• Inner fountain courtyard with Berber Mocarabe Honeycomb work plaster decorations and Berber design tiles of the Mauseleum of Moulay Ismaïl Ibn Sharif , reigned 1672–1727. A UNESCO World Heritage Site .Meknes, Meknes-Tafilalet, Morocco.
  • Inner fountain courtyard with Berber Mocarabe Honeycomb work plaster decorations and Berber design tiles of the Mauseleum of Moulay Ismaïl Ibn Sharif , reigned 1672–1727. A UNESCO World Heritage Site .Meknes, Meknes-Tafilalet, Morocco.
  • Inner fountain courtyard with Berber Mocarabe Honeycomb work plaster decorations and Berber design tiles of the Mauseleum of Moulay Ismaïl Ibn Sharif , reigned 1672–1727. A UNESCO World Heritage Site .Meknes, Meknes-Tafilalet, Morocco.
  • Berber Mocarabe Honeycomb work plaster decorations and Berber design tiles of the 17th century Berber Pavillion of the Ambassadors built Sultan Moulay Ismail.   A UNESCO World Heritage Site .Meknes, Meknes-Tafilalet, Morocco.
  • Berber Mocarabe Honeycomb work plaster decorations and Berber design tiles of the 17th century Berber Pavillion of the Ambassadors built Sultan Moulay Ismail.   A UNESCO World Heritage Site .Meknes, Meknes-Tafilalet, Morocco.
  • Berber Mocarabe Honeycomb work plaster decorations and Berber design tiles of the 17th century Berber Pavillion of the Ambassadors built Sultan Moulay Ismail.   A UNESCO World Heritage Site .Meknes, Meknes-Tafilalet, Morocco.
  • Inner fountain courtyard with Berber Mocarabe Honeycomb work plaster decorations and Berber design tiles of the Mauseleum of Moulay Ismaïl Ibn Sharif , reigned 1672–1727. A UNESCO World Heritage Site .Meknes, Meknes-Tafilalet, Morocco.
  • Inner fountain courtyard with Berber Mocarabe Honeycomb work plaster decorations and Berber design tiles of the Mauseleum of Moulay Ismaïl Ibn Sharif , reigned 1672–1727. A UNESCO World Heritage Site .Meknes, Meknes-Tafilalet, Morocco.
  • Inner fountain courtyard with Berber Mocarabe Honeycomb work plaster decorations and Berber design tiles of the Mauseleum of Moulay Ismaïl Ibn Sharif , reigned 1672–1727. A UNESCO World Heritage Site .Meknes, Meknes-Tafilalet, Morocco.
  • Inner fountain courtyard with Berber Mocarabe Honeycomb work plaster decorations and Berber design tiles of the Mauseleum of Moulay Ismaïl Ibn Sharif , reigned 1672–1727. A UNESCO World Heritage Site .Meknes, Meknes-Tafilalet, Morocco.
  • Inner fountain courtyard with Berber Mocarabe Honeycomb work plaster decorations and Berber design tiles of the Mauseleum of Moulay Ismaïl Ibn Sharif , reigned 1672–1727. A UNESCO World Heritage Site .Meknes, Meknes-Tafilalet, Morocco.
  • Inner fountain courtyard with Berber Mocarabe Honeycomb work plaster decorations and Berber design tiles of the Mauseleum of Moulay Ismaïl Ibn Sharif , reigned 1672–1727. A UNESCO World Heritage Site .Meknes, Meknes-Tafilalet, Morocco.
  • Inner fountain courtyard with Berber Mocarabe Honeycomb work plaster decorations and Berber design tiles of the Mauseleum of Moulay Ismaïl Ibn Sharif , reigned 1672–1727. A UNESCO World Heritage Site .Meknes, Meknes-Tafilalet, Morocco.
  • Inner fountain courtyard with Berber Mocarabe Honeycomb work plaster decorations and Berber design tiles of the Mauseleum of Moulay Ismaïl Ibn Sharif , reigned 1672–1727. A UNESCO World Heritage Site .Meknes, Meknes-Tafilalet, Morocco.
  • Inner fountain courtyard with Berber Mocarabe Honeycomb work plaster decorations and Berber design tiles of the Mauseleum of Moulay Ismaïl Ibn Sharif , reigned 1672–1727. A UNESCO World Heritage Site .Meknes, Meknes-Tafilalet, Morocco.
  • Berber Mocarabe Honeycomb work plaster decorations and Berber design tiles of the Mauseleum of Moulay Ismaïl Ibn Sharif , reigned 1672–1727. A UNESCO World Heritage Site .Meknes, Meknes-Tafilalet, Morocco.
  • Berber Mocarabe Honeycomb work plaster decorations and Berber design tiles of the Mauseleum of Moulay Ismaïl Ibn Sharif , reigned 1672–1727. A UNESCO World Heritage Site .Meknes, Meknes-Tafilalet, Morocco.
  • Berber Mocarabe Honeycomb work plaster decorations and Berber design tiles of the Mauseleum of Moulay Ismaïl Ibn Sharif , reigned 1672–1727. A UNESCO World Heritage Site .Meknes, Meknes-Tafilalet, Morocco.
  • Berber Mocarabe Honeycomb work plaster decorations and Berber design tiles of the Mauseleum of Moulay Ismaïl Ibn Sharif , reigned 1672–1727. A UNESCO World Heritage Site .Meknes, Meknes-Tafilalet, Morocco.
  • Berber Mocarabe Honeycomb work plaster decorations and Berber design tiles of the Mauseleum of Moulay Ismaïl Ibn Sharif , reigned 1672–1727. A UNESCO World Heritage Site .Meknes, Meknes-Tafilalet, Morocco.
  • Berber Mocarabe Honeycomb work plaster decorations and Berber design tiles of the Mauseleum of Moulay Ismaïl Ibn Sharif , reigned 1672–1727. A UNESCO World Heritage Site .Meknes, Meknes-Tafilalet, Morocco.
