• Copf style sculpted window brace - ( Gy?r )  Gyor Hungary
  • Sculpture of Lapiths and  Centaurs battling from the Metope of the Parthenon on the Acropolis of Athens no XXVIII. Also known as the Elgin marbles. British Museum London.
  • Marble Releif Sculptures from the north frieze around the Parthenon Block XLIII 118-120. From the Parthenon of the Acropolis Athens. A British Museum Exhibit known as The Elgin Marbles
  • Roman copy of a Greek  Hellenistic period statue of the poetess Sappho, from Symrna ( Izmir ), Turkey.. Sappho wrote about love with both sexes and her name led to the phrase "Sapphic love" which became synonmymous with lesbianism in the 20th century. Sappho was also from the island of Lesbos.  Istanbul Archaeological museum Inv 358 T. Cat Mendell 626.
  • Roman copy of a Greek  Hellenistic period statue of the poetess Sappho, from Symrna ( Izmir ), Turkey.. Sappho wrote about love with both sexes and her name led to the phrase "Sapphic love" which became synonmymous with lesbianism in the 20th century. Sappho was also from the island of Lesbos.  Istanbul Archaeological museum Inv 358 T. Cat Mendell 626.
  • Figures from the East Pediment of the Parthenon, Acropolis Athens. From left to right cat no D Dionysos ,middle E & F Demeter & Persephone, left G Hebe. British Museum London Exhibit
  • Figures from the East Pediment of the Parthenon, Acropolis Athens. From left to right cat no K possibly the goddess Hestia ,L & M probably the goddess Aphrodite lying the the lap of Dione her mother. British Museum London Exhibit
  • Sculpture of Lapiths and  Centaurs battling from the Metope of the Parthenon on the Acropolis of Athens. South Metope no II. Also known as the Elgin marbles. British Museum London. The Lapith holds a Centaur by the throat. The diagnal of the Lapiths body across the Centaur is often used in Greek Classical art to depict strife.
  • Sculpture of Lapiths and  Centaurs battling from the Metope of the Parthenon on the Acropolis of Athens no XXVIII. Also known as the Elgin marbles. British Museum London.
  • Sculpture of Lapiths and  Centaurs battling from the Metope of the Parthenon on the Acropolis of Athens no XXVIII. Also known as the Elgin marbles. British Museum London.
  • Sculpture of Lapiths and  Centaurs battling from the Metope of the Parthenon on the Acropolis of Athens no XXIX. Also known as the Elgin marbles. British Museum London. A Centaur with pointed ears is carrying off a virgin.
  • Sculpture of Lapiths and  Centaurs battling from the south east corner Metope of the Parthenon on the Acropolis of Athens no XXXII. Also known as the Elgin marbles. British Museum London.
  • Marble Releif Sculptures from the frieze around the Parthenon Block V 28-32. From the Parthenon of the Acropolis Athens. A British Museum Exhibit known as The Elgin Marbles. Athena looks round at Zeus
  • Marble Releif Sculptures from the frieze around the Parthenon Block V 28-32. From the Parthenon of the Acropolis Athens. A British Museum Exhibit known as The Elgin Marbles. Athena looks round at Zeus
  • Marble Releif Sculptures from the east frieze around the Parthenon Block IV 20-27. From the Parthenon of the Acropolis Athens. A British Museum Exhibit known as The Elgin Marbles. Far Richt Ares sits holding his knee  to his left Demeter is leaning on one wrist, a sign of mouring, grieving for her daughter Persaphone who had been abducted by the gods of the underworld.
  • Marble Releif Sculptures from the south  frieze around the Parthenon Block XLVI 142-144. From the Parthenon of the Acropolis Athens. A British Museum Exhibit known as The Elgin Marbles
  • Marble Releif Sculptures from the south frieze around the Parthenon Block XLI 122-124. From the Parthenon of the Acropolis Athens. A British Museum Exhibit known as The Elgin Marbles. End of the South freize as cattle are led to be sacrificed
  • Marble Releif Sculptures from the frieze around the Parthenon Block XLII to XLIV 115 to 124  . From the Parthenon of the Acropolis Athens. A British Museum Exhibit known as The Elgin Marbles
  • Marble Releif Sculptures from the north frieze around the Parthenon Block XLIV 122-123 . From the Parthenon of the Acropolis Athens. A British Museum Exhibit known as The Elgin Marbles
  • Marble Releif Sculptures from the north frieze around the Parthenon Block XLIV 122-123 . From the Parthenon of the Acropolis Athens. A British Museum Exhibit known as The Elgin Marbles
  • Releif Sculptures from the frieze around the Parthenon Block IV. From the Parthenon of the Acropolis Athens. A British Museum Exhibit known as The Elgin Marbles
  • Releif Sculptures from the frieze around the Parthenon Block VIII. From the Parthenon of the Acropolis Athens. A British Museum Exhibit known as The Elgin Marbles
  • Figures from the East Pediment of the Parthenon, Acropolis Athens. From left to right cat no D Dionysos ,middle E & F Demeter & Persephone, left G Hebe. British Museum London Exhibit
  • Sculpture of Lapiths and  Centaurs battling from the Metope of the Parthenon on the Acropolis of Athens no XXVIII. Also known as the Elgin marbles. British Museum London.
  • Sculpture of Lapiths and  Centaurs battling from the Metope of the Parthenon on the Acropolis of Athens no XXVIII. Also known as the Elgin marbles. British Museum London.
  • Sculpture of Lapiths and  Centaurs battling from the Metope of the Parthenon on the Acropolis of Athens no XXVII. Also known as the Elgin marbles. British Museum London. This is one of the most dramatic compositions of the Metopes with the Lapith preparing to make a final strike and the cloak of the Centaur fanning out
  • Sculpture of Lapiths and  Centaurs battling from the Metope of the Parthenon on the Acropolis of Athens no XXIX. Also known as the Elgin marbles. British Museum London. A Centaur with pointed ears is carrying off a virgin.
  • Marble Releif Sculptures from the frieze around the Parthenon Block XXXVII to XLI  100 to 114 . From the Parthenon of the Acropolis Athens. A British Museum Exhibit known as The Elgin Marbles
  • Releif Sculptures from the frieze around the Parthenon Block XV. From the Parthenon of the Acropolis Athens. A British Museum Exhibit known as The Elgin Marbles
  • Marble Roman Statue of the Muse of Music ( Euterpe ) playing the lyre. , 2nd cent. AD, from Miletus (Balat, Soke ). Istanbul Archaeological museum Inv 2002 T.  Cat. Mendel 116
  • Marble Roman Statue of the Muse of Music ( Euterpe ) playing the lyre. , 2nd cent. AD, from Miletus (Balat, Soke ). Istanbul Archaeological museum Inv 2002 T.  Cat. Mendel 116
  • Statue of a Nymphe, the spirit of the meadows, forest & waters, an early Roman marble sculpture, Ist cent B.C, from Tralles (Aydin) , west Turkey. Istanbul Archaeological museum Cat. Mendel 543.
  • Statue of a Nymphe, the spirit of the meadows, forest & waters, an early Roman marble sculpture, Ist cent B.C, from Tralles (Aydin) , west Turkey. Istanbul Archaeological museum Cat. Mendel 543.
  • Marble Anatolian Persian Funerary Stele, 5th cent. B.C, from Dascyleium ( Ergili, Manyas ) Turkey.  Istanbul Archaeological museum Inv 5763 T.
  • Marble Anatolian Persian Funerary Stele, 5th cent. B.C, from Dascyleium ( Ergili, Manyas ) Turkey.  Istanbul Archaeological museum Inv 5763 T.
  • Marble Anatolian Persian Funerary Stele, 5th cent. B.C, from Dascyleium ( Ergili, Manyas ) Turkey.  Istanbul Archaeological museum Inv 5763 T.
  • Marble Anatolian Persian Funerary Stele, 5th cent. B.C, from Dascyleium ( Ergili, Manyas ) Turkey.  Istanbul Archaeological museum Inv 5763 T.
  • Sculpture of Lapiths and  Centaurs battling from the Metope of the Parthenon on the Acropolis of Athens no XXIX. Also known as the Elgin marbles. British Museum London. A Centaur with pointed ears is carrying off a virgin.
  • Sculpture of Lapiths and  Centaurs battling from the Metope of the Parthenon on the Acropolis of Athens No III. Also known as the Elgin marbles. British Museum London.
  • Figures from the East Pediment of the Parthenon, Acropolis Athens. From left to right cat no K possibly the goddess Hestia ,L & M probably the goddess Aphrodite lying the the lap of Dione her mother. British Museum London Exhibit
  • Sculpture of Lapiths and  Centaurs battling from the Metope of the Parthenon on the Acropolis of Athens No III. Also known as the Elgin marbles. British Museum London.
  • Sculpture of Lapiths and  Centaurs battling from the Metope of the Parthenon on the Acropolis of Athens No III. Also known as the Elgin marbles. British Museum London.
  • Sculpture of Lapiths and  Centaurs battling from the Metope of the Parthenon on the Acropolis of Athens. South Metope no II. Also known as the Elgin marbles. British Museum London. The Lapith holds a Centaur by the throat. The diagnal of the Lapiths body across the Centaur is often used in Greek Classical art to depict strife.
  • Sculpture of Lapiths and  Centaurs battling from the Metope of the Parthenon on the Acropolis of Athens. Also known as the Elgin marbles. British Museum London.
  • Sculpture of Lapiths and  Centaurs battling from the Metope of the Parthenon on the Acropolis of Athens no XXVII. Also known as the Elgin marbles. British Museum London. This is one of the most dramatic compositions of the Metopes with the Lapith preparing to make a final strike and the cloak of the Centaur fanning out
  • Sculpture of Lapiths and  Centaurs battling from the Metope of the Parthenon on the Acropolis of Athens no XXVII. Also known as the Elgin marbles. British Museum London. This is one of the most dramatic compositions of the Metopes with the Lapith preparing to make a final strike and the cloak of the Centaur fanning out
  • Sculpture of Lapiths and  Centaurs battling from the Metope of the Parthenon on the Acropolis of Athens no XXVII. Also known as the Elgin marbles. British Museum London. This is one of the most dramatic compositions of the Metopes with the Lapith preparing to make a final strike and the cloak of the Centaur fanning out
  • Sculpture of Lapiths and  Centaurs battling from the Metope of the Parthenon on the Acropolis of Athens no XXIX. Also known as the Elgin marbles. British Museum London. A Centaur with pointed ears is carrying off a virgin.
  • Sculpture of Lapiths and  Centaurs battling from the Metope of the Parthenon on the Acropolis of Athens no XXIX. Also known as the Elgin marbles. British Museum London. A Centaur with pointed ears is carrying off a virgin.
