• 2nd century AD Roman marble sculpture of Pan teaching Daphnis to play the pipes, a Roman copy late 2nd century BC Hellenistic Geek original attributed to Rodes sculptor Heliodoros. Pan's and Daphnis' heads and Daphnis' right arm are restorations.  The Farnese collection, Naples Museum of Archaeology, Italy
  • 2nd century AD Roman marble sculpture of Pan teaching Daphnis to play the pipes, a Roman copy late 2nd century BC Hellenistic Geek original attributed to Rodes sculptor Heliodoros. Pan's and Daphnis' heads and Daphnis' right arm are restorations.  The Farnese collection, Naples Museum of Archaeology, Italy
  • 2nd century AD Roman marble sculpture of Pan teaching Daphnis to play the pipes, a Roman copy late 2nd century BC Hellenistic Geek original attributed to Rodes sculptor Heliodoros. Pan's and Daphnis' heads and Daphnis' right arm are restorations.  The Farnese collection, Naples Museum of Archaeology, Italy
  • 2nd century AD Roman marble sculpture of Pan teaching Daphnis to play the pipes, a Roman copy late 2nd century BC Hellenistic Geek original attributed to Rodes sculptor Heliodoros. Pan's and Daphnis' heads and Daphnis' right arm are restorations.  The Farnese collection, Naples Museum of Archaeology, Italy
  • 2nd century AD Roman marble sculpture of Pan teaching Daphnis to play the pipes, a Roman copy late 2nd century BC Hellenistic Geek original attributed to Rodes sculptor Heliodoros. Pan's and Daphnis' heads and Daphnis' right arm are restorations.  The Farnese collection, Naples Museum of Archaeology, Italy
  • 2nd century AD Roman marble sculpture of Pan teaching Daphnis to play the pipes, a Roman copy late 2nd century BC Hellenistic Geek original attributed to Rodes sculptor Heliodoros. Pan's and Daphnis' heads and Daphnis' right arm are restorations.  The Farnese collection, Naples Museum of Archaeology, Italy
  • 2nd century AD Roman marble sculpture of Pan teaching Daphnis to play the pipes, a Roman copy late 2nd century BC Hellenistic Geek original attributed to Rodes sculptor Heliodoros. Pan's and Daphnis' heads and Daphnis' right arm are restorations.  The Farnese collection, Naples Museum of Archaeology, Italy
  • 2nd century AD Roman marble sculpture of Pan teaching Daphnis to play the pipes, a Roman copy late 2nd century BC Hellenistic Geek original attributed to Rodes sculptor Heliodoros. Pan's and Daphnis' heads and Daphnis' right arm are restorations.  The Farnese collection, Naples Museum of Archaeology, Italy
  • 2nd century AD Roman marble sculpture of Pan teaching Daphnis to play the pipes, a Roman copy late 2nd century BC Hellenistic Geek original attributed to Rodes sculptor Heliodoros. Pan's and Daphnis' heads and Daphnis' right arm are restorations.  The Farnese collection, Naples Museum of Archaeology, Italy
  • 2nd century AD Roman marble sculpture of Pan teaching Daphnis to play the pipes, a Roman copy late 2nd century BC Hellenistic Geek original attributed to Rodes sculptor Heliodoros. Pan's and Daphnis' heads and Daphnis' right arm are restorations.  The Farnese collection, Naples Museum of Archaeology, Italy
  • 2nd century AD Roman marble sculpture of Pan teaching Daphnis to play the pipes, a Roman copy late 2nd century BC Hellenistic Geek original attributed to Rodes sculptor Heliodoros. Pan's and Daphnis' heads and Daphnis' right arm are restorations.  The Farnese collection, Naples Museum of Archaeology, Italy
  • 2nd century AD Roman marble sculpture of Pan teaching Daphnis to play the pipes, a Roman copy late 2nd century BC Hellenistic Geek original attributed to Rodes sculptor Heliodoros. Pan's and Daphnis' heads and Daphnis' right arm are restorations.  The Farnese collection, Naples Museum of Archaeology, Italy
  • 2nd century AD Roman marble sculpture of Pan teaching Daphnis to play the pipes, a Roman copy late 2nd century BC Hellenistic Geek original attributed to Rodes sculptor Heliodoros. Pan's and Daphnis' heads and Daphnis' right arm are restorations.  The Farnese collection, Naples Museum of Archaeology, Italy
  • 2nd century AD Roman marble sculpture of Pan teaching Daphnis to play the pipes, a Roman copy late 2nd century BC Hellenistic Geek original attributed to Rodes sculptor Heliodoros. Pan's and Daphnis' heads and Daphnis' right arm are restorations.  The Farnese collection, Naples Museum of Archaeology, Italy
  • 2nd century AD Roman marble sculpture of Pan teaching Daphnis to play the pipes, a Roman copy late 2nd century BC Hellenistic Geek original attributed to Rodes sculptor Heliodoros. Pan's and Daphnis' heads and Daphnis' right arm are restorations.  The Farnese collection, Naples Museum of Archaeology, Italy
  • 2nd century AD Roman marble sculpture of Pan teaching Daphnis to play the pipes, a Roman copy late 2nd century BC Hellenistic Geek original attributed to Rodes sculptor Heliodoros. Pan's and Daphnis' heads and Daphnis' right arm are restorations.  The Farnese collection, Naples Museum of Archaeology, Italy