  • Inner fountain courtyard with Berber Mocarabe Honeycomb work plaster decorations and Berber design tiles of the Mauseleum of Moulay Ismaïl Ibn Sharif , reigned 1672–1727. A UNESCO World Heritage Site .Meknes, Meknes-Tafilalet, Morocco.
  • Berber Mocarabe Honeycomb work plaster decorations and Berber design tiles of the Mauseleum of Moulay Ismaïl Ibn Sharif , reigned 1672–1727. A UNESCO World Heritage Site .Meknes, Meknes-Tafilalet, Morocco.
  • Berber Mocarabe Honeycomb work plaster decorations and Berber design tiles of the Mauseleum of Moulay Ismaïl Ibn Sharif , reigned 1672–1727. A UNESCO World Heritage Site .Meknes, Meknes-Tafilalet, Morocco.
  • Berber Muqarnas Arabesque stalactite plaster work ceiling and Mocarabe Honeycomb work plaster columns and capitals of the inner courtyard of  the Kashah of Telouet, Morocco
  • Berber Muqarnas Arabesque stalactite plaster work ceiling and Mocarabe Honeycomb work plaster columns and capitals of the inner courtyard of  the Kashah of Telouet, Morocco
  • Berber Muqarnas Arabesque stalactite plaster work ceiling and Mocarabe Honeycomb work plaster columns and capitals of the inner courtyard of  the Kashah of Telouet, Morocco
  • Berber Muqarnas Arabesque stalactite plaster work ceiling and Mocarabe Honeycomb work plaster columns and capitals of the inner courtyard of  the Kashah of Telouet, Morocco
  • Berber Muqarnas Arabesque stalactite plaster work ceiling and Mocarabe Honeycomb work plaster columns and capitals of the inner courtyard of  the Kashah of Telouet, Morocco
  • Berber Muqarnas Arabesque stalactite plaster work ceiling and Mocarabe Honeycomb work plaster columns and capitals of the inner courtyard of  the Kashah of Telouet, Morocco
  • Berber Muqarnas Arabesque stalactite plaster work ceiling and Mocarabe Honeycomb work plaster columns and capitals of the inner courtyard of  the Kashah of Telouet, Morocco
  • Berber Muqarnas Arabesque stalactite plaster work ceiling and Mocarabe Honeycomb work plaster columns and capitals of the inner courtyard of  the Kashah of Telouet, Morocco
  • Berber Muqarnas Arabesque stalactite plaster work ceiling and Mocarabe Honeycomb work plaster columns and capitals of the inner courtyard of  the Kashah of Telouet, Morocco
  • Berber Muqarnas Arabesque stalactite plaster work ceiling and Mocarabe Honeycomb work plaster columns and capitals of the inner courtyard of  the Kashah of Telouet, Morocco
  • Berber Muqarnas Arabesque stalactite plaster work ceiling and Mocarabe Honeycomb work plaster columns and capitals of the inner courtyard of  the Kashah of Telouet, Morocco
  • Berber Muqarnas Arabesque stalactite plaster work ceiling and Mocarabe Honeycomb work plaster columns and capitals of the inner courtyard of  the Kashah of Telouet, Morocco
  • Berber Muqarnas Arabesque stalactite plaster work on the ceiling of the inner courtyard of  the Kashah of Telouet, Morocco
  • Berber Muqarnas Arabesque stalactite plaster work on the ceiling of the inner courtyard of  the Kashah of Telouet, Morocco
  • Berber Muqarnas Arabesque stalactite plaster work on the ceiling of the inner courtyard of  the Kashah of Telouet, Morocco
  • Berber Muqarnas Arabesque stalactite plaster work on the ceiling of the inner courtyard of  the Kashah of Telouet, Morocco
  • The Glaoui Kasbah's of Tamedaght in the Ounilla valley set surrounded by the hammada (stoney) desert in the foothills of the Altas mountains, Tamedaght, Morroco.
  • The Glaoui Kasbah's of Tamedaght in the Ounilla valley set surrounded by the hammada (stoney) desert in the foothills of the Altas mountains, Tamedaght, Morroco.
  • Stork nesting on the Glaoui Kasbah's of Tamedaght in the Ounilla valley set surrounded by the hammada (stoney) desert in the foothills of the Altas mountains, Tamedaght, Morroco.
  • The Glaoui Kasbah's of Tamedaght in the Ounilla valley set surrounded by the hammada (stoney) desert in the foothills of the Altas mountains, Tamedaght, Morroco.
  • The Glaoui Kasbah's of Tamedaght in the Ounilla valley set surrounded by the hammada (stoney) desert in the foothills of the Altas mountains, Tamedaght, Morroco.
  • The Glaoui Kasbah's of Tamedaght in the Ounilla valley set surrounded by the hammada (stoney) desert in the foothills of the Altas mountains, Tamedaght, Morroco.
  • The Glaoui Kasbah's of Tamedaght in the Ounilla valley set surrounded by the hammada (stoney) desert in the foothills of the Altas mountains, Tamedaght, Morroco.
  • The Glaoui Kasbah's of Tamedaght in the Ounilla valley set surrounded by the hammada (stoney) desert in the foothills of the Altas mountains, Tamedaght, Morroco.
  • The Glaoui Kasbah's of Tamedaght in the Ounilla valley set surrounded by the hammada (stoney) desert in the foothills of the Altas mountains, Tamedaght, Morroco.
  • The Glaoui Kasbah's of Tamedaght in the Ounilla valley set surrounded by the hammada (stoney) desert in the foothills of the Altas mountains, Tamedaght, Morroco.
  • The Glaoui Kasbah's of Tamedaght in the Ounilla valley set surrounded by the hammada (stoney) desert in the foothills of the Altas mountains, Tamedaght, Morroco.
  • The Glaoui Kasbah's of Tamedaght in the Ounilla valley set surrounded by the hammada (stoney) desert in the foothills of the Altas mountains, Tamedaght, Morroco.
  • The Glaoui Kasbah's of Tamedaght in the Ounilla valley set surrounded by the hammada (stoney) desert in the foothills of the Altas mountains, Tamedaght, Morroco.
