• Relief panels depicting a lion hunt found in the palace district in the ruins of Coba Höyük, also known as Sakçe Gözü or Sakçagözü, archaeological site in southeastern Anatolia, Turkey.  Warriors are fighting with the lion from a chariot and on foot wearing armour . Basalt to 750 BC, The Pergamon Museum, Berlin inv no VA 971
  • Relief panels depicting a lion hunt found in the palace district in the ruins of Coba Höyük, also known as Sakçe Gözü or Sakçagözü, archaeological site in southeastern Anatolia, Turkey.  Warriors are fighting with the lion from a chariot and on foot wearing armour . Basalt to 750 BC, The Pergamon Museum, Berlin inv no VA 971
  • Relief panels depicting a lion hunt found in the palace district in the ruins of Coba Höyük, also known as Sakçe Gözü or Sakçagözü, archaeological site in southeastern Anatolia, Turkey.  Warriors are fighting with the lion from a chariot and on foot wearing armour . Basalt to 750 BC, The Pergamon Museum, Berlin inv no VA 971
  • Relief panels depicting a lion hunt found in the palace district in the ruins of Coba Hoyuk, also known as Sakçe Gözü or Sakcagozu, archaeological site in southeastern Anatolia, Turkey.  Warriors are fighting with the lion from a chariot and on foot. The soldiers in the chariot have armour as does the horse  The archer, probably the ruler, is under the protection of the gods, indicated by the winged sun above his head. Basalt to 750 BC, The Pergamon Museum, Berlin inv no VA 971
  • Relief panels depicting a lion hunt found in the palace district in the ruins of Coba Höyük, also known as Sakçe Gözü or Sakçagözü, archaeological site in southeastern Anatolia, Turkey.  Warriors are fighting with the lion from a chariot and on foot wearing armour . Basalt to 750 BC, The Pergamon Museum, Berlin inv no VA 971
  • Relief panels depicting a lion hunt found in the palace district in the ruins of Coba Hoyuk, also known as Sakçe Gözü or Sakcagozu, archaeological site in southeastern Anatolia, Turkey.  Warriors are fighting with the lion from a chariot and on foot. The soldiers in the chariot have armour as does the horse  The archer, probably the ruler, is under the protection of the gods, indicated by the winged sun above his head. Basalt to 750 BC, The Pergamon Museum, Berlin inv no VA 971
  • Relief panels depicting a lion hunt found in the palace district in the ruins of Coba Hoyuk, also known as Sakçe Gözü or Sakcagozu, archaeological site in southeastern Anatolia, Turkey.  Warriors are fighting with the lion from a chariot and on foot. The soldiers in the chariot have armour as does the horse  The archer, probably the ruler, is under the protection of the gods, indicated by the winged sun above his head. Basalt to 750 BC, The Pergamon Museum, Berlin inv no VA 971
  • Relief panels depicting a lion hunt found in the palace district in the ruins of Coba Hoyuk, also known as Sakçe Gözü or Sakcagozu, archaeological site in southeastern Anatolia, Turkey.  Warriors are fighting with the lion from a chariot and on foot. The soldiers in the chariot have armour as does the horse  The archer, probably the ruler, is under the protection of the gods, indicated by the winged sun above his head. Basalt to 750 BC, The Pergamon Museum, Berlin inv no VA 971
  • Relief panels depicting a lion hunt found in the palace district in the ruins of Coba Hoyuk, also known as Sakçe Gözü or Sakcagozu, archaeological site in southeastern Anatolia, Turkey.  Warriors are fighting with the lion from a chariot and on foot. The soldiers in the chariot have armour as does the horse  The archer, probably the ruler, is under the protection of the gods, indicated by the winged sun above his head. Basalt to 750 BC, The Pergamon Museum, Berlin inv no VA 971
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf, ancient Guzana, in northeastern Syria close to the Turkish border. The Orthostats from the Palace of King Kapara are in a Neo Hittite style and depict an Archer. Louvre Museum, Paris, inv AO11072
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf, ancient Guzana, in northeastern Syria close to the Turkish border. The Orthostats from the Palace of King Kapara are in a Neo Hittite style and depict an Archer. Louvre Museum, Paris, inv AO11072
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf, ancient Guzana, in northeastern Syria close to the Turkish border. The Orthostats from the Palace of King Kapara are in a Neo Hittite style and depict an Archer. Louvre Museum, Paris, inv AO11072
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf, ancient Guzana, in northeastern Syria close to the Turkish border. The Orthostats from the Palace of King Kapara are in a Neo Hittite style and depict an Archer. Louvre Museum, Paris, inv AO11072
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf, ancient Guzana, in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict a mythical God. Louvre Museum, Paris, inv AO11073
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf, ancient Guzana, in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict a mythical God. Louvre Museum, Paris, inv AO11073
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf, ancient Guzana, in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict a mythical God. Louvre Museum, Paris, inv AO11073
  • Part of an altarpiece made from enameled brick found on the forecourt of the temple-palace of Guyana /Tell Halaf. The decoration is made up of wavebands, rosettes, and semicircles that interpreted as a representing mountains. Pergamon Museum, Berlin, inv no VA14646
  • Part of an altarpiece made from enameled brick found on the forecourt of the temple-palace of Guyana /Tell Halaf. The decoration is made up of wavebands, rosettes, and semicircles that interpreted as a representing mountains. Pergamon Museum, Berlin, inv no VA14646
  • Part of an altarpiece made from enameled brick found on the forecourt of the temple-palace of Guyana /Tell Halaf. The decoration is made up of wavebands, rosettes, and semicircles that interpreted as a representing mountains. Pergamon Museum, Berlin, inv no VA14646
  • Part of an altarpiece made from enameled brick found on the forecourt of the temple-palace of Guyana /Tell Halaf. The decoration is made up of wavebands, rosettes, and semicircles that interpreted as a representing mountains. Pergamon Museum, Berlin, inv no VA14646
  • 10th - 8th century BC stone Neo-Hittite/ Aramaean Orthostats from the city of Sam'al (Hittite: Yadiya) near Zincirli Höyük in the Anti-Taurus Mountains of modern Turkey. The Orthostats are in a Neo Hittite style and depict mythical animals and figures that have magical properties. Pergamon Museum, Berlin
  • 10th - 8th century BC stone Neo-Hittite/ Aramaean Orthostats from the city of Sam'al (Hittite: Yadiya) near Zincirli Höyük in the Anti-Taurus Mountains of modern Turkey. The Orthostats are in a Neo Hittite style and depict mythical animals and figures that have magical properties. Pergamon Museum, Berlin
