• Yellow Oyster mushrooms sauteed in butter and served on sour dough toast with wild rocket
  • Wiild  chanterelle or girolle (Cantharellus cibarius), Pied de Mouton Mushrooms (hydnum repandum) or hedgehog mushrooms, Pied Bleu of blue foot mushrooms (Clitocybe nuda) with spaghetti
  • Yellow Oyster mushroom stir fry with noodles, mange tout, red pepper, spring onions and start anise
  • Sauteed Yellow Oyster mushroom with Cavatappi pasta also known as cellentani, amori, spirali, tortiglioni, or fusilli rigati
  • Yellow Oyster mushroom stir fry with noodles, mange tout, red pepper, spring onions and start anise
  • Yellow Oyster mushrooms sauteed in butter and served with scambled egg on sour dough toast with wild rocket
  • Yellow Oyster mushrooms sauteed in butter and served with scambled egg on sour dough toast with wild rocket
  • Yellow Oyster mushrooms sauteed in butter and served on sour dough toast with wild rocket
  • Yellow Oyster mushrooms sauteed in butter and served on sour dough toast with wild rocket
  • Yellow Oyster mushrooms sauteed in butter and served with scambled egg on sour dough toast with wild rocket
  • Yellow Oyster mushrooms sauteed in butter and served with scambled egg on sour dough toast with wild rocket
  • Yellow Oyster mushrooms sauteed in butter and served with scambled egg on sour dough toast with wild rocket
  • Yellow Oyster mushrooms sauteed in butter and served with scambled egg on sour dough toast with wild rocket
  • Yellow Oyster mushrooms sauteed in butter and served on sour dough toast with wild rocket
  • Yellow Oyster mushrooms sauteed in butter and served on sour dough toast with wild rocket
  • Yellow Oyster mushrooms sauteed in butter and served on sour dough toast with wild rocket
  • Yellow Oyster mushrooms sauteed in butter and served with scambled egg , sour dough  fried bread and wild rocket
  • Yellow Oyster mushrooms sauteed in butter and served with scambled egg on sour dough toast with wild rocket
  • Yellow Oyster mushrooms sauteed in butter and served with scambled egg on sour dough toast with wild rocket
  • Yellow Oyster mushrooms sauteed in butter and served on sour dough toast with wild rocket
  • Yellow Oyster mushrooms sauteed in butter and served on sour dough toast with wild rocket
  • Pictures & images of the medieval Georgian Orthodox apse fresco of the Hodegetria, 16th century,  Ninotsminda Cathedral ruins, Sagarejo, in the Kakheti region, Georgia (country).<br />
<br />
Ninotsminda Cathedral is a highly important Georgian architectural building, which served as a model for the development of the later tetraconch, four-apse design of church.
  • Pictures & images of the medieval Georgian Orthodox apse fresco of the Hodegetria, 16th century,  Ninotsminda Cathedral ruins, Sagarejo, in the Kakheti region, Georgia (country).<br />
<br />
Ninotsminda Cathedral is a highly important Georgian architectural building, which served as a model for the development of the later tetraconch, four-apse design of church.
  • Pictures & images of the medieval Georgian Orthodox  brick belltower within the same complex dating from 1520-1574, Ninotsminda Cathedral ruins, 575 AD, Sagarejo, in the Kakheti region, Georgia (country).<br />
<br />
Ninotsminda Cathedral is a highly important Georgian architectural building, which served as a model for the development of the later tetraconch, four-apse design of church.
  • Pictures & images of the medieval the fortified curtain wall of  Ninotsminda Cathedral, 575 AD, Sagarejo, in the Kakheti region, Georgia (country).<br />
<br />
Ninotsminda Cathedral is a highly important Georgian architectural building, which served as a model for the development of the later tetraconch, four-apse design of church.
  • Pictures & images of the medieval Georgian Orthodox Ninotsminda Cathedral ruins, 575 AD, Sagarejo, in the Kakheti region, Georgia (country).<br />
<br />
Ninotsminda Cathedral is a highly important Georgian architectural building, which served as a model for the development of the later tetraconch, four-apse design of church.
  • Pictures & images of the medieval Georgian Orthodox Ninotsminda Cathedral ruins, 575 AD, Sagarejo, in the Kakheti region, Georgia (country).<br />
<br />
Ninotsminda Cathedral is a highly important Georgian architectural building, which served as a model for the development of the later tetraconch, four-apse design of church.