  • The Glaoui Kasbah's of Tamedaght in the Ounilla valley set surrounded by the hammada (stoney) desert in the foothills of the Altas mountains, Tamedaght, Morroco.
  • The Glaoui Kasbah's of Tamedaght in the Ounilla valley set surrounded by the hammada (stoney) desert in the foothills of the Altas mountains, Tamedaght, Morroco.
  • The Glaoui Kasbah's of Tamedaght in the Ounilla valley set surrounded by the hammada (stoney) desert in the foothills of the Altas mountains, Tamedaght, Morroco.
  • Profits shrine in the he Glaoui Kasbah of Tamedaght in the Ounilla valley set surrounded by the hammada (stoney) desert in the foothills of the Altas mountains, Tamedaght, Morroco.
  • The Glaoui Kasbah's of Tamedaght in the Ounilla valley set surrounded by the hammada (stoney) desert in the foothills of the Altas mountains, Tamedaght, Morroco.
  • Camels in front of the Glaoui Kasbah's of Tamedaght in the Ounilla valley set surrounded by the hammada (stoney) desert in the foothills of the Altas mountains, Tamedaght, Morroco.
  • Camels in front of the Glaoui Kasbah's of Tamedaght in the Ounilla valley set surrounded by the hammada (stoney) desert in the foothills of the Altas mountains, Tamedaght, Morroco.
  • Stork nesting on the Glaoui Kasbah's of Tamedaght in the Ounilla valley set surrounded by the hammada (stoney) desert in the foothills of the Altas mountains, Tamedaght, Morroco.
  • Stork nesting on the Glaoui Kasbah's of Tamedaght in the Ounilla valley set surrounded by the hammada (stoney) desert in the foothills of the Altas mountains, Tamedaght, Morroco.
  • Stork nesting on the Glaoui Kasbah's of Tamedaght in the Ounilla valley set surrounded by the hammada (stoney) desert in the foothills of the Altas mountains, Tamedaght, Morroco.
  • Stork nesting on the Glaoui Kasbah's of Tamedaght in the Ounilla valley set surrounded by the hammada (stoney) desert in the foothills of the Altas mountains, Tamedaght, Morroco.
  • The Glaoui Kasbah's of Tamedaght in the Ounilla valley set surrounded by the hammada (stoney) desert in the foothills of the Altas mountains, Tamedaght, Morroco.
  • Stork nesting on the Glaoui Kasbah's of Tamedaght in the Ounilla valley set surrounded by the hammada (stoney) desert in the foothills of the Altas mountains, Tamedaght, Morroco.
  • The Glaoui Kasbah's of Tamedaght in the Ounilla valley set surrounded by the hammada (stoney) desert in the foothills of the Altas mountains, Tamedaght, Morroco.
  • Stork nesting on the Glaoui Kasbah's of Tamedaght in the Ounilla valley set surrounded by the hammada (stoney) desert in the foothills of the Altas mountains, Tamedaght, Morroco.
  • The Glaoui Kasbah's of Tamedaght in the Ounilla valley set surrounded by the hammada (stoney) desert in the foothills of the Altas mountains, Tamedaght, Morroco.
  • The Glaoui Kasbah's of Tamedaght in the Ounilla valley set surrounded by the hammada (stoney) desert in the foothills of the Altas mountains, Tamedaght, Morroco.
  • The Glaoui Kasbah's of Tamedaght in the Ounilla valley set surrounded by the hammada (stoney) desert in the foothills of the Altas mountains, Tamedaght, Morroco.
  • The Glaoui Kasbah's of Tamedaght in the Ounilla valley set surrounded by the hammada (stoney) desert in the foothills of the Altas mountains, Tamedaght, Morroco.
  • The Glaoui Kasbah's of Tamedaght in the Ounilla valley set surrounded by the hammada (stoney) desert in the foothills of the Altas mountains, Tamedaght, Morroco.
  • The Glaoui Kasbah's of Tamedaght in the Ounilla valley set surrounded by the hammada (stoney) desert in the foothills of the Altas mountains, Tamedaght, Morroco.
  • The Glaoui Kasbah's of Tamedaght in the Ounilla valley set surrounded by the hammada (stoney) desert in the foothills of the Altas mountains, Tamedaght, Morroco.
  • The Glaoui Kasbah's of Tamedaght in the Ounilla valley set surrounded by the hammada (stoney) desert in the foothills of the Altas mountains, Tamedaght, Morroco.
  • Profits shrine in the he Glaoui Kasbah of Tamedaght in the Ounilla valley set surrounded by the hammada (stoney) desert in the foothills of the Altas mountains, Tamedaght, Morroco.
  • Camels in front of the Glaoui Kasbah's of Tamedaght in the Ounilla valley set surrounded by the hammada (stoney) desert in the foothills of the Altas mountains, Tamedaght, Morroco.
  • The Glaoui Kasbah's of Tamedaght in the Ounilla valley set surrounded by the hammada (stoney) desert in the foothills of the Altas mountains, Tamedaght, Morroco.
  • The Glaoui Kasbah's of Tamedaght in the Ounilla valley set surrounded by the hammada (stoney) desert in the foothills of the Altas mountains, Tamedaght, Morroco.
  • The Glaoui Kasbah's of Tamedaght in the Ounilla valley set surrounded by the hammada (stoney) desert in the foothills of the Altas mountains, Tamedaght, Morroco.
  • Arabesque Berber tiled niche of the Mauseleum of Moulay Ismaïl Ibn Sharif , reigned 1672–1727. A UNESCO World Heritage Site .Meknes, Meknes-Tafilalet, Morocco.
  • Decorated Arabesque Berber  and entrance to the Medina. A UNESCO World Heritage Site .Meknes, Meknes-Tafilalet, Morocco.
  • Decorated Arabesque Berber  and entrance to the Medina. A UNESCO World Heritage Site .Meknes, Meknes-Tafilalet, Morocco.
  • Entrance to the mauseleum of Moulay Ismaïl Ibn Sharif , reigned 1672–1727. A UNESCO World Heritage Site .Meknes, Meknes-Tafilalet, Morocco.