  • 10th - 8th century BC stone Neo-Hittite/ Aramaean Orthostats from the city of Sam'al (Hittite: Yadiya) near Zincirli Höyük in the Anti-Taurus Mountains of modern Turkey. The Orthostats are in a Neo Hittite style and depict mythical animals and figures that have magical properties. Pergamon Museum, Berlin
  • 10th - 8th century BC stone Neo-Hittite/ Aramaean Orthostats from the city of Sam'al (Hittite: Yadiya) near Zincirli Höyük in the Anti-Taurus Mountains of modern Turkey. The Orthostats are in a Neo Hittite style and depict mythical animals and figures that have magical properties. Pergamon Museum, Berlin
  • 10th - 8th century BC stone Neo-Hittite/ Aramaean Orthostats from the city of Sam'al (Hittite: Yadiya) near Zincirli Höyük in the Anti-Taurus Mountains of modern Turkey. The Orthostats are in a Neo Hittite style and depict mythical animals and figures that have magical properties. Pergamon Museum, Berlin
  • 10th - 8th century BC stone Neo-Hittite/ Aramaean Orthostats from the city of Sam'al (Hittite: Yadiya) near Zincirli Höyük in the Anti-Taurus Mountains of modern Turkey. The Orthostats are in a Neo Hittite style and depict mythical animals and figures that have magical properties. Pergamon Museum, Berlin
  • 10th - 8th century BC stone Neo-Hittite/ Aramaean Orthostats from the city of Sam'al (Hittite: Yadiya) near Zincirli Höyük in the Anti-Taurus Mountains of modern Turkey. The Orthostats are in a Neo Hittite style and depict mythical animals and figures that have magical properties. Pergamon Museum, Berlin
  • 10th - 8th century BC stone Neo-Hittite/ Aramaean Orthostats from the city of Sam'al (Hittite: Yadiya) near Zincirli Höyük in the Anti-Taurus Mountains of modern Turkey. The Orthostats are in a Neo Hittite style and depict mythical animals and figures that have magical properties. Pergamon Museum, Berlin
  • 10th - 8th century BC stone Neo-Hittite/ Aramaean Orthostats from the city of Sam'al (Hittite: Yadiya) near Zincirli Höyük in the Anti-Taurus Mountains of modern Turkey. The Orthostats are in a Neo Hittite style and depict mythical animals and figures that have magical properties. Pergamon Museum, Berlin
  • 10th - 8th century BC stone Neo-Hittite/ Aramaean Orthostats from the city of Sam'al (Hittite: Yadiya) near Zincirli Höyük in the Anti-Taurus Mountains of modern Turkey. The Orthostats are in a Neo Hittite style and depict mythical animals and figures that have magical properties. Pergamon Museum, Berlin
  • 10th - 8th century BC stone Neo-Hittite/ Aramaean Orthostats from the city of Sam'al (Hittite: Yadiya) near Zincirli Höyük in the Anti-Taurus Mountains of modern Turkey. The Orthostats are in a Neo Hittite style and depict mythical animals and figures that have magical properties. Pergamon Museum, Berlin
  • 10th - 8th century BC stone Neo-Hittite/ Aramaean Orthostats from the city of Sam'al (Hittite: Yadiya) near Zincirli Höyük in the Anti-Taurus Mountains of modern Turkey. The Orthostats are in a Neo Hittite style and depict mythical animals and figures that have magical properties. Pergamon Museum, Berlin
  • 10th - 8th century BC stone Neo-Hittite/ Aramaean Orthostats from the city of Sam'al (Hittite: Yadiya) near Zincirli Höyük in the Anti-Taurus Mountains of modern Turkey. The Orthostats are in a Neo Hittite style and depict mythical animals and figures that have magical properties. Pergamon Museum, Berlin
  • 10th - 8th century BC stone Neo-Hittite/ Aramaean Orthostats from the city of Sam'al (Hittite: Yadiya) near Zincirli Höyük in the Anti-Taurus Mountains of modern Turkey. The Orthostats are in a Neo Hittite style and depict mythical animals and figures that have magical properties. Pergamon Museum, Berlin
  • 10th - 8th century BC stone Neo-Hittite/ Aramaean Orthostats from the city of Sam'al (Hittite: Yadiya) near Zincirli Höyük in the Anti-Taurus Mountains of modern Turkey. The Orthostats are in a Neo Hittite style and depict mythical animals and figures that have magical properties. Pergamon Museum, Berlin
  • 10th - 8th century BC stone Neo-Hittite/ Aramaean Orthostats from the city of Sam'al (Hittite: Yadiya) near Zincirli Höyük in the Anti-Taurus Mountains of modern Turkey. The Orthostats are in a Neo Hittite style and depict mythical animals and figures that have magical properties. Pergamon Museum, Berlin
  • 10th - 8th century BC stone Neo-Hittite/ Aramaean Orthostats from the city of Sam'al (Hittite: Yadiya) near Zincirli Höyük in the Anti-Taurus Mountains of modern Turkey. The Orthostats are in a Neo Hittite style and depict mythical animals and figures that have magical properties. Pergamon Museum, Berlin
  • 10th - 8th century BC stone Neo-Hittite/ Aramaean Orthostats from the city of Sam'al (Hittite: Yadiya) near Zincirli Höyük in the Anti-Taurus Mountains of modern Turkey. The Orthostats are in a Neo Hittite style and depict mythical animals and figures that have magical properties. Pergamon Museum, Berlin
  • 10th - 8th century BC stone Neo-Hittite/ Aramaean Orthostats from the city of Sam'al (Hittite: Yadiya) near Zincirli Höyük in the Anti-Taurus Mountains of modern Turkey. The Orthostats are in a Neo Hittite style and depict mythical animals and figures that have magical properties. Pergamon Museum, Berlin
  • 10th - 8th century BC stone Neo-Hittite/ Aramaean Orthostats from the city of Sam'al (Hittite: Yadiya) near Zincirli Höyük in the Anti-Taurus Mountains of modern Turkey. The Orthostats are in a Neo Hittite style and depict mythical animals and figures that have magical properties. Pergamon Museum, Berlin
  • 10th - 8th century BC stone Neo-Hittite/ Aramaean Orthostats from the city of Sam'al (Hittite: Yadiya) near Zincirli Höyük in the Anti-Taurus Mountains of modern Turkey. The Orthostats are in a Neo Hittite style and depict mythical animals and figures that have magical properties. Pergamon Museum, Berlin
  • 10th - 8th century BC stone Neo-Hittite/ Aramaean Orthostats from the city of Sam'al (Hittite: Yadiya) near Zincirli Höyük in the Anti-Taurus Mountains of modern Turkey. The Orthostats are in a Neo Hittite style and depict mythical animals and figures that have magical properties. Pergamon Museum, Berlin
  • A Colossal statue of a Bird of Prey excavated in the forecourt of a temple palace at Tell Halaf, Syria. Originally the bird statue had coloured stones in its eye socket and was mounted as part of a decorative column. Basalt 9th century BC. Pergamon Museum, Berlin.
  • A Colossal statue of a Bird of Prey excavated in the forecourt of a temple palace at Tell Halaf, Syria. Originally the bird statue had coloured stones in its eye socket and was mounted as part of a decorative column. Basalt 9th century BC. Pergamon Museum, Berlin.
  • A Colossal statue of a Bird of Prey excavated in the forecourt of a temple palace at Tell Halaf, Syria. Originally the bird statue had coloured stones in its eye socket and was mounted as part of a decorative column. Basalt 9th century BC. Pergamon Museum, Berlin.
  • A Colossal statue of a Bird of Prey excavated in the forecourt of a temple palace at Tell Halaf, Syria. Originally the bird statue had coloured stones in its eye socket and was mounted as part of a decorative column. Basalt 9th century BC. Pergamon Museum, Berlin.
