• Hittite bas relief sculpture orthostat panels from the Sphinx Gate of Alaca Hoyuk Archaeological site, Turkey.
  • Hittite bas relief sculpture orthostat panels from the Sphinx Gate of Alaca Hoyuk Archaeological site, Turkey.
  • Ancient Egyptian house altar relief sculpture of Akhenaten, Nefrertiti and their three daughters. 18th Dynasty 1345 BC . Neues Museum Berlin AM 14145.
  • Hittite monumental relief sculpture of a God hunting, its hieroglyphic symbol is above its head. Late Hittite Period - 900-700 BC. Adana Archaeology Museum, Turkey. Against a white background
  • Hittite monumental relief sculpture of a figure holding a document. Adana Archaeology Museum, Turkey. Against a white background
  • Hittite monumental relief sculpture of a seated figure holding a bunch of grapes. Adana Archaeology Museum, Turkey. Against a grey art background
  • Hittite monumental relief sculpture of a seated figure. Late Hittite Period - 900-700 BC. Adana Archaeology Museum, Turkey. Against a white background
  • Hittite monumental relief sculptures, 900 - 700 BC, from Adana Archaeology Museum, Turkey. Against a white background
  • Hittite monumental relief sculptures, 900 - 700 BC, from Adana Archaeology Museum, Turkey. Against a black background
  • Hittite monumental relief sculptures, 900 - 700 BC, from Adana Archaeology Museum, Turkey. Against a grey background
  • Hittite monumental relief sculptures, 900 - 700 BC, from Adana Archaeology Museum, Turkey.
  • Hittite monumental relief sculptures, 900 - 700 BC, from Adana Archaeology Museum, Turkey. Against a grey art background
  • Hittite monumental relief sculpture of a seated figure holding a bunch of grapes. Adana Archaeology Museum, Turkey. Against a white background
  • Hittite monumental relief sculpture of a seated figure holding a bunch of grapes. Adana Archaeology Museum, Turkey. Against a black background
  • Hittite monumental relief sculpture of a seated figure holding a bunch of grapes. Adana Archaeology Museum, Turkey. Against a grey background
  • Hittite monumental relief sculpture of a seated figure holding a bunch of grapes. Adana Archaeology Museum, Turkey.
  • Hittite monumental relief sculpture of of two seated figure, not a typical Hittite style with a lot of other influences. Late Hittite Period - 900-700 BC. Adana Archaeology Museum, Turkey. Against a black background
  • Hittite monumental relief sculpture of of two seated figure, not a typical Hittite style with a lot of other influences. Late Hittite Period - 900-700 BC. Adana Archaeology Museum, Turkey. Against a grey background
  • Hittite monumental relief sculpture of a man with an axe in one hand about to use it to kill a lion he is holding updide down in his other hand. Late Hittite Period - 900-700 BC. Adana Archaeology Museum, Turkey. Against a black background
  • Hittite monumental relief sculpture of of two seated figure, not a typical Hittite style with a lot of other influences. Late Hittite Period - 900-700 BC. Adana Archaeology Museum, Turkey. Against a grey art background
  • Hittite monumental relief sculpture of a man with an axe in one hand about to use it to kill a lion he is holding updide down in his other hand. Late Hittite Period - 900-700 BC. Adana Archaeology Museum, Turkey. Against a grey background
  • Hittite monumental relief sculpture of a man with an axe in one hand about to use it to kill a lion he is holding updide down in his other hand. Late Hittite Period - 900-700 BC. Adana Archaeology Museum, Turkey. Against a grey art background
  • Hittite monumental relief sculpture of a figure holding a document. Adana Archaeology Museum, Turkey. Against a black background
  • Hittite monumental relief sculpture of a figure holding a document. Adana Archaeology Museum, Turkey. Against a grey background
  • Hittite monumental relief sculpture of a figure holding a document. Adana Archaeology Museum, Turkey.
  • Hittite monumental relief sculpture of a seated figure. Late Hittite Period - 900-700 BC. Adana Archaeology Museum, Turkey. Against a black background
  • Hittite monumental relief sculpture of a seated figure. Late Hittite Period - 900-700 BC. Adana Archaeology Museum, Turkey. Against a grey background
  • Hittite monumental relief sculpture of a seated figure. Late Hittite Period - 900-700 BC. Adana Archaeology Museum, Turkey.
  • Hittite monumental relief sculpture of a seated figure. Late Hittite Period - 900-700 BC. Adana Archaeology Museum, Turkey. Against a grey art background
  • Hittite monumental relief sculpture of a god probably about to kill a lion (missing) with his axe. Late Hittite Period - 900-700 BC. Adana Archaeology Museum, Turkey. Against a white background
  • Hittite monumental relief sculpture of a god probably about to kill a lion (missing) with his axe. Late Hittite Period - 900-700 BC. Adana Archaeology Museum, Turkey. Against a grey background
  • Hittite monumental relief sculpture of a god probably about to kill a lion (missing) with his axe. Late Hittite Period - 900-700 BC. Adana Archaeology Museum, Turkey. Against a black background
  • Hittite monumental relief sculpture of a god probably about to kill a lion (missing) with his axe. Late Hittite Period - 900-700 BC. Adana Archaeology Museum, Turkey. Against a grey art background
  • Hittite monumental relief sculpture of a god probably about to kill a lion (missing) with his axe. Late Hittite Period - 900-700 BC. Adana Archaeology Museum, Turkey.
  • Hittite monumental relief sculpture fragment. Late Hittite Period - 900-700 BC. Adana Archaeology Museum, Turkey. Against a grey background
  • Hittite monumental relief sculpture fragment. Late Hittite Period - 900-700 BC. Adana Archaeology Museum, Turkey.
  • Hittite monumental relief sculpture fragment. Late Hittite Period - 900-700 BC. Adana Archaeology Museum, Turkey. Against a black background
  • Hittite monumental relief sculpture fragment. Late Hittite Period - 900-700 BC. Adana Archaeology Museum, Turkey. Against a grey art background
  • Hittite monumental relief sculpture ofa God probably holding lightning rods. Late Hittite Period - 900-700 BC. Adana Archaeology Museum, Turkey. Against a black background
  • Hittite monumental relief sculpture ofa God probably holding lightning rods. Late Hittite Period - 900-700 BC. Adana Archaeology Museum, Turkey. Against a white background
  • Hittite monumental relief sculpture ofa God probably holding lightning rods. Late Hittite Period - 900-700 BC. Adana Archaeology Museum, Turkey.
  • Close up of Hittite monumental relief sculpture ofa God probably holding lightning rods. Late Hittite Period - 900-700 BC. Adana Archaeology Museum, Turkey. Against a grey art background
  • Hittite monumental relief sculpture. Late Hittite Period - 900-700 BC. Adana Archaeology Museum, Turkey. Against a black background
  • Hittite monumental relief sculpture. Late Hittite Period - 900-700 BC. Adana Archaeology Museum, Turkey. Against a grey background
  • Hittite monumental relief sculpture. Late Hittite Period - 900-700 BC. Adana Archaeology Museum, Turkey.
  • Hittite monumental relief sculpture. Late Hittite Period - 900-700 BC. Adana Archaeology Museum, Turkey. Against a grey art background
  • Hittite monumental relief sculpture of a lion. Late Hittite Period - 900-700 BC. Adana Archaeology Museum, Turkey. Against a white background
  • Hittite monumental relief sculpture of a lion. Late Hittite Period - 900-700 BC. Adana Archaeology Museum, Turkey. Against a black background
  • Hittite monumental relief sculpture of a lion. Late Hittite Period - 900-700 BC. Adana Archaeology Museum, Turkey. Against a grey background
  • Hittite monumental relief sculpture ofa God probably holding lightning rods. Late Hittite Period - 900-700 BC. Adana Archaeology Museum, Turkey. Against a black background
  • Hittite monumental relief sculpture ofa God probably holding lightning rods. Late Hittite Period - 900-700 BC. Adana Archaeology Museum, Turkey. Against a white background
  • Hittite monumental relief sculpture ofa God probably holding lightning rods. Late Hittite Period - 900-700 BC. Adana Archaeology Museum, Turkey.
