• Maison Carrée, a ancient Roman temple built around 4-7 AD and dedicated to Julius Caesar, the best preserved example of a Roman temple,  Nimes, France
  • Corinthian Capitals of the Maison Carrée, a ancient Roman temple built around 4-7 AD and dedicated to Julius Caesar, the best preserved example of a Roman temple,  Nimes, France
  • Corinthian Capitals of the Maison Carrée, a ancient Roman temple built around 4-7 AD and dedicated to Julius Caesar, the best preserved example of a Roman temple,  Nimes, France
  • Corinthian Capitals of the Maison Carrée, a ancient Roman temple built around 4-7 AD and dedicated to Julius Caesar, the best preserved example of a Roman temple,  Nimes, France
  • Facade of the Maison Carrée, a ancient Roman temple built around 4-7 AD and dedicated to Julius Caesar, the best preserved example of a Roman temple,  Nimes, France
  • Exterior of the Maison Carrée, a ancient Roman temple built around 4-7 AD and dedicated to Julius Caesar, the best preserved example of a Roman temple,  Nimes, France
  • Exterior of the Maison Carrée, a ancient Roman temple built around 4-7 AD and dedicated to Julius Caesar, the best preserved example of a Roman temple,  Nimes, France
  • Facade of the Maison Carrée, a ancient Roman temple built around 4-7 AD and dedicated to Julius Caesar, the best preserved example of a Roman temple,  Nimes, France
  • Corinthian Capitals of the Maison Carrée, a ancient Roman temple built around 4-7 AD and dedicated to Julius Caesar, the best preserved example of a Roman temple,  Nimes, France
  • Facade of the Maison Carrée, a ancient Roman temple built around 4-7 AD and dedicated to Julius Caesar, the best preserved example of a Roman temple,  Nimes, France
  • Exterior of the Maison Carrée, a ancient Roman temple built around 4-7 AD and dedicated to Julius Caesar, the best preserved example of a Roman temple,  Nimes, France
  • Corinthian Capitals of the Maison Carrée, a ancient Roman temple built around 4-7 AD and dedicated to Julius Caesar, the best preserved example of a Roman temple,  Nimes, France
  • Original interior of the kitchen area with paet fire burning in The Blackhouse, 24 Arnol, Bragar, Isle of Lewis, Scotland.
  • Original interior of an isle of Lewis White house which replaced the Black hosuses on the Island, Scotland
  • Animal quarters in the original interior of The Blackhouse, 24 Arnol, Bragar, Isle of Lewis, Scotland.
  • Picture & image peat pile oustide the exterior with stone walls and thatched roof of The historic Blackhouse, 24 Arnol, Bragar, Isle of Lewis, Scotland.
  • Picture & image of the exterior with stone walls and thatched roof of The historic Blackhouse, 24 Arnol, Bragar, Isle of Lewis, Scotland.
  • Picture & image of the exterior with stone walls and thatched roof of The historic Blackhouse, 24 Arnol, Bragar, Isle of Lewis, Scotland.
  • Picture & image of the exterior with stone walls and thatched roof of The historic Blackhouse, 24 Arnol, Bragar, Isle of Lewis, Scotland.
  • Arena of Nemes, a Roman Ampitheatre built around 70 AD during the reign of Emperor Augustus, Nimes, France
  • Arena of Nemes, a Roman Ampitheatre built around 70 AD during the reign of Emperor Augustus, Nimes, France
  • Arena of Nemes, a Roman Ampitheatre built around 70 AD during the reign of Emperor Augustus, Nimes, France
  • Interior of the Arena of Nemes, a Roman Ampitheatre built around 70 AD during the reign of Emperor Augustus, Nimes, France
  • Arena of Nemes, a Roman Ampitheatre built around 70 AD during the reign of Emperor Augustus, Nimes, France
  • Interior of the Arena of Nemes, a Roman Ampitheatre built around 70 AD during the reign of Emperor Augustus, Nimes, France
  • Corn cobs drying - Hungary
  • Punets of fresh organic Quail, duck & Chicken eggs
  • Fresh cobs of Maize, Corn Sweetcorn photos
  • Fresh cobs of Maize, Corn Sweetcorn photos
  • Fresh cobs of Maize, Corn Sweetcorn photos
  • Fresh cobs of Maize, Corn Sweetcorn photos
  • Fresh cobs of Maize, Corn Sweetcorn photos
  • Pickled vegetables - Hungarian
  • Pickled eggs
  • Original interior of the kitchen area with paet fire burning in The Blackhouse, 24 Arnol, Bragar, Isle of Lewis, Scotland.
  • Original interior of the kitchen area with paet fire burning in The Blackhouse, 24 Arnol, Bragar, Isle of Lewis, Scotland.
  • Original interior of the kitchen area with paet fire burning in The Blackhouse, 24 Arnol, Bragar, Isle of Lewis, Scotland.
  • Hen coupe in the store room  of The Blackhouse, 24 Arnol, Bragar, Isle of Lewis, Scotland.
  • Original bedroom interior with original box-beds of The Blackhouse, 24 Arnol, Bragar, Isle of Lewis, Scotland.
  • Picture & image of the exterior with stone walls and thatched roof of The historic Blackhouse, 24 Arnol, Bragar, Isle of Lewis, Scotland.
  • Picture & image of the exterior with stone walls and thatched roof of The historic Blackhouse, 24 Arnol, Bragar, Isle of Lewis, Scotland.
  • Arena of Nemes, a Roman Ampitheatre built around 70 AD during the reign of Emperor Augustus, Nimes, France
  • Interior of the Arena of Nemes, a Roman Ampitheatre built around 70 AD during the reign of Emperor Augustus, Nimes, France
  • Interior of the Arena of Nemes, a Roman Ampitheatre built around 70 AD during the reign of Emperor Augustus, Nimes, France
  • Arena of Nemes, a Roman Ampitheatre built around 70 AD during the reign of Emperor Augustus, Nimes, France
  • Arena of Nemes, a Roman Ampitheatre built around 70 AD during the reign of Emperor Augustus, Nimes, France
  • Arena of Nemes, a Roman Ampitheatre built around 70 AD during the reign of Emperor Augustus, Nimes, France
  • One coloured egg in a tray of black & white eggs
  • Corn cobs drying - Hungary
  • Fresh cobs of Maize, Corn Sweetcorn photos
  • Fresh cobs of Maize, Corn Sweetcorn photos
  • Fresh cobs of Maize, Corn Sweetcorn photos
  • Corn cobs drying - Hungary
  • Corn cobs drying - Hungary
  • Corn cobs drying - Hungary
  • Fresh cobs of Maize, Corn Sweetcorn photos
  • Traditional British pickeled eggs in a pub setting
  • Fresh cobs of Maize, Corn Sweetcorn photos
  • Fresh cobs of Maize, Corn Sweetcorn photos
  • Fresh cobs of Maize, Corn Sweetcorn photos
  • Pickled eggs
  • Pickled eggs
  • Pictures and images of St Nicholas Church in the historic medieval Kintsvisi Monastery Georgian Orthodox Monastery complex, Shida Kartli Region, Georgia (country).<br />
<br />
Kintsvisi Monastery is the best preserved example of Georgian architecture of the 12th and 15th centuries, the so called Georgian Golden Age.
  • The Broch of Gurness is a rare example of a well preserved iron age Broch village. Dating from 500 to 200BC the central round tower probably reached 10 meters (30ft). This was surrounded by thatched roofed houses. The settlement was surrounded by walls and two deep ditches. Gurness was probably the most important settlement on Orkney 2000 years ago.
  • The Broch of Gurness is a rare example of a well preserved iron age Broch village. Dating from 500 to 200BC the central round tower probably reached 10 meters (30ft). This was surrounded by thatched roofed houses. The settlement was surrounded by walls and two deep ditches. Gurness was probably the most important settlement on Orkney 2000 years ago.
  • The Broch of Gurness is a rare example of a well preserved iron age Broch village. Dating from 500 to 200BC the central round tower probably reached 10 meters (30ft). This was surrounded by thatched roofed houses. The settlement was surrounded by walls and two deep ditches. Gurness was probably the most important settlement on Orkney 2000 years ago.
  • The Broch of Gurness is a rare example of a well preserved iron age Broch village. Dating from 500 to 200BC the central round tower probably reached 10 meters (30ft). This was surrounded by thatched roofed houses. The settlement was surrounded by walls and two deep ditches. Gurness was probably the most important settlement on Orkney 2000 years ago.
  • The Broch of Gurness is a rare example of a well preserved iron age Broch village. Dating from 500 to 200BC the central round tower probably reached 10 meters (30ft). This was surrounded by thatched roofed houses. The settlement was surrounded by walls and two deep ditches. Gurness was probably the most important settlement on Orkney 2000 years ago.
  • The Broch of Gurness is a rare example of a well preserved iron age Broch village. Dating from 500 to 200BC the central round tower probably reached 10 meters (30ft). This was surrounded by thatched roofed houses. The settlement was surrounded by walls and two deep ditches. Gurness was probably the most important settlement on Orkney 2000 years ago.
  • The Broch of Gurness is a rare example of a well preserved iron age Broch village. Dating from 500 to 200BC the central round tower probably reached 10 meters (30ft). This was surrounded by thatched roofed houses. The settlement was surrounded by walls and two deep ditches. Gurness was probably the most important settlement on Orkney 2000 years ago.
  • The Broch of Gurness is a rare example of a well preserved iron age Broch village. Dating from 500 to 200BC the central round tower probably reached 10 meters (30ft). This was surrounded by thatched roofed houses. The settlement was surrounded by walls and two deep ditches. Gurness was probably the most important settlement on Orkney 2000 years ago.
  • The Broch of Gurness is a rare example of a well preserved iron age Broch village. Dating from 500 to 200BC the central round tower probably reached 10 meters (30ft). This was surrounded by thatched roofed houses. The settlement was surrounded by walls and two deep ditches. Gurness was probably the most important settlement on Orkney 2000 years ago.
  • The Broch of Gurness is a rare example of a well preserved iron age Broch village. Dating from 500 to 200BC the central round tower probably reached 10 meters (30ft). This was surrounded by thatched roofed houses. The settlement was surrounded by walls and two deep ditches. Gurness was probably the most important settlement on Orkney 2000 years ago.
  • Nasturtium seeds being prepared & pickled
  • Nasturtium seeds being prepared & pickled
  • Nasturtium seeds being prepared & pickled
  • Nasturtium seeds being prepared & pickled
  • Nasturtium seeds being prepared & pickled
  • The Roman Theatre of Aspendos, Turkey.  Built in 155 AD during the rule of Marcus Aurelius, Aspendos Theatre is the best preserved ancient theatre in Asia Minor. 96 metres in diameter it can seat 7000 the csaenae frond or backdrop wall is still intact. Following Hellenistic traditions the theatre is built into the hillside below the Acropolis.
