• Picture of Tombs North Necropolis. Hierapolis archaeological site near Pamukkale in Turkey.
  • Picture of Tombs on the edge of the white travatines of the  North Necropolis. Hierapolis archaeological site near Pamukkale in Turkey.
  • Picture of Roman sacrcophagi on a Tomb North Necropolis. Hierapolis archaeological site near Pamukkale in Turkey.
  • Picture of a Roman raised sarcophagus of the North Necropolis. Hierapolis archaeological site near Pamukkale in Turkey.
  • Picture of the Roman Basilica Baths. Hierapolis archaeological site near Pamukkale in Turkey.
  • Picture of a Roman raised sarcophagus of the North Necropolis. Hierapolis archaeological site near Pamukkale in Turkey.
  • Picture of a Roman raised sarcophagus of the North Necropolis. Hierapolis archaeological site near Pamukkale in Turkey.
  • Reconstruction of  the inside of the Greek Tomb of  the Diver  [La Tomba del Truffatore] from the Greek city of Poseidonia which became Roman Paestum. .   The rear panel is from one of the long sides of the tomb and shows a symposium of men lying on couches facing low tables on which goblets have been placed.  The abondon experienced at the Synposium was one way in which the dead could access the next world .  The fresco on the lid of the tomb and shows a  diving from a column into water. The column represents the border of thye known world and therefore the limit of man's knowledge.  The dive represents the passage form this world to the next. The tomb is painted with the true fresco technique and its importance lies in being "the only example of Greek painting with figured scenes dating from the Orientalizing, Archaic, or Classical periods to survive in its entirety. Paestrum, Andriuolo.  (480-470 BC  )
  • Greek Fresco on the inside of Tomb of  the Diver  [La Tomba del Truffatore] from the Greek city of Poseidonia which became Roman Paestum. This panel is from one of the long sides of the tomb and shows a symposium of men lying on couches facing low tables.  The men on the couches are playing the song of Eros the liar and the flute to distract the deceased from worldly thoughts so he can enter the next world. The tomb is painted with the true fresco technique and its importance lies in being "the only example of Greek painting with figured scenes dating from the Orientalizing, Archaic, or Classical periods to survive in its entirety. Paestrum, Andriuolo.  (480-470 BC  )
  • Picture of Tomb Tomb 114 "tomb of curses" of the North Necropolis. Hierapolis archaeological site near Pamukkale in Turkey.<br />
<br />
TOMB 114 (Second half of the 2nd century AD) <br />
<br />
The tomb lies on the left hand side of the road and is enclosed by a perimeter wall; it rests on a base withifiree steps, with a bench piked(1 front of it. Inside are three beds and the ossuary. On the roof, a sarcophagus, broken as result of an <br />
earthquake, bears an inscription mentioning the occupant Aelios Apollinarios and his wife Neratia Apollonis. On the facade is an inscription of great interest which refers to the punishment inflicted on those who violate the sepulchre: as well as the usual fines, it invokes diseases, misfortunes and punishments in the next world. This inscription has led to the building being named the Tomb of the Curses.
  • Picture of Tomb  81 of North Necropolis. Hierapolis archaeological site near Pamukkale in Turkey.<br />
<br />
Tomb 81 (2nd - 3rd centuries AD)<br />
The tomb is built on a high platform that compensates for <br />
difference in level of the land behind it. Inside the <br />
chamber are three sepulchre beds, arranged along the walls, an a very deep ossuary. On the roof slabs, which jut out a long way, are two sarcophagi. Two inscriptions beside the door end the inscription on the slab that closed it (now in the museum ) refer to the successive occupants, including Eutyches Pompeios, who left 100 denari to the association of wool washers for the periodic decoration of  <br />
the tomb.
  • Picture of  A18 of the Tomb North Necropolis. Hierapolis archaeological site near Pamukkale in Turkey.<br />
<br />
Tomb A 18 ( 1st century AD) <br />
<br />
The building, one of the most representative and best conserved of the North Necropolis, has the shape of a small temple, built to a square plan with regular walls. The facade is framed by projecting pilasters; the roofing slabs rest on the, two frontons and the lateral cornices.- Beneath the base is a subterranean chamber partially carved into of the rock. The two chambers have sepulchral beds along the walls.
  • Picture of  A18 of the Tomb North Necropolis. Hierapolis archaeological site near Pamukkale in Turkey.<br />
<br />
Tomb A 18 ( 1st century AD) <br />
<br />
The building, one of the most representative and best conserved of the North Necropolis, has the shape of a small temple, built to a square plan with regular walls. The facade is framed by projecting pilasters; the roofing slabs rest on the, two frontons and the lateral cornices.- Beneath the base is a subterranean chamber partially carved into of the rock. The two chambers have sepulchral beds along the walls.
  • Relief sculpture freeze from the Roman theatre of Myra, Anatolia, Turkey
  • Relief sculpture freeze from the Roman theatre of Myra, Anatolia, Turkey
  • Relief sculpture freeze from the Roman theatre of Myra, Anatolia, Turkey
  • Relief sculpture freeze from the Roman theatre of Myra, Anatolia, Turkey
  • Relief sculpture freeze from the Roman theatre of Myra, Anatolia, Turkey
  • Picture of a Tomb A6  and Sarcophagus of the North Necropolis. Hierapolis archaeological site near Pamukkale in Turkey.
  • Picture of Tomb A2 of the North Necropolis. Hierapolis archaeological site near Pamukkale in Turkey.
  • Relief sculpture freeze from the Roman theatre of Myra, Anatolia, Turkey
  • Picture of a Tomb  North Necropolis. Hierapolis archaeological site near Pamukkale in Turkey.
  • Picture of Tomb A2 of the North Necropolis. Hierapolis archaeological site near Pamukkale in Turkey.
  • Picture of Tomb North Necropolis  main road . Hierapolis archaeological site near Pamukkale in Turkey.
  • Picture of a Tomb North Necropolis. Hierapolis archaeological site near Pamukkale in Turkey.
  • The Roman tombs & mausoleums on the street of Tombs in the Herculaneum cemetry, Pompeii
  • The Roman tombs & mausoleums on the street of Tombs in the Herculaneum cemetry, Pompeii
  • Reconstruction of  the inside of the Greek Tomb of  the Diver  [La Tomba del Truffatore] from the Greek city of Poseidonia which became Roman Paestum. .   The rear panel is from one of the long sides of the tomb and shows a symposium of men lying on couches facing low tables on which goblets have been placed.  The abondon experienced at the Synposium was one way in which the dead could access the next world .  The fresco on the lid of the tomb and shows a  diving from a column into water. The column represents the border of thye known world and therefore the limit of man's knowledge.  The dive represents the passage form this world to the next. The tomb is painted with the true fresco technique and its importance lies in being "the only example of Greek painting with figured scenes dating from the Orientalizing, Archaic, or Classical periods to survive in its entirety. Paestrum, Andriuolo.  (480-470 BC  )
  • Greek Fresco on the inside of Tomb of  the Diver  [La Tomba del Truffatore] from the Greek city of Poseidonia which became Roman Paestum. This panel is from one of the long sides of the tomb and shows a symposium of men lying on couches facing low tables.  The men on the couches are playing the song of Eros the liar and the flute to distract the deceased from worldly thoughts so he can enter the next world. The tomb is painted with the true fresco technique and its importance lies in being "the only example of Greek painting with figured scenes dating from the Orientalizing, Archaic, or Classical periods to survive in its entirety. Paestrum, Andriuolo.  (480-470 BC  )
  • Roman relief sculpted sarcophagus of Domitias Julianus and Domita Philiska, 2nd century AD, Perge. Antalya Archaeology Museum, Turkey.<br />
<br />
<br />
it is from the group of tombs classified as. "Columned Sarcophagi of Asia Minor”. <br />
The lid of the sarcophagus is sculpted into the form of a “Kline” style Roman couch on which lie Julianus &  Philiska. This type of Sarcophagus is also known as a Sydemara Type of Tomb.. Against a white background.
  • Roman relief sculpted sarcophagus of Aurelia Botiano and Demetria depicted reclining on the lid, 2nd century AD, Perge Inv 1.35.99. Antalya Archaeology Museum, Turkey.<br />
<br />
it is from the group of tombs classified as. "Columned Sarcophagi of Asia Minor”. The lid of the sarcophagus is sculpted into the form of a “Kline” style Roman couch on which lie Julianus &  Philiska. This type of Sarcophagus is also known as a Sydemara Type of Tomb.. Against a grey background.
  • Roman relief sculpted sarcophagus of Aurelia Botiano and Demetria depicted reclining on the lid, 2nd century AD, Perge Inv 1.35.99. Antalya Archaeology Museum, Turkey.<br />
<br />
it is from the group of tombs classified as. "Columned Sarcophagi of Asia Minor”. The lid of the sarcophagus is sculpted into the form of a “Kline” style Roman couch on which lie Julianus &  Philiska. This type of Sarcophagus is also known as a Sydemara Type of Tomb.. Against a black background.
  • Roman relief sculpted sarcophagus of Domitias Julianus and Domita Philiska, 2nd century AD, Perge. Antalya Archaeology Museum, Turkey.<br />
<br />
<br />
it is from the group of tombs classified as. "Columned Sarcophagi of Asia Minor”. <br />
The lid of the sarcophagus is sculpted into the form of a “Kline” style Roman couch on which lie Julianus &  Philiska. This type of Sarcophagus is also known as a Sydemara Type of Tomb. Against a grey background.
  • Roman relief sculpted sarcophagus of Domitias Julianus and Domita Philiska, 2nd century AD, Perge. Antalya Archaeology Museum, Turkey.<br />
<br />
<br />
it is from the group of tombs classified as. "Columned Sarcophagi of Asia Minor”. <br />
The lid of the sarcophagus is sculpted into the form of a “Kline” style Roman couch on which lie Julianus &  Philiska. This type of Sarcophagus is also known as a Sydemara Type of Tomb.. Against a warm art background.
  • Roman relief sculpted sarcophagus of Domitias Julianus and Domita Philiska, 2nd century AD, Perge. Antalya Archaeology Museum, Turkey.<br />
<br />
<br />
it is from the group of tombs classified as. "Columned Sarcophagi of Asia Minor”. <br />
The lid of the sarcophagus is sculpted into the form of a “Kline” style Roman couch on which lie Julianus &  Philiska. This type of Sarcophagus is also known as a Sydemara Type of Tomb.
  • Roman relief sculpted sarcophagus of Domitias Julianus and Domita Philiska, 2nd century AD, Perge. Antalya Archaeology Museum, Turkey.<br />
<br />
<br />
it is from the group of tombs classified as. "Columned Sarcophagi of Asia Minor”. <br />
The lid of the sarcophagus is sculpted into the form of a “Kline” style Roman couch on which lie Julianus &  Philiska. This type of Sarcophagus is also known as a Sydemara Type of Tomb.
  • Roman relief sculpted sarcophagus of Domitias Julianus and Domita Philiska, 2nd century AD, Perge. Antalya Archaeology Museum, Turkey.<br />
<br />
<br />
it is from the group of tombs classified as. "Columned Sarcophagi of Asia Minor”. <br />
The lid of the sarcophagus is sculpted into the form of a “Kline” style Roman couch on which lie Julianus &  Philiska. This type of Sarcophagus is also known as a Sydemara Type of Tomb. . Against a black background.
  • Roman relief sculpted sarcophagus of Domitias Julianus and Domita Philiska, 2nd century AD, Perge. Antalya Archaeology Museum, Turkey.<br />
<br />
<br />
it is from the group of tombs classified as. "Columned Sarcophagi of Asia Minor”. <br />
The lid of the sarcophagus is sculpted into the form of a “Kline” style Roman couch on which lie Julianus &  Philiska. This type of Sarcophagus is also known as a Sydemara Type of Tomb.. Against a grey background.
