• fresh milk being poured into a glass
  • fresh milk being poured into a glass
  • fresh milk being poured into a glass
  • Fresh water being poured into a glass
  • Fresh water being poured into a glass
  • Fresh flavoured milk being poured into a glass
  • white wine being poured into a glass
  • Fresh water being poured into a glass
  • Fresh water being poured into a glass
  • Fresh flavoured milk being poured into a glass
  • Fresh flavoured milk being poured into a glass
  • Red wine being poured into a glass
  • Red wine being poured into a glass
  • Fresh water being poured into a glass
  • Fresh water being poured into a glass
  • Fresh water being poured into a glass
  • Fresh flavoured milk being poured into a glass
  • fresh milk being poured into a glass
  • Red wine being poured into a glass
  • Nail Varnish dripping from a nail varnish brush balanced on a nail varnish bottle. Pink colour against white with a reflection
  • Nail Varnish dripping from a nail varnish brush balanced on a nail varnish bottle. Pink colour against white with a reflection
  • 2 Nail varnish bottles balanced on each other in a fun way
  • 2 Nail varnish bottles balanced on each other in a fun way with a nail varnish brush balanced ontop dripping nail varnish.
  • 2 Nail varnish bottles balanced on each other in a fun way with a nail varnish brush balanced ontop dripping nail varnish.
  • Nail Varnish dripping from a nail varnish brush balanced on a nail varnish bottle. Pink colour against white with a reflection
  • Nail Varnish dripping from a nail varnish brush balanced on a nail varnish bottle. Pink colour against white with a reflection
  • Nail Varnish dripping from a nail varnish brush balanced on a nail varnish bottle. Peach colour against white with a reflection
  • Garden peas and water falling into a colidar of peas
  • Melted Choclate being stirred in a bowl - Stock Photos.
  • Melted Choclate being stirred in a bowl - Stock Photos.
  • Melted Choclate being stirred in a bowl - Stock Photos.
  • Melted Choclate being stirred in a bowl - Stock Photos.
  • Phrygian terra cotta pottery vessel with a strainer and long pouring lip, decorated with geometric designs and images of animals and birds, from Gordion. Phrygian Collection, 9th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against a black background
  • Phrygian terra cotta pottery vessel with a strainer and long pouring lip, decorated with geometric designs and images of animals and birds, from Gordion. Phrygian Collection, 9th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against a white background
  • Phrygian terra cotta pottery vessel with a strainer and long pouring lip, decorated with geometric designs and images of animals and birds, from Gordion. Phrygian Collection, 9th century BC - Museum of Anatolian Civilisations Ankara. Turkey.
  • Phrygian terra cotta pottery vessel with a strainer and long pouring lip, decorated with geometric designs and images of animals and birds, from Gordion. Phrygian Collection, 9th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against an art background
  • Phrygian terra cotta pottery vessel with a strainer and long pouring lip, decorated with geometric designs and images of animals and birds, from Gordion. Phrygian Collection, 9th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against a grey background
  • Phrygian terra Cotta vessel with a strainer and a long pouring lip with geometric painted patterns from Gordion. Phrygian Collection, 9th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against a white background
  • Phrygian terra Cotta vessel with a strainer and a long pouring lip with geometric painted patterns from Gordion. Phrygian Collection, 9th century BC - Museum of Anatolian Civilisations Ankara. Turkey.
  • Phrygian terra Cotta vessel with a strainer and a long pouring lip with geometric painted patterns from Gordion. Phrygian Collection, 9th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against a black background
  • Phrygian terra Cotta vessel with a strainer and a long pouring lip with geometric painted patterns from Gordion. Phrygian Collection, 9th century BC - Museum of Anatolian Civilisations Ankara. Turkey.
  • Phrygian terra Cotta vessel with a strainer and a long pouring lip with geometric painted patterns from Gordion. Phrygian Collection, 9th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against a grey background
  • Roman Sebasteion relief  sculpture of Aineas’ arrival in Italy Aphrodisias Museum, Aphrodisias, Turkey.   Against a white background.<br />
<br />
Poseidon stands naked over a sea going ship stopped at a short column. SA dolphin jumps between his legs. Aineas, his head veiled in the Roman manner, pours a libation, a thanks offering for his safe arrival in Italy. Behing Poseidon’s shoulders, a separately worked young male head was inserted into the background, maybe a deceased companion of Aineas.