  • "Charioteer of Delphi" 470 BC. The "Charioteer of Delphi" is one of the best known ancient Greek statues, and one of the best preserved examples of classical bronze casts. It is considered a fine example of the "Severe" style. Delphi Archaeological Museum.
  • Greek Classical Period Bronze Statue of Zeus or Poseidon found in the sea of Cape Artemision of the north Eastern Euboea Island, Greece.  The God is shown in a great stride about to throw either a trident of a thunderbolt that is now missing from his right hand. The statue is one of the only preserved statues of the preserved style with exquisite rendering of motion & anatomy. The identity of the statue is controversial and is probably more likely to be Zeus rather than Poseidon. 460 BC Ref No X15161 Athens Archaeological Museum
  • Roman sculpture of a Discus Thrower, Paros marble made in the mid 2nd cent AD excavated from the Villa Palombara, Esquilino, Rome. The Disus Thrower statue is almost the only fully preserved example of its type, the statue is a faithful copy of one of the most admired works of antiquity; the bronze discobolus by Greek sculptor Myron circa 450 BC. The statue depicts the moment preceding the release of the discus, the athlete appears to move in the surrounding space with a complex action, exemplifying the Hellenistic experimentation of the plastic reprentation of the human body. Inv 126371, The National Roman Museum, Rome, Italy
  • Roman sculpture of a Discus Thrower, Paros marble made in the mid 2nd cent AD excavated from the Villa Palombara, Esquilino, Rome. The Disus Thrower statue is almost the only fully preserved example of its type, the statue is a faithful copy of one of the most admired works of antiquity; the bronze discobolus by Greek sculptor Myron circa 450 BC. The statue depicts the moment preceding the release of the discus, the athlete appears to move in the surrounding space with a complex action, exemplifying the Hellenistic experimentation of the plastic reprentation of the human body. Inv 126371, The National Roman Museum, Rome, Italy
  • Roman sculpture of a Discus Thrower, Paros marble made in the mid 2nd cent AD excavated from the Villa Palombara, Esquilino, Rome. The Disus Thrower statue is almost the only fully preserved example of its type, the statue is a faithful copy of one of the most admired works of antiquity; the bronze discobolus by Greek sculptor Myron circa 450 BC. The statue depicts the moment preceding the release of the discus, the athlete appears to move in the surrounding space with a complex action, exemplifying the Hellenistic experimentation of the plastic reprentation of the human body. Inv 126371, The National Roman Museum, Rome, Italy
  • The Broch of Gurness is a rare example of a well preserved brooch village. Dating from 500 to 200BC the central round tower probably reached 10 meters. This was surrounded by thatched roofed houses. The settlement was surrounded by walls and two deep ditches. Gurness was probably the most important settlement on Orkney 2000 years ago. Mainland Orkney, Scotland.
  • Roman sculpture of a Discus Thrower, Paros marble made in the mid 2nd cent AD excavated from the Villa Palombara, Esquilino, Rome. The Disus Thrower statue is almost the only fully preserved example of its type, the statue is a faithful copy of one of the most admired works of antiquity; the bronze discobolus by Greek sculptor Myron circa 450 BC. The statue depicts the moment preceding the release of the discus, the athlete appears to move in the surrounding space with a complex action, exemplifying the Hellenistic experimentation of the plastic reprentation of the human body. Inv 126371, The National Roman Museum, Rome, Italy
  • The Roman Theatre of Aspendos, Turkey.  Built in 155 AD during the rule of Marcus Aurelius, Aspendos Theatre is the best preserved ancient theatre in Asia Minor. 96 metres in diameter it can seat 7000 the csaenae frond or backdrop wall is still intact. Following Hellenistic traditions the theatre is built into the hillside below the Acropolis.
  • The Roman Theatre of Aspendos, Turkey.  Built in 155 AD during the rule of Marcus Aurelius, Aspendos Theatre is the best preserved ancient theatre in Asia Minor. 96 metres in diameter it can seat 7000 the csaenae frond or backdrop wall is still intact. Following Hellenistic traditions the theatre is built into the hillside below the Acropolis.
  • The Roman Theatre of Aspendos, Turkey.  Built in 155 AD during the rule of Marcus Aurelius, Aspendos Theatre is the best preserved ancient theatre in Asia Minor. 96 metres in diameter it can seat 7000 the csaenae frond or backdrop wall is still intact. Following Hellenistic traditions the theatre is built into the hillside below the Acropolis.
  • The Roman Theatre of Aspendos, Turkey.  Built in 155 AD during the rule of Marcus Aurelius, Aspendos Theatre is the best preserved ancient theatre in Asia Minor. 96 metres in diameter it can seat 7000 the csaenae frond or backdrop wall is still intact. Following Hellenistic traditions the theatre is built into the hillside below the Acropolis.
  • "Charioteer of Delphi" 470 BC. The "Charioteer of Delphi" is one of the best known ancient Greek statues, and one of the best preserved examples of classical bronze casts. It is considered a fine example of the "Severe" style. Delphi Archaeological Museum.
  • "Charioteer of Delphi" 470 BC. The "Charioteer of Delphi" is one of the best known ancient Greek statues, and one of the best preserved examples of classical bronze casts. It is considered a fine example of the "Severe" style. Delphi Archaeological Museum.
  • "Charioteer of Delphi" 470 BC. The "Charioteer of Delphi" is one of the best known ancient Greek statues, and one of the best preserved examples of classical bronze casts. It is considered a fine example of the "Severe" style. Delphi Archaeological Museum.
  • "Charioteer of Delphi" 470 BC. The "Charioteer of Delphi" is one of the best known ancient Greek statues, and one of the best preserved examples of classical bronze casts. It is considered a fine example of the "Severe" style. Delphi Archaeological Museum.
  • "Charioteer of Delphi" 470 BC. The "Charioteer of Delphi" is one of the best known ancient Greek statues, and one of the best preserved examples of classical bronze casts. It is considered a fine example of the "Severe" style. Delphi Archaeological Museum.
  • "Charioteer of Delphi" 470 BC. The "Charioteer of Delphi" is one of the best known ancient Greek statues, and one of the best preserved examples of classical bronze casts. It is considered a fine example of the "Severe" style. Delphi Archaeological Museum.
  • "Charioteer of Delphi" 470 BC. The "Charioteer of Delphi" is one of the best known ancient Greek statues, and one of the best preserved examples of classical bronze casts. It is considered a fine example of the "Severe" style. Delphi Archaeological Museum.
  • "Charioteer of Delphi" 470 BC. The "Charioteer of Delphi" is one of the best known ancient Greek statues, and one of the best preserved examples of classical bronze casts. It is considered a fine example of the "Severe" style. Delphi Archaeological Museum.
  • "Charioteer of Delphi" 470 BC. The "Charioteer of Delphi" is one of the best known ancient Greek statues, and one of the best preserved examples of classical bronze casts. It is considered a fine example of the "Severe" style. Delphi Archaeological Museum.
  • Greek Classical Period Bronze Statue of Zeus or Poseidon found in the sea of Cape Artemision of the north Eastern Euboea Island, Greece.  The God is shown in a great stride about to throw either a trident of a thunderbolt that is now missing from his right hand. The statue is one of the only preserved statues of the preserved style with exquisite rendering of motion & anatomy. The identity of the statue is controversial and is probably more likely to be Zeus rather than Poseidon. 460 BC Ref No X15161 Athens Archaeological Museum
  • Greek Classical Period Bronze Statue of Zeus or Poseidon found in the sea of Cape Artemision of the north Eastern Euboea Island, Greece.  The God is shown in a great stride about to throw either a trident of a thunderbolt that is now missing from his right hand. The statue is one of the only preserved statues of the preserved style with exquisite rendering of motion & anatomy. The identity of the statue is controversial and is probably more likely to be Zeus rather than Poseidon. 460 BC Ref No X15161 Athens Archaeological Museum
  • Greek Classical Period Bronze Statue of Zeus or Poseidon found in the sea of Cape Artemision of the north Eastern Euboea Island, Greece.  The God is shown in a great stride about to throw either a trident of a thunderbolt that is now missing from his right hand. The statue is one of the only preserved statues of the preserved style with exquisite rendering of motion & anatomy. The identity of the statue is controversial and is probably more likely to be Zeus rather than Poseidon. 460 BC Ref No X15161 Athens Archaeological Museum
  • Greek Classical Period Bronze Statue of Zeus or Poseidon found in the sea of Cape Artemision of the north Eastern Euboea Island, Greece.  The God is shown in a great stride about to throw either a trident of a thunderbolt that is now missing from his right hand. The statue is one of the only preserved statues of the preserved style with exquisite rendering of motion & anatomy. The identity of the statue is controversial and is probably more likely to be Zeus rather than Poseidon. 460 BC Ref No X15161 Athens Archaeological Museum
  • "Charioteer of Delphi" 470 BC. The "Charioteer of Delphi" is one of the best known ancient Greek statues, and one of the best preserved examples of classical bronze casts. It is considered a fine example of the "Severe" style. Delphi Archaeological Museum.
  • "Charioteer of Delphi" 470 BC. The "Charioteer of Delphi" is one of the best known ancient Greek statues, and one of the best preserved examples of classical bronze casts. It is considered a fine example of the "Severe" style. Delphi Archaeological Museum.
  • "Charioteer of Delphi" 470 BC. The "Charioteer of Delphi" is one of the best known ancient Greek statues, and one of the best preserved examples of classical bronze casts. It is considered a fine example of the "Severe" style. Delphi Archaeological Museum.
  • "Charioteer of Delphi" 470 BC. The "Charioteer of Delphi" is one of the best known ancient Greek statues, and one of the best preserved examples of classical bronze casts. It is considered a fine example of the "Severe" style. Delphi Archaeological Museum.
  • "Charioteer of Delphi" 470 BC. The "Charioteer of Delphi" is one of the best known ancient Greek statues, and one of the best preserved examples of classical bronze casts. It is considered a fine example of the "Severe" style. Delphi Archaeological Museum.
  • "Charioteer of Delphi" 470 BC. The "Charioteer of Delphi" is one of the best known ancient Greek statues, and one of the best preserved examples of classical bronze casts. It is considered a fine example of the "Severe" style. Delphi Archaeological Museum.