  • 9th century BC Basalt Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict soldiers fighting. Pergamon Museum, Berlin
  • 9th century BC Basalt Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict soldiers fighting. Pergamon Museum, Berlin
  • 9th century BC Basalt Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict soldiers fighting. Pergamon Museum, Berlin
  • 9th century BC Basalt Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict soldiers fighting. Pergamon Museum, Berlin
  • 9th century BC Basalt Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict soldiers fighting. Pergamon Museum, Berlin
  • 9th century BC Basalt Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict soldiers fighting. Pergamon Museum, Berlin
  • 9th century BC Basalt Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict soldiers fighting. Pergamon Museum, Berlin
  • 9th century BC Basalt Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict soldiers fighting. Pergamon Museum, Berlin
  • 9th century BC Basalt Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict soldiers fighting. Pergamon Museum, Berlin
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict a mythical lion. Pergamon Museum, Berlin
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict a mythical lion. Pergamon Museum, Berlin
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict a mythical Bird. Pergamon Museum, Berlin
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict a mythical Bird. Pergamon Museum, Berlin
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict mythical animals that have magical properties. Pergamon Museum, Berlin
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict mythical animals that have magical properties. Pergamon Museum, Berlin
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict mythical animals that have magical properties. Pergamon Museum, Berlin
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict a mythical Bird. Pergamon Museum, Berlin
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict a mythical Bird. Pergamon Museum, Berlin
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict mythical animals that have magical properties. Pergamon Museum, Berlin
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict a mythical Bird. Pergamon Museum, Berlin
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict a mythical Bird. Pergamon Museum, Berlin
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict a mythical Bull. Pergamon Museum, Berlin
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict a mythical Bull. Pergamon Museum, Berlin
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict a mythical Bull. Pergamon Museum, Berlin
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict a mythical Bull. Pergamon Museum, Berlin
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf, ancient Guzana, in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict a mythical God. Louvre Museum, Paris, inv AO11073
  • 10th - 8th century BC stone Neo-Hittite/ Aramaean Orthostats from the city of Sam'al (Hittite: Yadiya) near Zincirli Höyük in the Anti-Taurus Mountains of modern Turkey. The Orthostats are in a Neo Hittite style and depict mythical animals and figures that have magical properties. Pergamon Museum, Berlin
  • 10th - 8th century BC stone Neo-Hittite/ Aramaean Orthostats from the city of Sam'al (Hittite: Yadiya) near Zincirli Höyük in the Anti-Taurus Mountains of modern Turkey. The Orthostats are in a Neo Hittite style and depict mythical animals and figures that have magical properties. Pergamon Museum, Berlin
  • 10th - 8th century BC stone Neo-Hittite/ Aramaean Orthostats from the city of Sam'al (Hittite: Yadiya) near Zincirli Höyük in the Anti-Taurus Mountains of modern Turkey. The Orthostats are in a Neo Hittite style and depict mythical animals and figures that have magical properties. Pergamon Museum, Berlin
  • 10th - 8th century BC stone Neo-Hittite/ Aramaean Orthostats from the city of Sam'al (Hittite: Yadiya) near Zincirli Höyük in the Anti-Taurus Mountains of modern Turkey. The Orthostats are in a Neo Hittite style and depict mythical animals and figures that have magical properties. Pergamon Museum, Berlin
  • 10th - 8th century BC stone Neo-Hittite/ Aramaean Orthostats from the city of Sam'al (Hittite: Yadiya) near Zincirli Höyük in the Anti-Taurus Mountains of modern Turkey. The Orthostats are in a Neo Hittite style and depict mythical animals and figures that have magical properties. Pergamon Museum, Berlin
  • 9th century BC Basalt Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict soldiers fighting. Pergamon Museum, Berlin
  • 9th century BC Basalt Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict soldiers fighting. Pergamon Museum, Berlin
  • 9th century BC Basalt Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict soldiers fighting. Pergamon Museum, Berlin
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict a mythical lion. Pergamon Museum, Berlin
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict a mythical lion. Pergamon Museum, Berlin
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict a mythical Bird. Pergamon Museum, Berlin
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict a mythical Bird. Pergamon Museum, Berlin
  • Hittite monumental relief sculpture of a seated figure. Late Hittite Period - 900-700 BC. Adana Archaeology Museum, Turkey. Against a white background
  • Hittite monumental relief sculpture of a seated figure holding a bunch of grapes. Adana Archaeology Museum, Turkey. Against a black background
  • Hittite monumental relief sculpture of a seated figure holding a bunch of grapes. Adana Archaeology Museum, Turkey.
  • Hittite monumental relief sculpture of of two seated figure, not a typical Hittite style with a lot of other influences. Late Hittite Period - 900-700 BC. Adana Archaeology Museum, Turkey. Against a white background
  • Hittite monumental relief sculpture of a man with an axe in one hand about to use it to kill a lion he is holding updide down in his other hand. Late Hittite Period - 900-700 BC. Adana Archaeology Museum, Turkey. Against a black background
  • Hittite monumental relief sculpture of of two seated figure, not a typical Hittite style with a lot of other influences. Late Hittite Period - 900-700 BC. Adana Archaeology Museum, Turkey.
  • Hittite monumental relief sculpture of a man with an axe in one hand about to use it to kill a lion he is holding updide down in his other hand. Late Hittite Period - 900-700 BC. Adana Archaeology Museum, Turkey.
  • Hittite monumental relief sculpture of a figure holding a document. Adana Archaeology Museum, Turkey.
  • Hittite monumental relief sculpture of a figure holding a document. Adana Archaeology Museum, Turkey. Against a grey art background
  • Hittite monumental relief sculpture of a god probably about to kill a lion (missing) with his axe. Late Hittite Period - 900-700 BC. Adana Archaeology Museum, Turkey. Against a white background
  • Hittite monumental relief sculpture of a god probably about to kill a lion (missing) with his axe. Late Hittite Period - 900-700 BC. Adana Archaeology Museum, Turkey. Against a grey background
  • Hittite monumental relief sculpture of a god probably about to kill a lion (missing) with his axe. Late Hittite Period - 900-700 BC. Adana Archaeology Museum, Turkey. Against a black background
  • Hittite monumental relief sculpture of a god probably about to kill a lion (missing) with his axe. Late Hittite Period - 900-700 BC. Adana Archaeology Museum, Turkey. Against a grey art background
  • Hittite monumental relief sculpture of a god probably about to kill a lion (missing) with his axe. Late Hittite Period - 900-700 BC. Adana Archaeology Museum, Turkey.
  • Hittite monumental relief sculpture ofa God probably holding lightning rods. Late Hittite Period - 900-700 BC. Adana Archaeology Museum, Turkey. Against a grey background
  • Hittite monumental relief sculpture. Late Hittite Period - 900-700 BC. Adana Archaeology Museum, Turkey. Against a black background
  • Hittite monumental relief sculpture. Late Hittite Period - 900-700 BC. Adana Archaeology Museum, Turkey. Against a grey art background
  • Hittite monumental relief sculpture of a lion. Late Hittite Period - 900-700 BC. Adana Archaeology Museum, Turkey. Against a white background
  • Hittite monumental relief sculpture ofa God probably holding lightning rods. Late Hittite Period - 900-700 BC. Adana Archaeology Museum, Turkey. Against a black background
  • Hittite monumental relief sculpture ofa God probably holding lightning rods. Late Hittite Period - 900-700 BC. Adana Archaeology Museum, Turkey. Against a grey background
  • Hittite monumental relief sculpture of a God hunting, its hieroglyphic symbol is above its head. Late Hittite Period - 900-700 BC. Adana Archaeology Museum, Turkey. Against a grey background
  • Hittite monumental relief sculpture. Late Hittite Period - 900-700 BC. Adana Archaeology Museum, Turkey. Against a white background
  • Hittite monumental relief sculpture of a lion. Late Hittite Period - 900-700 BC. Adana Archaeology Museum, Turkey.
