• Ancient Egyptian limestone funerary stele of Ipepi with his wife, mother and sister in front of Osiris. Middle Kingdom, 11th Dynasty, 2120-1980 BC. Neues Museum Berlin Cat No: AM 24031.
  • Ancient Egyptian limestone funerary stele of Ipepi with his wife, mother and sister in front of Osiris. Middle Kingdom, 11th Dynasty, 2120-1980 BC. Neues Museum Berlin Cat No: AM 24031.
  • Ancient Egyptian limestone funerary stele of Ipepi with his wife, mother and sister in front of Osiris. Middle Kingdom, 11th Dynasty, 2120-1980 BC. Neues Museum Berlin Cat No: AM 24031.
  • Ancient Egyptian limestone funerary stele of Ipepi with his wife, mother and sister in front of Osiris. Middle Kingdom, 11th Dynasty, 2120-1980 BC. Neues Museum Berlin Cat No: AM 24031.
  • Ancient Egyptian limestone funerary stele of Ipepi with his wife, mother and sister in front of Osiris. Middle Kingdom, 11th Dynasty, 2120-1980 BC. Neues Museum Berlin Cat No: AM 24031.
  • Ushabti box of Sched-es-en-mut. Egyptian painted wooden box panel of the deceased in front of a tree goddess, 1540-1075 BC . Neues Reiche Museum, Berlin. Cat No AM630
  • Ushabti box of Sched-es-en-mut. Egyptian painted wooden box panel of the deceased in front of a tree goddess, 1540-1075 BC . Neues Reiche Museum, Berlin. Cat No AM630
  • Ushabti box of Sched-es-en-mut. Egyptian painted wooden box panel of the deceased in front of a tree goddess, 1540-1075 BC . Neues Reiche Museum, Berlin. Cat No AM630
  • Ushabti box of Sched-es-en-mut. Egyptian painted wooden box panel of the deceased in front of a tree goddess, 1540-1075 BC . Neues Reiche Museum, Berlin. Cat No AM630
  • Ushabti box of Sched-es-en-mut. Egyptian painted wooden box panel of the deceased in front of a tree goddess, 1540-1075 BC . Neues Reiche Museum, Berlin. Cat No AM630
  • Ancient Egyptian relief portrait fragment of King Akhenaten from Amarna. 18th Dynasty 1345 BC . Neues Museum Berlin 1985.328.3: Gift from New York Metropolitan Museum, Norbert Schimmel.
  • Ancient Egyptian relief portrait fragment of King Akhenaten from Amarna. 18th Dynasty 1345 BC . Neues Museum Berlin 1985.328.3: Gift from New York Metropolitan Museum, Norbert Schimmel.
  • Ancient Egyptian relief portrait fragment of King Akhenaten from Amarna. 18th Dynasty 1345 BC . Neues Museum Berlin 1985.328.3: Gift from New York Metropolitan Museum, Norbert Schimmel.
  • Ancient Egyptian relief portrait fragment of King Akhenaten from Amarna. 18th Dynasty 1345 BC . Neues Museum Berlin 1985.328.3: Gift from New York Metropolitan Museum, Norbert Schimmel.
  • Ancient Egyptian relief portrait fragment of King Akhenaten from Amarna. 18th Dynasty 1345 BC . Neues Museum Berlin 1985.328.3: Gift from New York Metropolitan Museum, Norbert Schimmel.
  • Ancient Egyptian house altar relief sculpture of Akhenaten, Nefrertiti and their three daughters. 18th Dynasty 1345 BC . Neues Museum Berlin AM 14145.
  • Ancient Egyptian house altar relief sculpture of Akhenaten, Nefrertiti and their three daughters. 18th Dynasty 1345 BC . Neues Museum Berlin AM 14145.
  • Ancient Egyptian house altar relief sculpture of Akhenaten, Nefrertiti and their three daughters. 18th Dynasty 1345 BC . Neues Museum Berlin AM 14145.
  • Ancient Egyptian house altar relief sculpture of Akhenaten, Nefrertiti and their three daughters. 18th Dynasty 1345 BC . Neues Museum Berlin AM 14145.
  • Ancient Egyptian house altar relief sculpture of Akhenaten, Nefrertiti and their three daughters. 18th Dynasty 1345 BC . Neues Museum Berlin AM 14145.
  • Quartz ancient Egyptian relief sculpture of Queen Tiy from the funerary temple of Amenohis III, West Thebes. 18th Dynasty Ancient Egypt, 1375 BC . Neues Museum Berlin Cat No: AM 23270.
  • Quartz ancient Egyptian relief sculpture of Queen Tiy from the funerary temple of Amenohis III, West Thebes. 18th Dynasty Ancient Egypt, 1375 BC . Neues Museum Berlin Cat No: AM 23270.
  • Quartz ancient Egyptian relief sculpture of Queen Tiy from the funerary temple of Amenohis III, West Thebes. 18th Dynasty Ancient Egypt, 1375 BC . Neues Museum Berlin Cat No: AM 23270.
  • Quartz ancient Egyptian relief sculpture of Queen Tiy from the funerary temple of Amenohis III, West Thebes. 18th Dynasty Ancient Egypt, 1375 BC . Neues Museum Berlin Cat No: AM 23270.
  • Quartz ancient Egyptian relief sculpture of Queen Tiy from the funerary temple of Amenohis III, West Thebes. 18th Dynasty Ancient Egypt, 1375 BC . Neues Museum Berlin Cat No: AM 23270.
  • Ancient Egyptian relief study of a foot. 18th Dynasty 1345 BC . Neues Museum Berlin AM 20672.
  • Ancient Egyptian relief study of a foot. 18th Dynasty 1345 BC . Neues Museum Berlin AM 20672.
  • Ancient Egyptian relief study of a foot. 18th Dynasty 1345 BC . Neues Museum Berlin AM 20672.
  • Ancient Egyptian relief study of a foot. 18th Dynasty 1345 BC . Neues Museum Berlin AM 20672.
  • Ancient Egyptian relief study of a foot. 18th Dynasty 1345 BC . Neues Museum Berlin AM 20672.
  • Ancient Egyptian tomb relief sculpture of King Amenhotep III from the grave of Chaemhat, Thebes West. 18th Dynasty 1360 BC. Neues Museum Berlin AM 14503.
  • Ancient Egyptian tomb relief sculpture of King Amenhotep III from the grave of Chaemhat, Thebes West. 18th Dynasty 1360 BC. Neues Museum Berlin AM 14503.
  • Ancient Egyptian tomb relief sculpture of King Amenhotep III from the grave of Chaemhat, Thebes West. 18th Dynasty 1360 BC. Neues Museum Berlin AM 14503.
  • Ancient Egyptian tomb relief sculpture of King Amenhotep III from the grave of Chaemhat, Thebes West. 18th Dynasty 1360 BC. Neues Museum Berlin AM 14503.
  • Ancient Egyptian tomb relief sculpture of King Amenhotep III from the grave of Chaemhat, Thebes West. 18th Dynasty 1360 BC. Neues Museum Berlin AM 14503.
  • Ancient Egyptian relief portrait of King Akhenaten from Amarna. 18th Dynasty 1340 BC . Neues Museum Berlin Cat No: AM 14512.
  • Ancient Egyptian relief portrait of King Akhenaten from Amarna. 18th Dynasty 1340 BC . Neues Museum Berlin Cat No: AM 14512.
