• poor dilapidated houses of Palermo old town, Sicily
  • poor dilapidated houses of Palermo old town, Sicily
  • poor dilapidated houses of Palermo old town, Sicily
  • poor dilapidated houses of Palermo old town, Sicily
  • poor dilapidated houses of Palermo old town, Sicily
  • poor dilapidated houses of Palermo old town, Sicily
  • poor dilapidated houses of Palermo old town, Sicily
  • The Basilica of Saint Clare (Basilica di Santa Chiara), Assisi Italy
  • Unrepaired second world war bomb damage,  Palermo old town, Sicily
  • Old court shoes
  • Karamoja, Uganda , Africa. - Village buildings  and grain bins
  • Karamoja, Uganda , Africa. - Village buildings  and grain bins
  • Karamoja, Uganda , Africa. - sorgum harvest  and grain bins
  • Karamoja, Uganda , Africa. - Village hut and sorgum harvest
  • Karamoja, Uganda , Africa. - women making grain bin
  • Karamoja, Uganda , Africa. - Village buildings  and grain bins
  • Karamoja, Uganda , Africa. - Village hut and sorgum harvest
  • Karamoja, Uganda , Africa. - women thrashing sorgum
  • Karamoja, Uganda , Africa. - Village  grain bins
  • Karamoja, Uganda , Africa. - Village buildings  and grain bins
  • Karamoja, Uganda , Africa. - women making grain bin
  • Karamoja, Uganda , Africa. - Karamajong children
  • Karamoja, Uganda , Africa. - Karamajong children
  • Karamoja, Uganda , Africa. -warriors making grain bins
  • Picture and image of the stone sculptures of angels and a Sister of Charity. in memory of the surgeon Luigi Pastorini, the sculptor Navone has conceived a complex allegory, in which a feminine winged figure, representing the Medicine, distributes some wealth to a Sister of Charity who holds an ill baby. She is helped by another winged figure, the Munificence, whose regard is turned towards the deceased. The “Cappellone” Sisters – they are so named because of their large head covering – were so committed to provide aid to the poor that they have become the symbol of the assistance to the needy. Navone has succeeded in harmonizing the Medicine allegory and its delicacy with the raw representation of the poor people: in fact, as from the middle years of the bourgeois realism, the poor were portrayed in a very realistic way, without any idealization. Sculpted by G. Navone 1902. Section A, no 28,  The monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of the stone sculptures of angels and a Sister of Charity. in memory of the surgeon Luigi Pastorini, the sculptor Navone has conceived a complex allegory, in which a feminine winged figure, representing the Medicine, distributes some wealth to a Sister of Charity who holds an ill baby. She is helped by another winged figure, the Munificence, whose regard is turned towards the deceased. The “Cappellone” Sisters – they are so named because of their large head covering – were so committed to provide aid to the poor that they have become the symbol of the assistance to the needy. Navone has succeeded in harmonizing the Medicine allegory and its delicacy with the raw representation of the poor people: in fact, as from the middle years of the bourgeois realism, the poor were portrayed in a very realistic way, without any idealization. Sculpted by G. Navone 1902. Section A, no 28,  The monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of the stone sculptures of angels and a Sister of Charity. in memory of the surgeon Luigi Pastorini, the sculptor Navone has conceived a complex allegory, in which a feminine winged figure, representing the Medicine, distributes some wealth to a Sister of Charity who holds an ill baby. She is helped by another winged figure, the Munificence, whose regard is turned towards the deceased. The “Cappellone” Sisters – they are so named because of their large head covering – were so committed to provide aid to the poor that they have become the symbol of the assistance to the needy. Navone has succeeded in harmonizing the Medicine allegory and its delicacy with the raw representation of the poor people: in fact, as from the middle years of the bourgeois realism, the poor were portrayed in a very realistic way, without any idealization. Sculpted by G. Navone 1902. Section A, no 28,  The monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Close up of a Roman Sebasteion relief  sculpture of  Bellerophon Aphrodisias Museum, Aphrodisias, Turkey.    <br />
<br />
Bellerophon was a Lykian hero and was claimed as a founder of Aphrodisias. He holds his winged horse Pegasos. The deign was modelled on another relief panel in the series “Royal hero with Dod Hunting”. The carving is poor and the sculptor may have been a novice.modelled
  • Close up of a Roman Sebasteion relief  sculpture of  Bellerophon Aphrodisias Museum, Aphrodisias, Turkey.    <br />