  • Sculpture of Lapiths and  Centaurs battling from the Metope of the Parthenon on the Acropolis of Athens no XXX. Also known as the Elgin marbles. British Museum London. The Centaur is about to trample the Lapith who is picking up a stone as his final defence.
  • Sculpture of Lapiths and  Centaurs battling from the south east corner Metope of the Parthenon on the Acropolis of Athens no XXXII. Also known as the Elgin marbles. British Museum London.
  • Marble Releif Sculptures from the east frieze around the Parthenon Block IV 24-27. From the Parthenon of the Acropolis Athens. A British Museum Exhibit known as The Elgin Marbles. Far Richt Ares sits holding his knee  to his left Demeter is leaning on one wrist, a sign of mouring, grieving for her daughter Persaphone who had been abducted by the gods of the underworld.
  • Marble Releif Sculptures from the frieze around the Parthenon Block XXXVII to XLI  100 to 114 . From the Parthenon of the Acropolis Athens. A British Museum Exhibit known as The Elgin Marbles
  • Marble Releif Sculptures from the south frieze around the Parthenon Block XLI 122-124. From the Parthenon of the Acropolis Athens. A British Museum Exhibit known as The Elgin Marbles. End of the South freize as cattle are led to be sacrificed
  • Marble Releif Sculptures from the frieze around the Parthenon Block XXXVII to XLI  100 to 114 . From the Parthenon of the Acropolis Athens. A British Museum Exhibit known as The Elgin Marbles
  • Marble Releif Sculptures from the north frieze around the Parthenon Block XLII 115-117. From the Parthenon of the Acropolis Athens. A British Museum Exhibit known as The Elgin Marbles
  • Marble Releif Sculptures from the north frieze around the Parthenon Block XLII 115-117. From the Parthenon of the Acropolis Athens. A British Museum Exhibit known as The Elgin Marbles
  • Marble Releif Sculptures from the north frieze around the Parthenon Block XLIII 118-120. From the Parthenon of the Acropolis Athens. A British Museum Exhibit known as The Elgin Marbles
  • Releif Sculptures from the frieze around the Parthenon Block IV. From the Parthenon of the Acropolis Athens. A British Museum Exhibit known as The Elgin Marbles
  • Releif Sculptures from the frieze around the Parthenon Block V. From the Parthenon of the Acropolis Athens. A British Museum Exhibit known as The Elgin Marbles
  • Releif Sculptures from the frieze around the Parthenon Block V. From the Parthenon of the Acropolis Athens. A British Museum Exhibit known as The Elgin Marbles
  • Releif Sculptures from the frieze around the Parthenon Block VIII. From the Parthenon of the Acropolis Athens. A British Museum Exhibit known as The Elgin Marbles
  • Releif Sculptures from the frieze around the Parthenon Block VI. From the Parthenon of the Acropolis Athens. A British Museum Exhibit known as The Elgin Marbles
  • Releif Sculptures from the frieze around the Parthenon Block XV. From the Parthenon of the Acropolis Athens. A British Museum Exhibit known as The Elgin Marbles
  • Sculpture of Lapiths and  Centaurs battling from the Metope of the Parthenon on the Acropolis of Athens. South Metope no II. Also known as the Elgin marbles. British Museum London. The Lapith holds a Centaur by the throat. The diagnal of the Lapiths body across the Centaur is often used in Greek Classical art to depict strife.
  • Sculpture of Lapiths and  Centaurs battling from the Metope of the Parthenon on the Acropolis of Athens. Also known as the Elgin marbles. British Museum London.
  • Sculpture of Lapiths and  Centaurs battling from the Metope of the Parthenon on the Acropolis of Athens no XXX. Also known as the Elgin marbles. British Museum London. The Centaur is about to trample the Lapith who is picking up a stone as his final defence.
  • Sculpture of Lapiths and  Centaurs battling from the Metope of the Parthenon on the Acropolis of Athens no XXX. Also known as the Elgin marbles. British Museum London. The Centaur is about to trample the Lapith who is picking up a stone as his final defence.
  • Sculpture of Lapiths and  Centaurs battling from the south east corner Metope of the Parthenon on the Acropolis of Athens no XXXII. Also known as the Elgin marbles. British Museum London.
  • Sculpture of Lapiths and  Centaurs battling from the south east corner Metope of the Parthenon on the Acropolis of Athens no XXXII. Also known as the Elgin marbles. British Museum London.
  • Marble Releif Sculptures from the east frieze around the Parthenon Block IV 24-27. From the Parthenon of the Acropolis Athens. A British Museum Exhibit known as The Elgin Marbles. Far Richt Ares sits holding his knee  to his left Demeter is leaning on one wrist, a sign of mouring, grieving for her daughter Persaphone who had been abducted by the gods of the underworld.
  • Marble Releif Sculptures from the east frieze around the Parthenon Block V 28 to 37 . From the Parthenon of the Acropolis Athens. A British Museum Exhibit known as The Elgin Marbles. This frieze depicts the goddess Athena & Zeus
  • Marble Releif Sculptures from the north frieze around the Parthenon Block XLII 115-117. From the Parthenon of the Acropolis Athens. A British Museum Exhibit known as The Elgin Marbles
  • Marble Releif Sculptures from the north frieze around the Parthenon Block XLIII 118-120. From the Parthenon of the Acropolis Athens. A British Museum Exhibit known as The Elgin Marbles
  • Marble Releif Sculptures from the north frieze around the Parthenon Block XLIV 122-123 . From the Parthenon of the Acropolis Athens. A British Museum Exhibit known as The Elgin Marbles
  • Releif Sculptures from the frieze around the Parthenon Block VIII. From the Parthenon of the Acropolis Athens. A British Museum Exhibit known as The Elgin Marbles
  • Releif Sculptures from the frieze around the Parthenon Block VI. From the Parthenon of the Acropolis Athens. A British Museum Exhibit known as The Elgin Marbles
  • Marble Roman Statue of the Muse of Music ( Euterpe ) playing the lyre. , 2nd cent. AD, from Miletus (Balat, Soke ). Istanbul Archaeological museum Inv 2002 T.  Cat. Mendel 116
  • Marble Roman Statue of the Muse of Music ( Euterpe ) playing the lyre. , 2nd cent. AD, from Miletus (Balat, Soke ). Istanbul Archaeological museum Inv 2002 T.  Cat. Mendel 116
  • Roman copy of a Greek  Hellenistic period statue of the poetess Sappho, from Symrna ( Izmir ), Turkey.. Sappho wrote about love with both sexes and her name led to the phrase "Sapphic love" which became synonmymous with lesbianism in the 20th century. Sappho was also from the island of Lesbos.  Istanbul Archaeological museum Inv 358 T. Cat Mendell 626.
  • Statue of a Nymphe, the spirit of the meadows, forest & waters, an early Roman marble sculpture, Ist cent B.C, from Tralles (Aydin) , west Turkey. Istanbul Archaeological museum Cat. Mendel 543.
  • Figures from the East Pediment of the Parthenon, Acropolis Athens. From left to right cat no D Dionysos ,middle E & F Demeter & Persephone, left G Hebe. British Museum London Exhibit
  • Figures from the East Pediment of the Parthenon, Acropolis Athens. From left to right cat no D Dionysos ,middle E & F Demeter & Persephone, left G Hebe. British Museum London Exhibit
  • Figures from the East Pediment of the Parthenon, Acropolis Athens. From left to right cat no K possibly the goddess Hestia ,L & M probably the goddess Aphrodite lying the the lap of Dione her mother. British Museum London Exhibit
  • Figures from the East Pediment of the Parthenon, Acropolis Athens. From left to right cat no K possibly the goddess Hestia ,L & M probably the goddess Aphrodite lying the the lap of Dione her mother. British Museum London Exhibit
  • Sculpture of Lapiths and  Centaurs battling from the Metope of the Parthenon on the Acropolis of Athens. South Metope no II. Also known as the Elgin marbles. British Museum London. The Lapith holds a Centaur by the throat. The diagnal of the Lapiths body across the Centaur is often used in Greek Classical art to depict strife.
  • Sculpture of Lapiths and  Centaurs battling from the Metope of the Parthenon on the Acropolis of Athens. Also known as the Elgin marbles. British Museum London.
  • Sculpture of Lapiths and  Centaurs battling from the Metope of the Parthenon on the Acropolis of Athens no XXX. Also known as the Elgin marbles. British Museum London. The Centaur is about to trample the Lapith who is picking up a stone as his final defence.
  • Sculpture of Lapiths and  Centaurs battling from the Metope of the Parthenon on the Acropolis of Athens no XXX. Also known as the Elgin marbles. British Museum London. The Centaur is about to trample the Lapith who is picking up a stone as his final defence.
  • Sculpture of Lapiths and  Centaurs battling from the south east corner Metope of the Parthenon on the Acropolis of Athens no XXXII. Also known as the Elgin marbles. British Museum London.
  • Marble Releif Sculptures from the east frieze around the Parthenon Block IV 24-27. From the Parthenon of the Acropolis Athens. A British Museum Exhibit known as The Elgin Marbles. Far Richt Ares sits holding his knee  to his left Demeter is leaning on one wrist, a sign of mouring, grieving for her daughter Persaphone who had been abducted by the gods of the underworld.
  • Marble Releif Sculptures from the east frieze around the Parthenon Block IV 24-27. From the Parthenon of the Acropolis Athens. A British Museum Exhibit known as The Elgin Marbles. Far Richt Ares sits holding his knee  to his left Demeter is leaning on one wrist, a sign of mouring, grieving for her daughter Persaphone who had been abducted by the gods of the underworld.
  • Marble Releif Sculptures from the east frieze around the Parthenon Block IV 24-27. From the Parthenon of the Acropolis Athens. A British Museum Exhibit known as The Elgin Marbles. Far Richt Ares sits holding his knee  to his left Demeter is leaning on one wrist, a sign of mouring, grieving for her daughter Persaphone who had been abducted by the gods of the underworld.
  • Marble Releif Sculptures from the east frieze around the Parthenon Block IV 20-27. From the Parthenon of the Acropolis Athens. A British Museum Exhibit known as The Elgin Marbles. Far Richt Ares sits holding his knee  to his left Demeter is leaning on one wrist, a sign of mouring, grieving for her daughter Persaphone who had been abducted by the gods of the underworld.