  • Decorated Arabesque Berber  and entrance to the Medina. A UNESCO World Heritage Site .Meknes, Meknes-Tafilalet, Morocco.
  • Interior courtyard of the Mauseleum of Moulay Ismaïl Ibn Sharif , reigned 1672–1727. A UNESCO World Heritage Site .Meknes, Meknes-Tafilalet, Morocco.
  • Interior courtyard of the Mauseleum of Moulay Ismaïl Ibn Sharif , reigned 1672–1727. A UNESCO World Heritage Site .Meknes, Meknes-Tafilalet, Morocco.
  • Berber Mocarabe Honeycomb work plaster columns and capitals in the Riad of the Kasbah of Telouet, Atlas Mountains, Morocco
  • Berber Mocarabe Honeycomb work plaster columns and capitals in the Riad of the Kasbah of Telouet, Atlas Mountains, Morocco
  • Berber Mocarabe Honeycomb work plaster columns and capitals in the Riad of the Kasbah of Telouet, Atlas Mountains, Morocco
  • Berber Mocarabe Honeycomb work plaster columns and capitals in the Riad of the Kasbah of Telouet, Atlas Mountains, Morocco
  • Berber Mocarabe Honeycomb work plaster columns and capitals in the Riad of the Kasbah of Telouet, Atlas Mountains, Morocco
  • Berber Mocarabe Honeycomb work plaster columns and capitals in the Riad of the Kasbah of Telouet, Atlas Mountains, Morocco
  • Berber Mocarabe Honeycomb work plaster columns and capitals in the Riad of the Kasbah of Telouet, Atlas Mountains, Morocco
  • Berber Mocarabe Honeycomb work plaster columns and capitals in the Riad of the Kasbah of Telouet, Atlas Mountains, Morocco
  • Berber Mocarabe Honeycomb work plaster decorations in the Riad of the Kasbah of Telouet, Atlas Mountains, Morocco
  • Berber Mocarabe Honeycomb work plaster decorations in the Riad of the Kasbah of Telouet, Atlas Mountains, Morocco
  • Berber  Mocarabe Honeycomb work plaster and Zellige decorative tiles of the inner courtyard of  the Kashah of Telouet, Morocco
  • Berber  Mocarabe Honeycomb work plaster and Zellige decorative tiles of the inner courtyard of  the Kashah of Telouet, Morocco
  • Berber Mocarabe Honeycomb work plaster decorations in the Riad of the Kasbah of Telouet, Atlas Mountains, Morocco
  • Berber Mocarabe Honeycomb work plaster decorations in the Riad of the Kasbah of Telouet, Atlas Mountains, Morocco
  • Berber Mocarabe Honeycomb work plaster decorations in the Riad of the Kasbah of Telouet, Atlas Mountains, Morocco
  • Berber Mocarabe Honeycomb work plaster decorations in the Riad of the Kasbah of Telouet, Atlas Mountains, Morocco
  • Berber Mocarabe Honeycomb work plaster decorations in the Riad of the Kasbah of Telouet, Atlas Mountains, Morocco
  • Berber Mocarabe Honeycomb work plaster decorations in the Riad of the Kasbah of Telouet, Atlas Mountains, Morocco
  • Patio de las Doncellas (Courtyard of the Maidens) an Italian Renaissance courtyard (1540-72) with Arabesque Mudéjar style plaster work, Alcazar of Seville, Seville, Spain
  • Patio de las Doncellas (Courtyard of the Maidens) an Italian Renaissance courtyard (1540-72) with Arabesque Mudéjar style plaster work, Alcazar of Seville, Seville, Spain
  • Patio de las Doncellas (Courtyard of the Maidens) an Italian Renaissance courtyard (1540-72) with Arabesque Mudéjar style plaster work, Alcazar of Seville, Seville, Spain
  • Detail of the Arabesque Mudéjar style plaster work of the Patio de las Doncellas (Courtyard of the Maidens) an Italian Renaissance courtyard (1540-72) , Alcazar of Seville, Seville, Spain
  • Detail of the Arabesque Mudéjar style plaster work of the Patio de las Doncellas (Courtyard of the Maidens) an Italian Renaissance courtyard (1540-72) , Alcazar of Seville, Seville, Spain
  • Detail of the Arabesque Mudéjar style plaster work of the Patio de las Doncellas (Courtyard of the Maidens) an Italian Renaissance courtyard (1540-72) , Alcazar of Seville, Seville, Spain
  • Detail of the Arabesque Mudéjar style plaster work of the Patio de las Doncellas (Courtyard of the Maidens) an Italian Renaissance courtyard (1540-72) , Alcazar of Seville, Seville, Spain
  • Detail of the Arabesque Mudéjar style plaster work of the Patio de las Doncellas (Courtyard of the Maidens) an Italian Renaissance courtyard (1540-72) , Alcazar of Seville, Seville, Spain
  • Detail of the Arabesque Mudéjar style plaster work of the Patio de las Doncellas (Courtyard of the Maidens) an Italian Renaissance courtyard (1540-72) , Alcazar of Seville, Seville, Spain
  • Detail of the Arabesque Mudéjar style plaster work of the Patio de las Doncellas (Courtyard of the Maidens) an Italian Renaissance courtyard (1540-72) , Alcazar of Seville, Seville, Spain
  • Detail of the Arabesque Mudéjar style plaster work of the Patio de las Doncellas (Courtyard of the Maidens) an Italian Renaissance courtyard (1540-72) , Alcazar of Seville, Seville, Spain
  • Patio de las Doncellas (Courtyard of the Maidens) an Italian Renaissance courtyard (1540-72) with Arabesque Mudéjar style plaster work, Alcazar of Seville, Seville, Spain
  • Patio de las Doncellas (Courtyard of the Maidens) an Italian Renaissance courtyard (1540-72) with Arabesque Mudéjar style plaster work, Alcazar of Seville, Seville, Spain
  • Patio de las Doncellas (Courtyard of the Maidens) an Italian Renaissance courtyard (1540-72) with Arabesque Mudéjar style plaster work, Alcazar of Seville, Seville, Spain
  • Patio de las Doncellas (Courtyard of the Maidens) an Italian Renaissance courtyard (1540-72) with Arabesque Mudéjar style plaster work, Alcazar of Seville, Seville, Spain
  • Patio de las Doncellas (Courtyard of the Maidens) an Italian Renaissance courtyard (1540-72) with Arabesque Mudéjar style plaster work, Alcazar of Seville, Seville, Spain