  • Roman sculpture of a Discus Thrower, Paros marble made in the mid 2nd cent AD excavated from the Villa Palombara, Esquilino, Rome. The Disus Thrower statue is almost the only fully preserved example of its type, the statue is a faithful copy of one of the most admired works of antiquity; the bronze discobolus by Greek sculptor Myron circa 450 BC. The statue depicts the moment preceding the release of the discus, the athlete appears to move in the surrounding space with a complex action, exemplifying the Hellenistic experimentation of the plastic reprentation of the human body. Inv 126371, The National Roman Museum, Rome, Italy
  • Roman sculpture of a Discus Thrower, Paros marble made in the mid 2nd cent AD excavated from the Villa Palombara, Esquilino, Rome. The Disus Thrower statue is almost the only fully preserved example of its type, the statue is a faithful copy of one of the most admired works of antiquity; the bronze discobolus by Greek sculptor Myron circa 450 BC. The statue depicts the moment preceding the release of the discus, the athlete appears to move in the surrounding space with a complex action, exemplifying the Hellenistic experimentation of the plastic reprentation of the human body. Inv 126371, The National Roman Museum, Rome, Italy
  • Roman sculpture of a Discus Thrower, Paros marble made in the mid 2nd cent AD excavated from the Villa Palombara, Esquilino, Rome. The Disus Thrower statue is almost the only fully preserved example of its type, the statue is a faithful copy of one of the most admired works of antiquity; the bronze discobolus by Greek sculptor Myron circa 450 BC. The statue depicts the moment preceding the release of the discus, the athlete appears to move in the surrounding space with a complex action, exemplifying the Hellenistic experimentation of the plastic reprentation of the human body. Inv 126371, The National Roman Museum, Rome, Italy
  • Roman sculpture of a Discus Thrower, Paros marble made in the mid 2nd cent AD excavated from the Villa Palombara, Esquilino, Rome. The Disus Thrower statue is almost the only fully preserved example of its type, the statue is a faithful copy of one of the most admired works of antiquity; the bronze discobolus by Greek sculptor Myron circa 450 BC. The statue depicts the moment preceding the release of the discus, the athlete appears to move in the surrounding space with a complex action, exemplifying the Hellenistic experimentation of the plastic reprentation of the human body. Inv 126371, The National Roman Museum, Rome, Italy
  • The Broch of Gurness is a rare example of a well preserved brooch village. Dating from 500 to 200BC the central round tower probably reached 10 meters. This was surrounded by thatched roofed houses. The settlement was surrounded by walls and two deep ditches. Gurness was probably the most important settlement on Orkney 2000 years ago. Mainland Orkney, Scotland.
  • The Broch of Gurness is a rare example of a well preserved brooch village. Dating from 500 to 200BC the central round tower probably reached 10 meters. This was surrounded by thatched roofed houses. The settlement was surrounded by walls and two deep ditches. Gurness was probably the most important settlement on Orkney 2000 years ago. Mainland Orkney, Scotland.
  • The Broch of Gurness is a rare example of a well preserved brooch village. Dating from 500 to 200BC the central round tower probably reached 10 meters. This was surrounded by thatched roofed houses. The settlement was surrounded by walls and two deep ditches. Gurness was probably the most important settlement on Orkney 2000 years ago. Mainland Orkney, Scotland.
  • The Broch of Gurness is a rare example of a well preserved brooch village. Dating from 500 to 200BC the central round tower probably reached 10 meters. This was surrounded by thatched roofed houses. The settlement was surrounded by walls and two deep ditches. Gurness was probably the most important settlement on Orkney 2000 years ago. Mainland Orkney, Scotland.
  • The Broch of Gurness is a rare example of a well preserved brooch village. Dating from 500 to 200BC the central round tower probably reached 10 meters. This was surrounded by thatched roofed houses. The settlement was surrounded by walls and two deep ditches. Gurness was probably the most important settlement on Orkney 2000 years ago. Mainland Orkney, Scotland.
  • The Broch of Gurness is a rare example of a well preserved brooch village. Dating from 500 to 200BC the central round tower probably reached 10 meters. This was surrounded by thatched roofed houses. The settlement was surrounded by walls and two deep ditches. Gurness was probably the most important settlement on Orkney 2000 years ago. Mainland Orkney, Scotland.
  • The Broch of Gurness is a rare example of a well preserved brooch village. Dating from 500 to 200BC the central round tower probably reached 10 meters. This was surrounded by thatched roofed houses. The settlement was surrounded by walls and two deep ditches. Gurness was probably the most important settlement on Orkney 2000 years ago. Mainland Orkney, Scotland.
  • The Broch of Gurness is a rare example of a well preserved brooch village. Dating from 500 to 200BC the central round tower probably reached 10 meters. This was surrounded by thatched roofed houses. The settlement was surrounded by walls and two deep ditches. Gurness was probably the most important settlement on Orkney 2000 years ago. Mainland Orkney, Scotland.
  • The Broch of Gurness is a rare example of a well preserved brooch village. Dating from 500 to 200BC the central round tower probably reached 10 meters. This was surrounded by thatched roofed houses. The settlement was surrounded by walls and two deep ditches. Gurness was probably the most important settlement on Orkney 2000 years ago. Mainland Orkney, Scotland.
  • The Broch of Gurness is a rare example of a well preserved brooch village. Dating from 500 to 200BC the central round tower probably reached 10 meters. This was surrounded by thatched roofed houses. The settlement was surrounded by walls and two deep ditches. Gurness was probably the most important settlement on Orkney 2000 years ago. Mainland Orkney, Scotland.
  • Roman sculpture of a Discus Thrower, Paros marble made in the mid 2nd cent AD excavated from the Villa Palombara, Esquilino, Rome. The Disus Thrower statue is almost the only fully preserved example of its type, the statue is a faithful copy of one of the most admired works of antiquity; the bronze discobolus by Greek sculptor Myron circa 450 BC. The statue depicts the moment preceding the release of the discus, the athlete appears to move in the surrounding space with a complex action, exemplifying the Hellenistic experimentation of the plastic reprentation of the human body. Inv 126371, The National Roman Museum, Rome, Italy
  • Roman sculpture of a Discus Thrower, Paros marble made in the mid 2nd cent AD excavated from the Villa Palombara, Esquilino, Rome. The Disus Thrower statue is almost the only fully preserved example of its type, the statue is a faithful copy of one of the most admired works of antiquity; the bronze discobolus by Greek sculptor Myron circa 450 BC. The statue depicts the moment preceding the release of the discus, the athlete appears to move in the surrounding space with a complex action, exemplifying the Hellenistic experimentation of the plastic reprentation of the human body. Inv 126371, The National Roman Museum, Rome, Italy
  • Roman sculpture of a Discus Thrower, Paros marble made in the mid 2nd cent AD excavated from the Villa Palombara, Esquilino, Rome. The Disus Thrower statue is almost the only fully preserved example of its type, the statue is a faithful copy of one of the most admired works of antiquity; the bronze discobolus by Greek sculptor Myron circa 450 BC. The statue depicts the moment preceding the release of the discus, the athlete appears to move in the surrounding space with a complex action, exemplifying the Hellenistic experimentation of the plastic reprentation of the human body. Inv 126371, The National Roman Museum, Rome, Italy
  • Roman sculpture of a Discus Thrower, Paros marble made in the mid 2nd cent AD excavated from the Villa Palombara, Esquilino, Rome. The Disus Thrower statue is almost the only fully preserved example of its type, the statue is a faithful copy of one of the most admired works of antiquity; the bronze discobolus by Greek sculptor Myron circa 450 BC. The statue depicts the moment preceding the release of the discus, the athlete appears to move in the surrounding space with a complex action, exemplifying the Hellenistic experimentation of the plastic reprentation of the human body. Inv 126371, The National Roman Museum, Rome, Italy
  • Roman sculpture of a Discus Thrower, Paros marble made in the mid 2nd cent AD excavated from the Villa Palombara, Esquilino, Rome. The Disus Thrower statue is almost the only fully preserved example of its type, the statue is a faithful copy of one of the most admired works of antiquity; the bronze discobolus by Greek sculptor Myron circa 450 BC. The statue depicts the moment preceding the release of the discus, the athlete appears to move in the surrounding space with a complex action, exemplifying the Hellenistic experimentation of the plastic reprentation of the human body. Inv 126371, The National Roman Museum, Rome, Italy
  • Roman sculpture of a Discus Thrower, Paros marble made in the mid 2nd cent AD excavated from the Villa Palombara, Esquilino, Rome. The Disus Thrower statue is almost the only fully preserved example of its type, the statue is a faithful copy of one of the most admired works of antiquity; the bronze discobolus by Greek sculptor Myron circa 450 BC. The statue depicts the moment preceding the release of the discus, the athlete appears to move in the surrounding space with a complex action, exemplifying the Hellenistic experimentation of the plastic reprentation of the human body. Inv 126371, The National Roman Museum, Rome, Italy
  • The Roman Theatre of Aspendos, Turkey.  Built in 155 AD during the rule of Marcus Aurelius, Aspendos Theatre is the best preserved ancient theatre in Asia Minor. 96 metres in diameter it can seat 7000 the csaenae frond or backdrop wall is still intact. Following Hellenistic traditions the theatre is built into the hillside below the Acropolis.
  • The Roman Theatre of Aspendos, Turkey.  Built in 155 AD during the rule of Marcus Aurelius, Aspendos Theatre is the best preserved ancient theatre in Asia Minor. 96 metres in diameter it can seat 7000 the csaenae frond or backdrop wall is still intact. Following Hellenistic traditions the theatre is built into the hillside below the Acropolis.
  • The Roman Theatre of Aspendos, Turkey.  Built in 155 AD during the rule of Marcus Aurelius, Aspendos Theatre is the best preserved ancient theatre in Asia Minor. 96 metres in diameter it can seat 7000 the csaenae frond or backdrop wall is still intact. Following Hellenistic traditions the theatre is built into the hillside below the Acropolis.
  • "Charioteer of Delphi" 470 BC. The "Charioteer of Delphi" is one of the best known ancient Greek statues, and one of the best preserved examples of classical bronze casts. It is considered a fine example of the "Severe" style. Delphi Archaeological Museum.
  • "Charioteer of Delphi" 470 BC. The "Charioteer of Delphi" is one of the best known ancient Greek statues, and one of the best preserved examples of classical bronze casts. It is considered a fine example of the "Severe" style. Delphi Archaeological Museum.
  • "Charioteer of Delphi" 470 BC. The "Charioteer of Delphi" is one of the best known ancient Greek statues, and one of the best preserved examples of classical bronze casts. It is considered a fine example of the "Severe" style. Delphi Archaeological Museum.
  • "Charioteer of Delphi" 470 BC. The "Charioteer of Delphi" is one of the best known ancient Greek statues, and one of the best preserved examples of classical bronze casts. It is considered a fine example of the "Severe" style. Delphi Archaeological Museum.
  • "Charioteer of Delphi" 470 BC. The "Charioteer of Delphi" is one of the best known ancient Greek statues, and one of the best preserved examples of classical bronze casts. It is considered a fine example of the "Severe" style. Delphi Archaeological Museum.