  • Marble Releif Sculptures from the south  frieze around the Parthenon Block XLVI 142-144. From the Parthenon of the Acropolis Athens. A British Museum Exhibit known as The Elgin Marbles
  • Marble Releif Sculptures from the south frieze around the Parthenon Block XLI 122-124. From the Parthenon of the Acropolis Athens. A British Museum Exhibit known as The Elgin Marbles. End of the South freize as cattle are led to be sacrificed
  • Marble Releif Sculptures from the frieze around the Parthenon Block XLII to XLIV 115 to 124  . From the Parthenon of the Acropolis Athens. A British Museum Exhibit known as The Elgin Marbles
  • Marble Releif Sculptures from the north frieze around the Parthenon Block XLII 115-117. From the Parthenon of the Acropolis Athens. A British Museum Exhibit known as The Elgin Marbles
  • Marble Releif Sculptures from the north frieze around the Parthenon Block XLIII 118-120. From the Parthenon of the Acropolis Athens. A British Museum Exhibit known as The Elgin Marbles
  • Marble Releif Sculptures from the north frieze around the Parthenon Block XLIV 122-123 . From the Parthenon of the Acropolis Athens. A British Museum Exhibit known as The Elgin Marbles
  • Marble Releif Sculptures from the frieze around the Parthenon Block II. From the Parthenon of the Acropolis Athens. A British Museum Exhibit known as The Elgin Marbles
  • Marble Releif Sculptures from the frieze around the Parthenon Block II. From the Parthenon of the Acropolis Athens. A British Museum Exhibit known as The Elgin Marbles
  • Marble Releif Sculptures from the frieze around the Parthenon Block II. From the Parthenon of the Acropolis Athens. A British Museum Exhibit known as The Elgin Marbles
  • Releif Sculptures from the frieze around the Parthenon Block V. From the Parthenon of the Acropolis Athens. A British Museum Exhibit known as The Elgin Marbles
  • Releif Sculptures from the frieze around the Parthenon Block VI. From the Parthenon of the Acropolis Athens. A British Museum Exhibit known as The Elgin Marbles
  • Releif Sculptures from the frieze around the Parthenon Block VIII. From the Parthenon of the Acropolis Athens. A British Museum Exhibit known as The Elgin Marbles
  • Releif Sculptures from the frieze around the Parthenon Block VI. From the Parthenon of the Acropolis Athens. A British Museum Exhibit known as The Elgin Marbles
  • Releif Sculptures from the frieze around the Parthenon Block XV. From the Parthenon of the Acropolis Athens. A British Museum Exhibit known as The Elgin Marbles
  • Releif Sculptures from the frieze around the Parthenon Block XV. From the Parthenon of the Acropolis Athens. A British Museum Exhibit known as The Elgin Marbles
  • Sculpture of Lapiths and  Centaurs battling from the Metope of the Parthenon on the Acropolis of Athens No III. Also known as the Elgin marbles. British Museum London.
  • Marble Releif Sculptures from the frieze around the Parthenon Block V 28-32. From the Parthenon of the Acropolis Athens. A British Museum Exhibit known as The Elgin Marbles. Athena looks round at Zeus
  • Marble Releif Sculptures from the east frieze around the Parthenon Block IV 20-27. From the Parthenon of the Acropolis Athens. A British Museum Exhibit known as The Elgin Marbles. Far Richt Ares sits holding his knee  to his left Demeter is leaning on one wrist, a sign of mouring, grieving for her daughter Persaphone who had been abducted by the gods of the underworld.
  • Marble Releif Sculptures from the south  frieze around the Parthenon Block XLVI 142-144. From the Parthenon of the Acropolis Athens. A British Museum Exhibit known as The Elgin Marbles
  • Marble Releif Sculptures from the south frieze around the Parthenon Block XLI 122-124. From the Parthenon of the Acropolis Athens. A British Museum Exhibit known as The Elgin Marbles. End of the South freize as cattle are led to be sacrificed
  • Marble Releif Sculptures from the frieze around the Parthenon Block XLII to XLIV 115 to 124  . From the Parthenon of the Acropolis Athens. A British Museum Exhibit known as The Elgin Marbles
  • Releif Sculptures from the frieze around the Parthenon Block V. From the Parthenon of the Acropolis Athens. A British Museum Exhibit known as The Elgin Marbles
  • Roman copy of a Greek  Hellenistic period statue of the poetess Sappho, from Symrna ( Izmir ), Turkey.. Sappho wrote about love with both sexes and her name led to the phrase "Sapphic love" which became synonmymous with lesbianism in the 20th century. Sappho was also from the island of Lesbos.  Istanbul Archaeological museum Inv 358 T. Cat Mendell 626.
  • Sculpture of Lapiths and  Centaurs battling from the Metope of the Parthenon on the Acropolis of Athens. Also known as the Elgin marbles. British Museum London.
  • Marble Releif Sculptures from the east frieze around the Parthenon Block V 28 to 37 . From the Parthenon of the Acropolis Athens. A British Museum Exhibit known as The Elgin Marbles. This frieze depicts the goddess Athena & Zeus
  • Marble Releif Sculptures from the east frieze around the Parthenon Block IV 20-23. From the Parthenon of the Acropolis Athens. A British Museum Exhibit known as The Elgin Marbles
  • Marble Releif Sculptures from the south  frieze around the Parthenon Block XLVI 142-144. From the Parthenon of the Acropolis Athens. A British Museum Exhibit known as The Elgin Marbles
  • Releif Sculptures from the frieze around the Parthenon Block IV. From the Parthenon of the Acropolis Athens. A British Museum Exhibit known as The Elgin Marbles
  • Sculpture of Lapiths and  Centaurs battling from the Metope of the Parthenon on the Acropolis of Athens No III. Also known as the Elgin marbles. British Museum London.
  • Sculpture of Lapiths and  Centaurs battling from the Metope of the Parthenon on the Acropolis of Athens. South Metope no II. Also known as the Elgin marbles. British Museum London. The Lapith holds a Centaur by the throat. The diagnal of the Lapiths body across the Centaur is often used in Greek Classical art to depict strife.
  • Statue of a Nymphe, the spirit of the meadows, forest & waters, an early Roman marble sculpture, Ist cent B.C, from Tralles (Aydin) , west Turkey. Istanbul Archaeological museum Cat. Mendel 543.
  • Marble Releif Sculptures from the east frieze around the Parthenon Block V 28 to 37 . From the Parthenon of the Acropolis Athens. A British Museum Exhibit known as The Elgin Marbles. This frieze depicts the goddess Athena & Zeus
  • Figures from the East Pediment of the Parthenon, Acropolis Athens. From left to right cat no K possibly the goddess Hestia ,L & M probably the goddess Aphrodite lying the the lap of Dione her mother. British Museum London Exhibit
  • Sculpture of Lapiths and  Centaurs battling from the Metope of the Parthenon on the Acropolis of Athens. Also known as the Elgin marbles. British Museum London.
  • Sleeping Hermaphroditus, The Borghese Hermaphrodite.  A Life size ancient 2nd century AD Roman statue sculpted in Greek Marble and found in the grounds of Santa Maria della Vittoria, near the Baths of Diocletian, Rome. It was added to the Borghese Collection by Cardinal Scipione Borghese, in the 17th century and was named the "Borghese Hermaphroditus”. It was later sold to the occupying French and was removed it to The Louvre. Hermaphrodite, son of Hermes and Aphrodite had repels the advances of the nymph Salmacis. However, she got Zeus as their two bodies are united in a bisexual being. The Sleeping Hermaphroditus has been described as a good early Imperial Roman copy of a bronze original by the later of the two Hellenistic sculptors named Polycles (150 BC) the original bronze was mentioned in Pliny's Natural History. In 1619  Bernini sculpted the mattress on which the ancient marble of Hermaphrodite lies. Louvre Museum, Paris
  • Sleeping Hermaphroditus, The Borghese Hermaphrodite.  A Life size ancient 2nd century AD Roman statue sculpted in Greek Marble and found in the grounds of Santa Maria della Vittoria, near the Baths of Diocletian, Rome. It was added to the Borghese Collection by Cardinal Scipione Borghese, in the 17th century and was named the "Borghese Hermaphroditus”. It was later sold to the occupying French and was removed it to The Louvre. Hermaphrodite, son of Hermes and Aphrodite had repels the advances of the nymph Salmacis. However, she got Zeus as their two bodies are united in a bisexual being. The Sleeping Hermaphroditus has been described as a good early Imperial Roman copy of a bronze original by the later of the two Hellenistic sculptors named Polycles (150 BC) the original bronze was mentioned in Pliny's Natural History. In 1619  Bernini sculpted the mattress on which the ancient marble of Hermaphrodite lies. Louvre Museum, Paris
  • Sleeping Hermaphroditus, The Borghese Hermaphrodite.  A Life size ancient 2nd century AD Roman statue sculpted in Greek Marble and found in the grounds of Santa Maria della Vittoria, near the Baths of Diocletian, Rome. It was added to the Borghese Collection by Cardinal Scipione Borghese, in the 17th century and was named the "Borghese Hermaphroditus”. It was later sold to the occupying French and was removed it to The Louvre. Hermaphrodite, son of Hermes and Aphrodite had repels the advances of the nymph Salmacis. However, she got Zeus as their two bodies are united in a bisexual being. The Sleeping Hermaphroditus has been described as a good early Imperial Roman copy of a bronze original by the later of the two Hellenistic sculptors named Polycles (150 BC) the original bronze was mentioned in Pliny's Natural History. In 1619  Bernini sculpted the mattress on which the ancient marble of Hermaphrodite lies. Louvre Museum, Paris
  • Sleeping Hermaphroditus.  A Life size ancient 2nd century AD Roman statue sculpted in Greek Marble and found in the grounds of Santa Maria della Vittoria, near the Baths of Diocletian, Rome. It was added to the Borghese Collection by Cardinal Scipione Borghese, in the 17th century and was named the "Borghese Hermaphroditus”. It was later sold to the occupying French and was removed it to The Louvre. Hermaphrodite, son of Hermes and Aphrodite had repels the advances of the nymph Salmacis. However, she got Zeus as their two bodies are united in a bisexual being. The Sleeping Hermaphroditus has been described as a good early Imperial Roman copy of a bronze original by the later of the two Hellenistic sculptors named Polycles (150 BC) the original bronze was mentioned in Pliny's Natural History. In 1619  Bernini sculpted the mattress on which the ancient marble of Hermaphrodite lies. Louvre Museum, Paris
  • Roman relief sculpted garland sarcophagus with pitched tile sculpted roof, 3rd century AD. Adana Archaeology Museum, Turkey. Against a black background
  • Roman relief sculpted garland sarcophagus with pitched tile sculpted roof, 3rd century AD. Adana Archaeology Museum, Turkey
  • Roman relief sculpted sarcophagus of Achilles from Attica. This side shows scenes from the life of Achilles and bears characteristics of the Late Antonines Period of the Roman Imperial Period between 170-190 AD. Adana Archaeology Museum, TurkeyRoman relief sculpted sarcophagus of Achilles from Attica. This side shows two griffin and  bears characteristics of the Late Antonines Period of the Roman Imperial Period between 170-190 AD. Adana Archaeology Museum, Turkey. Against a black background