  • Ancient Egyptian relief portrait of King Akhenaten from Amarna. 18th Dynasty 1340 BC . Neues Museum Berlin Cat No: AM 14512.
  • Ancient Egyptian relief portrait of King Akhenaten from Amarna. 18th Dynasty 1340 BC . Neues Museum Berlin Cat No: AM 14512.
  • Ancient Egyptian relief portrait of King Akhenaten from Amarna. 18th Dynasty 1340 BC . Neues Museum Berlin Cat No: AM 14512.
  • Ancient Egyptian relief portrait of King Akhenaten from Amarna. 18th Dynasty 1340 BC . Neues Museum Berlin Cat No: AM 21683.
  • Ancient Egyptian relief portrait of King Akhenaten from Amarna. 18th Dynasty 1340 BC . Neues Museum Berlin Cat No: AM 21683.
  • Ancient Egyptian relief portrait of King Akhenaten from Amarna. 18th Dynasty 1340 BC . Neues Museum Berlin Cat No: AM 21683.
  • Ancient Egyptian relief portrait of King Akhenaten from Amarna. 18th Dynasty 1340 BC . Neues Museum Berlin Cat No: AM 21683.
  • Ancient Egyptian relief portrait of King Akhenaten from Amarna. 18th Dynasty 1340 BC . Neues Museum Berlin Cat No: AM 21683.
  • Ancient Egyptian tomb relief sculpture depicting the scribe and judge Ankhirptah. Middle Kingdom Egypt, 2170 BC. Neues Museum Berlin Cat No: AM 7337.
  • Ancient Egyptian tomb relief sculpture depicting the scribe and judge Ankhirptah. Middle Kingdom Egypt, 2170 BC. Neues Museum Berlin Cat No: AM 7337.
  • Ancient Egyptian tomb relief sculpture depicting the scribe and judge Ankhirptah. Middle Kingdom Egypt, 2170 BC. Neues Museum Berlin Cat No: AM 7337.
  • Ancient Egyptian tomb relief sculpture depicting the scribe and judge Ankhirptah. Middle Kingdom Egypt, 2170 BC. Neues Museum Berlin Cat No: AM 7337.
  • Ancient Egyptian case of the inner coffin of Nespamai depicting the goddess Nut. 500BC BC. Neues Museum Berlin AM 31213/2.
  • Ancient Egyptian case of the inner coffin of Nespamai depicting the goddess Nut. 500BC BC. Neues Museum Berlin AM 31213/2.
  • Ancient Egyptian case of the inner coffin of Nespamai depicting the goddess Nut. 500BC BC. Neues Museum Berlin AM 31213/2.
  • Ancient Egyptian case of the inner coffin of Nespamai depicting the goddess Nut. 500BC BC. Neues Museum Berlin AM 31213/2.
  • Ancient Egyptian case of the inner coffin of Nespamai depicting the goddess Nut. 500BC BC. Neues Museum Berlin AM 31213/2.
  • Ancient Egyptian Ptolemaic sacrophagus of the prophet Ahmose. 332-30 BC. Neues Museum Berlin AM 38.
  • Ancient Egyptian Ptolemaic sacrophagus of the prophet Ahmose. 332-30 BC. Neues Museum Berlin AM 38.
  • Ancient Egyptian Ptolemaic sacrophagus of the prophet Ahmose. 332-30 BC. Neues Museum Berlin AM 38.
  • Ancient Egyptian Ptolemaic sacrophagus of the prophet Ahmose. 332-30 BC. Neues Museum Berlin AM 38.
  • Ancient Egyptian Ptolemaic sacrophagus of the prophet Ahmose. 332-30 BC. Neues Museum Berlin AM 38.
  • Ancient Egyptian house altar relief sculpture of Akhenaten, Nefrertiti and their three daughters. 18th Dynasty 1345 BC . Neues Museum Berlin AM 14145.
  • Quartz ancient Egyptian relief sculpture of Queen Tiy from the funerary temple of Amenohis III, West Thebes. 18th Dynasty Ancient Egypt, 1375 BC . Neues Museum Berlin Cat No: AM 23270.
  • Ancient Egyptian tomb relief sculpture depicting the scribe and judge Ankhirptah. Middle Kingdom Egypt, 2170 BC. Neues Museum Berlin Cat No: AM 7337.
  • Kouros Statues of the Archaic Period. Early 6th c. B.C. (circa 580 B.C.)  Known as Kleovis and Biton, the two boys who heroically pulled their mother on her chariot to the sanctuary where she was to worship. They pulled the chariot for a distance of about 8km. They died the same night peacefully in their sleep according to Herodotus. Delphi Archaeological Museum.
  • Kouros Statues of the Archaic Period. Early 6th c. B.C. (circa 580 B.C.)  Known as Kleovis and Biton, the two boys who heroically pulled their mother on her chariot to the sanctuary where she was to worship. They pulled the chariot for a distance of about 8km. They died the same night peacefully in their sleep according to Herodotus. Delphi Archaeological Museum.
  • "Charioteer of Delphi" 470 BC. The "Charioteer of Delphi" is one of the best known ancient Greek statues, and one of the best preserved examples of classical bronze casts. It is considered a fine example of the "Severe" style. Delphi Archaeological Museum.
  • "Charioteer of Delphi" 470 BC. The "Charioteer of Delphi" is one of the best known ancient Greek statues, and one of the best preserved examples of classical bronze casts. It is considered a fine example of the "Severe" style. Delphi Archaeological Museum.
  • "Charioteer of Delphi" 470 BC. The "Charioteer of Delphi" is one of the best known ancient Greek statues, and one of the best preserved examples of classical bronze casts. It is considered a fine example of the "Severe" style. Delphi Archaeological Museum.
  • "Charioteer of Delphi" 470 BC. The "Charioteer of Delphi" is one of the best known ancient Greek statues, and one of the best preserved examples of classical bronze casts. It is considered a fine example of the "Severe" style. Delphi Archaeological Museum.
  • "Charioteer of Delphi" 470 BC. The "Charioteer of Delphi" is one of the best known ancient Greek statues, and one of the best preserved examples of classical bronze casts. It is considered a fine example of the "Severe" style. Delphi Archaeological Museum.
  • "Charioteer of Delphi" 470 BC. The "Charioteer of Delphi" is one of the best known ancient Greek statues, and one of the best preserved examples of classical bronze casts. It is considered a fine example of the "Severe" style. Delphi Archaeological Museum.
  • "Charioteer of Delphi" 470 BC. The "Charioteer of Delphi" is one of the best known ancient Greek statues, and one of the best preserved examples of classical bronze casts. It is considered a fine example of the "Severe" style. Delphi Archaeological Museum.
  • "Charioteer of Delphi" 470 BC. The "Charioteer of Delphi" is one of the best known ancient Greek statues, and one of the best preserved examples of classical bronze casts. It is considered a fine example of the "Severe" style. Delphi Archaeological Museum.
  • "Charioteer of Delphi" 470 BC. The "Charioteer of Delphi" is one of the best known ancient Greek statues, and one of the best preserved examples of classical bronze casts. It is considered a fine example of the "Severe" style. Delphi Archaeological Museum.
  • "Charioteer of Delphi" 470 BC. The "Charioteer of Delphi" is one of the best known ancient Greek statues, and one of the best preserved examples of classical bronze casts. It is considered a fine example of the "Severe" style. Delphi Archaeological Museum.
  • Large Sphinx of Naxos sitting on an Ionic column circa 560 B.C. Delphi Archaeological Museum.