  • Pictures & images of the medieval the fortified curtain wall of  Ninotsminda Cathedral, 575 AD, Sagarejo, in the Kakheti region, Georgia (country).<br />
<br />
Ninotsminda Cathedral is a highly important Georgian architectural building, which served as a model for the development of the later tetraconch, four-apse design of church.
  • Pictures & images of the medieval Georgian Orthodox Ninotsminda Cathedral ruins, 575 AD, Sagarejo, in the Kakheti region, Georgia (country).<br />
<br />
Ninotsminda Cathedral is a highly important Georgian architectural building, which served as a model for the development of the later tetraconch, four-apse design of church.
  • Pictures & images of the medieval Georgian Orthodox Ninotsminda Cathedral ruins, 575 AD, Sagarejo, in the Kakheti region, Georgia (country).<br />
<br />
Ninotsminda Cathedral is a highly important Georgian architectural building, which served as a model for the development of the later tetraconch, four-apse design of church.
  • Pictures & images of the medieval Georgian Orthodox Ninotsminda Cathedral ruins, 575 AD, Sagarejo, in the Kakheti region, Georgia (country).<br />
<br />
Ninotsminda Cathedral is a highly important Georgian architectural building, which served as a model for the development of the later tetraconch, four-apse design of church.
  • Pictures & images of the medieval the fortified gate house and fortified curtain wall of  Ninotsminda Cathedral, 575 AD, Sagarejo, in the Kakheti region, Georgia (country).<br />
<br />
Ninotsminda Cathedral is a highly important Georgian architectural building, which served as a model for the development of the later tetraconch, four-apse design of church.
  • Pictures & images of the medieval the fortified gate house and fortified curtain wall of  Ninotsminda Cathedral, 575 AD, Sagarejo, in the Kakheti region, Georgia (country).<br />
<br />
Ninotsminda Cathedral is a highly important Georgian architectural building, which served as a model for the development of the later tetraconch, four-apse design of church.
  • Pictures & images of the medieval the fortified gate house and fortified curtain wall of  Ninotsminda Cathedral, 575 AD, Sagarejo, in the Kakheti region, Georgia (country).<br />
<br />
Ninotsminda Cathedral is a highly important Georgian architectural building, which served as a model for the development of the later tetraconch, four-apse design of church.
  • Pictures & images of the medieval the fortified gate house and fortified curtain wall of  Ninotsminda Cathedral, 575 AD, Sagarejo, in the Kakheti region, Georgia (country).<br />
<br />
Ninotsminda Cathedral is a highly important Georgian architectural building, which served as a model for the development of the later tetraconch, four-apse design of church.
  • Pictures & images of Jvari Monastery, a 6th century Georgian Orthodox monastery near Mtskheta, eastern Georgia. A UNESCO World Heritage Site.<br />
<br />
The Jvari church is an early example of a four apse church with four niches domed tetraconch. The Jvari church had a great impact on the further development of Georgian architecture and served as a model for many other churches.<br />
<br />
The Historical Monuments of Jvari Monastery Mtskheta is located in the cultural landscape overlooking the confluence of the Aragvi and Mtkvari Rivers, in Central-Eastern Georgia, some 20km northwest of Tbilisi.
  • Pictures & images of Jvari Monastery, a 6th century Georgian Orthodox monastery near Mtskheta, eastern Georgia. A UNESCO World Heritage Site.<br />
<br />
The Jvari church is an early example of a four apse church with four niches domed tetraconch. The Jvari church had a great impact on the further development of Georgian architecture and served as a model for many other churches.<br />
<br />
The Historical Monuments of Jvari Monastery Mtskheta is located in the cultural landscape overlooking the confluence of the Aragvi and Mtkvari Rivers, in Central-Eastern Georgia, some 20km northwest of Tbilisi.
  • Pictures & images of Jvari Monastery, a 6th century Georgian Orthodox monastery near Mtskheta, eastern Georgia. A UNESCO World Heritage Site.<br />
<br />
The Jvari church is an early example of a four apse church with four niches domed tetraconch. The Jvari church had a great impact on the further development of Georgian architecture and served as a model for many other churches.<br />
<br />
The Historical Monuments of Jvari Monastery Mtskheta is located in the cultural landscape overlooking the confluence of the Aragvi and Mtkvari Rivers, in Central-Eastern Georgia, some 20km northwest of Tbilisi.