  • Picture and image of the stone sculpture of a nude looking at a skull on a crucifix.  Sculpted in an art Nouveau style the sculture is a reminder that beauty and life is transient. The Lavarello tomb sculpted by Demetrio Paernio 1914. The monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Sleeping Hermaphroditus, The Borghese Hermaphrodite.  A Life size ancient 2nd century AD Roman statue sculpted in Greek Marble and found in the grounds of Santa Maria della Vittoria, near the Baths of Diocletian, Rome. It was added to the Borghese Collection by Cardinal Scipione Borghese, in the 17th century and was named the "Borghese Hermaphroditus”. It was later sold to the occupying French and was removed it to The Louvre. Hermaphrodite, son of Hermes and Aphrodite had repels the advances of the nymph Salmacis. However, she got Zeus as their two bodies are united in a bisexual being. The Sleeping Hermaphroditus has been described as a good early Imperial Roman copy of a bronze original by the later of the two Hellenistic sculptors named Polycles (150 BC) the original bronze was mentioned in Pliny's Natural History. In 1619  Bernini sculpted the mattress on which the ancient marble of Hermaphrodite lies. Louvre Museum, Paris
  • Sleeping Hermaphroditus.  A Life size  2nd century AD Roman statue sculpted in Greek Marble and found in the grounds of Santa Maria della Vittoria, near the Baths of Diocletian, Rome. It was added to the Borghese Collection by Cardinal Scipione Borghese, in the 17th century and was named the "Borghese Hermaphroditus”. It was later sold to the occupying French and was removed it to The Louvre. Hermaphrodite, son of Hermes and Aphrodite had repels the advances of the nymph Salmacis. However, she got Zeus as their two bodies are united in a bisexual being. The Sleeping Hermaphroditus has been described as a good early Imperial Roman copy of a bronze original by the later of the two Hellenistic sculptors named Polycles (150 BC) the original bronze was mentioned in Pliny's Natural History. In 1619  Bernini sculpted the mattress on which the ancient marble of Hermaphrodite lies. Louvre Museum, Paris
  • Sleeping Hermaphroditus.  A Life size ancient 2nd century AD Roman statue sculpted in Greek Marble and found in the grounds of Santa Maria della Vittoria, near the Baths of Diocletian, Rome. It was added to the Borghese Collection by Cardinal Scipione Borghese, in the 17th century and was named the "Borghese Hermaphroditus”. It was later sold to the occupying French and was removed it to The Louvre. Hermaphrodite, son of Hermes and Aphrodite had repels the advances of the nymph Salmacis. However, she got Zeus as their two bodies are united in a bisexual being. The Sleeping Hermaphroditus has been described as a good early Imperial Roman copy of a bronze original by the later of the two Hellenistic sculptors named Polycles (150 BC) the original bronze was mentioned in Pliny's Natural History. In 1619  Bernini sculpted the mattress on which the ancient marble of Hermaphrodite lies. Louvre Museum, Paris
  • Sleeping Hermaphroditus.  A Life size ancient 2nd century AD Roman statue sculpted in Greek Marble and found in the grounds of Santa Maria della Vittoria, near the Baths of Diocletian, Rome. It was added to the Borghese Collection by Cardinal Scipione Borghese, in the 17th century and was named the "Borghese Hermaphroditus”. It was later sold to the occupying French and was removed it to The Louvre. Hermaphrodite, son of Hermes and Aphrodite had repels the advances of the nymph Salmacis. However, she got Zeus as their two bodies are united in a bisexual being. The Sleeping Hermaphroditus has been described as a good early Imperial Roman copy of a bronze original by the later of the two Hellenistic sculptors named Polycles (150 BC) the original bronze was mentioned in Pliny's Natural History. In 1619  Bernini sculpted the mattress on which the ancient marble of Hermaphrodite lies. Louvre Museum, Paris
  • Sleeping Hermaphroditus, The Borghese Hermaphrodite.  A Life size ancient 2nd century AD Roman statue sculpted in Greek Marble and found in the grounds of Santa Maria della Vittoria, near the Baths of Diocletian, Rome. It was added to the Borghese Collection by Cardinal Scipione Borghese, in the 17th century and was named the "Borghese Hermaphroditus”. It was later sold to the occupying French and was removed it to The Louvre. Hermaphrodite, son of Hermes and Aphrodite had repels the advances of the nymph Salmacis. However, she got Zeus as their two bodies are united in a bisexual being. The Sleeping Hermaphroditus has been described as a good early Imperial Roman copy of a bronze original by the later of the two Hellenistic sculptors named Polycles (150 BC) the original bronze was mentioned in Pliny's Natural History. In 1619  Bernini sculpted the mattress on which the ancient marble of Hermaphrodite lies. Louvre Museum, Paris
  • Sleeping Hermaphroditus, The Borghese Hermaphrodite.  A Life size ancient 2nd century AD Roman statue sculpted in Greek Marble and found in the grounds of Santa Maria della Vittoria, near the Baths of Diocletian, Rome. It was added to the Borghese Collection by Cardinal Scipione Borghese, in the 17th century and was named the "Borghese Hermaphroditus”. It was later sold to the occupying French and was removed it to The Louvre. Hermaphrodite, son of Hermes and Aphrodite had repels the advances of the nymph Salmacis. However, she got Zeus as their two bodies are united in a bisexual being. The Sleeping Hermaphroditus has been described as a good early Imperial Roman copy of a bronze original by the later of the two Hellenistic sculptors named Polycles (150 BC) the original bronze was mentioned in Pliny's Natural History. In 1619  Bernini sculpted the mattress on which the ancient marble of Hermaphrodite lies. Louvre Museum, Paris
  • Sleeping Hermaphroditus.  A Life size ancient 2nd century AD Roman statue sculpted in Greek Marble and found in the grounds of Santa Maria della Vittoria, near the Baths of Diocletian, Rome. It was added to the Borghese Collection by Cardinal Scipione Borghese, in the 17th century and was named the "Borghese Hermaphroditus”. It was later sold to the occupying French and was removed it to The Louvre. Hermaphrodite, son of Hermes and Aphrodite had repels the advances of the nymph Salmacis. However, she got Zeus as their two bodies are united in a bisexual being. The Sleeping Hermaphroditus has been described as a good early Imperial Roman copy of a bronze original by the later of the two Hellenistic sculptors named Polycles (150 BC) the original bronze was mentioned in Pliny's Natural History. In 1619  Bernini sculpted the mattress on which the ancient marble of Hermaphrodite lies. Louvre Museum, Paris
  • Roman relief sculpted garland sarcophagus with pitched tile sculpted roof, 3rd century AD. Adana Archaeology Museum, Turkey. Against a white background
  • Picture and image of the stone sculpture of a nude looking at a skull on a crucifix.  Sculpted in an art Nouveau style the sculture is a reminder that beauty and life is transient. The Lavarello tomb sculpted by Demetrio Paernio 1914. The monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Sleeping Hermaphroditus.  A Life size ancient 2nd century AD Roman statue sculpted in Greek Marble and found in the grounds of Santa Maria della Vittoria, near the Baths of Diocletian, Rome. It was added to the Borghese Collection by Cardinal Scipione Borghese, in the 17th century and was named the "Borghese Hermaphroditus”. It was later sold to the occupying French and was removed it to The Louvre. Hermaphrodite, son of Hermes and Aphrodite had repels the advances of the nymph Salmacis. However, she got Zeus as their two bodies are united in a bisexual being. The Sleeping Hermaphroditus has been described as a good early Imperial Roman copy of a bronze original by the later of the two Hellenistic sculptors named Polycles (150 BC) the original bronze was mentioned in Pliny's Natural History. In 1619  Bernini sculpted the mattress on which the ancient marble of Hermaphrodite lies. Louvre Museum, Paris
  • Sleeping Hermaphroditus, The Borghese Hermaphrodite.  A Life size ancient 2nd century AD Roman statue sculpted in Greek Marble and found in the grounds of Santa Maria della Vittoria, near the Baths of Diocletian, Rome. It was added to the Borghese Collection by Cardinal Scipione Borghese, in the 17th century and was named the "Borghese Hermaphroditus”. It was later sold to the occupying French and was removed it to The Louvre. Hermaphrodite, son of Hermes and Aphrodite had repels the advances of the nymph Salmacis. However, she got Zeus as their two bodies are united in a bisexual being. The Sleeping Hermaphroditus has been described as a good early Imperial Roman copy of a bronze original by the later of the two Hellenistic sculptors named Polycles (150 BC) the original bronze was mentioned in Pliny's Natural History. In 1619  Bernini sculpted the mattress on which the ancient marble of Hermaphrodite lies. Louvre Museum, Paris
  • Sleeping Hermaphroditus, The Borghese Hermaphrodite.  A Life size ancient 2nd century AD Roman statue sculpted in Greek Marble and found in the grounds of Santa Maria della Vittoria, near the Baths of Diocletian, Rome. It was added to the Borghese Collection by Cardinal Scipione Borghese, in the 17th century and was named the "Borghese Hermaphroditus”. It was later sold to the occupying French and was removed it to The Louvre. Hermaphrodite, son of Hermes and Aphrodite had repels the advances of the nymph Salmacis. However, she got Zeus as their two bodies are united in a bisexual being. The Sleeping Hermaphroditus has been described as a good early Imperial Roman copy of a bronze original by the later of the two Hellenistic sculptors named Polycles (150 BC) the original bronze was mentioned in Pliny's Natural History. In 1619  Bernini sculpted the mattress on which the ancient marble of Hermaphrodite lies. Louvre Museum, Paris
  • Sleeping Hermaphroditus, The Borghese Hermaphrodite.  A Life size ancient 2nd century AD Roman statue sculpted in Greek Marble and found in the grounds of Santa Maria della Vittoria, near the Baths of Diocletian, Rome. It was added to the Borghese Collection by Cardinal Scipione Borghese, in the 17th century and was named the "Borghese Hermaphroditus”. It was later sold to the occupying French and was removed it to The Louvre. Hermaphrodite, son of Hermes and Aphrodite had repels the advances of the nymph Salmacis. However, she got Zeus as their two bodies are united in a bisexual being. The Sleeping Hermaphroditus has been described as a good early Imperial Roman copy of a bronze original by the later of the two Hellenistic sculptors named Polycles (150 BC) the original bronze was mentioned in Pliny's Natural History. In 1619  Bernini sculpted the mattress on which the ancient marble of Hermaphrodite lies. Louvre Museum, Paris
  • Roman relief sculpted garland sarcophagus with pitched tile sculpted roof, 3rd century AD. Adana Archaeology Museum, Turkey. Against a grey background