  • Hittite monumental relief sculpture ofa God probably holding lightning rods. Late Hittite Period - 900-700 BC. Adana Archaeology Museum, Turkey. Against a grey background
  • Hittite monumental relief sculpture of a God hunting, its hieroglyphic symbol is above its head. Late Hittite Period - 900-700 BC. Adana Archaeology Museum, Turkey. Against a black background
  • Hittite monumental relief sculpture of a God hunting, its hieroglyphic symbol is above its head. Late Hittite Period - 900-700 BC. Adana Archaeology Museum, Turkey. Against a grey background
  • Hittite monumental relief sculpture of a God hunting, its hieroglyphic symbol is above its head. Late Hittite Period - 900-700 BC. Adana Archaeology Museum, Turkey. Against a grey art background
  • Hittite monumental relief sculpture. Late Hittite Period - 900-700 BC. Adana Archaeology Museum, Turkey. Against a white background
  • Hittite monumental relief sculpture of a lion. Late Hittite Period - 900-700 BC. Adana Archaeology Museum, Turkey.
  • Hittite monumental relief sculpture of a lion. Late Hittite Period - 900-700 BC. Adana Archaeology Museum, Turkey. Against a grey art background
  • Hittite monumental relief sculpture of a man with an axe in one hand about to use it to kill a lion he is holding updide down in his other hand. Late Hittite Period - 900-700 BC. Adana Archaeology Museum, Turkey. Against a white background
  • Hittite monumental relief sculpture of of two seated figure, not a typical Hittite style with a lot of other influences. Late Hittite Period - 900-700 BC. Adana Archaeology Museum, Turkey. Against a white background
  • Hittite monumental relief sculpture of of two seated figure, not a typical Hittite style with a lot of other influences. Late Hittite Period - 900-700 BC. Adana Archaeology Museum, Turkey.
  • Hittite monumental relief sculpture of a man with an axe in one hand about to use it to kill a lion he is holding updide down in his other hand. Late Hittite Period - 900-700 BC. Adana Archaeology Museum, Turkey.
  • Hittite monumental relief sculpture of a figure holding a document. Adana Archaeology Museum, Turkey. Against a grey art background
  • Hittite monumental relief sculpture fragment. Late Hittite Period - 900-700 BC. Adana Archaeology Museum, Turkey. Against a white background
  • Hittite monumental relief sculpture ofa God probably holding lightning rods. Late Hittite Period - 900-700 BC. Adana Archaeology Museum, Turkey. Against a grey background
  • Hittite monumental relief sculpture ofa God probably holding lightning rods. Late Hittite Period - 900-700 BC. Adana Archaeology Museum, Turkey. Against a grey art background
  • Hittite monumental relief sculpture of a God hunting, its hieroglyphic symbol is above its head. Late Hittite Period - 900-700 BC. Adana Archaeology Museum, Turkey.
  • Sculpted Assyrian relief panels of Royal Chariot & Guards  from Hadatu ( Aslantas ) around 800 B.C. Istanbul Archaeological museum Inv No. 1946
  • Sculpted Assyrian relief panels of mace bearers from Hadatu ( Aslantas ) around 800 B.C. Istanbul Archaeological museum Inv No. 14-10
  • Chaldean Assyrian relief sculpture slab from the northwest palace of King Ashurnasirpal II of a Genie standing. 881-859 B.C form Nimrud or Nimrut ( Kalhu or Kalah). Istanbul Archaeological exhibit Inv. No. 5.
  • Chaldean Assyrian relief sculpture slab from the northwest palace of King Ashurnasirpal II of a Genie standing. 881-859 B.C form Nimrud or Nimrut ( Kalhu or Kalah). Istanbul Archaeological exhibit Inv. No. 5.
  • Chaldean Assyrian relief sculpture slab from the northwest palace of King Ashurnasirpal II of a Genie standing. 881-859 B.C form Nimrud or Nimrut ( Kalhu or Kalah). Istanbul Archaeological exhibit Inv. No. 5.
  • Chaldean Assyrian relief sculpture slab from the northwest palace of King Ashurnasirpal II of a Genie standing. 881-859 B.C form Nimrud or Nimrut ( Kalhu or Kalah). Istanbul Archaeological exhibit Inv. No. 5.
  • Chaldean Assyrian relief sculpture slab from the northwest palace of King Ashurnasirpal II of a Genie standing. 881-859 B.C form Nimrud or Nimrut ( Kalhu or Kalah). Istanbul Archaeological exhibit Inv. No. 5.
  • Chaldean Assyrian relief sculpture slab from the northwest palace of King Ashurnasirpal II of a Genie standing in front of the tree of life. 881-859 B.C form Nimrud or Nimrut ( Kalhu or Kalah). Istanbul Archaeological exhibit Inv. No. 4.
  • Chaldean Assyrian relief sculpture slab from the northwest palace of King Ashurnasirpal II of a Genie standing. 881-859 B.C form Nimrud or Nimrut ( Kalhu or Kalah). Istanbul Archaeological exhibit Inv. No. 6.
  • Hittite relief sculpted orthostat stone panel of Long Wall Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900 - 700 B.C. Anatolian Civilizations Museum, Ankara, Turkey.<br />
<br />
Goddess Kubaba. Goddess is depicted from the profile. The part below the chest of the relief is broken. She holds a pomegranate in her hands on her chest. She carries a one-horned headdress on her head. Her braided hair hangs down to her shoulder. The text in the hieroglyphics is not understood. The lower part of the relief has been restored. <br />
<br />
On a black background.
  • Picture & image of Hittite relief sculpted orthostat stone panel of Long Wall Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900 - 700 B.C. Anatolian Civilizations Museum, Ankara, Turkey.<br />
<br />
Goddess Kubaba. Goddess is depicted from the profile. The part below the chest of the relief is broken. She holds a pomegranate in her hands on her chest. She carries a one-horned headdress on her head. Her braided hair hangs down to her shoulder. The text in the hieroglyphics is not understood. The lower part of the relief has been restored. <br />
<br />
On a gray background.
  • Hittite relief sculpted orthostat stone panel of Long Wall Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilizations Museum, Ankara, Turkey.<br />
<br />
Goddess Kubaba. Goddess is depicted from the profile. The part below the chest of the relief is broken. She holds a pomegranate in her hands on her chest. She carries a one-horned headdress on her head. Her braided hair hangs down to her shoulder. The text in the hieroglyphics is not understood. The lower part of the relief has been restored. <br />
<br />
On a black background.
  • Hittite relief sculpted orthostat stone panel of Long Wall Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900 - 700 B.C. Anatolian Civilizations Museum, Ankara, Turkey.<br />
<br />
Goddess Kubaba. Goddess is depicted from the profile. The part below the chest of the relief is broken. She holds a pomegranate in her hands on her chest. She carries a one-horned headdress on her head. Her braided hair hangs down to her shoulder. The text in the hieroglyphics is not understood. The lower part of the relief has been restored. <br />
<br />
On a grey art background.
  • Hittite relief sculpted orthostat stone panel of Long Wall Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900 - 700 B.C. Anatolian Civilizations Museum, Ankara, Turkey.<br />
<br />
Goddess Kubaba. Goddess is depicted from the profile. The part below the chest of the relief is broken. She holds a pomegranate in her hands on her chest. She carries a one-horned headdress on her head. Her braided hair hangs down to her shoulder. The text in the hieroglyphics is not understood. The lower part of the relief has been restored. <br />
<br />
On a White Background.
  • Photo of Hittite relief sculpted orthostat stone panel of Long Wall Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900 - 700 B.C. Anatolian Civilizations Museum, Ankara, Turkey.<br />
<br />
Goddess Kubaba. Goddess is depicted from the profile. The part below the chest of the relief is broken. She holds a pomegranate in her hands on her chest. She carries a one-horned headdress on her head. Her braided hair hangs down to her shoulder. The text in the hieroglyphics is not understood. The lower part of the relief has been restored. <br />
<br />
On a brown art background.
  • Hittite relief sculpted orthostat stone panel of Long Wall Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilizations Museum, Ankara, Turkey.<br />
<br />
Goddess Kubaba. Goddess is depicted from the profile. The part below the chest of the relief is broken. She holds a pomegranate in her hands on her chest. She carries a one-horned headdress on her head. Her braided hair hangs down to her shoulder. The text in the hieroglyphics is not understood. The lower part of the relief has been restored. <br />
<br />
On a White Background.