<br />
Bellerophon was a Lykian hero and was claimed as a founder of Aphrodisias. He holds his winged horse Pegasos. The deign was modelled on another relief panel in the series “Royal hero with Dod Hunting”. The carving is poor and the sculptor may have been a novice.modelled
  • Close up of a Roman Sebasteion relief  sculpture of  Bellerophon Aphrodisias Museum, Aphrodisias, Turkey.    <br />
<br />
Bellerophon was a Lykian hero and was claimed as a founder of Aphrodisias. He holds his winged horse Pegasos. The deign was modelled on another relief panel in the series “Royal hero with Dod Hunting”. The carving is poor and the sculptor may have been a novice.modelled
  • Close up of a Roman Sebasteion relief  sculpture of  Bellerophon Aphrodisias Museum, Aphrodisias, Turkey.    <br />
<br />
Bellerophon was a Lykian hero and was claimed as a founder of Aphrodisias. He holds his winged horse Pegasos. The deign was modelled on another relief panel in the series “Royal hero with Dod Hunting”. The carving is poor and the sculptor may have been a novice.modelled
  • Close up of a Roman Sebasteion relief  sculpture of  Bellerophon Aphrodisias Museum, Aphrodisias, Turkey.    <br />
<br />
Bellerophon was a Lykian hero and was claimed as a founder of Aphrodisias. He holds his winged horse Pegasos. The deign was modelled on another relief panel in the series “Royal hero with Dod Hunting”. The carving is poor and the sculptor may have been a novice.modelled
  • Close up of a Roman Sebasteion relief  sculpture of  Bellerophon Aphrodisias Museum, Aphrodisias, Turkey.<br />
<br />
Bellerophon was a Lykian hero and was claimed as a founder of Aphrodisias. He holds his winged horse Pegasos. The deign was modelled on another relief panel in the series “Royal hero with Dod Hunting”. The carving is poor and the sculptor may have been a novice.modelled
  • Close up of a Roman Sebasteion relief  sculpture of  Bellerophon Aphrodisias Museum, Aphrodisias, Turkey.    Against a white background.<br />
<br />
Bellerophon was a Lykian hero and was claimed as a founder of Aphrodisias. He holds his winged horse Pegasos. The deign was modelled on another relief panel in the series “Royal hero with Dod Hunting”. The carving is poor and the sculptor may have been a novice.modelled
  • Close up of a Roman Sebasteion relief  sculpture of  Bellerophon Aphrodisias Museum, Aphrodisias, Turkey.  Against a black background.<br />
<br />
Bellerophon was a Lykian hero and was claimed as a founder of Aphrodisias. He holds his winged horse Pegasos. The deign was modelled on another relief panel in the series “Royal hero with Dod Hunting”. The carving is poor and the sculptor may have been a novice.modelled
  • Close up of a Roman Sebasteion relief  sculpture of  Bellerophon Aphrodisias Museum, Aphrodisias, Turkey. Against an art background.<br />
<br />
Bellerophon was a Lykian hero and was claimed as a founder of Aphrodisias. He holds his winged horse Pegasos. The deign was modelled on another relief panel in the series “Royal hero with Dod Hunting”. The carving is poor and the sculptor may have been a novice.modelled
  • Close up of a Roman Sebasteion relief  sculpture of  Bellerophon Aphrodisias Museum, Aphrodisias, Turkey. Against a grey background.<br />
<br />
Bellerophon was a Lykian hero and was claimed as a founder of Aphrodisias. He holds his winged horse Pegasos. The deign was modelled on another relief panel in the series “Royal hero with Dod Hunting”. The carving is poor and the sculptor may have been a novice.modelled
  • Roman Sebasteion relief  sculpture of  Bellerophon Aphrodisias Museum, Aphrodisias, Turkey.    Against a white background.<br />
<br />
Bellerophon was a Lykian hero and was claimed as a founder of Aphrodisias. He holds his winged horse Pegasos. The deign was modelled on another relief panel in the series “Royal hero with Dod Hunting”. The carving is poor and the sculptor may have been a novice.modelled
  • Roman Sebasteion relief  sculpture of  Bellerophon Aphrodisias Museum, Aphrodisias, Turkey.  Against a black background.<br />
<br />
Bellerophon was a Lykian hero and was claimed as a founder of Aphrodisias. He holds his winged horse Pegasos. The deign was modelled on another relief panel in the series “Royal hero with Dod Hunting”. The carving is poor and the sculptor may have been a novice.modelled
  • Roman Sebasteion relief  sculpture of  Bellerophon Aphrodisias Museum, Aphrodisias, Turkey.<br />
<br />
Bellerophon was a Lykian hero and was claimed as a founder of Aphrodisias. He holds his winged horse Pegasos. The deign was modelled on another relief panel in the series “Royal hero with Dod Hunting”. The carving is poor and the sculptor may have been a novice.modelled
