• Arena of Nemes, a Roman Ampitheatre built around 70 AD during the reign of Emperor Augustus, Nimes, France
  • Corinthian Capitals of the Maison Carrée, a ancient Roman temple built around 4-7 AD and dedicated to Julius Caesar, the best preserved example of a Roman temple,  Nimes, France
  • Corinthian Capitals of the Maison Carrée, a ancient Roman temple built around 4-7 AD and dedicated to Julius Caesar, the best preserved example of a Roman temple,  Nimes, France
  • Corinthian Capitals of the Maison Carrée, a ancient Roman temple built around 4-7 AD and dedicated to Julius Caesar, the best preserved example of a Roman temple,  Nimes, France
  • Corinthian Capitals of the Maison Carrée, a ancient Roman temple built around 4-7 AD and dedicated to Julius Caesar, the best preserved example of a Roman temple,  Nimes, France
  • Maison Carrée, a ancient Roman temple built around 4-7 AD and dedicated to Julius Caesar, the best preserved example of a Roman temple,  Nimes, France
  • Exterior of the Maison Carrée, a ancient Roman temple built around 4-7 AD and dedicated to Julius Caesar, the best preserved example of a Roman temple,  Nimes, France
  • Facade of the Maison Carrée, a ancient Roman temple built around 4-7 AD and dedicated to Julius Caesar, the best preserved example of a Roman temple,  Nimes, France
  • Interior of the Arena of Nemes, a Roman Ampitheatre built around 70 AD during the reign of Emperor Augustus, Nimes, France
  • Facade of the Maison Carrée, a ancient Roman temple built around 4-7 AD and dedicated to Julius Caesar, the best preserved example of a Roman temple,  Nimes, France
  • Exterior of the Maison Carrée, a ancient Roman temple built around 4-7 AD and dedicated to Julius Caesar, the best preserved example of a Roman temple,  Nimes, France
  • Arena of Nemes, a Roman Ampitheatre built around 70 AD during the reign of Emperor Augustus, Nimes, France
  • Facade of the Maison Carrée, a ancient Roman temple built around 4-7 AD and dedicated to Julius Caesar, the best preserved example of a Roman temple,  Nimes, France
  • Interior of the Arena of Nemes, a Roman Ampitheatre built around 70 AD during the reign of Emperor Augustus, Nimes, France
  • Arena of Nemes, a Roman Ampitheatre built around 70 AD during the reign of Emperor Augustus, Nimes, France
  • Interior of the Arena of Nemes, a Roman Ampitheatre built around 70 AD during the reign of Emperor Augustus, Nimes, France
  • Arena of Nemes, a Roman Ampitheatre built around 70 AD during the reign of Emperor Augustus, Nimes, France
  • Arena of Nemes, a Roman Ampitheatre built around 70 AD during the reign of Emperor Augustus, Nimes, France
  • Arena of Nemes, a Roman Ampitheatre built around 70 AD during the reign of Emperor Augustus, Nimes, France
  • Corinthian Capitals of the Maison Carrée, a ancient Roman temple built around 4-7 AD and dedicated to Julius Caesar, the best preserved example of a Roman temple,  Nimes, France
  • Arena of Nemes, a Roman Ampitheatre built around 70 AD during the reign of Emperor Augustus, Nimes, France
  • Arena of Nemes, a Roman Ampitheatre built around 70 AD during the reign of Emperor Augustus, Nimes, France
  • Interior of the Arena of Nemes, a Roman Ampitheatre built around 70 AD during the reign of Emperor Augustus, Nimes, France
  • Arch of The Roman  Pollio Fountain, early 1st century B.C. Ephesus Archaeological Site, Anatolia, Turkey.
  • The ancient Library of Celsus , a Roman building ruins in Ephesus, Anatolia, Turkey
  • The ancient Library of Celsus , a Roman building ruins in Ephesus, Anatolia, Turkey
  • The ancient Library of Celsus , a Roman building ruins in Ephesus, Anatolia, Turkey
  • The ancient Library of Celsus , a Roman building ruins in Ephesus, Anatolia, Turkey
  • The ancient Library of Celsus , a Roman building ruins in Ephesus, Anatolia, Turkey
  • The ancient Library of Celsus , a Roman building ruins in Ephesus, Anatolia, Turkey
  • The ancient Library of Celsus , a Roman building ruins in Ephesus, Anatolia, Turkey
  • Close up of the ancient Library of Celsus , a Roman building ruins in Ephesus, Anatolia, Turkey
  • Close up of the ancient Library of Celsus , a Roman building ruins in Ephesus, Anatolia, Turkey
  • The ancient Library of Celsus , a Roman building ruins in Ephesus, Anatolia, Turkey
  • The ancient Library of Celsus , a Roman building ruins in Ephesus, Anatolia, Turkey
  • The ancient Library of Celsus , a Roman building ruins in Ephesus, Anatolia, Turkey
  • The ancient Library of Celsus , a Roman building ruins in Ephesus, Anatolia, Turkey
  • The ancient Library of Celsus , a Roman building ruins in Ephesus, Anatolia, Turkey
  • The ancient Library of Celsus , a Roman building ruins in Ephesus, Anatolia, Turkey
  • The ancient Library of Celsus , a Roman building ruins in Ephesus, Anatolia, Turkey
  • The ancient Library of Celsus , a Roman building ruins in Ephesus, Anatolia, Turkey
  • The ancient Library of Celsus , a Roman building ruins in Ephesus, Anatolia, Turkey
  • The ancient Library of Celsus , a Roman building ruins in Ephesus, Anatolia, Turkey
  • The ancient Library of Celsus , a Roman building ruins in Ephesus, Anatolia, Turkey
  • The ancient Library of Celsus , a Roman building ruins in Ephesus, Anatolia, Turkey
  • The ancient Library of Celsus , a Roman building ruins in Ephesus, Anatolia, Turkey
  • The ancient Library of Celsus , a Roman building ruins in Ephesus, Anatolia, Turkey
  • The ancient Library of Celsus , a Roman building ruins in Ephesus, Anatolia, Turkey
  • The ancient Library of Celsus , a Roman building ruins in Ephesus, Anatolia, Turkey
  • The ancient Library of Celsus , a Roman building ruins in Ephesus, Anatolia, Turkey
  • The ancient Library of Celsus , a Roman building ruins in Ephesus, Anatolia, Turkey
  • The ancient Library of Celsus , a Roman building ruins in Ephesus, Anatolia, Turkey
  • The ancient Library of Celsus , a Roman building ruins in Ephesus, Anatolia, Turkey
  • The ancient Library of Celsus , a Roman building ruins in Ephesus, Anatolia, Turkey
  • The ancient Library of Celsus , a Roman building ruins in Ephesus, Anatolia, Turkey
  • The ancient Library of Celsus , a Roman building ruins in Ephesus, Anatolia, Turkey
  • The ancient Library of Celsus , a Roman building ruins in Ephesus, Anatolia, Turkey
  • Sebasteion sanctuary building ruins and relief panels,  Aphrodisias Archaeological Site, Aydin Province, Turkey.
  • Sebasteion sanctuary building ruins and relief panels,  Aphrodisias Archaeological Site, Aydin Province, Turkey.
  • The Theatre of Ephesus on the slopes of Panayir Dagi ( mount) was built during the reign of Alexander the Great successor, Lysimachos, between 306 - 281 B.C. The building was altered many times by the time St Paul was famously found guilty of preaching against Artemis & Diana and banished from the city after a 3 year stay.  Ephesus Archaeological Site, Anatolia, Turkey.