  • 2nd century AD Roman marble sculpture of Pan teaching Daphnis to play the pipes, a Roman copy late 2nd century BC Hellenistic Geek original attributed to Rodes sculptor Heliodoros. Pan's and Daphnis' heads and Daphnis' right arm are restorations.  The Farnese collection, Naples Museum of Archaeology, Italy
  • 2nd century AD Roman marble sculpture of Pan teaching Daphnis to play the pipes, a Roman copy late 2nd century BC Hellenistic Geek original attributed to Rodes sculptor Heliodoros. Pan's and Daphnis' heads and Daphnis' right arm are restorations.  The Farnese collection, Naples Museum of Archaeology, Italy
  • 2nd century AD Roman marble sculpture of Pan teaching Daphnis to play the pipes, a Roman copy late 2nd century BC Hellenistic Geek original attributed to Rodes sculptor Heliodoros. Pan's and Daphnis' heads and Daphnis' right arm are restorations.  The Farnese collection, Naples Museum of Archaeology, Italy
  • 2nd century AD Roman marble sculpture of Pan teaching Daphnis to play the pipes, a Roman copy late 2nd century BC Hellenistic Geek original attributed to Rodes sculptor Heliodoros. Pan's and Daphnis' heads and Daphnis' right arm are restorations.  The Farnese collection, Naples Museum of Archaeology, Italy
  • "Pan & Goat" Roman Mythical erotic sculpture from Pompeii. Naples Archaeological inv no: 27709
  • "Pan & Goat" Roman Mythical erotic sculpture from Pompeii. Naples Archaeological inv no: 27709
  • "Pan & Goat" Roman Mythical erotic sculpture from Pompeii. Naples Archaeological inv no: 27709
  • "Pan & Goat" Roman Mythical erotic sculpture from Pompeii. Naples Archaeological inv no: 27709
  • "Pan & Goat" Roman Mythical erotic sculpture from Pompeii. Naples Archaeological inv no: 27709
  • "Pan & Goat" Roman Mythical erotic sculpture from Pompeii. Naples Archaeological inv no: 27709
  • "Pan & Goat" Roman Mythical erotic sculpture from Pompeii. Naples Archaeological inv no: 27709
  • "Pan & Goat" Roman Mythical erotic sculpture from Pompeii. Naples Archaeological inv no: 27709
  • "Pan & Goat" Roman Mythical erotic sculpture from Pompeii. Naples Archaeological inv no: 27709
  • Fresh whole Mini Petit Pan squash
  • Mini yellow Petit Pan squas
  • Goulash being prepared in a m,assive pan.  Hungarian Regional Gastronomic Festival 2009 - Gyor ( Gy?r ) Hungary
  • Goulash being prepared in a m,assive pan.  Hungarian Regional Gastronomic Festival 2009 - Gyor ( Gy?r ) Hungary
  • Pictures & images of Pile of sea salt on the edge of the salt pans of the World Wildlife reserve of Saline di Trapani and Paceco site, Trapani Sicily.
  • Ettore Infesera windmill on the sea salt making pans , Masala Sicily. travel stock photos
  • Salt pans near Ettore Infesera windmill, Masala Sicily. travel stock photos
  • Salt pans near Ettore Infesera windmill, Masala Sicily. travel stock photos
  • Salt pans near Ettore Infesera windmill, Masala Sicily. travel stock photos
  • Salt pans near Ettore Infesera windmill, Masala Sicily. travel stock photos
  • Ettore Infesera windmill, Masala Sicily. travel stock photos Mulino d’Infersa (mill of Infersa) wind mill, Ettore saltworks,  Saline della Laguna, Masala, Sicily.
  • Ettore Infesera windmill, Masala Sicily. travel stock photos Mulino d’Infersa (mill of Infersa) wind mill, Ettore saltworks,  Saline della Laguna, Masala, Sicily.
  • Ettore Infesera windmill, Masala Sicily. travel stock photos Mulino d’Infersa (mill of Infersa) wind mill, Ettore saltworks,  Saline della Laguna, Masala, Sicily.
  • Ettore Infesera windmill, Masala Sicily. travel stock photos Mulino d’Infersa (mill of Infersa) wind mill, Ettore saltworks,  Saline della Laguna, Masala, Sicily.
  • Ettore Infesera windmill, Masala Sicily. travel stock photos Mulino d’Infersa (mill of Infersa) wind mill, Ettore saltworks,  Saline della Laguna, Masala, Sicily.
  • Ettore Infesera windmill, Masala Sicily. travel stock photos Mulino d’Infersa (mill of Infersa) wind mill, Ettore saltworks,  Saline della Laguna, Masala, Sicily.
  • Ettore Infesera windmill, Masala Sicily. travel stock photos Mulino d’Infersa (mill of Infersa) wind mill, Ettore saltworks,  Saline della Laguna, Masala, Sicily.
  • Ettore Infesera windmill, Masala Sicily. travel stock photos
  • Ettore Infesera windmill, Masala Sicily. travel stock photos Mulino d’Infersa (mill of Infersa) wind mill, Ettore saltworks,  Saline della Laguna, Masala, Sicily.
  • Ettore Infesera windmill, Masala Sicily. travel stock photos Mulino d’Infersa (mill of Infersa) wind mill, Ettore saltworks,  Saline della Laguna, Masala, Sicily.
  • Ettore Infesera windmill, Masala Sicily. travel stock photos Mulino d’Infersa (mill of Infersa) wind mill, Ettore saltworks,  Saline della Laguna, Masala, Sicily.