  • Patio de las Doncellas (Courtyard of the Maidens) an Italian Renaissance courtyard (1540-72) with Arabesque Mudéjar style plaster work, Alcazar of Seville, Seville, Spain
  • Patio de las Doncellas (Courtyard of the Maidens) an Italian Renaissance courtyard (1540-72) with Arabesque Mudéjar style plaster work, Alcazar of Seville, Seville, Spain
  • Patio de las Doncellas (Courtyard of the Maidens) an Italian Renaissance courtyard (1540-72) with Arabesque Mudéjar style plaster work, Alcazar of Seville, Seville, Spain
  • Patio de las Doncellas (Courtyard of the Maidens) an Italian Renaissance courtyard (1540-72) with Arabesque Mudéjar style plaster work, Alcazar of Seville, Seville, Spain
  • Patio de las Doncellas (Courtyard of the Maidens) an Italian Renaissance courtyard (1540-72) with Arabesque Mudéjar style plaster work, Alcazar of Seville, Seville, Spain
  • Patio de las Doncellas (Courtyard of the Maidens) an Italian Renaissance courtyard (1540-72) with Arabesque Mudéjar style plaster work, Alcazar of Seville, Seville, Spain
  • Detail of the Arabesque Mudéjar style plaster work of the Patio de las Doncellas (Courtyard of the Maidens) an Italian Renaissance courtyard (1540-72) , Alcazar of Seville, Seville, Spain
  • Detail of the Arabesque Mudéjar style plaster work of the Patio de las Doncellas (Courtyard of the Maidens) an Italian Renaissance courtyard (1540-72) , Alcazar of Seville, Seville, Spain
  • Patio de las Doncellas (Courtyard of the Maidens) an Italian Renaissance courtyard (1540-72) with Arabesque Mudéjar style plaster work, Alcazar of Seville, Seville, Spain
  • Patio de las Doncellas (Courtyard of the Maidens) an Italian Renaissance courtyard (1540-72) with Arabesque Mudéjar style plaster work, Alcazar of Seville, Seville, Spain
  • Patio de las Doncellas (Courtyard of the Maidens) an Italian Renaissance courtyard (1540-72) with Arabesque Mudéjar style plaster work, Alcazar of Seville, Seville, Spain
  • Patio de las Doncellas (Courtyard of the Maidens) an Italian Renaissance courtyard (1540-72) with Arabesque Mudéjar style plaster work, Alcazar of Seville, Seville, Spain
  • Patio de las Doncellas (Courtyard of the Maidens) an Italian Renaissance courtyard (1540-72) with Arabesque Mudéjar style plaster work, Alcazar of Seville, Seville, Spain
  • Patio de las Doncellas (Courtyard of the Maidens) an Italian Renaissance courtyard (1540-72) with Arabesque Mudéjar style plaster work, Alcazar of Seville, Seville, Spain
  • Patio de las Doncellas (Courtyard of the Maidens) an Italian Renaissance courtyard (1540-72) with Arabesque Mudéjar style plaster work, Alcazar of Seville, Seville, Spain
  • Patio de las Doncellas (Courtyard of the Maidens) an Italian Renaissance courtyard (1540-72) with Arabesque Mudéjar style plaster work, Alcazar of Seville, Seville, Spain
  • Patio de las Doncellas (Courtyard of the Maidens) an Italian Renaissance courtyard (1540-72) with Arabesque Mudéjar style plaster work, Alcazar of Seville, Seville, Spain
  • Patio de las Doncellas (Courtyard of the Maidens) an Italian Renaissance courtyard (1540-72) with Arabesque Mudéjar style plaster work, Alcazar of Seville, Seville, Spain
  • Patio de las Doncellas (Courtyard of the Maidens) an Italian Renaissance courtyard (1540-72) with Arabesque Mudéjar style plaster work, Alcazar of Seville, Seville, Spain
  • Patio de las Doncellas (Courtyard of the Maidens) an Italian Renaissance courtyard (1540-72) with Arabesque Mudéjar style plaster work, Alcazar of Seville, Seville, Spain
  • Patio de las Doncellas (Courtyard of the Maidens) an Italian Renaissance courtyard (1540-72) with Arabesque Mudéjar style plaster work, Alcazar of Seville, Seville, Spain
  • Arabesque Mudjar plaster work and Zillige tiles inside the Vestibule of Don Pedro's Palace, completed in 1366. Alcazar of Seville, Seville, Spain
  • Arabesque Mudjar plaster work and Zillige tiles inside the Vestibule of Don Pedro's Palace, completed in 1366. Alcazar of Seville, Seville, Spain
  • Arabesque Mudjar plaster work and Zillige tiles inside the Vestibule of Don Pedro's Palace, completed in 1366. Alcazar of Seville, Seville, Spain
  • Arabesque Mudjar plaster work inside the Vestibule of Don Pedro's Palace, completed in 1366. Alcazar of Seville, Seville, Spain
  • Arabesque Mudjar plaster work inside the Vestibule of Don Pedro's Palace, completed in 1366. Alcazar of Seville, Seville, Spain
  • Arabesque Mudjar plaster work of the entrance to Don Pedro's Palace, completed in 1366. Alcazar of Seville, Seville, Spain
  • Arabesque Mudjar plaster work of the entrance to Don Pedro's Palace, completed in 1366. Alcazar of Seville, Seville, Spain
  • Detail of the Arabesque Mudéjar style plaster work of the Patio de las Doncellas (Courtyard of the Maidens) an Italian Renaissance courtyard (1540-72) , Alcazar of Seville, Seville, Spain
  • Detail of the Arabesque Mudéjar style plaster work of the Patio de las Doncellas (Courtyard of the Maidens) an Italian Renaissance courtyard (1540-72) , Alcazar of Seville, Seville, Spain
  • Detail of the Arabesque Mudéjar style plaster work of the Patio de las Doncellas (Courtyard of the Maidens) an Italian Renaissance courtyard (1540-72) , Alcazar of Seville, Seville, Spain
  • Detail of the Arabesque Mudéjar style plaster work of the Patio de las Doncellas (Courtyard of the Maidens) an Italian Renaissance courtyard (1540-72) , Alcazar of Seville, Seville, Spain
  • Detail of the Arabesque Mudéjar style plaster work of the Patio de las Doncellas (Courtyard of the Maidens) an Italian Renaissance courtyard (1540-72) , Alcazar of Seville, Seville, Spain