  • Pictures & images of Jvari Monastery, a 6th century Georgian Orthodox monastery near Mtskheta, eastern Georgia. A UNESCO World Heritage Site.<br />
<br />
The Jvari church is an early example of a four apse church with four niches domed tetraconch. The Jvari church had a great impact on the further development of Georgian architecture and served as a model for many other churches.<br />
<br />
The Historical Monuments of Jvari Monastery Mtskheta is located in the cultural landscape overlooking the confluence of the Aragvi and Mtkvari Rivers, in Central-Eastern Georgia, some 20km northwest of Tbilisi.
  • Pictures & images of Jvari Monastery, a 6th century Georgian Orthodox monastery near Mtskheta, eastern Georgia. A UNESCO World Heritage Site.<br />
<br />
The Jvari church is an early example of a four apse church with four niches domed tetraconch. The Jvari church had a great impact on the further development of Georgian architecture and served as a model for many other churches.<br />
<br />
The Historical Monuments of Jvari Monastery Mtskheta is located in the cultural landscape overlooking the confluence of the Aragvi and Mtkvari Rivers, in Central-Eastern Georgia, some 20km northwest of Tbilisi.
  • Pictures & images of Jvari Monastery, a 6th century Georgian Orthodox monastery near Mtskheta, eastern Georgia. A UNESCO World Heritage Site.<br />
<br />
The Jvari church is an early example of a four apse church with four niches domed tetraconch. The Jvari church had a great impact on the further development of Georgian architecture and served as a model for many other churches.<br />
<br />
The Historical Monuments of Jvari Monastery Mtskheta is located in the cultural landscape overlooking the confluence of the Aragvi and Mtkvari Rivers, in Central-Eastern Georgia, some 20km northwest of Tbilisi.
  • Pictures & images of Jvari Monastery, a 6th century Georgian Orthodox monastery near Mtskheta, eastern Georgia. A UNESCO World Heritage Site.<br />
<br />
The Jvari church is an early example of a four apse church with four niches domed tetraconch. The Jvari church had a great impact on the further development of Georgian architecture and served as a model for many other churches.<br />
<br />
The Historical Monuments of Jvari Monastery Mtskheta is located in the cultural landscape overlooking the confluence of the Aragvi and Mtkvari Rivers, in Central-Eastern Georgia, some 20km northwest of Tbilisi.
  • Pictures & images of Jvari Monastery, a 6th century Georgian Orthodox monastery near Mtskheta, eastern Georgia. A UNESCO World Heritage Site.<br />
<br />
The Jvari church is an early example of a four apse church with four niches domed tetraconch. The Jvari church had a great impact on the further development of Georgian architecture and served as a model for many other churches.<br />
<br />
The Historical Monuments of Jvari Monastery Mtskheta is located in the cultural landscape overlooking the confluence of the Aragvi and Mtkvari Rivers, in Central-Eastern Georgia, some 20km northwest of Tbilisi.
  • Pictures & images of Jvari Monastery, a 6th century Georgian Orthodox monastery near Mtskheta, eastern Georgia. A UNESCO World Heritage Site.<br />
<br />
The Jvari church is an early example of a four apse church with four niches domed tetraconch. The Jvari church had a great impact on the further development of Georgian architecture and served as a model for many other churches.<br />
<br />
The Historical Monuments of Jvari Monastery Mtskheta is located in the cultural landscape overlooking the confluence of the Aragvi and Mtkvari Rivers, in Central-Eastern Georgia, some 20km northwest of Tbilisi.
  • Pictures & images of Jvari Monastery, a 6th century Georgian Orthodox monastery near Mtskheta, eastern Georgia. A UNESCO World Heritage Site.<br />
<br />
The Jvari church is an early example of a four apse church with four niches domed tetraconch. The Jvari church had a great impact on the further development of Georgian architecture and served as a model for many other churches.<br />
<br />
The Historical Monuments of Jvari Monastery Mtskheta is located in the cultural landscape overlooking the confluence of the Aragvi and Mtkvari Rivers, in Central-Eastern Georgia, some 20km northwest of Tbilisi.
