• Mycenaean pots and vases depicting octopuses and Mycenaean chariots, National Archaeological Museum Athens. Grey Background<br />
<br />
Left: Three handled Palace Style Mycenaean amphora with octpuses and marinescape decorations motifs, Mycenaean cemetery, Argive Prosymna, tomb 2, 15 cnt BC,  Cat no 6725. <br />
<br />
Middle: Mycenaean three handled styrup jar with painted zig zag  and double axesdesigns, Tholos tomb 2 , Myrsinochori, Messenia, 15th cent BC. Cat No 8376.<br />
<br />
Right:Mycenaean pictorial Krater decorated with a horse and chariot, Tiryns Acropolis - 12-14th cent BC.  Cat No 115.
  • Mycenaean pots and vases depicting octopuses and Mycenaean chariots, National Archaeological Museum Athens.<br />
<br />
Left: Three handled Palace Style Mycenaean amphora with octpuses and marinescape decorations motifs, Mycenaean cemetery, Argive Prosymna, tomb 2, 15 cnt BC,  Cat no 6725. <br />
<br />
Middle: Mycenaean three handled styrup jar with painted zig zag  and double axesdesigns, Tholos tomb 2 , Myrsinochori, Messenia, 15th cent BC. Cat No 8376.<br />
<br />
Right:Mycenaean pictorial Krater decorated with a horse and chariot, Tiryns Acropolis - 12-14th cent BC.  Cat No 115.
  • Mycenaean pots and vases depicting octopuses and Mycenaean chariots, National Archaeological Museum Athens. Black Background<br />
<br />
Left: Three handled Palace Style Mycenaean amphora with octpuses and marinescape decorations motifs, Mycenaean cemetery, Argive Prosymna, tomb 2, 15 cnt BC,  Cat no 6725. <br />
<br />
Middle: Mycenaean three handled styrup jar with painted zig zag  and double axesdesigns, Tholos tomb 2 , Myrsinochori, Messenia, 15th cent BC. Cat No 8376.<br />
<br />
Right:Mycenaean pictorial Krater decorated with a horse and chariot, Tiryns Acropolis - 12-14th cent BC.  Cat No 115.
  • Mycenaean pots and vases depicting octopuses and Mycenaean chariots, National Archaeological Museum Athens.<br />
<br />
Left: Three handled Palace Style Mycenaean amphora with octpuses and marinescape decorations motifs, Mycenaean cemetery, Argive Prosymna, tomb 2, 15 cnt BC,  Cat no 6725. <br />
<br />
Middle: Mycenaean three handled styrup jar with painted zig zag  and double axesdesigns, Tholos tomb 2 , Myrsinochori, Messenia, 15th cent BC. Cat No 8376.<br />
<br />
Right:Mycenaean pictorial Krater decorated with a horse and chariot, Tiryns Acropolis - 12-14th cent BC.  Cat No 115.
  • Mycenaean pots and vases depicting octopuses and Mycenaean chariots, National Archaeological Museum Athens. Grey art Background <br />
<br />
Left: Three handled Palace Style Mycenaean amphora with octpuses and marinescape decorations motifs, Mycenaean cemetery, Argive Prosymna, tomb 2, 15 cnt BC,  Cat no 6725. <br />
<br />
Middle: Mycenaean three handled styrup jar with painted zig zag  and double axesdesigns, Tholos tomb 2 , Myrsinochori, Messenia, 15th cent BC. Cat No 8376.<br />
<br />
Right:Mycenaean pictorial Krater decorated with a horse and chariot, Tiryns Acropolis - 12-14th cent BC.  Cat No 115.
  • Mycenaean pot with cycladic style design , Grave Circle B, Mycenae 17-16thj Cent BC. National Archaeological Museum Athens.  Grey Background<br />
<br />
Bichromatic Cycladic style Mycenaean pot depicting birds. Cat No 8615
  • Mycenaean pot with cycladic style design , Grave Circle B, Mycenae 17-16thj Cent BC. National Archaeological Museum Athens. <br />
<br />
Bichromatic Cycladic style Mycenaean pot depicting birds. Cat No 8615
  • Mycenaean pot with cycladic style design , Grave Circle B, Mycenae 17-16thj Cent BC. National Archaeological Museum Athens.  Grey art Background <br />
<br />
Bichromatic Cycladic style Mycenaean pot depicting birds. Cat No 8615
  • Mycenaean pot with cycladic style design , Grave Circle B, Mycenae 17-16thj Cent BC. National Archaeological Museum Athens.  Grey Background<br />
<br />
Bichromatic Cycladic style depicying circles. Cat No 8614
  • Mycenaean pot with cycladic style design , Grave Circle B, Mycenae 17-16thj Cent BC. National Archaeological Museum Athens.  Black Background<br />
<br />
Bichromatic Cycladic style Mycenaean pot depicting birds. Cat No 8615
  • Mycenaean pot with cycladic style design , Grave Circle B, Mycenae 17-16thj Cent BC. National Archaeological Museum Athens.  White Background.<br />
<br />
Bichromatic Cycladic style Mycenaean pot depicting birds. Cat No 8615
  • Mycenaean pot with cycladic style design , Grave Circle B, Mycenae 17-16thj Cent BC. National Archaeological Museum Athens.  White Background.<br />
<br />
Bichromatic Cycladic style depicying circles. Cat No 8614
  • Mycenaean pot with cycladic style design , Grave Circle B, Mycenae 17-16thj Cent BC. National Archaeological Museum Athens. <br />
<br />
Bichromatic Cycladic style depicying circles. Cat No 8614
  • Mycenaean pot with cycladic style design , Grave Circle B, Mycenae 17-16thj Cent BC. National Archaeological Museum Athens.  Grey art Background <br />
<br />
Bichromatic Cycladic style depicying circles. Cat No 8614
  • Mycenaean pot with cycladic style design , Grave Circle B, Mycenae 17-16thj Cent BC. National Archaeological Museum Athens.  Black Background<br />
<br />
Bichromatic Cycladic style depicying circles. Cat No 8614
  • Cycladic 'Kastri Group' tea pot.  Early Cycladic III (2300-2000 BC) , Phylakopi I, Melos. National Archaeological Museum Athens. Cat No 6104 1-3.<br />
<br />
The 'Kastri Group' from Syros (2500-2300 BC) coincides with the introdution of anatolian shpes of table ware and with the use of the ceramic wheel. The pottery is dark burnished with incised motifs<br />
<br />
During this period pottery was plainer with simple geometric decorations. Depicts of birds or lowers were rare.
  • Cycladic 'Kastri Group' tea pot.  Early Cycladic III (2300-2000 BC) , Phylakopi I, Melos. National Archaeological Museum Athens. Cat No 6104 1-3. Black background.<br />
<br />
<br />
The 'Kastri Group' from Syros (2500-2300 BC) coincides with the introdution of anatolian shpes of table ware and with the use of the ceramic wheel. The pottery is dark burnished with incised motifs<br />
<br />
During this period pottery was plainer with simple geometric decorations. Depicts of birds or lowers were rare.
  • Cycladic 'Kastri Group' tea pot.  Early Cycladic III (2300-2000 BC) , Phylakopi I, Melos. National Archaeological Museum Athens. Cat No 6104 1-3.  White background.<br />
<br />
<br />
The 'Kastri Group' from Syros (2500-2300 BC) coincides with the introdution of anatolian shpes of table ware and with the use of the ceramic wheel. The pottery is dark burnished with incised motifs<br />
<br />
During this period pottery was plainer with simple geometric decorations. Depicts of birds or lowers were rare.
  • Cycladic 'Kastri Group' tea pot.  Early Cycladic III (2300-2000 BC) , Phylakopi I, Melos. National Archaeological Museum Athens. Cat No 6104 1-3.<br />
<br />
The 'Kastri Group' from Syros (2500-2300 BC) coincides with the introdution of anatolian shpes of table ware and with the use of the ceramic wheel. The pottery is dark burnished with incised motifs<br />
<br />
During this period pottery was plainer with simple geometric decorations. Depicts of birds or lowers were rare.
  • Cycladic 'Kastri Group' tea pot.  Early Cycladic III (2300-2000 BC) , Phylakopi I, Melos. National Archaeological Museum Athens. Cat No 6104 1-3.  Gray background.<br />
<br />
<br />
The 'Kastri Group' from Syros (2500-2300 BC) coincides with the introdution of anatolian shpes of table ware and with the use of the ceramic wheel. The pottery is dark burnished with incised motifs<br />
<br />
During this period pottery was plainer with simple geometric decorations. Depicts of birds or lowers were rare.