  • Roman relief sculpted sarcophagus of Domitias Julianus and Domita Philiska, 2nd century AD, Perge. Antalya Archaeology Museum, Turkey.<br />
<br />
<br />
it is from the group of tombs classified as. "Columned Sarcophagi of Asia Minor”. <br />
The lid of the sarcophagus is sculpted into the form of a “Kline” style Roman couch on which lie Julianus &  Philiska. This type of Sarcophagus is also known as a Sydemara Type of Tomb.
  • Roman relief sculpted sarcophagus of Aurelia Botiano and Demetria depicted reclining on the lid, 2nd century AD, Perge Inv 1.35.99. Antalya Archaeology Museum, Turkey.<br />
<br />
it is from the group of tombs classified as. "Columned Sarcophagi of Asia Minor”. The lid of the sarcophagus is sculpted into the form of a “Kline” style Roman couch on which lie Julianus &  Philiska. This type of Sarcophagus is also known as a Sydemara Type of Tomb.. Against a white background.
  • Roman relief sculpted sarcophagus of Aurelia Botiano and Demetria depicted reclining on the lid, 2nd century AD, Perge Inv 1.35.99. Antalya Archaeology Museum, Turkey.<br />
<br />
it is from the group of tombs classified as. "Columned Sarcophagi of Asia Minor”. The lid of the sarcophagus is sculpted into the form of a “Kline” style Roman couch on which lie Julianus &  Philiska. This type of Sarcophagus is also known as a Sydemara Type of Tomb.. Against a warm art background.
  • Roman relief sculpted sarcophagus of Aurelia Botiano and Demetria depicted reclining on the lid, 2nd century AD, Perge Inv 1.35.99. Antalya Archaeology Museum, Turkey.<br />
<br />
it is from the group of tombs classified as. "Columned Sarcophagi of Asia Minor”. The lid of the sarcophagus is sculpted into the form of a “Kline” style Roman couch on which lie Julianus &  Philiska. This type of Sarcophagus is also known as a Sydemara Type of Tomb.
  • Roman relief sculpted sarcophagus of Domitias Julianus and Domita Philiska depicted reclining on the lid, 2nd century AD, Perge. Antalya Archaeology Museum, Turkey.<br />
<br />
it is from the group of tombs classified as. "Columned Sarcophagi of Asia Minor”. <br />
The lid of the sarcophagus is sculpted into the form of a “Kline” style Roman couch on which lie Julianus &  Philiska. This type of Sarcophagus is also known as a Sydemara Type of Tomb.. Against a white background.
  • Roman relief sculpted sarcophagus of Domitias Julianus and Domita Philiska depicted reclining on the lid, 2nd century AD, Perge. Antalya Archaeology Museum, Turkey.. Against a black background.<br />
<br />
it is from the group of tombs classified as. "Columned Sarcophagi of Asia Minor”. <br />
The lid of the sarcophagus is sculpted into the form of a “Kline” style Roman couch on which lie Julianus &  Philiska. This type of Sarcophagus is also known as a Sydemara Type of Tomb.
  • Roman relief sculpted sarcophagus of Domitias Julianus and Domita Philiska depicted reclining on the lid, 2nd century AD, Perge. Antalya Archaeology Museum, Turkey.<br />
<br />
it is from the group of tombs classified as. "Columned Sarcophagi of Asia Minor”. <br />
The lid of the sarcophagus is sculpted into the form of a “Kline” style Roman couch on which lie Julianus &  Philiska. This type of Sarcophagus is also known as a Sydemara Type of Tomb.. Against a warm art background.
  • Roman relief sculpted sarcophagus of Domitias Julianus and Domita Philiska depicted reclining on the lid, 2nd century AD, Perge. Antalya Archaeology Museum, Turkey.<br />
<br />
it is from the group of tombs classified as. "Columned Sarcophagi of Asia Minor”. <br />
The lid of the sarcophagus is sculpted into the form of a “Kline” style Roman couch on which lie Julianus &  Philiska. This type of Sarcophagus is also known as a Sydemara Type of Tomb.
  • Roman sarcophagus with garland reliefs sculptures, 3rd century AD made in Laodicea on the Lycus from Hierapolis Necropolis . Hierapolis Archaeology Museum, Turkey<br />
<br />
Sarcophagus With Garland.<br />
<br />
They were widely used in the valley of Menderes from the beginning of the 2nd century A.D. The Nike on the edges and the Eros in the middle of the long sides carry the garlands. There are Medusa masks on the upper spaces of the garlands, sometimes the portraits of the owners of the tombs and some mythological descriptions take place here. Medusa masks symbolise the protection of the tomb where as the garlands symbolise the meeting of the owner in the other world. Ostoteks are also made in the some manner. . Against an white background
  • Roman sarcophagus with garland reliefs sculptures, 3rd century AD made in Laodicea on the Lycus from Hierapolis Necropolis . Hierapolis Archaeology Museum, Turkey<br />
<br />
Sarcophagus With Garland.<br />
<br />
They were widely used in the valley of Menderes from the beginning of the 2nd century A.D. The Nike on the edges and the Eros in the middle of the long sides carry the garlands. There are Medusa masks on the upper spaces of the garlands, sometimes the portraits of the owners of the tombs and some mythological descriptions take place here. Medusa masks symbolise the protection of the tomb where as the garlands symbolise the meeting of the owner in the other world. Ostoteks are also made in the some manner. . Against a grey background
  • Roman sarcophagus with garland reliefs sculptures, 3rd century AD made in Laodicea on the Lycus from Hierapolis Necropolis . Hierapolis Archaeology Museum, Turkey<br />
<br />
Sarcophagus With Garland.<br />
<br />
They were widely used in the valley of Menderes from the beginning of the 2nd century A.D. The Nike on the edges and the Eros in the middle of the long sides carry the garlands. There are Medusa masks on the upper spaces of the garlands, sometimes the portraits of the owners of the tombs and some mythological descriptions take place here. Medusa masks symbolise the protection of the tomb where as the garlands symbolise the meeting of the owner in the other world. Ostoteks are also made in the some manner. Against an art background
  • Roman sarcophagus with garland reliefs sculptures, 3rd century AD made in Laodicea on the Lycus from Hierapolis Necropolis . Hierapolis Archaeology Museum, Turkey<br />
<br />
Sarcophagus With Garland.<br />
<br />
They were widely used in the valley of Menderes from the beginning of the 2nd century A.D. The Nike on the edges and the Eros in the middle of the long sides carry the garlands. There are Medusa masks on the upper spaces of the garlands, sometimes the portraits of the owners of the tombs and some mythological descriptions take place here. Medusa masks symbolise the protection of the tomb where as the garlands symbolise the meeting of the owner in the other world. Ostoteks are also made in the some manner. Against an art background
  • Roman sarcophagus with garland reliefs sculptures, 3rd century AD made in Laodicea on the Lycus from Hierapolis Necropolis . Hierapolis Archaeology Museum, Turkey<br />
<br />
Sarcophagus With Garland.<br />
<br />
They were widely used in the valley of Menderes from the beginning of the 2nd century A.D. The Nike on the edges and the Eros in the middle of the long sides carry the garlands. There are Medusa masks on the upper spaces of the garlands, sometimes the portraits of the owners of the tombs and some mythological descriptions take place here. Medusa masks symbolise the protection of the tomb where as the garlands symbolise the meeting of the owner in the other world. Ostoteks are also made in the some manner.
  • Roman sarcophagus with garland reliefs sculptures, 3rd century AD made in Laodicea on the Lycus from Hierapolis Necropolis . Hierapolis Archaeology Museum, Turkey<br />
<br />
Sarcophagus With Garland.<br />
<br />
They were widely used in the valley of Menderes from the beginning of the 2nd century A.D. The Nike on the edges and the Eros in the middle of the long sides carry the garlands. There are Medusa masks on the upper spaces of the garlands, sometimes the portraits of the owners of the tombs and some mythological descriptions take place here. Medusa masks symbolise the protection of the tomb where as the garlands symbolise the meeting of the owner in the other world. Ostoteks are also made in the some manner.
  • Roman sarcophagus with relief sculptures from Hierapolis . Hierapolis Archaeology Museum, Turkey.<br />
<br />
Sarcophagus With Garland.<br />
<br />
They were widely used in the valley of Menderes from the beginning of the 2nd century A.D. The Nike on the edges and the Eros in the middle of the long sides carry the garlands. There are Medusa masks on the upper spaces of the garlands, sometimes the portraits of the owners of the tombs and some mythological descriptions take place here. Medusa masks symbolise the protection of the tomb where as the garlands symbolise the meeting of the owner in the other world. Ostoteks are also made in the some manner. . Against an white background
  • Roman sarcophagus with relief sculptures from Hierapolis . Hierapolis Archaeology Museum, Turkey.<br />
<br />
Sarcophagus With Garland.<br />
<br />
They were widely used in the valley of Menderes from the beginning of the 2nd century A.D. The Nike on the edges and the Eros in the middle of the long sides carry the garlands. There are Medusa masks on the upper spaces of the garlands, sometimes the portraits of the owners of the tombs and some mythological descriptions take place here. Medusa masks symbolise the protection of the tomb where as the garlands symbolise the meeting of the owner in the other world. Ostoteks are also made in the some manner.  . Against an black background
  • Roman sarcophagus with relief sculptures from Hierapolis . Hierapolis Archaeology Museum, Turkey.<br />
<br />
Sarcophagus With Garland.<br />
<br />
They were widely used in the valley of Menderes from the beginning of the 2nd century A.D. The Nike on the edges and the Eros in the middle of the long sides carry the garlands. There are Medusa masks on the upper spaces of the garlands, sometimes the portraits of the owners of the tombs and some mythological descriptions take place here. Medusa masks symbolise the protection of the tomb where as the garlands symbolise the meeting of the owner in the other world. Ostoteks are also made in the some manner. . Against a grey background
  • Roman sarcophagus with relief sculptures from Hierapolis . Hierapolis Archaeology Museum, Turkey.<br />
<br />
Sarcophagus With Garland.<br />
<br />
They were widely used in the valley of Menderes from the beginning of the 2nd century A.D. The Nike on the edges and the Eros in the middle of the long sides carry the garlands. There are Medusa masks on the upper spaces of the garlands, sometimes the portraits of the owners of the tombs and some mythological descriptions take place here. Medusa masks symbolise the protection of the tomb where as the garlands symbolise the meeting of the owner in the other world. Ostoteks are also made in the some manner. Against an art background
  • Roman relief sculpted sarcophagus of Domitias Julianus and Domita Philiska, 2nd century AD, Perge. Antalya Archaeology Museum, Turkey.<br />
<br />
<br />
it is from the group of tombs classified as. "Columned Sarcophagi of Asia Minor”. <br />
The lid of the sarcophagus is sculpted into the form of a “Kline” style Roman couch on which lie Julianus &  Philiska. This type of Sarcophagus is also known as a Sydemara Type of Tomb. . Against a black background.
  • Roman relief sculpted sarcophagus of Domitias Julianus and Domita Philiska, 2nd century AD, Perge. Antalya Archaeology Museum, Turkey.<br />
<br />
<br />
it is from the group of tombs classified as. "Columned Sarcophagi of Asia Minor”. <br />
The lid of the sarcophagus is sculpted into the form of a “Kline” style Roman couch on which lie Julianus &  Philiska. This type of Sarcophagus is also known as a Sydemara Type of Tomb.. Against a warm art background.
  • Roman relief sculpted sarcophagus of Domitias Julianus and Domita Philiska depicted reclining on the lid, 2nd century AD, Perge. Antalya Archaeology Museum, Turkey.. Against a grey background.<br />
<br />
it is from the group of tombs classified as. "Columned Sarcophagi of Asia Minor”. <br />
The lid of the sarcophagus is sculpted into the form of a “Kline” style Roman couch on which lie Julianus &  Philiska. This type of Sarcophagus is also known as a Sydemara Type of Tomb.