  • Hittite relief sculpted orthostat stone panel of Long Wall Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilizations Museum, Ankara, Turkey.<br />
<br />
Goddess Kubaba. Goddess is depicted from the profile. The part below the chest of the relief is broken. She holds a pomegranate in her hands on her chest. She carries a one-horned headdress on her head. Her braided hair hangs down to her shoulder. The text in the hieroglyphics is not understood. The lower part of the relief has been restored. <br />
<br />
On a grey art background.
  • Picture & image of Hittite relief sculpted orthostat stone panel of Long Wall Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilizations Museum, Ankara, Turkey.<br />
<br />
Goddess Kubaba. Goddess is depicted from the profile. The part below the chest of the relief is broken. She holds a pomegranate in her hands on her chest. She carries a one-horned headdress on her head. Her braided hair hangs down to her shoulder. The text in the hieroglyphics is not understood. The lower part of the relief has been restored. <br />
<br />
On a gray background.
  • Photo of Hittite relief sculpted orthostat stone panel of Long Wall Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilizations Museum, Ankara, Turkey.<br />
<br />
Goddess Kubaba. Goddess is depicted from the profile. The part below the chest of the relief is broken. She holds a pomegranate in her hands on her chest. She carries a one-horned headdress on her head. Her braided hair hangs down to her shoulder. The text in the hieroglyphics is not understood. The lower part of the relief has been restored. <br />
<br />
On a brown art background.
  • Photo of Hittite relief sculpted orthostat stone panel of Herald's Wall. Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Military parade. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Three helmeted soldiers in short skirts carry the shield on their backs and the spears in their hands. The bottom right part of the relief was left untreated since the pedestal stood in front of it. <br />
<br />
Against a black background.
  • Picture & image of Hittite relief sculpted orthostat stone panel of Herald's Wall. Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Military parade. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Three helmeted soldiers in short skirts carry the shield on their backs and the spears in their hands. The bottom right part of the relief was left untreated since the pedestal stood in front of it. <br />
<br />
Against a white background.
  • Hittite relief sculpted orthostat stone panel of Herald's Wall. Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Military parade. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Three helmeted soldiers in short skirts carry the shield on their backs and the spears in their hands. The bottom right part of the relief was left untreated since the pedestal stood in front of it.
  • Hittite relief sculpted orthostat stone panel of Herald's Wall. Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Military parade. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Three helmeted soldiers in short skirts carry the shield on their backs and the spears in their hands. The bottom right part of the relief was left untreated since the pedestal stood in front of it. <br />
<br />
Against a brown art background.
  • Hittite relief sculpted orthostat stone panel of Herald's Wall. Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Military parade. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Three helmeted soldiers in short skirts carry the shield on their backs and the spears in their hands. The bottom right part of the relief was left untreated since the pedestal stood in front of it. <br />
<br />
Against a grey art background.
  • Picture & image of Hittite relief sculpted orthostat stone panel of Herald's Wall Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
In the middle is a kneeling bearded figure holding the bull's horn with his left hand and the lion's hind leg with his right hand. Below this lion is another lion whose chest and the head are missing, and below this second lion is another small lion. A deer stands behind his head. It is thought that this relief depicts Gilgamesh, the master of animals. <br />
<br />
Against a white background.
  • Hittite relief sculpted orthostat stone panel of Herald's Wall Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
In the middle is a kneeling bearded figure holding the bull's horn with his left hand and the lion's hind leg with his right hand. Below this lion is another lion whose chest and the head are missing, and below this second lion is another small lion. A deer stands behind his head. It is thought that this relief depicts Gilgamesh, the master of animals. <br />
<br />
Against a brown art background.
  • Photo of Hittite relief sculpted orthostat stone panel of Herald's Wall Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
In the middle is a kneeling bearded figure holding the bull's horn with his left hand and the lion's hind leg with his right hand. Below this lion is another lion whose chest and the head are missing, and below this second lion is another small lion. A deer stands behind his head. It is thought that this relief depicts Gilgamesh, the master of animals. <br />
<br />
Against a black background.
  • Hittite relief sculpted orthostat stone panel of Herald's Wall Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
In the middle is a kneeling bearded figure holding the bull's horn with his left hand and the lion's hind leg with his right hand. Below this lion is another lion whose chest and the head are missing, and below this second lion is another small lion. A deer stands behind his head. It is thought that this relief depicts Gilgamesh, the master of animals.
  • Hittite relief sculpted orthostat stone panel of Herald's Wall Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
In the middle is a kneeling bearded figure holding the bull's horn with his left hand and the lion's hind leg with his right hand. Below this lion is another lion whose chest and the head are missing, and below this second lion is another small lion. A deer stands behind his head. It is thought that this relief depicts Gilgamesh, the master of animals. <br />
<br />
Against a grey art background.
  • Picture & image of Hittite relief sculpted orthostat stone panel of Herald's Wall Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
This relief tells the story the killing of Humbaba, protective deity of the cedar forests, by Gilgamesh and Enkidu. The figures standing on both sides hold, with one hand, the arms of the figure in the middle transversally while they stab the dagger on the head of the figure.  <br />
<br />
Against a white background.
  • Hittite relief sculpted orthostat stone panel of Herald's Wall Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
This relief tells the story the killing of Humbaba, protective deity of the cedar forests, by Gilgamesh and Enkidu. The figures standing on both sides hold, with one hand, the arms of the figure in the middle transversally while they stab the dagger on the head of the figure.
  • Photo of Hittite relief sculpted orthostat stone panel of Herald's Wall Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
This relief tells the story the killing of Humbaba, protective deity of the cedar forests, by Gilgamesh and Enkidu. The figures standing on both sides hold, with one hand, the arms of the figure in the middle transversally while they stab the dagger on the head of the figure.  <br />
<br />
Against a black background.
  • Hittite relief sculpted orthostat stone panel of Herald's Wall Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
This relief tells the story the killing of Humbaba, protective deity of the cedar forests, by Gilgamesh and Enkidu. The figures standing on both sides hold, with one hand, the arms of the figure in the middle transversally while they stab the dagger on the head of the figure.  <br />
<br />
Against a grey art background.
  • Hittite relief sculpted orthostat stone panel of Herald's Wall Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
This relief tells the story the killing of Humbaba, protective deity of the cedar forests, by Gilgamesh and Enkidu. The figures standing on both sides hold, with one hand, the arms of the figure in the middle transversally while they stab the dagger on the head of the figure.<br />
<br />
Against a brown art background.
  • Hittite orthostat relief depicting a god. Hittie Period 1450 - 1200 BC. Hattusa Boğazkale. Çorum Archaeological Museum, Corum, Turkey. Çorum Archaeological Museum, Corum, Turkey. Against a white bacground.
  • Hittite orthostat relief depicting a god. Hittie Period 1450 - 1200 BC. Hattusa Boğazkale. Hattusa Boğazkale. Çorum Archaeological Museum, Corum, Turkey. Çorum Archaeological Museum, Corum, Turkey. Against a grey bacground.
  • Pictures & Images Hittite relief sculpted orthostat panels of the Sphinx Gate. Panel depicts a procession. Alaca Hoyuk (Alacahoyuk) Hittite archaeological site  Alaca, Çorum Province, Turkey, Also known as Alacahüyük, Aladja-Hoyuk, Euyuk, or Evuk
  • Pictures & Images Hittite relief sculpted orthostat panels of the Sphinx Gate. Panel depicts a procession. Alaca Hoyuk (Alacahoyuk) Hittite archaeological site  Alaca, Çorum Province, Turkey, Also known as Alacahüyük, Aladja-Hoyuk, Euyuk, or Evuk
  • Pictures & Images Hittite relief sculpted orthostat panels of the Sphinx Gate. Panel depicts a bull, sculpture not finished. Alaca Hoyuk (Alacahoyuk) Hittite archaeological site  Alaca, Çorum Province, Turkey, Also known as Alacahüyük, Aladja-Hoyuk, Euyuk, or Evuk
  • Pictures & Images Hittite relief sculpted orthostat panels of the Sphinx Gate. Panel depicts musicians. Alaca Hoyuk (Alacahoyuk) Hittite archaeological site  Alaca, Çorum Province, Turkey, Also known as Alacahüyük, Aladja-Hoyuk, Euyuk, or Evuk
  • Pictures & Images Hittite relief sculpted orthostat panels of the Sphinx Gate. Panel depicts jugglers. Alaca Hoyuk (Alacahoyuk) Hittite archaeological site  Alaca, Çorum Province, Turkey, Also known as Alacahüyük, Aladja-Hoyuk, Euyuk, or Evuk
  • Pictures & Images Hittite relief sculpted orthostat panels of the Sphinx Gate. Left panel depicts jugglers next panel depicts a procession following (right) a man leading goats to be sacrificed.  Alaca Hoyuk (Alacahoyuk) Hittite archaeological site  Alaca, Çorum Province, Turkey, Also known as Alacahüyük, Aladja-Hoyuk, Euyuk, or Evuk
  • Pictures & Images Hittite relief sculpted orthostat panels of the Sphinx Gate. A king and Queen make offerings to a Bull God.  Alaca Hoyuk (Alacahoyuk) Hittite archaeological site  Alaca, Çorum Province, Turkey, Also known as Alacahüyük, Aladja-Hoyuk, Euyuk, or Evuk
  • Phygian relief sculpted orthostat stone panel. Andesite, Etimesgut, Ankara. Phrygian. 1200-700 BC. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Figure of a roaring lion. The cross mark on the chest draws attention. The muscles in his legs are schematic. There are frame edges in front and behind the lion. <br />
<br />
Against a grey art background.