  • Roman Sebasteion relief  sculpture of Aineas’ arrival in Italy Aphrodisias Museum, Aphrodisias, Turkey.   Against a black background.<br />
<br />
Poseidon stands naked over a sea going ship stopped at a short column. SA dolphin jumps between his legs. Aineas, his head veiled in the Roman manner, pours a libation, a thanks offering for his safe arrival in Italy. Behing Poseidon’s shoulders, a separately worked young male head was inserted into the background, maybe a deceased companion of Aineas.
  • Roman Sebasteion relief  sculpture of Aineas’ arrival in Italy Aphrodisias Museum, Aphrodisias, Turkey. <br />
<br />
Poseidon stands naked over a sea going ship stopped at a short column. SA dolphin jumps between his legs. Aineas, his head veiled in the Roman manner, pours a libation, a thanks offering for his safe arrival in Italy. Behing Poseidon’s shoulders, a separately worked young male head was inserted into the background, maybe a deceased companion of Aineas.
  • Roman Sebasteion relief  sculpture of Aineas’ arrival in Italy Aphrodisias Museum, Aphrodisias, Turkey.  Against an art background.<br />
<br />
Poseidon stands naked over a sea going ship stopped at a short column. SA dolphin jumps between his legs. Aineas, his head veiled in the Roman manner, pours a libation, a thanks offering for his safe arrival in Italy. Behing Poseidon’s shoulders, a separately worked young male head was inserted into the background, maybe a deceased companion of Aineas.
  • Roman Sebasteion relief  sculpture of Aineas’ arrival in Italy Aphrodisias Museum, Aphrodisias, Turkey.  Against a grey background.<br />
<br />
Poseidon stands naked over a sea going ship stopped at a short column. SA dolphin jumps between his legs. Aineas, his head veiled in the Roman manner, pours a libation, a thanks offering for his safe arrival in Italy. Behing Poseidon’s shoulders, a separately worked young male head was inserted into the background, maybe a deceased companion of Aineas.
  • Aslantepe Hittite relief sculpted orthostat stone panel. Limestone, Aslantepe, Malatya, 1200-700 B.C.  Anatolian Civilisations Museum, Ankara, Turkey<br />
<br />
Scene of the king's offering drink and sacrifice to the gods. King pours from the pitcher to the vessel (libation); behind the king is a servant bringing a sacrifice. Storm God across the king holds Teshup, a triple lightning bundle - sickle, and a spear-mace set in the other orthostat; the goddess Ishtar holds weapon in both. All six figures have shoes with the curled ends. <br />
<br />
Against a white background.
  • Aslantepe Hittite relief sculpted orthostat stone panel. Limestone, Aslantepe, Malatya, 1200-700 B.C. . Anatolian Civilisations Museum, Ankara, Turkey<br />
<br />
Scene of the king's offering drink and sacrifice to the gods. King pours from the pitcher to the vessel (libation); behind the king is a servant bringing a sacrifice. Storm God across the king holds Teshup, a triple lightning bundle - sickle, and a spear-mace set in the other orthostat; the goddess Ishtar holds weapon in both. All six figures have shoes with the curled ends. <br />
<br />
Against a black background.
  • Aslantepe Hittite relief sculpted orthostat stone panel. Limestone, Aslantepe, Malatya, 1200-700 B.C. . Anatolian Civilisations Museum, Ankara, Turkey<br />
<br />
Scene of the king's offering drink and sacrifice to the gods. King pours from the pitcher to the vessel (libation); behind the king is a servant bringing a sacrifice. Storm God across the king holds Teshup, a triple lightning bundle - sickle, and a spear-mace set in the other orthostat; the goddess Ishtar holds weapon in both. All six figures have shoes with the curled ends. <br />
<br />
Against a gray background.
  • Aslantepe Hittite relief sculpted orthostat stone panel. Limestone, Aslantepe, Malatya, 1200-700 B.C. . Anatolian Civilisations Museum, Ankara, Turkey<br />
<br />
Scene of the king's offering drink and sacrifice to the gods. King pours from the pitcher to the vessel (libation); behind the king is a servant bringing a sacrifice. Storm God across the king holds Teshup, a triple lightning bundle - sickle, and a spear-mace set in the other orthostat; the goddess Ishtar holds weapon in both. All six figures have shoes with the curled ends. <br />
<br />
Against a brown art background.