  • Roman sarcophagus with garland reliefs sculptures, 3rd century AD made in Laodicea on the Lycus from Hierapolis Necropolis . Hierapolis Archaeology Museum, Turkey<br />
<br />
Sarcophagus With Garland.<br />
<br />
They were widely used in the valley of Menderes from the beginning of the 2nd century A.D. The Nike on the edges and the Eros in the middle of the long sides carry the garlands. There are Medusa masks on the upper spaces of the garlands, sometimes the portraits of the owners of the tombs and some mythological descriptions take place here. Medusa masks symbolise the protection of the tomb where as the garlands symbolise the meeting of the owner in the other world. Ostoteks are also made in the some manner.  . Against an black background
  • Roman sarcophagus with garland reliefs sculptures, 3rd century AD made in Laodicea on the Lycus from Hierapolis Necropolis . Hierapolis Archaeology Museum, Turkey<br />
<br />
Sarcophagus With Garland.<br />
<br />
They were widely used in the valley of Menderes from the beginning of the 2nd century A.D. The Nike on the edges and the Eros in the middle of the long sides carry the garlands. There are Medusa masks on the upper spaces of the garlands, sometimes the portraits of the owners of the tombs and some mythological descriptions take place here. Medusa masks symbolise the protection of the tomb where as the garlands symbolise the meeting of the owner in the other world. Ostoteks are also made in the some manner.
  • Roman sarcophagus with relief sculptures from Hierapolis . Hierapolis Archaeology Museum, Turkey.<br />
<br />
Sarcophagus With Garland.<br />
<br />
They were widely used in the valley of Menderes from the beginning of the 2nd century A.D. The Nike on the edges and the Eros in the middle of the long sides carry the garlands. There are Medusa masks on the upper spaces of the garlands, sometimes the portraits of the owners of the tombs and some mythological descriptions take place here. Medusa masks symbolise the protection of the tomb where as the garlands symbolise the meeting of the owner in the other world. Ostoteks are also made in the some manner.
  • Roman Herakles (Hercules)  relief sculptured sarcophagus, 2nd century AD, Perge, inv 928. it is from the group of tombs classified as. "Columned Sarcophagi of Asia Minor”.  Antalya Archaeology Museum, Turkey
  • Picture of Roman relief sculpted Sarcophagus of Garlands, 2nd century AD, Perge. This type of sarcophagus is described as a “Pamphylia Type Sarcophagus". It is known that these sarcophagi garlanded tombs originated in Perge and manufactured in the sculptural workshops of Perge. Antalya Archaeology Museum, Turkey.
  • Picture of Roman relief sculpted Sarcophagus of Garlands, 2nd century AD, Perge. This type of sarcophagus is described as a “Pamphylia Type Sarcophagus". It is known that these sarcophagi garlanded tombs originated in Perge and manufactured in the sculptural workshops of Perge. Antalya Archaeology Museum, Turkey.
  • Roman Herakles (Hercules)  relief sculptured sarcophagus, 2nd century AD, Perge, inv 928. it is from the group of tombs classified as. "Columned Sarcophagi of Asia Minor”.  Antalya Archaeology Museum, Turkey
  • Picture of Roman relief sculpted Sarcophagus of Garlands, 2nd century AD, Perge. This type of sarcophagus is described as a “Pamphylia Type Sarcophagus". It is known that these sarcophagi garlanded tombs originated in Perge and manufactured in the sculptural workshops of Perge. Antalya Archaeology Museum, Turkey.. Against a white background.
  • Picture of Roman relief sculpted Sarcophagus of Garlands, 2nd century AD, Perge. This type of sarcophagus is described as a “Pamphylia Type Sarcophagus". It is known that these sarcophagi garlanded tombs originated in Perge and manufactured in the sculptural workshops of Perge. Antalya Archaeology Museum, Turkey.. Against a warm art background.
  • Close up picture of Roman relief sculpted Sarcophagus of Garlands, 2nd century AD, Perge. This type of sarcophagus is described as a “Pamphylia Type Sarcophagus". It is known that these sarcophagi garlanded tombs originated in Perge and manufactured in the sculptural workshops of Perge. Antalya Archaeology Museum, Turkey.  Against a black background.
  • Close up picture of Roman relief sculpted Sarcophagus of Garlands, 2nd century AD, Perge. This type of sarcophagus is described as a “Pamphylia Type Sarcophagus". It is known that these sarcophagi garlanded tombs originated in Perge and manufactured in the sculptural workshops of Perge. Antalya Archaeology Museum, Turkey.. Against a warm art background.
  • Close up picture of Roman relief sculpted Sarcophagus of Garlands, 2nd century AD, Perge. This type of sarcophagus is described as a “Pamphylia Type Sarcophagus". It is known that these sarcophagi garlanded tombs originated in Perge and manufactured in the sculptural workshops of Perge. Antalya Archaeology Museum, Turkey.
  • Picture of Roman relief sculpted Sarcophagus of Garlands, 2nd century AD, Perge. This type of sarcophagus is described as a “Pamphylia Type Sarcophagus". It is known that these sarcophagi garlanded tombs originated in Perge and manufactured in the sculptural workshops of Perge. Antalya Archaeology Museum, Turkey.  Against a black background.
  • Close up picture of Roman relief sculpted Sarcophagus of Garlands, 2nd century AD, Perge. This type of sarcophagus is described as a “Pamphylia Type Sarcophagus". It is known that these sarcophagi garlanded tombs originated in Perge and manufactured in the sculptural workshops of Perge. Antalya Archaeology Museum, Turkey.. Against a warm art background.
  • Close up picture of Roman relief sculpted Sarcophagus of Garlands, 2nd century AD, Perge. This type of sarcophagus is described as a “Pamphylia Type Sarcophagus". It is known that these sarcophagi garlanded tombs originated in Perge and manufactured in the sculptural workshops of Perge. Antalya Archaeology Museum, Turkey.
  • Picture of Roman relief sculpted Sarcophagus of Garlands, 2nd century AD, Perge. This type of sarcophagus is described as a “Pamphylia Type Sarcophagus". It is known that these sarcophagi garlanded tombs originated in Perge and manufactured in the sculptural workshops of Perge. Antalya Archaeology Museum, Turkey.  Against a black background.
  • Picture of Roman relief sculpted Sarcophagus of Garlands, 2nd century AD, Perge. This type of sarcophagus is described as a “Pamphylia Type Sarcophagus". It is known that these sarcophagi garlanded tombs originated in Perge and manufactured in the sculptural workshops of Perge. Antalya Archaeology Museum, Turkey.. Against a warm art background.
  • Picture of Roman relief sculpted Sarcophagus of Garlands, 2nd century AD, Perge. This type of sarcophagus is described as a “Pamphylia Type Sarcophagus". It is known that these sarcophagi garlanded tombs originated in Perge and manufactured in the sculptural workshops of Perge. Antalya Archaeology Museum, Turkey.
  • Picture of Roman relief sculpted Sarcophagus of Garlands, 2nd century AD, Perge. This type of sarcophagus is described as a “Pamphylia Type Sarcophagus". It is known that these sarcophagi garlanded tombs originated in Perge and manufactured in the sculptural workshops of Perge. Antalya Archaeology Museum, Turkey.. Against a white background.
  • Picture of Roman relief sculpted Sarcophagus of Garlands, 2nd century AD, Perge. This type of sarcophagus is described as a “Pamphylia Type Sarcophagus". It is known that these sarcophagi garlanded tombs originated in Perge and manufactured in the sculptural workshops of Perge. Antalya Archaeology Museum, Turkey.. Against a grey background.
  • Picture of Roman relief sculpted Sarcophagus of Garlands, 2nd century AD, Perge. This type of sarcophagus is described as a “Pamphylia Type Sarcophagus". It is known that these sarcophagi garlanded tombs originated in Perge and manufactured in the sculptural workshops of Perge. Antalya Archaeology Museum, Turkey.. Against a warm art background.
  • Picture of Roman relief sculpted Sarcophagus of Garlands, 2nd century AD, Perge. This type of sarcophagus is described as a “Pamphylia Type Sarcophagus". It is known that these sarcophagi garlanded tombs originated in Perge and manufactured in the sculptural workshops of Perge. Antalya Archaeology Museum, Turkey. Against a black background.
  • Picture of Roman relief sculpted Sarcophagus of Garlands, 2nd century AD, Perge. This type of sarcophagus is described as a “Pamphylia Type Sarcophagus". It is known that these sarcophagi garlanded tombs originated in Perge and manufactured in the sculptural workshops of Perge. Antalya Archaeology Museum, Turkey. Against a black background.
  • Picture of Roman relief sculpted Sarcophagus of Garlands, 2nd century AD, Perge. This type of sarcophagus is described as a “Pamphylia Type Sarcophagus". It is known that these sarcophagi garlanded tombs originated in Perge and manufactured in the sculptural workshops of Perge. Antalya Archaeology Museum, Turkey.. Against a white background.
  • Picture of Roman relief sculpted Sarcophagus of Garlands, 2nd century AD, Perge. This type of sarcophagus is described as a “Pamphylia Type Sarcophagus". It is known that these sarcophagi garlanded tombs originated in Perge and manufactured in the sculptural workshops of Perge. Antalya Archaeology Museum, Turkey.. Against a warm art background.
  • Picture of Roman relief sculpted Sarcophagus of Garlands, 2nd century AD, Perge. This type of sarcophagus is described as a “Pamphylia Type Sarcophagus". It is known that these sarcophagi garlanded tombs originated in Perge and manufactured in the sculptural workshops of Perge. Antalya Archaeology Museum, Turkey.. Against a grey background.
  • Roman Herakles (Hercules)  relief sculptured sarcophagus, 2nd century AD, Perge, inv 928. it is from the group of tombs classified as. "Columned Sarcophagi of Asia Minor”.  Antalya Archaeology Museum, Turkey
  • Roman Herakles (Hercules)  relief sculptured sarcophagus, 2nd century AD, Perge, inv 928. it is from the group of tombs classified as. "Columned Sarcophagi of Asia Minor”.  Antalya Archaeology Museum, Turkey
  • Roman Herakles (Hercules)  relief sculptured sarcophagus, 2nd century AD, Perge, inv 928. it is from the group of tombs classified as. "Columned Sarcophagi of Asia Minor”.  Antalya Archaeology Museum, Turkey. Against a white background.
  • Roman Herakles (Hercules)  relief sculptured sarcophagus, 2nd century AD, Perge, inv 928. it is from the group of tombs classified as. "Columned Sarcophagi of Asia Minor”.  Antalya Archaeology Museum, Turkey. Against a black background.
  • Roman Herakles (Hercules)  relief sculptured sarcophagus, 2nd century AD, Perge, inv 928. it is from the group of tombs classified as. "Columned Sarcophagi of Asia Minor”.  Antalya Archaeology Museum, Turkey. Against a grey background.
  • Roman Herakles (Hercules)  relief sculptured sarcophagus, 2nd century AD, Perge, inv 928. it is from the group of tombs classified as. "Columned Sarcophagi of Asia Minor”.  Antalya Archaeology Museum, Turkey. Against a warm art background.
  • Picture of Roman relief sculpted Sarcophagus of Garlands, 2nd century AD, Perge. This type of sarcophagus is described as a “Pamphylia Type Sarcophagus". It is known that these sarcophagi garlanded tombs originated in Perge and manufactured in the sculptural workshops of Perge. Antalya Archaeology Museum, Turkey.. Against a grey background.
  • Picture of Roman relief sculpted Sarcophagus of Garlands, 2nd century AD, Perge. This type of sarcophagus is described as a “Pamphylia Type Sarcophagus". It is known that these sarcophagi garlanded tombs originated in Perge and manufactured in the sculptural workshops of Perge. Antalya Archaeology Museum, Turkey. Against a black background.
  • Picture of Roman relief sculpted Sarcophagus of Garlands, 2nd century AD, Perge. This type of sarcophagus is described as a “Pamphylia Type Sarcophagus". It is known that these sarcophagi garlanded tombs originated in Perge and manufactured in the sculptural workshops of Perge. Antalya Archaeology Museum, Turkey.