  • Picture and image of the stone sculpture of a nude looking at a skull on a crucifix.  Sculpted in an art Nouveau style the sculture is a reminder that beauty and life is transient. The Lavarello tomb sculpted by Demetrio Paernio 1914. The monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of the stone sculpture of a nude looking at a skull on a crucifix.  Sculpted in an art Nouveau style the sculture is a reminder that beauty and life is transient. The Lavarello tomb sculpted by Demetrio Paernio 1914. The monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Sleeping Hermaphroditus, The Borghese Hermaphrodite.  A Life size ancient 2nd century AD Roman statue sculpted in Greek Marble and found in the grounds of Santa Maria della Vittoria, near the Baths of Diocletian, Rome. It was added to the Borghese Collection by Cardinal Scipione Borghese, in the 17th century and was named the "Borghese Hermaphroditus”. It was later sold to the occupying French and was removed it to The Louvre. Hermaphrodite, son of Hermes and Aphrodite had repels the advances of the nymph Salmacis. However, she got Zeus as their two bodies are united in a bisexual being. The Sleeping Hermaphroditus has been described as a good early Imperial Roman copy of a bronze original by the later of the two Hellenistic sculptors named Polycles (150 BC) the original bronze was mentioned in Pliny's Natural History. In 1619  Bernini sculpted the mattress on which the ancient marble of Hermaphrodite lies. Louvre Museum, Paris
  • Sleeping Hermaphroditus, The Borghese Hermaphrodite.  A Life size ancient 2nd century AD Roman statue sculpted in Greek Marble and found in the grounds of Santa Maria della Vittoria, near the Baths of Diocletian, Rome. It was added to the Borghese Collection by Cardinal Scipione Borghese, in the 17th century and was named the "Borghese Hermaphroditus”. It was later sold to the occupying French and was removed it to The Louvre. Hermaphrodite, son of Hermes and Aphrodite had repels the advances of the nymph Salmacis. However, she got Zeus as their two bodies are united in a bisexual being. The Sleeping Hermaphroditus has been described as a good early Imperial Roman copy of a bronze original by the later of the two Hellenistic sculptors named Polycles (150 BC) the original bronze was mentioned in Pliny's Natural History. In 1619  Bernini sculpted the mattress on which the ancient marble of Hermaphrodite lies. Louvre Museum, Paris
  • Sleeping Hermaphroditus, The Borghese Hermaphrodite.  A Life size ancient 2nd century AD Roman statue sculpted in Greek Marble and found in the grounds of Santa Maria della Vittoria, near the Baths of Diocletian, Rome. It was added to the Borghese Collection by Cardinal Scipione Borghese, in the 17th century and was named the "Borghese Hermaphroditus”. It was later sold to the occupying French and was removed it to The Louvre. Hermaphrodite, son of Hermes and Aphrodite had repels the advances of the nymph Salmacis. However, she got Zeus as their two bodies are united in a bisexual being. The Sleeping Hermaphroditus has been described as a good early Imperial Roman copy of a bronze original by the later of the two Hellenistic sculptors named Polycles (150 BC) the original bronze was mentioned in Pliny's Natural History. In 1619  Bernini sculpted the mattress on which the ancient marble of Hermaphrodite lies. Louvre Museum, Paris
  • Sleeping Hermaphroditus.  A Life size ancient 2nd century AD Roman statue sculpted in Greek Marble and found in the grounds of Santa Maria della Vittoria, near the Baths of Diocletian, Rome. It was added to the Borghese Collection by Cardinal Scipione Borghese, in the 17th century and was named the "Borghese Hermaphroditus”. It was later sold to the occupying French and was removed it to The Louvre. Hermaphrodite, son of Hermes and Aphrodite had repels the advances of the nymph Salmacis. However, she got Zeus as their two bodies are united in a bisexual being. The Sleeping Hermaphroditus has been described as a good early Imperial Roman copy of a bronze original by the later of the two Hellenistic sculptors named Polycles (150 BC) the original bronze was mentioned in Pliny's Natural History. In 1619  Bernini sculpted the mattress on which the ancient marble of Hermaphrodite lies. Louvre Museum, Paris
  • Sleeping Hermaphroditus, The Borghese Hermaphrodite.  A Life size ancient 2nd century AD Roman statue sculpted in Greek Marble and found in the grounds of Santa Maria della Vittoria, near the Baths of Diocletian, Rome. It was added to the Borghese Collection by Cardinal Scipione Borghese, in the 17th century and was named the "Borghese Hermaphroditus”. It was later sold to the occupying French and was removed it to The Louvre. Hermaphrodite, son of Hermes and Aphrodite had repels the advances of the nymph Salmacis. However, she got Zeus as their two bodies are united in a bisexual being. The Sleeping Hermaphroditus has been described as a good early Imperial Roman copy of a bronze original by the later of the two Hellenistic sculptors named Polycles (150 BC) the original bronze was mentioned in Pliny's Natural History. In 1619  Bernini sculpted the mattress on which the ancient marble of Hermaphrodite lies. Louvre Museum, Paris
  • Sleeping Hermaphroditus, The Borghese Hermaphrodite.  A Life size ancient 2nd century AD Roman statue sculpted in Greek Marble and found in the grounds of Santa Maria della Vittoria, near the Baths of Diocletian, Rome. It was added to the Borghese Collection by Cardinal Scipione Borghese, in the 17th century and was named the "Borghese Hermaphroditus”. It was later sold to the occupying French and was removed it to The Louvre. Hermaphrodite, son of Hermes and Aphrodite had repels the advances of the nymph Salmacis. However, she got Zeus as their two bodies are united in a bisexual being. The Sleeping Hermaphroditus has been described as a good early Imperial Roman copy of a bronze original by the later of the two Hellenistic sculptors named Polycles (150 BC) the original bronze was mentioned in Pliny's Natural History. In 1619  Bernini sculpted the mattress on which the ancient marble of Hermaphrodite lies. Louvre Museum, Paris
  • Sleeping Hermaphroditus, The Borghese Hermaphrodite.  A Life size ancient 2nd century AD Roman statue sculpted in Greek Marble and found in the grounds of Santa Maria della Vittoria, near the Baths of Diocletian, Rome. It was added to the Borghese Collection by Cardinal Scipione Borghese, in the 17th century and was named the "Borghese Hermaphroditus”. It was later sold to the occupying French and was removed it to The Louvre. Hermaphrodite, son of Hermes and Aphrodite had repels the advances of the nymph Salmacis. However, she got Zeus as their two bodies are united in a bisexual being. The Sleeping Hermaphroditus has been described as a good early Imperial Roman copy of a bronze original by the later of the two Hellenistic sculptors named Polycles (150 BC) the original bronze was mentioned in Pliny's Natural History. In 1619  Bernini sculpted the mattress on which the ancient marble of Hermaphrodite lies. Louvre Museum, Paris
  • Roman relief sculpted garland sarcophagus with pitched tile sculpted roof, 3rd century AD. Adana Archaeology Museum, Turkey
  • Roman relief sculpted sarcophagus of Domitias Julianus and Domita Philiska, 2nd century AD, Perge. Antalya Archaeology Museum, Turkey.<br />
<br />
<br />
it is from the group of tombs classified as. "Columned Sarcophagi of Asia Minor”. <br />
The lid of the sarcophagus is sculpted into the form of a “Kline” style Roman couch on which lie Julianus &  Philiska. This type of Sarcophagus is also known as a Sydemara Type of Tomb.. Against a white background.
  • Roman relief sculpted sarcophagus of Aurelia Botiano and Demetria depicted reclining on the lid, 2nd century AD, Perge Inv 1.35.99. Antalya Archaeology Museum, Turkey.<br />
<br />
it is from the group of tombs classified as. "Columned Sarcophagi of Asia Minor”. The lid of the sarcophagus is sculpted into the form of a “Kline” style Roman couch on which lie Julianus &  Philiska. This type of Sarcophagus is also known as a Sydemara Type of Tomb.. Against a white background.
  • Roman relief sculpted sarcophagus of Aurelia Botiano and Demetria depicted reclining on the lid, 2nd century AD, Perge Inv 1.35.99. Antalya Archaeology Museum, Turkey.<br />
<br />
it is from the group of tombs classified as. "Columned Sarcophagi of Asia Minor”. The lid of the sarcophagus is sculpted into the form of a “Kline” style Roman couch on which lie Julianus &  Philiska. This type of Sarcophagus is also known as a Sydemara Type of Tomb.. Against a grey background.
  • Roman relief sculpted sarcophagus depicting a scene with Dionysus made in a Greek Attica workshop, 3rd century AD, Perge Inv 1.35.99. Antalya Archaeology Museum, Turkey.<br />
<br />
The lid of the sarcophagus is sculpted into the form of a “Kline” style Roman couch on which lie Julianus &  Philiska. This type of Sarcophagus is also known as a Sydemara Type of Tomb.
  • Roman relief sculpted sarcophagus of Aurelia Botiano and Demetria depicted reclining on the lid, 2nd century AD, Perge Inv 1.35.99. Antalya Archaeology Museum, Turkey.<br />
<br />
it is from the group of tombs classified as. "Columned Sarcophagi of Asia Minor”. The lid of the sarcophagus is sculpted into the form of a “Kline” style Roman couch on which lie Julianus &  Philiska. This type of Sarcophagus is also known as a Sydemara Type of Tomb.. Against a black background.
  • Sleeping Hermaphroditus, The Borghese Hermaphrodite.  A Life size ancient 2nd century AD Roman statue sculpted in Greek Marble and found in the grounds of Santa Maria della Vittoria, near the Baths of Diocletian, Rome. It was added to the Borghese Collection by Cardinal Scipione Borghese, in the 17th century and was named the "Borghese Hermaphroditus”. It was later sold to the occupying French and was removed it to The Louvre. Hermaphrodite, son of Hermes and Aphrodite had repels the advances of the nymph Salmacis. However, she got Zeus as their two bodies are united in a bisexual being. The Sleeping Hermaphroditus has been described as a good early Imperial Roman copy of a bronze original by the later of the two Hellenistic sculptors named Polycles (150 BC) the original bronze was mentioned in Pliny's Natural History. In 1619  Bernini sculpted the mattress on which the ancient marble of Hermaphrodite lies. Louvre Museum, Paris
  • Sleeping Hermaphroditus, The Borghese Hermaphrodite.  A Life size ancient 2nd century AD Roman statue sculpted in Greek Marble and found in the grounds of Santa Maria della Vittoria, near the Baths of Diocletian, Rome. It was added to the Borghese Collection by Cardinal Scipione Borghese, in the 17th century and was named the "Borghese Hermaphroditus”. It was later sold to the occupying French and was removed it to The Louvre. Hermaphrodite, son of Hermes and Aphrodite had repels the advances of the nymph Salmacis. However, she got Zeus as their two bodies are united in a bisexual being. The Sleeping Hermaphroditus has been described as a good early Imperial Roman copy of a bronze original by the later of the two Hellenistic sculptors named Polycles (150 BC) the original bronze was mentioned in Pliny's Natural History. In 1619  Bernini sculpted the mattress on which the ancient marble of Hermaphrodite lies. Louvre Museum, Paris
  • Roman relief sculpted sarcophagus of Domitias Julianus and Domita Philiska, 2nd century AD, Perge. Antalya Archaeology Museum, Turkey.<br />
<br />
<br />
it is from the group of tombs classified as. "Columned Sarcophagi of Asia Minor”. <br />
The lid of the sarcophagus is sculpted into the form of a “Kline” style Roman couch on which lie Julianus &  Philiska. This type of Sarcophagus is also known as a Sydemara Type of Tomb. . Against a black background.