  • Aslantepe Hittite relief sculpted orthostat stone panel. Limestone, Aslantepe, Malatya, 1200-700 B.C. . Anatolian Civilisations Museum, Ankara, Turkey<br />
<br />
Scene of the king's offering drink and sacrifice to the gods. King pours from the pitcher to the vessel (libation); behind the king is a servant bringing a sacrifice. Storm God across the king holds Teshup, a triple lightning bundle - sickle, and a spear-mace set in the other orthostat; the goddess Ishtar holds weapon in both. All six figures have shoes with the curled ends. <br />
<br />
Against a grey art background.
  • 1st century AD Roman statue of Silenus pouring wine from a jug. The head is from the Flavian period and the body 1st century. A copy of an earlier Hwellenistic sculpture by the school of Lysippus, inv 323, Vatican Museum Rome, Italy,  black background
  • 1st century AD Roman statue of Silenus pouring wine from a jug. The head is from the Flavian period and the body 1st century. A copy of an earlier Hwellenistic sculpture by the school of Lysippus, inv 323, Vatican Museum Rome, Italy,  white background
  • 1st century AD Roman statue of Silenus pouring wine from a jug. The head is from the Flavian period and the body 1st century. A copy of an earlier Hwellenistic sculpture by the school of Lysippus, inv 323, Vatican Museum Rome, Italy,  art background
  • 1st century AD Roman statue of Silenus pouring wine from a jug. The head is from the Flavian period and the body 1st century. A copy of an earlier Hwellenistic sculpture by the school of Lysippus, inv 323, Vatican Museum Rome, Italy,  grey background
  • 1st century AD Roman statue of Silenus pouring wine from a jug. The head is from the Flavian period and the body 1st century. A copy of an earlier Hwellenistic sculpture by the school of Lysippus, inv 323, Vatican Museum Rome, Italy,  grey art background
  • White Ground Kylix from a tomb in Delphi. Athenian 480-470 BC. Apollo depicted crowned in Myrtle Leaves, seated on a stool, with lion claw feet, dressed in a white peoples. In his left hand he has a liar and with his right hand he pours a libation from a naval-phiale. The Crow recalls his mythical love for the beautiful Aigle-Koroni, daughter of King Phlegyas. Delphi Archaeological museum.
  • White Ground Kylix from a tomb in Delphi. Athenian 480-470 BC. Apollo depicted crowned in Myrtle Leaves, seated on a stool, with lion claw feet, dressed in a white peoples. In his left hand he has a liar and with his right hand he pours a libation from a naval-phiale. The Crow recalls his mythical love for the beautiful Aigle-Koroni, daughter of King Phlegyas. Delphi Archaeological museum.
  • White Ground Kylix from a tomb in Delphi. Athenian 480-470 BC. Apollo depicted crowned in Myrtle Leaves, seated on a stool, with lion claw feet, dressed in a white peoples. In his left hand he has a liar and with his right hand he pours a libation from a naval-phiale. The Crow recalls his mythical love for the beautiful Aigle-Koroni, daughter of King Phlegyas. Delphi Archaeological museum.
  • White Ground Kylix from a tomb in Delphi. Athenian 480-470 BC. Apollo depicted crowned in Myrtle Leaves, seated on a stool, with lion claw feet, dressed in a white peoples. In his left hand he has a liar and with his right hand he pours a libation from a naval-phiale. The Crow recalls his mythical love for the beautiful Aigle-Koroni, daughter of King Phlegyas. Delphi Archaeological museum.