  • Chalcolithic decorated terra cotta pot. Circa 5000BC. Catalhoyuk collection, Konya Archaeological Museum, Turkey. Against a grey background
  • Chalcolithic decorated terra cotta basket pot. Circa 5000BC. Catalhoyuk collection, Konya Archaeological Museum, Turkey
  • Chalcolithic decorated terra cotta basket pot. Circa 5000BC. Catalhoyuk collection, Konya Archaeological Museum, Turkey. Against a black background
  • Chalcolithic decorated terra cotta basket pot. Circa 5000BC. Catalhoyuk collection, Konya Archaeological Museum, Turkey. Against a grey background
  • Chalcolithic decorated terra cotta pot. Circa 5000BC. Catalhoyuk collection, Konya Archaeological Museum, Turkey. Against a white background
  • Chalcolithic decorated terra cotta pot. Circa 5000BC. Catalhoyuk collection, Konya Archaeological Museum, Turkey. Against a gray background
  • Chalcolithic decorated terra cotta pot. Circa 5000BC. Catalhoyuk collection, Konya Archaeological Museum, Turkey
  • Chalcolithic decorated terra cotta basket pot. Circa 5000BC. Catalhoyuk collection, Konya Archaeological Museum, Turkey. Against a white background
  • Chalcolithic decorated terra cotta basket pot. Circa 5000BC. Catalhoyuk collection, Konya Archaeological Museum, Turkey. Against a black background
  • Chalcolithic decorated terra cotta basket pot. Circa 5000BC. Catalhoyuk collection, Konya Archaeological Museum, Turkey. Against a gray background
  • Chalcolithic decorated terra cotta basket pot. Circa 5000BC. Catalhoyuk collection, Konya Archaeological Museum, Turkey. Against a grey background
  • Chalcolithic decorated terra cotta pot. Circa 5000BC. Catalhoyuk collection, Konya Archaeological Museum, Turkey. Against a black background
  • Chalcolithic decorated terra cotta basket pot. Circa 5000BC. Catalhoyuk collection, Konya Archaeological Museum, Turkey. Against a black background
  • Chalcolithic decorated terra cotta basket pot. Circa 5000BC. Catalhoyuk collection, Konya Archaeological Museum, Turkey. Against a white background
  • Chalcolithic decorated terra cotta basket pot. Circa 5000BC. Catalhoyuk collection, Konya Archaeological Museum, Turkey. Against a gray background
  • Chalcolithic decorated terra cotta basket pot. Circa 5000BC. Catalhoyuk collection, Konya Archaeological Museum, Turkey. Against a grey background
  • Chalcolithic decorated terra cotta basket pot. Circa 5000BC. Catalhoyuk collection, Konya Archaeological Museum, Turkey. Against a white background
  • Chalcolithic decorated terra cotta basket pot. Circa 5000BC. Catalhoyuk collection, Konya Archaeological Museum, Turkey. Against a gray background
  • Chalcolithic decorated terra cotta basket pot. Circa 5000BC. Catalhoyuk collection, Konya Archaeological Museum, Turkey
  • Chalcolithic decorated terra cotta pot. Circa 5000BC. Catalhoyuk collection, Konya Archaeological Museum, Turkey. Against a black background
  • Chalcolithic decorated terra cotta pot. Circa 5000BC. Catalhoyuk collection, Konya Archaeological Museum, Turkey. Against a white background
  • Chalcolithic decorated terra cotta pot. Circa 5000BC. Catalhoyuk collection, Konya Archaeological Museum, Turkey
  • Chalcolithic decorated terra cotta pot. Circa 5000BC. Catalhoyuk collection, Konya Archaeological Museum, Turkey. Against a gray background
  • Chalcolithic decorated terra cotta pot. Circa 5000BC. Catalhoyuk collection, Konya Archaeological Museum, Turkey. Against a grey background
  • Chalcolithic decorated terra cotta basket pot. Circa 5000BC. Catalhoyuk collection, Konya Archaeological Museum, Turkey
  • Hittite terra cotta cooking pot with perforated lid on a charcoal burner pot stand. Hittite Empire, Alaca Hoyuk, 1450 - 1200 BC. Çorum Archaeological Museum, Corum, Turkey. Against a warm art bacground.
  • Hittite terra cotta cooking pot with perforated lid on a charcoal burner pot stand. Hittite Empire, Alaca Hoyuk, 1450 - 1200 BC. Çorum Archaeological Museum, Corum, Turkey. Against a grey bacground.
  • Minoan polychrome amphora decorated with large circles, Akrotiri, Thira (Santorini) National Archaeological Museum Athens. 17th-16th cent BC.<br />
<br />
The circle design on the pot may have been a symbol indicating its contents
  • Minoan clay polychrome beak spouted nippled ewer with human and bird features, Akrotiri, Thira (Santorini) National Archaeological Museum Athens. 17th-16th cent BC.<br />
<br />
A characteristic Theran ewer used for libabtions this pot has both painted and plastic features. The dots around the neck represent a necklace.
  • Hittite terra cotta cooking pot with perforated lid on a charcoal burner pot stand. Hittite Empire, Alaca Hoyuk, 1450 - 1200 BC. Çorum Archaeological Museum, Corum, Turkey. Against a white bacground.
  • Hittite terra cotta cooking pot with perforated lid on a charcoal burner pot stand. Hittite Empire, Alaca Hoyuk, 1450 - 1200 BC. Çorum Archaeological Museum, Corum, Turkey
  • Minoan polychrome amphora decorated with large circles, Akrotiri, Thira (Santorini) National Archaeological Museum Athens. 17th-16th cent BC.<br />
<br />
The circle design on the pot may have been a symbol indicating its contents
  • Minoan polychrome amphora decorated with large circles, Akrotiri, Thira (Santorini) National Archaeological Museum Athens. 17th-16th cent BC.<br />
<br />
The circle design on the pot may have been a symbol indicating its contents
  • Minoan polychrome amphora decorated with large circles, Akrotiri, Thira (Santorini) National Archaeological Museum Athens. 17th-16th cent BC.<br />
<br />
The circle design on the pot may have been a symbol indicating its contents
  • Minoan polychrome amphora decorated with large circles, Akrotiri, Thira (Santorini) National Archaeological Museum Athens. 17th-16th cent BC.<br />
<br />
The circle design on the pot may have been a symbol indicating its contents
  • Minoan clay polychrome beak spouted nippled ewer with human and bird features, Akrotiri, Thira (Santorini) National Archaeological Museum Athens. 17th-16th cent BC.<br />
<br />
A characteristic Theran ewer used for libabtions this pot has both painted and plastic features. The dots around the neck represent a necklace.
  • Minoan clay polychrome beak spouted nippled ewer with human and bird features, Akrotiri, Thira (Santorini) National Archaeological Museum Athens. 17th-16th cent BC.<br />
<br />
A characteristic Theran ewer used for libabtions this pot has both painted and plastic features. The dots around the neck represent a necklace.
  • Minoan clay polychrome beak spouted nippled ewer with human and bird features, Akrotiri, Thira (Santorini) National Archaeological Museum Athens. 17th-16th cent BC.<br />
<br />
A characteristic Theran ewer used for libabtions this pot has both painted and plastic features. The dots around the neck represent a necklace.
  • Minoan clay polychrome beak spouted nippled ewer with human and bird features, Akrotiri, Thira (Santorini) National Archaeological Museum Athens. 17th-16th cent BC.<br />
<br />
A characteristic Theran ewer used for libabtions this pot has both painted and plastic features. The dots around the neck represent a necklace.
  • Hittite terra cotta cooking pot with perforated lid on a charcoal burner pot stand. Hittite Empire, Alaca Hoyuk, 1450 - 1200 BC. Çorum Archaeological Museum, Corum, Turkey. Against a black bacground.
  • Hittite  terra cotta pot woth two handles. Hittite Period, 1600 - 1200 BC.  Hattusa Boğazkale. Çorum Archaeological Museum, Corum, Turkey. Against a grey bacground.
  • Hittite terra cotta pot on trident legs. Hittite Old Period, 1650 - 1450 BC.  Hattusa Boğazkale. Çorum Archaeological Museum, Corum, Turkey. Against a grey bacground.
  • Hittite terra cotta pot on trident legs. Hittite Old Period, 1650 - 1450 BC.  Hattusa Boğazkale. Çorum Archaeological Museum, Corum, Turkey. Against a white bacground.
  • Hittite terra cotta pot on trident legs. Hittite Old Period, 1650 - 1450 BC.  Hattusa Boğazkale. Çorum Archaeological Museum, Corum, Turkey
  • Hittite terra cotta pot on trident legs. Hittite Old Period, 1650 - 1450 BC.  Hattusa Boğazkale. Çorum Archaeological Museum, Corum, Turkey. Against a warm art bacground.
  • Hittite terra cotta pot on trident legs. Hittite Old Period, 1650 - 1450 BC.  Hattusa Boğazkale. Çorum Archaeological Museum, Corum, Turkey. Against a black bacground.
  • Hittite  terra cotta pot woth two handles. Hittite Period, 1600 - 1200 BC.  Hattusa Boğazkale. Çorum Archaeological Museum, Corum, Turkey. Against a white bacground.
  • Hittite  terra cotta pot woth two handles. Hittite Period, 1600 - 1200 BC.  Hattusa Boğazkale. Çorum Archaeological Museum, Corum, Turkey. Against a black bacground.
  • Hittite  terra cotta pot woth two handles. Hittite Period, 1600 - 1200 BC.  Hattusa Boğazkale. Çorum Archaeological Museum, Corum, Turkey
  • Hittite  terra cotta pot woth two handles. Hittite Period, 1600 - 1200 BC.  Hattusa Boğazkale. Çorum Archaeological Museum, Corum, Turkey. Against a warm art bacground.
  • Hittite terra cotta four handled pot. Hittite Empire, Alaca Hoyuk, 1450 - 1200 BC. Alaca Hoyuk. Çorum Archaeological Museum, Corum, Turkey
  • Hittite terra cotta four handled pot. Hittite Empire, Alaca Hoyuk, 1450 - 1200 BC. Alaca Hoyuk. Çorum Archaeological Museum, Corum, Turkey. Against a black bacground.