  • Roman relief sculpted sarcophagus of Domitias Julianus and Domita Philiska, 2nd century AD, Perge. Antalya Archaeology Museum, Turkey.<br />
<br />
<br />
it is from the group of tombs classified as. "Columned Sarcophagi of Asia Minor”. <br />
The lid of the sarcophagus is sculpted into the form of a “Kline” style Roman couch on which lie Julianus &  Philiska. This type of Sarcophagus is also known as a Sydemara Type of Tomb.. Against a warm art background.
  • Roman relief sculpted sarcophagus depicting a scene with Dionysus made in a Greek Attica workshop, 3rd century AD, Perge Inv 1.35.99. Antalya Archaeology Museum, Turkey . Against a white background.<br />
<br />
The lid of the sarcophagus is sculpted into the form of a “Kline” style Roman couch on which lie Julianus &  Philiska. This type of Sarcophagus is also known as a Sydemara Type of Tomb.
  • Roman relief sculpted sarcophagus depicting a scene with Dionysus made in a Greek Attica workshop, 3rd century AD, Perge Inv 1.35.99. Antalya Archaeology Museum, Turkey.. Against a white background.<br />
The lid of the sarcophagus is sculpted into the form of a “Kline” style Roman couch on which lie Julianus &  Philiska. This type of Sarcophagus is also known as a Sydemara Type of Tomb.
  • Roman relief sculpted sarcophagus of Aurelia Botiano and Demetria depicted reclining on the lid, 2nd century AD, Perge Inv 1.35.99. Antalya Archaeology Museum, Turkey.<br />
<br />
it is from the group of tombs classified as. "Columned Sarcophagi of Asia Minor”. The lid of the sarcophagus is sculpted into the form of a “Kline” style Roman couch on which lie Julianus &  Philiska. This type of Sarcophagus is also known as a Sydemara Type of Tomb.. Against a warm art background.
  • Roman relief sculpted sarcophagus of Aurelia Botiano and Demetria depicted reclining on the lid, 2nd century AD, Perge Inv 1.35.99. Antalya Archaeology Museum, Turkey.<br />
<br />
it is from the group of tombs classified as. "Columned Sarcophagi of Asia Minor”. The lid of the sarcophagus is sculpted into the form of a “Kline” style Roman couch on which lie Julianus &  Philiska. This type of Sarcophagus is also known as a Sydemara Type of Tomb.
  • Roman relief sculpted sarcophagus of Domitias Julianus and Domita Philiska depicted reclining on the lid, 2nd century AD, Perge. Antalya Archaeology Museum, Turkey.<br />
<br />
it is from the group of tombs classified as. "Columned Sarcophagi of Asia Minor”. <br />
The lid of the sarcophagus is sculpted into the form of a “Kline” style Roman couch on which lie Julianus &  Philiska. This type of Sarcophagus is also known as a Sydemara Type of Tomb.. Against a white background.
  • Roman relief sculpted sarcophagus of Domitias Julianus and Domita Philiska depicted reclining on the lid, 2nd century AD, Perge. Antalya Archaeology Museum, Turkey.. Against a grey background.<br />
<br />
it is from the group of tombs classified as. "Columned Sarcophagi of Asia Minor”. <br />
The lid of the sarcophagus is sculpted into the form of a “Kline” style Roman couch on which lie Julianus &  Philiska. This type of Sarcophagus is also known as a Sydemara Type of Tomb.
  • Roman relief sculpted sarcophagus of Domitias Julianus and Domita Philiska depicted reclining on the lid, 2nd century AD, Perge. Antalya Archaeology Museum, Turkey.. Against a black background.<br />
<br />
it is from the group of tombs classified as. "Columned Sarcophagi of Asia Minor”. <br />
The lid of the sarcophagus is sculpted into the form of a “Kline” style Roman couch on which lie Julianus &  Philiska. This type of Sarcophagus is also known as a Sydemara Type of Tomb.
  • Roman relief sculpted sarcophagus of Domitias Julianus and Domita Philiska depicted reclining on the lid, 2nd century AD, Perge. Antalya Archaeology Museum, Turkey.<br />
<br />
it is from the group of tombs classified as. "Columned Sarcophagi of Asia Minor”. <br />
The lid of the sarcophagus is sculpted into the form of a “Kline” style Roman couch on which lie Julianus &  Philiska. This type of Sarcophagus is also known as a Sydemara Type of Tomb.
  • Sleeping Hermaphroditus.  A Life size ancient 2nd century AD Roman statue sculpted in Greek Marble and found in the grounds of Santa Maria della Vittoria, near the Baths of Diocletian, Rome. It was added to the Borghese Collection by Cardinal Scipione Borghese, in the 17th century and was named the "Borghese Hermaphroditus”. It was later sold to the occupying French and was removed it to The Louvre. Hermaphrodite, son of Hermes and Aphrodite had repels the advances of the nymph Salmacis. However, she got Zeus as their two bodies are united in a bisexual being. The Sleeping Hermaphroditus has been described as a good early Imperial Roman copy of a bronze original by the later of the two Hellenistic sculptors named Polycles (150 BC) the original bronze was mentioned in Pliny's Natural History. In 1619  Bernini sculpted the mattress on which the ancient marble of Hermaphrodite lies. Louvre Museum, Paris
  • Sleeping Hermaphroditus, The Borghese Hermaphrodite.  A Life size ancient 2nd century AD Roman statue sculpted in Greek Marble and found in the grounds of Santa Maria della Vittoria, near the Baths of Diocletian, Rome. It was added to the Borghese Collection by Cardinal Scipione Borghese, in the 17th century and was named the "Borghese Hermaphroditus”. It was later sold to the occupying French and was removed it to The Louvre. Hermaphrodite, son of Hermes and Aphrodite had repels the advances of the nymph Salmacis. However, she got Zeus as their two bodies are united in a bisexual being. The Sleeping Hermaphroditus has been described as a good early Imperial Roman copy of a bronze original by the later of the two Hellenistic sculptors named Polycles (150 BC) the original bronze was mentioned in Pliny's Natural History. In 1619  Bernini sculpted the mattress on which the ancient marble of Hermaphrodite lies. Louvre Museum, Paris
  • Sleeping Hermaphroditus, The Borghese Hermaphrodite.  A Life size ancient 2nd century AD Roman statue sculpted in Greek Marble and found in the grounds of Santa Maria della Vittoria, near the Baths of Diocletian, Rome. It was added to the Borghese Collection by Cardinal Scipione Borghese, in the 17th century and was named the "Borghese Hermaphroditus”. It was later sold to the occupying French and was removed it to The Louvre. Hermaphrodite, son of Hermes and Aphrodite had repels the advances of the nymph Salmacis. However, she got Zeus as their two bodies are united in a bisexual being. The Sleeping Hermaphroditus has been described as a good early Imperial Roman copy of a bronze original by the later of the two Hellenistic sculptors named Polycles (150 BC) the original bronze was mentioned in Pliny's Natural History. In 1619  Bernini sculpted the mattress on which the ancient marble of Hermaphrodite lies. Louvre Museum, Paris
  • Roman relief sculpted sarcophagus of Domitias Julianus and Domita Philiska, 2nd century AD, Perge. Antalya Archaeology Museum, Turkey.<br />
<br />
<br />
it is from the group of tombs classified as. "Columned Sarcophagi of Asia Minor”. <br />
The lid of the sarcophagus is sculpted into the form of a “Kline” style Roman couch on which lie Julianus &  Philiska. This type of Sarcophagus is also known as a Sydemara Type of Tomb. Against a grey background.
  • Roman relief sculpted sarcophagus of Domitias Julianus and Domita Philiska, 2nd century AD, Perge. Antalya Archaeology Museum, Turkey.<br />
<br />
<br />
it is from the group of tombs classified as. "Columned Sarcophagi of Asia Minor”. <br />
The lid of the sarcophagus is sculpted into the form of a “Kline” style Roman couch on which lie Julianus &  Philiska. This type of Sarcophagus is also known as a Sydemara Type of Tomb.
  • Roman relief sculpted sarcophagus of Domitias Julianus and Domita Philiska, 2nd century AD, Perge. Antalya Archaeology Museum, Turkey.<br />
<br />
<br />
it is from the group of tombs classified as. "Columned Sarcophagi of Asia Minor”. <br />
The lid of the sarcophagus is sculpted into the form of a “Kline” style Roman couch on which lie Julianus &  Philiska. This type of Sarcophagus is also known as a Sydemara Type of Tomb.
  • Roman relief sculpted sarcophagus depicting a scene with Dionysus made in a Greek Attica workshop, 3rd century AD, Perge Inv 1.35.99. Antalya Archaeology Museum, Turkey.<br />
<br />
The lid of the sarcophagus is sculpted into the form of a “Kline” style Roman couch on which lie Julianus &  Philiska. This type of Sarcophagus is also known as a Sydemara Type of Tomb. Against a black background.
  • Roman relief sculpted sarcophagus depicting a scene with Dionysus made in a Greek Attica workshop, 3rd century AD, Perge Inv 1.35.99. Antalya Archaeology Museum, Turkey.<br />
<br />
The lid of the sarcophagus is sculpted into the form of a “Kline” style Roman couch on which lie Julianus &  Philiska. This type of Sarcophagus is also known as a Sydemara Type of Tomb.. Against a grey background.