  • Roman statue of Silenus or Papposilenus from the mid 2nd cent. AD excavated from the Villa Spithoever, via Flavia, Rome, Italy. Papposilenus, the aged Silenus was tutor to Cionysus. In this statue he is portrayed with a hairy coat accentuating his wild nature. When the statue was complete it may have had its right arm held up grasping a bunch of grapes and a cup of wine in the left hand. The statue is copied from a late hellenistic original dating from 2nd cent. BC known as the satyr pouring wine by Greek sculptor Praxiteles circa 370-300 BC .  Inv  78294, The National Roman Museum, Rome, Italy
  • Roman statue of Silenus or Papposilenus from the mid 2nd cent. AD excavated from the Villa Spithoever, via Flavia, Rome, Italy. Papposilenus, the aged Silenus was tutor to Cionysus. In this statue he is portrayed with a hairy coat accentuating his wild nature. When the statue was complete it may have had its right arm held up grasping a bunch of grapes and a cup of wine in the left hand. The statue is copied from a late hellenistic original dating from 2nd cent. BC known as the satyr pouring wine by Greek sculptor Praxiteles circa 370-300 BC .  Inv  78294, The National Roman Museum, Rome, Italy
  • Roman statue of Silenus or Papposilenus from the mid 2nd cent. AD excavated from the Villa Spithoever, via Flavia, Rome, Italy. Papposilenus, the aged Silenus was tutor to Cionysus. In this statue he is portrayed with a hairy coat accentuating his wild nature. When the statue was complete it may have had its right arm held up grasping a bunch of grapes and a cup of wine in the left hand. The statue is copied from a late hellenistic original dating from 2nd cent. BC known as the satyr pouring wine by Greek sculptor Praxiteles circa 370-300 BC .  Inv  78294, The National Roman Museum, Rome, Italy
  • Roman statue of Silenus or Papposilenus from the mid 2nd cent. AD excavated from the Villa Spithoever, via Flavia, Rome, Italy. Papposilenus, the aged Silenus was tutor to Cionysus. In this statue he is portrayed with a hairy coat accentuating his wild nature. When the statue was complete it may have had its right arm held up grasping a bunch of grapes and a cup of wine in the left hand. The statue is copied from a late hellenistic original dating from 2nd cent. BC known as the satyr pouring wine by Greek sculptor Praxiteles circa 370-300 BC .  Inv  78294, The National Roman Museum, Rome, Italy
  • Roman statue of Silenus or Papposilenus from the mid 2nd cent. AD excavated from the Villa Spithoever, via Flavia, Rome, Italy. Papposilenus, the aged Silenus was tutor to Cionysus. In this statue he is portrayed with a hairy coat accentuating his wild nature. When the statue was complete it may have had its right arm held up grasping a bunch of grapes and a cup of wine in the left hand. The statue is copied from a late hellenistic original dating from 2nd cent. BC known as the satyr pouring wine by Greek sculptor Praxiteles circa 370-300 BC .  Inv  78294, The National Roman Museum, Rome, Italy
  • Roman statue of Silenus or Papposilenus from the mid 2nd cent. AD excavated from the Villa Spithoever, via Flavia, Rome, Italy. Papposilenus, the aged Silenus was tutor to Cionysus. In this statue he is portrayed with a hairy coat accentuating his wild nature. When the statue was complete it may have had its right arm held up grasping a bunch of grapes and a cup of wine in the left hand. The statue is copied from a late hellenistic original dating from 2nd cent. BC known as the satyr pouring wine by Greek sculptor Praxiteles circa 370-300 BC .  Inv  78294, The National Roman Museum, Rome, Italy
  • Roman statue of Silenus or Papposilenus from the mid 2nd cent. AD excavated from the Villa Spithoever, via Flavia, Rome, Italy. Papposilenus, the aged Silenus was tutor to Cionysus. In this statue he is portrayed with a hairy coat accentuating his wild nature. When the statue was complete it may have had its right arm held up grasping a bunch of grapes and a cup of wine in the left hand. The statue is copied from a late hellenistic original dating from 2nd cent. BC known as the satyr pouring wine by Greek sculptor Praxiteles circa 370-300 BC .  Inv  78294, The National Roman Museum, Rome, Italy
  • Roman statue of Silenus or Papposilenus from the mid 2nd cent. AD excavated from the Villa Spithoever, via Flavia, Rome, Italy. Papposilenus, the aged Silenus was tutor to Cionysus. In this statue he is portrayed with a hairy coat accentuating his wild nature. When the statue was complete it may have had its right arm held up grasping a bunch of grapes and a cup of wine in the left hand. The statue is copied from a late hellenistic original dating from 2nd cent. BC known as the satyr pouring wine by Greek sculptor Praxiteles circa 370-300 BC .  Inv  78294, The National Roman Museum, Rome, Italy