  • Roman Sebasteion relief  sculpture of  Bellerophon Aphrodisias Museum, Aphrodisias, Turkey. Against an art background.<br />
<br />
Bellerophon was a Lykian hero and was claimed as a founder of Aphrodisias. He holds his winged horse Pegasos. The deign was modelled on another relief panel in the series “Royal hero with Dod Hunting”. The carving is poor and the sculptor may have been a novice.modelled
  • Roman Sebasteion relief  sculpture of  Bellerophon Aphrodisias Museum, Aphrodisias, Turkey. Against a grey background.<br />
<br />
Bellerophon was a Lykian hero and was claimed as a founder of Aphrodisias. He holds his winged horse Pegasos. The deign was modelled on another relief panel in the series “Royal hero with Dod Hunting”. The carving is poor and the sculptor may have been a novice.modelled
  • Picture and image  of the Realistic young grieving girl stone funary monument sculpture  commissioned by Enrico Amerigo for his sisters memory. beside the pedestal on which the sculptor set the deceased’s bust he placed, on the left, the figure of an old blind man, kneeling down and leaning on a stick; on the right he placed the figure of a young orphan girl, recognizable as such by her kindergarten uniform, portrayed in the act of making the sign of the cross. This work belongs to the Realism, a trend which was typical during the 1880s and 1890s, according to which the orphans, the poor, the sick and all those who benefited from somebody’s generosity had to be portrayed in a concrete fashion. Sculptor G Moreno 1890. Section A, no 53, The Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image  of the Realistic young grieving girl stone funary monument sculpture  commissioned by Enrico Amerigo for his sisters memory. beside the pedestal on which the sculptor set the deceased’s bust he placed, on the left, the figure of an old blind man, kneeling down and leaning on a stick; on the right he placed the figure of a young orphan girl, recognizable as such by her kindergarten uniform, portrayed in the act of making the sign of the cross. This work belongs to the Realism, a trend which was typical during the 1880s and 1890s, according to which the orphans, the poor, the sick and all those who benefited from somebody’s generosity had to be portrayed in a concrete fashion. Sculptor G Moreno 1890. Section A, no 53, The Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image  of the Realistic young grieving girl stone funary monument sculpture  commissioned by Enrico Amerigo for his sisters memory. beside the pedestal on which the sculptor set the deceased’s bust he placed, on the left, the figure of an old blind man, kneeling down and leaning on a stick; on the right he placed the figure of a young orphan girl, recognizable as such by her kindergarten uniform, portrayed in the act of making the sign of the cross. This work belongs to the Realism, a trend which was typical during the 1880s and 1890s, according to which the orphans, the poor, the sick and all those who benefited from somebody’s generosity had to be portrayed in a concrete fashion. Sculptor G Moreno 1890. Section A, no 53, The Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image  of the Realistic young grieving girl stone funary monument sculpture  commissioned by Enrico Amerigo for his sisters memory. beside the pedestal on which the sculptor set the deceased’s bust he placed, on the left, the figure of an old blind man, kneeling down and leaning on a stick; on the right he placed the figure of a young orphan girl, recognizable as such by her kindergarten uniform, portrayed in the act of making the sign of the cross. This work belongs to the Realism, a trend which was typical during the 1880s and 1890s, according to which the orphans, the poor, the sick and all those who benefited from somebody’s generosity had to be portrayed in a concrete fashion. Sculptor G Moreno 1890. The Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image  of the Realistic young grieving girl stone funary monument sculpture  commissioned by Enrico Amerigo for his sisters memory. beside the pedestal on which the sculptor set the deceased’s bust he placed, on the left, the figure of an old blind man, kneeling down and leaning on a stick; on the right he placed the figure of a young orphan girl, recognizable as such by her kindergarten uniform, portrayed in the act of making the sign of the cross. This work belongs to the Realism, a trend which was typical during the 1880s and 1890s, according to which the orphans, the poor, the sick and all those who benefited from somebody’s generosity had to be portrayed in a concrete fashion. Sculptor G Moreno 1890. Section A, no 53, The Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of