  • Sebasteion sanctuary building ruins and relief panels,  Aphrodisias Archaeological Site, Aydin Province, Turkey.
  • Sebasteion sanctuary building ruins and relief panels,  Aphrodisias Archaeological Site, Aydin Province, Turkey.
  • Sebasteion sanctuary building ruins and relief panels,  Aphrodisias Archaeological Site, Aydin Province, Turkey.
  • Sebasteion sanctuary building ruins and relief panels,  Aphrodisias Archaeological Site, Aydin Province, Turkey.
  • The Theatre of Ephesus on the slopes of Panayir Dagi ( mount) was built during the reign of Alexander the Great successor, Lysimachos, between 306 - 281 B.C. The building was altered many times by the time St Paul was famously found guilty of preaching against Artemis & Diana and banished from the city after a 3 year stay.  Ephesus Archaeological Site, Anatolia, Turkey.
  • The Temple of Aphrodite at the centre of Aphrodisias. All that remains of the ancient temple consists of fourteen of the over forty Ionic columns that once surrounded it and the foundations of the cellar section. building started in the 1st century BC completed during the reign of Augustus. <br />
<br />
Aphrodisias Archaeological Site, Aydin Province, Turkey.
  • The Temple of Aphrodite at the centre of Aphrodisias. All that remains of the ancient temple consists of fourteen of the over forty Ionic columns that once surrounded it and the foundations of the cellar section. building started in the 1st century BC completed during the reign of Augustus. <br />
<br />
Aphrodisias Archaeological Site, Aydin Province, Turkey.
  • The Temple of Aphrodite at the centre of Aphrodisias. All that remains of the ancient temple consists of fourteen of the over forty Ionic columns that once surrounded it and the foundations of the cellar section. building started in the 1st century BC completed during the reign of Augustus. <br />
<br />
Aphrodisias Archaeological Site, Aydin Province, Turkey.
  • The Temple of Aphrodite at the centre of Aphrodisias. All that remains of the ancient temple consists of fourteen of the over forty Ionic columns that once surrounded it and the foundations of the cellar section. building started in the 1st century BC completed during the reign of Augustus. <br />
<br />
Aphrodisias Archaeological Site, Aydin Province, Turkey.
  • The Temple of Aphrodite at the centre of Aphrodisias. All that remains of the ancient temple consists of fourteen of the over forty Ionic columns that once surrounded it and the foundations of the cellar section. building started in the 1st century BC completed during the reign of Augustus. <br />
<br />
Aphrodisias Archaeological Site, Aydin Province, Turkey.
  • The Temple of Aphrodite at the centre of Aphrodisias. All that remains of the ancient temple consists of fourteen of the over forty Ionic columns that once surrounded it and the foundations of the cellar section. building started in the 1st century BC completed during the reign of Augustus. <br />
<br />
Aphrodisias Archaeological Site, Aydin Province, Turkey.
  • The Temple of Aphrodite at the centre of Aphrodisias. All that remains of the ancient temple consists of fourteen of the over forty Ionic columns that once surrounded it and the foundations of the cellar section. building started in the 1st century BC completed during the reign of Augustus. <br />
<br />
Aphrodisias Archaeological Site, Aydin Province, Turkey.
  • The Temple of Aphrodite at the centre of Aphrodisias. All that remains of the ancient temple consists of fourteen of the over forty Ionic columns that once surrounded it and the foundations of the cellar section. building started in the 1st century BC completed during the reign of Augustus. <br />
<br />
Aphrodisias Archaeological Site, Aydin Province, Turkey.
  • The Temple of Aphrodite at the centre of Aphrodisias. All that remains of the ancient temple consists of fourteen of the over forty Ionic columns that once surrounded it and the foundations of the cellar section. building started in the 1st century BC completed during the reign of Augustus. <br />
<br />
Aphrodisias Archaeological Site, Aydin Province, Turkey.
  • The Temple of Aphrodite at the centre of Aphrodisias. All that remains of the ancient temple consists of fourteen of the over forty Ionic columns that once surrounded it and the foundations of the cellar section. building started in the 1st century BC completed during the reign of Augustus. <br />
<br />
Aphrodisias Archaeological Site, Aydin Province, Turkey.
  • The Temple of Aphrodite at the centre of Aphrodisias. All that remains of the ancient temple consists of fourteen of the over forty Ionic columns that once surrounded it and the foundations of the cellar section. building started in the 1st century BC completed during the reign of Augustus. <br />
<br />
Aphrodisias Archaeological Site, Aydin Province, Turkey.
  • The Temple of Aphrodite at the centre of Aphrodisias. All that remains of the ancient temple consists of fourteen of the over forty Ionic columns that once surrounded it and the foundations of the cellar section. building started in the 1st century BC completed during the reign of Augustus. <br />
<br />
Aphrodisias Archaeological Site, Aydin Province, Turkey.
  • The Temple of Aphrodite at the centre of Aphrodisias. All that remains of the ancient temple consists of fourteen of the over forty Ionic columns that once surrounded it and the foundations of the cellar section. building started in the 1st century BC completed during the reign of Augustus. <br />
<br />
Aphrodisias Archaeological Site, Aydin Province, Turkey.
  • The Theatre of Ephesus on the slopes of Panayir Dagi ( mount) was built during the reign of Alexander the Great successor, Lysimachos, between 306 - 281 B.C. The building was altered many times by the time St Paul was famously found guilty of preaching against Artemis & Diana and banished from the city after a 3 year stay.  Ephesus Archaeological Site, Anatolia, Turkey.
  • Exterior of the Maison Carrée, a ancient Roman temple built around 4-7 AD and dedicated to Julius Caesar, the best preserved example of a Roman temple,  Nimes, France
  • Roman theatre of Aphrodisias dedicated to Aphrodite and the people of the city by Julius Zoilos in the  2nd half of 1st century BC. Seats over 8000 people. Aphrodisias Archaeological Site, Aydin Province, Turkey.
  • Roman theatre of Aphrodisias dedicated to Aphrodite and the people of the city by Julius Zoilos in the  2nd half of 1st century BC. Seats over 8000 people. Aphrodisias Archaeological Site, Aydin Province, Turkey.
  • Roman theatre of Aphrodisias dedicated to Aphrodite and the people of the city by Julius Zoilos in the  2nd half of 1st century BC. Seats over 8000 people. Aphrodisias Archaeological Site, Aydin Province, Turkey.
  • Roman theatre of Aphrodisias dedicated to Aphrodite and the people of the city by Julius Zoilos in the  2nd half of 1st century BC. Seats over 8000 people. Aphrodisias Archaeological Site, Aydin Province, Turkey.
  • Roman theatre of Aphrodisias dedicated to Aphrodite and the people of the city by Julius Zoilos in the  2nd half of 1st century BC. Seats over 8000 people. Aphrodisias Archaeological Site, Aydin Province, Turkey.
  • Roman theatre of Aphrodisias dedicated to Aphrodite and the people of the city by Julius Zoilos in the  2nd half of 1st century BC. Seats over 8000 people. Aphrodisias Archaeological Site, Aydin Province, Turkey.
  • Roman theatre of Aphrodisias dedicated to Aphrodite and the people of the city by Julius Zoilos in the  2nd half of 1st century BC. Seats over 8000 people. Aphrodisias Archaeological Site, Aydin Province, Turkey.
  • Roman theatre of Aphrodisias dedicated to Aphrodite and the people of the city by Julius Zoilos in the  2nd half of 1st century BC. Seats over 8000 people. Aphrodisias Archaeological Site, Aydin Province, Turkey.