  • Sleeping Hermaphroditus, The Borghese Hermaphrodite.  A Life size ancient 2nd century AD Roman statue sculpted in Greek Marble and found in the grounds of Santa Maria della Vittoria, near the Baths of Diocletian, Rome. It was added to the Borghese Collection by Cardinal Scipione Borghese, in the 17th century and was named the "Borghese Hermaphroditus”. It was later sold to the occupying French and was removed it to The Louvre. Hermaphrodite, son of Hermes and Aphrodite had repels the advances of the nymph Salmacis. However, she got Zeus as their two bodies are united in a bisexual being. The Sleeping Hermaphroditus has been described as a good early Imperial Roman copy of a bronze original by the later of the two Hellenistic sculptors named Polycles (150 BC) the original bronze was mentioned in Pliny's Natural History. In 1619  Bernini sculpted the mattress on which the ancient marble of Hermaphrodite lies. Louvre Museum, Paris
  • Sleeping Hermaphroditus.  A Life size ancient 2nd century AD Roman statue sculpted in Greek Marble and found in the grounds of Santa Maria della Vittoria, near the Baths of Diocletian, Rome. It was added to the Borghese Collection by Cardinal Scipione Borghese, in the 17th century and was named the "Borghese Hermaphroditus”. It was later sold to the occupying French and was removed it to The Louvre. Hermaphrodite, son of Hermes and Aphrodite had repels the advances of the nymph Salmacis. However, she got Zeus as their two bodies are united in a bisexual being. The Sleeping Hermaphroditus has been described as a good early Imperial Roman copy of a bronze original by the later of the two Hellenistic sculptors named Polycles (150 BC) the original bronze was mentioned in Pliny's Natural History. In 1619  Bernini sculpted the mattress on which the ancient marble of Hermaphrodite lies. Louvre Museum, Paris
  • Sleeping Hermaphroditus.  A Life size ancient 2nd century AD Roman statue sculpted in Greek Marble and found in the grounds of Santa Maria della Vittoria, near the Baths of Diocletian, Rome. It was added to the Borghese Collection by Cardinal Scipione Borghese, in the 17th century and was named the "Borghese Hermaphroditus”. It was later sold to the occupying French and was removed it to The Louvre. Hermaphrodite, son of Hermes and Aphrodite had repels the advances of the nymph Salmacis. However, she got Zeus as their two bodies are united in a bisexual being. The Sleeping Hermaphroditus has been described as a good early Imperial Roman copy of a bronze original by the later of the two Hellenistic sculptors named Polycles (150 BC) the original bronze was mentioned in Pliny's Natural History. In 1619  Bernini sculpted the mattress on which the ancient marble of Hermaphrodite lies. Louvre Museum, Paris
  • Roman relief sculpted sarcophagus of Domitias Julianus and Domita Philiska, 2nd century AD, Perge. Antalya Archaeology Museum, Turkey.<br />
<br />
<br />
it is from the group of tombs classified as. "Columned Sarcophagi of Asia Minor”. <br />
The lid of the sarcophagus is sculpted into the form of a “Kline” style Roman couch on which lie Julianus &  Philiska. This type of Sarcophagus is also known as a Sydemara Type of Tomb. . Against a black background.
  • Roman relief sculpted sarcophagus of Domitias Julianus and Domita Philiska, 2nd century AD, Perge. Antalya Archaeology Museum, Turkey.<br />
<br />
<br />
it is from the group of tombs classified as. "Columned Sarcophagi of Asia Minor”. <br />
The lid of the sarcophagus is sculpted into the form of a “Kline” style Roman couch on which lie Julianus &  Philiska. This type of Sarcophagus is also known as a Sydemara Type of Tomb.. Against a grey background.
  • Roman relief sculpted sarcophagus of Domitias Julianus and Domita Philiska, 2nd century AD, Perge. Antalya Archaeology Museum, Turkey.<br />
<br />
<br />
it is from the group of tombs classified as. "Columned Sarcophagi of Asia Minor”. <br />
The lid of the sarcophagus is sculpted into the form of a “Kline” style Roman couch on which lie Julianus &  Philiska. This type of Sarcophagus is also known as a Sydemara Type of Tomb.
  • Roman relief sculpted sarcophagus depicting a scene with Dionysus made in a Greek Attica workshop, 3rd century AD, Perge Inv 1.35.99. Antalya Archaeology Museum, Turkey.<br />
<br />
The lid of the sarcophagus is sculpted into the form of a “Kline” style Roman couch on which lie Julianus &  Philiska. This type of Sarcophagus is also known as a Sydemara Type of Tomb.
  • Roman relief sculpted sarcophagus depicting a scene with Dionysus made in a Greek Attica workshop, 3rd century AD, Perge Inv 1.35.99. Antalya Archaeology Museum, Turkey.<br />
<br />
The lid of the sarcophagus is sculpted into the form of a “Kline” style Roman couch on which lie Julianus &  Philiska. This type of Sarcophagus is also known as a Sydemara Type of Tomb.
  • Roman relief sculpted sarcophagus depicting a scene with Dionysus made in a Greek Attica workshop, 3rd century AD, Perge Inv 1.35.99. Antalya Archaeology Museum, Turkey.<br />
<br />
The lid of the sarcophagus is sculpted into the form of a “Kline” style Roman couch on which lie Julianus &  Philiska. This type of Sarcophagus is also known as a Sydemara Type of Tomb.
  • Roman relief sculpted sarcophagus depicting a scene with Dionysus made in a Greek Attica workshop, 3rd century AD, Perge Inv 1.35.99. Antalya Archaeology Museum, Turkey.<br />
<br />
The lid of the sarcophagus is sculpted into the form of a “Kline” style Roman couch on which lie Julianus &  Philiska. This type of Sarcophagus is also known as a Sydemara Type of Tomb. Against a black background.
  • Roman relief sculpted sarcophagus depicting a scene with Dionysus made in a Greek Attica workshop, 3rd century AD, Perge Inv 1.35.99. Antalya Archaeology Museum, Turkey.<br />
<br />
The lid of the sarcophagus is sculpted into the form of a “Kline” style Roman couch on which lie Julianus &  Philiska. This type of Sarcophagus is also known as a Sydemara Type of Tomb.. Against a warm art background.
  • Roman relief sculpted sarcophagus of Domitias Julianus and Domita Philiska depicted reclining on the lid, 2nd century AD, Perge. Antalya Archaeology Museum, Turkey.<br />
<br />
it is from the group of tombs classified as. "Columned Sarcophagi of Asia Minor”. <br />
The lid of the sarcophagus is sculpted into the form of a “Kline” style Roman couch on which lie Julianus &  Philiska. This type of Sarcophagus is also known as a Sydemara Type of Tomb.. Against a warm art background.
  • Sleeping Hermaphroditus.  A Life size ancient 2nd century AD Roman statue sculpted in Greek Marble and found in the grounds of Santa Maria della Vittoria, near the Baths of Diocletian, Rome. It was added to the Borghese Collection by Cardinal Scipione Borghese, in the 17th century and was named the "Borghese Hermaphroditus”. It was later sold to the occupying French and was removed it to The Louvre. Hermaphrodite, son of Hermes and Aphrodite had repels the advances of the nymph Salmacis. However, she got Zeus as their two bodies are united in a bisexual being. The Sleeping Hermaphroditus has been described as a good early Imperial Roman copy of a bronze original by the later of the two Hellenistic sculptors named Polycles (150 BC) the original bronze was mentioned in Pliny's Natural History. In 1619  Bernini sculpted the mattress on which the ancient marble of Hermaphrodite lies. Louvre Museum, Paris
  • Roman relief sculpted sarcophagus of Domitias Julianus and Domita Philiska, 2nd century AD, Perge. Antalya Archaeology Museum, Turkey.<br />
<br />
<br />
it is from the group of tombs classified as. "Columned Sarcophagi of Asia Minor”. <br />
The lid of the sarcophagus is sculpted into the form of a “Kline” style Roman couch on which lie Julianus &  Philiska. This type of Sarcophagus is also known as a Sydemara Type of Tomb.. Against a warm art background.
  • Roman relief sculpted sarcophagus of Achilles from Attica. This side shows scenes from the life of Achilles and bears characteristics of the Late Antonines Period of the Roman Imperial Period between 170-190 AD. Adana Archaeology Museum, Turkey. Against a white background
  • Roman relief sculpted sarcophagus of Achilles from Attica. This side shows scenes from the life of Achilles and bears characteristics of the Late Antonines Period of the Roman Imperial Period between 170-190 AD. Adana Archaeology Museum, Turkey. Against a warm art background
  • End panel of a Roman relief sculpted Hercules sarcophagus with kline couch lid, "Columned Sarcophagi of Asia Minor” style typical of Sidamara, 250-260 AD, Konya Archaeological Museum, Turkey. Against a grey background
  • Roman relief garland  sculpted sarcophagus, style typical of Pamphylia, 3rd Century AD, Konya Archaeological Museum, Turkey. Against a white background
  • Roman relief garland  sculpted sarcophagus, style typical of Pamphylia, 3rd Century AD, Konya Archaeological Museum, Turkey. Against a white background
  • Roman relief garland  sculpted sarcophagus, style typical of Pamphylia, 3rd Century AD, Konya Archaeological Museum, Turkey. Against a warm art background.
  • Roman relief sculpted Hercules sarcophagus with kline couch lid, "Columned Sarcophagi of Asia Minor” style typical of Sidamara, 250-260 AD, Konya Archaeological Museum, Turkey. Against a white background.
  • Roman relief sculpted Hercules sarcophagus with kline couch lid, "Columned Sarcophagi of Asia Minor” style typical of Sidamara, 250-260 AD, Konya Archaeological Museum, Turkey. Against a black background
  • Roman relief sculpted sarcophagus with kline couch lid with a reclining male figuer depicted, "Columned Sarcophagi of Asia Minor” style typical of Sidamara, 3rd Century AD, Konya Archaeological Museum, Turkey. Against a black background
  • Side panel of a Roman relief sculpted Hercules sarcophagus with kline couch lid, "Columned Sarcophagi of Asia Minor” style typical of Sidamara, 250-260 AD, Konya Archaeological Museum, Turkey. Against a black background
  • Side panel of a Roman relief sculpted sarcophagus with kline couch lid, "Columned Sarcophagi of Asia Minor” style typical of Sidamara, 3rd Century AD, Konya Archaeological Museum, Turkey. Against a warm art background.
  • Roman relief sculpted sarcophagus with hunting scene, 2nd century AD, Perge, inv A167. Antalya Archaeology Museum, Turkey. Against a black background.
  • Pictures & Images Hittite relief sculpted orthostat panels of the Sphinx Gate. Panel depicts a lion god. Alaca Hoyuk (Alacahoyuk) Hittite archaeological site  Alaca, Çorum Province, Turkey, Also known as Alacahüyük, Aladja-Hoyuk, Euyuk, or Evuk
  • Pictures & Images Hittite relief sculpted orthostat panels of the Sphinx Gate. A king and Queen make offerings to a Bull God.  Alaca Hoyuk (Alacahoyuk) Hittite archaeological site  Alaca, Çorum Province, Turkey, Also known as Alacahüyük, Aladja-Hoyuk, Euyuk, or Evuk
  • Phrygian relief sculpted orthostat stone panel Andesite, Atateirk Orman ciftligi, Ankara, 12OO-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Winged griffin with a bird's head and a lion's body. There is a bird's head at the end of its tail. The chest was processed like fish scales. Its wing extends along the body. Muscles in its legs are schematic. <br />
<br />
Against a black background.