  • Roman statue of Silenus or Papposilenus from the mid 2nd cent. AD excavated from the Villa Spithoever, via Flavia, Rome, Italy. Papposilenus, the aged Silenus was tutor to Cionysus. In this statue he is portrayed with a hairy coat accentuating his wild nature. When the statue was complete it may have had its right arm held up grasping a bunch of grapes and a cup of wine in the left hand. The statue is copied from a late hellenistic original dating from 2nd cent. BC known as the satyr pouring wine by Greek sculptor Praxiteles circa 370-300 BC .  Inv  78294, The National Roman Museum, Rome, Italy
  • Roman statue of Silenus or Papposilenus from the mid 2nd cent. AD excavated from the Villa Spithoever, via Flavia, Rome, Italy. Papposilenus, the aged Silenus was tutor to Cionysus. In this statue he is portrayed with a hairy coat accentuating his wild nature. When the statue was complete it may have had its right arm held up grasping a bunch of grapes and a cup of wine in the left hand. The statue is copied from a late hellenistic original dating from 2nd cent. BC known as the satyr pouring wine by Greek sculptor Praxiteles circa 370-300 BC .  Inv  78294, The National Roman Museum, Rome, Italy
  • Rock Relief From Firaktin near the village of Gümüsören, Turkey.   king Hattusili III is also pouring a libation, a drink offering, to the Storm God god on the far left. 1275BC. A plaster cast from the Vorderasiatisches Museum, Pergamon Museum, Berlin
  • Roman statue of Silenus or Papposilenus from the mid 2nd cent. AD excavated from the Villa Spithoever, via Flavia, Rome, Italy. Papposilenus, the aged Silenus was tutor to Cionysus. In this statue he is portrayed with a hairy coat accentuating his wild nature. When the statue was complete it may have had its right arm held up grasping a bunch of grapes and a cup of wine in the left hand. The statue is copied from a late hellenistic original dating from 2nd cent. BC known as the satyr pouring wine by Greek sculptor Praxiteles circa 370-300 BC .  Inv  78294, The National Roman Museum, Rome, Italy
  • Roman statue of Silenus or Papposilenus from the mid 2nd cent. AD excavated from the Villa Spithoever, via Flavia, Rome, Italy. Papposilenus, the aged Silenus was tutor to Cionysus. In this statue he is portrayed with a hairy coat accentuating his wild nature. When the statue was complete it may have had its right arm held up grasping a bunch of grapes and a cup of wine in the left hand. The statue is copied from a late hellenistic original dating from 2nd cent. BC known as the satyr pouring wine by Greek sculptor Praxiteles circa 370-300 BC .  Inv  78294, The National Roman Museum, Rome, Italy
  • Roman statue of Silenus or Papposilenus from the mid 2nd cent. AD excavated from the Villa Spithoever, via Flavia, Rome, Italy. Papposilenus, the aged Silenus was tutor to Cionysus. In this statue he is portrayed with a hairy coat accentuating his wild nature. When the statue was complete it may have had its right arm held up grasping a bunch of grapes and a cup of wine in the left hand. The statue is copied from a late hellenistic original dating from 2nd cent. BC known as the satyr pouring wine by Greek sculptor Praxiteles circa 370-300 BC .  Inv  78294, The National Roman Museum, Rome, Italy
  • Roman statue of Silenus or Papposilenus from the mid 2nd cent. AD excavated from the Villa Spithoever, via Flavia, Rome, Italy. Papposilenus, the aged Silenus was tutor to Cionysus. In this statue he is portrayed with a hairy coat accentuating his wild nature. When the statue was complete it may have had its right arm held up grasping a bunch of grapes and a cup of wine in the left hand. The statue is copied from a late hellenistic original dating from 2nd cent. BC known as the satyr pouring wine by Greek sculptor Praxiteles circa 370-300 BC .  Inv  78294, The National Roman Museum, Rome, Italy
  • Roman statue of Silenus or Papposilenus from the mid 2nd cent. AD excavated from the Villa Spithoever, via Flavia, Rome, Italy. Papposilenus, the aged Silenus was tutor to Cionysus. In this statue he is portrayed with a hairy coat accentuating his wild nature. When the statue was complete it may have had its right arm held up grasping a bunch of grapes and a cup of wine in the left hand. The statue is copied from a late hellenistic original dating from 2nd cent. BC known as the satyr pouring wine by Greek sculptor Praxiteles circa 370-300 BC .  Inv  78294, The National Roman Museum, Rome, Italy