  • Hittite monumental relief sculpture of a God hunting, its hieroglyphic symbol is above its head. Late Hittite Period - 900-700 BC. Adana Archaeology Museum, Turkey. Against a white background
  • Hittite monumental relief sculpture of a man with an axe in one hand about to use it to kill a lion he is holding updide down in his other hand. Late Hittite Period - 900-700 BC. Adana Archaeology Museum, Turkey. Against a white background
  • Hittite monumental relief sculpture of a figure holding a document. Adana Archaeology Museum, Turkey. Against a white background
  • Hittite monumental relief sculpture of a seated figure holding a bunch of grapes. Adana Archaeology Museum, Turkey. Against a grey art background
  • Hittite monumental relief sculptures, 900 - 700 BC, from Adana Archaeology Museum, Turkey. Against a white background
  • Hittite monumental relief sculptures, 900 - 700 BC, from Adana Archaeology Museum, Turkey. Against a black background
  • Hittite monumental relief sculptures, 900 - 700 BC, from Adana Archaeology Museum, Turkey. Against a grey background
  • Hittite monumental relief sculptures, 900 - 700 BC, from Adana Archaeology Museum, Turkey.
  • Hittite monumental relief sculptures, 900 - 700 BC, from Adana Archaeology Museum, Turkey. Against a grey art background
  • Hittite monumental relief sculpture of a seated figure holding a bunch of grapes. Adana Archaeology Museum, Turkey. Against a white background
  • Hittite monumental relief sculpture of a seated figure holding a bunch of grapes. Adana Archaeology Museum, Turkey. Against a grey background
  • Hittite monumental relief sculpture of of two seated figure, not a typical Hittite style with a lot of other influences. Late Hittite Period - 900-700 BC. Adana Archaeology Museum, Turkey. Against a black background
  • Hittite monumental relief sculpture of of two seated figure, not a typical Hittite style with a lot of other influences. Late Hittite Period - 900-700 BC. Adana Archaeology Museum, Turkey. Against a grey background
  • Hittite monumental relief sculpture of of two seated figure, not a typical Hittite style with a lot of other influences. Late Hittite Period - 900-700 BC. Adana Archaeology Museum, Turkey. Against a grey art background
  • Hittite monumental relief sculpture of a man with an axe in one hand about to use it to kill a lion he is holding updide down in his other hand. Late Hittite Period - 900-700 BC. Adana Archaeology Museum, Turkey. Against a grey background
  • Hittite monumental relief sculpture of a man with an axe in one hand about to use it to kill a lion he is holding updide down in his other hand. Late Hittite Period - 900-700 BC. Adana Archaeology Museum, Turkey. Against a grey art background
  • Hittite monumental relief sculpture of a figure holding a document. Adana Archaeology Museum, Turkey. Against a black background
  • Hittite monumental relief sculpture of a figure holding a document. Adana Archaeology Museum, Turkey. Against a grey background
  • Hittite monumental relief sculpture of a seated figure. Late Hittite Period - 900-700 BC. Adana Archaeology Museum, Turkey. Against a black background
  • Hittite monumental relief sculpture of a seated figure. Late Hittite Period - 900-700 BC. Adana Archaeology Museum, Turkey. Against a grey background
  • Hittite monumental relief sculpture of a seated figure. Late Hittite Period - 900-700 BC. Adana Archaeology Museum, Turkey.
  • Hittite monumental relief sculpture of a seated figure. Late Hittite Period - 900-700 BC. Adana Archaeology Museum, Turkey. Against a grey art background
  • Hittite monumental relief sculpture fragment. Late Hittite Period - 900-700 BC. Adana Archaeology Museum, Turkey. Against a white background
  • Hittite monumental relief sculpture fragment. Late Hittite Period - 900-700 BC. Adana Archaeology Museum, Turkey. Against a grey background
  • Hittite monumental relief sculpture fragment. Late Hittite Period - 900-700 BC. Adana Archaeology Museum, Turkey.
  • Hittite monumental relief sculpture fragment. Late Hittite Period - 900-700 BC. Adana Archaeology Museum, Turkey. Against a black background
  • Hittite monumental relief sculpture fragment. Late Hittite Period - 900-700 BC. Adana Archaeology Museum, Turkey. Against a grey art background
  • Hittite monumental relief sculpture ofa God probably holding lightning rods. Late Hittite Period - 900-700 BC. Adana Archaeology Museum, Turkey. Against a black background
  • Hittite monumental relief sculpture ofa God probably holding lightning rods. Late Hittite Period - 900-700 BC. Adana Archaeology Museum, Turkey. Against a white background
  • Hittite monumental relief sculpture ofa God probably holding lightning rods. Late Hittite Period - 900-700 BC. Adana Archaeology Museum, Turkey.
  • Close up of Hittite monumental relief sculpture ofa God probably holding lightning rods. Late Hittite Period - 900-700 BC. Adana Archaeology Museum, Turkey. Against a grey art background
  • Hittite monumental relief sculpture. Late Hittite Period - 900-700 BC. Adana Archaeology Museum, Turkey. Against a grey background
  • Hittite monumental relief sculpture. Late Hittite Period - 900-700 BC. Adana Archaeology Museum, Turkey.
  • Hittite monumental relief sculpture of a lion. Late Hittite Period - 900-700 BC. Adana Archaeology Museum, Turkey. Against a black background
  • Hittite monumental relief sculpture of a lion. Late Hittite Period - 900-700 BC. Adana Archaeology Museum, Turkey. Against a grey background
  • Hittite monumental relief sculpture ofa God probably holding lightning rods. Late Hittite Period - 900-700 BC. Adana Archaeology Museum, Turkey. Against a white background
  • Hittite monumental relief sculpture ofa God probably holding lightning rods. Late Hittite Period - 900-700 BC. Adana Archaeology Museum, Turkey.
  • Hittite monumental relief sculpture ofa God probably holding lightning rods. Late Hittite Period - 900-700 BC. Adana Archaeology Museum, Turkey. Against a grey art background
  • Hittite monumental relief sculpture of a God hunting, its hieroglyphic symbol is above its head. Late Hittite Period - 900-700 BC. Adana Archaeology Museum, Turkey. Against a black background
  • Hittite monumental relief sculpture of a God hunting, its hieroglyphic symbol is above its head. Late Hittite Period - 900-700 BC. Adana Archaeology Museum, Turkey. Against a grey art background
  • Hittite monumental relief sculpture of a God hunting, its hieroglyphic symbol is above its head. Late Hittite Period - 900-700 BC. Adana Archaeology Museum, Turkey.