  • Detail of the Arabesque Mudéjar style plaster work of the Patio de las Doncellas (Courtyard of the Maidens) an Italian Renaissance courtyard (1540-72) , Alcazar of Seville, Seville, Spain
  • Patio de las Doncellas (Courtyard of the Maidens) an Italian Renaissance courtyard (1540-72) with Arabesque Mudéjar style plaster work, Alcazar of Seville, Seville, Spain
  • Patio de las Doncellas (Courtyard of the Maidens) an Italian Renaissance courtyard (1540-72) with Arabesque Mudéjar style plaster work, Alcazar of Seville, Seville, Spain
  • Patio de las Doncellas (Courtyard of the Maidens) an Italian Renaissance courtyard (1540-72) with Arabesque Mudéjar style plaster work, Alcazar of Seville, Seville, Spain
  • Patio de las Doncellas (Courtyard of the Maidens) an Italian Renaissance courtyard (1540-72) with Arabesque Mudéjar style plaster work, Alcazar of Seville, Seville, Spain
  • Patio de las Doncellas (Courtyard of the Maidens) an Italian Renaissance courtyard (1540-72) with Arabesque Mudéjar style plaster work, Alcazar of Seville, Seville, Spain
  • Patio de las Doncellas (Courtyard of the Maidens) an Italian Renaissance courtyard (1540-72) with Arabesque Mudéjar style plaster work, Alcazar of Seville, Seville, Spain
  • Patio de las Doncellas (Courtyard of the Maidens) an Italian Renaissance courtyard (1540-72) with Arabesque Mudéjar style plaster work, Alcazar of Seville, Seville, Spain
  • Patio de las Doncellas (Courtyard of the Maidens) an Italian Renaissance courtyard (1540-72) with Arabesque Mudéjar style plaster work, Alcazar of Seville, Seville, Spain
  • Patio de las Doncellas (Courtyard of the Maidens) an Italian Renaissance courtyard (1540-72) with Arabesque Mudéjar style plaster work, Alcazar of Seville, Seville, Spain
  • Arabesque Mudjar plaster work inside the Vestibule of Don Pedro's Palace, completed in 1366. Alcazar of Seville, Seville, Spain
  • Arabesque Mudjar plaster work and Zillige tiles inside the Vestibule of Don Pedro's Palace, completed in 1366. Alcazar of Seville, Seville, Spain
  • Arabesque Mudjar plaster work inside the Vestibule of Don Pedro's Palace, completed in 1366. Alcazar of Seville, Seville, Spain
  • Arabesque Mudjar plaster work inside the Vestibule of Don Pedro's Palace, completed in 1366. Alcazar of Seville, Seville, Spain
  • Arabesque Mudjar plaster work of the entrance to Don Pedro's Palace, completed in 1366. Alcazar of Seville, Seville, Spain
  • Detail of the Arabesque Mudéjar style plaster work of the Patio de las Doncellas (Courtyard of the Maidens) an Italian Renaissance courtyard (1540-72) , Alcazar of Seville, Seville, Spain
  • Detail of the Arabesque Mudéjar style plaster work of the Patio de las Doncellas (Courtyard of the Maidens) an Italian Renaissance courtyard (1540-72) , Alcazar of Seville, Seville, Spain
  • Detail of the Arabesque Mudéjar style plaster work of the Patio de las Doncellas (Courtyard of the Maidens) an Italian Renaissance courtyard (1540-72) , Alcazar of Seville, Seville, Spain
  • Detail of the Arabesque Mudéjar style plaster work of the Patio de las Doncellas (Courtyard of the Maidens) an Italian Renaissance courtyard (1540-72) , Alcazar of Seville, Seville, Spain
  • Patio de las Doncellas (Courtyard of the Maidens) an Italian Renaissance courtyard (1540-72) with Arabesque Mudéjar style plaster work, Alcazar of Seville, Seville, Spain
  • Patio de las Doncellas (Courtyard of the Maidens) an Italian Renaissance courtyard (1540-72) with Arabesque Mudéjar style plaster work, Alcazar of Seville, Seville, Spain
  • Patio de las Doncellas (Courtyard of the Maidens) an Italian Renaissance courtyard (1540-72) with Arabesque Mudéjar style plaster work, Alcazar of Seville, Seville, Spain
  • Patio de las Doncellas (Courtyard of the Maidens) an Italian Renaissance courtyard (1540-72) with Arabesque Mudéjar style plaster work, Alcazar of Seville, Seville, Spain
  • Patio de las Doncellas (Courtyard of the Maidens) an Italian Renaissance courtyard (1540-72) with Arabesque Mudéjar style plaster work, Alcazar of Seville, Seville, Spain
  • Patio de las Doncellas (Courtyard of the Maidens) an Italian Renaissance courtyard (1540-72) with Arabesque Mudéjar style plaster work, Alcazar of Seville, Seville, Spain
  • Patio de las Doncellas (Courtyard of the Maidens) an Italian Renaissance courtyard (1540-72) with Arabesque Mudéjar style plaster work, Alcazar of Seville, Seville, Spain
  • Patio de las Doncellas (Courtyard of the Maidens) an Italian Renaissance courtyard (1540-72) with Arabesque Mudéjar style plaster work, Alcazar of Seville, Seville, Spain
  • Patio de las Doncellas (Courtyard of the Maidens) an Italian Renaissance courtyard (1540-72) with Arabesque Mudéjar style plaster work, Alcazar of Seville, Seville, Spain
  • Romanesque painted Gia altar front<br />
<br />
Second quarter of the thirteenth century from the church of Santa Maria Gia and Xia, High Ribagorca, Huesca, Spain<br />
<br />
Acquired by the National Art Museum of Catalonia, Barcelona 1932. Ref: 3902 MNAC.<br />
<br />
Romanesque painted altar front from Santa Maria Gia, Spain, showing Scenes from the life of Saint Martin. The  exceptionally the bottom frame remains the signature of the author, a painter named John (Johannes). This work is typical of the Ribagorca style and incorporates early gothic compositional styles and narrative that subtly illuminates the faces. Also typical of the Ribagorca workshop are the  decorated plaster reliefs on the entire surface of the front, which is covered with the characteristic gold leaf.
