bayeux where holding two relics Harold swears fealty to Duke William
  • Bayeux Tapestry  Scene 16 - Williams asks Harold to joint him in war against Conan Duke of Britany.
  • Bayeux Tapestry  Scene 15 - Duke Williams daughter is promised in marriage to Harold.
  • Bayeux Tapestry  Scene 15 - Harold and Duke Williams hold negotiations.
  • Bayeux Tapestry  Scene 14 and 15 - Harold arrives at the gates of Duke Williams castle then Harold and Duke Williams hold negotiations.
  • Bayeux Tapestry  Scene 13 - Harold is handed over by Guy count of Ponthieu to Duke Williams.
  • Bayeux Tapestry Scene 12 and 13  - Duke William gives orders to messengers  and Harold is handed over by Guy count of Ponthieu to Duke Williams
  • Bayeux Tapestry Scene 22 - Harold and  Duke William return to Bayeux together
  • Bayeux Tapestry  Scene 17 - Soldiers get caught in Quicksand near Mont St Michele.
  • Bayeux Tapestry  Scene 16 and 17  - Williams asks Harold to joint him in war against Conan Duke of Britany on the way Soldiers get caught in Quicksand near Mont St Michele.
  • Bayeux Tapestry  Scene 14 - Harold arrives at the gates of Duke Williams castle,
  • Scene 11-12 of the Bayeux Tapestry  - Armoured soldiers are sent to Beaurain and William gives orders to messengers.
  • Painted arch of the Romanesque of the Norman Church of St Mary's Kempley Gloucestershire, England, Europe
  • Painted arch of the Romanesque of the Norman Church of St Mary's Kempley Gloucestershire, England, Europe
  • Painted arch of the Romanesque of the Norman Church of St Mary's Kempley Gloucestershire, England, Europe
  • Painted arch of the Romanesque of the Norman Church of St Mary's Kempley Gloucestershire, England, Europe
  • Romanesque fresco of Christ Pantocrator in the altar vault of the Norman Church of St Mary's Kempley Gloucestershire, England, Europe
  • Romanesque fresco of Christ Pantocrator in the altar vault of the Norman Church of St Mary's Kempley Gloucestershire, England, Europe
  • Romanesque fresco of Christ Pantocrator in the altar vault of the Norman Church of St Mary's Kempley Gloucestershire, England, Europe
  • Romanesque fresco of the Apostles in the altar vault of the Norman Church of St Mary's Kempley Gloucestershire, England, Europe
  • Romanesque fresco of Christ Pantocrator in the altar vault of the Norman Church of St Mary's Kempley Gloucestershire, England, Europe
  • Romanesque fresco of the Apostles in the altar vault of the Norman Church of St Mary's Kempley Gloucestershire, England, Europe
  • Romanesque fresco of Christ Pantocrator in the altar vault of the Norman Church of St Mary's Kempley Gloucestershire, England, Europe
  • Romanesque fresco of Christ Pantocrator in the altar vault of the Norman Church of St Mary's Kempley Gloucestershire, England, Europe
  • Romanesque fresco of Christ Pantocrator in the altar vault of the Norman Church of St Mary's Kempley Gloucestershire, England, Europe
  • Romanesque fresco of Christ Pantocrator in the altar vault of the Norman Church of St Mary's Kempley Gloucestershire, England, Europe
  • Romanesque fresco of Christ Pantocrator in the altar vault of the Norman Church of St Mary's Kempley Gloucestershire, England, Europe
  • Romanesque fresco of Christ Pantocrator in the altar vault of the Norman Church of St Mary's Kempley Gloucestershire, England, Europe
  • Romanesque fresco of the Apostles in the altar vault of the Norman Church of St Mary's Kempley Gloucestershire, England, Europe
  • Romanesque fresco  in the altar vault of the Norman Church of St Mary's Kempley Gloucestershire, England, Europe
  • Romanesque fresco of the Apostles in the altar vault of the Norman Church of St Mary's Kempley Gloucestershire, England, Europe
  • Romanesque fresco of  St Mark in the altar vault of the Norman Church of St Mary's Kempley Gloucestershire, England, Europe
  • Romanesque fresco of the Apostles in the altar vault of the Norman Church of St Mary's Kempley Gloucestershire, England, Europe
  • Romanesque fresco of St Luke in the altar vault of the Norman Church of St Mary's Kempley Gloucestershire, England, Europe
  • Romanesque fresco of an angel in the altar vault of the Norman Church of St Mary's Kempley Gloucestershire, England, Europe
  • Romanesque fresco of an angel in the altar vault of the Norman Church of St Mary's Kempley Gloucestershire, England, Europe
  • Romanesque fresco of Christ Pantocrator in the altar vault of the Norman Church of St Mary's Kempley Gloucestershire, England, Europe
  • Romanesque fresco of Christ Pantocrator in the altar vault of the Norman Church of St Mary's Kempley Gloucestershire, England, Europe
  • Romanesque fresco of Christ Pantocrator in the altar vault of the Norman Church of St Mary's Kempley Gloucestershire, England, Europe
  • Romanesque fresco of Christ Pantocrator in the altar vault of the Norman Church of St Mary's Kempley Gloucestershire, England, Europe
  • Romanesque fresco of the Apostles in the altar vault of the Norman Church of St Mary's Kempley Gloucestershire, England, Europe
  • Romanesque fresco of Christ Pantocrator in the altar vault of the Norman Church of St Mary's Kempley Gloucestershire, England, Europe
  • Romanesque fresco of an angel in the altar vault of the Norman Church of St Mary's Kempley Gloucestershire, England, Europe
  • Painted arch of the Romanesque of the Norman Church of St Mary's Kempley Gloucestershire, England, Europe
