• Camden lock - London.
  • Camden lock - London. Goth and Punk Clothes
  • Camden lock - London. Goth and Punk Clothes
  • Camden lock - London. Cat Sculpture
  • Camden lock - London.
  • Camden lock - London. Shoes sculptures
  • Camden lock - London.
  • Camden lock - London. Tattoo
  • Camden lock - London. Tattoo
  • Camden lock - London. Shoes sculptures
  • Camden lock - London. Shoes sculptures
  • Camden lock - London. Shoes sculptures
  • Camden lock - London. Indian food
  • Camden lock - London. Sweetcorn stall
  • Camden lock - London. Sign on Bridge
  • Camden lock - London. Sign on Bridge
  • Camden lock - London. Sign on building
  • Minoan cylindrical vessel decorated with leafy bands, Akrotiri, Thira (Santorini) National Archaeological Museum Athens. 17th-16th cent BC.<br />
<br />
The vessels bottom is pierced so was probably used like a rhython during ceremonies.
  • Crucifiction fresco on the Church of San Vigilio in Pinzolo, part of its mural painting “the Dance of Death” painted by Simone Baschenis of Averaria in1539, Pinzolo, Trentino, Italy.<br />
<br />
The mural continues for another 21 meters with a long procession with 40 figures.<br />
<br />
 To the right of the skeletons playing music is a depiction of the crucification. Christ is depicted on the cross with an arrow in him that has been fired by a skeleton with a bow. This suggests that because Christ was a man he suffered the fate of death as we all will.<br />
After Christ is a Pope also pierced by a spear, as are all the human figures in the mural.
  • Crucifiction fresco on the Church of San Vigilio in Pinzolo, part of its mural painting “the Dance of Death” painted by Simone Baschenis of Averaria in1539, Pinzolo, Trentino, Italy.<br />
<br />
The mural continues for another 21 meters with a long procession with 40 figures.<br />
<br />
 To the right of the skeletons playing music is a depiction of the crucification. Christ is depicted on the cross with an arrow in him that has been fired by a skeleton with a bow. This suggests that because Christ was a man he suffered the fate of death as we all will.<br />
After Christ is a Pope also pierced by a spear, as are all the human figures in the mural.
  • The Church of San Vigilio in Pinzolo and its fresco paintings “Dance of Death” painted by Simone Baschenis of Averaria in1539, Pinzolo, Trentino, Italy.<br />
<br />
The Mural depicts the living who have been pierced with arrows from skeletons waiting to see if they will go to heaven or to Purgatory of Hell
  • The Church of San Vigilio in Pinzolo and its fresco paintings “Dance of Death” painted by Simone Baschenis of Averaria in1539, Pinzolo, Trentino, Italy<br />
<br />
The Mural depicts the living who have been pierced with arrows from skeletons waiting to see if they will go to heaven or to Purgatory of Hell
  • The Church of San Vigilio in Pinzolo and its fresco paintings “Dance of Death” painted by Simone Baschenis of Averaria in1539, Pinzolo, Trentino, Italy,<br />
<br />
An archbishop pierced with an arrow from the skeletons that are either side of him and represent dead.
  • Crucifiction fresco on the Church of San Vigilio in Pinzolo, part of its mural painting “the Dance of Death” painted by Simone Baschenis of Averaria in1539, Pinzolo, Trentino, Italy.<br />
<br />
The mural continues for another 21 meters with a long procession with 40 figures.<br />
<br />
The Mural opens on its left with a skeleton on the throne, bearing a sceptre and the crown and playing a bagpipe. These skeletons are playing the music which is the backdrop to “Dance of Death” ( Danza macabra ) and suggests that they are playing with our fate on earth.<br />
<br />
 To the right of the skeletons playing music is a depiction of the crucification. Christ is depicted on the cross with an arrow in him that has been fired by a skeleton with a bow. This suggests that because Christ was a man he suffered the fate of death as we all will.<br />
After Christ is a Pope also pierced by a spear, as are all the human figures in the mural.
  • Minoan cylindrical vessel decorated with leafy bands, Akrotiri, Thira (Santorini) National Archaeological Museum Athens. 17th-16th cent BC.<br />
<br />
The vessels bottom is pierced so was probably used like a rhython during ceremonies.

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