  • Romanesque painted Gia altar front<br />
<br />
Second quarter of the thirteenth century from the church of Santa Maria Gia and Xia, High Ribagorca, Huesca, Spain<br />
<br />
Acquired by the National Art Museum of Catalonia, Barcelona 1932. Ref: 3902 MNAC.<br />
<br />
Romanesque painted altar front from Santa Maria Gia, Spain, showing Christ Pantocrator. The  exceptionally the bottom frame remains the signature of the author, a painter named John (Johannes). This work is typical of the Ribagorca style and incorporates early gothic compositional styles and narrative that subtly illuminates the faces. Also typical of the Ribagorca workshop are the  decorated plaster reliefs on the entire surface of the front, which is covered with the characteristic gold leaf.
  • Romanesque painted Gia altar front<br />
<br />
Second quarter of the thirteenth century from the church of Santa Maria Gia and Xia, High Ribagorca, Huesca, Spain<br />
<br />
Acquired by the National Art Museum of Catalonia, Barcelona 1932. Ref: 3902 MNAC.<br />
<br />
Romanesque painted altar front from Santa Maria Gia, Spain, showing Scenes from the life of Saint Martin. The  exceptionally the bottom frame remains the signature of the author, a painter named John (Johannes). This work is typical of the Ribagorca style and incorporates early gothic compositional styles and narrative that subtly illuminates the faces. Also typical of the Ribagorca workshop are the  decorated plaster reliefs on the entire surface of the front, which is covered with the characteristic gold leaf.
  • Romanesque painted Gia altar front<br />
<br />
Second quarter of the thirteenth century from the church of Santa Maria Gia and Xia, High Ribagorca, Huesca, Spain<br />
<br />
Acquired by the National Art Museum of Catalonia, Barcelona 1932. Ref: 3902 MNAC.<br />
<br />
Romanesque painted altar front from Santa Maria Gia, Spain, showing Scenes from the life of Saint Martin. The  exceptionally the bottom frame remains the signature of the author, a painter named John (Johannes). This work is typical of the Ribagorca style and incorporates early gothic compositional styles and narrative that subtly illuminates the faces. Also typical of the Ribagorca workshop are the  decorated plaster reliefs on the entire surface of the front, which is covered with the characteristic gold leaf.
  • Berber Mocarabe Honeycomb work plaster decorations and Berber design tiles of the Mauseleum of Moulay Ismaïl Ibn Sharif , reigned 1672–1727. A UNESCO World Heritage Site .Meknes, Meknes-Tafilalet, Morocco.
  • Romanesque painted Gia altar front<br />
<br />
Second quarter of the thirteenth century from the church of Santa Maria Gia and Xia, High Ribagorca, Huesca, Spain<br />
<br />
Acquired by the National Art Museum of Catalonia, Barcelona 1932. Ref: 3902 MNAC.<br />
<br />
Romanesque painted altar front from Santa Maria Gia, Spain, showing Christ Pantocrator. The  exceptionally the bottom frame remains the signature of the author, a painter named John (Johannes). This work is typical of the Ribagorca style and incorporates early gothic compositional styles and narrative that subtly illuminates the faces. Also typical of the Ribagorca workshop are the  decorated plaster reliefs on the entire surface of the front, which is covered with the characteristic gold leaf.
  • Romanesque painted Gia altar front<br />
<br />
Second quarter of the thirteenth century from the church of Santa Maria Gia and Xia, High Ribagorca, Huesca, Spain<br />
<br />
Acquired by the National Art Museum of Catalonia, Barcelona 1932. Ref: 3902 MNAC.<br />
<br />
Romanesque painted altar front from Santa Maria Gia, Spain, showing Scenes from the life of Saint Martin. The  exceptionally the bottom frame remains the signature of the author, a painter named John (Johannes). This work is typical of the Ribagorca style and incorporates early gothic compositional styles and narrative that subtly illuminates the faces. Also typical of the Ribagorca workshop are the  decorated plaster reliefs on the entire surface of the front, which is covered with the characteristic gold leaf.
  • Romanesque painted Gia altar front<br />
<br />
Second quarter of the thirteenth century from the church of Santa Maria Gia and Xia, High Ribagorca, Huesca, Spain<br />
<br />
Acquired by the National Art Museum of Catalonia, Barcelona 1932. Ref: 3902 MNAC.<br />
<br />
Romanesque painted altar front from Santa Maria Gia, Spain, showing Scenes from the life of Saint Martin. The  exceptionally the bottom frame remains the signature of the author, a painter named John (Johannes). This work is typical of the Ribagorca style and incorporates early gothic compositional styles and narrative that subtly illuminates the faces. Also typical of the Ribagorca workshop are the  decorated plaster reliefs on the entire surface of the front, which is covered with the characteristic gold leaf.