  • Pictures & images of Jvari Monastery, a 6th century Georgian Orthodox monastery near Mtskheta, eastern Georgia. A UNESCO World Heritage Site.<br />
<br />
The Jvari church is an early example of a four apse church with four niches domed tetraconch. The Jvari church had a great impact on the further development of Georgian architecture and served as a model for many other churches.<br />
<br />
The Historical Monuments of Jvari Monastery Mtskheta is located in the cultural landscape overlooking the confluence of the Aragvi and Mtkvari Rivers, in Central-Eastern Georgia, some 20km northwest of Tbilisi.
  • Pictures & images of Jvari Monastery, a 6th century Georgian Orthodox monastery near Mtskheta, eastern Georgia. A UNESCO World Heritage Site.<br />
<br />
The Jvari church is an early example of a four apse church with four niches domed tetraconch. The Jvari church had a great impact on the further development of Georgian architecture and served as a model for many other churches.<br />
<br />
The Historical Monuments of Jvari Monastery Mtskheta is located in the cultural landscape overlooking the confluence of the Aragvi and Mtkvari Rivers, in Central-Eastern Georgia, some 20km northwest of Tbilisi.
  • Pictures & images of Jvari Monastery, a 6th century Georgian Orthodox monastery near Mtskheta, eastern Georgia. A UNESCO World Heritage Site.<br />
<br />
The Jvari church is an early example of a four apse church with four niches domed tetraconch. The Jvari church had a great impact on the further development of Georgian architecture and served as a model for many other churches.<br />
<br />
The Historical Monuments of Jvari Monastery Mtskheta is located in the cultural landscape overlooking the confluence of the Aragvi and Mtkvari Rivers, in Central-Eastern Georgia, some 20km northwest of Tbilisi.
  • Pictures & images of Jvari Monastery, a 6th century Georgian Orthodox monastery near Mtskheta, eastern Georgia. A UNESCO World Heritage Site.<br />
<br />
The Jvari church is an early example of a four apse church with four niches domed tetraconch. The Jvari church had a great impact on the further development of Georgian architecture and served as a model for many other churches.<br />
<br />
The Historical Monuments of Jvari Monastery Mtskheta is located in the cultural landscape overlooking the confluence of the Aragvi and Mtkvari Rivers, in Central-Eastern Georgia, some 20km northwest of Tbilisi.
  • Pictures & images of Jvari Monastery, a 6th century Georgian Orthodox monastery near Mtskheta, eastern Georgia. A UNESCO World Heritage Site.<br />
<br />
The Jvari church is an early example of a four apse church with four niches domed tetraconch. The Jvari church had a great impact on the further development of Georgian architecture and served as a model for many other churches.<br />
<br />
The Historical Monuments of Jvari Monastery Mtskheta is located in the cultural landscape overlooking the confluence of the Aragvi and Mtkvari Rivers, in Central-Eastern Georgia, some 20km northwest of Tbilisi.
  • Pictures & images of Jvari Monastery, a 6th century Georgian Orthodox monastery near Mtskheta, eastern Georgia. A UNESCO World Heritage Site.<br />
<br />
The Jvari church is an early example of a four apse church with four niches domed tetraconch. The Jvari church had a great impact on the further development of Georgian architecture and served as a model for many other churches.<br />
<br />
The Historical Monuments of Jvari Monastery Mtskheta is located in the cultural landscape overlooking the confluence of the Aragvi and Mtkvari Rivers, in Central-Eastern Georgia, some 20km northwest of Tbilisi.
  • Pictures & images of Jvari Monastery, a 6th century Georgian Orthodox monastery near Mtskheta, eastern Georgia. A UNESCO World Heritage Site.<br />
<br />
The Jvari church is an early example of a four apse church with four niches domed tetraconch. The Jvari church had a great impact on the further development of Georgian architecture and served as a model for many other churches.<br />
<br />
The Historical Monuments of Jvari Monastery Mtskheta is located in the cultural landscape overlooking the confluence of the Aragvi and Mtkvari Rivers, in Central-Eastern Georgia, some 20km northwest of Tbilisi.