  • Close up picture of Roman relief sculpted Sarcophagus of Garlands, 2nd century AD, Perge. This type of sarcophagus is described as a “Pamphylia Type Sarcophagus". It is known that these sarcophagi garlanded tombs originated in Perge and manufactured in the sculptural workshops of Perge. Antalya Archaeology Museum, Turkey.. Against a white background.
  • Close up picture of Roman relief sculpted Sarcophagus of Garlands, 2nd century AD, Perge. This type of sarcophagus is described as a “Pamphylia Type Sarcophagus". It is known that these sarcophagi garlanded tombs originated in Perge and manufactured in the sculptural workshops of Perge. Antalya Archaeology Museum, Turkey.. Against a grey background.
  • Close up picture of Roman relief sculpted Sarcophagus of Garlands, 2nd century AD, Perge. This type of sarcophagus is described as a “Pamphylia Type Sarcophagus". It is known that these sarcophagi garlanded tombs originated in Perge and manufactured in the sculptural workshops of Perge. Antalya Archaeology Museum, Turkey.. Against a white background.
  • Close up picture of Roman relief sculpted Sarcophagus of Garlands, 2nd century AD, Perge. This type of sarcophagus is described as a “Pamphylia Type Sarcophagus". It is known that these sarcophagi garlanded tombs originated in Perge and manufactured in the sculptural workshops of Perge. Antalya Archaeology Museum, Turkey.. Against a grey background.
  • Picture of Roman relief sculpted Sarcophagus of Garlands, 2nd century AD, Perge. This type of sarcophagus is described as a “Pamphylia Type Sarcophagus". It is known that these sarcophagi garlanded tombs originated in Perge and manufactured in the sculptural workshops of Perge. Antalya Archaeology Museum, Turkey.
  • Picture of Roman relief sculpted Sarcophagus of Garlands, 2nd century AD, Perge. This type of sarcophagus is described as a “Pamphylia Type Sarcophagus". It is known that these sarcophagi garlanded tombs originated in Perge and manufactured in the sculptural workshops of Perge. Antalya Archaeology Museum, Turkey.. Against a grey background.
  • Picture of Roman relief sculpted Sarcophagus of Garlands, 2nd century AD, Perge. This type of sarcophagus is described as a “Pamphylia Type Sarcophagus". It is known that these sarcophagi garlanded tombs originated in Perge and manufactured in the sculptural workshops of Perge. Antalya Archaeology Museum, Turkey.
  • Picture of Roman relief sculpted Sarcophagus of Garlands, 2nd century AD, Perge. This type of sarcophagus is described as a “Pamphylia Type Sarcophagus". It is known that these sarcophagi garlanded tombs originated in Perge and manufactured in the sculptural workshops of Perge. Antalya Archaeology Museum, Turkey.. Against a white background.
  • Picture of Roman relief sculpted Sarcophagus of Garlands, 2nd century AD, Perge. This type of sarcophagus is described as a “Pamphylia Type Sarcophagus". It is known that these sarcophagi garlanded tombs originated in Perge and manufactured in the sculptural workshops of Perge. Antalya Archaeology Museum, Turkey.  Against a black background.
  • Picture of Roman relief sculpted Sarcophagus of Garlands, 2nd century AD, Perge. This type of sarcophagus is described as a “Pamphylia Type Sarcophagus". It is known that these sarcophagi garlanded tombs originated in Perge and manufactured in the sculptural workshops of Perge. Antalya Archaeology Museum, Turkey.. Against a grey background.
  • Picture of Roman relief sculpted Sarcophagus of Garlands, 2nd century AD, Perge. This type of sarcophagus is described as a “Pamphylia Type Sarcophagus". It is known that these sarcophagi garlanded tombs originated in Perge and manufactured in the sculptural workshops of Perge. Antalya Archaeology Museum, Turkey.. Against a warm art background.
  • Picture of Roman relief sculpted Sarcophagus of Garlands, 2nd century AD, Perge. This type of sarcophagus is described as a “Pamphylia Type Sarcophagus". It is known that these sarcophagi garlanded tombs originated in Perge and manufactured in the sculptural workshops of Perge. Antalya Archaeology Museum, Turkey.
  • Picture of Roman relief sculpted Sarcophagus of Garlands, 2nd century AD, Perge. This type of sarcophagus is described as a “Pamphylia Type Sarcophagus". It is known that these sarcophagi garlanded tombs originated in Perge and manufactured in the sculptural workshops of Perge. Antalya Archaeology Museum, Turkey.
  • Painted colour verion of a Nymph with a shell ( Nymphe a la coquille ) a 1st century marble statue from Italy which was part of the Borghese collection . Louvre Museum, Paris Cat No MR 309. <br />
The Nymph with a shell statue was much admired in the 17th century and influenced such art its as Velasquez. The statue symbolises a carefree childhood and the fact that terracotta versions have been found in tombs suggests that the statue was associated with the injustice of death or of a rebirth.
  • Nymph with a shell ( Nymphe a la coquille ) a 1st century marble statue from Italy which was part of the Borghese collection . Louvre Museum, Paris Cat No MR 309. <br />
The Nymph with a shell statue was much admired in the 17th century and influenced such art its as Velasquez. The statue symbolises a carefree childhood and the fact that terracotta versions have been found in tombs suggests that the statue was associated with the injustice of death or of a rebirth.
  • Nymph with a shell ( Nymphe a la coquille ) a 1st century marble statue from Italy which was part of the Borghese collection . Louvre Museum, Paris Cat No MR 309. <br />
The Nymph with a shell statue was much admired in the 17th century and influenced such art its as Velasquez. The statue symbolises a carefree childhood and the fact that terracotta versions have been found in tombs suggests that the statue was associated with the injustice of death or of a rebirth.
  • Nymph with a shell ( Nymphe a la coquille ) a 1st century marble statue from Italy which was part of the Borghese collection . Louvre Museum, Paris Cat No MR 309. <br />
The Nymph with a shell statue was much admired in the 17th century and influenced such art its as Velasquez. The statue symbolises a carefree childhood and the fact that terracotta versions have been found in tombs suggests that the statue was associated with the injustice of death or of a rebirth.
  • Nymph with a shell ( Nymphe a la coquille ) a 1st century marble statue from Italy which was part of the Borghese collection . Louvre Museum, Paris Cat No MR 309. <br />
The Nymph with a shell statue was much admired in the 17th century and influenced such art its as Velasquez. The statue symbolises a carefree childhood and the fact that terracotta versions have been found in tombs suggests that the statue was associated with the injustice of death or of a rebirth.
  • Nymph with a shell ( Nymphe a la coquille ) a 1st century marble statue from Italy which was part of the Borghese collection . Louvre Museum, Paris Cat No MR 309. <br />
The Nymph with a shell statue was much admired in the 17th century and influenced such art its as Velasquez. The statue symbolises a carefree childhood and the fact that terracotta versions have been found in tombs suggests that the statue was associated with the injustice of death or of a rebirth.
  • Nymph with a shell ( Nymphe a la coquille ) a 1st century marble statue from Italy which was part of the Borghese collection . Louvre Museum, Paris Cat No MR 309. <br />
The Nymph with a shell statue was much admired in the 17th century and influenced such art its as Velasquez. The statue symbolises a carefree childhood and the fact that terracotta versions have been found in tombs suggests that the statue was associated with the injustice of death or of a rebirth.
  • Nymph with a shell ( Nymphe a la coquille ) a 1st century marble statue from Italy which was part of the Borghese collection . Louvre Museum, Paris Cat No MR 309. <br />
The Nymph with a shell statue was much admired in the 17th century and influenced such art its as Velasquez. The statue symbolises a carefree childhood and the fact that terracotta versions have been found in tombs suggests that the statue was associated with the injustice of death or of a rebirth.
  • Painted colour verion of a Nymph with a shell ( Nymphe a la coquille ) a 1st century marble statue from Italy which was part of the Borghese collection . Louvre Museum, Paris Cat No MR 309. <br />
The Nymph with a shell statue was much admired in the 17th century and influenced such art its as Velasquez. The statue symbolises a carefree childhood and the fact that terracotta versions have been found in tombs suggests that the statue was associated with the injustice of death or of a rebirth.
  • Painted colour verion of a Nymph with a shell ( Nymphe a la coquille ) a 1st century marble statue from Italy which was part of the Borghese collection . Louvre Museum, Paris Cat No MR 309. <br />
The Nymph with a shell statue was much admired in the 17th century and influenced such art its as Velasquez. The statue symbolises a carefree childhood and the fact that terracotta versions have been found in tombs suggests that the statue was associated with the injustice of death or of a rebirth.
  • Painted colour verion of a Nymph with a shell ( Nymphe a la coquille ) a 1st century marble statue from Italy which was part of the Borghese collection . Louvre Museum, Paris Cat No MR 309. <br />
The Nymph with a shell statue was much admired in the 17th century and influenced such art its as Velasquez. The statue symbolises a carefree childhood and the fact that terracotta versions have been found in tombs suggests that the statue was associated with the injustice of death or of a rebirth.
  • Painted colour verion of a Nymph with a shell ( Nymphe a la coquille ) a 1st century marble statue from Italy which was part of the Borghese collection . Louvre Museum, Paris Cat No MR 309. <br />
The Nymph with a shell statue was much admired in the 17th century and influenced such art its as Velasquez. The statue symbolises a carefree childhood and the fact that terracotta versions have been found in tombs suggests that the statue was associated with the injustice of death or of a rebirth.
  • Nymph with a shell ( Nymphe a la coquille ) a 1st century marble statue from Italy which was part of the Borghese collection . Louvre Museum, Paris Cat No MR 309. <br />
The Nymph with a shell statue was much admired in the 17th century and influenced such art its as Velasquez. The statue symbolises a carefree childhood and the fact that terracotta versions have been found in tombs suggests that the statue was associated with the injustice of death or of a rebirth.
  • Nymph with a shell ( Nymphe a la coquille ) a 1st century marble statue from Italy which was part of the Borghese collection . Louvre Museum, Paris Cat No MR 309. <br />
The Nymph with a shell statue was much admired in the 17th century and influenced such art its as Velasquez. The statue symbolises a carefree childhood and the fact that terracotta versions have been found in tombs suggests that the statue was associated with the injustice of death or of a rebirth.
  • Nymph with a shell ( Nymphe a la coquille ) a 1st century marble statue from Italy which was part of the Borghese collection . Louvre Museum, Paris Cat No MR 309. <br />
The Nymph with a shell statue was much admired in the 17th century and influenced such art its as Velasquez. The statue symbolises a carefree childhood and the fact that terracotta versions have been found in tombs suggests that the statue was associated with the injustice of death or of a rebirth.
  • Nymph with a shell ( Nymphe a la coquille ) a 1st century marble statue from Italy which was part of the Borghese collection . Louvre Museum, Paris Cat No MR 309. <br />
The Nymph with a shell statue was much admired in the 17th century and influenced such art its as Velasquez. The statue symbolises a carefree childhood and the fact that terracotta versions have been found in tombs suggests that the statue was associated with the injustice of death or of a rebirth.
  • Nymph with a shell ( Nymphe a la coquille ) a 1st century marble statue from Italy which was part of the Borghese collection . Louvre Museum, Paris Cat No MR 309. <br />
The Nymph with a shell statue was much admired in the 17th century and influenced such art its as Velasquez. The statue symbolises a carefree childhood and the fact that terracotta versions have been found in tombs suggests that the statue was associated with the injustice of death or of a rebirth.
  • Nymph with a shell ( Nymphe a la coquille ) a 1st century marble statue from Italy which was part of the Borghese collection . Louvre Museum, Paris Cat No MR 309. <br />
The Nymph with a shell statue was much admired in the 17th century and influenced such art its as Velasquez. The statue symbolises a carefree childhood and the fact that terracotta versions have been found in tombs suggests that the statue was associated with the injustice of death or of a rebirth.