  • Painted arch of the Romanesque of the Norman Church of St Mary's Kempley Gloucestershire, England, Europe
  • Painted arch of the Romanesque of the Norman Church of St Mary's Kempley Gloucestershire, England, Europe
  • Aisle of the Romanesque of the Norman Church of St Mary's Kempley Gloucestershire, England, Europe
  • Aisle of the Romanesque of the Norman Church of St Mary's Kempley Gloucestershire, England, Europe
  • Norman Romanesque exterior corbel sculptures from the Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 21 - sculpture of an animal with a long snout and pointed ears. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel  sculpture from the Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel  sculpture from the Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 27 - sculpture of a pigs head. Pigs signify sinners, the unclean and heretics as well as carnal feelings, it is therefore a morality figure. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 38 - sculpture of a head, half man half lion with a mouth like a theatrical mask. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 61 - sculpture of  a human head with curly hair and beard. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 52 - sculpture of a featureless human. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 37 - sculpture of a grotesque head with interlocking teeth. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 3 - sculpture of a head, half man half lion. The wide mouth is the same style as theatrical masks. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 30 - sculpture of of a muzzled bears head with two humans in its mouth, their heads poking out either side of its head.  The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 37 - sculpture of a grotesque head with interlocking teeth. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 44 - sculpture of a fiddle or rebeck player, similar style to corbel no 28. Its style is also associated with a corbel on the apse at Courpiac ( Gironde). The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel sculptures from the Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 61 - sculpture of  a human head with curly hair and beard. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 14 - sculpture of a head, half man half lion. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 46 - sculpture of head, half man half pig. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel  sculpture from the Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 54 - sculpture of a male stylised simple round head. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 64 - sculpture of  an animal with a cat like head biting the underside of a bowl. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 23 - sculpture of a grotesque head with either a huge swollen tongue of something in its mouth. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 43 - sculpture of an animal head, maybe a cat. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 21 - sculpture of an animal with a long snout and pointed ears. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 88 - sculpture of a male with curly hair and theatrical style mouth. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 30 - sculpture of of a muzzled bears head with two humans in its mouth, their heads poking out either side of its head.  The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 14 - sculpture of head, half man half lion. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel  sculpture from the Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 78 - sculpture of mans head with elongated face from the outside of the west knave. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 27 - sculpture of a pigs head. Pigs signify sinners, the unclean and heretics as well as carnal feelings, it is therefore a morality figure. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 23 - sculpture of a grotesque head with either a huge swollen tongue of something in its mouth. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 82 - sculpture of mans head with a moustache and beard similar to no 79. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 31 - sculpture of a man with a goatee beard. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 89 - sculpture of a male with curly hair and theatrical style mouth. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 40 - sculpture of a mans head.  The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 38 - sculpture of a head, half man half lion with a mouth like a theatrical mask. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 17 - sculpture of the head of an animal with a lions mane and beak shaped wide mouth. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 31 - sculpture of a man with a goatee beard. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 70 - sculpture of two fish swimming upwards. A fish was used by early Christians to symbolise Jesus Christ . The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 40 - sculpture of a mans head.  The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 4 - sculpture of four intertwined serpents forming a geometric panel. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140

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