  • Greek Classical Period Bronze Statue of Zeus or Poseidon found in the sea of Cape Artemision of the north Eastern Euboea Island, Greece.  The God is shown in a great stride about to throw either a trident of a thunderbolt that is now missing from his right hand. The statue is one of the only preserved statues of the preserved style with exquisite rendering of motion & anatomy. The identity of the statue is controversial and is probably more likely to be Zeus rather than Poseidon. 460 BC Ref No X15161 Athens Archaeological Museum
  • Greek Classical Period Bronze Statue of Zeus or Poseidon found in the sea of Cape Artemision of the north Eastern Euboea Island, Greece.  The God is shown in a great stride about to throw either a trident of a thunderbolt that is now missing from his right hand. The statue is one of the only preserved statues of the preserved style with exquisite rendering of motion & anatomy. The identity of the statue is controversial and is probably more likely to be Zeus rather than Poseidon. 460 BC Ref No X15161 Athens Archaeological Museum
  • Greek Classical Period Bronze Statue of Zeus or Poseidon found in the sea of Cape Artemision of the north Eastern Euboea Island, Greece.  The God is shown in a great stride about to throw either a trident of a thunderbolt that is now missing from his right hand. The statue is one of the only preserved statues of the preserved style with exquisite rendering of motion & anatomy. The identity of the statue is controversial and is probably more likely to be Zeus rather than Poseidon. 460 BC Ref No X15161 Athens Archaeological Museum
  • Greek Classical Period Bronze Statue of Zeus or Poseidon found in the sea of Cape Artemision of the north Eastern Euboea Island, Greece.  The God is shown in a great stride about to throw either a trident of a thunderbolt that is now missing from his right hand. The statue is one of the only preserved statues of the preserved style with exquisite rendering of motion & anatomy. The identity of the statue is controversial and is probably more likely to be Zeus rather than Poseidon. 460 BC Ref No X15161 Athens Archaeological Museum
  • Greek Classical Period Bronze Statue of Zeus or Poseidon found in the sea of Cape Artemision of the north Eastern Euboea Island, Greece.  The God is shown in a great stride about to throw either a trident of a thunderbolt that is now missing from his right hand. The statue is one of the only preserved statues of the preserved style with exquisite rendering of motion & anatomy. The identity of the statue is controversial and is probably more likely to be Zeus rather than Poseidon. 460 BC Ref No X15161 Athens Archaeological Museum
  • The Roman Theatre of Aspendos, Turkey.  Built in 155 AD during the rule of Marcus Aurelius, Aspendos Theatre is the best preserved ancient theatre in Asia Minor. 96 metres in diameter it can seat 7000 the csaenae frond or backdrop wall is still intact. Following Hellenistic traditions the theatre is built into the hillside below the Acropolis.
  • Roman sculpture of a Discus Thrower, Paros marble made in the mid 2nd cent AD excavated from the Villa Palombara, Esquilino, Rome. The Disus Thrower statue is almost the only fully preserved example of its type, the statue is a faithful copy of one of the most admired works of antiquity; the bronze discobolus by Greek sculptor Myron circa 450 BC. The statue depicts the moment preceding the release of the discus, the athlete appears to move in the surrounding space with a complex action, exemplifying the Hellenistic experimentation of the plastic reprentation of the human body. Inv 126371, The National Roman Museum, Rome, Italy
  • Roman sculpture of a Discus Thrower, Paros marble made in the mid 2nd cent AD excavated from the Villa Palombara, Esquilino, Rome. The Discus Thrower statue is almost the only fully preserved example of its type, the statue is a faithful copy of one of the most admired works of antiquity; the bronze discobolus by Greek sculptor Myron circa 450 BC. The statue depicts the moment preceding the release of the discus, the athlete appears to move in the surrounding space with a complex action, exemplifying the Hellenistic experimentation of the plastic reprentation of the human body. Inv 126371, The National Roman Museum, Rome, Italy
  • Roman sculpture of a Discus Thrower, Paros marble made in the mid 2nd cent AD excavated from the Villa Palombara, Esquilino, Rome. The Disus Thrower statue is almost the only fully preserved example of its type, the statue is a faithful copy of one of the most admired works of antiquity; the bronze discobolus by Greek sculptor Myron circa 450 BC. The statue depicts the moment preceding the release of the discus, the athlete appears to move in the surrounding space with a complex action, exemplifying the Hellenistic experimentation of the plastic reprentation of the human body. Inv 126371, The National Roman Museum, Rome, Italy
  • The Roman Theatre of Aspendos, Turkey.  Built in 155 AD during the rule of Marcus Aurelius, Aspendos Theatre is the best preserved ancient theatre in Asia Minor. 96 metres in diameter it can seat 7000 the csaenae frond or backdrop wall is still intact. Following Hellenistic traditions the theatre is built into the hillside below the Acropolis.
  • "Charioteer of Delphi" 470 BC. The "Charioteer of Delphi" is one of the best known ancient Greek statues, and one of the best preserved examples of classical bronze casts. It is considered a fine example of the "Severe" style. Delphi Archaeological Museum.
  • Stone medieval Svaneti tower houses of Murkmeli, Upper Svaneti, Samegrelo-Zemo Svaneti, Mestia, Georgia.  Murkmeli is a village near Ushguli is a group of four remote villages. At 2,200 m (7217 ft) above sea level in the Caucasus mountains these are the highest inhabited villages in Europe. Murkmeli has well preserved stone Svanetian defensive tower houses attached to stone family houses. A UNESCO World Heritage Site.
  • Stone medieval Svaneti tower houses of Murkmeli, Upper Svaneti, Samegrelo-Zemo Svaneti, Mestia, Georgia.  Murkmeli is a village near Ushguli is a group of four remote villages. At 2,200 m (7217 ft) above sea level in the Caucasus mountains these are the highest inhabited villages in Europe. Murkmeli has well preserved stone Svanetian defensive tower houses attached to stone family houses. A UNESCO World Heritage Site.
  • Stone medieval Svaneti tower houses of Murkmeli, Upper Svaneti, Samegrelo-Zemo Svaneti, Mestia, Georgia.  Murkmeli is a village near Ushguli is a group of four remote villages. At 2,200 m (7217 ft) above sea level in the Caucasus mountains these are the highest inhabited villages in Europe. Murkmeli has well preserved stone Svanetian defensive tower houses attached to stone family houses. A UNESCO World Heritage Site.
  • Stone medieval Svaneti tower houses of Murkmeli, Upper Svaneti, Samegrelo-Zemo Svaneti, Mestia, Georgia.  Murkmeli is a village near Ushguli is a group of four remote villages. At 2,200 m (7217 ft) above sea level in the Caucasus mountains these are the highest inhabited villages in Europe. Murkmeli has well preserved stone Svanetian defensive tower houses attached to stone family houses. A UNESCO World Heritage Site.
  • Stone medieval Svaneti tower houses of Murkmeli, Upper Svaneti, Samegrelo-Zemo Svaneti, Mestia, Georgia.  Murkmeli is a village near Ushguli is a group of four remote villages. At 2,200 m (7217 ft) above sea level in the Caucasus mountains these are the highest inhabited villages in Europe. Murkmeli has well preserved stone Svanetian defensive tower houses attached to stone family houses. A UNESCO World Heritage Site.
  • Pictures & imagse of the interior frescoes depicting the Assumption of the Virgin in the Timotesubani medieval Orthodox monastery Church of the Holy Dormition (Assumption), dedcated to the Virgin Mary, 1184-1213, Samtskhe-Javakheti region, Georgia (country).<br />
<br />
Built during the reigh of Queen Tamar during the “Golden Age of Georgia”, Timotesubani Church of the Holy Dormition is one of the most important examples of medieval Georgian architecture and art. <br />
<br />
The interior frescoes of date from the 11th - 13th century so the Timotesubani church of the Dormition is a treasure trove of medieval Georgian art created during the reign of Queen Tamar. The fresco murals have been rescued and preserved by the Global Fund of Cultural Heritage.
  • Pictures & imagse of the interior frescoes of the Timotesubani medieval Orthodox monastery Church of the Holy Dormition (Assumption), dedcated to the Virgin Mary, 1184-1213, Samtskhe-Javakheti region, Georgia (country).<br />
<br />
Built during the reigh of Queen Tamar during the “Golden Age of Georgia”, Timotesubani Church of the Holy Dormition is one of the most important examples of medieval Georgian architecture and art. <br />
<br />
The interior frescoes of date from the 11th - 13th century so the Timotesubani church of the Dormition is a treasure trove of medieval Georgian art created during the reign of Queen Tamar. The fresco murals have been rescued and preserved by the Global Fund of Cultural Heritage.
  • Pictures & imagse of the interior frescoes of the Timotesubani medieval Orthodox monastery Church of the Holy Dormition (Assumption), dedcated to the Virgin Mary, 1184-1213, Samtskhe-Javakheti region, Georgia (country).<br />
<br />
Built during the reigh of Queen Tamar during the “Golden Age of Georgia”, Timotesubani Church of the Holy Dormition is one of the most important examples of medieval Georgian architecture and art. <br />
<br />
The interior frescoes of date from the 11th - 13th century so the Timotesubani church of the Dormition is a treasure trove of medieval Georgian art created during the reign of Queen Tamar. The fresco murals have been rescued and preserved by the Global Fund of Cultural Heritage.
  • Pictures & imagse of the interior cupola frescoes of the Timotesubani medieval Orthodox monastery Church of the Holy Dormition (Assumption), dedcated to the Virgin Mary, 1184-1213, Samtskhe-Javakheti region, Georgia (country).<br />
<br />
Built during the reigh of Queen Tamar during the “Golden Age of Georgia”, Timotesubani Church of the Holy Dormition is one of the most important examples of medieval Georgian architecture and art. <br />
<br />
The interior frescoes of date from the 11th - 13th century so the Timotesubani church of the Dormition is a treasure trove of medieval Georgian art created during the reign of Queen Tamar. The fresco murals have been rescued and preserved by the Global Fund of Cultural Heritage.
  • Pictures & imagse of the interior cupola frescoes of the Timotesubani medieval Orthodox monastery Church of the Holy Dormition (Assumption), dedcated to the Virgin Mary, 1184-1213, Samtskhe-Javakheti region, Georgia (country).<br />
<br />
Built during the reigh of Queen Tamar during the “Golden Age of Georgia”, Timotesubani Church of the Holy Dormition is one of the most important examples of medieval Georgian architecture and art. <br />
<br />
The interior frescoes of date from the 11th - 13th century so the Timotesubani church of the Dormition is a treasure trove of medieval Georgian art created during the reign of Queen Tamar. The fresco murals have been rescued and preserved by the Global Fund of Cultural Heritage.
  • Pictures & imagse of the interior frescoes of the Timotesubani medieval Orthodox monastery Church of the Holy Dormition (Assumption), dedcated to the Virgin Mary, 1184-1213, Samtskhe-Javakheti region, Georgia (country).<br />
<br />
Built during the reigh of Queen Tamar during the “Golden Age of Georgia”, Timotesubani Church of the Holy Dormition is one of the most important examples of medieval Georgian architecture and art. <br />
<br />
The interior frescoes of date from the 11th - 13th century so the Timotesubani church of the Dormition is a treasure trove of medieval Georgian art created during the reign of Queen Tamar. The fresco murals have been rescued and preserved by the Global Fund of Cultural Heritage.