  • Hittite monumental relief sculpture of a lion. Late Hittite Period - 900-700 BC. Adana Archaeology Museum, Turkey. Against a grey art background
  • Pictures & Images Hittite relief sculpted orthostat panels of the Sphinx Gate. Left panel depicts jugglers next panel depicts a procession following (right) a man leading goats to be sacrificed.  Alaca Hoyuk (Alacahoyuk) Hittite archaeological site  Alaca, Çorum Province, Turkey, Also known as Alacahüyük, Aladja-Hoyuk, Euyuk, or Evuk
  • Pictures & Images Hittite relief sculpted orthostat panels of the Sphinx Gate. Panel depicts a procession. Alaca Hoyuk (Alacahoyuk) Hittite archaeological site  Alaca, Çorum Province, Turkey, Also known as Alacahüyük, Aladja-Hoyuk, Euyuk, or Evuk
  • Pictures & Images Hittite relief sculpted orthostat panels of the Sphinx Gate. Panel depicts a procession making offerings to a lion god. Alaca Hoyuk (Alacahoyuk) Hittite archaeological site  Alaca, Çorum Province, Turkey, Also known as Alacahüyük, Aladja-Hoyuk, Euyuk, or Evuk
  • Pictures & Images Hittite relief sculpted orthostat panels of the Sphinx Gate. Panel depicts a lion god. Alaca Hoyuk (Alacahoyuk) Hittite archaeological site  Alaca, Çorum Province, Turkey, Also known as Alacahüyük, Aladja-Hoyuk, Euyuk, or Evuk
  • Pictures & Images Hittite relief sculpted orthostat panels of the Sphinx Gate. Panel depicts a man leading goats to be sacrificed. Alaca Hoyuk (Alacahoyuk) Hittite archaeological site  Alaca, Çorum Province, Turkey, Also known as Alacahüyük, Aladja-Hoyuk, Euyuk, or Evuk
  • Pictures & Images Hittite relief sculpted orthostat panels of the Sphinx Gate. Panel depicts a man leading goats to be sacrificed. Alaca Hoyuk (Alacahoyuk) Hittite archaeological site  Alaca, Çorum Province, Turkey, Also known as Alacahüyük, Aladja-Hoyuk, Euyuk, or Evuk
  • Pictures & Images Hittite relief sculpted orthostat panels of the Sphinx Gate. Panel depicts a man leading goats to be sacrificed. Alaca Hoyuk (Alacahoyuk) Hittite archaeological site  Alaca, Çorum Province, Turkey, Also known as Alacahüyük, Aladja-Hoyuk, Euyuk, or Evuk
  • Pictures & Images Hittite relief sculpted orthostat panels of the Sphinx Gate. Panel depicts a procession. Alaca Hoyuk (Alacahoyuk) Hittite archaeological site  Alaca, Çorum Province, Turkey, Also known as Alacahüyük, Aladja-Hoyuk, Euyuk, or Evuk
  • Pictures & Images Hittite relief sculpted orthostat panels of the Sphinx Gate. Panel depicts a bull, sculpture not finished. Alaca Hoyuk (Alacahoyuk) Hittite archaeological site  Alaca, Çorum Province, Turkey, Also known as Alacahüyük, Aladja-Hoyuk, Euyuk, or Evuk
  • Pictures & Images Hittite relief sculpted orthostat panels of the Sphinx Gate. Panel depicts a bull, sculpture not finished. Alaca Hoyuk (Alacahoyuk) Hittite archaeological site  Alaca, Çorum Province, Turkey, Also known as Alacahüyük, Aladja-Hoyuk, Euyuk, or Evuk
  • Pictures & Images Hittite relief sculpted orthostat panels of the Sphinx Gate. Panel depicts musicians. Alaca Hoyuk (Alacahoyuk) Hittite archaeological site  Alaca, Çorum Province, Turkey, Also known as Alacahüyük, Aladja-Hoyuk, Euyuk, or Evuk
  • Pictures & Images Hittite relief sculpted orthostat panels of the Sphinx Gate. Panel depicts jugglers. Alaca Hoyuk (Alacahoyuk) Hittite archaeological site  Alaca, Çorum Province, Turkey, Also known as Alacahüyük, Aladja-Hoyuk, Euyuk, or Evuk
  • Pictures & Images Hittite relief sculpted orthostat panels of the Sphinx Gate. Panel depicts jugglers. Alaca Hoyuk (Alacahoyuk) Hittite archaeological site  Alaca, Çorum Province, Turkey, Also known as Alacahüyük, Aladja-Hoyuk, Euyuk, or Evuk
  • Pictures & Images Hittite relief sculpted orthostat panels of the Sphinx Gate. Panel depicts jugglers. Alaca Hoyuk (Alacahoyuk) Hittite archaeological site  Alaca, Çorum Province, Turkey, Also known as Alacahüyük, Aladja-Hoyuk, Euyuk, or Evuk
  • Pictures & Images Hittite relief sculpted orthostat panels of the Sphinx Gate. Left panel depicts a man leading goats to be sacrificed (right) a king and Queen make offerings to a Bull God.  Alaca Hoyuk (Alacahoyuk) Hittite archaeological site  Alaca, Çorum Province, Turkey, Also known as Alacahüyük, Aladja-Hoyuk, Euyuk, or Evuk
  • Pictures & Images Hittite relief sculpted orthostat panels of the Sphinx Gate. Left panel depicts jugglers next panel depicts a procession.  Alaca Hoyuk (Alacahoyuk) Hittite archaeological site  Alaca, Çorum Province, Turkey, Also known as Alacahüyük, Aladja-Hoyuk, Euyuk, or Evuk
  • Pictures & Images Hittite relief sculpted orthostat panels of the Sphinx Gate. Left panel depicts jugglers next panel depicts a procession following (right) a man leading goats to be sacrificed.  Alaca Hoyuk (Alacahoyuk) Hittite archaeological site  Alaca, Çorum Province, Turkey, Also known as Alacahüyük, Aladja-Hoyuk, Euyuk, or Evuk
  • Pictures & Images Hittite relief sculpted orthostat panels of the Sphinx Gate. Left panel depicts a procession following (right) a man leading goats to be sacrificed.  Alaca Hoyuk (Alacahoyuk) Hittite archaeological site  Alaca, Çorum Province, Turkey, Also known as Alacahüyük, Aladja-Hoyuk, Euyuk, or Evuk
  • Sculpted Assyrian relief panels of Royal Chariot & Guards  from Hadatu ( Aslantas ) around 800 B.C. Istanbul Archaeological museum Inv No. 1946
  • Sculpted Assyrian relief panels of mace bearers from Hadatu ( Aslantas ) around 800 B.C. Istanbul Archaeological museum Inv No. 14-10
  • Sculpted Assyrian relief panels of Royal Chariot & Guards  from Hadatu ( Aslantas ) around 800 B.C. Istanbul Archaeological museum Inv No. 1946
  • Pictures & Images Hittite relief sculpted orthostat panels of the Sphinx Gate, Alaca Hoyuk (Alacahoyuk) Hittite archaeological site  Alaca, Çorum Province, Turkey, Also known as Alacahüyük, Aladja-Hoyuk, Euyuk, or Evuk
  • Pictures & Images Hittite relief sculpted orthostat panels of the Sphinx Gate. A king and Queen make offerings to a Bull God.  Alaca Hoyuk (Alacahoyuk) Hittite archaeological site  Alaca, Çorum Province, Turkey, Also known as Alacahüyük, Aladja-Hoyuk, Euyuk, or Evuk
  • Pictures & Images Hittite relief sculpted orthostat panels of the Sphinx Gate. A king and Queen make offerings to a Bull God.  Alaca Hoyuk (Alacahoyuk) Hittite archaeological site  Alaca, Çorum Province, Turkey, Also known as Alacahüyük, Aladja-Hoyuk, Euyuk, or Evuk
  • Pictures & Images Hittite relief sculpted orthostat panels of the Sphinx Gate. A king and Queen make offerings to a Bull God.  Alaca Hoyuk (Alacahoyuk) Hittite archaeological site  Alaca, Çorum Province, Turkey, Also known as Alacahüyük, Aladja-Hoyuk, Euyuk, or Evuk
  • Sculpted Assyrian relief panels of mace bearers from Hadatu ( Aslantas ) around 800 B.C. Istanbul Archaeological museum Inv No. 14-10
  • Sculpted Assyrian relief panels of Royal Chariot & Guards  from Hadatu ( Aslantas ) around 800 B.C. Istanbul Archaeological museum Inv No. 1946
  • Sculpted Assyrian relief panels of mace bearers from Hadatu ( Aslantas ) around 800 B.C. Istanbul Archaeological museum Inv No. 14-10
  • Sculpted Assyrian relief panels of mace bearers from Hadatu ( Aslantas ) around 800 B.C. Istanbul Archaeological museum Inv No. 14-10
  • Sculpted Assyrian relief panels of Royal Chariot & Guards  from Hadatu ( Aslantas ) around 800 B.C. Istanbul Archaeological museum Inv No. 1946
  • Phrygian relief sculpted orthostat stone panel. Andesite, Kucukevler, Ankara., 1200-700 B.C. Walking horse. Muscles in the legs of the figure are schematic. Anatolian Civilizations Museum, Ankara, Turkey.<br />
<br />
Against a black background.