  • Ettore Infesera windmill, Masala Sicily. travel stock photos
  • Ettore Infesera windmill, Masala Sicily. travel stock photos
  • Ettore Infesera windmill, Masala Sicily. travel stock photos Mulino d’Infersa (mill of Infersa) wind mill, Ettore saltworks,  Saline della Laguna, Masala, Sicily.
  • Pictures & images of Nubia Salt works Museum and Nubia wind mill,  World Wildlife reserve of Saline di Trapani and Paceco site, Trapani Sicily.
  • Tombstone of a miner,  The  Merry Cemetery ( Cimitirul Vesel ),  S?pân?a, Maramares, Northern Transylvania, Romania.  The naive folk art style of the tombstones created by woodcarver  Stan Ioan P?tra? (1909 - 1977) who created in his lifetime over 700 colourfully painted wooden tombstones with small relief portrait carvings of the deceased or with scenes depicting them at work or play or surprisingly showing the violent accident that killed them. Each tombstone has an inscription about the person, sometimes a light hearted  limerick in Romanian.
  • Tombstone of a carpenter, The  Merry Cemetery ( Cimitirul Vesel ),  S?pân?a, Maramares, Northern Transylvania, Romania.  The naive folk art style of the tombstones created by woodcarver  Stan Ioan P?tra? (1909 - 1977) who created in his lifetime over 700 colourfully painted wooden tombstones with small relief portrait carvings of the deceased or with scenes depicting them at work or play or surprisingly showing the violent accident that killed them. Each tombstone has an inscription about the person, sometimes a light hearted  limerick in Romanian.
  • Tombstone of a shepherd , The  Merry Cemetery ( Cimitirul Vesel ),  S?pân?a, Maramares, Northern Transylvania, Romania.  The naive folk art style of the tombstones created by woodcarver  Stan Ioan P?tra? (1909 - 1977) who created in his lifetime over 700 colourfully painted wooden tombstones with small relief portrait carvings of the deceased or with scenes depicting them at work or play or surprisingly showing the violent accident that killed them. Each tombstone has an inscription about the person, sometimes a light hearted  limerick in Romanian.
  • The  Merry Cemetery ( Cimitirul Vesel ),  S?pân?a, Maramares, Northern Transylvania, Romania.  The naive folk art style of the tombstones created by woodcarver  Stan Ioan P?tra? (1909 - 1977) who created in his lifetime over 700 colourfully painted wooden tombstones with small relief portrait carvings of the deceased or with scenes depicting them at work or play or surprisingly showing the violent accident that killed them. Each tombstone has an inscription about the person, sometimes a light hearted  limerick in Romanian.
  • Nubia Salt Museum, Trapani Sicily. travel stock photos
  • Nubia Salt Museum, Trapani Sicily. travel stock photos
  • Nubia Salt Museum, Trapani Sicily. travel stock photos
  • Nubia Salt Museum, Trapani Sicily. travel stock photos
  • Nubia Salt Museum, Trapani Sicily. travel stock photos
  • Nubia Salt Museum, Trapani Sicily. travel stock photos
  • Nubia Salt Museum, Trapani Sicily. travel stock photos
  • Nubia Salt Museum, Trapani Sicily. travel stock photos
  • Nubia Salt Museum, Trapani Sicily. travel stock photos
  • Nubia Salt Museum, Trapani Sicily. travel stock photos
  • Nubia Salt Museum, Trapani Sicily. travel stock photos
  • Close up detail of the Roman mosaics of the Vestibule of Eros & Pan depicting Pan, room no 43  at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Vestibule of Eros and Pan Roman floor mosaic at the Villa Romana del Casale depicts a scene that is intended to show how difficult it is for someone like Pan , who is ugly but has a good heart, to conquer love, represented by Eros. Between the two divinities are a palm leaf and a coin symbolising the prizes to be awarded to the winner of the contest.
  • Close up detail of the Roman mosaics of the Vestibule of Eros & Pan, room no 43  at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Vestibule of Eros and Pan Roman floor mosaic at the Villa Romana del Casale depicts a scene that is intended to show how difficult it is for someone like Pan , who is ugly but has a good heart, to conquer love, represented by Eros. Between the two divinities are a palm leaf and a coin symbolising the prizes to be awarded to the winner of the contest.
  • Pan removing a thorn from the foot of a satyr. 1st - 2nd AD Roman sculpture in marble. Pan (Faunus to the Romans) , the Greek god of shepherds, is recognisable as a hybrid of half-man half-goat. This group, of which several Roman versions exist, dates from circa 50 BC. The Borghese Collection inv MR 193 ( or Ma 320 ), Louvre Museum Paris
  • Close up detail of the Roman mosaics of the Vestibule of Eros & Pan, room no 43  at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Vestibule of Eros and Pan Roman floor mosaic at the Villa Romana del Casale depicts a scene that is intended to show how difficult it is for someone like Pan , who is ugly but has a good heart, to conquer love, represented by Eros. Between the two divinities are a palm leaf and a coin symbolising the prizes to be awarded to the winner of the contest.
  • Wide picture of the Roman mosaics of the Vestibule of Eros & Pan, room no 43  at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Vestibule of Eros and Pan Roman floor mosaic at the Villa Romana del Casale depicts a scene that is intended to show how difficult it is for someone like Pan , who is ugly but has a good heart, to conquer love, represented by Eros. Between the two divinities are a palm leaf and a coin symbolising the prizes to be awarded to the winner of the contest.