  • Large Sphinx of Naxos sitting on an Ionic column circa 560 B.C. Delphi Archaeological Museum.
  • Large Sphinx of Naxos sitting on an Ionic column circa 560 B.C. Delphi Archaeological Museum.
  • Greek Classical Period Bronze Statue of Zeus or Poseidon found in the sea of Cape Artemision of the north Eastern Euboea Island, Greece.  The God is shown in a great stride about to throw either a trident of a thunderbolt that is now missing from his right hand. The statue is one of the only preserved statues of the preserved style with exquisite rendering of motion & anatomy. The identity of the statue is controversial and is probably more likely to be Zeus rather than Poseidon. 460 BC Ref No X15161 Athens Archaeological Museum
  • Greek Classical Period Bronze Statue of Zeus or Poseidon found in the sea of Cape Artemision of the north Eastern Euboea Island, Greece.  The God is shown in a great stride about to throw either a trident of a thunderbolt that is now missing from his right hand. The statue is one of the only preserved statues of the preserved style with exquisite rendering of motion & anatomy. The identity of the statue is controversial and is probably more likely to be Zeus rather than Poseidon. 460 BC Ref No X15161 Athens Archaeological Museum
  • Greek Classical Period Bronze Statue of Zeus or Poseidon found in the sea of Cape Artemision of the north Eastern Euboea Island, Greece.  The God is shown in a great stride about to throw either a trident of a thunderbolt that is now missing from his right hand. The statue is one of the only preserved statues of the preserved style with exquisite rendering of motion & anatomy. The identity of the statue is controversial and is probably more likely to be Zeus rather than Poseidon. 460 BC Ref No X15161 Athens Archaeological Museum
  • Greek Classical Period Bronze Statue of Zeus or Poseidon found in the sea of Cape Artemision of the north Eastern Euboea Island, Greece.  The God is shown in a great stride about to throw either a trident of a thunderbolt that is now missing from his right hand. The statue is one of the only preserved statues of the preserved style with exquisite rendering of motion & anatomy. The identity of the statue is controversial and is probably more likely to be Zeus rather than Poseidon. 460 BC Ref No X15161 Athens Archaeological Museum
  • Greek Classical Period Bronze Statue of Zeus or Poseidon found in the sea of Cape Artemision of the north Eastern Euboea Island, Greece.  The God is shown in a great stride about to throw either a trident of a thunderbolt that is now missing from his right hand. The statue is one of the only preserved statues of the preserved style with exquisite rendering of motion & anatomy. The identity of the statue is controversial and is probably more likely to be Zeus rather than Poseidon. 460 BC Ref No X15161 Athens Archaeological Museum
  • Kouros Statues of the Archaic Period. Early 6th c. B.C. (circa 580 B.C.)  Known as Kleovis and Biton, the two boys who heroically pulled their mother on her chariot to the sanctuary where she was to worship. They pulled the chariot for a distance of about 8km. They died the same night peacefully in their sleep according to Herodotus. Delphi Archaeological Museum.
  • Kouros Statues of the Archaic Period. Early 6th c. B.C. (circa 580 B.C.)  Known as Kleovis and Biton, the two boys who heroically pulled their mother on her chariot to the sanctuary where she was to worship. They pulled the chariot for a distance of about 8km. They died the same night peacefully in their sleep according to Herodotus. Delphi Archaeological Museum.
  • Kouros Statues of the Archaic Period. Early 6th c. B.C. (circa 580 B.C.)  Known as Kleovis and Biton, the two boys who heroically pulled their mother on her chariot to the sanctuary where she was to worship. They pulled the chariot for a distance of about 8km. They died the same night peacefully in their sleep according to Herodotus. Delphi Archaeological Museum.
  • Large Sphinx of Naxos sitting on an Ionic column circa 560 B.C. Delphi Archaeological Museum.
  • Large Sphinx of Naxos sitting on an Ionic column circa 560 B.C. Delphi Archaeological Museum.
  • Large Sphinx of Naxos sitting on an Ionic column circa 560 B.C. Delphi Archaeological Museum.
  • Large Sphinx of Naxos sitting on an Ionic column circa 560 B.C. Delphi Archaeological Museum.
  • Large Sphinx of Naxos sitting on an Ionic column circa 560 B.C. Delphi Archaeological Museum.
  • Large Sphinx of Naxos sitting on an Ionic column circa 560 B.C. Delphi Archaeological Museum.
  • Large Sphinx of Naxos sitting on an Ionic column circa 560 B.C. Delphi Archaeological Museum.
  • Large Sphinx of Naxos sitting on an Ionic column circa 560 B.C. Delphi Archaeological Museum.
  • Large Sphinx of Naxos sitting on an Ionic column circa 560 B.C. Delphi Archaeological Museum.
  • Large Sphinx of Naxos sitting on an Ionic column circa 560 B.C. Delphi Archaeological Museum.
  • Large Sphinx of Naxos sitting on an Ionic column circa 560 B.C. Delphi Archaeological Museum.
  • Large Sphinx of Naxos sitting on an Ionic column circa 560 B.C. Delphi Archaeological Museum.
  • Large Sphinx of Naxos sitting on an Ionic column circa 560 B.C. Delphi Archaeological Museum.
  • Large Sphinx of Naxos sitting on an Ionic column circa 560 B.C. Delphi Archaeological Museum.
  • Large Sphinx of Naxos sitting on an Ionic column circa 560 B.C. Delphi Archaeological Museum.
  • Large Sphinx of Naxos sitting on an Ionic column circa 560 B.C. Delphi Archaeological Museum.
  • Large Sphinx of Naxos sitting on an Ionic column circa 560 B.C. Delphi Archaeological Museum.
  • Photo of Hittite monumental relief sculpted orthostat stone panel of a Procession Basalt, Kargamis, Gaziantepe, 900 - 700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
It is a depiction of three marching female figures in long dress with a high headdress at their head. These women are considered to be the nuns of the Goddess Kubaba. The figures in the front and behind have a bunch of spicy in their right hand while the figure in the middle has an empty right hand. Figures carry objects similar to a sceptre in their left hand.<br />
<br />
Against a brown art background.
  • Photo of Hittite monumental relief sculpted orthostat stone panel of a Procession. Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C.  Marching female figures. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
It is a depiction of three marching female figures in long dress with a high headdress at their head. These women are considered to be the nuns of the Goddess Kubaba. They have a bunch of Spica in their right hand, and objects similar to a sceptre in their left hand. <br />
<br />
Against a brown art background.
  • Picture of Roman relief sculpted Sarcophagus of Garlands, 2nd century AD, Perge. This type of sarcophagus is described as a “Pamphylia Type Sarcophagus". It is known that these sarcophagi garlanded tombs originated in Perge and manufactured in the sculptural workshops of Perge. Antalya Archaeology Museum, Turkey.
  • Picture of Roman relief sculpted Sarcophagus of Garlands, 2nd century AD, Perge. This type of sarcophagus is described as a “Pamphylia Type Sarcophagus". It is known that these sarcophagi garlanded tombs originated in Perge and manufactured in the sculptural workshops of Perge. Antalya Archaeology Museum, Turkey.
  • Picture of Roman relief sculpted Sarcophagus of Garlands, 2nd century AD, Perge. This type of sarcophagus is described as a “Pamphylia Type Sarcophagus". It is known that these sarcophagi garlanded tombs originated in Perge and manufactured in the sculptural workshops of Perge. Antalya Archaeology Museum, Turkey.. Against a white background.