  • Roman theatre of Aphrodisias dedicated to Aphrodite and the people of the city by Julius Zoilos in the  2nd half of 1st century BC. Seats over 8000 people. Aphrodisias Archaeological Site, Aydin Province, Turkey.
  • Roman theatre of Aphrodisias dedicated to Aphrodite and the people of the city by Julius Zoilos in the  2nd half of 1st century BC. Seats over 8000 people. Aphrodisias Archaeological Site, Aydin Province, Turkey.
  • Roman sculpted frieze blocks with garland relief sculptures, North Portico, Aphrodisias Archaeological Site, Aydin Province, Turkey.
  • Roman sculpted frieze blocks with garland relief sculptures, North Portico, Aphrodisias Archaeological Site, Aydin Province, Turkey.
  • Roman sculpted frieze blocks with garland relief sculptures, North Portico, Aphrodisias Archaeological Site, Aydin Province, Turkey.
  • Roman sculpted frieze blocks with garland relief sculptures, North Portico, Aphrodisias Archaeological Site, Aydin Province, Turkey.
  • Roman ruins of the circus stadium of Aphrodisias Archaeological Site, Aydin Province, Turkey.
  • Roman ruins of the circus stadium of Aphrodisias Archaeological Site, Aydin Province, Turkey.
  • Roman ruins of the circus stadium of Aphrodisias Archaeological Site, Aydin Province, Turkey.
  • Roman sculpted frieze blocks with garland relief sculptures, North Portico, Aphrodisias Archaeological Site, Aydin Province, Turkey.
  • Picture of The library of Celsus. Images of the Roman ruins of Ephasus, Turkey Photos. Stock Picture & Photo art prints
  • Picture of The library of Celsus. Images of the Roman ruins of Ephasus, Turkey Photos. Stock Picture & Photo art prints 3
  • Picture& image of The library of Celsus. Images of the Roman ruins of Ephasus, Turkey. Stock Picture & Photo art prints 1
  • Picture & Image of The library of Celsus. Images of the Roman ruins of Ephasus, Turkey. Stock Picture & Photo art prints
  • Photo of The library of Celsus. Images of the Roman ruins of Ephasus, Turkey. Stock Picture & Photo art prints 5
  • Photo of The library of Celsus. Images of the Roman ruins of Ephasus, Turkey. Stock Picture & Photo art prints 1
  • Picture of The library of Celsus. Images of the Roman ruins of Ephasus, Turkey. Stock Picture & Photo art prints 5
  • Picture of The library of Celsus. Images of the Roman ruins of Ephasus, Turkey. Stock Picture & Photo art prints 1
  • Picture & Photo of The library of Celsus at sunrise . Images of the Roman ruins of Ephasus, Turkey. Stock Picture & Photo art prints
  • Picture & Photo of The library of Celsus at sunrise . Images of the Roman ruins of Ephasus, Turkey. Stock Picture & Photo art prints
  • Picture & Photo of The library of Celsus at sunrise . Images of the Roman ruins of Ephasus, Turkey. Stock Picture & Photo art prints
  • Picture & Photo of The library of Celsus at sunrise . Images of the Roman ruins of Ephasus, Turkey. Stock Picture & Photo art prints
  • Picture & Photo of The library of Celsus at sunrise . Images of the Roman ruins of Ephasus, Turkey. Stock Picture & Photo art prints
  • Picture & Photo of The library of Celsus at sunrise . Images of the Roman ruins of Ephasus, Turkey. Stock Picture & Photo art prints
  • Picture & Photo of The library of Celsus at sunrise . Images of the Roman ruins of Ephasus, Turkey. Stock Picture & Photo art prints
  • Arch of The Roman  Pollio Fountain, early 1st century B.C. Ephesus Archaeological Site, Anatolia, Turkey.
  • Picture of The library of Celsus. Images of the Roman ruins of Ephasus, Turkey images . Stock Picture & Photo art prints
  • Image of The library of Celsusat sunrise . Images of the Roman ruins of Ephasus, Turkey. Stock Picture & Photo art prints
  • Picture Photo of The library of Celsus. Images of the Roman ruins of Ephasus, Turkey. Stock Picture & Photo art prints
  • Picture & Photo of The library of Celsusat sunrise . Images of the Roman ruins of Ephasus, Turkey. Stock Picture & Photo art prints
  • photo & image of The library of Celsusat sunrise . Images of the Roman ruins of Ephesus, Turkey. Stock Picture & Photo art prints
  • Photo & picture of The library of Celsus. Images of the Roman ruins of Ephasus, Turkey. Stock Picture & Photo art prints 3
  • Picture of The library of Celsusat sunrise . Images of the Roman ruins of Ephasus, Turkey. Stock Picture & Photo art prints 2
  • Picture of The library of Celsusat sunrise . Images of the Roman ruins of Ephasus, Turkey. Stock Picture & Photo art prints 1
  • Photo & picture of The library of Celsus. Images of the Roman ruins of Ephasus, Turkey. Stock Picture & Photo art prints 4
  • Photo & picture of The library of Celsus. Images of the Roman ruins of Ephasus, Turkey. Stock Picture & Photo art prints 2
  • Photo of The library of Celsus. Images of the Roman ruins of Ephasus, Turkey. Stock Picture & Photo art prints 6
  • Photo & picture of The library of Celsus. Images of the Roman ruins of Ephasus, Turkey. Stock Picture & Photo art prints 1
  • Photo of The library of Celsus. Images of the Roman ruins of Ephasus, Turkey. Stock Picture & Photo art prints 6
  • Photo of The library of Celsus. Images of the Roman ruins of Ephasus, Turkey. Stock Picture & Photo art prints 4
  • Photo of The library of Celsus. Images of the Roman ruins of Ephasus, Turkey. Stock Picture & Photo art prints 2
  • Picture of The library of Celsus. Images of the Roman ruins of Ephasus, Turkey. Stock Picture & Photo art prints 6
  • Picture of The library of Celsus. Images of the Roman ruins of Ephasus, Turkey. Stock Picture & Photo art prints 4
  • Picture of The library of Celsus. Images of the Roman ruins of Ephasus, Turkey. Stock Picture & Photo art prints 3
  • Picture & Photo of The library of Celsus at sunrise . Images of the Roman ruins of Ephasus, Turkey. Stock Picture & Photo art prints
  • Picture & Photo of The library of Celsus at sunrise . Images of the Roman ruins of Ephasus, Turkey. Stock Picture & Photo art prints
  • Picture & Photo of The library of Celsus at sunrise . Images of the Roman ruins of Ephasus, Turkey. Stock Picture & Photo art prints
  • Picture & Photo of The library of Celsus at sunrise . Images of the Roman ruins of Ephasus, Turkey. Stock Picture & Photo art prints
  • Picture & Photo of The library of Celsus at sunrise . Images of the Roman ruins of Ephasus, Turkey. Stock Picture & Photo art prints
  • Picture & Photo of The library of Celsus at sunrise . Images of the Roman ruins of Ephasus, Turkey. Stock Picture & Photo art prints
  • Picture & Photo of The library of Celsus at sunrise . Images of the Roman ruins of Ephasus, Turkey. Stock Picture & Photo art prints
  • Picture & Photo of The library of Celsus at sunrise . Images of the Roman ruins of Ephasus, Turkey. Stock Picture & Photo art prints
  • Picture & Photo of The library of Celsus at sunrise . Images of the Roman ruins of Ephasus, Turkey. Stock Picture & Photo art prints
  • Picture & Photo of The library of Celsus at sunrise . Images of the Roman ruins of Ephasus, Turkey. Stock Picture & Photo art prints
  • Picture & Photo of The library of Celsus at sunrise . Images of the Roman ruins of Ephasus, Turkey. Stock Picture & Photo art prints
  • Picture & Photo of The library of Celsus at sunrise . Images of the Roman ruins of Ephasus, Turkey. Stock Picture & Photo art prints
  • Picture & Photo of The library of Celsus at sunrise . Images of the Roman ruins of Ephasus, Turkey. Stock Picture & Photo art prints
  • Picture & Photo of The library of Celsus at sunrise . Images of the Roman ruins of Ephasus, Turkey. Stock Picture & Photo art prints
  • Picture & Photo of The library of Celsus at sunrise . Images of the Roman ruins of Ephasus, Turkey. Stock Picture & Photo art prints
  • Picture & Photo of The library of Celsus at sunrise . Images of the Roman ruins of Ephasus, Turkey. Stock Picture & Photo art prints
  • Picture & Photo of The library of Celsus at sunrise . Images of the Roman ruins of Ephasus, Turkey. Stock Picture & Photo art prints
  • Picture & Photo of The library of Celsus at sunrise . Images of the Roman ruins of Ephasus, Turkey. Stock Picture & Photo art prints
  • Picture & Photo of The library of Celsus at sunrise . Images of the Roman ruins of Ephasus, Turkey. Stock Picture & Photo art prints
  • Picture & Photo of The library of Celsus at sunrise . Images of the Roman ruins of Ephasus, Turkey. Stock Picture & Photo art prints
  • Picture & Photo of The library of Celsus at sunrise . Images of the Roman ruins of Ephasus, Turkey. Stock Picture & Photo art prints
  • Picture & Photo of The library of Celsus at sunrise . Images of the Roman ruins of Ephasus, Turkey. Stock Picture & Photo art prints
  • Picture & Photo of The library of Celsus at sunrise . Images of the Roman ruins of Ephasus, Turkey. Stock Picture & Photo art prints
  • Photo of Roman releif sculpture of Tree Graces from the South Building, Second storey, Aphrodisias, Turkey, Images of Roman art bas releifs. Buy as stock or photo art prints. From The South Building, Rooms 1-3, Mythological Releifs.