  • Romanesque painted Gia altar front<br />
<br />
Second quarter of the thirteenth century from the church of Santa Maria Gia and Xia, High Ribagorca, Huesca, Spain<br />
<br />
Acquired by the National Art Museum of Catalonia, Barcelona 1932. Ref: 3902 MNAC.<br />
<br />
Romanesque painted altar front from Santa Maria Gia, Spain, showing Christ Pantocrator. The  exceptionally the bottom frame remains the signature of the author, a painter named John (Johannes). This work is typical of the Ribagorca style and incorporates early gothic compositional styles and narrative that subtly illuminates the faces. Also typical of the Ribagorca workshop are the  decorated plaster reliefs on the entire surface of the front, which is covered with the characteristic gold leaf.
  • Romanesque painted Gia altar front<br />
<br />
Second quarter of the thirteenth century from the church of Santa Maria Gia and Xia, High Ribagorca, Huesca, Spain<br />
<br />
Acquired by the National Art Museum of Catalonia, Barcelona 1932. Ref: 3902 MNAC.<br />
<br />
Romanesque painted altar front from Santa Maria Gia, Spain, showing Scenes from the life of Saint Martin. The  exceptionally the bottom frame remains the signature of the author, a painter named John (Johannes). This work is typical of the Ribagorca style and incorporates early gothic compositional styles and narrative that subtly illuminates the faces. Also typical of the Ribagorca workshop are the  decorated plaster reliefs on the entire surface of the front, which is covered with the characteristic gold leaf.
  • Romanesque painted Gia altar front<br />
<br />
Second quarter of the thirteenth century from the church of Santa Maria Gia and Xia, High Ribagorca, Huesca, Spain<br />
<br />
Acquired by the National Art Museum of Catalonia, Barcelona 1932. Ref: 3902 MNAC.<br />
<br />
Romanesque painted altar front from Santa Maria Gia, Spain, showing Scenes from the life of Saint Martin. The  exceptionally the bottom frame remains the signature of the author, a painter named John (Johannes). This work is typical of the Ribagorca style and incorporates early gothic compositional styles and narrative that subtly illuminates the faces. Also typical of the Ribagorca workshop are the  decorated plaster reliefs on the entire surface of the front, which is covered with the characteristic gold leaf.
  • Romanesque painted Gia altar front<br />
<br />
Second quarter of the thirteenth century from the church of Santa Maria Gia and Xia, High Ribagorca, Huesca, Spain<br />
<br />
Acquired by the National Art Museum of Catalonia, Barcelona 1932. Ref: 3902 MNAC.<br />
<br />
Romanesque painted altar front from Santa Maria Gia, Spain, showing Scenes from the life of Saint Martin. The  exceptionally the bottom frame remains the signature of the author, a painter named John (Johannes). This work is typical of the Ribagorca style and incorporates early gothic compositional styles and narrative that subtly illuminates the faces. Also typical of the Ribagorca workshop are the  decorated plaster reliefs on the entire surface of the front, which is covered with the characteristic gold leaf.
  • Romanesque painted Gia altar front<br />
<br />
Second quarter of the thirteenth century from the church of Santa Maria Gia and Xia, High Ribagorca, Huesca, Spain<br />
<br />
Acquired by the National Art Museum of Catalonia, Barcelona 1932. Ref: 3902 MNAC.<br />
<br />
Romanesque painted altar front from Santa Maria Gia, Spain, showing Scenes from the life of Saint Martin. The  exceptionally the bottom frame remains the signature of the author, a painter named John (Johannes). This work is typical of the Ribagorca style and incorporates early gothic compositional styles and narrative that subtly illuminates the faces. Also typical of the Ribagorca workshop are the  decorated plaster reliefs on the entire surface of the front, which is covered with the characteristic gold leaf.
  • Romanesque painted Gia altar front<br />
<br />
Second quarter of the thirteenth century from the church of Santa Maria Gia and Xia, High Ribagorca, Huesca, Spain<br />
<br />
Acquired by the National Art Museum of Catalonia, Barcelona 1932. Ref: 3902 MNAC.<br />
<br />
Romanesque painted altar front from Santa Maria Gia, Spain, showing Scenes from the life of Saint Martin. The  exceptionally the bottom frame remains the signature of the author, a painter named John (Johannes). This work is typical of the Ribagorca style and incorporates early gothic compositional styles and narrative that subtly illuminates the faces. Also typical of the Ribagorca workshop are the  decorated plaster reliefs on the entire surface of the front, which is covered with the characteristic gold leaf.
  • Berber Mocarabe Honeycomb work plaster decorations and Berber design tiles of the Mauseleum of Moulay Ismaïl Ibn Sharif , reigned 1672–1727. A UNESCO World Heritage Site .Meknes, Meknes-Tafilalet, Morocco.
  • Romanesque painted Gia altar front<br />
<br />
Second quarter of the thirteenth century from the church of Santa Maria Gia and Xia, High Ribagorca, Huesca, Spain<br />
<br />
Acquired by the National Art Museum of Catalonia, Barcelona 1932. Ref: 3902 MNAC.<br />
<br />
Romanesque painted altar front from Santa Maria Gia, Spain, showing Scenes from the life of Saint Martin. The  exceptionally the bottom frame remains the signature of the author, a painter named John (Johannes). This work is typical of the Ribagorca style and incorporates early gothic compositional styles and narrative that subtly illuminates the faces. Also typical of the Ribagorca workshop are the  decorated plaster reliefs on the entire surface of the front, which is covered with the characteristic gold leaf.
  • Romanesque painted Gia altar front<br />
<br />
Second quarter of the thirteenth century from the church of Santa Maria Gia and Xia, High Ribagorca, Huesca, Spain<br />
<br />
Acquired by the National Art Museum of Catalonia, Barcelona 1932. Ref: 3902 MNAC.<br />
<br />
Romanesque painted altar front from Santa Maria Gia, Spain, showing Scenes from the life of Saint Martin. The  exceptionally the bottom frame remains the signature of the author, a painter named John (Johannes). This work is typical of the Ribagorca style and incorporates early gothic compositional styles and narrative that subtly illuminates the faces. Also typical of the Ribagorca workshop are the  decorated plaster reliefs on the entire surface of the front, which is covered with the characteristic gold leaf.

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