  • Phygian relief sculpted orthostat stone panel. Andesite, Etimesgut, Ankara. Phrygian. 1200-700 BC. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Figure of a roaring lion. The cross mark on the chest draws attention. The muscles in his legs are schematic. There are frame edges in front and behind the lion. <br />
<br />
Against a grey art background.
  • Phrygian relief sculpted orthostat stone panel. Andesite, Kucukevler, Ankara., 1200-700 B.C. Walking horse. Muscles in the legs of the figure are schematic. Anatolian Civilisations Museum, Ankara, Turkey<br />
<br />
Against a white background.
  • Pictures & images of Phrygian relief sculpted orthostat stone panel. Andesite, Kucukevler, Ankara., 1200-700 B.C. Walking horse. Muscles in the legs of the figure are schematic. Anatolian Civilisations Museum, Ankara, Turkey<br />
<br />
Against a gray background.
  • Photo of Phrygian relief sculpted orthostat stone panel. Andesite, Kucukevler, Ankara., 1200-700 B.C.  Walking horse. Muscles in the legs of the figure are schematic. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Against a brown art background.
  • Phrygian relief sculpted orthostat stone panel Andesite, Atateirk Orman ciftligi, Ankara, 12OO-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Winged griffin with a bird's head and a lion's body. There is a bird's head at the end of its tail. The chest was processed like fish scales. Its wing extends along the body. Muscles in its legs are schematic. <br />
<br />
Against a black background.
  • Phrygian relief sculpted orthostat stone panel. Andesite, Kucukevler, Ankara., 1200-700 B.C.  Walking horse. Muscles in the legs of the figure are schematic. Anatolian Civilisations Museum, Ankara, Turkey<br />
<br />
Against a grey art background.
  • Phrygian relief sculpted orthostat stone panel Andesite, Atateirk Orman ciftligi, Ankara, 12OO-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Winged griffin with a bird's head and a lion's body. There is a bird's head at the end of its tail. The chest was processed like fish scales. Its wing extends along the body. Muscles in its legs are schematic. <br />
<br />
Against a white background.
  • Photo of Phrygian relief sculpted orthostat stone panel Andesite, Atateirk Orman ciftligi, Ankara, 12OO-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Winged griffin with a bird's head and a lion's body. There is a bird's head at the end of its tail. The chest was processed like fish scales. Its wing extends along the body. Muscles in its legs are schematic. <br />
<br />
Against a brown art background.
  • Pictures & images of Phrygian relief sculpted orthostat stone panel Andesite, Atateirk Orman ciftligi, Ankara, 12OO-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Winged griffin with a bird's head and a lion's body. There is a bird's head at the end of its tail. The chest was processed like fish scales. Its wing extends along the body. Muscles in its legs are schematic. <br />
<br />
Against a gray background.
  • Phrygian relief sculpted orthostat stone panel. Andesite, Ahiyakup, Ankara Phrygian, 1200-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Sphinx. Curly-haired and bearded, the figure has the head of a human and the body of a lion, with its wings extending down to its tail. Muscles in its legs are schematic. There is a band on its head. <br />
<br />
Against a grey art background.
  • Phrygian relief sculpted orthostat stone panel Andesite, Atateirk Orman ciftligi, Ankara, 12OO-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Winged griffin with a bird's head and a lion's body. There is a bird's head at the end of its tail. The chest was processed like fish scales. Its wing extends along the body. Muscles in its legs are schematic. <br />
<br />
Against a grey art background.
  • Phrygian relief sculpted orthostat stone panel. Andesite, Ahiyakup, Ankara Phrygian, 1200-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Sphinx. Curly-haired and bearded, the figure has the head of a human and the body of a lion, with its wings extending down to its tail. Muscles in its legs are schematic. There is a band on its head. <br />
<br />
Against a white background.
  • Phrygian relief sculpted orthostat stone panel. Andesite, Ahiyakup, Ankara Phrygian, 1200-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Sphinx. Curly-haired and bearded, the figure has the head of a human and the body of a lion, with its wings extending down to its tail. Muscles in its legs are schematic. There is a band on its head. <br />
<br />
Against a black background.
  • Pictures & images of Phrygian relief sculpted orthostat stone panel. Andesite, Ahiyakup, Ankara Phrygian, 1200-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Sphinx. Curly-haired and bearded, the figure has the head of a human and the body of a lion, with its wings extending down to its tail. Muscles in its legs are schematic. There is a band on its head. <br />
<br />
Against a gray background.
  • Photo of Phrygian relief sculpted orthostat stone panel. Andesite, Ahiyakup, Ankara Phrygian, 1200-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Sphinx. Curly-haired and bearded, the figure has the head of a human and the body of a lion, with its wings extending down to its tail. Muscles in its legs are schematic. There is a band on its head. <br />
<br />
Against a brown art background.
  • Phrygian relief sculpted orthostat stone panel, 1200-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey. Figure of a walking bull. <br />
<br />
Against a white background.
  • Phrygian relief sculpted orthostat stone panel, 1200-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey. Figure of a walking bull.<br />
<br />
Against a black background.
  • Phygian relief sculpted orthostat stone panel. Andesite, Etimesgut, Ankara. Phrygian. 1200-700 BC. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Figure of a roaring lion. The cross mark on the chest draws attention. The muscles in his legs are schematic. There are frame edges in front and behind the lion. <br />
<br />
Against a white background.
  • Pictures & images of Phrygian relief sculpted orthostat stone panel, 1200-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey. Figure of a walking bull. <br />
<br />
Against a gray background.
  • Photo of Phrygian relief sculpted orthostat stone panel, 1200-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey. Figure of a walking bull. <br />
<br />
Against a brown art background.
  • Phrygian relief sculpted orthostat stone panel, 1200-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey. Figure of a walking bull. <br />
<br />
Against a grey art background.
  • Phygian relief sculpted orthostat stone panel. Andesite, Etimesgut, Ankara. Phrygian. 1200-700 BC. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Figure of a roaring lion. The cross mark on the chest draws attention. The muscles in his legs are schematic. There are frame edges in front and behind the lion.<br />
<br />
Against a black background.