  • Hittite terra cotta four handled pot. Hittite Empire, Alaca Hoyuk, 1450 - 1200 BC. Alaca Hoyuk. Çorum Archaeological Museum, Corum, Turkey. Against a warm art bacground.
  • Hittite terra cotta four handled pot. Hittite Empire, Alaca Hoyuk, 1450 - 1200 BC. Alaca Hoyuk. Çorum Archaeological Museum, Corum, Turkey. Against a grey bacground.
  • Hittite terra cotta four handled pot. Hittite Empire, Alaca Hoyuk, 1450 - 1200 BC. Alaca Hoyuk. Çorum Archaeological Museum, Corum, Turkey. Against a white bacground.
  • Bronze Age Anatolian decorated terra cotta tea pot with strainer - 19th to 17th century BC - Kültepe Kanesh - Museum of Anatolian Civilisations, Ankara, Turkey.. Against a white background.
  • Bronze Age Anatolian decorated terra cotta tea pot with strainer - 19th to 17th century BC - Kültepe Kanesh - Museum of Anatolian Civilisations, Ankara, Turkey.  Against a black background.
  • Bronze Age Anatolian decorated terra cotta tea pot with strainer - 19th to 17th century BC - Kültepe Kanesh - Museum of Anatolian Civilisations, Ankara, Turkey.  Against a warn art background.
  • Bronze Age Anatolian decorated terra cotta tea pot with strainer - 19th to 17th century BC - Kültepe Kanesh - Museum of Anatolian Civilisations, Ankara, Turkey. Against a grey background.
  • Bronze Age Anatolian decorated terra cotta tea pot with strainer - 19th to 17th century BC - Kültepe Kanesh - Museum of Anatolian Civilisations, Ankara, Turkey.
  • Assyrian Trader Colony Bronze Age terracotta sandal shaped ritual vessed. This cult pot is boat shaped with an animal head at the front. Inside the vessel is god. The deities associated with the ritual vessel were associated with trade and transportation in Ancient Mesopotamia and Summerian literature. The vessel signifies a religious river trip.  - 19th  century BC - Kültepe Kanesh - Museum of Anatolian Civilisations, Ankara, Turkey.. Against a white background.
  • Assyrian Trader Colony Bronze Age terracotta sandal shaped ritual vessed. This cult pot is boat shaped with an animal head at the front. Inside the vessel is god. The deities associated with the ritual vessel were associated with trade and transportation in Ancient Mesopotamia and Summerian literature. The vessel signifies a religious river trip.  - 19th  century BC - Kültepe Kanesh - Museum of Anatolian Civilisations, Ankara, Turkey. Against a grey background.
  • Assyrian Trader Colony Bronze Age terracotta sandal shaped ritual vessed. This cult pot is boat shaped with an animal head at the front. Inside the vessel is god. The deities associated with the ritual vessel were associated with trade and transportation in Ancient Mesopotamia and Summerian literature. The vessel signifies a religious river trip.  - 19th  century BC - Kültepe Kanesh - Museum of Anatolian Civilisations, Ankara, Turkey.  Against a black background.
  • Assyrian Trader Colony Bronze Age terracotta sandal shaped ritual vessed. This cult pot is boat shaped with an animal head at the front. Inside the vessel is god. The deities associated with the ritual vessel were associated with trade and transportation in Ancient Mesopotamia and Summerian literature. The vessel signifies a religious river trip.  - 19th  century BC - Kültepe Kanesh - Museum of Anatolian Civilisations, Ankara, Turkey.  Against a grey background.
  • Assyrian Trader Colony Bronze Age terracotta sandal shaped ritual vessed. This cult pot is boat shaped with an animal head at the front. Inside the vessel is god. The deities associated with the ritual vessel were associated with trade and transportation in Ancient Mesopotamia and Summerian literature. The vessel signifies a religious river trip.  - 19th  century BC - Kültepe Kanesh - Museum of Anatolian Civilisations, Ankara, Turkey.  Against a warn art background.
  • Assyrian Trader Colony Bronze Age terracotta sandal shaped ritual vessed. This cult pot is boat shaped with an animal head at the front. Inside the vessel is god. The deities associated with the ritual vessel were associated with trade and transportation in Ancient Mesopotamia and Summerian literature. The vessel signifies a religious river trip.  - 19th  century BC - Kültepe Kanesh - Museum of Anatolian Civilisations, Ankara, Turkey.  Against a black background.
  • Assyrian Trader Colony Bronze Age terracotta sandal shaped ritual vessed. This cult pot is boat shaped with an animal head at the front. Inside the vessel is god. The deities associated with the ritual vessel were associated with trade and transportation in Ancient Mesopotamia and Summerian literature. The vessel signifies a religious river trip.  - 19th  century BC - Kültepe Kanesh - Museum of Anatolian Civilisations, Ankara, Turkey.
  • Assyrian Trader Colony Bronze Age terracotta sandal shaped ritual vessed. This cult pot is boat shaped with an animal head at the front. Inside the vessel is a model of a temple and goddess. The deities associated with the ritual vessel were associated with trade and transportation in Ancient Mesopotamia and Summerian literature. The vessel signifies a religious river trip.  - 19th  century BC - Kültepe Kanesh - Museum of Anatolian Civilisations, Ankara, Turkey. Against a white background.
  • Assyrian Trader Colony Bronze Age terracotta sandal shaped ritual vessed. This cult pot is boat shaped with an animal head at the front. Inside the vessel is a model of a temple and goddess. The deities associated with the ritual vessel were associated with trade and transportation in Ancient Mesopotamia and Summerian literature. The vessel signifies a religious river trip.  - 19th  century BC - Kültepe Kanesh - Museum of Anatolian Civilisations, Ankara, Turkey. Against a grey background.
  • Assyrian Trader Colony Bronze Age terracotta sandal shaped ritual vessed. This cult pot is boat shaped with an animal head at the front. Inside the vessel is god. The deities associated with the ritual vessel were associated with trade and transportation in Ancient Mesopotamia and Summerian literature. The vessel signifies a religious river trip.  - 19th  century BC - Kültepe Kanesh - Museum of Anatolian Civilisations, Ankara, Turkey. Against a white background.
  • Assyrian Trader Colony Bronze Age terracotta sandal shaped ritual vessed. This cult pot is boat shaped with an animal head at the front. Inside the vessel is god. The deities associated with the ritual vessel were associated with trade and transportation in Ancient Mesopotamia and Summerian literature. The vessel signifies a religious river trip.  - 19th  century BC - Kültepe Kanesh - Museum of Anatolian Civilisations, Ankara, Turkey.
  • Assyrian Trader Colony Bronze Age terracotta sandal shaped ritual vessed. This cult pot is boat shaped with an animal head at the front. Inside the vessel is god. The deities associated with the ritual vessel were associated with trade and transportation in Ancient Mesopotamia and Summerian literature. The vessel signifies a religious river trip.  - 19th  century BC - Kültepe Kanesh - Museum of Anatolian Civilisations, Ankara, Turkey.  Against a warn art background.
  • Assyrian Trader Colony Bronze Age terracotta sandal shaped ritual vessed. This cult pot is boat shaped with an animal head at the front. Inside the vessel is a model of a temple and goddess. The deities associated with the ritual vessel were associated with trade and transportation in Ancient Mesopotamia and Summerian literature. The vessel signifies a religious river trip.  - 19th  century BC - Kültepe Kanesh - Museum of Anatolian Civilisations, Ankara, Turkey.  Against a black background.
  • Assyrian Trader Colony Bronze Age terracotta sandal shaped ritual vessed. This cult pot is boat shaped with an animal head at the front. Inside the vessel is a model of a temple and goddess. The deities associated with the ritual vessel were associated with trade and transportation in Ancient Mesopotamia and Summerian literature. The vessel signifies a religious river trip.  - 19th  century BC - Kültepe Kanesh - Museum of Anatolian Civilisations, Ankara, Turkey.  Against a warn art background.
  • Assyrian Trader Colony Bronze Age terracotta sandal shaped ritual vessed. This cult pot is boat shaped with an animal head at the front. Inside the vessel is a model of a temple and goddess. The deities associated with the ritual vessel were associated with trade and transportation in Ancient Mesopotamia and Summerian literature. The vessel signifies a religious river trip.  - 19th  century BC - Kültepe Kanesh - Museum of Anatolian Civilisations, Ankara, Turkey.
  • Mycenaean ovoid rhython with spiral design , Grave II, Grave Circle A, Mycenae 16-15 Cent BC. National Archaeological Museum Athens. Cat No 221. Grey art Background
  • Mycenaean three handled styrrup jar with painted zig zag  and double axesdesigns, Tholos tomb 2 , Myrsinochori, Messenia, 15th cent BC. National Archaeological Museum Athens. Cat No 8376.