  • Nymph with a shell ( Nymphe a la coquille ) a 1st century marble statue from Italy which was part of the Borghese collection . Louvre Museum, Paris Cat No MR 309. <br />
The Nymph with a shell statue was much admired in the 17th century and influenced such art its as Velasquez. The statue symbolises a carefree childhood and the fact that terracotta versions have been found in tombs suggests that the statue was associated with the injustice of death or of a rebirth.
  • Nymph with a shell ( Nymphe a la coquille ) a 1st century marble statue from Italy which was part of the Borghese collection . Louvre Museum, Paris Cat No MR 309. <br />
The Nymph with a shell statue was much admired in the 17th century and influenced such art its as Velasquez. The statue symbolises a carefree childhood and the fact that terracotta versions have been found in tombs suggests that the statue was associated with the injustice of death or of a rebirth.
  • Nymph with a shell ( Nymphe a la coquille ) a 1st century marble statue from Italy which was part of the Borghese collection . Louvre Museum, Paris Cat No MR 309. <br />
The Nymph with a shell statue was much admired in the 17th century and influenced such art its as Velasquez. The statue symbolises a carefree childhood and the fact that terracotta versions have been found in tombs suggests that the statue was associated with the injustice of death or of a rebirth.
  • Nymph with a shell ( Nymphe a la coquille ) a 1st century marble statue from Italy which was part of the Borghese collection . Louvre Museum, Paris Cat No MR 309. <br />
The Nymph with a shell statue was much admired in the 17th century and influenced such art its as Velasquez. The statue symbolises a carefree childhood and the fact that terracotta versions have been found in tombs suggests that the statue was associated with the injustice of death or of a rebirth.
  • Nymph with a shell ( Nymphe a la coquille ) a 1st century marble statue from Italy which was part of the Borghese collection . Louvre Museum, Paris Cat No MR 309. <br />
The Nymph with a shell statue was much admired in the 17th century and influenced such art its as Velasquez. The statue symbolises a carefree childhood and the fact that terracotta versions have been found in tombs suggests that the statue was associated with the injustice of death or of a rebirth.
  • Nymph with a shell ( Nymphe a la coquille ) a 1st century marble statue from Italy which was part of the Borghese collection . Louvre Museum, Paris Cat No MR 309. <br />
The Nymph with a shell statue was much admired in the 17th century and influenced such art its as Velasquez. The statue symbolises a carefree childhood and the fact that terracotta versions have been found in tombs suggests that the statue was associated with the injustice of death or of a rebirth.
  • Nymph with a shell ( Nymphe a la coquille ) a 1st century marble statue from Italy which was part of the Borghese collection . Louvre Museum, Paris Cat No MR 309. <br />
The Nymph with a shell statue was much admired in the 17th century and influenced such art its as Velasquez. The statue symbolises a carefree childhood and the fact that terracotta versions have been found in tombs suggests that the statue was associated with the injustice of death or of a rebirth.
  • Reconstruction of  the inside of the Greek Tomb of  the Diver  [La Tomba del Truffatore] from the Greek city of Poseidonia which became Roman Paestum. .   The rear panel is from one of the long sides of the tomb and shows a symposium of men lying on couches facing low tables on which goblets have been placed.  The abondon experienced at the Synposium was one way in which the dead could access the next world .  The fresco on the lid of the tomb and shows a  diving from a column into water. The column represents the border of thye known world and therefore the limit of man's knowledge.  The dive represents the passage form this world to the next. The tomb is painted with the true fresco technique and its importance lies in being "the only example of Greek painting with figured scenes dating from the Orientalizing, Archaic, or Classical periods to survive in its entirety. Paestrum, Andriuolo.  (480-470 BC  )
  • Reconstruction of  the inside of the Greek Tomb of  the Diver  [La Tomba del Truffatore] from the Greek city of Poseidonia which became Roman Paestum. .   The rear panel is from one of the long sides of the tomb and shows a symposium of men lying on couches facing low tables on which goblets have been placed.  The abondon experienced at the Synposium was one way in which the dead could access the next world .  The fresco on the lid of the tomb and shows a  diving from a column into water. The column represents the border of thye known world and therefore the limit of man's knowledge.  The dive represents the passage form this world to the next. The tomb is painted with the true fresco technique and its importance lies in being "the only example of Greek painting with figured scenes dating from the Orientalizing, Archaic, or Classical periods to survive in its entirety. Paestrum, Andriuolo.  (480-470 BC  )
  • Greek Fresco on the inside of Tomb of  the Diver  [La Tomba del Truffatore] from the Greek city of Poseidonia which became Roman Paestum. This panel is from one of the long sides of the tomb and shows a symposium of men lying on couches facing low tables.  The men on the couches are playing the song of Eros the liar and the flute to distract the deceased from worldly thoughts so he can enter the next world. The tomb is painted with the true fresco technique and its importance lies in being "the only example of Greek painting with figured scenes dating from the Orientalizing, Archaic, or Classical periods to survive in its entirety. Paestrum, Andriuolo.  (480-470 BC  )
  • Greek Fresco on the inside of Tomb of  the Diver  [La Tomba del Truffatore] from the Greek city of Poseidonia which became Roman Paestum. This panel is from one of the long sides of the tomb and shows a symposium of men lying on couches facing low tables.  The men on the couches are playing the song of Eros the liar and the flute to distract the deceased from worldly thoughts so he can enter the next world. The tomb is painted with the true fresco technique and its importance lies in being "the only example of Greek painting with figured scenes dating from the Orientalizing, Archaic, or Classical periods to survive in its entirety. Paestrum, Andriuolo.  (480-470 BC  )
  • Roman sarcophagus with garland reliefs sculptures, 3rd century AD made in Laodicea on the Lycus from Hierapolis Necropolis . Hierapolis Archaeology Museum, Turkey<br />
<br />
Sarcophagus With Garland.<br />
<br />
They were widely used in the valley of Menderes from the beginning of the 2nd century A.D. The Nike on the edges and the Eros in the middle of the long sides carry the garlands. There are Medusa masks on the upper spaces of the garlands, sometimes the portraits of the owners of the tombs and some mythological descriptions take place here. Medusa masks symbolise the protection of the tomb where as the garlands symbolise the meeting of the owner in the other world. Ostoteks are also made in the some manner. . Against an white background
  • Roman sarcophagus with garland reliefs sculptures, 3rd century AD made in Laodicea on the Lycus from Hierapolis Necropolis . Hierapolis Archaeology Museum, Turkey<br />
<br />
Sarcophagus With Garland.<br />
<br />
They were widely used in the valley of Menderes from the beginning of the 2nd century A.D. The Nike on the edges and the Eros in the middle of the long sides carry the garlands. There are Medusa masks on the upper spaces of the garlands, sometimes the portraits of the owners of the tombs and some mythological descriptions take place here. Medusa masks symbolise the protection of the tomb where as the garlands symbolise the meeting of the owner in the other world. Ostoteks are also made in the some manner.  . Against an black background
  • Roman sarcophagus with garland reliefs sculptures, 3rd century AD made in Laodicea on the Lycus from Hierapolis Necropolis . Hierapolis Archaeology Museum, Turkey<br />
<br />
Sarcophagus With Garland.<br />
<br />
They were widely used in the valley of Menderes from the beginning of the 2nd century A.D. The Nike on the edges and the Eros in the middle of the long sides carry the garlands. There are Medusa masks on the upper spaces of the garlands, sometimes the portraits of the owners of the tombs and some mythological descriptions take place here. Medusa masks symbolise the protection of the tomb where as the garlands symbolise the meeting of the owner in the other world. Ostoteks are also made in the some manner. . Against a grey background
  • Roman Herakles (Hercules)  relief sculptured sarcophagus, 2nd century AD, Perge, inv 928. it is from the group of tombs classified as. "Columned Sarcophagi of Asia Minor”.  Antalya Archaeology Museum, Turkey. Against a grey background.
  • Roman Herakles (Hercules)  relief sculptured sarcophagus, 2nd century AD, Perge, inv 928. it is from the group of tombs classified as. "Columned Sarcophagi of Asia Minor”.  Antalya Archaeology Museum, Turkey
  • Roman Herakles (Hercules)  relief sculptured sarcophagus, 2nd century AD, Perge, inv 928. it is from the group of tombs classified as. "Columned Sarcophagi of Asia Minor”.  Antalya Archaeology Museum, Turkey. Against a warm art background.
  • Roman Herakles (Hercules)  relief sculptured sarcophagus, 2nd century AD, Perge, inv 928. it is from the group of tombs classified as. "Columned Sarcophagi of Asia Minor”.  Antalya Archaeology Museum, Turkey. Against a white background.
  • Roman Herakles (Hercules)  relief sculptured sarcophagus, 2nd century AD, Perge, inv 928. it is from the group of tombs classified as. "Columned Sarcophagi of Asia Minor”.  Antalya Archaeology Museum, Turkey. Against a black background.
  • Relief sculpture freeze from the Roman theatre of Myra, Anatolia, Turkey
  • Medieval western rose  window of the Gothic Cathedral of Chartres, France. A UNESCO World Heritage Site. The western rose, made c.1215 and 12 m in diameter shows the Last Judgement - a traditional theme for west façades. A central oculus showing Christ as the Judge is surrounded by an inner ring of 12 paired roundels containing angels and the Elders of the Apocalypse and an outer ring of 12 roundels showing the dead emerging from their tombs and the angels blowing trumpets to summon them to judgement.
  • Medieval western rose  window of the Gothic Cathedral of Chartres, France. A UNESCO World Heritage Site. The western rose, made c.1215 and 12 m in diameter shows the Last Judgement - a traditional theme for west façades. A central oculus showing Christ as the Judge is surrounded by an inner ring of 12 paired roundels containing angels and the Elders of the Apocalypse and an outer ring of 12 roundels showing the dead emerging from their tombs and the angels blowing trumpets to summon them to judgement.
  • Pictures & images of the ancient Roman ampitheatre  of Myra, Anatolia, Turkey.
  • Kounos ampitheatre which could sit 5000 people. The theatre has hellanistic & Roman features . Kounos (Counos) Archaeological Site, Dalyan, Turkey
  • Pictures & images of the ancient Roman ampitheatre  of Myra, Anatolia, Turkey.
  • Pictures & images of the ancient Roman ampitheatre  of Myra, Anatolia, Turkey.
  • Pictures & images of the ancient Roman ampitheatre  of Myra, Anatolia, Turkey.
  • Picture of the ruins of the tomb of St Philip, Roman 1st century AD. Hierapolis archaeological site near Pamukkale in Turkey.
  • Picture of the ruins of the tomb of St Philip, Roman 1st century AD. Hierapolis archaeological site near Pamukkale in Turkey.
  • The Church of the Sepulchre with three naves was built around a Roman age tomb of St Philip, ist century AD. Hierapolis archaeological site near Pamukkale in Turkey.
  • Roman relief sculpted sarcophagus depicting a scene with Dionysus made in a Greek Attica workshop, 3rd century AD, Perge Inv 1.35.99. Antalya Archaeology Museum, Turkey . Against a white background.<br />
<br />
The lid of the sarcophagus is sculpted into the form of a “Kline” style Roman couch on which lie Julianus &  Philiska. This type of Sarcophagus is also known as a Sydemara Type of Tomb.
  • Roman relief sculpted sarcophagus depicting a scene with Dionysus made in a Greek Attica workshop, 3rd century AD, Perge Inv 1.35.99. Antalya Archaeology Museum, Turkey.<br />
<br />
The lid of the sarcophagus is sculpted into the form of a “Kline” style Roman couch on which lie Julianus &  Philiska. This type of Sarcophagus is also known as a Sydemara Type of Tomb. Against a black background.
  • Roman relief sculpted sarcophagus depicting a scene with Dionysus made in a Greek Attica workshop, 3rd century AD, Perge Inv 1.35.99. Antalya Archaeology Museum, Turkey.<br />
<br />
The lid of the sarcophagus is sculpted into the form of a “Kline” style Roman couch on which lie Julianus &  Philiska. This type of Sarcophagus is also known as a Sydemara Type of Tomb.