  • Pictures & imagse of the interior frescoes of the Timotesubani medieval Orthodox monastery Church of the Holy Dormition (Assumption), dedcated to the Virgin Mary, 1184-1213, Samtskhe-Javakheti region, Georgia (country).<br />
<br />
Built during the reigh of Queen Tamar during the “Golden Age of Georgia”, Timotesubani Church of the Holy Dormition is one of the most important examples of medieval Georgian architecture and art. <br />
<br />
The interior frescoes of date from the 11th - 13th century so the Timotesubani church of the Dormition is a treasure trove of medieval Georgian art created during the reign of Queen Tamar. The fresco murals have been rescued and preserved by the Global Fund of Cultural Heritage.
  • Pictures & imagse of the interior frescoes of the Timotesubani medieval Orthodox monastery Church of the Holy Dormition (Assumption), dedcated to the Virgin Mary, 1184-1213, Samtskhe-Javakheti region, Georgia (country).<br />
<br />
Built during the reigh of Queen Tamar during the “Golden Age of Georgia”, Timotesubani Church of the Holy Dormition is one of the most important examples of medieval Georgian architecture and art. <br />
<br />
The interior frescoes of date from the 11th - 13th century so the Timotesubani church of the Dormition is a treasure trove of medieval Georgian art created during the reign of Queen Tamar. The fresco murals have been rescued and preserved by the Global Fund of Cultural Heritage.
  • Pictures & imagse of the interior frescoes of the Timotesubani medieval Orthodox monastery Church of the Holy Dormition (Assumption), dedcated to the Virgin Mary, 1184-1213, Samtskhe-Javakheti region, Georgia (country).<br />
<br />
Built during the reigh of Queen Tamar during the “Golden Age of Georgia”, Timotesubani Church of the Holy Dormition is one of the most important examples of medieval Georgian architecture and art. <br />
<br />
The interior frescoes of date from the 11th - 13th century so the Timotesubani church of the Dormition is a treasure trove of medieval Georgian art created during the reign of Queen Tamar. The fresco murals have been rescued and preserved by the Global Fund of Cultural Heritage.
  • Pictures and images of bas relief sculpture of the chapel in the historic medieval Kintsvisi Monastery Georgian Orthodox Monastery complex, Shida Kartli Region, Georgia (country).<br />
<br />
Kintsvisi Monastery is the best preserved example of Georgian architecture of the 12th and 15th centuries, the so called Georgian Golden Age.
  • Pictures and images of the chapel in the historic medieval Kintsvisi Monastery Georgian Orthodox Monastery complex, Shida Kartli Region, Georgia (country).<br />
<br />
Kintsvisi Monastery is the best preserved example of Georgian architecture of the 12th and 15th centuries, the so called Georgian Golden Age.
  • Pictures and images of the chapel in the historic medieval Kintsvisi Monastery Georgian Orthodox Monastery complex, Shida Kartli Region, Georgia (country).<br />
<br />
Kintsvisi Monastery is the best preserved example of Georgian architecture of the 12th and 15th centuries, the so called Georgian Golden Age.
  • Pictures and images of the chapel in the historic medieval Kintsvisi Monastery Georgian Orthodox Monastery complex, Shida Kartli Region, Georgia (country).<br />
<br />
Kintsvisi Monastery is the best preserved example of Georgian architecture of the 12th and 15th centuries, the so called Georgian Golden Age.
  • Pictures and images of St Nicholas Church in the historic medieval Kintsvisi Monastery Georgian Orthodox Monastery complex, Shida Kartli Region, Georgia (country).<br />
<br />
Kintsvisi Monastery is the best preserved example of Georgian architecture of the 12th and 15th centuries, the so called Georgian Golden Age.
  • Pictures and images of St Nicholas Church in the historic medieval Kintsvisi Monastery Georgian Orthodox Monastery complex, Shida Kartli Region, Georgia (country).<br />
<br />
Kintsvisi Monastery is the best preserved example of Georgian architecture of the 12th and 15th centuries, the so called Georgian Golden Age.
  • Pictures and images of St Nicholas Church in the historic medieval Kintsvisi Monastery Georgian Orthodox Monastery complex, Shida Kartli Region, Georgia (country).<br />
<br />
Kintsvisi Monastery is the best preserved example of Georgian architecture of the 12th and 15th centuries, the so called Georgian Golden Age.
  • Pictures and images of St Nicholas Church in the historic medieval Kintsvisi Monastery Georgian Orthodox Monastery complex, Shida Kartli Region, Georgia (country).<br />
<br />
Kintsvisi Monastery is the best preserved example of Georgian architecture of the 12th and 15th centuries, the so called Georgian Golden Age.
  • Pictures and images of St Nicholas Church in the historic medieval Kintsvisi Monastery Georgian Orthodox Monastery complex, Shida Kartli Region, Georgia (country).<br />
<br />
Kintsvisi Monastery is the best preserved example of Georgian architecture of the 12th and 15th centuries, the so called Georgian Golden Age.
  • Pictures and images of St Nicholas Church in the historic medieval Kintsvisi Monastery Georgian Orthodox Monastery complex, Shida Kartli Region, Georgia (country).<br />
<br />
Kintsvisi Monastery is the best preserved example of Georgian architecture of the 12th and 15th centuries, the so called Georgian Golden Age.
  • Pictures and images of St Nicholas Church in the historic medieval Kintsvisi Monastery Georgian Orthodox Monastery complex, Shida Kartli Region, Georgia (country).<br />
<br />
Kintsvisi Monastery is the best preserved example of Georgian architecture of the 12th and 15th centuries, the so called Georgian Golden Age.
  • Stone medieval Svaneti tower houses of Murkmeli, Upper Svaneti, Samegrelo-Zemo Svaneti, Mestia, Georgia.  Murkmeli is a village near Ushguli is a group of four remote villages. At 2,200 m (7217 ft) above sea level in the Caucasus mountains these are the highest inhabited villages in Europe. Murkmeli has well preserved stone Svanetian defensive tower houses attached to stone family houses. A UNESCO World Heritage Site.
  • Stone medieval Svaneti tower houses of Murkmeli, Upper Svaneti, Samegrelo-Zemo Svaneti, Mestia, Georgia.  Murkmeli is a village near Ushguli is a group of four remote villages. At 2,200 m (7217 ft) above sea level in the Caucasus mountains these are the highest inhabited villages in Europe. Murkmeli has well preserved stone Svanetian defensive tower houses attached to stone family houses. A UNESCO World Heritage Site.
  • Stone medieval Svaneti tower houses of Murkmeli, Upper Svaneti, Samegrelo-Zemo Svaneti, Mestia, Georgia.  Murkmeli is a village near Ushguli is a group of four remote villages. At 2,200 m (7217 ft) above sea level in the Caucasus mountains these are the highest inhabited villages in Europe. Murkmeli has well preserved stone Svanetian defensive tower houses attached to stone family houses. A UNESCO World Heritage Site.
  • Stone medieval Svaneti tower houses of Chvibiani with mount Shkhara (5193m) behind, Ushguli, Upper Svaneti, Samegrelo-Zemo Svaneti, Mestia, Georgia.  Chvibiani is a group of four remote villages. At 2,200 m (7217 ft) above sea level in the Caucasus mountains these are the highest inhabited villages in Europe. Chvibiani has well preserved stone Svanetian defensive tower houses attached to stone family houses. Mount Shkhara is the highest mountain in the Caucasus range.  A UNESCO World Heritage Site.
  • Stone medieval Svaneti tower houses of Chvibiani with mount Shkhara (5193m) behind, Ushguli, Upper Svaneti, Samegrelo-Zemo Svaneti, Mestia, Georgia.  Chvibiani is a group of four remote villages. At 2,200 m (7217 ft) above sea level in the Caucasus mountains these are the highest inhabited villages in Europe. Chvibiani has well preserved stone Svanetian defensive tower houses attached to stone family houses. Mount Shkhara is the highest mountain in the Caucasus range.  A UNESCO World Heritage Site.
  • Stone medieval Svaneti tower houses of Chvibiani with mount Shkhara (5193m) behind, Ushguli, Upper Svaneti, Samegrelo-Zemo Svaneti, Mestia, Georgia.  Chvibiani is a group of four remote villages. At 2,200 m (7217 ft) above sea level in the Caucasus mountains these are the highest inhabited villages in Europe. Chvibiani has well preserved stone Svanetian defensive tower houses attached to stone family houses. Mount Shkhara is the highest mountain in the Caucasus range.  A UNESCO World Heritage Site.
  • Stone medieval Svaneti tower of Queen Tamar’s Castle,  Chazhashi, Ushguli, Upper Svaneti, Samegrelo-Zemo Svaneti, Mestia, Georgia. Queen Tamar of Georgia reigned from 1184–1213. The Tamar castle originally had 4 defensive stone towers, of which one survives,  connected by a curtain wall. The castles 3 other towers were destroyed by the Soviets in the 1930’s. At 2,200 m (7217 ft) above sea level in the Caucasus mountains Ushguli is the highest inhabited village in Europe. Chazhashi has 13 well preserved stone Svanetian defensive tower houses attached to stone family houses. A UNESCO World Heritage Site.
  • Stone medieval Svaneti tower houses of Chazhashi, Ushguli, Upper Svaneti, Samegrelo-Zemo Svaneti, Mestia, Georgia. Chazhashi is the main village of a group of four remote villages known collectively as Ushguli. At 2,200 m (7217 ft) above sea level in the Caucasus mountains these are the highest inhabited villages in Europe. Chazhashi has 13 well preserved stone Svanetian defensive tower houses attached to stone family houses. A UNESCO World Heritage Site.
  • Stone medieval Svaneti tower houses of Chazhashi, Ushguli, Upper Svaneti, Samegrelo-Zemo Svaneti, Mestia, Georgia. Chazhashi is the main village of a group of four remote villages known collectively as Ushguli. At 2,200 m (7217 ft) above sea level in the Caucasus mountains these are the highest inhabited villages in Europe. Chazhashi has 13 well preserved stone Svanetian defensive tower houses attached to stone family houses. A UNESCO World Heritage Site.
  • Stone medieval Svaneti tower houses of Chazhashi, Ushguli, Upper Svaneti, Samegrelo-Zemo Svaneti, Mestia, Georgia. Chazhashi is the main village of a group of four remote villages known collectively as Ushguli. At 2,200 m (7217 ft) above sea level in the Caucasus mountains these are the highest inhabited villages in Europe. Chazhashi has 13 well preserved stone Svanetian defensive tower houses attached to stone family houses. A UNESCO World Heritage Site.
  • Stone medieval Svaneti tower houses of Chazhashi, Ushguli, Upper Svaneti, Samegrelo-Zemo Svaneti, Mestia, Georgia. Chazhashi is the main village of a group of four remote villages known collectively as Ushguli. At 2,200 m (7217 ft) above sea level in the Caucasus mountains these are the highest inhabited villages in Europe. Chazhashi has 13 well preserved stone Svanetian defensive tower houses attached to stone family houses. A UNESCO World Heritage Site.