  • Small Mycenaean amphora decorated with double headed axes, Grave VI, Grave Circle A, Mycenae 16-15 Cent BC. National Archaeological Museum Athens. Cat No 196.  Grey Background
  • painted Mycenaean two handled jug with a tall neck, Mycenae Chamber Tomb 80, 14th-13th Cent BC.  National Archaeological Museum Athens. Cat no 3228.  Grey art Background
  • 'House of Warriors Vase' : Pictoral Mycenaean Krater depicting Mycenaean soldiers in full armour, Mycenae Acropolis, 12th Cent BC.  National Archaeological Museum Athens. Cat no 1426.  White Background.<br />
<br />
This large pictoral Mycenaean Krater depicts Mycenaean soldiers full armed with helmet, cuirass, greaves, shield and spaer as they depart for war. This is a superb example of Mycenaean pictoral pottery
  • 'House of Warriors Vase' : Pictoral Mycenaean Krater depicting Mycenaean soldiers in full armour, Mycenae Acropolis, 12th Cent BC.  National Archaeological Museum Athens. Cat no 1426.  Grey Background<br />
<br />
This large pictoral Mycenaean Krater depicts Mycenaean soldiers full armed with helmet, cuirass, greaves, shield and spaer as they depart for war. This is a superb example of Mycenaean pictoral pottery
  • 'House of Warriors Vase' : Pictoral Mycenaean Krater depicting Mycenaean soldiers in full armour, Mycenae Acropolis, 12th Cent BC.  National Archaeological Museum Athens. Cat no 1426. <br />
<br />
This large pictoral Mycenaean Krater depicts Mycenaean soldiers full armed with helmet, cuirass, greaves, shield and spaer as they depart for war. This is a superb example of Mycenaean pictoral pottery
  • Mycenaean three handled styrrup jar with painted zig zag  and double axesdesigns, Tholos tomb 2 , Myrsinochori, Messenia, 15th cent BC. National Archaeological Museum Athens. Cat No 8376. White Background.
  • Mycenaean three handled styrrup jar with painted zig zag  and double axesdesigns, Tholos tomb 2 , Myrsinochori, Messenia, 15th cent BC. National Archaeological Museum Athens. Cat No 8376.
  • Small Mycenaean amphora decorated with double headed axes, Grave VI, Grave Circle A, Mycenae 16-15 Cent BC. National Archaeological Museum Athens. Cat No 196.  White Background.
  • Small Mycenaean amphora decorated with double headed axes, Grave VI, Grave Circle A, Mycenae 16-15 Cent BC. National Archaeological Museum Athens. Cat No 196
  • Small Mycenaean amphora decorated with large ivy leaves, Grave VI, Grave Circle A, Mycenae 16-15 Cent BC. National Archaeological Museum Athens. Cat No 192,  Grey art Background
  • 'House of Warriors Vase' : Pictoral Mycenaean Krater depicting Mycenaean soldiers in full armour, Mycenae Acropolis, 12th Cent BC.  National Archaeological Museum Athens. Cat no 1426.  Grey Background<br />
<br />
This large pictoral Mycenaean Krater depicts Mycenaean soldiers full armed with helmet, cuirass, greaves, shield and spaer as they depart for war. This is a superb example of Mycenaean pictoral pottery
  • 'House of Warriors Vase' : Pictoral Mycenaean Krater depicting Mycenaean soldiers in full armour, Mycenae Acropolis, 12th Cent BC.  National Archaeological Museum Athens. Cat no 1426.  Grey art Background <br />
<br />
This large pictoral Mycenaean Krater depicts Mycenaean soldiers full armed with helmet, cuirass, greaves, shield and spaer as they depart for war. This is a superb example of Mycenaean pictoral pottery
  • 'House of Warriors Vase' : Pictoral Mycenaean Krater depicting Mycenaean soldiers in full armour, Mycenae Acropolis, 12th Cent BC.  National Archaeological Museum Athens. Cat no 1426.  Black Background<br />
<br />
This large pictoral Mycenaean Krater depicts Mycenaean soldiers full armed with helmet, cuirass, greaves, shield and spaer as they depart for war. This is a superb example of Mycenaean pictoral pottery
  • painted Mycenaean stirrup jars fro perfume, Mycenae Chamber Tomb 80, 14th-13th Cent BC.  National Archaeological Museum Athens. Cat no 3106. Grey art Background
  • painted Mycenaean two handled jug with a tall neck, Mycenae Chamber Tomb 80, 14th-13th Cent BC.  National Archaeological Museum Athens. Cat no 3228.  Black Background
  • painted Mycenaean two handled jug with a tall neck, Mycenae Chamber Tomb 80, 14th-13th Cent BC.  National Archaeological Museum Athens. Cat no 3228.  Grey Background
  • painted Mycenaean two handled jug with a tall neck, Mycenae Chamber Tomb 80, 14th-13th Cent BC.  National Archaeological Museum Athens. Cat no 3228.
  • Three handled Palace Style Mycenaean amphora with palm tree floral motifs, Mycenaean cemetery, Argive Deiras, 15 cnt BC, National Archaeological Museum Athens. Cat no 7107.  Grey Background<br />
<br />
This Mycenaean vase is distinguished by the high quality of clay and paint as well as the naturalistic rendition of the palm tree decorations
  • Three handled Palace Style Mycenaean amphora with palm tree floral motifs, Mycenaean cemetery, Argive Deiras, 15 cnt BC, National Archaeological Museum Athens. Cat no 7107.  Black Background<br />
<br />
This Mycenaean vase is distinguished by the high quality of clay and paint as well as the naturalistic rendition of the palm tree decorations
  • Mycenaean pictorial Krater decorated with a horse and chariot, Tiryns Acropolis - 12-14th cent BC. National Archaeological Museum Athens. Cat No 115. Grey Background<br />
<br />
A large Mycenaean Krate decorated with a two horse chariot and two riders. The style is typical of the painting style known as ;painter of the shield bearers' of the Tiryns workshop producing pictorial pottery from the late 13th to 12th century BC
  • Mycenaean pictorial Krater decorated with a horse and chariot, Tiryns Acropolis - 12-14th cent BC. National Archaeological Museum Athens. Cat No 115. Grey art Background <br />
<br />
A large Mycenaean Krate decorated with a two horse chariot and two riders. The style is typical of the painting style known as ;painter of the shield bearers' of the Tiryns workshop producing pictorial pottery from the late 13th to 12th century BC
  • Mycenaean jug decorated with ivy leaves , Grave I, Grave Circle A, Mycenae 16-15 Cent BC. National Archaeological Museum Athens. Cat No 199.  Grey Background
  • Mycenaean jug with stylised snakes , Grave VI, Grave Circle A, Mycenae 16-15 Cent BC. National Archaeological Museum Athens. Cat No 946.  Grey Background
  • Mycenaean jug with stylised snakes , Grave VI, Grave Circle A, Mycenae 16-15 Cent BC. National Archaeological Museum Athens. Cat No 946
  • Mycenaean pictorial Krater decorated with a two horses and chariot, Tiryns Acropolis - 13-12th cent BC. National Archaeological Museum Athens. Cat No 1511. White Background.<br />
<br />
This larfe Mycenaean pictorial Krater depicts a two horse Mycenaean chariot with two riders. Two men holding spears and circular shields walk in front of the chariot and a dog scampers under the horse. This style is typical of the 'painter of the shiled bearers' of the Tiryns workshop from the late 13th to 12th cent BC
  • Mycenaean pictorial Krater decorated with a two horses and chariot, Tiryns Acropolis - 13-12th cent BC. National Archaeological Museum Athens. Cat No 1511. Grey Background<br />
<br />
This larfe Mycenaean pictorial Krater depicts a two horse Mycenaean chariot with two riders. Two men holding spears and circular shields walk in front of the chariot and a dog scampers under the horse. This style is typical of the 'painter of the shiled bearers' of the Tiryns workshop from the late 13th to 12th cent BC
  • Mycenaean pictorial Krater decorated with a two horses and chariot, Tiryns Acropolis - 13-12th cent BC. National Archaeological Museum Athens. Cat No 1511. Black Background<br />
This larfe Mycenaean pictorial Krater depicts a two horse Mycenaean chariot with two riders. Two men holding spears and circular shields walk in front of the chariot and a dog scampers under the horse. This style is typical of the 'painter of the shiled bearers' of the Tiryns workshop from the late 13th to 12th cent BC
  • Mycenaean pictorial Krater decorated with a two horses and chariot, Tiryns Acropolis - 13-12th cent BC. National Archaeological Museum Athens. Cat No 1511.<br />
<br />
This larfe Mycenaean pictorial Krater depicts a two horse Mycenaean chariot with two riders. Two men holding spears and circular shields walk in front of the chariot and a dog scampers under the horse. This style is typical of the 'painter of the shiled bearers' of the Tiryns workshop from the late 13th to 12th cent BC
  • Mycenaean pictorial Krater decorated with a two horses and chariot, Tiryns Acropolis - 13-12th cent BC. National Archaeological Museum Athens. Cat No 1511. Grey art Background <br />
<br />
This larfe Mycenaean pictorial Krater depicts a two horse Mycenaean chariot with two riders. Two men holding spears and circular shields walk in front of the chariot and a dog scampers under the horse. This style is typical of the 'painter of the shiled bearers' of the Tiryns workshop from the late 13th to 12th cent BC
  • Mycenaean ovoid rhython with spiral design , Grave II, Grave Circle A, Mycenae 16-15 Cent BC. National Archaeological Museum Athens. Cat No 221.  White Background.