  • Roman relief sculpted sarcophagus depicting a scene with Dionysus made in a Greek Attica workshop, 3rd century AD, Perge Inv 1.35.99. Antalya Archaeology Museum, Turkey.<br />
<br />
The lid of the sarcophagus is sculpted into the form of a “Kline” style Roman couch on which lie Julianus &  Philiska. This type of Sarcophagus is also known as a Sydemara Type of Tomb.
  • Roman relief sculpted sarcophagus depicting a scene with Dionysus made in a Greek Attica workshop, 3rd century AD, Perge Inv 1.35.99. Antalya Archaeology Museum, Turkey.<br />
<br />
The lid of the sarcophagus is sculpted into the form of a “Kline” style Roman couch on which lie Julianus &  Philiska. This type of Sarcophagus is also known as a Sydemara Type of Tomb.
  • Roman relief sculpted sarcophagus depicting a scene with Dionysus made in a Greek Attica workshop, 3rd century AD, Perge Inv 1.35.99. Antalya Archaeology Museum, Turkey.<br />
<br />
The lid of the sarcophagus is sculpted into the form of a “Kline” style Roman couch on which lie Julianus &  Philiska. This type of Sarcophagus is also known as a Sydemara Type of Tomb. Against a black background.
  • Roman relief sculpted sarcophagus depicting a scene with Dionysus made in a Greek Attica workshop, 3rd century AD, Perge Inv 1.35.99. Antalya Archaeology Museum, Turkey.<br />
<br />
The lid of the sarcophagus is sculpted into the form of a “Kline” style Roman couch on which lie Julianus &  Philiska. This type of Sarcophagus is also known as a Sydemara Type of Tomb.. Against a warm art background.
  • Roman relief sculpted sarcophagus depicting a scene with Dionysus made in a Greek Attica workshop, 3rd century AD, Perge Inv 1.35.99. Antalya Archaeology Museum, Turkey.<br />
<br />
The lid of the sarcophagus is sculpted into the form of a “Kline” style Roman couch on which lie Julianus &  Philiska. This type of Sarcophagus is also known as a Sydemara Type of Tomb.
  • Roman Frescoes of the The Large Columbarium in Villa Doria Panphilj, Rome. A columbarium is usually a type of tomb with walls lined by niches that hold urns containing the ashes of the dead.  Large columbaria were built in Rome between the end of the Republican Era and the Flavio Principality (second half of the first century AD).  Museo Nazionale Romano ( National Roman Museum), Rome, Italy.
  • Roman Frescoes of the The Large Columbarium in Villa Doria Panphilj, Rome. A columbarium is usually a type of tomb with walls lined by niches that hold urns containing the ashes of the dead.  Large columbaria were built in Rome between the end of the Republican Era and the Flavio Principality (second half of the first century AD).  Museo Nazionale Romano ( National Roman Museum), Rome, Italy.
  • Roman Fresco of a cat killing a bird from  The Large Columbarium in Villa Doria Panphilj, Rome. A columbarium is usually a type of tomb with walls lined by niches that hold urns containing the ashes of the dead.  Large columbaria were built in Rome between the end of the Republican Era and the Flavio Principality (second half of the first century AD).  Museo Nazionale Romano ( National Roman Museum), Rome, Italy.
  • Roman Fresco of a chicken from The Large Columbarium in Villa Doria Panphilj, Rome. A columbarium is usually a type of tomb with walls lined by niches that hold urns containing the ashes of the dead.  Large columbaria were built in Rome between the end of the Republican Era and the Flavio Principality (second half of the first century AD).  Museo Nazionale Romano ( National Roman Museum), Rome, Italy.
  • Roman Frescoes of the The Large Columbarium in Villa Doria Panphilj, Rome. A columbarium is usually a type of tomb with walls lined by niches that hold urns containing the ashes of the dead.  Large columbaria were built in Rome between the end of the Republican Era and the Flavio Principality (second half of the first century AD).  Museo Nazionale Romano ( National Roman Museum), Rome, Italy.
  • Roman Frescoes of the The Large Columbarium in Villa Doria Panphilj, Rome. A columbarium is usually a type of tomb with walls lined by niches that hold urns containing the ashes of the dead.  Large columbaria were built in Rome between the end of the Republican Era and the Flavio Principality (second half of the first century AD).  Museo Nazionale Romano ( National Roman Museum), Rome, Italy.
  • Roman Frescoes of the The Large Columbarium in Villa Doria Panphilj, Rome. A columbarium is usually a type of tomb with walls lined by niches that hold urns containing the ashes of the dead.  Large columbaria were built in Rome between the end of the Republican Era and the Flavio Principality (second half of the first century AD).  Museo Nazionale Romano ( National Roman Museum), Rome, Italy.
  • Roman Fresco of an exotic bird from  The Large Columbarium in Villa Doria Panphilj, Rome. A columbarium is usually a type of tomb with walls lined by niches that hold urns containing the ashes of the dead.  Large columbaria were built in Rome between the end of the Republican Era and the Flavio Principality (second half of the first century AD).  Museo Nazionale Romano ( National Roman Museum), Rome, Italy.
  • Roman Frescoes of the The Large Columbarium in Villa Doria Panphilj, Rome. A columbarium is usually a type of tomb with walls lined by niches that hold urns containing the ashes of the dead.  Large columbaria were built in Rome between the end of the Republican Era and the Flavio Principality (second half of the first century AD).  Museo Nazionale Romano ( National Roman Museum), Rome, Italy.
  • Roman Fresco of an exotic bird from   The Large Columbarium in Villa Doria Panphilj, Rome. A columbarium is usually a type of tomb with walls lined by niches that hold urns containing the ashes of the dead.  Large columbaria were built in Rome between the end of the Republican Era and the Flavio Principality (second half of the first century AD).  Museo Nazionale Romano ( National Roman Museum), Rome, Italy.
  • Roman Fresco of a chickens from The Large Columbarium in Villa Doria Panphilj, Rome. A columbarium is usually a type of tomb with walls lined by niches that hold urns containing the ashes of the dead.  Large columbaria were built in Rome between the end of the Republican Era and the Flavio Principality (second half of the first century AD).  Museo Nazionale Romano ( National Roman Museum), Rome, Italy.
  • Roman Fresco of a symposium exotic bird from   The Large Columbarium in Villa Doria Panphilj, Rome. A columbarium is usually a type of tomb with walls lined by niches that hold urns containing the ashes of the dead.  Large columbaria were built in Rome between the end of the Republican Era and the Flavio Principality (second half of the first century AD).  Museo Nazionale Romano ( National Roman Museum), Rome, Italy.
  • Roman Frescoes of the The Large Columbarium in Villa Doria Panphilj, Rome. A columbarium is usually a type of tomb with walls lined by niches that hold urns containing the ashes of the dead.  Large columbaria were built in Rome between the end of the Republican Era and the Flavio Principality (second half of the first century AD).  Museo Nazionale Romano ( National Roman Museum), Rome, Italy. Against a white background.
  • Roman fresco of a man from the The Large Columbarium in Villa Doria Panphilj, Rome. A columbarium is usually a type of tomb with walls lined by niches that hold urns containing the ashes of the dead.  Large columbaria were built in Rome between the end of the Republican Era and the Flavio Principality (second half of the first century AD).  Museo Nazionale Romano ( National Roman Museum), Rome, Italy.
  • Roman Frescoes of the The Large Columbarium in Villa Doria Panphilj, Rome. A columbarium is usually a type of tomb with walls lined by niches that hold urns containing the ashes of the dead.  Large columbaria were built in Rome between the end of the Republican Era and the Flavio Principality (second half of the first century AD).  Museo Nazionale Romano ( National Roman Museum), Rome, Italy. Against a grey background.
  • Roman Frescoes of the The Large Columbarium in Villa Doria Panphilj, Rome. A columbarium is usually a type of tomb with walls lined by niches that hold urns containing the ashes of the dead.  Large columbaria were built in Rome between the end of the Republican Era and the Flavio Principality (second half of the first century AD).  Museo Nazionale Romano ( National Roman Museum), Rome, Italy. Against an art background.
  • Roman Frescoes of the The Large Columbarium in Villa Doria Panphilj, Rome. A columbarium is usually a type of tomb with walls lined by niches that hold urns containing the ashes of the dead.  Large columbaria were built in Rome between the end of the Republican Era and the Flavio Principality (second half of the first century AD).  Museo Nazionale Romano ( National Roman Museum), Rome, Italy.
  • Roman Fresco of fruit bird from  The Large Columbarium in Villa Doria Panphilj, Rome. A columbarium is usually a type of tomb with walls lined by niches that hold urns containing the ashes of the dead.  Large columbaria were built in Rome between the end of the Republican Era and the Flavio Principality (second half of the first century AD).  Museo Nazionale Romano ( National Roman Museum), Rome, Italy.
  • Roman Fresco of fruit bird from The Large Columbarium in Villa Doria Panphilj, Rome. A columbarium is usually a type of tomb with walls lined by niches that hold urns containing the ashes of the dead.  Large columbaria were built in Rome between the end of the Republican Era and the Flavio Principality (second half of the first century AD).  Museo Nazionale Romano ( National Roman Museum), Rome, Italy.
  • Roman Fresco  the The Large Columbarium in Villa Doria Panphilj, Rome. A columbarium is usually a type of tomb with walls lined by niches that hold urns containing the ashes of the dead.  Large columbaria were built in Rome between the end of the Republican Era and the Flavio Principality (second half of the first century AD).  Museo Nazionale Romano ( National Roman Museum), Rome, Italy.
  • Roman Frescoes of the The Large Columbarium in Villa Doria Panphilj, Rome. A columbarium is usually a type of tomb with walls lined by niches that hold urns containing the ashes of the dead.  Large columbaria were built in Rome between the end of the Republican Era and the Flavio Principality (second half of the first century AD).  Museo Nazionale Romano ( National Roman Museum), Rome, Italy.
  • Roman Fresco of a fruit from The Large Columbarium in Villa Doria Panphilj, Rome. A columbarium is usually a type of tomb with walls lined by niches that hold urns containing the ashes of the dead.  Large columbaria were built in Rome between the end of the Republican Era and the Flavio Principality (second half of the first century AD).  Museo Nazionale Romano ( National Roman Museum), Rome, Italy.
  • Roman Fresco of an exotic bird from The Large Columbarium in Villa Doria Panphilj, Rome. A columbarium is usually a type of tomb with walls lined by niches that hold urns containing the ashes of the dead.  Large columbaria were built in Rome between the end of the Republican Era and the Flavio Principality (second half of the first century AD).  Museo Nazionale Romano ( National Roman Museum), Rome, Italy.
  • Roman Frescoes of the The Large Columbarium in Villa Doria Panphilj, Rome. A columbarium is usually a type of tomb with walls lined by niches that hold urns containing the ashes of the dead.  Large columbaria were built in Rome between the end of the Republican Era and the Flavio Principality (second half of the first century AD).  Museo Nazionale Romano ( National Roman Museum), Rome, Italy. Against a white background.
  • Roman Fresco of a hippo bird from  The Large Columbarium in Villa Doria Panphilj, Rome. A columbarium is usually a type of tomb with walls lined by niches that hold urns containing the ashes of the dead.  Large columbaria were built in Rome between the end of the Republican Era and the Flavio Principality (second half of the first century AD).  Museo Nazionale Romano ( National Roman Museum), Rome, Italy.
  • Roman Frescoes of the The Large Columbarium in Villa Doria Panphilj, Rome. A columbarium is usually a type of tomb with walls lined by niches that hold urns containing the ashes of the dead.  Large columbaria were built in Rome between the end of the Republican Era and the Flavio Principality (second half of the first century AD).  Museo Nazionale Romano ( National Roman Museum), Rome, Italy. Against a black background.