  • Roman portrait bust of Emperor Hadrian, 117-138 AD excavated from the S. Barbiana region near the Station Terminus, Rome. Hadrian ( Publius Aelius Hadrianus Augustus) was Roman Emperor from 117 to 138. An enthusiastic  builder Hadrian rebuilt the Pantheon and constructed the Temple of Venus and Roma as well as building Hadrian's Wall, which marked the northern limit of Roman Britain. His villa at Tivoli also showed Hadrian passion for water and Roman baths. Hadrian was regarded by some as a humanist and was philhellene in most of his tastes. He is regarded as one of the Five Good Emperors. The great love of his life was Antinous who died tragically and suspiciously when he drowned in the Nile.  The National Roman Museum, Rome, Italy
  • Roman portrait bust of Emperor Hadrian, 117-138 AD excavated from the S. Barbiana region near the Station Terminus, Rome. Hadrian ( Publius Aelius Hadrianus Augustus) was Roman Emperor from 117 to 138. An enthusiastic  builder Hadrian rebuilt the Pantheon and constructed the Temple of Venus and Roma as well as building Hadrian's Wall, which marked the northern limit of Roman Britain. His villa at Tivoli also showed Hadrian passion for water and Roman baths. Hadrian was regarded by some as a humanist and was philhellene in most of his tastes. He is regarded as one of the Five Good Emperors. The great love of his life was Antinous who died tragically and suspiciously when he drowned in the Nile.  The National Roman Museum, Rome, Italy
  • Roman portrait bust of Emperor Hadrian, 117-138 AD excavated from the S. Barbiana region near the Station Terminus, Rome. Hadrian ( Publius Aelius Hadrianus Augustus) was Roman Emperor from 117 to 138. An enthusiastic  builder Hadrian rebuilt the Pantheon and constructed the Temple of Venus and Roma as well as building Hadrian's Wall, which marked the northern limit of Roman Britain. His villa at Tivoli also showed Hadrian passion for water and Roman baths. Hadrian was regarded by some as a humanist and was philhellene in most of his tastes. He is regarded as one of the Five Good Emperors. The great love of his life was Antinous who died tragically and suspiciously when he drowned in the Nile.  The National Roman Museum, Rome, Italy
  • Roman portrait bust of Emperor Hadrian, 117-138 AD excavated from the S. Barbiana region near the Station Terminus, Rome. Hadrian ( Publius Aelius Hadrianus Augustus) was Roman Emperor from 117 to 138. An enthusiastic  builder Hadrian rebuilt the Pantheon and constructed the Temple of Venus and Roma as well as building Hadrian's Wall, which marked the northern limit of Roman Britain. His villa at Tivoli also showed Hadrian passion for water and Roman baths. Hadrian was regarded by some as a humanist and was philhellene in most of his tastes. He is regarded as one of the Five Good Emperors. The great love of his life was Antinous who died tragically and suspiciously when he drowned in the Nile.  The National Roman Museum, Rome, Italy
  • Roman portrait bust of Emperor Hadrian, 117-138 AD excavated from the S. Barbiana region near the Station Terminus, Rome. Hadrian ( Publius Aelius Hadrianus Augustus) was Roman Emperor from 117 to 138. An enthusiastic  builder Hadrian rebuilt the Pantheon and constructed the Temple of Venus and Roma as well as building Hadrian's Wall, which marked the northern limit of Roman Britain. His villa at Tivoli also showed Hadrian passion for water and Roman baths. Hadrian was regarded by some as a humanist and was philhellene in most of his tastes. He is regarded as one of the Five Good Emperors. The great love of his life was Antinous who died tragically and suspiciously when he drowned in the Nile.  The National Roman Museum, Rome, Italy
  • Photo of Roman releif sculpture of Tree Graces from the South Building, Second storey, Aphrodisias, Turkey, Images of Roman art bas releifs. Buy as stock or photo art prints. Apollo sits on his raised platform with his tripod at his oracular shrine. He is approached by 2 figures one with the flat diadem of a king who have come to consult him. Cut Out
  • Photo of Roman releif sculpture of Emperor Claudius About to vanquish Britanica from Aphrodisias, Turkey, Images of Roman art bas releifs. Buy as stock or photo art prints. Naked warrior Claudius id about to deliver the death blow to Britanica.   From The South Building, Rooms 1-3, Mythological Releifs.
  • Photo of Roman releif sculpture of Tree Graces from the South Building, Second storey, Aphrodisias, Turkey, Images of Roman art bas releifs. Buy as stock or photo art prints. Apollo sits on his raised platform with his tripod at his oracular shrine. He is approached by 2 figures one with the flat diadem of a king who have come to consult him. Cut Out
  • Photo of Roman releif sculpture of Tree Graces from the South Building, Second storey, Aphrodisias, Turkey, Images of Roman art bas releifs. Buy as stock or photo art prints.