  • Stone medieval Svaneti tower houses of Chazhashi, Ushguli, Upper Svaneti, Samegrelo-Zemo Svaneti, Mestia, Georgia. Chazhashi is the main village of a group of four remote villages known collectively as Ushguli. At 2,200 m (7217 ft) above sea level in the Caucasus mountains these are the highest inhabited villages in Europe. Chazhashi has 13 well preserved stone Svanetian defensive tower houses attached to stone family houses. A UNESCO World Heritage Site.
  • Stone medieval Svaneti tower houses of Chazhashi, Ushguli, Upper Svaneti, Samegrelo-Zemo Svaneti, Mestia, Georgia. Chazhashi is the main village of a group of four remote villages known collectively as Ushguli. At 2,200 m (7217 ft) above sea level in the Caucasus mountains these are the highest inhabited villages in Europe. Chazhashi has 13 well preserved stone Svanetian defensive tower houses attached to stone family houses. A UNESCO World Heritage Site.
  • Stone medieval Svaneti tower houses of Chazhashi, Ushguli, Upper Svaneti, Samegrelo-Zemo Svaneti, Mestia, Georgia. Chazhashi is the main village of a group of four remote villages known collectively as Ushguli. At 2,200 m (7217 ft) above sea level in the Caucasus mountains these are the highest inhabited villages in Europe. Chazhashi has 13 well preserved stone Svanetian defensive tower houses attached to stone family houses. A UNESCO World Heritage Site.
  • Stone medieval Svaneti tower houses of  Ushguli, Upper Svaneti, Samegrelo-Zemo Svaneti, Mestia, Georgia. Ushguli is a group of four remote villages. At 2,200 m (7217 ft) above sea level in the Caucasus mountains these are the highest inhabited villages in Europe. Chazhashi has 13 well preserved stone Svanetian defensive tower houses attached to stone family houses. A UNESCO World Heritage Site.
  • Stone medieval Svaneti tower houses of  Ushguli, Upper Svaneti, Samegrelo-Zemo Svaneti, Mestia, Georgia. Ushguli is a group of four remote villages. At 2,200 m (7217 ft) above sea level in the Caucasus mountains these are the highest inhabited villages in Europe. Chazhashi has 13 well preserved stone Svanetian defensive tower houses attached to stone family houses. A UNESCO World Heritage Site.
  • Stone medieval Svaneti tower houses of  Ushguli, Upper Svaneti, Samegrelo-Zemo Svaneti, Mestia, Georgia. Ushguli is a group of four remote villages. At 2,200 m (7217 ft) above sea level in the Caucasus mountains these are the highest inhabited villages in Europe. Chazhashi has 13 well preserved stone Svanetian defensive tower houses attached to stone family houses. A UNESCO World Heritage Site.
  • Stone medieval Svaneti tower houses of  Ushguli, Upper Svaneti, Samegrelo-Zemo Svaneti, Mestia, Georgia. Ushguli is a group of four remote villages. At 2,200 m (7217 ft) above sea level in the Caucasus mountains these are the highest inhabited villages in Europe. Chazhashi has 13 well preserved stone Svanetian defensive tower houses attached to stone family houses. A UNESCO World Heritage Site.
  • Stone medieval Svaneti tower houses of Chazhashi, Ushguli, Upper Svaneti, Samegrelo-Zemo Svaneti, Mestia, Georgia. Chazhashi is the main village of a group of four remote villages known collectively as Ushguli. At 2,200 m (7217 ft) above sea level in the Caucasus mountains these are the highest inhabited villages in Europe. Chazhashi has 13 well preserved stone Svanetian defensive tower houses attached to stone family houses. A UNESCO World Heritage Site.
  • Stone medieval Svaneti tower houses of Chazhashi, Ushguli, Upper Svaneti, Samegrelo-Zemo Svaneti, Mestia, Georgia. Chazhashi is the main village of a group of four remote villages known collectively as Ushguli. At 2,200 m (7217 ft) above sea level in the Caucasus mountains these are the highest inhabited villages in Europe. Chazhashi has 13 well preserved stone Svanetian defensive tower houses attached to stone family houses. A UNESCO World Heritage Site.
  • Stone medieval Svaneti tower houses of Chazhashi, Ushguli, Upper Svaneti, Samegrelo-Zemo Svaneti, Mestia, Georgia. Chazhashi is the main village of a group of four remote villages known collectively as Ushguli. At 2,200 m (7217 ft) above sea level in the Caucasus mountains these are the highest inhabited villages in Europe. Chazhashi has 13 well preserved stone Svanetian defensive tower houses attached to stone family houses. A UNESCO World Heritage Site.
  • Stone medieval Svaneti tower houses of Chazhashi, Ushguli, Upper Svaneti, Samegrelo-Zemo Svaneti, Mestia, Georgia. Chazhashi is the main village of a group of four remote villages known collectively as Ushguli. At 2,200 m (7217 ft) above sea level in the Caucasus mountains these are the highest inhabited villages in Europe. Chazhashi has 13 well preserved stone Svanetian defensive tower houses attached to stone family houses. A UNESCO World Heritage Site.
  • Stone medieval Svaneti tower houses of Chazhashi, Ushguli, Upper Svaneti, Samegrelo-Zemo Svaneti, Mestia, Georgia. Chazhashi is the main village of a group of four remote villages known collectively as Ushguli. At 2,200 m (7217 ft) above sea level in the Caucasus mountains these are the highest inhabited villages in Europe. Chazhashi has 13 well preserved stone Svanetian defensive tower houses attached to stone family houses. A UNESCO World Heritage Site.
  • Stone medieval Svaneti tower houses of Chazhashi, Ushguli, Upper Svaneti, Samegrelo-Zemo Svaneti, Mestia, Georgia. Chazhashi is the main village of a group of four remote villages known collectively as Ushguli. At 2,200 m (7217 ft) above sea level in the Caucasus mountains these are the highest inhabited villages in Europe. Chazhashi has 13 well preserved stone Svanetian defensive tower houses attached to stone family houses. A UNESCO World Heritage Site.
  • Stone medieval Svaneti tower houses of Chazhashi, Ushguli, Upper Svaneti, Samegrelo-Zemo Svaneti, Mestia, Georgia. Chazhashi is the main village of a group of four remote villages known collectively as Ushguli. At 2,200 m (7217 ft) above sea level in the Caucasus mountains these are the highest inhabited villages in Europe. Chazhashi has 13 well preserved stone Svanetian defensive tower houses attached to stone family houses. A UNESCO World Heritage Site.
  • Stone medieval Svaneti tower houses of Chazhashi, Ushguli, Upper Svaneti, Samegrelo-Zemo Svaneti, Mestia, Georgia. Chazhashi is the main village of a group of four remote villages known collectively as Ushguli. At 2,200 m (7217 ft) above sea level in the Caucasus mountains these are the highest inhabited villages in Europe. Chazhashi has 13 well preserved stone Svanetian defensive tower houses attached to stone family houses. A UNESCO World Heritage Site.
  • Stone medieval Svaneti tower houses of Chazhashi, Ushguli, Upper Svaneti, Samegrelo-Zemo Svaneti, Mestia, Georgia. Chazhashi is the main village of a group of four remote villages known collectively as Ushguli. At 2,200 m (7217 ft) above sea level in the Caucasus mountains these are the highest inhabited villages in Europe. Chazhashi has 13 well preserved stone Svanetian defensive tower houses attached to stone family houses. A UNESCO World Heritage Site.
  • Stone medieval Svaneti tower houses of Chazhashi, Ushguli, Upper Svaneti, Samegrelo-Zemo Svaneti, Mestia, Georgia. Chazhashi is the main village of a group of four remote villages known collectively as Ushguli. At 2,200 m (7217 ft) above sea level in the Caucasus mountains these are the highest inhabited villages in Europe. Chazhashi has 13 well preserved stone Svanetian defensive tower houses attached to stone family houses. A UNESCO World Heritage Site.
  • Stone medieval Svaneti tower houses of Chazhashi, Ushguli, Upper Svaneti, Samegrelo-Zemo Svaneti, Mestia, Georgia. Chazhashi is the main village of a group of four remote villages known collectively as Ushguli. At 2,200 m (7217 ft) above sea level in the Caucasus mountains these are the highest inhabited villages in Europe. Chazhashi has 13 well preserved stone Svanetian defensive tower houses attached to stone family houses. A UNESCO World Heritage Site.
  • Stone medieval Svaneti tower houses of Chazhashi, Ushguli, Upper Svaneti, Samegrelo-Zemo Svaneti, Mestia, Georgia. Chazhashi is the main village of a group of four remote villages known collectively as Ushguli. At 2,200 m (7217 ft) above sea level in the Caucasus mountains these are the highest inhabited villages in Europe. Chazhashi has 13 well preserved stone Svanetian defensive tower houses attached to stone family houses. A UNESCO World Heritage Site.
  • Stone medieval Svaneti tower houses of Chazhashi, Ushguli, Upper Svaneti, Samegrelo-Zemo Svaneti, Mestia, Georgia. Chazhashi is the main village of a group of four remote villages known collectively as Ushguli. At 2,200 m (7217 ft) above sea level in the Caucasus mountains these are the highest inhabited villages in Europe. Chazhashi has 13 well preserved stone Svanetian defensive tower houses attached to stone family houses. A UNESCO World Heritage Site.
  • Stone medieval Svaneti tower houses of Chazhashi, Ushguli, Upper Svaneti, Samegrelo-Zemo Svaneti, Mestia, Georgia. Chazhashi is the main village of a group of four remote villages known collectively as Ushguli. At 2,200 m (7217 ft) above sea level in the Caucasus mountains these are the highest inhabited villages in Europe. Chazhashi has 13 well preserved stone Svanetian defensive tower houses attached to stone family houses. A UNESCO World Heritage Site.
  • Stone medieval Svaneti tower houses of Chazhashi, Ushguli, Upper Svaneti, Samegrelo-Zemo Svaneti, Mestia, Georgia. Chazhashi is the main village of a group of four remote villages known collectively as Ushguli. At 2,200 m (7217 ft) above sea level in the Caucasus mountains these are the highest inhabited villages in Europe. Chazhashi has 13 well preserved stone Svanetian defensive tower houses attached to stone family houses. A UNESCO World Heritage Site.
  • Stone medieval Svaneti tower houses of Chazhashi, Ushguli, Upper Svaneti, Samegrelo-Zemo Svaneti, Mestia, Georgia. Chazhashi is the main village of a group of four remote villages known collectively as Ushguli. At 2,200 m (7217 ft) above sea level in the Caucasus mountains these are the highest inhabited villages in Europe. Chazhashi has 13 well preserved stone Svanetian defensive tower houses attached to stone family houses. A UNESCO World Heritage Site.