  • Roman statue of Silenus or Papposilenus from the mid 2nd cent. AD excavated from the Villa Spithoever, via Flavia, Rome, Italy. Papposilenus, the aged Silenus was tutor to Cionysus. In this statue he is portrayed with a hairy coat accentuating his wild nature. When the statue was complete it may have had its right arm held up grasping a bunch of grapes and a cup of wine in the left hand. The statue is copied from a late hellenistic original dating from 2nd cent. BC known as the satyr pouring wine by Greek sculptor Praxiteles circa 370-300 BC .  Inv  78294, The National Roman Museum, Rome, Italy
  • Roman statue of Silenus or Papposilenus from the mid 2nd cent. AD excavated from the Villa Spithoever, via Flavia, Rome, Italy. Papposilenus, the aged Silenus was tutor to Cionysus. In this statue he is portrayed with a hairy coat accentuating his wild nature. When the statue was complete it may have had its right arm held up grasping a bunch of grapes and a cup of wine in the left hand. The statue is copied from a late hellenistic original dating from 2nd cent. BC known as the satyr pouring wine by Greek sculptor Praxiteles circa 370-300 BC .  Inv  78294, The National Roman Museum, Rome, Italy
  • Roman statue of Silenus or Papposilenus from the mid 2nd cent. AD excavated from the Villa Spithoever, via Flavia, Rome, Italy. Papposilenus, the aged Silenus was tutor to Cionysus. In this statue he is portrayed with a hairy coat accentuating his wild nature. When the statue was complete it may have had its right arm held up grasping a bunch of grapes and a cup of wine in the left hand. The statue is copied from a late hellenistic original dating from 2nd cent. BC known as the satyr pouring wine by Greek sculptor Praxiteles circa 370-300 BC .  Inv  78294, The National Roman Museum, Rome, Italy
  • Roman statue of Silenus or Papposilenus from the mid 2nd cent. AD excavated from the Villa Spithoever, via Flavia, Rome, Italy. Papposilenus, the aged Silenus was tutor to Cionysus. In this statue he is portrayed with a hairy coat accentuating his wild nature. When the statue was complete it may have had its right arm held up grasping a bunch of grapes and a cup of wine in the left hand. The statue is copied from a late hellenistic original dating from 2nd cent. BC known as the satyr pouring wine by Greek sculptor Praxiteles circa 370-300 BC .  Inv  78294, The National Roman Museum, Rome, Italy
  • Roman statue of Silenus or Papposilenus from the mid 2nd cent. AD excavated from the Villa Spithoever, via Flavia, Rome, Italy. Papposilenus, the aged Silenus was tutor to Cionysus. In this statue he is portrayed with a hairy coat accentuating his wild nature. When the statue was complete it may have had its right arm held up grasping a bunch of grapes and a cup of wine in the left hand. The statue is copied from a late hellenistic original dating from 2nd cent. BC known as the satyr pouring wine by Greek sculptor Praxiteles circa 370-300 BC .  Inv  78294, The National Roman Museum, Rome, Italy
  • White Ground Kylix from a tomb in Delphi. Athenian 480-470 BC. Apollo depicted crowned in Myrtle Leaves, seated on a stool, with lion claw feet, dressed in a white peoples. In his left hand he has a liar and with his right hand he pours a libation from a naval-phiale. The Crow recalls his mythical love for the beautiful Aigle-Koroni, daughter of King Phlegyas. Delphi Archaeological museum.
  • White Ground Kylix from a tomb in Delphi. Athenian 480-470 BC. Apollo depicted crowned in Myrtle Leaves, seated on a stool, with lion claw feet, dressed in a white peoples. In his left hand he has a liar and with his right hand he pours a libation from a naval-phiale. The Crow recalls his mythical love for the beautiful Aigle-Koroni, daughter of King Phlegyas. Delphi Archaeological museum.
  • White Ground Kylix from a tomb in Delphi. Athenian 480-470 BC. Apollo depicted crowned in Myrtle Leaves, seated on a stool, with lion claw feet, dressed in a white peoples. In his left hand he has a liar and with his right hand he pours a libation from a naval-phiale. The Crow recalls his mythical love for the beautiful Aigle-Koroni, daughter of King Phlegyas. Delphi Archaeological museum.
  • White Ground Kylix from a tomb in Delphi. Athenian 480-470 BC. Apollo depicted crowned in Myrtle Leaves, seated on a stool, with lion claw feet, dressed in a white peoples. In his left hand he has a liar and with his right hand he pours a libation from a naval-phiale. The Crow recalls his mythical love for the beautiful Aigle-Koroni, daughter of King Phlegyas. Delphi Archaeological museum.
  • upright close up of a jam donut broken in half with fruit jam pouring out

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