  • Roman marble portrait bust of Emperor Hadrian, 117-138 AD found in the Horti Tauriani, Rome.  The bust portrays an elderly Hadrian with a well worn expression from around 130AD. An enthusiastic builder Hadrian rebuilt the Pantheon and constructed the Temple of Venus and Roma as well as building Hadrian's Wall, which marked the northern limit of Roman Britain. His villa at Tivoli also showed Hadrian passion for water and Roman baths. Hadrian was regarded by some as a humanist and was philhellene in most of his tastes. He is regarded as one of the Five Good Emperors.  MC inv 890, Capitoline Museums, Rome
  • Roman marble portrait bust of Emperor Hadrian, 117-138 AD found in the Horti Tauriani, Rome.  The bust portrays an elderly Hadrian with a well worn expression from around 130AD. An enthusiastic builder Hadrian rebuilt the Pantheon and constructed the Temple of Venus and Roma as well as building Hadrian's Wall, which marked the northern limit of Roman Britain. His villa at Tivoli also showed Hadrian passion for water and Roman baths. Hadrian was regarded by some as a humanist and was philhellene in most of his tastes. He is regarded as one of the Five Good Emperors.  MC inv 890, Capitoline Museums, Rome
  • Roman marble portrait bust of Emperor Hadrian, 117-138 AD found in the Horti Tauriani, Rome.  The bust portrays an elderly Hadrian with a well worn expression from around 130AD. An enthusiastic builder Hadrian rebuilt the Pantheon and constructed the Temple of Venus and Roma as well as building Hadrian's Wall, which marked the northern limit of Roman Britain. His villa at Tivoli also showed Hadrian passion for water and Roman baths. Hadrian was regarded by some as a humanist and was philhellene in most of his tastes. He is regarded as one of the Five Good Emperors.  MC inv 890, Capitoline Museums, Rome
  • Roman marble portrait bust of Emperor Hadrian, 117-138 AD found in the Horti Tauriani, Rome.  The bust portrays an elderly Hadrian with a well worn expression from around 130AD. An enthusiastic builder Hadrian rebuilt the Pantheon and constructed the Temple of Venus and Roma as well as building Hadrian's Wall, which marked the northern limit of Roman Britain. His villa at Tivoli also showed Hadrian passion for water and Roman baths. Hadrian was regarded by some as a humanist and was philhellene in most of his tastes. He is regarded as one of the Five Good Emperors.  MC inv 890, Capitoline Museums, Rome
  • Roman marble portrait bust of Emperor Hadrian, 117-138 AD found in the Horti Tauriani, Rome.  The bust portrays an elderly Hadrian with a well worn expression from around 130AD. An enthusiastic builder Hadrian rebuilt the Pantheon and constructed the Temple of Venus and Roma as well as building Hadrian's Wall, which marked the northern limit of Roman Britain. His villa at Tivoli also showed Hadrian passion for water and Roman baths. Hadrian was regarded by some as a humanist and was philhellene in most of his tastes. He is regarded as one of the Five Good Emperors.  MC inv 890, Capitoline Museums, Rome
  • Photo of Roman releif sculpture of Tree Graces from the South Building, Second storey, Aphrodisias, Turkey, Images of Roman art bas releifs. Aphrodisias Archaological Museum, Turkey
  • The Fountain of Emperor Trajan on Curetes Street constructed between 102 - 114 A.D. Ephesus Archaeological Site, Anatolia, Turkey.
  • The Temple of Emperor Hadrian on Curetes Street ( 117 - 138 A.D ).  Ephesus Archaeological Site, Anatolia, Turkey.
  • Pillars of The Basilica, 1st Century A.D. Ephesus Archaeological Site, Anatolia, Turkey.
  • The Library of Celsus & the Agora to the right. Ephesus Archaeological Site, Anatolia, Turkey.
  • The Library of Celsus & the Agora to the right. Ephesus Archaeological Site, Anatolia, Turkey.
  • The Fountain of Emperor Trajan and  Curetes Street constructed between 102 - 114 A.D. Ephesus Archaeological Site, Anatolia, Turkey.
  • Statue on  Curetes Street looking towards the Library of Celsus. Ephesus Archaeological Site, Anatolia, Turkey.
  • The Fountain of Emperor Trajan on Curetes Street constructed between 102 - 114 A.D. Ephesus Archaeological Site, Anatolia, Turkey.
  • The Rhodian Peristyle built in the time of Emperor Augustus ( 27 B.C. -A.D. 14) and dedicated to Julius Caesar  and the goddess Roma then Augustus & Artemis. Ephesus Archaeological Site, Anatolia, Turkey.
  • Entrance to the Odeion (Small Thaetre) that was built as a council chamber in 2nd century A.D. Ephesus Archaeological Site, Anatolia, Turkey.
  • The entrance to the Temple of Emperor Domitian ( 81-96 AD) . Ephesus Archaeological Site, Anatolia, Turkey.
  • The entrance to the Temple of Emperor Domitian ( 81-96 AD) . Ephesus Archaeological Site, Anatolia, Turkey.
  • The Fountain of Emperor Trajan and  Curetes Street constructed between 102 - 114 A.D. Ephesus Archaeological Site, Anatolia, Turkey.
  • The Fountain of Emperor Trajan and  Curetes Street constructed between 102 - 114 A.D. Ephesus Archaeological Site, Anatolia, Turkey.
  • Theatre colonade of Aphrodisias Archaeological Site, Aydin Province, Turkey.
  • Close up of the pediments of the Tetrapylon monumental gateway to  the Temple of Aphrodite. The Tetrapylon consisted of four rows of four columns and It connects the major street to the sacred way heading toward the sanctuary of Aphrodite. <br />
<br />
Aphrodisias Archaeological Site, Aydin Province, Turkey.
  • Close up of the pediments of the Tetrapylon monumental gateway to  the Temple of Aphrodite. The Tetrapylon consisted of four rows of four columns and It connects the major street to the sacred way heading toward the sanctuary of Aphrodite. <br />
<br />
Aphrodisias Archaeological Site, Aydin Province, Turkey.
  • Tetrapylon monumental gateway to  the Temple of Aphrodite. The Tetrapylon consisted of four rows of four columns and It connects the major street to the sacred way heading toward the sanctuary of Aphrodite. <br />
<br />
Aphrodisias Archaeological Site, Aydin Province, Turkey.
  • Tetrapylon monumental gateway to  the Temple of Aphrodite. The Tetrapylon consisted of four rows of four columns and It connects the major street to the sacred way heading toward the sanctuary of Aphrodite. <br />
<br />
Aphrodisias Archaeological Site, Aydin Province, Turkey.
  • Tetrapylon monumental gateway to  the Temple of Aphrodite. The Tetrapylon consisted of four rows of four columns and It connects the major street to the sacred way heading toward the sanctuary of Aphrodite. <br />
<br />
Aphrodisias Archaeological Site, Aydin Province, Turkey.
  • Tetrapylon monumental gateway to  the Temple of Aphrodite. The Tetrapylon consisted of four rows of four columns and It connects the major street to the sacred way heading toward the sanctuary of Aphrodite. <br />
<br />
Aphrodisias Archaeological Site, Aydin Province, Turkey.
  • Tetrapylon monumental gateway to  the Temple of Aphrodite. The Tetrapylon consisted of four rows of four columns and It connects the major street to the sacred way heading toward the sanctuary of Aphrodite. <br />
<br />
Aphrodisias Archaeological Site, Aydin Province, Turkey.
  • Curetes Street (Priest Street)  that runs through the centre of Ephesus. Ephesus Archaeological Site, Anatolia, Turkey.
  • The Library of Celsus & the Agora to the right. Ephesus Archaeological Site, Anatolia, Turkey.
  • The Fountain of Emperor Trajan and  Curetes Street constructed between 102 - 114 A.D. Ephesus Archaeological Site, Anatolia, Turkey.
  • The Fountain of Emperor Trajan on Curetes Street constructed between 102 - 114 A.D. Ephesus Archaeological Site, Anatolia, Turkey.
  • The Rhodian Peristyle built in the time of Emperor Augustus ( 27 B.C. -A.D. 14) and dedicated to Julius Caesar  and the goddess Roma then Augustus & Artemis. Ephesus Archaeological Site, Anatolia, Turkey.