  • Phrygian relief sculpted orthostat stone panel. Andesite, Ahiyakup, Ankara Phrygian, 1200-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Sphinx. Curly-haired and bearded, the figure has the head of a human and the body of a lion, with its wings extending down to its tail. Muscles in its legs are schematic. There is a band on its head. <br />
<br />
Against a black background.
  • Photo of Phrygian relief sculpted orthostat stone panel. Andesite, Ahiyakup, Ankara Phrygian, 1200-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Sphinx. Curly-haired and bearded, the figure has the head of a human and the body of a lion, with its wings extending down to its tail. Muscles in its legs are schematic. There is a band on its head. <br />
<br />
Against a brown art background.
  • Phrygian relief sculpted orthostat stone panel, 1200-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey. Figure of a walking bull. <br />
<br />
Against a white background.
  • Phrygian relief sculpted orthostat stone panel Andesite, Kalaba Village, Ankara, , 1200-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Figure of a roaring lion. The cross mark on his chest draws attention. The muscles in his legs are schematic.<br />
<br />
Against a grey art background.
  • Hittite monumental relief sculpted orthostat stone panel of a Procession Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C.  Anatolian Civilisations Museum, Ankara, Turkey. Young male servants of Kubaba while carrying sacrificial animals on their shoulders. <br />
<br />
Against a black background.
  • Hittite monumental relief sculpted orthostat stone panel of a Procession Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
It is a depiction of three marching female figures in long dress with a high headdress at their head. These women are considered to be the nuns of the Goddess Kubaba. The figures in the front and behind have a round mirror in their right hand while the figure in the middle has a bunch of spica in her right hand. Figures carry objects similar to a sceptre in their left hand.<br />
<br />
Against a white background.
  • Hittite monumental relief sculpted orthostat stone panel of Procession. Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900 - 700 B.C. Goddess Kubaba. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Procession for. There are four figures on the other face of the orthostat. The leftmost figure plays a pipe, while the other three figures play the drums. All of the figures have long skirts and same body heights.  <br />
<br />
Against a white background.
  • Hittite monumental relief sculpted orthostat stone panel of Royal Buttress. Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900 - 700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
This panels scene showing 8 out of 10 children of the King, the hieroglyphs reads as follows: "Malitispas, Astitarhunzas, Tamitispas,Isikaritispas, Sikaras, Halpawaris, Ya hilatispas". Above, there are three figures holding knucklebones (astragalus) and one figure walking by leaning on a stick; below are two each figures playing the knucklebones and turning whirligigs.  <br />
<br />
Against a grey art background.
  • Hittite relief sculpted orthostat stone panel of Royal Buttress Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Warriors. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Right panel - Three figures each with a long dress, a thick belt and curly hair. The figure in front holds a spear with a broken tip in his left hand and a leafy branch in his right hand. The figure in the middle made his left hand a fist, and he carries a tool with his right hand at the level of his head. They are followed with a figure holding a sceptre in his left hand. All three have each a long sword at their waist. <br />
<br />
Against a grey art background.
  • Picture & image of Hittite relief sculpted orthostat stone panel of Royal Buttress. Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C.  Warrior.  Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
The figure with a long dress, a thick belt and curly hair has a large egis on his back. The figures carries a spear in his right hand and a long sword at his waist.  <br />
<br />
Against a gray background.
  • Photo of Hittite relief sculpted orthostat stone panel of Royal Buttress. Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C.  Warrior.  Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
The figure with a long dress, a thick belt and curly hair has a large egis on his back. The figures carries a spear in his right hand and a long sword at his waist.  <br />
<br />
Against a brown art background.
  • Hittite relief sculpted orthostat stone panel of Long Wall Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. . Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Two helmeted soldiers in short skirt carry shield on their backs and spear in their hands.<br />
<br />
On a White Background.
  • Picture & image of Hittite relief sculpted orthostat stone panel of Long Wall Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. . Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Two helmeted soldiers in short skirt carry shield on their backs and spear in their hands.<br />
<br />
On a gray background.
  • Hittite relief sculpted orthostat stone panel of Long Wall Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey<br />
<br />
Two figures lying over the lion. There is a crescent at the head of the winged god at the front. It is thought that the figure at the front is moon god and the one at the rear is sun god.
  • Hittite relief sculpted orthostat stone panel of Long Wall. Close up of Chariot. Karkamıs, (Kargamıs), Carchemish (Karkemish). Anatolian Civilisations Museum.
  • Hittite relief sculpted orthostat stone panel of Long Wall Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900 - 700 B.C.  Anatolian Civilizations Museum, Ankara, Turkey<br />
<br />
Chariot. One of the two figures in the chariot holds the horse's headstall while the other throws arrows. There is a naked enemy with an arrow in his hip lying face down under the horse's feet. It is thought that this figure is depicted smaller than the other figures since it is an enemy soldier. The tower part of the orthostat is decorated with braiding motifs.<br />
<br />
On a White Background.
  • Photo of Hittite relief sculpted orthostat stone panel of Long Wall Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900 - 700 B.C. Chariot. Anatolian Civilisations Museum, Ankara, Turkey<br />
<br />
One of the two figures in the chariot holds the horse's headstall while the other throws arrows. There is a naked enemy with an arrow in his hip lying face down under the horse's feet It is thought that this figure is depicted smaller than the other figures since it is an enemy soldier. The lower part of the orthostat is decorated with braiding motifs. <br />
<br />
On a brown art background.
  • Picture & image of Hittite monumental relief sculpted orthostat stone panel from the Herald's Wall. Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Military parade with soldiers. Anatolian Civilisations Museum, Ankara, Turkey<br />
<br />
Two helmeted soldiers marching soldiers in short skirts carry the shield on their backs and the spears in their hands.  <br />
<br />
Against a white background.
  • Picture & image of Hittite relief sculpted orthostat stone panel of Herald's Wall Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Bird-headed, winged figures of human body. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
These figures are called as "Winged Griffin Demons". Embossing is constructed symmetrically. Their hands are on their heads. It is assumed that they carry the heavens. <br />
<br />
Against a white background.
  • Hittite relief sculpted orthostat stone panel of Herald's Wall Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
A pair of kneeling bull on either side of the tree of life, one each foot is on the tree, the other feet are bend towards the abdomen.  <br />
<br />
Against a brown art background.
  • Photo of Hittite relief sculpted orthostat stone panel of Herald's Wall Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
A pair of kneeling bull on either side of the tree of life, one each foot is on the tree, the other feet are bend towards the abdomen.  <br />
<br />
Against a black background.
  • Hittite relief sculpted orthostat stone panel of Herald's Wall Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Two sphinxes standing on their hind legs on both sides attack to the winged horse standing on its hind legs in the middle.  <br />
<br />
Against a grey art background.
  • Aslantepe Hittite relief sculpted orthostat stone panel. Limestone, Aslantepe, Malatya, 1200-700 B.C. . Anatolian Civilisations Museum, Ankara, Turkey<br />
<br />
Scene of the king's offering drink and sacrifice to the gods. King pours from the pitcher to the vessel (libation); behind the king is a servant bringing a sacrifice. Storm God across the king holds Teshup, a triple lightning bundle - sickle, and a spear-mace set in the other orthostat; the goddess Ishtar holds weapon in both. All six figures have shoes with the curled ends. <br />
<br />
Against a black background.