  • Pictures & images of Jvari Monastery, a 6th century Georgian Orthodox monastery near Mtskheta, eastern Georgia. A UNESCO World Heritage Site.<br />
<br />
The Jvari church is an early example of a four apse church with four niches domed tetraconch. The Jvari church had a great impact on the further development of Georgian architecture and served as a model for many other churches.<br />
<br />
The Historical Monuments of Jvari Monastery Mtskheta is located in the cultural landscape overlooking the confluence of the Aragvi and Mtkvari Rivers, in Central-Eastern Georgia, some 20km northwest of Tbilisi.
  • Pictures & images of Jvari Monastery, a 6th century Georgian Orthodox monastery near Mtskheta, eastern Georgia. A UNESCO World Heritage Site.<br />
<br />
The Jvari church is an early example of a four apse church with four niches domed tetraconch. The Jvari church had a great impact on the further development of Georgian architecture and served as a model for many other churches.<br />
<br />
The Historical Monuments of Jvari Monastery Mtskheta is located in the cultural landscape overlooking the confluence of the Aragvi and Mtkvari Rivers, in Central-Eastern Georgia, some 20km northwest of Tbilisi.
  • Pictures & images of Jvari Monastery, a 6th century Georgian Orthodox monastery near Mtskheta, eastern Georgia. A UNESCO World Heritage Site.<br />
<br />
The Jvari church is an early example of a four apse church with four niches domed tetraconch. The Jvari church had a great impact on the further development of Georgian architecture and served as a model for many other churches.<br />
<br />
The Historical Monuments of Jvari Monastery Mtskheta is located in the cultural landscape overlooking the confluence of the Aragvi and Mtkvari Rivers, in Central-Eastern Georgia, some 20km northwest of Tbilisi.
  • Pictures & images of Jvari Monastery, a 6th century Georgian Orthodox monastery near Mtskheta, eastern Georgia. A UNESCO World Heritage Site.<br />
<br />
The Jvari church is an early example of a four apse church with four niches domed tetraconch. The Jvari church had a great impact on the further development of Georgian architecture and served as a model for many other churches.<br />
<br />
The Historical Monuments of Jvari Monastery Mtskheta is located in the cultural landscape overlooking the confluence of the Aragvi and Mtkvari Rivers, in Central-Eastern Georgia, some 20km northwest of Tbilisi.
  • The Roman Ionic Stoa forms a colonnade 99 m long & 9 m high at the beginning of the Sacred Way to Didyma. An Ionic portica at its centre which served as a grandstand during ceremonial processions on the street in front of it. 1st century AD, Miletus Archaeological Site, Anatolia, Turkey.
  • The Roman Ionic Stoa forms a colonnade 99 m long & 9 m high at the beginning of the Sacred Way to Didyma. An Ionic portica at its centre which served as a grandstand during ceremonial processions on the street in front of it. 1st century AD, Miletus Archaeological Site, Anatolia, Turkey.
  • The Roman Ionic Stoa forms a colonnade 99 m long & 9 m high at the beginning of the Sacred Way to Didyma. An Ionic portica at its centre which served as a grandstand during ceremonial processions on the street in front of it. 1st century AD, Miletus Archaeological Site, Anatolia, Turkey.
  • The Roman Ionic Stoa forms a colonnade 99 m long & 9 m high at the beginning of the Sacred Way to Didyma. An Ionic portica at its centre which served as a grandstand during ceremonial processions on the street in front of it. 1st century AD, Miletus Archaeological Site, Anatolia, Turkey.
  • The Roman Ionic Stoa forms a colonnade 99 m long & 9 m high at the beginning of the Sacred Way to Didyma. An Ionic portica at its centre which served as a grandstand during ceremonial processions on the street in front of it. 1st century AD, Miletus Archaeological Site, Anatolia, Turkey.
  • The Roman Ionic Stoa forms a colonnade 99 m long & 9 m high at the beginning of the Sacred Way to Didyma. An Ionic portica at its centre which served as a grandstand during ceremonial processions on the street in front of it. 1st century AD, Miletus Archaeological Site, Anatolia, Turkey.
  • The Roman Ionic Stoa forms a colonnade 99 m long & 9 m high at the beginning of the Sacred Way to Didyma. An Ionic portica at its centre which served as a grandstand during ceremonial processions on the street in front of it. 1st century AD, Miletus Archaeological Site, Anatolia, Turkey.