  • The Fountain of Emperor Trajan and  Curetes Street constructed between 102 - 114 A.D. Ephesus Archaeological Site, Anatolia, Turkey.
  • The Temple of Emperor Hadrian on Curetes Street ( 117 - 138 A.D ).  Ephesus Archaeological Site, Anatolia, Turkey.
  • Statue on  Curetes Street looking towards the Library of Celsus. Ephesus Archaeological Site, Anatolia, Turkey.
  • The Heracles Gate at the begining of Curetes Street , showing Heracles wrapped in a Nemea Lion skin. Probably made in the 2nc century A.D. and moved to Ephesus in the 5th century A.D. Ephesus Archaeological Site, Anatolia, Turkey.
  • The Fountain of Emperor Trajan on Curetes Street constructed between 102 - 114 A.D. Ephesus Archaeological Site, Anatolia, Turkey.
  • Odeon (Concert-hall) seating  around 1700 people. It was used also as the Bouleuterion for the meetings of the Senate and remained in this form until the early fifth century.<br />
<br />
Aphrodisias Archaeological Site, Aydin Province, Turkey.
  • Odeon (Concert-hall) seating  around 1700 people. It was used also as the Bouleuterion for the meetings of the Senate and remained in this form until the early fifth century.<br />
<br />
Aphrodisias Archaeological Site, Aydin Province, Turkey.
  • Tetrapylon monumental gateway to  the Temple of Aphrodite. The Tetrapylon consisted of four rows of four columns and It connects the major street to the sacred way heading toward the sanctuary of Aphrodite. <br />
<br />
Aphrodisias Archaeological Site, Aydin Province, Turkey.
  • Tetrapylon monumental gateway to  the Temple of Aphrodite. The Tetrapylon consisted of four rows of four columns and It connects the major street to the sacred way heading toward the sanctuary of Aphrodite. <br />
<br />
Aphrodisias Archaeological Site, Aydin Province, Turkey.
  • Tetrapylon monumental gateway to  the Temple of Aphrodite. The Tetrapylon consisted of four rows of four columns and It connects the major street to the sacred way heading toward the sanctuary of Aphrodite. <br />
<br />
Aphrodisias Archaeological Site, Aydin Province, Turkey.
  • The Library of Celsus & the Agora to the right. Ephesus Archaeological Site, Anatolia, Turkey.
  • The Temple of Emperor Hadrian on Curetes Street ( 117 - 138 A.D ).  Ephesus Archaeological Site, Anatolia, Turkey.
  • The Temple of Emperor Hadrian on Curetes Street ( 117 - 138 A.D ).  Ephesus Archaeological Site, Anatolia, Turkey.
  • Pillars of The Basilica, 1st Century A.D. Ephesus Archaeological Site, Anatolia, Turkey.
  • The Fountain of Emperor Trajan and  Curetes Street constructed between 102 - 114 A.D. Ephesus Archaeological Site, Anatolia, Turkey.
  • Curetes Street (Priest Street)  that runs through the centre of Ephesus. Ephesus Archaeological Site, Anatolia, Turkey.
  • Statue on  Curetes Street looking towards the Library of Celsus. Ephesus Archaeological Site, Anatolia, Turkey.
  • The Fountain of Emperor Trajan on Curetes Street constructed between 102 - 114 A.D. Ephesus Archaeological Site, Anatolia, Turkey.
  • The Mazeus Mithridates Gate to the Agora of Ephesus takes its name from the 2 Freed slave of  Emperor Augustus who paid for its contruction. It is dedicated to Emperor Augustus, his wife Livia , his daughter Julia and her husband Agrippa. Built in 4 or 3 B.C. Ephesus Archaeological Site, Anatolia, Turkey.
  • The Memmius Monument was built in the 1st century B.C. to honour Mmmius, the grandson of Emperor Sulla and son of Caicus whose sculptures can be seen on the monument. Ephesus Archaeological Site, Anatolia, Turkey.
  • Entrance to the Odeion (Small Thaetre) that was built as a council chamber in 2nd century A.D. Ephesus Archaeological Site, Anatolia, Turkey.
  • The entrance to the Temple of Emperor Domitian ( 81-96 AD) . Ephesus Archaeological Site, Anatolia, Turkey.
  • The entrance to the Temple of Emperor Domitian ( 81-96 AD) . Ephesus Archaeological Site, Anatolia, Turkey.
  • The Temple of Emperor Hadrian on Curetes Street ( 117 - 138 A.D ).  Ephesus Archaeological Site, Anatolia, Turkey.
  • Curetes Street (Priest Street)  that runs through the centre of Ephesus. Ephesus Archaeological Site, Anatolia, Turkey.
  • The Fountain of Emperor Trajan and  Curetes Street constructed between 102 - 114 A.D. Ephesus Archaeological Site, Anatolia, Turkey.
  • The Heracles Gate at the begining of Curetes Street , showing Heracles wrapped in a Nemea Lion skin. Probably made in the 2nc century A.D. and moved to Ephesus in the 5th century A.D. Ephesus Archaeological Site, Anatolia, Turkey.
  • The Mazeus Mithridates Gate to the Agora of Ephesus takes its name from the 2 Freed slave of  Emperor Augustus who paid for its contruction. It is dedicated to Emperor Augustus, his wife Livia , his daughter Julia and her husband Agrippa. Built in 4 or 3 B.C. Ephesus Archaeological Site, Anatolia, Turkey.
  • The Memmius Monument was built in the 1st century B.C. to honour Mmmius, the grandson of Emperor Sulla and son of Caicus whose sculptures can be seen on the monument. Ephesus Archaeological Site, Anatolia, Turkey.
  • Photo of Roman releif sculpture of Tree Graces from the South Building, Second storey, Aphrodisias, Turkey, Images of Roman art bas releifs. Buy as stock or photo art prints. From The South Building, Rooms 1-3, Mythological Releifs.
  • Photo of Roman releif sculpture of Tree Graces from the South Building, Second storey, Aphrodisias, Turkey, Images of Roman art bas releifs. Buy as stock or photo art prints. From The South Building, Rooms 1-3, Mythological Releifs.
  • Photo of Roman releif sculpture of Tree Graces from the South Building, Second storey, Aphrodisias, Turkey, Images of Roman art bas releifs. Buy as stock or photo art prints. From The South Building, Rooms 1-3, Mythological Releifs.