  • Pan removing a thorn from the foot of a satyr. 1st - 2nd AD Roman sculpture in marble. Pan (Faunus to the Romans) , the Greek god of shepherds, is recognisable as a hybrid of half-man half-goat. This group, of which several Roman versions exist, dates from circa 50 BC. The Borghese Collection inv MR 193 ( or Ma 320 ), Louvre Museum Paris
  • Pan removing a thorn from the foot of a satyr. 1st - 2nd AD Roman sculpture in marble. Pan (Faunus to the Romans) , the Greek god of shepherds, is recognisable as a hybrid of half-man half-goat. This group, of which several Roman versions exist, dates from circa 50 BC. The Borghese Collection inv MR 193 ( or Ma 320 ), Louvre Museum Paris
  • Pan removing a thorn from the foot of a satyr. 1st - 2nd AD Roman sculpture in marble. Pan (Faunus to the Romans) , the Greek god of shepherds, is recognisable as a hybrid of half-man half-goat. This group, of which several Roman versions exist, dates from circa 50 BC. The Borghese Collection inv MR 193 ( or Ma 320 ), Louvre Museum Paris
  • Pan removing a thorn from the foot of a satyr. 1st - 2nd AD Roman sculpture in marble. Pan (Faunus to the Romans) , the Greek god of shepherds, is recognisable as a hybrid of half-man half-goat. This group, of which several Roman versions exist, dates from circa 50 BC. The Borghese Collection inv MR 193 ( or Ma 320 ), Louvre Museum Paris
  • Pan removing a thorn from the foot of a satyr. 1st - 2nd AD Roman sculpture in marble. Pan (Faunus to the Romans) , the Greek god of shepherds, is recognisable as a hybrid of half-man half-goat. This group, of which several Roman versions exist, dates from circa 50 BC. The Borghese Collection inv MR 193 ( or Ma 320 ), Louvre Museum Paris
  • Pan removing a thorn from the foot of a satyr. 1st - 2nd AD Roman sculpture in marble. Pan (Faunus to the Romans) , the Greek god of shepherds, is recognisable as a hybrid of half-man half-goat. This group, of which several Roman versions exist, dates from circa 50 BC. The Borghese Collection inv MR 193 ( or Ma 320 ), Louvre Museum Paris
  • Pan removing a thorn from the foot of a satyr. 1st - 2nd AD Roman sculpture in marble. Pan (Faunus to the Romans) , the Greek god of shepherds, is recognisable as a hybrid of half-man half-goat. This group, of which several Roman versions exist, dates from circa 50 BC. The Borghese Collection inv MR 193 ( or Ma 320 ), Louvre Museum Paris
  • Mini yellow Petit Pan squash
  • Mini yellow Petit Pan squash
  • Detail of a Roman mosaics design depicting Silenus and Cupids showing Pan and a goat and a cupid in the vines, from the House of Sienus, ancient Roman city of Thysdrus. 3rd century AD. El Djem Archaeological Museum, El Djem, Tunisia.
  • Detail of a Roman mosaics design depicting Silenus and Cupids showing Pan and a goat, from the House of Sienus, ancient Roman city of Thysdrus. 3rd century AD. El Djem Archaeological Museum, El Djem, Tunisia.
  • Detail of a Roman mosaics design depicting Silenus and Cupids showing Pan and a goat, from the House of Sienus, ancient Roman city of Thysdrus. 3rd century AD. El Djem Archaeological Museum, El Djem, Tunisia.
  • Floor mosaic with satyr heads and pan.  From a Roman villa which probably belonged to Marcus Aurelius and Lucius Verus. Genazzano. Circo 138-192 AD. National Roman Museum, Rome, Italy
  • Floor mosaic with satyr heads and pan.  From a Roman villa which probably belonged to Marcus Aurelius and Lucius Verus. Genazzano. Circo 138-192 AD. National Roman Museum, Rome, Italy
  • Painted colour verion of 2nd century AD Roman marble sculpture of Pan teaching Daphnis to play the pipes, a Roman copy late 2nd century BC Hellenistic Geek original attributed to Rodes sculptor Heliodoros. Pan's and Daphnis' heads and Daphnis' right arm are restorations.  The Farnese collection, Naples Museum of Archaeology, Italy
  • Painted colour verion of 2nd century AD Roman marble sculpture of Pan teaching Daphnis to play the pipes, a Roman copy late 2nd century BC Hellenistic Geek original attributed to Rodes sculptor Heliodoros. Pan's and Daphnis' heads and Daphnis' right arm are restorations.  The Farnese collection, Naples Museum of Archaeology, Italy
  • Painted colour verion of 2nd century AD Roman marble sculpture of Pan teaching Daphnis to play the pipes, a Roman copy late 2nd century BC Hellenistic Geek original attributed to Rodes sculptor Heliodoros. Pan's and Daphnis' heads and Daphnis' right arm are restorations.  The Farnese collection, Naples Museum of Archaeology, Italy
  • Painted colour verion of 2nd century AD Roman marble sculpture of Pan teaching Daphnis to play the pipes, a Roman copy late 2nd century BC Hellenistic Geek original attributed to Rodes sculptor Heliodoros. Pan's and Daphnis' heads and Daphnis' right arm are restorations.  The Farnese collection, Naples Museum of Archaeology, Italy
  • Painted colour verion of 2nd century AD Roman marble sculpture of Pan teaching Daphnis to play the pipes, a Roman copy late 2nd century BC Hellenistic Geek original attributed to Rodes sculptor Heliodoros. Pan's and Daphnis' heads and Daphnis' right arm are restorations.  The Farnese collection, Naples Museum of Archaeology, Italy
  • A Roman erotic fresco painting from Pompeii depicting Pan and  Hermaphrodite,  Naples National Archaeological, 50-79 AD , inv no 27700 , Naples National Secret Museum or Secret Cabinet,
  • A Roman erotic fresco painting from Pompeii depicting Pan and  Hermaphrodite,  Naples National Archaeological, 50-79 AD , inv no 27700 , Naples National Secret Museum or Secret Cabinet,
  • Roman Mosaic - The Oceanos & Tethys Mosaic, fom The House of Oceanos, Zeugma.  2nd - 3rd century AD. Zeugma Mosaic Museum, Gaziantep, Turkey.   Against a black background.<br />
<br />