  • Aslantepe Hittite relief sculpted orthostat stone panel. Limestone, Aslantepe, Malatya, 1200-700 B.C. . Anatolian Civilisations Museum, Ankara, Turkey<br />
<br />
Scene of the king's offering drink and sacrifice to the gods. King pours from the pitcher to the vessel (libation); behind the king is a servant bringing a sacrifice. Storm God across the king holds Teshup, a triple lightning bundle - sickle, and a spear-mace set in the other orthostat; the goddess Ishtar holds weapon in both. All six figures have shoes with the curled ends. <br />
<br />
Against a brown art background.
  • Aslantepe Monumental Hittite relief sculpted orthostat stone panel.  Limestone, Aslantepe, Malatya, 1200-700 B.C. <br />
<br />
<br />
Scene of the king's offering drink and sacrifice to the gods. The king offers to the winged god of the moon who stands across and holds a lightning bundle in his hand. Behind the king is the queen, who also offers to goddess of the sun holding a sceptre in his hand. King's left hand is in a position to worship. <br />
<br />
Against a black background.
  • Aslantepe Hittite relief sculpted Stele. Limestone, Aslantepe, Malatya, 1200-700 B.C. Anatolian Civilizations Museum, Ankara, Turkey.<br />
<br />
Under the winged sun disk, is a god standing on a lion and across the god is a sitting goddess. The hieroglyphs reads "Karhuhas, the stag god" for the god, and "Kubaba" for the Goddess.
  • Sculpted Assyrian relief panels of Royal Chariot & Guards  from Hadatu ( Aslantas ) around 800 B.C. Istanbul Archaeological museum Inv No. 1946
  • Sculpted Assyrian relief panels of mace bearers from Hadatu ( Aslantas ) around 800 B.C. Istanbul Archaeological museum Inv No. 14-10
  • Phrygian relief plaque fragment depicting a lion . 8th-7th century BC . Çorum Archaeological Museum, Corum, Turkey
  • Phrygian relief plaque fragment depicting a lion . 8th-7th century BC . Çorum Archaeological Museum, Corum, Turkey
  • Phrygian relief plaque fragment depicting a lion . 8th-7th century BC . Çorum Archaeological Museum, Corum, Turkey
  • Phrygian relief plaque fragment depicting a lion . 8th-7th century BC . Çorum Archaeological Museum, Corum, Turkey
  • Phrygian relief plaque fragment depicting a lion . 8th-7th century BC . Çorum Archaeological Museum, Corum, Turkey
  • Phrygian relief fragment depicting a walking animal. 8th-7th century BC . Çorum Archaeological Museum, Corum, Turkey
  • Phrygian relief fragment depicting a walking animal. 8th-7th century BC . Çorum Archaeological Museum, Corum, Turkey
  • Phrygian relief fragment depicting a walking animal. 8th-7th century BC . Çorum Archaeological Museum, Corum, Turkey
  • Phrygian relief fragment depicting a walking animal. 8th-7th century BC . Çorum Archaeological Museum, Corum, Turkey
  • Phrygian relief fragment depicting a walking animal. 8th-7th century BC . Çorum Archaeological Museum, Corum, Turkey
  • Phrygian relief fragment depicting two griffins. 8th-7th century BC . Çorum Archaeological Museum, Corum, Turkey
  • Phrygian relief fragment depicting two griffins. 8th-7th century BC . Çorum Archaeological Museum, Corum, Turkey
  • Hittite orthostat relief depicting a god. Hittie Period 1450 - 1200 BC. Hattusa Boğazkale. Çorum Archaeological Museum, Corum, Turkey. Çorum Archaeological Museum, Corum, Turkey. Against a black bacground.
  • Hittite orthostat relief depicting a god. Hittie Period 1450 - 1200 BC. Hattusa Boğazkale. Çorum Archaeological Museum, Corum, Turkey. Çorum Archaeological Museum, Corum, Turkey. Against a warm art bacground.
  • Hittite orthostat relief depicting a god. Hittie Period 1450 - 1200 BC. Hattusa Boğazkale. Çorum Archaeological Museum, Corum, Turkey. Çorum Archaeological Museum, Corum, Turkey
  • Hittite orthostat relief depicting a god. Hittie Period 1450 - 1200 BC. Hattusa Boğazkale. Çorum Archaeological Museum, Corum, Turkey. Çorum Archaeological Museum, Corum, Turkey. Against a grey bacground.
  • Hittite orthostat relief depicting a god. Hittie Period 1450 - 1200 BC. Hattusa Boğazkale. Hattusa Boğazkale. Çorum Archaeological Museum, Corum, Turkey. Çorum Archaeological Museum, Corum, Turkey. Against a black bacground.
  • Hittite orthostat relief depicting a god. Hittie Period 1450 - 1200 BC. Hattusa Boğazkale. Hattusa Boğazkale. Çorum Archaeological Museum, Corum, Turkey. Çorum Archaeological Museum, Corum, Turkey. Against a white bacground.
  • Hittite orthostat relief depicting a god. Hittie Period 1450 - 1200 BC. Hattusa Boğazkale. Hattusa Boğazkale. Çorum Archaeological Museum, Corum, Turkey. Çorum Archaeological Museum, Corum, Turkey
  • Hittite orthostat relief depicting a god. Hittie Period 1450 - 1200 BC. Hattusa Boğazkale. Hattusa Boğazkale. Çorum Archaeological Museum, Corum, Turkey. Çorum Archaeological Museum, Corum, Turkey. Against a warm art bacground.
  • Pictures & Images Hittite relief sculpted orthostat panels of the Sphinx Gate. Panel depicts a procession making offerings to a lion god. Alaca Hoyuk (Alacahoyuk) Hittite archaeological site  Alaca, Çorum Province, Turkey, Also known as Alacahüyük, Aladja-Hoyuk, Euyuk, or Evuk
  • Pictures & Images Hittite relief sculpted orthostat panels of the Sphinx Gate. Panel depicts a lion god. Alaca Hoyuk (Alacahoyuk) Hittite archaeological site  Alaca, Çorum Province, Turkey, Also known as Alacahüyük, Aladja-Hoyuk, Euyuk, or Evuk
  • Pictures & Images Hittite relief sculpted orthostat panels of the Sphinx Gate. Panel depicts a man leading goats to be sacrificed. Alaca Hoyuk (Alacahoyuk) Hittite archaeological site  Alaca, Çorum Province, Turkey, Also known as Alacahüyük, Aladja-Hoyuk, Euyuk, or Evuk
  • Pictures & Images Hittite relief sculpted orthostat panels of the Sphinx Gate, Alaca Hoyuk (Alacahoyuk) Hittite archaeological site  Alaca, Çorum Province, Turkey, Also known as Alacahüyük, Aladja-Hoyuk, Euyuk, or Evuk
  • Pictures & Images Hittite relief sculpted orthostat panels of the Sphinx Gate. Panel depicts a man leading goats to be sacrificed. Alaca Hoyuk (Alacahoyuk) Hittite archaeological site  Alaca, Çorum Province, Turkey, Also known as Alacahüyük, Aladja-Hoyuk, Euyuk, or Evuk
  • Pictures & Images Hittite relief sculpted orthostat panels of the Sphinx Gate. Panel depicts a man leading goats to be sacrificed. Alaca Hoyuk (Alacahoyuk) Hittite archaeological site  Alaca, Çorum Province, Turkey, Also known as Alacahüyük, Aladja-Hoyuk, Euyuk, or Evuk
  • Pictures & Images Hittite relief sculpted orthostat panels of the Sphinx Gate. Panel depicts a bull, sculpture not finished. Alaca Hoyuk (Alacahoyuk) Hittite archaeological site  Alaca, Çorum Province, Turkey, Also known as Alacahüyük, Aladja-Hoyuk, Euyuk, or Evuk
  • Pictures & Images Hittite relief sculpted orthostat panels of the Sphinx Gate. Panel depicts jugglers. Alaca Hoyuk (Alacahoyuk) Hittite archaeological site  Alaca, Çorum Province, Turkey, Also known as Alacahüyük, Aladja-Hoyuk, Euyuk, or Evuk
  • Pictures & Images Hittite relief sculpted orthostat panels of the Sphinx Gate. Panel depicts jugglers. Alaca Hoyuk (Alacahoyuk) Hittite archaeological site  Alaca, Çorum Province, Turkey, Also known as Alacahüyük, Aladja-Hoyuk, Euyuk, or Evuk
  • Pictures & Images Hittite relief sculpted orthostat panels of the Sphinx Gate. Left panel depicts a man leading goats to be sacrificed (right) a king and Queen make offerings to a Bull God.  Alaca Hoyuk (Alacahoyuk) Hittite archaeological site  Alaca, Çorum Province, Turkey, Also known as Alacahüyük, Aladja-Hoyuk, Euyuk, or Evuk
  • Pictures & Images Hittite relief sculpted orthostat panels of the Sphinx Gate. A king and Queen make offerings to a Bull God.  Alaca Hoyuk (Alacahoyuk) Hittite archaeological site  Alaca, Çorum Province, Turkey, Also known as Alacahüyük, Aladja-Hoyuk, Euyuk, or Evuk
  • Pictures & Images Hittite relief sculpted orthostat panels of the Sphinx Gate. Left panel depicts jugglers next panel depicts a procession.  Alaca Hoyuk (Alacahoyuk) Hittite archaeological site  Alaca, Çorum Province, Turkey, Also known as Alacahüyük, Aladja-Hoyuk, Euyuk, or Evuk
  • Pictures & Images Hittite relief sculpted orthostat panels of the Sphinx Gate. Left panel depicts jugglers next panel depicts a procession following (right) a man leading goats to be sacrificed.  Alaca Hoyuk (Alacahoyuk) Hittite archaeological site  Alaca, Çorum Province, Turkey, Also known as Alacahüyük, Aladja-Hoyuk, Euyuk, or Evuk
  • Pictures & Images Hittite relief sculpted orthostat panels of the Sphinx Gate. Left panel depicts a procession following (right) a man leading goats to be sacrificed.  Alaca Hoyuk (Alacahoyuk) Hittite archaeological site  Alaca, Çorum Province, Turkey, Also known as Alacahüyük, Aladja-Hoyuk, Euyuk, or Evuk
  • Pictures & Images Hittite relief sculpted orthostat panels of the Sphinx Gate. A king and Queen make offerings to a Bull God.  Alaca Hoyuk (Alacahoyuk) Hittite archaeological site  Alaca, Çorum Province, Turkey, Also known as Alacahüyük, Aladja-Hoyuk, Euyuk, or Evuk
  • Phrygian relief sculpted orthostat stone panel. Andesite, Kucukevler, Ankara., 1200-700 B.C. Walking horse. Muscles in the legs of the figure are schematic. Anatolian Civilizations Museum, Ankara, Turkey.<br />
<br />
Against a black background.