  • Mycenaean ovoid rhython with spiral design , Grave II, Grave Circle A, Mycenae 16-15 Cent BC. National Archaeological Museum Athens. Cat No 221
  • 'House of Warriors Vase' : Pictoral Mycenaean Krater depicting Mycenaean soldiers in full armour, Mycenae Acropolis, 12th Cent BC.  National Archaeological Museum Athens. Cat no 1426.  White Background.<br />
<br />
This large pictoral Mycenaean Krater depicts Mycenaean soldiers full armed with helmet, cuirass, greaves, shield and spaer as they depart for war. This is a superb example of Mycenaean pictoral pottery
  • 'House of Warriors Vase' : Pictoral Mycenaean Krater depicting Mycenaean soldiers in full armour, Mycenae Acropolis, 12th Cent BC.  National Archaeological Museum Athens. Cat no 1426. <br />
<br />
This large pictoral Mycenaean Krater depicts Mycenaean soldiers full armed with helmet, cuirass, greaves, shield and spaer as they depart for war. This is a superb example of Mycenaean pictoral pottery
  • 'House of Warriors Vase' : Pictoral Mycenaean Krater depicting Mycenaean soldiers in full armour, Mycenae Acropolis, 12th Cent BC.  National Archaeological Museum Athens. Cat no 1426.  Grey art Background <br />
<br />
This large pictoral Mycenaean Krater depicts Mycenaean soldiers full armed with helmet, cuirass, greaves, shield and spaer as they depart for war. This is a superb example of Mycenaean pictoral pottery
  • 'House of Warriors Vase' : Pictoral Mycenaean Krater depicting Mycenaean soldiers in full armour, Mycenae Acropolis, 12th Cent BC.  National Archaeological Museum Athens. Cat no 1426. <br />
<br />
This large pictoral Mycenaean Krater depicts Mycenaean soldiers full armed with helmet, cuirass, greaves, shield and spaer as they depart for war. This is a superb example of Mycenaean pictoral pottery
  • 'House of Warriors Vase' : Pictoral Mycenaean Krater depicting Mycenaean soldiers in full armour, Mycenae Acropolis, 12th Cent BC.  National Archaeological Museum Athens. Cat no 1426.  Grey art Background <br />
<br />
This large pictoral Mycenaean Krater depicts Mycenaean soldiers full armed with helmet, cuirass, greaves, shield and spaer as they depart for war. This is a superb example of Mycenaean pictoral pottery
  • Mycenaean ring shaped Kernos with painted serpentine bands , Mycenae Acropolis, 12th Cent BC.  National Archaeological Museum Athens. Cat no 5437.  White Background.<br />
<br />
This Mycenaean ring shaped Kernos was a ritual vessel with a conical rhtyhon for pouring liquids. A bovine head adorns the base of the rhython while a serpentine band and painted rosettes decorate the body
  • Mycenaean ring shaped Kernos with painted serpentine bands , Mycenae Acropolis, 12th Cent BC.  National Archaeological Museum Athens. Cat no 5437.  Grey Background<br />
<br />
This Mycenaean ring shaped Kernos was a ritual vessel with a conical rhtyhon for pouring liquids. A bovine head adorns the base of the rhython while a serpentine band and painted rosettes decorate the body
  • Mycenaean ring shaped Kernos with painted serpentine bands , Mycenae Acropolis, 12th Cent BC.  National Archaeological Museum Athens. Cat no 5437. <br />
<br />
This Mycenaean ring shaped Kernos was a ritual vessel with a conical rhtyhon for pouring liquids. A bovine head adorns the base of the rhython while a serpentine band and painted rosettes decorate the body
  • Mycenaean ring shaped Kernos with painted serpentine bands , Mycenae Acropolis, 12th Cent BC.  National Archaeological Museum Athens. Cat no 5437.  Grey art Background <br />
<br />
This Mycenaean ring shaped Kernos was a ritual vessel with a conical rhtyhon for pouring liquids. A bovine head adorns the base of the rhython while a serpentine band and painted rosettes decorate the body
  • Mycenaean three handled styrrup jar with painted zig zag  and double axesdesigns, Tholos tomb 2 , Myrsinochori, Messenia, 15th cent BC. National Archaeological Museum Athens. Cat No 8376.
  • Small Mycenaean amphora decorated with double headed axes, Grave VI, Grave Circle A, Mycenae 16-15 Cent BC. National Archaeological Museum Athens. Cat No 196.  Black Background
  • Small Mycenaean amphora decorated with double headed axes, Grave VI, Grave Circle A, Mycenae 16-15 Cent BC. National Archaeological Museum Athens. Cat No 196.  Grey art Background
  • Small Mycenaean amphora decorated with large ivy leaves, Grave VI, Grave Circle A, Mycenae 16-15 Cent BC. National Archaeological Museum Athens. Cat No 192.  Grey Background
  • Small Mycenaean amphora decorated with large ivy leaves, Grave VI, Grave Circle A, Mycenae 16-15 Cent BC. National Archaeological Museum Athens. Cat No 192.  White Background.
  • Small Mycenaean amphora decorated with large ivy leaves, Grave VI, Grave Circle A, Mycenae 16-15 Cent BC. National Archaeological Museum Athens. Cat No 192.  Black Background
  • Small Mycenaean amphora decorated with large ivy leaves, Grave VI, Grave Circle A, Mycenae 16-15 Cent BC. National Archaeological Museum Athens. Cat No 192
  • 'House of Warriors Vase' : Pictoral Mycenaean Krater depicting Mycenaean soldiers in full armour, Mycenae Acropolis, 12th Cent BC.  National Archaeological Museum Athens. Cat no 1426.  Black Background<br />
<br />
This large pictoral Mycenaean Krater depicts Mycenaean soldiers full armed with helmet, cuirass, greaves, shield and spaer as they depart for war. This is a superb example of Mycenaean pictoral pottery
  • 'House of Warriors Vase' : Pictoral Mycenaean Krater depicting Mycenaean soldiers in full armour, Mycenae Acropolis, 12th Cent BC.  National Archaeological Museum Athens. Cat no 1426. <br />
<br />
This large pictoral Mycenaean Krater depicts Mycenaean soldiers full armed with helmet, cuirass, greaves, shield and spaer as they depart for war. This is a superb example of Mycenaean pictoral pottery
  • 'House of Warriors Vase' : Pictoral Mycenaean Krater depicting Mycenaean soldiers in full armour, Mycenae Acropolis, 12th Cent BC.  National Archaeological Museum Athens. Cat no 1426.  White Background.<br />
<br />
This large pictoral Mycenaean Krater depicts Mycenaean soldiers full armed with helmet, cuirass, greaves, shield and spaer as they depart for war. This is a superb example of Mycenaean pictoral pottery
  • 'House of Warriors Vase' : Pictoral Mycenaean Krater depicting Mycenaean soldiers in full armour, Mycenae Acropolis, 12th Cent BC.  National Archaeological Museum Athens. Cat no 1426.  Grey Background<br />
<br />
This large pictoral Mycenaean Krater depicts Mycenaean soldiers full armed with helmet, cuirass, greaves, shield and spaer as they depart for war. This is a superb example of Mycenaean pictoral pottery
  • 'House of Warriors Vase' : Pictoral Mycenaean Krater depicting Mycenaean soldiers in full armour, Mycenae Acropolis, 12th Cent BC.  National Archaeological Museum Athens. Cat no 1426. <br />
<br />
This large pictoral Mycenaean Krater depicts Mycenaean soldiers full armed with helmet, cuirass, greaves, shield and spaer as they depart for war. This is a superb example of Mycenaean pictoral pottery
  • 'House of Warriors Vase' : Pictoral Mycenaean Krater depicting Mycenaean soldiers in full armour, Mycenae Acropolis, 12th Cent BC.  National Archaeological Museum Athens. Cat no 1426.  Grey art Background <br />
<br />
This large pictoral Mycenaean Krater depicts Mycenaean soldiers full armed with helmet, cuirass, greaves, shield and spaer as they depart for war. This is a superb example of Mycenaean pictoral pottery
  • painted Mycenaean stirrup jars fro perfume, Mycenae Chamber Tomb 80, 14th-13th Cent BC.  National Archaeological Museum Athens. Cat no 3106.  Black Background
  • painted Mycenaean stirrup jars fro perfume, Mycenae Chamber Tomb 80, 14th-13th Cent BC.  National Archaeological Museum Athens. Cat no 3106.  Grey Background
  • painted Mycenaean stirrup jars fro perfume, Mycenae Chamber Tomb 80, 14th-13th Cent BC.  National Archaeological Museum Athens. Cat no 3106.