The Oceanos and Tethys Mosaic is the floor mosaic of the shallow pool of the House of Oceanos. In this mosaic, which belongs to the Early Roman Empire Period, Oceanos, the river god who is the origin of life, and his wife Tethys are represented. At the middle of the mosaic which is surrounded by a geometric triple tress borders there are Oceanos and his wife Tethys. Around them there are Eros figures riding various species of fish and dolphins symbolising the abundance of the sea. The most represented attributes of Oceanos are snake and fish.<br />
<br />
 in the mosaic, Oceanos is seen with chelas. Those chelas are among his most characteristic attributes. Though the tail of an eel is represented as his feet in the figures on ceramics, within the scope of the art of mosaic he is represented as a bust and only with the chelas on his head such as this one. His wife Tethys is right by his side and represented with wings upon her forehead. Between them, there is the dragon called Cetos which is a mythological sea creature. As is seen in the coins of Zeugma, the Euphrates River is expressed as a dragon. Besides these two figures, on the top-right of the mosaic, there is a young male figure which is thought to be Pan, the patron of fishermen and shepherds. The fact that Eros figures and Pan which are the side figures are located outward implies that the pool is built to allow walking around. <br />
<br />
The expression of the Oceanos as not an ocean but a river surrounding the world: By that the water, which vapours with the heat of the sun and then gives life to the nature by becoming rain, and which after being used by the nature reaches again the sea via the rivers is expressed. The water becomes aware of itself and its function by that cycle. This phenomenon is represented in the mosaic panel as the diversification of O
  • Roman Mosaic - close up river god Oceanos The Oceanos & Tethys Mosaic, fom The House of Oceanos, Zeugma.  2nd - 3rd century AD. Zeugma Mosaic Museum, Gaziantep, Turkey.<br />
<br />
The Oceanos and Tethys Mosaic is the floor mosaic of the shallow pool of the House of Oceanos. In this mosaic, which belongs to the Early Roman Empire Period, Oceanos, the river god who is the origin of life, and his wife Tethys are represented. At the middle of the mosaic which is surrounded by a geometric triple tress borders there are Oceanos and his wife Tethys. Around them there are Eros figures riding various species of fish and dolphins symbolising the abundance of the sea. The most represented attributes of Oceanos are snake and fish.<br />
<br />
 in the mosaic, Oceanos is seen with chelas. Those chelas are among his most characteristic attributes. Though the tail of an eel is represented as his feet in the figures on ceramics, within the scope of the art of mosaic he is represented as a bust and only with the chelas on his head such as this one. His wife Tethys is right by his side and represented with wings upon her forehead. Between them, there is the dragon called Cetos which is a mythological sea creature. As is seen in the coins of Zeugma, the Euphrates River is expressed as a dragon. Besides these two figures, on the top-right of the mosaic, there is a young male figure which is thought to be Pan, the patron of fishermen and shepherds. The fact that Eros figures and Pan which are the side figures are located outward implies that the pool is built to allow walking around. <br />
<br />
The expression of the Oceanos as not an ocean but a river surrounding the world: By that the water, which vapours with the heat of the sun and then gives life to the nature by becoming rain, and which after being used by the nature reaches again the sea via the rivers is expressed. The water becomes aware of itself and its function by that cycle. This phenomenon is represented in the mosaic panel as the diversification of Ocen
  • Roman Mosaic - close up of  Tethys wife of river god Oceanos. The Oceanos & Tethys Mosaic, fom The House of Oceanos, Zeugma.  2nd - 3rd century AD. Zeugma Mosaic Museum, Gaziantep, Turkey.<br />
<br />
The Oceanos and Tethys Mosaic is the floor mosaic of the shallow pool of the House of Oceanos. In this mosaic, which belongs to the Early Roman Empire Period, Oceanos, the river god who is the origin of life, and his wife Tethys are represented. At the middle of the mosaic which is surrounded by a geometric triple tress borders there are Oceanos and his wife Tethys. Around them there are Eros figures riding various species of fish and dolphins symbolising the abundance of the sea. The most represented attributes of Oceanos are snake and fish.<br />
<br />
 in the mosaic, Oceanos is seen with chelas. Those chelas are among his most characteristic attributes. Though the tail of an eel is represented as his feet in the figures on ceramics, within the scope of the art of mosaic he is represented as a bust and only with the chelas on his head such as this one. His wife Tethys is right by his side and represented with wings upon her forehead. Between them, there is the dragon called Cetos which is a mythological sea creature. As is seen in the coins of Zeugma, the Euphrates River is expressed as a dragon. Besides these two figures, on the top-right of the mosaic, there is a young male figure which is thought to be Pan, the patron of fishermen and shepherds. The fact that Eros figures and Pan which are the side figures are located outward implies that the pool is built to allow walking around. <br />
<br />
The expression of the Oceanos as not an ocean but a river surrounding the world: By that the water, which vapours with the heat of the sun and then gives life to the nature by becoming rain, and which after being used by the nature reaches again the sea via the rivers is expressed. The water becomes aware of itself and its function by that cycle. This phenomenon is represented in the mosaic panel as the div