  • Photo of Phrygian relief sculpted orthostat stone panel Andesite, Atateirk Orman ciftligi, Ankara, 12OO-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Winged griffin with a bird's head and a lion's body. There is a bird's head at the end of its tail. The chest was processed like fish scales. Its wing extends along the body. Muscles in its legs are schematic. <br />
<br />
Against a brown art background.
  • Hittite monumental relief sculpted orthostat stone panel from Water Gate Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
 A portion of the body and the feet of the Sphinx. Its chest was processed as fish flakes. Parallel lines on its wings draw attention.  <br />
<br />
On a white background.
  • Hittite monumental relief sculpted orthostat stone panel of Water Gate. Basalt, 900 - 700 BC. Anatolian Civilisations Museum. Ankara. Turkey.<br />
<br />
Fragment of Two bull men holding the trunk of the tree in the middle. The faces of the figures, having tufts in both temples over the chain, have been depicted from the front direction. The horned figures with bull like ears and legs have human bodies. <br />
<br />
On a black background.
  • Hittite monumental relief sculpted orthostat stone panel from Water Gate Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 BC.  Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
The figure sitting on a stool to the left of the table holds a goblet in his right hand which he raised upwards. Behind, there is a servant with a fan in his hand. On the other side of the table is another servant waits with a vessel in the hands. The rightmost figure plays a Saz (a stringed musical instrument) with the tassel on the handle. <br />
<br />
On a white background.
  • Hittite monumental relief sculpted orthostat stone panel from Water Gate Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 BC.  Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
The figure sitting on a stool to the left of the table holds a goblet in his right hand which he raised upwards. Behind, there is a servant with a fan in his hand. On the other side of the table is another servant waits with a vessel in the hands. The rightmost figure plays a Saz (a stringed musical instrument) with the tassel on the handle. <br />
<br />
On a grey art background.
  • Hittite monumental relief sculpted orthostat stone panel from Water Gate Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish). 900-700 BC . Stag. Anatolian Civilisations Museum, Ankara, Turkey. With his large and many branched antler, he walks towards the right. <br />
<br />
On a white background.
  • Picture & image of Hittite monumental relief sculpted orthostat stone panel from Water Gate Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish). 900-700 BC . Stag. Anatolian Civilisations Museum, Ankara, Turkey. With his large and many branched antler, he walks towards the right. <br />
<br />
On a gray background.
  • Hittite monumental relief sculpted orthostat stone panel Orthostats of a Procession. Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900 700 BC. Griffin. Anatolian Civilisations Museum. Ankara. Bird - headed lions standing opposite on their hind legs (griffin). It is symmetric. <br />
<br />
Against a grey art background.
  • Hittite monumental relief sculpted orthostat stone panel of a Procession. Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C.  Marching female figures. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
It is a depiction of three marching female figures in long dress with a high headdress at their head. These women are considered to be the nuns of the Goddess Kubaba. They have a bunch of Spica in their right hand, and objects similar to a sceptre in their left hand. <br />
<br />
Against a black background.
  • Hittite monumental relief sculpted orthostat stone panel of a Procession. Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C.  Marching female figures. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
It is a depiction of three marching female figures in long dress with a high headdress at their head. These women are considered to be the nuns of the Goddess Kubaba. They have a bunch of Spica in their right hand, and objects similar to a sceptre in their left hand.
  • Picture & image of Hittite monumental relief sculpted orthostat stone panel of Herald's Wall Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Military parade. Two helmeted soldiers in short skirts carry the shield on their backs and the spears in their hands. <br />
<br />
Against a gray background.
  • Hittite monumental relief sculpted orthostat stone panel from the Herald's Wall. Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Military parade. Anatolian Civilisations Museum, Ankara, Turkey. Two helmeted soldiers in short skirts carry the shield on their backs and the spears in their hands.  <br />
<br />
Against a black background.
  • Hittite monumental relief sculpted orthostat stone panel of Royal Buttress. Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Hieroglyph panel1 (left) - Discourse of Yariris. Yariris presents his predecessor, the eldest son Kamanis, to his people. <br />
Second From left panel 2  -  King Araras holds his son Kamanis from the wrist. King carries a sceptre in his hand and a sword at his waist while the prince leans on a stick and carries a sword on his shoulder. <br />
Hieroglyphs reads; "This is Kamanis and his siblings.) held his hand and despite the fact that he is a child, I located him on the temple. This is Yariris' image".  <br />
<br />
Panel 3 - This panels scene showing 8 out of 10 children of the King, the hieroglyphs reads as follows: "Malitispas, Astitarhunzas, Tamitispas,Isikaritispas, Sikaras, Halpawaris, Ya hilatispas". Above, there are three figures holding knucklebones (astragalus) and one figure walking by leaning on a stick; below are two each figures playing the knucklebones and turning whirligigs.<br />
 <br />
Panel 4 - The queen carries her youngest son. The hieroglyphs located above read; "and this is Tuwarsais; the prince desired by the ruler, whose exclusiveness has been exposed". While the queen carries her son in her lap, she holds the rope of the colt coming behind with her other hand. The muscles of the colt are schematic. <br />
<br />
Against a black background.
  • Hittite monumental relief sculpted orthostat stone panel of Royal Buttress. Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
King Araras holds his son Kamanis from the wrist. King carries a sceptre in his hand and a sword at his waist while the prince leans on a stick and carries a sword on his shoulder. <br />
<br />
Hieroglyphs reads; "This is Kamanis and his siblings. I held his hand and despite the fact that he is a child, I located him on the temple. This is Yariris' image".  <br />
<br />
Against a white background.
  • Hittite relief sculpted orthostat stone panel of Royal Buttress. Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B C. Warriors. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Two figures are seen, each with a long dress, a thick belt and curled hair. The figure in front carries a spear in his left hand and a long sword at his waist, and the figure behind carries an axe in his left hand and a quiver on his back.   <br />
<br />
Against a grey art background.
  • Hittite relief sculpted orthostat stone panel of Long Wall Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey<br />
<br />
Two figures lying over the lion. There is a crescent at the head of the winged god at the front. It is thought that the figure at the front is moon god and the one at the rear is sun god. <br />
<br />
On a White Background.
  • Hittite relief sculpted orthostat stone panel of Long Wall Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey<br />
<br />
Two figures lying over the lion. There is a crescent at the head of the winged god at the front. It is thought that the figure at the front is moon god and the one at the rear is sun god. <br />
<br />
On a grey art background.
  • Hittite relief sculpted orthostat stone panel of Long Wall Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900 - 700 B.C. Anatolian Civilizations Museum, Ankara, Turkey.<br />
<br />
Goddess Kubaba. Goddess is depicted from the profile. The part below the chest of the relief is broken. She holds a pomegranate in her hands on her chest. She carries a one-horned headdress on her head. Her braided hair hangs down to her shoulder. The text in the hieroglyphics is not understood. The lower part of the relief has been restored. <br />
<br />
On a grey art background.
  • Photo of Hittite relief sculpted orthostat stone panel of Long Wall Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilizations Museum, Ankara, Turkey.<br />
<br />
Goddess Kubaba. Goddess is depicted from the profile. The part below the chest of the relief is broken. She holds a pomegranate in her hands on her chest. She carries a one-horned headdress on her head. Her braided hair hangs down to her shoulder. The text in the hieroglyphics is not understood. The lower part of the relief has been restored. <br />
<br />
On a brown art background.
  • Hittite relief sculpted orthostat stone panel of Long Wall Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900 - 700 BC. Anatolian Civilizations Museum, Ankara, Turkey.<br />
<br />
Chariot. One of the two figures in the chariot holds the horse's headstall while the other throws arrows. There is a naked enemy with an arrow in his hip lying face down under the horse's feet. It is thought that this figure is depicted smaller than the other figures since it is an enemy soldier. The tower part of the orthostat is decorated with braiding motifs.<br />
<br />
On a White Background.
  • Hittite relief sculpted orthostat stone panel of Long Wall Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900 -700 B.C. Anatolian Civilisations Museum, Ankara, Turkey<br />
<br />
Chariot. One of the two figures in the chariot holds the horse's headstall while the other throws arrows. There is a naked enemy with an arrow in his hip lying face down under the horse's feet. It is thought that this figure is depicted smaller than the other figures since it is an enemy soldier. The lower part of the orthostat is decorated with braiding motifs.<br />
<br />
On a White Background.
  • Hittite relief sculpted orthostat stone panel of Long Wall Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900 - 700 B.C. Chariot. Anatolian Civilisations Museum, Ankara, Turkey<br />
<br />
One of the two figures in the chariot holds the horse's headstall while the other throws arrows. There is a naked enemy with an arrow in his hip lying face down under the horse's feet It is thought that this figure is depicted smaller than the other figures since it is an enemy soldier. The lower part of the orthostat is decorated with braiding motifs. <br />
<br />
On a gray background.
  • Picture & image of Hittite sculpted Orthostats panel from the  Long Wall.  Limestone, Kargarmis, Gaziantep, 900 - 700 BC,  Hieroglyph. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
In the epigraph with hieroglyph, he narrates that the gods were provoked against him, the account of the cities conquered and the spoils of war; that he allocated a share for the gods, and that he instigated the mighty king Tarhunza and the other gods. In the other lines, he demands that people should present offerings to statues but should evil-intentioned people be among them, such person individuals be punished by the gods.  <br />
<br />
On a gray background.
  • Hittite sculpted orthostats panels of Long Wall Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Soldiers. Anatolian Civilisations Museum, Ankara, Turkey<br />
<br />
Figures of helmeted warriors. They have their shield in their back and their spear in their hand. The prisoner in their front is depicted as small. The lower part of the orthostat is decorated with braiding motifs. <br />
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On a grey art background.
  • Photo of Hittite relief sculpted orthostat stone panel of Herald's Wall. Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Military parade. Anatolian Civilisations Museum, Ankara, Turkey.<br />
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Three helmeted soldiers in short skirts carry the shield on their backs and the spears in their hands. The bottom right part of the relief was left untreated since the pedestal stood in front of it. <br />
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Against a black background.

FunkyStock Picture Library Resource

Picture The Past

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FunkyStock Picture Library free resource for professional editorial picture editors, picture researchers, historical scholars and students and enthusiasts who want to browse some of the best pictures and images of historic countries, historical places, archaeological sites and the very best museum antiquities and artefacts exhibits in Europe and the Middle East.

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