  • Roman Frescoes of the The Large Columbarium in Villa Doria Panphilj, Rome. A columbarium is usually a type of tomb with walls lined by niches that hold urns containing the ashes of the dead.  Large columbaria were built in Rome between the end of the Republican Era and the Flavio Principality (second half of the first century AD).  Museo Nazionale Romano ( National Roman Museum), Rome, Italy. Against a grey background.
  • Roman Frescoes of the The Large Columbarium in Villa Doria Panphilj, Rome. A columbarium is usually a type of tomb with walls lined by niches that hold urns containing the ashes of the dead.  Large columbaria were built in Rome between the end of the Republican Era and the Flavio Principality (second half of the first century AD).  Museo Nazionale Romano ( National Roman Museum), Rome, Italy. Against an art background.
  • Roman Frescoes of the The Large Columbarium in Villa Doria Panphilj, Rome. A columbarium is usually a type of tomb with walls lined by niches that hold urns containing the ashes of the dead.  Large columbaria were built in Rome between the end of the Republican Era and the Flavio Principality (second half of the first century AD).  Museo Nazionale Romano ( National Roman Museum), Rome, Italy. Against a white background.
  • Roman Frescoes of the The Large Columbarium in Villa Doria Panphilj, Rome. A columbarium is usually a type of tomb with walls lined by niches that hold urns containing the ashes of the dead.  Large columbaria were built in Rome between the end of the Republican Era and the Flavio Principality (second half of the first century AD).  Museo Nazionale Romano ( National Roman Museum), Rome, Italy. Against a black background.
  • Roman Frescoes of the The Large Columbarium in Villa Doria Panphilj, Rome. A columbarium is usually a type of tomb with walls lined by niches that hold urns containing the ashes of the dead.  Large columbaria were built in Rome between the end of the Republican Era and the Flavio Principality (second half of the first century AD).  Museo Nazionale Romano ( National Roman Museum), Rome, Italy. Against a grey background.
  • Roman Frescoes of the The Large Columbarium in Villa Doria Panphilj, Rome. A columbarium is usually a type of tomb with walls lined by niches that hold urns containing the ashes of the dead.  Large columbaria were built in Rome between the end of the Republican Era and the Flavio Principality (second half of the first century AD).  Museo Nazionale Romano ( National Roman Museum), Rome, Italy. Against an art background.
  • Roman Frescoes of the The Large Columbarium in Villa Doria Panphilj, Rome. A columbarium is usually a type of tomb with walls lined by niches that hold urns containing the ashes of the dead.  Large columbaria were built in Rome between the end of the Republican Era and the Flavio Principality (second half of the first century AD).  Museo Nazionale Romano ( National Roman Museum), Rome, Italy.
  • Medieval stained glass Window of the Gothic Cathedral of Chartres, France - dedicated to the Life of St Mary Magdalen. Central panel - top left - Mary meets the angel at Christ's empty tomb (the Quem quaeritis), bottom right - The Noli me tangere, top left - Mary as the Apostola Apostolorum , top right - The Apostles receiving Mary's news . Diamond below and side panels either side - Christ raising Lazarus. Bottom central panel - bottom left - Mary washing Christ's feet in the house of Simon the Pharisee, bottom right - Death of Lazarus, top left - Their neighbours try to console Mary and Martha, top right - Funeral of Lazarus. Diamond panel above and side panels either side - Christ raising Lazarus. A UNESCO World Heritage Site.
  • Medieval stained glass Window of the Gothic Cathedral of Chartres, France - dedicated to the Life of St Mary Magdalen. Central panel - bottom left - Mary meets the angel at Christ's empty tomb (the Quem quaeritis), bottom right - The Noli me tangere, top left - Mary as the Apostola Apostolorum , top right - The Apostles receiving Mary's news . Diamond below and side panels either side - Christ raising Lazarus. A UNESCO World Heritage Site.
  • Medieval stained glass Window of the Gothic Cathedral of Chartres, France - dedicated to the Life of St Mary Magdalen. Central panel - bottom left - Mary meets the angel at Christ's empty tomb (the Quem quaeritis), bottom right - The Noli me tangere, top left - Mary as the Apostola Apostolorum , top right - The Apostles receiving Mary's news . A UNESCO World Heritage Site.
  • Roman relief sculpted sarcophagus depicting a scene with Dionysus made in a Greek Attica workshop, 3rd century AD, Perge Inv 1.35.99. Antalya Archaeology Museum, Turkey.. Against a white background.<br />
The lid of the sarcophagus is sculpted into the form of a “Kline” style Roman couch on which lie Julianus &  Philiska. This type of Sarcophagus is also known as a Sydemara Type of Tomb.
  • Roman relief sculpted sarcophagus depicting a scene with Dionysus made in a Greek Attica workshop, 3rd century AD, Perge Inv 1.35.99. Antalya Archaeology Museum, Turkey.<br />
<br />
The lid of the sarcophagus is sculpted into the form of a “Kline” style Roman couch on which lie Julianus &  Philiska. This type of Sarcophagus is also known as a Sydemara Type of Tomb.. Against a grey background.
  • Roman Frescoes of the The Large Columbarium in Villa Doria Panphilj, Rome. A columbarium is usually a type of tomb with walls lined by niches that hold urns containing the ashes of the dead.  Large columbaria were built in Rome between the end of the Republican Era and the Flavio Principality (second half of the first century AD).  Museo Nazionale Romano ( National Roman Museum), Rome, Italy.
  • Roman Fresco of an exotic bird from  The Large Columbarium in Villa Doria Panphilj, Rome. A columbarium is usually a type of tomb with walls lined by niches that hold urns containing the ashes of the dead.  Large columbaria were built in Rome between the end of the Republican Era and the Flavio Principality (second half of the first century AD).  Museo Nazionale Romano ( National Roman Museum), Rome, Italy.
  • Roman Fresco of a deer from  The Large Columbarium in Villa Doria Panphilj, Rome. A columbarium is usually a type of tomb with walls lined by niches that hold urns containing the ashes of the dead.  Large columbaria were built in Rome between the end of the Republican Era and the Flavio Principality (second half of the first century AD).  Museo Nazionale Romano ( National Roman Museum), Rome, Italy.
  • Roman Frescoes of the The Large Columbarium in Villa Doria Panphilj, Rome. A columbarium is usually a type of tomb with walls lined by niches that hold urns containing the ashes of the dead.  Large columbaria were built in Rome between the end of the Republican Era and the Flavio Principality (second half of the first century AD).  Museo Nazionale Romano ( National Roman Museum), Rome, Italy.
  • Roman Frescoes of the The Large Columbarium in Villa Doria Panphilj, Rome. A columbarium is usually a type of tomb with walls lined by niches that hold urns containing the ashes of the dead.  Large columbaria were built in Rome between the end of the Republican Era and the Flavio Principality (second half of the first century AD).  Museo Nazionale Romano ( National Roman Museum), Rome, Italy. Against a black background.
  • Roman Fresco of a bird from  The Large Columbarium in Villa Doria Panphilj, Rome. A columbarium is usually a type of tomb with walls lined by niches that hold urns containing the ashes of the dead.  Large columbaria were built in Rome between the end of the Republican Era and the Flavio Principality (second half of the first century AD).  Museo Nazionale Romano ( National Roman Museum), Rome, Italy.
  • Roman Frescoes of the The Large Columbarium in Villa Doria Panphilj, Rome. A columbarium is usually a type of tomb with walls lined by niches that hold urns containing the ashes of the dead.  Large columbaria were built in Rome between the end of the Republican Era and the Flavio Principality (second half of the first century AD).  Museo Nazionale Romano ( National Roman Museum), Rome, Italy.
  • Roman Frescoes of the The Large Columbarium in Villa Doria Panphilj, Rome. A columbarium is usually a type of tomb with walls lined by niches that hold urns containing the ashes of the dead.  Large columbaria were built in Rome between the end of the Republican Era and the Flavio Principality (second half of the first century AD).  Museo Nazionale Romano ( National Roman Museum), Rome, Italy.
  • Close up of Phrygian rock tombs cut into the rocks faces protecting the citadel of Midas . From the 8th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
The earliest Phrygian settlement here began in the last quarter of the 8th century BC. Even after the Phrygian kingdom collapsed politically, the city was not abandoned and the Phrygian rock structures and tombs were conserved, with some additions and changes made.in the Persian, Hellenistic, Roman and Byzantine periods.
  • Close up of Phrygian rock tombs cut into the rocks faces protecting the citadel of Midas . From the 8th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
The earliest Phrygian settlement here began in the last quarter of the 8th century BC. Even after the Phrygian kingdom collapsed politically, the city was not abandoned and the Phrygian rock structures and tombs were conserved, with some additions and changes made.in the Persian, Hellenistic, Roman and Byzantine periods.
  • Close up of Phrygian rock tombs cut into the rocks faces protecting the citadel of Midas . From the 8th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
The earliest Phrygian settlement here began in the last quarter of the 8th century BC. Even after the Phrygian kingdom collapsed politically, the city was not abandoned and the Phrygian rock structures and tombs were conserved, with some additions and changes made.in the Persian, Hellenistic, Roman and Byzantine periods.
  • Close up of Phrygian rock tombs cut into the rocks faces protecting the citadel of Midas . From the 8th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
The earliest Phrygian settlement here began in the last quarter of the 8th century BC. Even after the Phrygian kingdom collapsed politically, the city was not abandoned and the Phrygian rock structures and tombs were conserved, with some additions and changes made.in the Persian, Hellenistic, Roman and Byzantine periods.
  • Phrygian and later rock tombs cut into the rocks faces protecting the citadel of Midas . From the 8th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
The earliest Phrygian settlement here began in the last quarter of the 8th century BC. Even after the Phrygian kingdom collapsed politically, the city was not abandoned and the Phrygian rock structures and tombs were conserved, with some additions and changes made.in the Persian, Hellenistic, Roman and Byzantine periods.
  • Phrygian and later rock tombs cut into the rocks faces protecting the citadel of Midas . From the 8th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
The earliest Phrygian settlement here began in the last quarter of the 8th century BC. Even after the Phrygian kingdom collapsed politically, the city was not abandoned and the Phrygian rock structures and tombs were conserved, with some additions and changes made.in the Persian, Hellenistic, Roman and Byzantine periods.
  • Phrygian tombs cut into rock formations  protecting the citadel of Midas . From the 8th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
<br />
The earliest Phrygian settlement here began in the last quarter of the 8th century BC. Even after the Phrygian kingdom collapsed politically, the city was not abandoned and the Phrygian rock structures and tombs were conserved, with some additions and changes made.in the Persian, Hellenistic, Roman and Byzantine periods.
  • Phrygian tombs cut into rock formations  protecting the citadel of Midas . From the 8th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
<br />
The earliest Phrygian settlement here began in the last quarter of the 8th century BC. Even after the Phrygian kingdom collapsed politically, the city was not abandoned and the Phrygian rock structures and tombs were conserved, with some additions and changes made.in the Persian, Hellenistic, Roman and Byzantine periods.
  • Phrygian and later rock tombs cut into the rocks faces protecting the citadel of Midas . From the 8th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
The earliest Phrygian settlement here began in the last quarter of the 8th century BC. Even after the Phrygian kingdom collapsed politically, the city was not abandoned and the Phrygian rock structures and tombs were conserved, with some additions and changes made.in the Persian, Hellenistic, Roman and Byzantine periods.
  • Phrygian tombs cut into rock formations  protecting the citadel of Midas . From the 8th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
The earliest Phrygian settlement here began in the last quarter of the 8th century BC. Even after the Phrygian kingdom collapsed politically, the city was not abandoned and the Phrygian rock structures and tombs were conserved, with some additions and changes made.in the Persian, Hellenistic, Roman and Byzantine periods.
  • Phrygian tombs cut into rock formations  protecting the citadel of Midas . From the 8th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
The earliest Phrygian settlement here began in the last quarter of the 8th century BC. Even after the Phrygian kingdom collapsed politically, the city was not abandoned and the Phrygian rock structures and tombs were conserved, with some additions and changes made.in the Persian, Hellenistic, Roman and Byzantine periods.