  • Roman Mosaic - close up of  Oceanos and his wife Tethys. The Oceanos & Tethys Mosaic, fom The House of Oceanos, Zeugma.  2nd - 3rd century AD. Zeugma Mosaic Museum, Gaziantep, Turkey.<br />
<br />
The Oceanos and Tethys Mosaic is the floor mosaic of the shallow pool of the House of Oceanos. In this mosaic, which belongs to the Early Roman Empire Period, Oceanos, the river god who is the origin of life, and his wife Tethys are represented. At the middle of the mosaic which is surrounded by a geometric triple tress borders there are Oceanos and his wife Tethys. Around them there are Eros figures riding various species of fish and dolphins symbolising the abundance of the sea. The most represented attributes of Oceanos are snake and fish.<br />
<br />
 in the mosaic, Oceanos is seen with chelas. Those chelas are among his most characteristic attributes. Though the tail of an eel is represented as his feet in the figures on ceramics, within the scope of the art of mosaic he is represented as a bust and only with the chelas on his head such as this one. His wife Tethys is right by his side and represented with wings upon her forehead. Between them, there is the dragon called Cetos which is a mythological sea creature. As is seen in the coins of Zeugma, the Euphrates River is expressed as a dragon. Besides these two figures, on the top-right of the mosaic, there is a young male figure which is thought to be Pan, the patron of fishermen and shepherds. The fact that Eros figures and Pan which are the side figures are located outward implies that the pool is built to allow walking around. <br />
<br />
The expression of the Oceanos as not an ocean but a river surrounding the world: By that the water, which vapours with the heat of the sun and then gives life to the nature by becoming rain, and which after being used by the nature reaches again the sea via the rivers is expressed. The water becomes aware of itself and its function by that cycle. This phenomenon is represented in the mosaic panel as the diversif
  • Roman Mosaic - The Oceanos & Tethys Mosaic, fom The House of Oceanos, Zeugma.  2nd - 3rd century AD. Zeugma Mosaic Museum, Gaziantep, Turkey.<br />
<br />
The Oceanos and Tethys Mosaic is the floor mosaic of the shallow pool of the House of Oceanos. In this mosaic, which belongs to the Early Roman Empire Period, Oceanos, the river god who is the origin of life, and his wife Tethys are represented. At the middle of the mosaic which is surrounded by a geometric triple tress borders there are Oceanos and his wife Tethys. Around them there are Eros figures riding various species of fish and dolphins symbolising the abundance of the sea. The most represented attributes of Oceanos are snake and fish.<br />
<br />
 in the mosaic, Oceanos is seen with chelas. Those chelas are among his most characteristic attributes. Though the tail of an eel is represented as his feet in the figures on ceramics, within the scope of the art of mosaic he is represented as a bust and only with the chelas on his head such as this one. His wife Tethys is right by his side and represented with wings upon her forehead. Between them, there is the dragon called Cetos which is a mythological sea creature. As is seen in the coins of Zeugma, the Euphrates River is expressed as a dragon. Besides these two figures, on the top-right of the mosaic, there is a young male figure which is thought to be Pan, the patron of fishermen and shepherds. The fact that Eros figures and Pan which are the side figures are located outward implies that the pool is built to allow walking around. <br />
<br />
The expression of the Oceanos as not an ocean but a river surrounding the world: By that the water, which vapours with the heat of the sun and then gives life to the nature by becoming rain, and which after being used by the nature reaches again the sea via the rivers is expressed. The water becomes aware of itself and its function by that cycle. This phenomenon is represented in the mosaic panel as the diversification of Ocenaos through unification wit
  • Roman Mosaic - The Oceanos & Tethys Mosaic, fom The House of Oceanos, Zeugma.  2nd - 3rd century AD. Zeugma Mosaic Museum, Gaziantep, Turkey.   Against a black background.<br />
<br />
The Oceanos and Tethys Mosaic is the floor mosaic of the shallow pool of the House of Oceanos. In this mosaic, which belongs to the Early Roman Empire Period, Oceanos, the river god who is the origin of life, and his wife Tethys are represented. At the middle of the mosaic which is surrounded by a geometric triple tress borders there are Oceanos and his wife Tethys. Around them there are Eros figures riding various species of fish and dolphins symbolising the abundance of the sea. The most represented attributes of Oceanos are snake and fish.<br />
<br />
 in the mosaic, Oceanos is seen with chelas. Those chelas are among his most characteristic attributes. Though the tail of an eel is represented as his feet in the figures on ceramics, within the scope of the art of mosaic he is represented as a bust and only with the chelas on his head such as this one. His wife Tethys is right by his side and represented with wings upon her forehead. Between them, there is the dragon called Cetos which is a mythological sea creature. As is seen in the coins of Zeugma, the Euphrates River is expressed as a dragon. Besides these two figures, on the top-right of the mosaic, there is a young male figure which is thought to be Pan, the patron of fishermen and shepherds. The fact that Eros figures and Pan which are the side figures are located outward implies that the pool is built to allow walking around. <br />
<br />