the Realistic blind man stone funary monument sculpture commissioned by Enrico Amerigo for his sisters memory. beside the pedestal on which the sculptor set the deceased’s bust he placed, on the left, the figure of an old blind man, kneeling down and leaning on a stick; on the right he placed the figure of a young orphan girl, recognizable as such by her kindergarten uniform, portrayed in the act of making the sign of the cross. This work belongs to the Realism, a trend which was typical during the 1880s and 1890s, according to which the orphans, the poor, the sick and all those who benefited from somebody’s generosity had to be portrayed in a concrete fashion. Sculptor G Moreno 1890. Section A, no 53, The Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of the Realistic blind man stone funary monument sculpture commissioned by Enrico Amerigo for his sisters memory. beside the pedestal on which the sculptor set the deceased’s bust he placed, on the left, the figure of an old blind man, kneeling down and leaning on a stick; on the right he placed the figure of a young orphan girl, recognizable as such by her kindergarten uniform, portrayed in the act of making the sign of the cross. This work belongs to the Realism, a trend which was typical during the 1880s and 1890s, according to which the orphans, the poor, the sick and all those who benefited from somebody’s generosity had to be portrayed in a concrete fashion. Sculptor G Moreno 1890. Section A, no 53, The Staglieno Monumental Cemetery, Genoa, Italy
  • Photo of Roman releif sculpture of Bellerophon, Aphrodisias, Turkey, Images of Roman art bas releifs. Buy as stock or photo art prints. Bellerophon was a Lykian hero who was claimed to be the founder of Aphrodisias. He holds the winged horse Pegasos. The quality of the carving is poor indicating an apprentice piece.
  • Photo of Roman releif sculpture of Bellerophon, Aphrodisias, Turkey, Images of Roman art bas releifs. Buy as stock or photo art prints. Bellerophon was a Lykian hero who was claimed to be the founder of Aphrodisias. He holds the winged horse Pegasos. The quality of the carving is poor indicating an apprentice piece.
  • Photo of Roman releif sculpture of Bellerophon, Aphrodisias, Turkey, Images of Roman art bas releifs. Buy as stock or photo art prints. Bellerophon was a Lykian hero who was claimed to be the founder of Aphrodisias. He holds the winged horse Pegasos. The quality of the carving is poor indicating an apprentice piece.
  • Photo of Roman releif sculpture of Bellerophon, Aphrodisias, Turkey, Images of Roman art bas releifs. Buy as stock or photo art prints. Bellerophon was a Lykian hero who was claimed to be the founder of Aphrodisias. He holds the winged horse Pegasos. The quality of the carving is poor indicating an apprentice piece.
  • Medieval stained glass Window of the Gothic Cathedral of Chartres, France - dedicated to the Life and Miracles of St Nicholas.  Bottom left panel - The young Nicholas refuses his mother's milk, bottom right panel - Nicholas studying in school . Centre diamon panel - Nicholas gives a poor man the money for his daughters' dowries. Top left -  Guided by God, Nicholas goes to the church early one morning, top right - A cleric asks Nicholas his name, then bids him to enter the church . A UNESCO World Heritage Site.
  • Photo of Roman releif sculpture of Bellerophon, Aphrodisias, Turkey, Images of Roman art bas releifs. Buy as stock or photo art prints. Bellerophon was a Lykian hero who was claimed to be the founder of Aphrodisias. He holds the winged horse Pegasos. The quality of the carving is poor indicating an apprentice piece.
  • Photo of Roman releif sculpture of Bellerophon, Aphrodisias, Turkey, Images of Roman art bas releifs. Buy as stock or photo art prints. Bellerophon was a Lykian hero who was claimed to be the founder of Aphrodisias. He holds the winged horse Pegasos. The quality of the carving is poor indicating an apprentice piece.
  • Photo of Roman releif sculpture of Bellerophon, Aphrodisias, Turkey, Images of Roman art bas releifs. Buy as stock or photo art prints. Bellerophon was a Lykian hero who was claimed to be the founder of Aphrodisias. He holds the winged horse Pegasos. The quality of the carving is poor indicating an apprentice piece.
  • Photo of Roman releif sculpture of Bellerophon, Aphrodisias, Turkey, Images of Roman art bas releifs. Buy as stock or photo art prints. Bellerophon was a Lykian hero who was claimed to be the founder of Aphrodisias. He holds the winged horse Pegasos. The quality of the carving is poor indicating an apprentice piece.

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Picture The Past

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