  • Picture of Roman relief sculpted Sarcophagus of Garlands, 2nd century AD, Perge. This type of sarcophagus is described as a “Pamphylia Type Sarcophagus". It is known that these sarcophagi garlanded tombs originated in Perge and manufactured in the sculptural workshops of Perge. Antalya Archaeology Museum, Turkey.. Against a grey background.
  • Picture of Roman relief sculpted Sarcophagus of Garlands, 2nd century AD, Perge. This type of sarcophagus is described as a “Pamphylia Type Sarcophagus". It is known that these sarcophagi garlanded tombs originated in Perge and manufactured in the sculptural workshops of Perge. Antalya Archaeology Museum, Turkey. Against a black background.
  • Picture of Roman relief sculpted Sarcophagus of Garlands, 2nd century AD, Perge. This type of sarcophagus is described as a “Pamphylia Type Sarcophagus". It is known that these sarcophagi garlanded tombs originated in Perge and manufactured in the sculptural workshops of Perge. Antalya Archaeology Museum, Turkey.. Against a warm art background.
  • Picture of Roman relief sculpted Sarcophagus of Garlands, 2nd century AD, Perge. This type of sarcophagus is described as a “Pamphylia Type Sarcophagus". It is known that these sarcophagi garlanded tombs originated in Perge and manufactured in the sculptural workshops of Perge. Antalya Archaeology Museum, Turkey.
  • Close up picture of Roman relief sculpted Sarcophagus of Garlands, 2nd century AD, Perge. This type of sarcophagus is described as a “Pamphylia Type Sarcophagus". It is known that these sarcophagi garlanded tombs originated in Perge and manufactured in the sculptural workshops of Perge. Antalya Archaeology Museum, Turkey.. Against a white background.
  • Close up picture of Roman relief sculpted Sarcophagus of Garlands, 2nd century AD, Perge. This type of sarcophagus is described as a “Pamphylia Type Sarcophagus". It is known that these sarcophagi garlanded tombs originated in Perge and manufactured in the sculptural workshops of Perge. Antalya Archaeology Museum, Turkey.  Against a black background.
  • Close up picture of Roman relief sculpted Sarcophagus of Garlands, 2nd century AD, Perge. This type of sarcophagus is described as a “Pamphylia Type Sarcophagus". It is known that these sarcophagi garlanded tombs originated in Perge and manufactured in the sculptural workshops of Perge. Antalya Archaeology Museum, Turkey.. Against a grey background.
  • Close up picture of Roman relief sculpted Sarcophagus of Garlands, 2nd century AD, Perge. This type of sarcophagus is described as a “Pamphylia Type Sarcophagus". It is known that these sarcophagi garlanded tombs originated in Perge and manufactured in the sculptural workshops of Perge. Antalya Archaeology Museum, Turkey.. Against a warm art background.
  • Close up picture of Roman relief sculpted Sarcophagus of Garlands, 2nd century AD, Perge. This type of sarcophagus is described as a “Pamphylia Type Sarcophagus". It is known that these sarcophagi garlanded tombs originated in Perge and manufactured in the sculptural workshops of Perge. Antalya Archaeology Museum, Turkey.
  • Close up picture of Roman relief sculpted Sarcophagus of Garlands, 2nd century AD, Perge. This type of sarcophagus is described as a “Pamphylia Type Sarcophagus". It is known that these sarcophagi garlanded tombs originated in Perge and manufactured in the sculptural workshops of Perge. Antalya Archaeology Museum, Turkey.. Against a white background.
  • Picture of Roman relief sculpted Sarcophagus of Garlands, 2nd century AD, Perge. This type of sarcophagus is described as a “Pamphylia Type Sarcophagus". It is known that these sarcophagi garlanded tombs originated in Perge and manufactured in the sculptural workshops of Perge. Antalya Archaeology Museum, Turkey.  Against a black background.
  • Close up picture of Roman relief sculpted Sarcophagus of Garlands, 2nd century AD, Perge. This type of sarcophagus is described as a “Pamphylia Type Sarcophagus". It is known that these sarcophagi garlanded tombs originated in Perge and manufactured in the sculptural workshops of Perge. Antalya Archaeology Museum, Turkey.. Against a grey background.
  • Close up picture of Roman relief sculpted Sarcophagus of Garlands, 2nd century AD, Perge. This type of sarcophagus is described as a “Pamphylia Type Sarcophagus". It is known that these sarcophagi garlanded tombs originated in Perge and manufactured in the sculptural workshops of Perge. Antalya Archaeology Museum, Turkey.. Against a warm art background.
  • Close up picture of Roman relief sculpted Sarcophagus of Garlands, 2nd century AD, Perge. This type of sarcophagus is described as a “Pamphylia Type Sarcophagus". It is known that these sarcophagi garlanded tombs originated in Perge and manufactured in the sculptural workshops of Perge. Antalya Archaeology Museum, Turkey.
  • Picture of Roman relief sculpted Sarcophagus of Garlands, 2nd century AD, Perge. This type of sarcophagus is described as a “Pamphylia Type Sarcophagus". It is known that these sarcophagi garlanded tombs originated in Perge and manufactured in the sculptural workshops of Perge. Antalya Archaeology Museum, Turkey.
  • Picture of Roman relief sculpted Sarcophagus of Garlands, 2nd century AD, Perge. This type of sarcophagus is described as a “Pamphylia Type Sarcophagus". It is known that these sarcophagi garlanded tombs originated in Perge and manufactured in the sculptural workshops of Perge. Antalya Archaeology Museum, Turkey.  Against a black background.
  • Picture of Roman relief sculpted Sarcophagus of Garlands, 2nd century AD, Perge. This type of sarcophagus is described as a “Pamphylia Type Sarcophagus". It is known that these sarcophagi garlanded tombs originated in Perge and manufactured in the sculptural workshops of Perge. Antalya Archaeology Museum, Turkey.. Against a grey background.
  • Picture of Roman relief sculpted Sarcophagus of Garlands, 2nd century AD, Perge. This type of sarcophagus is described as a “Pamphylia Type Sarcophagus". It is known that these sarcophagi garlanded tombs originated in Perge and manufactured in the sculptural workshops of Perge. Antalya Archaeology Museum, Turkey.. Against a warm art background.
  • Picture of Roman relief sculpted Sarcophagus of Garlands, 2nd century AD, Perge. This type of sarcophagus is described as a “Pamphylia Type Sarcophagus". It is known that these sarcophagi garlanded tombs originated in Perge and manufactured in the sculptural workshops of Perge. Antalya Archaeology Museum, Turkey.
  • Picture of Roman relief sculpted Sarcophagus of Garlands, 2nd century AD, Perge. This type of sarcophagus is described as a “Pamphylia Type Sarcophagus". It is known that these sarcophagi garlanded tombs originated in Perge and manufactured in the sculptural workshops of Perge. Antalya Archaeology Museum, Turkey.. Against a white background.
  • Picture of Roman relief sculpted Sarcophagus of Garlands, 2nd century AD, Perge. This type of sarcophagus is described as a “Pamphylia Type Sarcophagus". It is known that these sarcophagi garlanded tombs originated in Perge and manufactured in the sculptural workshops of Perge. Antalya Archaeology Museum, Turkey.  Against a black background.