  • Roman mosaics - The Gypsy Girls. The House of Menad. Ancient Zeugama, 2nd - 3rd century AD . Zeugma Mosaic Museum, Gaziantep, Turkey.  Against a white background.<br />
<br />
It was discovered in the building called the House of Menad during the excavations conducted by the Gaziantep Museum. As the excavations continued, it was understood that almost all the mosaics inside the building had been stolen by historical _artifact; traffickers. The figure, called the Gypsy. Girl, was fortunately under the soil extracted from the illegal diggings and unseen by the traffickers; then it was brought to our Museum. She was liken to a Gypsy Girl as a joke during the excavations when she was unearthed with her uncombed hair, salient cheekbones, round face and earrings, and then has kept to be called with that name. <br />
<br />
There is no illuminating data regarding her identity but some scholrs claim that she is one of the -mnads present in  Dionysus festivals because of the tendrils near her 1.71eado, and others suggest that this is a portrait of Alexander the Great The most interesting feature of the mosaic is that it follows the beholder in every direction. A special technique was used in the mosaic in order to make her eyes more realistic. On the other hand, the fact that both joy and sorrow are reflected in her face indicates the stage reached in the art of portx4it. <br />
<br />
The piece was made, via the technique -called "three look" in the art of painting during the Hellenistic period. This technique was used by great painters as well. Da vincrs'Mona Lisa is an example for such paintings. With those characteristics, the piece has become the symbol of Zeugma and Gaziantep
  • Roman mosaics - The Gypsy Girls. The House of Menad. Ancient Zeugama, 2nd - 3rd century AD . Zeugma Mosaic Museum, Gaziantep, Turkey.<br />
<br />
It was discovered in the building called the House of Menad during the excavations conducted by the Gaziantep Museum. As the excavations continued, it was understood that almost all the mosaics inside the building had been stolen by historical _artifact; traffickers. The figure, called the Gypsy. Girl, was fortunately under the soil extracted from the illegal diggings and unseen by the traffickers; then it was brought to our Museum. She was liken to a Gypsy Girl as a joke during the excavations when she was unearthed with her uncombed hair, salient cheekbones, round face and earrings, and then has kept to be called with that name. <br />
<br />
There is no illuminating data regarding her identity but some scholrs claim that she is one of the -mnads present in  Dionysus festivals because of the tendrils near her 1.71eado, and others suggest that this is a portrait of Alexander the Great The most interesting feature of the mosaic is that it follows the beholder in every direction. A special technique was used in the mosaic in order to make her eyes more realistic. On the other hand, the fact that both joy and sorrow are reflected in her face indicates the stage reached in the art of portx4it. <br />
<br />
The piece was made, via the technique -called "three look" in the art of painting during the Hellenistic period. This technique was used by great painters as well. Da vincrs'Mona Lisa is an example for such paintings. With those characteristics, the piece has become the symbol of Zeugma and Gaziantep
  • Roman mosaics - The Gypsy Girls. The House of Menad. Ancient Zeugama, 2nd - 3rd century AD . Zeugma Mosaic Museum, Gaziantep, Turkey.   Against a black background.<br />
<br />
It was discovered in the building called the House of Menad during the excavations conducted by the Gaziantep Museum. As the excavations continued, it was understood that almost all the mosaics inside the building had been stolen by historical _artifact; traffickers. The figure, called the Gypsy. Girl, was fortunately under the soil extracted from the illegal diggings and unseen by the traffickers; then it was brought to our Museum. She was liken to a Gypsy Girl as a joke during the excavations when she was unearthed with her uncombed hair, salient cheekbones, round face and earrings, and then has kept to be called with that name. <br />
<br />
There is no illuminating data regarding her identity but some scholrs claim that she is one of the -mnads present in  Dionysus festivals because of the tendrils near her 1.71eado, and others suggest that this is a portrait of Alexander the Great The most interesting feature of the mosaic is that it follows the beholder in every direction. A special technique was used in the mosaic in order to make her eyes more realistic. On the other hand, the fact that both joy and sorrow are reflected in her face indicates the stage reached in the art of portx4it. <br />
<br />
The piece was made, via the technique -called "three look" in the art of painting during the Hellenistic period. This technique was used by great painters as well. Da vincrs'Mona Lisa is an example for such paintings. With those characteristics, the piece has become the symbol of Zeugma and Gaziantep
  • Roman mosaics - The Gypsy Girls. The House of Menad. Ancient Zeugama, 2nd - 3rd century AD . Zeugma Mosaic Museum, Gaziantep, Turkey.   Against an art background.<br />
<br />
It was discovered in the building called the House of Menad during the excavations conducted by the Gaziantep Museum. As the excavations continued, it was understood that almost all the mosaics inside the building had been stolen by historical _artifact; traffickers. The figure, called the Gypsy. Girl, was fortunately under the soil extracted from the illegal diggings and unseen by the traffickers; then it was brought to our Museum. She was liken to a Gypsy Girl as a joke during the excavations when she was unearthed with her uncombed hair, salient cheekbones, round face and earrings, and then has kept to be called with that name. <br />
<br />
There is no illuminating data regarding her identity but some scholrs claim that she is one of the -mnads present in  Dionysus festivals because of the tendrils near her 1.71eado, and others suggest that this is a portrait of Alexander the Great The most interesting feature of the mosaic is that it follows the beholder in every direction. A special technique was used in the mosaic in order to make her eyes more realistic. On the other hand, the fact that both joy and sorrow are reflected in her face indicates the stage reached in the art of portx4it. <br />
<br />
The piece was made, via the technique -called "three look" in the art of painting during the Hellenistic period. This technique was used by great painters as well. Da vincrs'Mona Lisa is an example for such paintings. With those characteristics, the piece has become the symbol of Zeugma and Gaziantep
  • Roman mosaics - The Gypsy Girls. The House of Menad. Ancient Zeugama, 2nd - 3rd century AD . Zeugma Mosaic Museum, Gaziantep, Turkey.   Against a black background.<br />
<br />
It was discovered in the building called the House of Menad during the excavations conducted by the Gaziantep Museum. As the excavations continued, it was understood that almost all the mosaics inside the building had been stolen by historical _artifact; traffickers. The figure, called the Gypsy. Girl, was fortunately under the soil extracted from the illegal diggings and unseen by the traffickers; then it was brought to our Museum. She was liken to a Gypsy Girl as a joke during the excavations when she was unearthed with her uncombed hair, salient cheekbones, round face and earrings, and then has kept to be called with that name. <br />
<br />
There is no illuminating data regarding her identity but some scholrs claim that she is one of the -mnads present in  Dionysus festivals because of the tendrils near her 1.71eado, and others suggest that this is a portrait of Alexander the Great The most interesting feature of the mosaic is that it follows the beholder in every direction. A special technique was used in the mosaic in order to make her eyes more realistic. On the other hand, the fact that both joy and sorrow are reflected in her face indicates the stage reached in the art of portx4it. <br />
<br />
The piece was made, via the technique -called "three look" in the art of painting during the Hellenistic period. This technique was used by great painters as well. Da vincrs'Mona Lisa is an example for such paintings. With those characteristics, the piece has become the symbol of Zeugma and Gaziantep
  • Roman mosaics - The Gypsy Girls. The House of Menad. Ancient Zeugama, 2nd - 3rd century AD . Zeugma Mosaic Museum, Gaziantep, Turkey.  Against a white background.<br />
<br />
It was discovered in the building called the House of Menad during the excavations conducted by the Gaziantep Museum. As the excavations continued, it was understood that almost all the mosaics inside the building had been stolen by historical _artifact; traffickers. The figure, called the Gypsy. Girl, was fortunately under the soil extracted from the illegal diggings and unseen by the traffickers; then it was brought to our Museum. She was liken to a Gypsy Girl as a joke during the excavations when she was unearthed with her uncombed hair, salient cheekbones, round face and earrings, and then has kept to be called with that name. <br />
<br />
There is no illuminating data regarding her identity but some scholrs claim that she is one of the -mnads present in  Dionysus festivals because of the tendrils near her 1.71eado, and others suggest that this is a portrait of Alexander the Great The most interesting feature of the mosaic is that it follows the beholder in every direction. A special technique was used in the mosaic in order to make her eyes more realistic. On the other hand, the fact that both joy and sorrow are reflected in her face indicates the stage reached in the art of portx4it. <br />