  • Close up of Phrygian rock tombs cut into the rocks faces protecting the citadel of Midas . From the 8th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
The earliest Phrygian settlement here began in the last quarter of the 8th century BC. Even after the Phrygian kingdom collapsed politically, the city was not abandoned and the Phrygian rock structures and tombs were conserved, with some additions and changes made.in the Persian, Hellenistic, Roman and Byzantine periods.
  • Phrygian and later rock tombs cut into the rocks faces protecting the citadel of Midas . From the 8th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
The earliest Phrygian settlement here began in the last quarter of the 8th century BC. Even after the Phrygian kingdom collapsed politically, the city was not abandoned and the Phrygian rock structures and tombs were conserved, with some additions and changes made.in the Persian, Hellenistic, Roman and Byzantine periods.
  • Phrygian and later rock tombs cut into the rocks faces protecting the citadel of Midas . From the 8th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
The earliest Phrygian settlement here began in the last quarter of the 8th century BC. Even after the Phrygian kingdom collapsed politically, the city was not abandoned and the Phrygian rock structures and tombs were conserved, with some additions and changes made.in the Persian, Hellenistic, Roman and Byzantine periods.
  • Phrygian and later rock tombs cut into the rocks faces protecting the citadel of Midas . From the 8th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
The earliest Phrygian settlement here began in the last quarter of the 8th century BC. Even after the Phrygian kingdom collapsed politically, the city was not abandoned and the Phrygian rock structures and tombs were conserved, with some additions and changes made.in the Persian, Hellenistic, Roman and Byzantine periods.
  • Close up of Phrygian rock tombs cut into the rocks faces protecting the citadel of Midas . From the 8th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
The earliest Phrygian settlement here began in the last quarter of the 8th century BC. Even after the Phrygian kingdom collapsed politically, the city was not abandoned and the Phrygian rock structures and tombs were conserved, with some additions and changes made.in the Persian, Hellenistic, Roman and Byzantine periods.
  • Close up of Phrygian rock tombs cut into the rocks faces protecting the citadel of Midas . From the 8th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
The earliest Phrygian settlement here began in the last quarter of the 8th century BC. Even after the Phrygian kingdom collapsed politically, the city was not abandoned and the Phrygian rock structures and tombs were conserved, with some additions and changes made.in the Persian, Hellenistic, Roman and Byzantine periods.
  • Phrygian and later rock tombs of the necropolis of Midas . From the 8th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
The earliest Phrygian settlement here began in the last quarter of the 8th century BC. Even after the Phrygian kingdom collapsed politically, the city was not abandoned and the Phrygian rock structures and tombs were conserved, with some additions and changes made.in the Persian, Hellenistic, Roman and Byzantine periods.
  • Phrygian and later rock tombs cut into the rocks faces protecting the citadel of Midas . From the 8th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
The earliest Phrygian settlement here began in the last quarter of the 8th century BC. Even after the Phrygian kingdom collapsed politically, the city was not abandoned and the Phrygian rock structures and tombs were conserved, with some additions and changes made.in the Persian, Hellenistic, Roman and Byzantine periods.
  • Phrygian and later rock tombs of the necropolis of Midas . From the 8th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
The earliest Phrygian settlement here began in the last quarter of the 8th century BC. Even after the Phrygian kingdom collapsed politically, the city was not abandoned and the Phrygian rock structures and tombs were conserved, with some additions and changes made.in the Persian, Hellenistic, Roman and Byzantine periods.
  • Phrygian and later rock tombs of the necropolis of Midas . From the 8th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
The earliest Phrygian settlement here began in the last quarter of the 8th century BC. Even after the Phrygian kingdom collapsed politically, the city was not abandoned and the Phrygian rock structures and tombs were conserved, with some additions and changes made.in the Persian, Hellenistic, Roman and Byzantine periods.
  • Phrygian and later rock tombs of the necropolis of Midas . From the 8th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
The earliest Phrygian settlement here began in the last quarter of the 8th century BC. Even after the Phrygian kingdom collapsed politically, the city was not abandoned and the Phrygian rock structures and tombs were conserved, with some additions and changes made.in the Persian, Hellenistic, Roman and Byzantine periods.
  • Phrygian and later rock tombs of the necropolis of Midas . From the 8th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
The earliest Phrygian settlement here began in the last quarter of the 8th century BC. Even after the Phrygian kingdom collapsed politically, the city was not abandoned and the Phrygian rock structures and tombs were conserved, with some additions and changes made.in the Persian, Hellenistic, Roman and Byzantine periods.
  • Phrygian and later rock tombs of the necropolis of Midas . From the 8th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
The earliest Phrygian settlement here began in the last quarter of the 8th century BC. Even after the Phrygian kingdom collapsed politically, the city was not abandoned and the Phrygian rock structures and tombs were conserved, with some additions and changes made.in the Persian, Hellenistic, Roman and Byzantine periods.
  • Phrygian and later rock tombs of the necropolis of Midas . From the 8th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
The earliest Phrygian settlement here began in the last quarter of the 8th century BC. Even after the Phrygian kingdom collapsed politically, the city was not abandoned and the Phrygian rock structures and tombs were conserved, with some additions and changes made.in the Persian, Hellenistic, Roman and Byzantine periods.
  • Phrygian and later rock tombs of the necropolis of Midas . From the 8th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
The earliest Phrygian settlement here began in the last quarter of the 8th century BC. Even after the Phrygian kingdom collapsed politically, the city was not abandoned and the Phrygian rock structures and tombs were conserved, with some additions and changes made.in the Persian, Hellenistic, Roman and Byzantine periods.
  • Ampitheatre of Xanthos that has been modified by the Romans with a wall around what would have been the stage to make a pit for Gladitorial & animal events. Xanthos UNESCO World Heritage Archaeological Site, Turkey
  • Ampitheatre of Xanthos that has been modified by the Romans with a wall around what would have been the stage to make a pit for Gladitorial & animal events. Xanthos UNESCO World Heritage Archaeological Site, Turkey
  • Ampitheatre of Xanthos that has been modified by the Romans with a wall around what would have been the stage to make a pit for Gladitorial & animal events. Xanthos UNESCO World Heritage Archaeological Site, Turkey
  • Ampitheatre of Xanthos that has been modified by the Romans with a wall around what would have been the stage to make a pit for Gladitorial & animal events. Xanthos UNESCO World Heritage Archaeological Site, Turkey
  • Ampitheatre of Xanthos that has been modified by the Romans with a wall around what would have been the stage to make a pit for Gladitorial & animal events. Xanthos UNESCO World Heritage Archaeological Site, Turkey
  • South Porch, Right Portal, Tympanum- General View.This portal is dedicated to the Confessors. Cathedral of Chartres, France. Tympanum and Lintel: Miracles by two very popular saints, Martin and Nicholas, are shown on the tympanum and lintel. Both saints have figures on the jambs below and several windows in the interior lower level and clerestory..On the left is the Miracle of Martin's cloak. In the lower left panel, Martin, a young Roman stationed in Amiens, met a beggar at the city gate one cold day. Moved by the man's suffering, Martin cut his cloak in half and gave him one of the pieces. In the upper left panel, Martin is shown sleeping. His dream is shown on the tympanum; Christ appears wearing the piece of the cloak he gave to the beggar, who had really been Christ..On the right are miracles of Nicholas. In the bottom panel, Nicholas anonymously gives dowries to three indigent girls. On the upper right, pilgrims at Nicholas's tomb, which supposedly gave off a miraculous healing fluid. .Archivolts: .On the lower register of archivolts are miracles of Gilles, including the Mass of St. Gilles (right). The other archivolts show various Confessors.A UNESCO World Heritage Site.
  • South Porch, Right Portal, Tympanum- General View.This portal is dedicated to the Confessors. Cathedral of Chartres, France. Tympanum and Lintel: Miracles by two very popular saints, Martin and Nicholas, are shown on the tympanum and lintel. Both saints have figures on the jambs below and several windows in the interior lower level and clerestory..On the left is the Miracle of Martin's cloak. In the lower left panel, Martin, a young Roman stationed in Amiens, met a beggar at the city gate one cold day. Moved by the man's suffering, Martin cut his cloak in half and gave him one of the pieces. In the upper left panel, Martin is shown sleeping. His dream is shown on the tympanum; Christ appears wearing the piece of the cloak he gave to the beggar, who had really been Christ..On the right are miracles of Nicholas. In the bottom panel, Nicholas anonymously gives dowries to three indigent girls. On the upper right, pilgrims at Nicholas's tomb, which supposedly gave off a miraculous healing fluid. .Archivolts: .On the lower register of archivolts are miracles of Gilles, including the Mass of St. Gilles (right). The other archivolts show various Confessors.A UNESCO World Heritage Site.
  • South Porch, Right Portal, Tympanum- General View.This portal is dedicated to the Confessors. Cathedral of Chartres, France. Tympanum and Lintel: Miracles by two very popular saints, Martin and Nicholas, are shown on the tympanum and lintel. Both saints have figures on the jambs below and several windows in the interior lower level and clerestory..On the left is the Miracle of Martin's cloak. In the lower left panel, Martin, a young Roman stationed in Amiens, met a beggar at the city gate one cold day. Moved by the man's suffering, Martin cut his cloak in half and gave him one of the pieces. In the upper left panel, Martin is shown sleeping. His dream is shown on the tympanum; Christ appears wearing the piece of the cloak he gave to the beggar, who had really been Christ..On the right are miracles of Nicholas. In the bottom panel, Nicholas anonymously gives dowries to three indigent girls. On the upper right, pilgrims at Nicholas's tomb, which supposedly gave off a miraculous healing fluid. .Archivolts: .On the lower register of archivolts are miracles of Gilles, including the Mass of St. Gilles (right). The other archivolts show various Confessors.A UNESCO World Heritage Site.
  • South Porch, Right Portal, Tympanum- General View.This portal is dedicated to the Confessors. Cathedral of Chartres, France. Tympanum and Lintel: Miracles by two very popular saints, Martin and Nicholas, are shown on the tympanum and lintel. Both saints have figures on the jambs below and several windows in the interior lower level and clerestory..On the left is the Miracle of Martin's cloak. In the lower left panel, Martin, a young Roman stationed in Amiens, met a beggar at the city gate one cold day. Moved by the man's suffering, Martin cut his cloak in half and gave him one of the pieces. In the upper left panel, Martin is shown sleeping. His dream is shown on the tympanum; Christ appears wearing the piece of the cloak he gave to the beggar, who had really been Christ..On the right are miracles of Nicholas. In the bottom panel, Nicholas anonymously gives dowries to three indigent girls. On the upper right, pilgrims at Nicholas's tomb, which supposedly gave off a miraculous healing fluid. .Archivolts: .On the lower register of archivolts are miracles of Gilles, including the Mass of St. Gilles (right). The other archivolts show various Confessors.A UNESCO World Heritage Site.

FunkyStock Picture Library Resource

Picture The Past

ABOUT

FunkyStock Picture Library free resource for professional editorial picture editors, picture researchers, historical scholars and students and enthusiasts who want to browse some of the best pictures and images of historic countries, historical places, archaeological sites and the very best museum antiquities and artefacts exhibits in Europe and the Middle East.

Pictures and Images can be downloaded or bought as stock photos or photo art prints.

COUNTRIES

Browse travel pictures and images of historic places and archaeological sites of countries in Europe and the Middle East.

VIEW COUNTRIES INDEX....

HISTORICAL

Explore the past through pictures and images of its historic places. See the great palaces, castles and cities of antiquity as well as the great archaeological sites where our ancestors made history.

EXPLORE HISTORICAL PLACES...

MUSEUMS

Browse pictures & images the treasured artefacts and antiquities exhibits from the great Museum of Europe and the Middle East. See the art and objects made by our ancestors.

SEE MUESEUM ANTIQUITIES....