  • Picture of Roman relief sculpted Sarcophagus of Garlands, 2nd century AD, Perge. This type of sarcophagus is described as a “Pamphylia Type Sarcophagus". It is known that these sarcophagi garlanded tombs originated in Perge and manufactured in the sculptural workshops of Perge. Antalya Archaeology Museum, Turkey.. Against a grey background.
  • Picture of Roman relief sculpted Sarcophagus of Garlands, 2nd century AD, Perge. This type of sarcophagus is described as a “Pamphylia Type Sarcophagus". It is known that these sarcophagi garlanded tombs originated in Perge and manufactured in the sculptural workshops of Perge. Antalya Archaeology Museum, Turkey.. Against a warm art background.
  • Picture of Roman relief sculpted Sarcophagus of Garlands, 2nd century AD, Perge. This type of sarcophagus is described as a “Pamphylia Type Sarcophagus". It is known that these sarcophagi garlanded tombs originated in Perge and manufactured in the sculptural workshops of Perge. Antalya Archaeology Museum, Turkey.
  • Picture of Roman relief sculpted Sarcophagus of Garlands, 2nd century AD, Perge. This type of sarcophagus is described as a “Pamphylia Type Sarcophagus". It is known that these sarcophagi garlanded tombs originated in Perge and manufactured in the sculptural workshops of Perge. Antalya Archaeology Museum, Turkey.. Against a white background.
  • Picture of Roman relief sculpted Sarcophagus of Garlands, 2nd century AD, Perge. This type of sarcophagus is described as a “Pamphylia Type Sarcophagus". It is known that these sarcophagi garlanded tombs originated in Perge and manufactured in the sculptural workshops of Perge. Antalya Archaeology Museum, Turkey.. Against a grey background.
  • Picture of Roman relief sculpted Sarcophagus of Garlands, 2nd century AD, Perge. This type of sarcophagus is described as a “Pamphylia Type Sarcophagus". It is known that these sarcophagi garlanded tombs originated in Perge and manufactured in the sculptural workshops of Perge. Antalya Archaeology Museum, Turkey.. Against a warm art background.
  • Picture of Roman relief sculpted Sarcophagus of Garlands, 2nd century AD, Perge. This type of sarcophagus is described as a “Pamphylia Type Sarcophagus". It is known that these sarcophagi garlanded tombs originated in Perge and manufactured in the sculptural workshops of Perge. Antalya Archaeology Museum, Turkey. Against a black background.
  • Picture of Roman relief sculpted Sarcophagus of Garlands, 2nd century AD, Perge. This type of sarcophagus is described as a “Pamphylia Type Sarcophagus". It is known that these sarcophagi garlanded tombs originated in Perge and manufactured in the sculptural workshops of Perge. Antalya Archaeology Museum, Turkey.
  • Picture of Roman relief sculpted Sarcophagus of Garlands, 2nd century AD, Perge. This type of sarcophagus is described as a “Pamphylia Type Sarcophagus". It is known that these sarcophagi garlanded tombs originated in Perge and manufactured in the sculptural workshops of Perge. Antalya Archaeology Museum, Turkey. Against a black background.
  • Picture of Roman relief sculpted Sarcophagus of Garlands, 2nd century AD, Perge. This type of sarcophagus is described as a “Pamphylia Type Sarcophagus". It is known that these sarcophagi garlanded tombs originated in Perge and manufactured in the sculptural workshops of Perge. Antalya Archaeology Museum, Turkey.. Against a white background.
  • Picture of Roman relief sculpted Sarcophagus of Garlands, 2nd century AD, Perge. This type of sarcophagus is described as a “Pamphylia Type Sarcophagus". It is known that these sarcophagi garlanded tombs originated in Perge and manufactured in the sculptural workshops of Perge. Antalya Archaeology Museum, Turkey.. Against a warm art background.
  • Picture of Roman relief sculpted Sarcophagus of Garlands, 2nd century AD, Perge. This type of sarcophagus is described as a “Pamphylia Type Sarcophagus". It is known that these sarcophagi garlanded tombs originated in Perge and manufactured in the sculptural workshops of Perge. Antalya Archaeology Museum, Turkey.. Against a grey background.
  • Picture of Roman relief sculpted Sarcophagus of Garlands, 2nd century AD, Perge. This type of sarcophagus is described as a “Pamphylia Type Sarcophagus". It is known that these sarcophagi garlanded tombs originated in Perge and manufactured in the sculptural workshops of Perge. Antalya Archaeology Museum, Turkey.
  • Large wine krater known as "House of the Warrior Vase", showing men in full armour ( helmet, cuirass, greaves, shield and spear ) as they depart fro war with a sack of supplies hanging from their spears. A fine example of Mycenaean Pictoral Style. Mycenae acropolis, Greece. 12th century BC, cat no: 1426 ,  National Archaeological Museum, Athens.
  • Neolithic Marble Female Figurine grave offering of the early Cycladic II period from the Chalandriani, from Syros. 2800-2300BC. Athens Archaeological Museum Ref No 6169.
  • Neolithic Marble Female Figurine grave offering of the early Cycladic II period from the Chalandriani, from Syros. 2800-2300BC. Athens Archaeological Museum Ref No 6169.
  • Neolithic Marble Female Figurine grave offering of the early Cycladic II period from the Chalandriani, from Syros. 2800-2300BC. Athens Archaeological Museum Ref No 6169.
  • Neolithic Marble Female Figurine grave offering of the early Cycladic II period from the Chalandriani, from Syros. 2800-2300BC. Athens Archaeological Museum Ref No 6169.
  • Neolithic Marble Female Figurine grave offering of the early Cycladic II period from the Chalandriani, from Syros. 2800-2300BC. Athens Archaeological Museum Ref No 6169.
  • Gold Death Mask Known from Grave IV, Grave Circle A, Mycenae. 16th Century BC. The mask is made of a thin sheet of beaten gold . 16th century BC. Cat No 253 Athens Archaeological Museum.
  • Gold Death Mask Known from Grave IV, Grave Circle A, Mycenae. 16th Century BC. The mask is made of a thin sheet of beaten gold . 16th century BC. Cat No 253 Athens Archaeological Museum.
  • Gold Death Mask Known from Grave IV, Grave Circle A, Mycenae. 16th Century BC. The mask is made of a thin sheet of beaten gold . 16th century BC. Cat No 253 Athens Archaeological Museum.
  • Gold Death Mask Known from Grave IV, Grave Circle A, Mycenae. 16th Century BC. The mask is made of a thin sheet of beaten gold . 16th century BC. Cat No 253 Athens Archaeological Museum.
  • Gold Death Mask Known from Grave IV, Grave Circle A, Mycenae. 16th Century BC. The mask is made of a thin sheet of beaten gold . 16th century BC. Cat No 253 Athens Archaeological Museum.
  • Gold Death Mask  from Grave Circle A, Mycenae. 16th Century BC. The mask is made of a thin sheet of beaten gold . 16th century BC.  Athens Archaeological Museum.
  • Gold Death Mask  from Grave Circle A, Mycenae. 16th Century BC. The mask is made of a thin sheet of beaten gold . 16th century BC.  Athens Archaeological Museum.
  • Gold Death Mask  from Grave Circle A, Mycenae. 16th Century BC. The mask is made of a thin sheet of beaten gold . 16th century BC.  Athens Archaeological Museum.
  • Gold Death Mask  from Grave Circle A, Mycenae. 16th Century BC. The mask is made of a thin sheet of beaten gold . 16th century BC.  Athens Archaeological Museum.