  • Three handled Palace Style Mycenaean amphora with palm tree floral motifs, Mycenaean cemetery, Argive Deiras, 15 cnt BC, National Archaeological Museum Athens. Cat no 7107.  White Background.<br />
<br />
This Mycenaean vase is distinguished by the high quality of clay and paint as well as the naturalistic rendition of the palm tree decorations
  • Three handled Palace Style Mycenaean amphora with palm tree floral motifs, Mycenaean cemetery, Argive Deiras, 15 cnt BC, National Archaeological Museum Athens. Cat no 7107. <br />
<br />
This Mycenaean vase is distinguished by the high quality of clay and paint as well as the naturalistic rendition of the palm tree decorations
  • Three handled Palace Style Mycenaean amphora with palm tree floral motifs, Mycenaean cemetery, Argive Deiras, 15 cnt BC, National Archaeological Museum Athens. Cat no 7107.  Grey art Background <br />
<br />
This Mycenaean vase is distinguished by the high quality of clay and paint as well as the naturalistic rendition of the palm tree decorations
  • Three handled Palace Style Mycenaean amphora with octpuses and marinescape decorations motifs, Mycenaean cemetery, Argive Prosymna, tomb 2, 15 cnt BC, National Archaeological Museum Athens. Cat no 6725.  White Background.<br />
<br />
This Mycenaean vase is an imitation of the Minoan Marine Style
  • Three handled Palace Style Mycenaean amphora with octpuses and marinescape decorations motifs, Mycenaean cemetery, Argive Prosymna, tomb 2, 15 cnt BC, National Archaeological Museum Athens. Cat no 6725.  Black Background<br />
<br />
This Mycenaean vase is an imitation of the Minoan Marine Style
  • Three handled Palace Style Mycenaean amphora with octpuses and marinescape decorations motifs, Mycenaean cemetery, Argive Prosymna, tomb 2, 15 cnt BC, National Archaeological Museum Athens. Cat no 6725.  Grey art Background <br />
<br />
This Mycenaean vase is an imitation of the Minoan Marine Style
  • Mycenaean pictorial Krater decorated with a horse and chariot, Tiryns Acropolis - 12-14th cent BC. National Archaeological Museum Athens. Cat No 115. Black Background<br />
<br />
A large Mycenaean Krate decorated with a two horse chariot and two riders. The style is typical of the painting style known as ;painter of the shield bearers' of the Tiryns workshop producing pictorial pottery from the late 13th to 12th century BC
  • Mycenaean pictorial Krater decorated with a horse and chariot, Tiryns Acropolis - 12-14th cent BC. National Archaeological Museum Athens. Cat No 115.<br />
<br />
A large Mycenaean Krate decorated with a two horse chariot and two riders. The style is typical of the painting style known as ;painter of the shield bearers' of the Tiryns workshop producing pictorial pottery from the late 13th to 12th century BC.  White Background.
  • Mycenaean jug decorated with ivy leaves , Grave I, Grave Circle A, Mycenae 16-15 Cent BC. National Archaeological Museum Athens. Cat No 199.  White Background.
  • Mycenaean jug decorated with ivy leaves , Grave I, Grave Circle A, Mycenae 16-15 Cent BC. National Archaeological Museum Athens. Cat No 199
  • Mycenaean jug decorated with ivy leaves , Grave I, Grave Circle A, Mycenae 16-15 Cent BC. National Archaeological Museum Athens. Cat No 199.  Grey art Background
  • Mycenaean jug with stylised snakes , Grave VI, Grave Circle A, Mycenae 16-15 Cent BC. National Archaeological Museum Athens. Cat No 946.  White Background.
  • Mycenaean jug with stylised snakes , Grave VI, Grave Circle A, Mycenae 16-15 Cent BC. National Archaeological Museum Athens. Cat No 946.  Black Background
  • Mycenaean jug with stylised snakes , Grave VI, Grave Circle A, Mycenae 16-15 Cent BC. National Archaeological Museum Athens. Cat No 946
  • Mycenaean spouted clay pithos decorated with spirals and bands, Grave VI, Grave Circle A, Mycenae 16-15 Cent BC. National Archaeological Museum Athens. Cat No 8580.  Black Background
  • Mycenaean spouted clay pithos decorated with spirals and bands, Grave VI, Grave Circle A, Mycenae 16-15 Cent BC. National Archaeological Museum Athens. Cat No 8580
  • Mycenaean spouted clay pithos decorated with spirals and bands, Grave VI, Grave Circle A, Mycenae 16-15 Cent BC. National Archaeological Museum Athens. Cat No 8580.  Grey art Background
  • Mycenaean pictorial Krater decorated with a two horses and chariot, Tiryns Acropolis - 13-12th cent BC. National Archaeological Museum Athens. Cat No 1511.<br />
<br />
This larfe Mycenaean pictorial Krater depicts a two horse Mycenaean chariot with two riders. Two men holding spears and circular shields walk in front of the chariot and a dog scampers under the horse. This style is typical of the 'painter of the shiled bearers' of the Tiryns workshop from the late 13th to 12th cent BC
  • Mycenaean ovoid rhython with spiral design , Grave II, Grave Circle A, Mycenae 16-15 Cent BC. National Archaeological Museum Athens. Cat No 221.
  • Mycenaean ovoid rhython with spiral design , Grave II, Grave Circle A, Mycenae 16-15 Cent BC. National Archaeological Museum Athens. Cat No 221.  Grey Background
  • 'House of Warriors Vase' : Pictoral Mycenaean Krater depicting Mycenaean soldiers in full armour, Mycenae Acropolis, 12th Cent BC.  National Archaeological Museum Athens. Cat no 1426.  Grey Background<br />
<br />
This large pictoral Mycenaean Krater depicts Mycenaean soldiers full armed with helmet, cuirass, greaves, shield and spaer as they depart for war. This is a superb example of Mycenaean pictoral pottery
  • 'House of Warriors Vase' : Pictoral Mycenaean Krater depicting Mycenaean soldiers in full armour, Mycenae Acropolis, 12th Cent BC.  National Archaeological Museum Athens. Cat no 1426.  Black Background<br />
<br />
This large pictoral Mycenaean Krater depicts Mycenaean soldiers full armed with helmet, cuirass, greaves, shield and spaer as they depart for war. This is a superb example of Mycenaean pictoral pottery
  • Mycenaean ring shaped Kernos with painted serpentine bands , Mycenae Acropolis, 12th Cent BC.  National Archaeological Museum Athens. Cat no 5437.  Black Background<br />
<br />
This Mycenaean ring shaped Kernos was a ritual vessel with a conical rhtyhon for pouring liquids. A bovine head adorns the base of the rhython while a serpentine band and painted rosettes decorate the body
  • Mycenaean three handled styrrup jar with painted zig zag  and double axesdesigns, Tholos tomb 2 , Myrsinochori, Messenia, 15th cent BC. National Archaeological Museum Athens. Cat No 8376. Grey art Background
  • 'House of Warriors Vase' : Pictoral Mycenaean Krater depicting Mycenaean soldiers in full armour, Mycenae Acropolis, 12th Cent BC.  National Archaeological Museum Athens. Cat no 1426. <br />
<br />
This large pictoral Mycenaean Krater depicts Mycenaean soldiers full armed with helmet, cuirass, greaves, shield and spaer as they depart for war. This is a superb example of Mycenaean pictoral pottery
  • painted Mycenaean stirrup jars fro perfume, Mycenae Chamber Tomb 80, 14th-13th Cent BC.  National Archaeological Museum Athens. Cat no 3106.  White Background.
  • painted Mycenaean two handled jug with a tall neck, Mycenae Chamber Tomb 80, 14th-13th Cent BC.  National Archaeological Museum Athens. Cat no 3228.  White Background.
  • Three handled Palace Style Mycenaean amphora with octpuses and marinescape decorations motifs, Mycenaean cemetery, Argive Prosymna, tomb 2, 15 cnt BC, National Archaeological Museum Athens. Cat no 6725. <br />
<br />
This Mycenaean vase is an imitation of the Minoan Marine Style
  • Three handled Palace Style Mycenaean amphora with octpuses and marinescape decorations motifs, Mycenaean cemetery, Argive Prosymna, tomb 2, 15 cnt BC, National Archaeological Museum Athens. Cat no 6725. <br />
<br />
This Mycenaean vase is an imitation of the Minoan Marine Style
  • Mycenaean pictorial Krater decorated with a horse and chariot, Tiryns Acropolis - 12-14th cent BC. National Archaeological Museum Athens. Cat No 115.<br />
<br />
A large Mycenaean Krate decorated with a two horse chariot and two riders. The style is typical of the painting style known as ;painter of the shield bearers' of the Tiryns workshop producing pictorial pottery from the late 13th to 12th century BC
  • Mycenaean jug decorated with ivy leaves , Grave I, Grave Circle A, Mycenae 16-15 Cent BC. National Archaeological Museum Athens. Cat No 199.  Black Background
  • Mycenaean spouted clay pithos decorated with spirals and bands, Grave VI, Grave Circle A, Mycenae 16-15 Cent BC. National Archaeological Museum Athens. Cat No 8580.  White Background.
  • Mycenaean spouted clay pithos decorated with spirals and bands, Grave VI, Grave Circle A, Mycenae 16-15 Cent BC. National Archaeological Museum Athens. Cat No 8580.  Grey Background
  • Three handled Palace Style pictoral Mycenaean amphora with aquatic bird motifs, Mycenaean cemetery, Argive Deiras, 15 cnt BC, National Archaeological Museum Athens. Cat no 5650.  Black Background<br />
<br />
This Mycenaean vase is one of the first examples of Mycenaean pictoral pottery created from Minoan influences.
  • Three handled Palace Style pictoral Mycenaean amphora with aquatic bird motifs, Mycenaean cemetery, Argive Deiras, 15 cnt BC, National Archaeological Museum Athens. Cat no 5650.  White Background.<br />
<br />
This Mycenaean vase is one of the first examples of Mycenaean pictoral pottery created from Minoan influences.
  • Three handled Palace Style pictoral Mycenaean amphora with aquatic bird motifs, Mycenaean cemetery, Argive Deiras, 15 cnt BC, National Archaeological Museum Athens. Cat no 5650.  Grey Background<br />
<br />
This Mycenaean vase is one of the first examples of Mycenaean pictoral pottery created from Minoan influences.
  • Three handled Palace Style pictoral Mycenaean amphora with aquatic bird motifs, Mycenaean cemetery, Argive Deiras, 15 cnt BC, National Archaeological Museum Athens. Cat no 5650. <br />
<br />
This Mycenaean vase is one of the first examples of Mycenaean pictoral pottery created from Minoan influences.