  • Phrygian relief sculpted orthostat stone panel. Andesite, Kucukevler, Ankara., 1200-700 B.C. Walking horse. Muscles in the legs of the figure are schematic. Anatolian Civilisations Museum, Ankara, Turkey<br />
<br />
Against a white background.
  • Pictures & images of Phrygian relief sculpted orthostat stone panel. Andesite, Kucukevler, Ankara., 1200-700 B.C. Walking horse. Muscles in the legs of the figure are schematic. Anatolian Civilisations Museum, Ankara, Turkey<br />
<br />
Against a gray background.
  • Photo of Phrygian relief sculpted orthostat stone panel. Andesite, Kucukevler, Ankara., 1200-700 B.C.  Walking horse. Muscles in the legs of the figure are schematic. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Against a brown art background.
  • Phrygian relief sculpted orthostat stone panel Andesite, Atateirk Orman ciftligi, Ankara, 12OO-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Winged griffin with a bird's head and a lion's body. There is a bird's head at the end of its tail. The chest was processed like fish scales. Its wing extends along the body. Muscles in its legs are schematic. <br />
<br />
Against a black background.
  • Phrygian relief sculpted orthostat stone panel. Andesite, Kucukevler, Ankara., 1200-700 B.C.  Walking horse. Muscles in the legs of the figure are schematic. Anatolian Civilisations Museum, Ankara, Turkey<br />
<br />
Against a grey art background.
  • Phrygian relief sculpted orthostat stone panel Andesite, Atateirk Orman ciftligi, Ankara, 12OO-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Winged griffin with a bird's head and a lion's body. There is a bird's head at the end of its tail. The chest was processed like fish scales. Its wing extends along the body. Muscles in its legs are schematic. <br />
<br />
Against a white background.
  • Photo of Phrygian relief sculpted orthostat stone panel Andesite, Atateirk Orman ciftligi, Ankara, 12OO-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Winged griffin with a bird's head and a lion's body. There is a bird's head at the end of its tail. The chest was processed like fish scales. Its wing extends along the body. Muscles in its legs are schematic. <br />
<br />
Against a brown art background.
  • Pictures & images of Phrygian relief sculpted orthostat stone panel Andesite, Atateirk Orman ciftligi, Ankara, 12OO-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Winged griffin with a bird's head and a lion's body. There is a bird's head at the end of its tail. The chest was processed like fish scales. Its wing extends along the body. Muscles in its legs are schematic. <br />
<br />
Against a gray background.
  • Phrygian relief sculpted orthostat stone panel. Andesite, Ahiyakup, Ankara Phrygian, 1200-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Sphinx. Curly-haired and bearded, the figure has the head of a human and the body of a lion, with its wings extending down to its tail. Muscles in its legs are schematic. There is a band on its head. <br />
<br />
Against a grey art background.
  • Phrygian relief sculpted orthostat stone panel Andesite, Atateirk Orman ciftligi, Ankara, 12OO-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Winged griffin with a bird's head and a lion's body. There is a bird's head at the end of its tail. The chest was processed like fish scales. Its wing extends along the body. Muscles in its legs are schematic. <br />
<br />
Against a grey art background.
  • Phrygian relief sculpted orthostat stone panel. Andesite, Ahiyakup, Ankara Phrygian, 1200-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Sphinx. Curly-haired and bearded, the figure has the head of a human and the body of a lion, with its wings extending down to its tail. Muscles in its legs are schematic. There is a band on its head. <br />
<br />
Against a white background.
  • Pictures & images of Phrygian relief sculpted orthostat stone panel. Andesite, Ahiyakup, Ankara Phrygian, 1200-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Sphinx. Curly-haired and bearded, the figure has the head of a human and the body of a lion, with its wings extending down to its tail. Muscles in its legs are schematic. There is a band on its head. <br />
<br />
Against a gray background.
  • Phrygian relief sculpted orthostat stone panel, 1200-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey. Figure of a walking bull.<br />
<br />
Against a black background.
  • Phygian relief sculpted orthostat stone panel. Andesite, Etimesgut, Ankara. Phrygian. 1200-700 BC. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Figure of a roaring lion. The cross mark on the chest draws attention. The muscles in his legs are schematic. There are frame edges in front and behind the lion. <br />
<br />
Against a white background.
  • Pictures & images of Phrygian relief sculpted orthostat stone panel, 1200-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey. Figure of a walking bull. <br />
<br />
Against a gray background.
  • Photo of Phrygian relief sculpted orthostat stone panel, 1200-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey. Figure of a walking bull. <br />
<br />
Against a brown art background.
  • Phrygian relief sculpted orthostat stone panel, 1200-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey. Figure of a walking bull. <br />
<br />
Against a grey art background.
  • Phygian relief sculpted orthostat stone panel. Andesite, Etimesgut, Ankara. Phrygian. 1200-700 BC. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Figure of a roaring lion. The cross mark on the chest draws attention. The muscles in his legs are schematic. There are frame edges in front and behind the lion.<br />
<br />
Against a black background.
  • Phrygian relief sculpted orthostat stone panel Andesite, Kalaba Village, Ankara, , 1200-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Figure of a roaring lion. The cross mark on his chest draws attention. The muscles in his legs are schematic. <br />
<br />
Against a black background.
  • Photo of Phygian relief sculpted orthostat stone panel. Andesite, Etimesgut, Ankara. Phrygian. 1200-700 BC. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Figure of a roaring lion. The cross mark on the chest draws attention. The muscles in his legs are schematic. There are frame edges in front and behind the lion. <br />
<br />
Against a brown art background.
  • Pictures & images of Phygian relief sculpted orthostat stone panel. Andesite, Etimesgut, Ankara. Phrygian. 1200-700 BC. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Figure of a roaring lion. The cross mark on the chest draws attention. The muscles in his legs are schematic. There are frame edges in front and behind the lion. <br />
<br />
Against a gray background.