<br />
The piece was made, via the technique -called "three look" in the art of painting during the Hellenistic period. This technique was used by great painters as well. Da vincrs'Mona Lisa is an example for such paintings. With those characteristics, the piece has become the symbol of Zeugma and Gaziantep
  • Roman mosaics - The Gypsy Girls. The House of Menad. Ancient Zeugama, 2nd - 3rd century AD . Zeugma Mosaic Museum, Gaziantep, Turkey.<br />
<br />
It was discovered in the building called the House of Menad during the excavations conducted by the Gaziantep Museum. As the excavations continued, it was understood that almost all the mosaics inside the building had been stolen by historical _artifact; traffickers. The figure, called the Gypsy. Girl, was fortunately under the soil extracted from the illegal diggings and unseen by the traffickers; then it was brought to our Museum. She was liken to a Gypsy Girl as a joke during the excavations when she was unearthed with her uncombed hair, salient cheekbones, round face and earrings, and then has kept to be called with that name. <br />
<br />
There is no illuminating data regarding her identity but some scholrs claim that she is one of the -mnads present in  Dionysus festivals because of the tendrils near her 1.71eado, and others suggest that this is a portrait of Alexander the Great The most interesting feature of the mosaic is that it follows the beholder in every direction. A special technique was used in the mosaic in order to make her eyes more realistic. On the other hand, the fact that both joy and sorrow are reflected in her face indicates the stage reached in the art of portx4it. <br />
<br />
The piece was made, via the technique -called "three look" in the art of painting during the Hellenistic period. This technique was used by great painters as well. Da vincrs'Mona Lisa is an example for such paintings. With those characteristics, the piece has become the symbol of Zeugma and Gaziantep
  • Roman mosaics - The Gypsy Girls. The House of Menad. Ancient Zeugama, 2nd - 3rd century AD . Zeugma Mosaic Museum, Gaziantep, Turkey.  Against a grey background.<br />
<br />
It was discovered in the building called the House of Menad during the excavations conducted by the Gaziantep Museum. As the excavations continued, it was understood that almost all the mosaics inside the building had been stolen by historical _artifact; traffickers. The figure, called the Gypsy. Girl, was fortunately under the soil extracted from the illegal diggings and unseen by the traffickers; then it was brought to our Museum. She was liken to a Gypsy Girl as a joke during the excavations when she was unearthed with her uncombed hair, salient cheekbones, round face and earrings, and then has kept to be called with that name. <br />
<br />
There is no illuminating data regarding her identity but some scholrs claim that she is one of the -mnads present in  Dionysus festivals because of the tendrils near her 1.71eado, and others suggest that this is a portrait of Alexander the Great The most interesting feature of the mosaic is that it follows the beholder in every direction. A special technique was used in the mosaic in order to make her eyes more realistic. On the other hand, the fact that both joy and sorrow are reflected in her face indicates the stage reached in the art of portx4it. <br />
<br />
The piece was made, via the technique -called "three look" in the art of painting during the Hellenistic period. This technique was used by great painters as well. Da vincrs'Mona Lisa is an example for such paintings. With those characteristics, the piece has become the symbol of Zeugma and Gaziantep
  • Roman mosaics - The Gypsy Girls. The House of Menad. Ancient Zeugama, 2nd - 3rd century AD . Zeugma Mosaic Museum, Gaziantep, Turkey.  Against a grey background.<br />
<br />
It was discovered in the building called the House of Menad during the excavations conducted by the Gaziantep Museum. As the excavations continued, it was understood that almost all the mosaics inside the building had been stolen by historical _artifact; traffickers. The figure, called the Gypsy. Girl, was fortunately under the soil extracted from the illegal diggings and unseen by the traffickers; then it was brought to our Museum. She was liken to a Gypsy Girl as a joke during the excavations when she was unearthed with her uncombed hair, salient cheekbones, round face and earrings, and then has kept to be called with that name. <br />
<br />
There is no illuminating data regarding her identity but some scholrs claim that she is one of the -mnads present in  Dionysus festivals because of the tendrils near her 1.71eado, and others suggest that this is a portrait of Alexander the Great The most interesting feature of the mosaic is that it follows the beholder in every direction. A special technique was used in the mosaic in order to make her eyes more realistic. On the other hand, the fact that both joy and sorrow are reflected in her face indicates the stage reached in the art of portx4it. <br />
<br />
The piece was made, via the technique -called "three look" in the art of painting during the Hellenistic period. This technique was used by great painters as well. Da vincrs'Mona Lisa is an example for such paintings. With those characteristics, the piece has become the symbol of Zeugma and Gaziantep
  • Roman mosaics - The Gypsy Girls. The House of Menad. Ancient Zeugama, 2nd - 3rd century AD . Zeugma Mosaic Museum, Gaziantep, Turkey.   Against an art background.<br />
<br />
It was discovered in the building called the House of Menad during the excavations conducted by the Gaziantep Museum. As the excavations continued, it was understood that almost all the mosaics inside the building had been stolen by historical _artifact; traffickers. The figure, called the Gypsy. Girl, was fortunately under the soil extracted from the illegal diggings and unseen by the traffickers; then it was brought to our Museum. She was liken to a Gypsy Girl as a joke during the excavations when she was unearthed with her uncombed hair, salient cheekbones, round face and earrings, and then has kept to be called with that name. <br />
<br />
There is no illuminating data regarding her identity but some scholrs claim that she is one of the -mnads present in  Dionysus festivals because of the tendrils near her 1.71eado, and others suggest that this is a portrait of Alexander the Great The most interesting feature of the mosaic is that it follows the beholder in every direction. A special technique was used in the mosaic in order to make her eyes more realistic. On the other hand, the fact that both joy and sorrow are reflected in her face indicates the stage reached in the art of portx4it. <br />
<br />
The piece was made, via the technique -called "three look" in the art of painting during the Hellenistic period. This technique was used by great painters as well. Da vincrs'Mona Lisa is an example for such paintings. With those characteristics, the piece has become the symbol of Zeugma and Gaziantep
  • Photo of Roman releif sculpture of Tree Graces from the South Building, Second storey, Aphrodisias, Turkey, Images of Roman art bas releifs. Buy as stock or photo art prints. Apollo sits on his raised platform with his tripod at his oracular shrine. He is approached by 2 figures one with the flat diadem of a king who have come to consult him. Cut Out
  • Photo of Roman releif sculpture of Tree Graces from the South Building, Second storey, Aphrodisias, Turkey, Images of Roman art bas releifs. Buy as stock or photo art prints. Apollo sits on his raised platform with his tripod at his oracular shrine. He is approached by 2 figures one with the flat diadem of a king who have come to consult him. Cut Out
  • Photo of Roman releif sculpture of Tree Graces from the South Building, Second storey, Aphrodisias, Turkey, Images of Roman art bas releifs. Buy as stock or photo art prints. Apollo sits on his raised platform with his tripod at his oracular shrine. He is approached by 2 figures one with the flat diadem of a king who have come to consult him. Cut Out
  • Photo of Roman releif sculpture of Tree Graces from the South Building, Second storey, Aphrodisias, Turkey, Images of Roman art bas releifs. Buy as stock or photo art prints. Apollo sits on his raised platform with his tripod at his oracular shrine. He is approached by 2 figures one with the flat diadem of a king who have come to consult him. Cut Out
  • Photo of Roman releif sculpture of Tree Graces from the South Building, Second storey, Aphrodisias, Turkey, Images of Roman art bas releifs. Buy as stock or photo art prints. Apollo sits on his raised platform with his tripod at his oracular shrine. He is approached by 2 figures one with the flat diadem of a king who have come to consult him. Cut Out

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HISTORICAL

Explore the past through pictures and images of its historic places. See the great palaces, castles and cities of antiquity as well as the great archaeological sites where our ancestors made history.

EXPLORE HISTORICAL PLACES...

MUSEUMS

Browse pictures & images the treasured artefacts and antiquities exhibits from the great Museum of Europe and the Middle East. See the art and objects made by our ancestors.

SEE MUESEUM ANTIQUITIES....