The expression of the Oceanos as not an ocean but a river surrounding the world: By that the water, which vapours with the heat of the sun and then gives life to the nature by becoming rain, and which after being used by the nature reaches again the sea via the rivers is expressed. The water becomes aware of itself and its function by that cycle. This phenomenon is represented in the mosaic panel as the diversification of O
  • Roman Mosaic - The Oceanos & Tethys Mosaic, fom The House of Oceanos, Zeugma.  2nd - 3rd century AD. Zeugma Mosaic Museum, Gaziantep, Turkey.   Against an art background.<br />
<br />
The Oceanos and Tethys Mosaic is the floor mosaic of the shallow pool of the House of Oceanos. In this mosaic, which belongs to the Early Roman Empire Period, Oceanos, the river god who is the origin of life, and his wife Tethys are represented. At the middle of the mosaic which is surrounded by a geometric triple tress borders there are Oceanos and his wife Tethys. Around them there are Eros figures riding various species of fish and dolphins symbolising the abundance of the sea. The most represented attributes of Oceanos are snake and fish.<br />
<br />
 in the mosaic, Oceanos is seen with chelas. Those chelas are among his most characteristic attributes. Though the tail of an eel is represented as his feet in the figures on ceramics, within the scope of the art of mosaic he is represented as a bust and only with the chelas on his head such as this one. His wife Tethys is right by his side and represented with wings upon her forehead. Between them, there is the dragon called Cetos which is a mythological sea creature. As is seen in the coins of Zeugma, the Euphrates River is expressed as a dragon. Besides these two figures, on the top-right of the mosaic, there is a young male figure which is thought to be Pan, the patron of fishermen and shepherds. The fact that Eros figures and Pan which are the side figures are located outward implies that the pool is built to allow walking around. <br />
<br />
The expression of the Oceanos as not an ocean but a river surrounding the world: By that the water, which vapours with the heat of the sun and then gives life to the nature by becoming rain, and which after being used by the nature reaches again the sea via the rivers is expressed. The water becomes aware of itself and its function by that cycle. This phenomenon is represented in the mosaic panel as the diversification of Oc
  • Roman Mosaic - The Oceanos & Tethys Mosaic, fom The House of Oceanos, Zeugma.  2nd - 3rd century AD. Zeugma Mosaic Museum, Gaziantep, Turkey. Against a grey background.<br />
<br />
The Oceanos and Tethys Mosaic is the floor mosaic of the shallow pool of the House of Oceanos. In this mosaic, which belongs to the Early Roman Empire Period, Oceanos, the river god who is the origin of life, and his wife Tethys are represented. At the middle of the mosaic which is surrounded by a geometric triple tress borders there are Oceanos and his wife Tethys. Around them there are Eros figures riding various species of fish and dolphins symbolising the abundance of the sea. The most represented attributes of Oceanos are snake and fish.<br />
<br />
 in the mosaic, Oceanos is seen with chelas. Those chelas are among his most characteristic attributes. Though the tail of an eel is represented as his feet in the figures on ceramics, within the scope of the art of mosaic he is represented as a bust and only with the chelas on his head such as this one. His wife Tethys is right by his side and represented with wings upon her forehead. Between them, there is the dragon called Cetos which is a mythological sea creature. As is seen in the coins of Zeugma, the Euphrates River is expressed as a dragon. Besides these two figures, on the top-right of the mosaic, there is a young male figure which is thought to be Pan, the patron of fishermen and shepherds. The fact that Eros figures and Pan which are the side figures are located outward implies that the pool is built to allow walking around. <br />
<br />
The expression of the Oceanos as not an ocean but a river surrounding the world: By that the water, which vapours with the heat of the sun and then gives life to the nature by becoming rain, and which after being used by the nature reaches again the sea via the rivers is expressed. The water becomes aware of itself and its function by that cycle. This phenomenon is represented in the mosaic panel as the diversification of Ocen
  • Roman relief sculpture of the Dionysus and Pan. Roman 2nd century AD, Laodicea. Hierapolis Archaeology Museum, Turkey. Against an white background
  • Roman relief sculpture of the Dionysus and Pan. Roman 2nd century AD, Laodicea. Hierapolis Archaeology Museum, Turkey . Against an black background
  • Roman relief sculpture of the Dionysus and Pan. Roman 2nd century AD, Laodicea. Hierapolis Archaeology Museum, Turkey . Against a grey background
  • Roman relief sculpture of the Dionysus and Pan. Roman 2nd century AD, Laodicea. Hierapolis Archaeology Museum, Turkey. Against an art background
  • Roman relief sculpture of the Dionysus and Pan. Roman 2nd century AD, Laodicea. Hierapolis Archaeology Museum, Turkey
  • Roman mosaic of Pan and Hamadryad, a Greek mythological being that lives in trees , found in Pompeii, from the Farnese Collection, inv no 227708, Naples Archaeological Museum
  • Pan and  Hermaphrodite, a Roman erotic fresco painting from Pompeii, 50-79 AD , inv no 27700 , Naples National Secret Museum or Secret Cabinet, Archaeological Museum
  • Yellow Oyster mushrooms sauteed in butter in a frying pan
  • Yellow Oyster mushrooms sauteed in butter in a frying pan
  • 1 cent AD Roman Erotic fresco depicting Pan and Hermaphrodite, Pompeii (VI, 9, 6,) Casa die Dioscuri, inv 27700, 1-50 AD, Naples Archaological Museum, Italy
  • Sirloin beef steaks & tomatoes being pan fried on a bbq. Meat food photos, pictures & images.