  • Phrygian relief sculpted orthostat stone panel Andesite, Kalaba Village, Ankara, , 1200-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Figure of a roaring lion. The cross mark on his chest draws attention. The muscles in his legs are schematic. <br />
<br />
Against a black background.
  • Photo of Phygian relief sculpted orthostat stone panel. Andesite, Etimesgut, Ankara. Phrygian. 1200-700 BC. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Figure of a roaring lion. The cross mark on the chest draws attention. The muscles in his legs are schematic. There are frame edges in front and behind the lion. <br />
<br />
Against a brown art background.
  • Pictures & images of Phygian relief sculpted orthostat stone panel. Andesite, Etimesgut, Ankara. Phrygian. 1200-700 BC. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Figure of a roaring lion. The cross mark on the chest draws attention. The muscles in his legs are schematic. There are frame edges in front and behind the lion. <br />
<br />
Against a gray background.
  • Pictures & images of Phrygian relief sculpted orthostat stone panel Andesite, Kalaba Village, Ankara, , 1200-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Figure of a roaring lion. The cross mark on his chest draws attention. The muscles in his legs are schematic. <br />
<br />
Against a gray background.
  • Phrygian relief sculpted orthostat stone panel Andesite, Kalaba Village, Ankara, , 1200-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Figure of a roaring lion. The cross mark on his chest draws attention. The muscles in his legs are schematic. <br />
<br />
Against a white background.
  • Phrygian relief sculpted orthostat stone panel Andesite, Kalaba Village, Ankara, , 1200-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Figure of a roaring lion. The cross mark on his chest draws attention. The muscles in his legs are schematic.<br />
<br />
Against a grey art background.
  • Photo of Phrygian relief sculpted orthostat stone panel Andesite, Kalaba Village, Ankara, , 1200-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Figure of a roaring lion. The cross mark on his chest draws attention. The muscles in his legs are schematic. <br />
<br />
Against a brown art background.
  • Picture & image of Hittite monumental relief sculpted orthostat stone panel from the Herald's Wall. Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Military parade with soldiers. Anatolian Civilisations Museum, Ankara, Turkey<br />
<br />
Two helmeted soldiers marching soldiers in short skirts carry the shield on their backs and the spears in their hands.  <br />
<br />
Against a white background.
  • Photo of Hittite monumental relief sculpted orthostat stone panel from the Herald's Wall. Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Military parade with soldiers. Anatolian Civilisations Museum, Ankara, Turkey<br />
<br />
Two helmeted soldiers marching soldiers in short skirts carry the shield on their backs and the spears in their hands.  <br />
<br />
Against a black background.
  • Hittite monumental relief sculpted orthostat stone panel from the Herald's Wall. Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Military parade with soldiers. Anatolian Civilisations Museum, Ankara, Turkey<br />
<br />
Two helmeted soldiers marching soldiers in short skirts carry the shield on their backs and the spears in their hands.
  • Hittite monumental relief sculpted orthostat stone panel from the Herald's Wall. Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Military parade with soldiers. Anatolian Civilisations Museum, Ankara, Turkey<br />
<br />
Two helmeted soldiers marching soldiers in short skirts carry the shield on their backs and the spears in their hands.  <br />
<br />
Against a grey art background.
  • Hittite monumental relief sculpted orthostat stone panel from the Herald's Wall. Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Military parade with soldiers. Anatolian Civilisations Museum, Ankara, Turkey<br />
<br />
Two helmeted soldiers marching soldiers in short skirts carry the shield on their backs and the spears in their hands. <br />
<br />
Against a brown art background.
  • Photo of Hittite relief sculpted orthostat stone panel of Herald's Wall. Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Military parade. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Three helmeted soldiers in short skirts carry the shield on their backs and the spears in their hands. The bottom right part of the relief was left untreated since the pedestal stood in front of it. <br />
<br />
Against a black background.
  • Picture & image of Hittite relief sculpted orthostat stone panel of Herald's Wall. Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Military parade. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Three helmeted soldiers in short skirts carry the shield on their backs and the spears in their hands. The bottom right part of the relief was left untreated since the pedestal stood in front of it. <br />
<br />
Against a white background.
  • Hittite relief sculpted orthostat stone panel of Herald's Wall. Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Military parade. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Three helmeted soldiers in short skirts carry the shield on their backs and the spears in their hands. The bottom right part of the relief was left untreated since the pedestal stood in front of it.
  • Hittite relief sculpted orthostat stone panel of Herald's Wall. Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Military parade. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Three helmeted soldiers in short skirts carry the shield on their backs and the spears in their hands. The bottom right part of the relief was left untreated since the pedestal stood in front of it. <br />
<br />
Against a brown art background.
  • Hittite relief sculpted orthostat stone panel of Herald's Wall. Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Military parade. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Three helmeted soldiers in short skirts carry the shield on their backs and the spears in their hands. The bottom right part of the relief was left untreated since the pedestal stood in front of it. <br />
<br />
Against a grey art background.
  • Picture & image of Hittite relief sculpted orthostat stone panel of Herald's Wall Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
In the middle is a kneeling bearded figure holding the bull's horn with his left hand and the lion's hind leg with his right hand. Below this lion is another lion whose chest and the head are missing, and below this second lion is another small lion. A deer stands behind his head. It is thought that this relief depicts Gilgamesh, the master of animals. <br />
<br />
Against a white background.
  • Hittite relief sculpted orthostat stone panel of Herald's Wall Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
In the middle is a kneeling bearded figure holding the bull's horn with his left hand and the lion's hind leg with his right hand. Below this lion is another lion whose chest and the head are missing, and below this second lion is another small lion. A deer stands behind his head. It is thought that this relief depicts Gilgamesh, the master of animals. <br />
<br />
Against a brown art background.
  • Photo of Hittite relief sculpted orthostat stone panel of Herald's Wall Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
In the middle is a kneeling bearded figure holding the bull's horn with his left hand and the lion's hind leg with his right hand. Below this lion is another lion whose chest and the head are missing, and below this second lion is another small lion. A deer stands behind his head. It is thought that this relief depicts Gilgamesh, the master of animals. <br />
<br />
Against a black background.
  • Hittite relief sculpted orthostat stone panel of Herald's Wall Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
In the middle is a kneeling bearded figure holding the bull's horn with his left hand and the lion's hind leg with his right hand. Below this lion is another lion whose chest and the head are missing, and below this second lion is another small lion. A deer stands behind his head. It is thought that this relief depicts Gilgamesh, the master of animals.
  • Hittite relief sculpted orthostat stone panel of Herald's Wall Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
In the middle is a kneeling bearded figure holding the bull's horn with his left hand and the lion's hind leg with his right hand. Below this lion is another lion whose chest and the head are missing, and below this second lion is another small lion. A deer stands behind his head. It is thought that this relief depicts Gilgamesh, the master of animals. <br />
<br />
Against a grey art background.
  • Picture & image of Hittite relief sculpted orthostat stone panel of Herald's Wall Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
On the right is a bearded human figure with a short skirt; with the dagger in his right hand, he is stabbing the lion standing on his front legs while holding the lion's tail with his left hand. On the left is a bearded god figure with a horned-headdress, who grasps the lion's hind leg while holding the ax over his head with his right hand. <br />
<br />
Against a white background.
  • Hittite relief sculpted orthostat stone panel of Herald's Wall Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
On the right is a bearded human figure with a short skirt; with the dagger in his right hand, he is stabbing the lion standing on his front legs while holding the lion's tail with his left hand. On the left is a bearded god figure with a horned-headdress, who grasps the lion's hind leg while holding the ax over his head with his right hand. <br />
<br />
Against a brown art background.