  • Pictures & images of Phrygian relief sculpted orthostat stone panel Andesite, Kalaba Village, Ankara, , 1200-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Figure of a roaring lion. The cross mark on his chest draws attention. The muscles in his legs are schematic. <br />
<br />
Against a gray background.
  • Phrygian relief sculpted orthostat stone panel Andesite, Kalaba Village, Ankara, , 1200-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Figure of a roaring lion. The cross mark on his chest draws attention. The muscles in his legs are schematic. <br />
<br />
Against a white background.
  • Photo of Phrygian relief sculpted orthostat stone panel Andesite, Kalaba Village, Ankara, , 1200-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Figure of a roaring lion. The cross mark on his chest draws attention. The muscles in his legs are schematic. <br />
<br />
Against a brown art background.
  • Hittite monumental relief sculpted orthostat stone panel of a Procession. Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey. Two animals struggling with each other. The lion attacking the bull holds the bull's chin and turns it backwards.  <br />
<br />
Against a white background.
  • Hittite monumental relief sculpted orthostat stone panel Orthostats of a Procession. Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900 700 BC. Griffin. Anatolian Civilisations Museum. Ankara. Bird - headed lions standing opposite on their hind legs (griffin). It is symmetric. <br />
<br />
Against a white background.
  • Hittite monumental relief sculpted orthostat stone panel Orthostats of a Procession. Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900 700 BC. Griffin. Anatolian Civilizations Museum. Ankara.<br />
<br />
Bird - headed lions standing opposite on their hind legs (griffin). It is symmetric. <br />
<br />
Against a black background.
  • Picture & image of Hittite monumental relief sculpted orthostat stone panel Orthostats of a Procession. Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900 700 BC. Griffin. Anatolian Civilisations Museum. Ankara. Bird - headed lions standing opposite on their hind legs (griffin). It is symmetric. <br />
<br />
Against a gray background.
  • Photo of Hittite monumental relief sculpted orthostat stone panel Orthostats of a Procession. Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900 700 BC. Griffin. Anatolian Civilisations Museum. Ankara. Bird - headed lions standing opposite on their hind legs (griffin). It is symmetric. <br />
<br />
Against a brown art background.
  • Hittite monumental relief sculpted orthostat stone panel of a Procession. Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Two animals struggling with each other. The lion attacking the bull holds the bull's chin and turns it backwards.  <br />
<br />
Against a black background.
  • Hittite monumental relief sculpted orthostat stone panel of a Procession Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C.  Anatolian Civilisations Museum, Ankara, Turkey. Young male servants of Kubaba while carrying sacrificial animals on their shoulders. <br />
<br />
Against a white background.
  • Hittite monumental relief sculpted orthostat stone panel Orthostats of a Procession. Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900 700 BC. Griffin. Anatolian Civilisations Museum. Ankara. Bird - headed lions standing opposite on their hind legs (griffin). It is symmetric. <br />
<br />
Against a grey art background.
  • Picture & image of Hittite monumental relief sculpted orthostat stone panel of a Procession. Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey. Two animals struggling with each other. The lion attacking the bull holds the bull's chin and turns it backwards.  <br />
<br />
Against a gray background.
  • Photo of Hittite monumental relief sculpted orthostat stone panel of a Procession. Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey. Two animals struggling with each other. The lion attacking the bull holds the bull's chin and turns it backwards.  <br />
<br />
Against a brown art background.
  • Hittite monumental relief sculpted orthostat stone panel of a Procession. Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey. Two animals struggling with each other. The lion attacking the bull holds the bull's chin and turns it backwards.  <br />
<br />
Against a grey art background.
  • Picture & image of Hittite monumental relief sculpted orthostat stone panel of a Procession Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C.  Anatolian Civilisations Museum, Ankara, Turkey. Young male servants of Kubaba while carrying sacrificial animals on their shoulders. <br />
<br />
Against a gray background.
  • Hittite monumental relief sculpted orthostat stone panel of a Procession Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C.  Anatolian Civilisations Museum, Ankara, Turkey. Young male servants of Kubaba while carrying sacrificial animals on their shoulders. <br />
<br />
Against a black background.
  • Photo of Hittite monumental relief sculpted orthostat stone panel of a Procession Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C.  Anatolian Civilisations Museum, Ankara, Turkey. Young male servants of Kubaba while carrying sacrificial animals on their shoulders. <br />
<br />
Against a brown art background.
  • Hittite monumental relief sculpted orthostat stone panel of a Procession Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C.  Anatolian Civilisations Museum, Ankara, Turkey. Young male servants of Kubaba while carrying sacrificial animals on their shoulders. <br />
<br />
Against a grey art background.
  • Photo of Hittite monumental relief sculpted orthostat stone panel of a Procession Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C.  Anatolian Civilisations Museum, Ankara, Turkey. Young male servants of Kubaba while carrying sacrificial animals on their shoulders. <br />
<br />
Against a brown art background.
  • Hittite monumental relief sculpted orthostat stone panel of a Procession Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C.  Anatolian Civilisations Museum, Ankara, Turkey. Young male servants of Kubaba while carrying sacrificial animals on their shoulders. <br />
<br />
Against a white background.
  • Picture & image of Hittite monumental relief sculpted orthostat stone panel of a Procession Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C.  Anatolian Civilisations Museum, Ankara, Turkey. Young male servants of Kubaba while carrying sacrificial animals on their shoulders. <br />
<br />
Against a gray background.
  • Hittite monumental relief sculpted orthostat stone panel of a Procession Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C.  Anatolian Civilisations Museum, Ankara, Turkey. Young male servants of Kubaba while carrying sacrificial animals on their shoulders. <br />
<br />
Against a grey art background.
  • Hittite monumental relief sculpted orthostat stone panel of a Procession Basalt, Kargamis, Gaziantepe, 900 - 700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
It is a depiction of three marching female figures in long dress with a high headdress at their head. These women are considered to be the nuns of the Goddess Kubaba. The figures in the front and behind have a bunch of spicy in their right hand while the figure in the middle has an empty right hand. Figures carry objects similar to a sceptre in their left hand. <br />
<br />
Against a white background.
  • Hittite monumental relief sculpted orthostat stone panel of a Procession Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
It is a depiction of three marching female figures in long dress with a high headdress at their head. These women are considered to be the nuns of the Goddess Kubaba. The figures in the front and behind have a round mirror in their right hand while the figure in the middle has a bunch of spica in her right hand. Figures carry objects similar to a sceptre in their left hand.  <br />
<br />
Against a black background.
  • Picture & image of Hittite monumental relief sculpted orthostat stone panel of a Procession Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
It is a depiction of three marching female figures in long dress with a high headdress at their head. These women are considered to be the nuns of the Goddess Kubaba. The figures in the front and behind have a round mirror in their right hand while the figure in the middle has a bunch of spica in her right hand. Figures carry objects similar to a sceptre in their left hand.  <br />
<br />
Against a gray background.
  • Photo of Hittite monumental relief sculpted orthostat stone panel of a Procession Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
It is a depiction of three marching female figures in long dress with a high headdress at their head. These women are considered to be the nuns of the Goddess Kubaba. The figures in the front and behind have a round mirror in their right hand while the figure in the middle has a bunch of spica in her right hand. Figures carry objects similar to a sceptre in their left hand.  <br />
<br />
Against a brown art background.
  • Hittite monumental relief sculpted orthostat stone panel of a Procession Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
It is a depiction of three marching female figures in long dress with a high headdress at their head. These women are considered to be the nuns of the Goddess Kubaba. The figures in the front and behind have a round mirror in their right hand while the figure in the middle has a bunch of spica in her right hand. Figures carry objects similar to a sceptre in their left hand.  <br />
<br />
Against a grey art background.
  • Picture & image of Hittite monumental relief sculpted orthostat stone panel of a Procession Basalt, Kargamis, Gaziantepe, 900 - 700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
It is a depiction of three marching female figures in long dress with a high headdress at their head. These women are considered to be the nuns of the Goddess Kubaba. The figures in the front and behind have a bunch of spicy in their right hand while the figure in the middle has an empty right hand. Figures carry objects similar to a sceptre in their left hand. <br />
<br />
Against a gray background.
  • Hittite monumental relief sculpted orthostat stone panel of a Procession Basalt, Kargamis, Gaziantepe, 900 - 700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
It is a depiction of three marching female figures in long dress with a high headdress at their head. These women are considered to be the nuns of the Goddess Kubaba. The figures in the front and behind have a bunch of spicy in their right hand while the figure in the middle has an empty right hand. Figures carry objects similar to a sceptre in their left hand. <br />
<br />
Against a black background.