  • Gold Death Mask  from Grave Circle A, Mycenae. 16th Century BC. The mask is made of a thin sheet of beaten gold . 16th century BC.  Athens Archaeological Museum.
  • Gold Death Mask Known as the "mask of Agamemnon"  from Grave V, Grave Circle A, Mycenae. The mask is made of a thin sheet of beaten gold & shows a man with a beard. 16th century BC. Cat No 624 Athens Archaeological Museum.
  • Gold Death Mask Known as the "mask of Agamemnon"  from Grave V, Grave Circle A, Mycenae. The mask is made of a thin sheet of beaten gold & shows a man with a beard. 16th century BC. Cat No 624 Athens Archaeological Museum.
  • Gold Death Mask Known as the "mask of Agamemnon"  from Grave V, Grave Circle A, Mycenae. The mask is made of a thin sheet of beaten gold & shows a man with a beard. 16th century BC. Cat No 624 Athens Archaeological Museum.
  • Gold Death Mask Known as the "mask of Agamemnon"  from Grave V, Grave Circle A, Mycenae. The mask is made of a thin sheet of beaten gold & shows a man with a beard. 16th century BC. Cat No 624 Athens Archaeological Museum.
  • Gold Death Mask Known as the "mask of Agamemnon"  from Grave V, Grave Circle A, Mycenae. The mask is made of a thin sheet of beaten gold & shows a man with a beard. 16th century BC. Cat No 624 Athens Archaeological Museum.
  • Gold Death Mask  from Grave V, Grave Circle A, Mycenae. The mask is made of a thin sheet of beaten gold and is the only mask from grave circle A with eyes open. 16th century BC. Cat No 259 Athens Archaeological Museum.
  • Gold Death Mask  from Grave V, Grave Circle A, Mycenae. The mask is made of a thin sheet of beaten gold and is the only mask from grave circle A with eyes open. 16th century BC. Cat No 259 Athens Archaeological Museum.
  • Gold Death Mask  from Grave V, Grave Circle A, Mycenae. The mask is made of a thin sheet of beaten gold and is the only mask from grave circle A with eyes open. 16th century BC. Cat No 259 Athens Archaeological Museum.
  • Gold Death Mask  from Grave V, Grave Circle A, Mycenae. The mask is made of a thin sheet of beaten gold and is the only mask from grave circle A with eyes open. 16th century BC. Cat No 259 Athens Archaeological Museum.
  • Gold Death Mask  from Grave V, Grave Circle A, Mycenae. The mask is made of a thin sheet of beaten gold and is the only mask from grave circle A with eyes open. 16th century BC. Cat No 259 Athens Archaeological Museum.
  • Large wine krater known as "House of the Warrior Vase", showing men in full armour ( helmet, cuirass, greaves, shield and spear ) as they depart fro war with a sack of supplies hanging from their spears. A fine example of Mycenaean Pictoral Style. Mycenae acropolis, Greece. 12th century BC, cat no: 1426 ,  National Archaeological Museum, Athens.
  • Boar's tusk helmet with cheek guards and double bone hook on top. Tomb 515 Mycenae, Greece. 14th-15th century BC. National Archaeological Museum, Athens.. The Boar's tusk helmet was described in the Iliad as follows "Meriones gave Odysseus a bow, a quiver and a sword, and put a cleverly made leather helmet on his head. On the inside there was a strong lining on interwoven straps, onto which a felt cap had been sewn in. The outside was cleverly adorned all around with rows of white tusks from a shiny-toothed boar, the tusks running in alternate directions in each row.<br />
—Homer, Iliad 10.260–5"
  • Boar's tusk helmet with cheek guards and double bone hook on top. Tomb 515 Mycenae, Greece. 14th-15th century BC. National Archaeological Museum, Athens.. The Boar's tusk helmet was described in the Iliad as follows "Meriones gave Odysseus a bow, a quiver and a sword, and put a cleverly made leather helmet on his head. On the inside there was a strong lining on interwoven straps, onto which a felt cap had been sewn in. The outside was cleverly adorned all around with rows of white tusks from a shiny-toothed boar, the tusks running in alternate directions in each row.<br />
—Homer, Iliad 10.260–5"
  • Boar's tusk helmet with cheek guards and double bone hook on top. Tomb 515 Mycenae, Greece. 14th-15th century BC. National Archaeological Museum, Athens.. The Boar's tusk helmet was described in the Iliad as follows "Meriones gave Odysseus a bow, a quiver and a sword, and put a cleverly made leather helmet on his head. On the inside there was a strong lining on interwoven straps, onto which a felt cap had been sewn in. The outside was cleverly adorned all around with rows of white tusks from a shiny-toothed boar, the tusks running in alternate directions in each row.<br />
—Homer, Iliad 10.260–5"
  • Boar's tusk helmet with cheek guards and double bone hook on top. Tomb 515 Mycenae, Greece. 14th-15th century BC. National Archaeological Museum, Athens.. The Boar's tusk helmet was described in the Iliad as follows "Meriones gave Odysseus a bow, a quiver and a sword, and put a cleverly made leather helmet on his head. On the inside there was a strong lining on interwoven straps, onto which a felt cap had been sewn in. The outside was cleverly adorned all around with rows of white tusks from a shiny-toothed boar, the tusks running in alternate directions in each row.<br />
—Homer, Iliad 10.260–5"
  • Boar's tusk helmet with cheek guards and double bone hook on top. Tomb 515 Mycenae, Greece. 14th-15th century BC. National Archaeological Museum, Athens.. The Boar's tusk helmet was described in the Iliad as follows "Meriones gave Odysseus a bow, a quiver and a sword, and put a cleverly made leather helmet on his head. On the inside there was a strong lining on interwoven straps, onto which a felt cap had been sewn in. The outside was cleverly adorned all around with rows of white tusks from a shiny-toothed boar, the tusks running in alternate directions in each row.<br />
—Homer, Iliad 10.260–5"
  • Three handled Mycenaean  Palace Style amphora with large palm trees symmetrically placed on the sides and smaller palm trees with floral motifs in between. This Mycenaean  vase is distinguished by the high quality of clay and paint, and by the naturalistic rendering of the decoration. From the Mycenaean cemetery at Argive Deiras, Greece. 15th Century BC. Cat No 6725 Athens Archaeological Museum.
  • Three handled Mycenaean  Palace Style amphora with large palm trees symmetrically placed on the sides and smaller palm trees with floral motifs in between. This Mycenaean  vase is distinguished by the high quality of clay and paint, and by the naturalistic rendering of the decoration. From the Mycenaean cemetery at Argive Deiras, Greece. 15th Century BC. Cat No 6725 Athens Archaeological Museum.
  • Three handled Mycenaean  Palace Style amphora with large palm trees symmetrically placed on the sides and smaller palm trees with floral motifs in between. This Mycenaean  vase is distinguished by the high quality of clay and paint, and by the naturalistic rendering of the decoration. From the Mycenaean cemetery at Argive Deiras, Greece. 15th Century BC. Cat No 6725 Athens Archaeological Museum.
  • Three handled Mycenaean  Palace Style amphora with large palm trees symmetrically placed on the sides and smaller palm trees with floral motifs in between. This Mycenaean  vase is distinguished by the high quality of clay and paint, and by the naturalistic rendering of the decoration. From the Mycenaean cemetery at Argive Deiras, Greece. 15th Century BC. Cat No 6725 Athens Archaeological Museum.