  • Three handled Palace Style pictoral Mycenaean amphora with aquatic bird motifs, Mycenaean cemetery, Argive Deiras, 15 cnt BC, National Archaeological Museum Athens. Cat no 5650.  Grey art Background <br />
<br />
This Mycenaean vase is one of the first examples of Mycenaean pictoral pottery created from Minoan influences.
  • Cycladic  clay jug with fish design from the  Knossos-Temple Repositories 1650-1550 BC, Heraklion Archaeological  Museum, grey background..<br />
<br />
Cycladic vessels found iun Knossos Temple Repositories show the trading links with the rest of ancient Greece
  • Cycladic ceramic kernos with painted linear decoration. Cycladic II (2800-2300 BC) , Chalandriani, Syros. National Archaeological Museum Athens. Cat no 6185.<br />
<br />
Composed of 8 small pyxides with painted linear decoration, this complex vessel was probably for ritual use.
  • Cycladic ceramic spherical pyxis with painted linear decoration. Cycladic II (2800-2300 BC) , Chalandriani, Syros. National Archaeological Museum Athens. Cat no 5170
  • Cycladic ceramic krater with impressed  linear decoration. Cycladic II (2800-2300 BC) , Chalandriani, Syros. National Archaeological Museum Athens. Cat No 6180.   Gray background.
  • Cycladic conical rhython with spiral decorations.   Cycladic (1650-1450 BC) , Phylakopi III, Melos. National Archaeological Museum Athens.  Cat no 5791. Black background.<br />
<br />
<br />
Ceramic shapes and painted style are heavily influenced by Minoan styles during this period. Dark floral and spiral patterns are painted over a lighted backgound with wavy bands.
  • Cycladic monachrome polished slip 'sauce boat' from Syros.  Early Cycladic III (2300-2000 BC) , Phylakopi I, Melos. National Archaeological Museum Athens. Cat No 55, 5159. Black background.<br />
<br />
<br />
These so called 'sauce boats' were a new shape and style that appeared during this period.
  • Cycladic pithos with geometric designs.  Early Cycladic III (2300-2000 BC) , Phylakopi, Melos. National Archaeological Museum Athens. Cat No 5831.<br />
<br />
During this period pottery was plainer with simple geometric decorations. Depicts of birds or lowers were rare.
  • Beak spouted jug decorated with flowering crocus. Early Cycladic I (1650-1550 BC) , Phylakopi, Melos. National Archaeological Museum Athens. Cat No 5769.  White background.<br />
<br />
<br />
During this Cycladic period the pottery designs were heavily influenced by Cretean minoan with pottery like this using floral patterns.
  • Cycladic terracotta 'frying pan' with incied boat and spiral decoration from Chalandriani, Syros. Early Cycladic period II 2800-2300 BC), National Archaeological Museum Athens, Cat No 5053. Black background.<br />
<br />
<br />
The incisions depict a boat below spiral patternes. <br />
<br />
These so called 'frying pans' wre created by the Keros-Syros culture and are their useage is uncertain. The compex geometric patterns on their bases suggest that they may have had some symbolic meaning and were used in religious of magical rituals. They could also have served practical purposes being used as dishes, mirror mounts, astrolabes or metris measured for salt traders.
  • Ancient Egyptian decorated mari ware, class D, baked clay, Predynastic Period, Naqada II Protodynastic Period (3700-300 BC). Egyptian Museum, Turin. Grey Background<br />
<br />
Mari was a new raw material used to make vases from Naqada II onwards. The material was a marl of rich clay found in some ancient Egyptian desert site which was pulverised and mixed with water. Typically the pottery had a rosy sinish when fired making a good background for painted motifs.
  • Ancient Egyptian decorated mari ware, class D, baked clay, Predynastic Period, Naqada II Protodynastic Period (3700-300 BC). Egyptian Museum, Turin. White background.<br />
<br />
Mari was a new raw material used to make vases from Naqada II onwards. The material was a marl of rich clay found in some ancient Egyptian desert site which was pulverised and mixed with water. Typically the pottery had a rosy sinish when fired making a good background for painted motifs.
  • Ancient Egyptian decorated mari ware, class D, baked clay, Predynastic Period, Naqada II Protodynastic Period (3700-300 BC). Egyptian Museum, Turin. Black background,<br />
<br />
Mari was a new raw material used to make vases from Naqada II onwards. The material was a marl of rich clay found in some ancient Egyptian desert site which was pulverised and mixed with water. Typically the pottery had a rosy sinish when fired making a good background for painted motifs.
  • Ancient Egyptian , sandstone, New Kingdom, 18th Dynasty (1353-1336 BC, Thebes, Karnac. Egyptian Museum, Turin. Black background,
  • Ancient Egyptian god Bes jar, Late Period, 5th century BC.  Egyptian Museum, Turin. Drovetti collection cat 2553. Grey background;
  • Ancient Egyptian  decorated jar sealed with linen , tomb of Kha, Theban Tomb 8 , mid-18th dynasty (1550 to 1292 BC), Turin Egyptian Museum. Grey background. <br />
<br />
TT8 or Theban Tomb 8 was the tomb of Kha, the overseer of works from Deir el-Medina in the mid-18th dynasty[2] and his wife, Merit. TT8 was one of the greatest archaeological discoveries of ancient Egypt, one of few tombs of nobility to survive intact.
  • Ancient Egyptian decorated vase , tomb of Kha, Theban Tomb 8 , mid-18th dynasty (1550 to 1292 BC), Turin Egyptian Museum. Cat 8465.<br />
<br />
TT8 or Theban Tomb 8 was the tomb of Kha, the overseer of works from Deir el-Medina in the mid-18th dynasty[2] and his wife, Merit. TT8 was one of the greatest archaeological discoveries of ancient Egypt, one of few tombs of nobility to survive intact.
  • Ancient Egyptian glong neckedr jar  sealed with linen strips , tomb of Kha, Theban Tomb 8 , mid-18th dynasty (1550 to 1292 BC), Turin Egyptian Museum. White background. Cat 8465.<br />
<br />
TT8 or Theban Tomb 8 was the tomb of Kha, the overseer of works from Deir el-Medina in the mid-18th dynasty[2] and his wife, Merit. TT8 was one of the greatest archaeological discoveries of ancient Egypt, one of few tombs of nobility to survive intact.
  • Ancient Egyptian globular jar  with Kha's monogram , tomb of Kha, Theban Tomb 8 , mid-18th dynasty (1550 to 1292 BC), Turin Egyptian Museum. Grey background. Cat 8465.<br />
<br />
TT8 or Theban Tomb 8 was the tomb of Kha, the overseer of works from Deir el-Medina in the mid-18th dynasty[2] and his wife, Merit. TT8 was one of the greatest archaeological discoveries of ancient Egypt, one of few tombs of nobility to survive intact.
  • Ancient Egyptian sealed incised decorated jar and support with Kha's monogram , tomb of Kha, Theban Tomb 8 , mid-18th dynasty (1550 to 1292 BC), Turin Egyptian Museum. Grey background. Cat 8523.<br />
<br />
TT8 or Theban Tomb 8 was the tomb of Kha, the overseer of works from Deir el-Medina in the mid-18th dynasty[2] and his wife, Merit. TT8 was one of the greatest archaeological discoveries of ancient Egypt, one of few tombs of nobility to survive intact.
  • Ancient Egyptian sealed incised decorated jar and support with Kha's monogram , tomb of Kha, Theban Tomb 8 , mid-18th dynasty (1550 to 1292 BC), Turin Egyptian Museum. Cat 8523.<br />
<br />
TT8 or Theban Tomb 8 was the tomb of Kha, the overseer of works from Deir el-Medina in the mid-18th dynasty[2] and his wife, Merit. TT8 was one of the greatest archaeological discoveries of ancient Egypt, one of few tombs of nobility to survive intact.
  • Cycladic  clay jug with fish design from the  Knossos-Temple Repositories 1650-1550 BC, Heraklion Archaeological  Museum.<br />
<br />
Cycladic vessels found iun Knossos Temple Repositories show the trading links with the rest of ancient Greece
  • Cycladic  clay jug with fish design from the  Knossos-Temple Repositories 1650-1550 BC, Heraklion Archaeological  Museum.<br />
<br />
Cycladic vessels found iun Knossos Temple Repositories show the trading links with the rest of ancient Greece
  • Burnished monochrome Cycladic animal shaped wase with geometric incissions.  Cycladic III (2300-2000 BC) , Phylakopi, Melos. National Archaeological Museum Athens. Cat No 5697-8.<br />
<br />
Pottery from this Cycladic era was predominatly monochrome and burnished with linear motifs. Flower and bird designs were rare .
  • Cycladic rounded alabastron top with 'marine style' decoration.   Cycladic (15th cent BC BC) , Phylakopi I-IV, Melos. National Archaeological Museum Athens.  Cat no 5777.
  • Cycladic ceramic spherical pyxis with impressed  linear decoration. Cycladic II (2800-2300 BC) , Chalandriani, Syros. National Archaeological Museum Athens.   Gray background.
  • Cycladic ceramic spherical pyxis with painted linear decoration. Cycladic II (2800-2300 BC) , Chalandriani, Syros. National Archaeological Museum Athens. Cat no 5170.   Grey background.