  • Hittite relief sculpted orthostat stone panel of Herald's Wall Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
On the right is a bearded human figure with a short skirt; with the dagger in his right hand, he is stabbing the lion standing on his front legs while holding the lion's tail with his left hand. On the left is a bearded god figure with a horned-headdress, who grasps the lion's hind leg while holding the ax over his head with his right hand.
  • Photo of Hittite relief sculpted orthostat stone panel of Herald's Wall Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
On the right is a bearded human figure with a short skirt; with the dagger in his right hand, he is stabbing the lion standing on his front legs while holding the lion's tail with his left hand. On the left is a bearded god figure with a horned-headdress, who grasps the lion's hind leg while holding the ax over his head with his right hand. <br />
<br />
Against a black background.
  • Picture & image of Hittite relief sculpted orthostat stone panel of Herald's Wall Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
On the right is a bearded human figure with a short skirt; with the dagger in his right hand, he is stabbing the lion standing on his front legs while holding the lion's tail with his left hand. On the left is a bearded god figure with a horned-headdress, who grasps the lion's hind leg while holding the ax over his head with his right hand. <br />
<br />
Against a white background.
  • Photo of Hittite relief sculpted orthostat stone panel of Herald's Wall Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
On the right is a bearded human figure with a short skirt; with the dagger in his right hand, he is stabbing the lion standing on his front legs while holding the lion's tail with his left hand. On the left is a bearded god figure with a horned-headdress, who grasps the lion's hind leg while holding the ax over his head with his right hand. <br />
<br />
Against a black background.
  • Hittite relief sculpted orthostat stone panel of Herald's Wall Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
On the right is a bearded human figure with a short skirt; with the dagger in his right hand, he is stabbing the lion standing on his front legs while holding the lion's tail with his left hand. On the left is a bearded god figure with a horned-headdress, who grasps the lion's hind leg while holding the ax over his head with his right hand.
  • Hittite relief sculpted orthostat stone panel of Herald's Wall Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
On the right is a bearded human figure with a short skirt; with the dagger in his right hand, he is stabbing the lion standing on his front legs while holding the lion's tail with his left hand. On the left is a bearded god figure with a horned-headdress, who grasps the lion's hind leg while holding the ax over his head with his right hand. <br />
<br />
Against a brown art background.
  • Hittite relief sculpted orthostat stone panel of Herald's Wall Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
On the right is a bearded human figure with a short skirt; with the dagger in his right hand, he is stabbing the lion standing on his front legs while holding the lion's tail with his left hand. On the left is a bearded god figure with a horned-headdress, who grasps the lion's hind leg while holding the ax over his head with his right hand. <br />
<br />
Against a grey art background.
  • Hittite relief sculpted orthostat stone panel of Herald's Wall Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Bird-headed, winged figures of human body. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
These figures are called as "Winged Griffin Demons". Embossing is constructed symmetrically. Their hands are on their heads. It is assumed that they carry the heavens.
  • Hittite relief sculpted orthostat stone panel of Herald's Wall Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
On the right is a bearded human figure with a short skirt; with the dagger in his right hand, he is stabbing the lion standing on his front legs while holding the lion's tail with his left hand. On the left is a bearded god figure with a horned-headdress, who grasps the lion's hind leg while holding the ax over his head with his right hand. <br />
<br />
Against a grey art background.
  • Picture & image of Hittite relief sculpted orthostat stone panel of Herald's Wall Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Bird-headed, winged figures of human body. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
These figures are called as "Winged Griffin Demons". Embossing is constructed symmetrically. Their hands are on their heads. It is assumed that they carry the heavens. <br />
<br />
Against a white background.
  • Photo of Hittite relief sculpted orthostat stone panel of Herald's Wall Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Bird-headed, winged figures of human body. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
These figures are called as "Winged Griffin Demons". Embossing is constructed symmetrically. Their hands are on their heads. It is assumed that they carry the heavens. <br />
<br />
Against a black background.
  • Hittite relief sculpted orthostat stone panel of Herald's Wall Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Bird-headed, winged figures of human body. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
These figures are called as "Winged Griffin Demons". Embossing is constructed symmetrically. Their hands are on their heads. It is assumed that they carry the heavens. <br />
<br />
Against a grey art background.
  • Hittite relief sculpted orthostat stone panel of Herald's Wall Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Bird-headed, winged figures of human body. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
These figures are called as "Winged Griffin Demons". Embossing is constructed symmetrically. Their hands are on their heads. It is assumed that they carry the heavens. <br />
<br />
Against a brown art background.
  • Picture & image of Hittite relief sculpted orthostat stone panel of Herald's Wall Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Bird-headed, winged figures of human body. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
These figures are called as "Winged Griffin Demons". Embossing is constructed symmetrically. Their hands are on their heads. It is assumed that they carry the heavens. <br />
<br />
Against a white background.
  • Photo of Hittite relief sculpted orthostat stone panel of Herald's Wall Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Bird-headed, winged figures of human body. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
These figures are called as "Winged Griffin Demons". Embossing is constructed symmetrically. Their hands are on their heads. It is assumed that they carry the heavens. <br />
<br />
Against a black background.
  • Hittite relief sculpted orthostat stone panel of Herald's Wall Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Bird-headed, winged figures of human body. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
These figures are called as "Winged Griffin Demons". Embossing is constructed symmetrically. Their hands are on their heads. It is assumed that they carry the heavens.
  • Hittite relief sculpted orthostat stone panel of Herald's Wall Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Bird-headed, winged figures of human body. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
These figures are called as "Winged Griffin Demons". Embossing is constructed symmetrically. Their hands are on their heads. It is assumed that they carry the heavens. <br />
<br />
Against a grey art background.
  • Hittite relief sculpted orthostat stone panel of Herald's Wall Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Bird-headed, winged figures of human body. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
These figures are called as "Winged Griffin Demons". Embossing is constructed symmetrically. Their hands are on their heads. It is assumed that they carry the heavens. <br />
<br />
Against a brown art background.
  • Hittite relief sculpted orthostat stone panel of Herald's Wall Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Bird-headed, winged figures of human body. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
These figures are called as "Winged Griffin Demons". Embossing is constructed symmetrically. Their hands are on their heads. It is assumed that they carry the heavens.
  • Picture & image of Hittite relief sculpted orthostat stone panel of Herald's Wall Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
A pair of kneeling bull on either side of the tree of life, one each foot is on the tree, the other feet are bend towards the abdomen.  <br />
<br />
Against a white background.
  • Hittite relief sculpted orthostat stone panel of Herald's Wall Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
A pair of kneeling bull on either side of the tree of life, one each foot is on the tree, the other feet are bend towards the abdomen.  <br />
<br />
Against a brown art background.
  • Photo of Hittite relief sculpted orthostat stone panel of Herald's Wall Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
A pair of kneeling bull on either side of the tree of life, one each foot is on the tree, the other feet are bend towards the abdomen.  <br />
<br />
Against a black background.
  • Hittite relief sculpted orthostat stone panel of Herald's Wall Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
A pair of kneeling bull on either side of the tree of life, one each foot is on the tree, the other feet are bend towards the abdomen.
  • Hittite relief sculpted orthostat stone panel of Herald's Wall Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
A pair of kneeling bull on either side of the tree of life, one each foot is on the tree, the other feet are bend towards the abdomen.  <br />
<br />
Against a grey art background.

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