  • Three handled Mycenaean  Palace Style amphora with large palm trees symmetrically placed on the sides and smaller palm trees with floral motifs in between. This Mycenaean  vase is distinguished by the high quality of clay and paint, and by the naturalistic rendering of the decoration. From the Mycenaean cemetery at Argive Deiras, Greece. 15th Century BC. Cat No 6725 Athens Archaeological Museum.
  • Photo of a Three handles "Palace Style" amphora with three large octopuses within a marines cape of rocks and seaweed. A mycenaean copy of a Minoan Marine Style.   Mycenae tomb 2, Greece. 15th century BC,  cat no: 6725, National Archaeological Museum, Athens.
  • Photo of a Three handles "Palace Style" amphora with three large octopuses within a marines cape of rocks and seaweed. A mycenaean copy of a Minoan Marine Style.   Mycenae tomb 2, Greece. 15th century BC,  cat no: 6725, National Archaeological Museum, Athens.
  • Photo of a Three handles "Palace Style" amphora with three large octopuses within a marines cape of rocks and seaweed. A mycenaean copy of a Minoan Marine Style.   Mycenae tomb 2, Greece. 15th century BC,  cat no: 6725, National Archaeological Museum, Athens.
  • Photo of a Three handles "Palace Style" amphora with three large octopuses within a marines cape of rocks and seaweed. A mycenaean copy of a Minoan Marine Style.   Mycenae tomb 2, Greece. 15th century BC,  cat no: 6725, National Archaeological Museum, Athens.
  • Photo of a Three handles "Palace Style" amphora with three large octopuses within a marines cape of rocks and seaweed. A mycenaean copy of a Minoan Marine Style.   Mycenae tomb 2, Greece. 15th century BC,  cat no: 6725, National Archaeological Museum, Athens.
  • Three handled Mycenaean  Palace Style amphora with three large octopuses within a marinescape of rocks and seaweed. A Mycenaean imitation of Minoan Marine Style. From the Mycenaean cemetery of Argive Prosymna, tomb 2, Greece. 15th Century BC. Cat No 6725 Athens Archaeological Museum.
  • Three handled Mycenaean  Palace Style amphora with three large octopuses within a marinescape of rocks and seaweed. A Mycenaean imitation of Minoan Marine Style. From the Mycenaean cemetery of Argive Prosymna, tomb 2, Greece. 15th Century BC. Cat No 6725 Athens Archaeological Museum.
  • Three handled Mycenaean  Palace Style amphora with three large octopuses within a marinescape of rocks and seaweed. A Mycenaean imitation of Minoan Marine Style. From the Mycenaean cemetery of Argive Prosymna, tomb 2, Greece. 15th Century BC. Cat No 6725 Athens Archaeological Museum.
  • Three handled Mycenaean  Palace Style amphora with three large octopuses within a marinescape of rocks and seaweed. A Mycenaean imitation of Minoan Marine Style. From the Mycenaean cemetery of Argive Prosymna, tomb 2, Greece. 15th Century BC. Cat No 6725 Athens Archaeological Museum.
  • Three handled Mycenaean  Palace Style amphora with three large octopuses within a marinescape of rocks and seaweed. A Mycenaean imitation of Minoan Marine Style. From the Mycenaean cemetery of Argive Prosymna, tomb 2, Greece. 15th Century BC. Cat No 6725 Athens Archaeological Museum.
  • Picture & image of Hittite monumental relief sculpted orthostat stone panel of a Procession. Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900 - 700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
It is a depiction of three marching female figures in long dress with a high headdress (photos) at their head. These women are considered to be the nuns of the Goddess Kubaba. The figure in the front has a small animal in her right hand while the figure in the middle has a glass in his right hand. The object which the figures carry in their left is not understood.  <br />
<br />
Against a gray background.
  • Picture & image of Hittite monumental relief sculpted orthostat stone panel of Royal Buttress. Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey<br />
<br />
The queen carries her youngest son. The hieroglyphs located above read; "and this is Tuwarsais; the prince desired by the ruler, whose exclusiveness has been exposed". While the queen carries her son in her lap, she holds the rope of the colt coming behind with her other hand. The muscles of the colt are schematic. <br />
<br />
Against a gray background.
  • Picture & image of Hittite monumental relief sculpted orthostat stone panel of Royal Buttress. Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900 - 700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
This panels scene showing 8 out of 10 children of the King, the hieroglyphs reads as follows: "Malitispas, Astitarhunzas, Tamitispas,Isikaritispas, Sikaras, Halpawaris, Ya hilatispas". Above, there are three figures holding knucklebones (astragalus) and one figure walking by leaning on a stick; below are two each figures playing the knucklebones and turning whirligigs.  <br />
<br />
Against a gray background.
  • Relief panels depicting a lion hunt found in the palace district in the ruins of Coba Höyük, also known as Sakçe Gözü or Sakçagözü, archaeological site in southeastern Anatolia, Turkey.  Warriors are fighting with the lion from a chariot and on foot wearing armour . Basalt to 750 BC, The Pergamon Museum, Berlin inv no VA 971
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf, ancient Guzana, in northeastern Syria close to the Turkish border. The Orthostats from the Palace of King Kapara are in a Neo Hittite style and depict an Archer. Louvre Museum, Paris, inv AO11072
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf, ancient Guzana, in northeastern Syria close to the Turkish border. The Orthostats from the Palace of King Kapara are in a Neo Hittite style and depict an Archer. Louvre Museum, Paris, inv AO11072
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf, ancient Guzana, in northeastern Syria close to the Turkish border. The Orthostats from the Palace of King Kapara are in a Neo Hittite style and depict an Archer. Louvre Museum, Paris, inv AO11072
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf, ancient Guzana, in northeastern Syria close to the Turkish border. The Orthostats from the Palace of King Kapara are in a Neo Hittite style and depict an Archer. Louvre Museum, Paris, inv AO11072
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf, ancient Guzana, in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict a mythical God. Louvre Museum, Paris, inv AO11073
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf, ancient Guzana, in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict a mythical God. Louvre Museum, Paris, inv AO11073
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf, ancient Guzana, in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict a mythical God. Louvre Museum, Paris, inv AO11073
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf, ancient Guzana, in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict a mythical God. Louvre Museum, Paris, inv AO11073
  • Part of an altarpiece made from enameled brick found on the forecourt of the temple-palace of Guyana /Tell Halaf. The decoration is made up of wavebands, rosettes, and semicircles that interpreted as a representing mountains. Pergamon Museum, Berlin, inv no VA14646
  • Part of an altarpiece made from enameled brick found on the forecourt of the temple-palace of Guyana /Tell Halaf. The decoration is made up of wavebands, rosettes, and semicircles that interpreted as a representing mountains. Pergamon Museum, Berlin, inv no VA14646
  • Part of an altarpiece made from enameled brick found on the forecourt of the temple-palace of Guyana /Tell Halaf. The decoration is made up of wavebands, rosettes, and semicircles that interpreted as a representing mountains. Pergamon Museum, Berlin, inv no VA14646
  • Part of an altarpiece made from enameled brick found on the forecourt of the temple-palace of Guyana /Tell Halaf. The decoration is made up of wavebands, rosettes, and semicircles that interpreted as a representing mountains. Pergamon Museum, Berlin, inv no VA14646
  • A Colossal statue of a Bird of Prey excavated in the forecourt of a temple palace at Tell Halaf, Syria. Originally the bird statue had coloured stones in its eye socket and was mounted as part of a decorative column. Basalt 9th century BC. Pergamon Museum, Berlin.