  • Stone medieval Svaneti tower houses of Chazhashi, Ushguli, Upper Svaneti, Samegrelo-Zemo Svaneti, Mestia, Georgia. Chazhashi is the main village of a group of four remote villages known collectively as Ushguli. At 2,200 m (7217 ft) above sea level in the Caucasus mountains these are the highest inhabited villages in Europe. Chazhashi has 13 well preserved stone Svanetian defensive tower houses attached to stone family houses. A UNESCO World Heritage Site.
  • Stone medieval Svaneti tower houses of Chazhashi, Ushguli, Upper Svaneti, Samegrelo-Zemo Svaneti, Mestia, Georgia. Chazhashi is the main village of a group of four remote villages known collectively as Ushguli. At 2,200 m (7217 ft) above sea level in the Caucasus mountains these are the highest inhabited villages in Europe. Chazhashi has 13 well preserved stone Svanetian defensive tower houses attached to stone family houses. A UNESCO World Heritage Site.
  • Stone medieval Svaneti tower houses of Chazhashi, Ushguli, Upper Svaneti, Samegrelo-Zemo Svaneti, Mestia, Georgia. Chazhashi is the main village of a group of four remote villages known collectively as Ushguli. At 2,200 m (7217 ft) above sea level in the Caucasus mountains these are the highest inhabited villages in Europe. Chazhashi has 13 well preserved stone Svanetian defensive tower houses attached to stone family houses. A UNESCO World Heritage Site.
  • Gothic Catalan painted panel of the Banquet of Herod (Banquet d'Herodes) by Pere Garcia de Benvarri of Barcelona, Circa 1470, tempera and gold leaf on wood, from the church of Sant Joan (John) del Mercat de Lleida, Spain, National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC  64060. <br />
<br />
Pere Garcia, one of the most outstanding representatives of the Aragonese school of influence of flamenco, works for several Aragonese and Catalan centres. From the church of Sant Joan del Mercat in Lleida there are some tables of the old high altarpiece, a large piece of furniture dedicated to Bautista, partially preserved and one of the narrative chambers, the Banquet of Herod. This scene, in which Salome presents the head of St. John to Herod. <br />
<br />
The styling of the scene allows us to imagine how a festive banquet took place in a noble Catalan house in the second half of the fifteenth century.<br />
<br />
SPANISH<br />
<br />
Pere Garcia, uno de los representantes mas destacados de la escuela gotica aragonesa de influence flamenca, trabajo para varios centros aragoneses y catalanes. De la iglesia de Sant Joan del Mercat de Lleida proviennen algunas tablas del antiguo retablo mayor, un mueble de grandes dimensiones dedicado a Bautista, conservado parcialmente y del que se expone uno de los compartientos narrativos, el Banquet de Herodes. Esta escena, en la que Salome presenta la cabeza de san juan a Herodidias y Herodes, permite imaginar como transcurria un banquete festivo en una casa noble en la esgunda mitad del siglo XV
  • The Broch of Gurness is a rare example of a well preserved brooch village. Dating from 500 to 200BC the central round tower probably reached 10 meters. This was surrounded by thatched roofed houses. The settlement was surrounded by walls and two deep ditches. Gurness was probably the most important settlement on Orkney 2000 years ago. Mainland Orkney, Scotland.
  • The Broch of Gurness is a rare example of a well preserved brooch village. Dating from 500 to 200BC the central round tower probably reached 10 meters. This was surrounded by thatched roofed houses. The settlement was surrounded by walls and two deep ditches. Gurness was probably the most important settlement on Orkney 2000 years ago. Mainland Orkney, Scotland.
  • The neolithic  ( circa 2,500 to circa 2,000 BC)  settlement of Skara Brae the best preserved groups of prehistoric houses in Western Europe. Built before the Pyramids Skara Brae gives an insight into the levels of sophistication Neolithic people reached well before the Pyramids were built. Skara Brae, Orkney Scotland.
  • The neolithic  ( circa 2,500 to circa 2,000 BC)  settlement of Skara Brae the best preserved groups of prehistoric houses in Western Europe. Built before the Pyramids Skara Brae gives an insight into the levels of sophistication Neolithic people reached well before the Pyramids were built. Skara Brae, Orkney Scotland.
  • The neolithic  ( circa 2,500 to circa 2,000 BC)  settlement of Skara Brae the best preserved groups of prehistoric houses in Western Europe. Built before the Pyramids Skara Brae gives an insight into the levels of sophistication Neolithic people reached well before the Pyramids were built. Skara Brae, Orkney Scotland.
  • The neolithic  ( circa 2,500 to circa 2,000 BC)  settlement of Skara Brae the best preserved groups of prehistoric houses in Western Europe. Built before the Pyramids Skara Brae gives an insight into the levels of sophistication Neolithic people reached well before the Pyramids were built. Skara Brae, Orkney Scotland.
  • The neolithic  ( circa 2,500 to circa 2,000 BC)  settlement of Skara Brae the best preserved groups of prehistoric houses in Western Europe. Built before the Pyramids Skara Brae gives an insight into the levels of sophistication Neolithic people reached well before the Pyramids were built. Skara Brae, Orkney Scotland.
  • The neolithic  ( circa 2,500 to circa 2,000 BC)  settlement of Skara Brae the best preserved groups of prehistoric houses in Western Europe. Built before the Pyramids Skara Brae gives an insight into the levels of sophistication Neolithic people reached well before the Pyramids were built. Skara Brae, Orkney Scotland.
  • The neolithic  ( circa 2,500 to circa 2,000 BC)  settlement of Skara Brae the best preserved groups of prehistoric houses in Western Europe. Built before the Pyramids Skara Brae gives an insight into the levels of sophistication Neolithic people reached well before the Pyramids were built. Skara Brae, Orkney Scotland.
  • The neolithic  ( circa 2,500 to circa 2,000 BC)  settlement of Skara Brae the best preserved groups of prehistoric houses in Western Europe. Built before the Pyramids Skara Brae gives an insight into the levels of sophistication Neolithic people reached well before the Pyramids were built. Skara Brae, Orkney Scotland.
  • The neolithic ( circa 3000 to circa 2,500 BC) settlement of Skara Brae the best preserved groups of prehistoric houses in Western Europe. Built before the Pyramids Skara Brae gives an insight into the levels of sophistication Neolithic people reached well before the Pyramids were built. Skara Brae, Orkney Scotland.
  • The neolithic ( circa 3000 to circa 2,500 BC) settlement of Skara Brae the best preserved groups of prehistoric houses in Western Europe. Built before the Pyramids Skara Brae gives an insight into the levels of sophistication Neolithic people reached well before the Pyramids were built. Skara Brae, Orkney Scotland.
  • The neolithic ( circa 3000 to circa 2,500 BC) settlement of Skara Brae the best preserved groups of prehistoric houses in Western Europe. Built before the Pyramids Skara Brae gives an insight into the levels of sophistication Neolithic people reached well before the Pyramids were built. Skara Brae, Orkney Scotland.
  • "Charioteer of Delphi" 470 BC. The "Charioteer of Delphi" is one of the best known ancient Greek statues, and one of the best preserved examples of classical bronze casts. It is considered a fine example of the "Severe" style. Delphi Archaeological Museum.
  • The Roman Theatre of Aspendos, Turkey.  Built in 155 AD during the rule of Marcus Aurelius, Aspendos Theatre is the best preserved ancient theatre in Asia Minor. 96 metres in diameter it can seat 7000 the csaenae frond or backdrop wall is still intact. Following Hellenistic traditions the theatre is built into the hillside below the Acropolis.
  • The Roman Theatre of Aspendos, Turkey.  Built in 155 AD during the rule of Marcus Aurelius, Aspendos Theatre is the best preserved ancient theatre in Asia Minor. 96 metres in diameter it can seat 7000 the csaenae frond or backdrop wall is still intact. Following Hellenistic traditions the theatre is built into the hillside below the Acropolis.
  • The Roman Theatre of Aspendos, Turkey.  Built in 155 AD during the rule of Marcus Aurelius, Aspendos Theatre is the best preserved ancient theatre in Asia Minor. 96 metres in diameter it can seat 7000 the csaenae frond or backdrop wall is still intact. Following Hellenistic traditions the theatre is built into the hillside below the Acropolis.