  • Cycladic Kernos a multiple vessel in a base.  Early Cycladic III (2300-2000 BC) , Phylakopi, Melos. National Archaeological Museum Athens. Cat No 5829.  White background.<br />
<br />
<br />
This complex vessel was used for ritual offerings. During this period pottery was plainer with simple geometric decorations. Depicts of birds or lowers were rare.
  • Cycladic cylindrical vase illustrated with a fisherman (1600 BC) , Phylakopi III, Melos. National Archaeological Museum Athens. Cat No 5782.<br />
<br />
The vase has a procession of 4 fishermen illustrated on iy running all the way round it.
  • Cycladic cylindrical vase illustrated with a fisherman (1600 BC) , Phylakopi III, Melos. National Archaeological Museum Athens. Cat No 5782.  Grey background.<br />
<br />
<br />
The vase has a procession of 4 fishermen illustrated on iy running all the way round it.
  • Cycladic cylindrical vase illustrated with a fisherman (1600 BC) , Phylakopi III, Melos. National Archaeological Museum Athens. Cat No 5782.  Gray background.<br />
<br />
<br />
The vase has a procession of 4 fishermen illustrated on iy running all the way round it.
  • Cycladic ritual kernos with painted motif  Early Cycladic III (2300-2000 BC) , Phylakopi I, Melos. National Archaeological Museum Athens. Cat No 822-833.  Gray background.<br />
<br />
<br />
A complec ritual vessel with multiple pithos for offerings.
  • Cycladic ceramic krater with impressed  linear decoration. Cycladic II (2800-2300 BC) , Chalandriani, Syros. National Archaeological Museum Athens. Cat No 5258.   Grey background.
  • Cycladic ceramic krater with impressed  linear decoration. Cycladic II (2800-2300 BC) , Chalandriani, Syros. National Archaeological Museum Athens. Cat No 5258.   Gray background.
  • Cycladic ceramic krater with impressed  linear decoration. Cycladic II (2800-2300 BC) , Chalandriani, Syros. National Archaeological Museum Athens. Cat No 6180.  Black background.
  • Cycladic ceramic krater with impressed  linear decoration. Cycladic II (2800-2300 BC) , Chalandriani, Syros. National Archaeological Museum Athens. Cat No 6180
  • Cycladic conical rhython with spiral decorations.   Cycladic (1650-1450 BC) , Phylakopi III, Melos. National Archaeological Museum Athens.  Cat no 5791.  White background.<br />
<br />
<br />
Ceramic shapes and painted style are heavily influenced by Minoan styles during this period. Dark floral and spiral patterns are painted over a lighted backgound with wavy bands.
  • Cycladic deep bridge spouted jar with spiral decorations.   Cycladic (1650-1450 BC) , Phylakopi III, Melos. National Archaeological Museum Athens.  Cat no 5788. Black background.<br />
<br />
<br />
Ceramic shapes and painted style are heavily influenced by Minoan styles during this period. Dark floral and spiral patterns are painted over a lighted backgound with wavy bands.
  • Cycladic deep bridge spouted jar with spiral decorations.   Cycladic (1650-1450 BC) , Phylakopi III, Melos. National Archaeological Museum Athens.  Cat no 5788.  White background.<br />
<br />
<br />
Ceramic shapes and painted style are heavily influenced by Minoan styles during this period. Dark floral and spiral patterns are painted over a lighted backgound with wavy bands.
  • Cycladic deep bridge spouted jar with spiral decorations.   Cycladic (1650-1450 BC) , Phylakopi III, Melos. National Archaeological Museum Athens.  Cat no 5788.  Gray background.<br />
<br />
<br />
Ceramic shapes and painted style are heavily influenced by Minoan styles during this period. Dark floral and spiral patterns are painted over a lighted backgound with wavy bands.
  • Cycladic beaked nippled jug with monstrous creature decoration.   Cycladic (18th-17th cent BC BC) , Phylakopi I-IV, Melos. National Archaeological Museum Athens.  Cat no 5777.   Grey background.
  • Cycladic ceramic jug with linear decoration. Cycladic II (2800-2300 BC) , Chalandriani, Syros. National Archaeological Museum Athens. Cat no 5147.  Black background.
  • Cycladic ceramic jug with painted linear decoration. Cycladic II (2800-2300 BC) , Chalandriani, Syros. National Archaeological Museum Athens. Cat no 4969.   Gray background.
  • Cycladic askos with hatched painted decoration.  Cycladic III (2300-2000 BC) , Phylakopi, Melos. National Archaeological Museum Athens. Cat no 5826.  Black background.<br />
<br />
<br />
Decorated pottery is rare during this Ccladic period. This Cycladic askos has vertical handle on top with a spout. It has painted decoration of hatched bands and a lozenge pattern
  • Cycladic askos with hatched painted decoration.  Cycladic III (2300-2000 BC) , Phylakopi, Melos. National Archaeological Museum Athens. Cat no 5826. <br />
<br />
Decorated pottery is rare during this Ccladic period. This Cycladic askos has vertical handle on top with a spout. It has painted decoration of hatched bands and a lozenge pattern
  • Cycladic amphora with 'melian' painted motifs.  Early Cycladic III (2300-2000 BC) , Phylakopi I, Melos. National Archaeological Museum Athens.   Grey background.
  • Cycladic footed necked jar with impressed decration.  Early Cycladic III (2300-2000 BC) , Phylakopi I, Melos. National Archaeological Museum Athens. Cat No 6168.  White background.<br />
<br />
<br />
During this period pottery was often monochrome with polised slip finishes sometimes with incised or impressed decorations.
  • Cycladic footed necked jar with impressed decration.  Early Cycladic III (2300-2000 BC) , Phylakopi I, Melos. National Archaeological Museum Athens. Cat No 6168. Black background.<br />
<br />
<br />
During this period pottery was often monochrome with polised slip finishes sometimes with incised or impressed decorations.
  • Cycladic monachrome polished slip 'sauce boat' from Syros.  Early Cycladic III (2300-2000 BC) , Phylakopi I, Melos. National Archaeological Museum Athens. Cat No 55, 5159.  White background.<br />
<br />
<br />
These so called 'sauce boats' were a new shape and style that appeared during this period.
  • Cycladic beak spouted jug with 'melian' painted motifs.  Early Cycladic III (2300-2000 BC) , Phylakopi I, Melos. National Archaeological Museum Athens. Cat No 5725-6.  Grey background.
  • Cycladic beak spouted jug.  Early Cycladic III (2300-2000 BC) , Phylakopi, Melos. National Archaeological Museum Athens. Cat No 5726.<br />
<br />
During this period pottery was plainer with simple geometric decorations. Depicts of birds or lowers were rare.
  • Small Cycladic amphora.  Early Cycladic III (2300-200 BC) , Phylakopi, Melos. National Archaeological Museum Athens. Cat No 5813. Black background.<br />
<br />
<br />
During this period pottery was plainer with simple geometric decorations. Depicts of birds or lowers were rare.
  • Spherical jug spiral and floral decorated. Early Cycladic I (1650-1550 BC); Phylakopi; Melos. National Archaeological Museum Athens. Cat No 5818.  White background.<br />
<br />
<br />
During this Cycladic period the pottery designs were heavily influenced by Cretean minoan with pottery.
  • Small Cycladic amphora.  Early Cycladic III (2300-200 BC) , Phylakopi, Melos. National Archaeological Museum Athens. Cat No 5813.  Gray background.<br />
<br />
<br />
During this period pottery was plainer with simple geometric decorations. Depicts of birds or lowers were rare.
  • Spherical jug spiral and floral decorated. Early Cycladic I (1650-1550 BC); Phylakopi; Melos. National Archaeological Museum Athens. Cat No 5818.  Gray background.<br />
<br />
<br />
During this Cycladic period the pottery designs were heavily influenced by Cretean minoan with pottery.
  • Bridge spouted jug bird decorated. Early Cycladic I (1650-1550 BC); Phylakopi; Melos. National Archaeological Museum Athens. Cat No 5768.  White background.<br />
<br />
<br />
During this Cycladic period the pottery designs were heavily influenced by Cretean minoan with pottery like this using bird patterns.
  • Bridge spouted jug bird decorated. Early Cycladic I (1650-1550 BC); Phylakopi; Melos. National Archaeological Museum Athens. Cat No 5768.  Gray background.<br />
<br />
<br />
During this Cycladic period the pottery designs were heavily influenced by Cretean minoan with pottery like this using bird patterns.
  • Beak spouted jug decorated with flowering crocus. Early Cycladic I (1650-1550 BC) , Phylakopi, Melos. National Archaeological Museum Athens. Cat No 5769. Black background.<br />
<br />
During this Cycladic period the pottery designs were heavily influenced by Cretean minoan with pottery like this using floral patterns.
  • Beak spouted jug decorated with flowering crocus. Early Cycladic I (1650-1550 BC) , Phylakopi, Melos. National Archaeological Museum Athens. Cat No 5769.  Grey background.<br />
<br />
<br />
During this Cycladic period the pottery designs were heavily influenced by Cretean minoan with pottery like this using floral patterns.
  • Beak spouted jug decorated with flowering crocus. Early Cycladic I (1650-1550 BC) , Phylakopi, Melos. National Archaeological Museum Athens. Cat No 5769.<br />
<br />
During this Cycladic period the pottery designs were heavily influenced by Cretean minoan with pottery like this using floral patterns.

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