  • A Colossal statue of a Bird of Prey excavated in the forecourt of a temple palace at Tell Halaf, Syria. Originally the bird statue had coloured stones in its eye socket and was mounted as part of a decorative column. Basalt 9th century BC. Pergamon Museum, Berlin.
  • A Colossal statue of a Bird of Prey excavated in the forecourt of a temple palace at Tell Halaf, Syria. Originally the bird statue had coloured stones in its eye socket and was mounted as part of a decorative column. Basalt 9th century BC. Pergamon Museum, Berlin.
  • A Colossal statue of a Bird of Prey excavated in the forecourt of a temple palace at Tell Halaf, Syria. Originally the bird statue had coloured stones in its eye socket and was mounted as part of a decorative column. Basalt 9th century BC. Pergamon Museum, Berlin.
  • Relief panels depicting a lion hunt found in the palace district in the ruins of Coba Hoyuk, also known as Sakçe Gözü or Sakcagozu, archaeological site in southeastern Anatolia, Turkey.  Warriors are fighting with the lion from a chariot and on foot. The soldiers in the chariot have armour as does the horse  The archer, probably the ruler, is under the protection of the gods, indicated by the winged sun above his head. Basalt to 750 BC, The Pergamon Museum, Berlin inv no VA 971
  • Relief panels depicting a lion hunt found in the palace district in the ruins of Coba Höyük, also known as Sakçe Gözü or Sakçagözü, archaeological site in southeastern Anatolia, Turkey.  Warriors are fighting with the lion from a chariot and on foot wearing armour . Basalt to 750 BC, The Pergamon Museum, Berlin inv no VA 971
  • Relief panels depicting a lion hunt found in the palace district in the ruins of Coba Höyük, also known as Sakçe Gözü or Sakçagözü, archaeological site in southeastern Anatolia, Turkey.  Warriors are fighting with the lion from a chariot and on foot wearing armour . Basalt to 750 BC, The Pergamon Museum, Berlin inv no VA 971
  • Relief panels depicting a lion hunt found in the palace district in the ruins of Coba Höyük, also known as Sakçe Gözü or Sakçagözü, archaeological site in southeastern Anatolia, Turkey.  Warriors are fighting with the lion from a chariot and on foot wearing armour . Basalt to 750 BC, The Pergamon Museum, Berlin inv no VA 971
  • Relief panels depicting a lion hunt found in the palace district in the ruins of Coba Hoyuk, also known as Sakçe Gözü or Sakcagozu, archaeological site in southeastern Anatolia, Turkey.  Warriors are fighting with the lion from a chariot and on foot. The soldiers in the chariot have armour as does the horse  The archer, probably the ruler, is under the protection of the gods, indicated by the winged sun above his head. Basalt to 750 BC, The Pergamon Museum, Berlin inv no VA 971
  • Relief panels depicting a lion hunt found in the palace district in the ruins of Coba Hoyuk, also known as Sakçe Gözü or Sakcagozu, archaeological site in southeastern Anatolia, Turkey.  Warriors are fighting with the lion from a chariot and on foot. The soldiers in the chariot have armour as does the horse  The archer, probably the ruler, is under the protection of the gods, indicated by the winged sun above his head. Basalt to 750 BC, The Pergamon Museum, Berlin inv no VA 971
  • Relief panels depicting a lion hunt found in the palace district in the ruins of Coba Hoyuk, also known as Sakçe Gözü or Sakcagozu, archaeological site in southeastern Anatolia, Turkey.  Warriors are fighting with the lion from a chariot and on foot. The soldiers in the chariot have armour as does the horse  The archer, probably the ruler, is under the protection of the gods, indicated by the winged sun above his head. Basalt to 750 BC, The Pergamon Museum, Berlin inv no VA 971
  • Relief panels depicting a lion hunt found in the palace district in the ruins of Coba Hoyuk, also known as Sakçe Gözü or Sakcagozu, archaeological site in southeastern Anatolia, Turkey.  Warriors are fighting with the lion from a chariot and on foot. The soldiers in the chariot have armour as does the horse  The archer, probably the ruler, is under the protection of the gods, indicated by the winged sun above his head. Basalt to 750 BC, The Pergamon Museum, Berlin inv no VA 971
  • 9th century BC Basalt Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict soldiers fighting. Pergamon Museum, Berlin
  • 9th century BC Basalt Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict soldiers fighting. Pergamon Museum, Berlin
  • 9th century BC Basalt Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict soldiers fighting. Pergamon Museum, Berlin
  • 9th century BC Basalt Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict soldiers fighting. Pergamon Museum, Berlin
  • 9th century BC Basalt Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict soldiers fighting. Pergamon Museum, Berlin
  • 9th century BC Basalt Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict soldiers fighting. Pergamon Museum, Berlin
  • 9th century BC Basalt Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict soldiers fighting. Pergamon Museum, Berlin
  • 9th century BC Basalt Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict soldiers fighting. Pergamon Museum, Berlin
  • 9th century BC Basalt Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict soldiers fighting. Pergamon Museum, Berlin
  • 9th century BC Basalt Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict soldiers fighting. Pergamon Museum, Berlin
  • 9th century BC Basalt Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict soldiers fighting. Pergamon Museum, Berlin
  • 9th century BC Basalt Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict soldiers fighting. Pergamon Museum, Berlin
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict a mythical lion. Pergamon Museum, Berlin
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict a mythical lion. Pergamon Museum, Berlin
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict a mythical lion. Pergamon Museum, Berlin
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict a mythical lion. Pergamon Museum, Berlin
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict a mythical Bird. Pergamon Museum, Berlin
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict a mythical Bird. Pergamon Museum, Berlin
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict a mythical Bird. Pergamon Museum, Berlin
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict a mythical Bird. Pergamon Museum, Berlin
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict mythical animals that have magical properties. Pergamon Museum, Berlin
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict mythical animals that have magical properties. Pergamon Museum, Berlin
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict mythical animals that have magical properties. Pergamon Museum, Berlin
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict a mythical Bird. Pergamon Museum, Berlin
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict a mythical Bird. Pergamon Museum, Berlin
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict mythical animals that have magical properties. Pergamon Museum, Berlin
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict a mythical Bird. Pergamon Museum, Berlin
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict a mythical Bird. Pergamon Museum, Berlin

FunkyStock Picture Library Resource

Picture The Past

ABOUT

FunkyStock Picture Library free resource for professional editorial picture editors, picture researchers, historical scholars and students and enthusiasts who want to browse some of the best pictures and images of historic countries, historical places, archaeological sites and the very best museum antiquities and artefacts exhibits in Europe and the Middle East.

Pictures and Images can be downloaded or bought as stock photos or photo art prints.

COUNTRIES

Browse travel pictures and images of historic places and archaeological sites of countries in Europe and the Middle East.

VIEW COUNTRIES INDEX....

HISTORICAL

Explore the past through pictures and images of its historic places. See the great palaces, castles and cities of antiquity as well as the great archaeological sites where our ancestors made history.

EXPLORE HISTORICAL PLACES...

MUSEUMS

Browse pictures & images the treasured artefacts and antiquities exhibits from the great Museum of Europe and the Middle East. See the art and objects made by our ancestors.

SEE MUESEUM ANTIQUITIES....