  • Statue of Puzur-Ishtar Shakkanakku  (military governor or prince c. 2050 BC)) of Mari appointed by the Akkad Kings. According to the inscription below the right hand above the hem of the garment , the sculpture was originally made as a votive gift. The name Puzar-Eshtar, Prince of Mari, is mentioned twice, but the figures headgear is the horned cap of a deity, the statue cannot depict the mortal prince. The clasped hands of the figure and the text make it certain that the statue once belonged to the inventory of a temple, but where the temple stood is not known, despite the mention of Mari in the title of the prince. Like many other monuments, the statue was looted from its original site in Mari and the body was was discovered in the museum of Nebuchadrezzar’s palace at Babylon (604-562 BC). This oversized statue is one of the few large preserved sculptures of the Near East. The head was broken from the body in antiquity and both pieces survived separately. The excavated body was taken to the Istanbul Museum and an exchange of casts with the Pergamon Mus The Vorderasiatisches Museum, part of the head from the Pergamon Museum meant that the statue could be reassembled. The Vorderasiatisches Museum, part of the Pergamon Museum, Berlin
  • Statue of Puzur-Ishtar Shakkanakku  (military governor or prince c. 2050 BC)) of Mari appointed by the Akkad Kings. According to the inscription below the right hand above the hem of the garment , the sculpture was originally made as a votive gift. The name Puzar-Eshtar, Prince of Mari, is mentioned twice, but the figures headgear is the horned cap of a deity, the statue cannot depict the mortal prince. The clasped hands of the figure and the text make it certain that the statue once belonged to the inventory of a temple, but where the temple stood is not known, despite the mention of Mari in the title of the prince. Like many other monuments, the statue was looted from its original site in Mari and the body was was discovered in the museum of Nebuchadrezzar’s palace at Babylon (604-562 BC). This oversized statue is one of the few large preserved sculptures of the Near East. The head was broken from the body in antiquity and both pieces survived separately. The excavated body was taken to the Istanbul Museum and an exchange of casts with the Pergamon Mus The Vorderasiatisches Museum, part of the head from the Pergamon Museum meant that the statue could be reassembled. The Vorderasiatisches Museum, part of the Pergamon Museum, Berlin
  • Statue of Puzur-Ishtar Shakkanakku  (military governor or prince c. 2050 BC)) of Mari appointed by the Akkad Kings. According to the inscription below the right hand above the hem of the garment , the sculpture was originally made as a votive gift. The name Puzar-Eshtar, Prince of Mari, is mentioned twice, but the figures headgear is the horned cap of a deity, the statue cannot depict the mortal prince. The clasped hands of the figure and the text make it certain that the statue once belonged to the inventory of a temple, but where the temple stood is not known, despite the mention of Mari in the title of the prince. Like many other monuments, the statue was looted from its original site in Mari and the body was was discovered in the museum of Nebuchadrezzar’s palace at Babylon (604-562 BC). This oversized statue is one of the few large preserved sculptures of the Near East. The head was broken from the body in antiquity and both pieces survived separately. The excavated body was taken to the Istanbul Museum and an exchange of casts with the Pergamon Mus The Vorderasiatisches Museum, part of the head from the Pergamon Museum meant that the statue could be reassembled. The Vorderasiatisches Museum, part of the Pergamon Museum, Berlin
  • Statue of Puzur-Ishtar Shakkanakku  (military governor or prince c. 2050 BC)) of Mari appointed by the Akkad Kings. According to the inscription below the right hand above the hem of the garment , the sculpture was originally made as a votive gift. The name Puzar-Eshtar, Prince of Mari, is mentioned twice, but the figures headgear is the horned cap of a deity, the statue cannot depict the mortal prince. The clasped hands of the figure and the text make it certain that the statue once belonged to the inventory of a temple, but where the temple stood is not known, despite the mention of Mari in the title of the prince. Like many other monuments, the statue was looted from its original site in Mari and the body was was discovered in the museum of Nebuchadrezzar’s palace at Babylon (604-562 BC). This oversized statue is one of the few large preserved sculptures of the Near East. The head was broken from the body in antiquity and both pieces survived separately. The excavated body was taken to the Istanbul Museum and an exchange of casts with the Pergamon Mus The Vorderasiatisches Museum, part of the head from the Pergamon Museum meant that the statue could be reassembled. The Vorderasiatisches Museum, part of the Pergamon Museum, Berlin
  • Statue of Puzur-Ishtar Shakkanakku  (military governor or prince c. 2050 BC)) of Mari appointed by the Akkad Kings. According to the inscription below the right hand above the hem of the garment , the sculpture was originally made as a votive gift. The name Puzar-Eshtar, Prince of Mari, is mentioned twice, but the figures headgear is the horned cap of a deity, the statue cannot depict the mortal prince. The clasped hands of the figure and the text make it certain that the statue once belonged to the inventory of a temple, but where the temple stood is not known, despite the mention of Mari in the title of the prince. Like many other monuments, the statue was looted from its original site in Mari and the body was was discovered in the museum of Nebuchadrezzar’s palace at Babylon (604-562 BC). This oversized statue is one of the few large preserved sculptures of the Near East. The head was broken from the body in antiquity and both pieces survived separately. The excavated body was taken to the Istanbul Museum and an exchange of casts with the Pergamon Mus The Vorderasiatisches Museum, part of the head from the Pergamon Museum meant that the statue could be reassembled. The Vorderasiatisches Museum, part of the Pergamon Museum, Berlin
  • Statue of Puzur-Ishtar Shakkanakku  (military governor or prince c. 2050 BC)) of Mari appointed by the Akkad Kings. According to the inscription below the right hand above the hem of the garment , the sculpture was originally made as a votive gift. The name Puzar-Eshtar, Prince of Mari, is mentioned twice, but the figures headgear is the horned cap of a deity, the statue cannot depict the mortal prince. The clasped hands of the figure and the text make it certain that the statue once belonged to the inventory of a temple, but where the temple stood is not known, despite the mention of Mari in the title of the prince. Like many other monuments, the statue was looted from its original site in Mari and the body was was discovered in the museum of Nebuchadrezzar’s palace at Babylon (604-562 BC). This oversized statue is one of the few large preserved sculptures of the Near East. The head was broken from the body in antiquity and both pieces survived separately. The excavated body was taken to the Istanbul Museum and an exchange of casts with the Pergamon Mus The Vorderasiatisches Museum, part of the head from the Pergamon Museum meant that the statue could be reassembled. The Vorderasiatisches Museum, part of the Pergamon Museum, Berlin
  • Statue of Puzur-Ishtar Shakkanakku  (military governor or prince c. 2050 BC)) of Mari appointed by the Akkad Kings. According to the inscription below the right hand above the hem of the garment , the sculpture was originally made as a votive gift. The name Puzar-Eshtar, Prince of Mari, is mentioned twice, but the figures headgear is the horned cap of a deity, the statue cannot depict the mortal prince. The clasped hands of the figure and the text make it certain that the statue once belonged to the inventory of a temple, but where the temple stood is not known, despite the mention of Mari in the title of the prince. Like many other monuments, the statue was looted from its original site in Mari and the body was was discovered in the museum of Nebuchadrezzar’s palace at Babylon (604-562 BC). This oversized statue is one of the few large preserved sculptures of the Near East. The head was broken from the body in antiquity and both pieces survived separately. The excavated body was taken to the Istanbul Museum and an exchange of casts with the Pergamon Mus The Vorderasiatisches Museum, part of the head from the Pergamon Museum meant that the statue could be reassembled. The Vorderasiatisches Museum, part of the Pergamon Museum, Berlin
  • A tiger hunting from the 3rd century Roman mosaic villa floor from Lod, near Tel Aviv, Israel. The Roman floor mosaic of Lod is the largest and best preserved mosaic floor from the levant region along the eastern Mediterranean coast. It is unclear whether the owners were Jewish, Christian or pagan but either way they would have been wealthy to own such a magnificent floor. The Shelby White and Leon Levy Lod Mosaic Centre, Lod, Israel.
  • A tiger hunting from the 3rd century Roman mosaic villa floor from Lod, near Tel Aviv, Israel. The Roman floor mosaic of Lod is the largest and best preserved mosaic floor from the levant region along the eastern Mediterranean coast. It is unclear whether the owners were Jewish, Christian or pagan but either way they would have been wealthy to own such a magnificent floor. The Shelby White and Leon Levy Lod Mosaic Centre, Lod, Israel.
  • African animals and fish from the 3rd century Roman mosaic villa floor from Lod, near Tel Aviv, Israel. The Roman floor mosaic of Lod is the largest and best preserved mosaic floor from the levant region along the eastern Mediterranean coast. It is unclear whether the owners were Jewish, Christian or pagan but either way they would have been wealthy to own such a magnificent floor. The Shelby White and Leon Levy Lod Mosaic Centre, Lod, Israel.
  • African animals and fish from the 3rd century Roman mosaic villa floor from Lod, near Tel Aviv, Israel. The Roman floor mosaic of Lod is the largest and best preserved mosaic floor from the levant region along the eastern Mediterranean coast. It is unclear whether the owners were Jewish, Christian or pagan but either way they would have been wealthy to own such a magnificent floor. The Shelby White and Leon Levy Lod Mosaic Centre, Lod, Israel.
  • African animals and fish from the 3rd century Roman mosaic villa floor from Lod, near Tel Aviv, Israel. The Roman floor mosaic of Lod is the largest and best preserved mosaic floor from the levant region along the eastern Mediterranean coast. It is unclear whether the owners were Jewish, Christian or pagan but either way they would have been wealthy to own such a magnificent floor. The Shelby White and Leon Levy Lod Mosaic Centre, Lod, Israel.
  • A lion hunting from the 3rd century Roman mosaic villa floor from Lod, near Tel Aviv, Israel. The Roman floor mosaic of Lod is the largest and best preserved mosaic floor from the levant region along the eastern Mediterranean coast. It is unclear whether the owners were Jewish, Christian or pagan but either way they would have been wealthy to own such a magnificent floor. The Shelby White and Leon Levy Lod Mosaic Centre, Lod, Israel.
  • A bird from the 3rd century Roman mosaic villa floor from Lod, near Tel Aviv, Israel. The Roman floor mosaic of Lod is the largest and best preserved mosaic floor from the levant region along the eastern Mediterranean coast. It is unclear whether the owners were Jewish, Christian or pagan but either way they would have been wealthy to own such a magnificent floor. The Shelby White and Leon Levy Lod Mosaic Centre, Lod, Israel.
  • African animals and fish from the 3rd century Roman mosaic villa floor from Lod, near Tel Aviv, Israel. The Roman floor mosaic of Lod is the largest and best preserved mosaic floor from the levant region along the eastern Mediterranean coast. It is unclear whether the owners were Jewish, Christian or pagan but either way they would have been wealthy to own such a magnificent floor. The Shelby White and Leon Levy Lod Mosaic Centre, Lod, Israel.
  • African animals and fish from the 3rd century Roman mosaic villa floor from Lod, near Tel Aviv, Israel. The Roman floor mosaic of Lod is the largest and best preserved mosaic floor from the levant region along the eastern Mediterranean coast. It is unclear whether the owners were Jewish, Christian or pagan but either way they would have been wealthy to own such a magnificent floor. The Shelby White and Leon Levy Lod Mosaic Centre, Lod, Israel.
  • Hunting scene with a hare and dog from the 3rd century Roman mosaic villa floor from Lod, near Tel Aviv, Israel. The Roman floor mosaic of Lod is the largest and best preserved mosaic floor from the levant region along the eastern Mediterranean coast. It is unclear whether the owners were Jewish, Christian or pagan but either way they would have been wealthy to own such a magnificent floor. The Shelby White and Leon Levy Lod Mosaic Centre, Lod, Israel.
  • African animals and fish from the 3rd century Roman mosaic villa floor from Lod, near Tel Aviv, Israel. The Roman floor mosaic of Lod is the largest and best preserved mosaic floor from the levant region along the eastern Mediterranean coast. It is unclear whether the owners were Jewish, Christian or pagan but either way they would have been wealthy to own such a magnificent floor. The Shelby White and Leon Levy Lod Mosaic Centre, Lod, Israel.
  • Fish from the 3rd century Roman mosaic villa floor from Lod, near Tel Aviv, Israel. The Roman floor mosaic of Lod is the largest and best preserved mosaic floor from the levant region along the eastern Mediterranean coast. It is unclear whether the owners were Jewish, Christian or pagan but either way they would have been wealthy to own such a magnificent floor. The Shelby White and Leon Levy Lod Mosaic Centre, Lod, Israel.
  • African animals and fish from the 3rd century Roman mosaic villa floor from Lod, near Tel Aviv, Israel. The Roman floor mosaic of Lod is the largest and best preserved mosaic floor from the levant region along the eastern Mediterranean coast. It is unclear whether the owners were Jewish, Christian or pagan but either way they would have been wealthy to own such a magnificent floor. The Shelby White and Leon Levy Lod Mosaic Centre, Lod, Israel.
  • African animals and fish from the 3rd century Roman mosaic villa floor from Lod, near Tel Aviv, Israel. The Roman floor mosaic of Lod is the largest and best preserved mosaic floor from the levant region along the eastern Mediterranean coast. It is unclear whether the owners were Jewish, Christian or pagan but either way they would have been wealthy to own such a magnificent floor. The Shelby White and Leon Levy Lod Mosaic Centre, Lod, Israel.
  • African animals and fish from the 3rd century Roman mosaic villa floor from Lod, near Tel Aviv, Israel. The Roman floor mosaic of Lod is the largest and best preserved mosaic floor from the levant region along the eastern Mediterranean coast. It is unclear whether the owners were Jewish, Christian or pagan but either way they would have been wealthy to own such a magnificent floor. The Shelby White and Leon Levy Lod Mosaic Centre, Lod, Israel.

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