  • Yellow Oyster mushrooms sauteed in butter in a frying pan
  • Yellow Oyster mushrooms sauteed in butter in a frying pan
  • Yellow Oyster mushrooms sauteed in butter in a frying pan
  • Floor mosaic with satyr heads and pan.  From a Roman villa which probably belonged to Marcus Aurelius and Lucius Verus. Genazzano. Circo 138-192 AD. National Roman Museum, Rome, Italy
  • 1 cent AD Roman Erotic fresco depicting Pan and Hermaphrodite, Pompeii (VI, 9, 6,) Casa die Dioscuri, inv 27700, 1-50 AD, Naples Archaological Museum, Italy
  • 1 cent AD Roman Erotic fresco depicting Pan and Hermaphrodite, Pompeii (VI, 9, 6,) Casa die Dioscuri, inv 27700, 1-50 AD, Naples Archaological Museum, Italy
  • 1 cent AD Roman Erotic fresco depicting Pan and Hermaphrodite, Pompeii (VI, 9, 6,) Casa die Dioscuri, inv 27700, 1-50 AD, Naples Archaological Museum, Italy
  • 1 cent AD Roman Erotic fresco depicting Pan and Hermaphrodite, Pompeii (VI, 9, 6,) Casa die Dioscuri, inv 27700, 1-50 AD, Naples Archaological Museum, Italy
  • 1 cent AD Roman Erotic fresco depicting Pan and Hermaphrodite, Pompeii (VI, 9, 6,) Casa die Dioscuri, inv 27700, 1-50 AD, Naples Archaological Museum, Italy
  • Sirloin beef steaks , tomatoes & chips being pan fried on a bbq. Meat food photos, pictures & images.
  • Sirloin beef steaks & chips being pan fried on a bbq. Meat food photos, pictures & images.
  • Beef rump steaks & pancetta being pan fried  on a bbq. Meat food photos, pictures & images.
  • Beef rump steaks & tomatoes being pan fried  on a bbq. Meat food photos, pictures & images.
  • Beef fillet steaks, chips & roast p[eppers  being pan fried on a bbq. Meat food photos, pictures & images.
  • Beef fillet steaks & roast peppers being pan fried on a bbq. Meat food photos, pictures & images.
  • Beef fillet steaks & mushrooms being pan fried on a bbq. Meat food photos, pictures & images.
  • Sirloin beef steaks & tomaotoes being pan fried on a bbq. Meat food photos, pictures & images.
  • Sirloin beef steaks & mushrooms being pan fried on a bbq. Meat food photos, pictures & images.
  • Beef fillet steaks & chips being pan fried on a bbq. Meat food photos, pictures & images.
  • Beef rump steaks and chips being pan fried  on a bbq. Meat food photos, pictures & images.
  • Beef fillet steaks & mushrooms being pan fried on a bbq. Meat food photos, pictures & images.
  • Pan Tiled Roof Tops from Eger Castle - Hungary
  • Romaesque doorway with sculptures of Eve by the Croatian architect Master Radovan. Saint Lawrence Cathedral - Trogir - Croatia<br />
<br />
One of the most beautiful towns on the Croatian coast is Trogir. Surrounded by water Trogir is an unspoiled medieval city with narrow streets leading to its medieval Cathedral of St Lawrence. The Romanesque porch has wonderful early medieval sculptures by the Croatian architect Master Radovan. From the Cathedral tower there is a picturesque view across the pan tiled roof tops of Trogir. <br />
<br />
In the 3rd century BC, Tragurion was founded by Greek colonists from the island of Vis, and it developed into a major port until the Roman period. The name comes from the Greek "tragos" (male goat). Similarly, the name of the neighbouring island of Bua comes from the Greek "voua" (herd of cattle). The sudden prosperity of Salona deprived Trogir of its importance. During the migration of Slavs the citizens of the destroyed Salona escaped to Trogir. From the 9th century on, Trogir paid tribute to Croatian rulers. The diocese of Trogir was established in the 11th century (abolished in 1828; it is now part of the Roman Catholic Archdiocese of Split-Makarska) and in 1107 it was chartered by the Hungarian-Croatian king Coloman, gaining thus its autonomy as a town.<br />
<br />
Trogir should be high on any visit to Croatia
  • Classic French Bouabaise in a copper pan on a wood background
  • Beef Stew & herby dumplind in a black pan on a wood background with scattered herbs
  • View of Trapani  and its salt pans with Favignanana Island in the distance from  Érice, Erice, Sicily stock photos.
  • Fine Art Black and White Pictures Wall Art Prints Polaroid Photos “Metal Morphosing” by photographer Paul Williams, depicting rusting metal objects in an abstract fine art photography prints series
  • Fine Art Black and White Pictures Wall Art Prints Polaroid Photos “Metal Morphosing” by photographer Paul Williams, depicting rusting metal objects in an abstract fine art photography prints series
  • Fresh baby carrots

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