  • Hittite monumental relief sculpted orthostat stone panel of a Procession. Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C.  Marching female figures. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
It is a depiction of three marching female figures in long dress with a high headdress at their head. These women are considered to be the nuns of the Goddess Kubaba. They have a bunch of Spica in their right hand, and objects similar to a sceptre in their left hand. <br />
<br />
Against a white background.
  • Photo of Hittite monumental relief sculpted orthostat stone panel of a Procession Basalt, Kargamis, Gaziantepe, 900 - 700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
It is a depiction of three marching female figures in long dress with a high headdress at their head. These women are considered to be the nuns of the Goddess Kubaba. The figures in the front and behind have a bunch of spicy in their right hand while the figure in the middle has an empty right hand. Figures carry objects similar to a sceptre in their left hand.<br />
<br />
Against a brown art background.
  • Hittite monumental relief sculpted orthostat stone panel of a Procession Basalt, Kargamis, Gaziantepe, 900 - 700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
It is a depiction of three marching female figures in long dress with a high headdress at their head. These women are considered to be the nuns of the Goddess Kubaba. The figures in the front and behind have a bunch of spicy in their right hand while the figure in the middle has an empty right hand. Figures carry objects similar to a sceptre in their left hand. <br />
<br />
Against a grey art background.
  • Picture & image of Hittite monumental relief sculpted orthostat stone panel of a Procession. Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C.  Marching female figures. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
It is a depiction of three marching female figures in long dress with a high headdress at their head. These women are considered to be the nuns of the Goddess Kubaba. They have a bunch of Spica in their right hand, and objects similar to a sceptre in their left hand.<br />
<br />
Against a gray background.
  • Hittite monumental relief sculpted orthostat stone panel of a Procession. Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C.  Marching female figures. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
It is a depiction of three marching female figures in long dress with a high headdress at their head. These women are considered to be the nuns of the Goddess Kubaba. They have a bunch of Spica in their right hand, and objects similar to a sceptre in their left hand. <br />
<br />
Against a black background.
  • Hittite monumental relief sculpted orthostat stone panel of a Procession. Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900 - 700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
It is a depiction of three marching female figures in long dress with a high headdress (photos) at their head. These women are considered to be the nuns of the Goddess Kubaba. The figure in the front has a small animal in her right hand while the figure in the middle has a glass in his right hand. The object which the figures carry in their left is not understood.  <br />
<br />
Against a black background.
  • Hittite monumental relief sculpted orthostat stone panel of a Procession. Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C.  Marching female figures. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
It is a depiction of three marching female figures in long dress with a high headdress at their head. These women are considered to be the nuns of the Goddess Kubaba. They have a bunch of Spica in their right hand, and objects similar to a sceptre in their left hand.
  • Photo of Hittite monumental relief sculpted orthostat stone panel of a Procession. Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C.  Marching female figures. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
It is a depiction of three marching female figures in long dress with a high headdress at their head. These women are considered to be the nuns of the Goddess Kubaba. They have a bunch of Spica in their right hand, and objects similar to a sceptre in their left hand. <br />
<br />
Against a brown art background.
  • Hittite monumental relief sculpted orthostat stone panel of a Procession. Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900 - 700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
It is a depiction of three marching female figures in long dress with a high headdress (photos) at their head. These women are considered to be the nuns of the Goddess Kubaba. The figure in the front has a small animal in her right hand while the figure in the middle has a glass in his right hand. The object which the figures carry in their left is not understood.  <br />
<br />
Against a white background.
  • Picture & image of Hittite monumental relief sculpted orthostat stone panel of a Procession. Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900 - 700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
It is a depiction of three marching female figures in long dress with a high headdress (photos) at their head. These women are considered to be the nuns of the Goddess Kubaba. The figure in the front has a small animal in her right hand while the figure in the middle has a glass in his right hand. The object which the figures carry in their left is not understood.  <br />
<br />
Against a gray background.
  • Photo of Hittite monumental relief sculpted orthostat stone panel of a Procession. Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900 - 700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
It is a depiction of three marching female figures in long dress with a high headdress (photos) at their head. These women are considered to be the nuns of the Goddess Kubaba. The figure in the front has a small animal in her right hand while the figure in the middle has a glass in his right hand. The object which the figures carry in their left is not understood.  <br />
<br />
Against a brown art background.
  • Hittite monumental relief sculpted orthostat stone panel of a Procession Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900 - 700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Goddess Kubaba. End of pannels. The godess is saeted on a chair which is on a lion. she hold a mirror in her right hand and a pomegranate in her left.<br />
<br />
Against a black background.
  • Hittite monumental relief sculpted orthostat stone panel of a Procession. Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900 - 700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
It is a depiction of three marching female figures in long dress with a high headdress (photos) at their head. These women are considered to be the nuns of the Goddess Kubaba. The figure in the front has a small animal in her right hand while the figure in the middle has a glass in his right hand. The object which the figures carry in their left is not understood.  <br />
<br />
Against a grey art background.
  • Hittite monumental relief sculpted orthostat stone panel of a Procession Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900 - 700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Goddess Kubaba. End of pannels. The godess is saeted on a chair which is on a lion. she hold a mirror in her right hand and a pomegranate in her left.<br />
<br />
Against a white background.
  • Photo of Hittite monumental relief sculpted orthostat stone panel of a Procession Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900 - 700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Goddess Kubaba. End of pannels. The godess is saeted on a chair which is on a lion. she hold a mirror in her right hand and a pomegranate in her left.<br />
<br />
Against a brown art background.
  • Picture & image of Hittite monumental relief sculpted orthostat stone panel of a Procession Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900 - 700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Goddess Kubaba. End of pannels. The godess is saeted on a chair which is on a lion. she hold a mirror in her right hand and a pomegranate in her left.<br />
<br />
Against a gray background.
  • Hittite monumental relief sculpted orthostat stone panel of Procession. Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900 - 700 B.C. Goddess Kubaba. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Procession for. There are four figures on the other face of the orthostat. The leftmost figure plays a pipe, while the other three figures play the drums. All of the figures have long skirts and same body heights.  <br />
<br />
Against a black background.
  • Hittite monumental relief sculpted orthostat stone panel of a Procession Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900 - 700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Goddess Kubaba. End of pannels. The godess is saeted on a chair which is on a lion. she hold a mirror in her right hand and a pomegranate in her left.<br />
<br />
Against a grey art background.
  • Photo of Hittite monumental relief sculpted orthostat stone panel of Procession. Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900 - 700 B.C. Goddess Kubaba. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Procession for. There are four figures on the other face of the orthostat. The leftmost figure plays a pipe, while the other three figures play the drums. All of the figures have long skirts and same body heights.  <br />
<br />
Against a brown art background.
  • Picture & image of Hittite monumental relief sculpted orthostat stone panel of Procession. Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900 - 700 B.C. Goddess Kubaba. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Procession for. There are four figures on the other face of the orthostat. The leftmost figure plays a pipe, while the other three figures play the drums. All of the figures have long skirts and same body heights.  <br />
<br />
Against a gray background.
  • Hittite monumental relief sculpted orthostat stone panel. Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Hunting carriage. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Two human figures; one handling the carriage, the other throwing arrows. Both figures are wearing a headdress shaped like a skullcap. The dagger at the waist of the figure throwing arrow draws attention. There is an animal between the legs of the horse having an aigrette over its head.  <br />
<br />
Against a grey art background.
  • Hittite monumental relief sculpted orthostat stone panel of Procession. Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900 - 700 B.C. Goddess Kubaba. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Procession for. There are four figures on the other face of the orthostat. The leftmost figure plays a pipe, while the other three figures play the drums. All of the figures have long skirts and same body heights.
  • Hittite monumental relief sculpted orthostat stone panel. Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Hunting carriage. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Two human figures; one handling the carriage, the other throwing arrows. Both figures are wearing a headdress shaped like a skullcap. The dagger at the waist of the figure throwing arrow draws attention. There is an animal between the legs of the horse having an aigrette over its head.  <br />
<br />
Against a white background.
  • Hittite monumental relief sculpted orthostat stone panel. Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Hunting carriage. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Two human figures; one handling the carriage, the other throwing arrows. Both figures are wearing a headdress shaped like a skullcap. The dagger at the waist of the figure throwing arrow draws attention. There is an animal between the legs of the horse having an aigrette over its head.  <br />
<br />
Against a black background.

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