  • The Roman Ionic Stoa forms a colonnade 99 m long & 9 m high at the beginning of the Sacred Way to Didyma. An Ionic portica at its centre which served as a grandstand during ceremonial processions on the street in front of it. 1st century AD, Miletus Archaeological Site, Anatolia, Turkey.
  • The Roman Ionic Stoa forms a colonnade 99 m long & 9 m high at the beginning of the Sacred Way to Didyma. An Ionic portica at its centre which served as a grandstand during ceremonial processions on the street in front of it. 1st century AD, Miletus Archaeological Site, Anatolia, Turkey.
  • The Roman Ionic Stoa forms a colonnade 99 m long & 9 m high at the beginning of the Sacred Way to Didyma. An Ionic portica at its centre which served as a grandstand during ceremonial processions on the street in front of it. 1st century AD, Miletus Archaeological Site, Anatolia, Turkey.
  • The Roman Ionic Stoa forms a colonnade 99 m long & 9 m high at the beginning of the Sacred Way to Didyma. An Ionic portica at its centre which served as a grandstand during ceremonial processions on the street in front of it. 1st century AD, Miletus Archaeological Site, Anatolia, Turkey.
  • The Roman Ionic Stoa forms a colonnade 99 m long & 9 m high at the beginning of the Sacred Way to Didyma. An Ionic portica at its centre which served as a grandstand during ceremonial processions on the street in front of it. 1st century AD, Miletus Archaeological Site, Anatolia, Turkey.
  • The Roman Ionic Stoa forms a colonnade 99 m long & 9 m high at the beginning of the Sacred Way to Didyma. An Ionic portica at its centre which served as a grandstand during ceremonial processions on the street in front of it. 1st century AD, Miletus Archaeological Site, Anatolia, Turkey.
  • The Roman Ionic Stoa forms a colonnade 99 m long & 9 m high at the beginning of the Sacred Way to Didyma. An Ionic portica at its centre which served as a grandstand during ceremonial processions on the street in front of it. 1st century AD, Miletus Archaeological Site, Anatolia, Turkey.
  • The Roman Ionic Stoa forms a colonnade 99 m long & 9 m high at the beginning of the Sacred Way to Didyma. An Ionic portica at its centre which served as a grandstand during ceremonial processions on the street in front of it. 1st century AD, Miletus Archaeological Site, Anatolia, Turkey.
  • The Roman Ionic Stoa forms a colonnade 99 m long & 9 m high at the beginning of the Sacred Way to Didyma. An Ionic portica at its centre which served as a grandstand during ceremonial processions on the street in front of it. 1st century AD, Miletus Archaeological Site, Anatolia, Turkey.
  • The Roman Ionic Stoa forms a colonnade 99 m long & 9 m high at the beginning of the Sacred Way to Didyma. An Ionic portica at its centre which served as a grandstand during ceremonial processions on the street in front of it. 1st century AD, Miletus Archaeological Site, Anatolia, Turkey.
  • Roman fresco wall decorations of  Vestibule of a Rome Villa, Rome. Museo Nazionale Romano ( National Roman Museum), Rome, Italy. Against a white background.<br />
<br />
A large fresco covered the curving wall of the vestibule E 5 was positioned at the entrance of the house onto the street. Vitruvius claims that the vestibulum was a room which was not needed by common people, but which was essential in a house worthy of respect, because it served to welcome guests and the people who came to be received by the owners of the house. The frescoed decoration of this wall, which was entirely detached, shows a division into panels, architectural perspectives and pavilions among which are figures and decorative elements, above a band of skirting. Numerous panels have been detached from the corridor E 3 E 11 which connected all the areas of the house, but it has not been possible to reconstruct the sequence of the walls. Inside the frames, against a white background, different decorative elements are arranged, along with hanging female and male figures, hippogriffs and other fantastical animals, vases, garlands and vegetation.
  • Roman fresco wall decorations of  Vestibule of a Rome Villa, Rome. Museo Nazionale Romano ( National Roman Museum), Rome, Italy. Against a grey background.<br />
<br />
A large fresco covered the curving wall of the vestibule E 5 was positioned at the entrance of the house onto the street. Vitruvius claims that the vestibulum was a room which was not needed by common people, but which was essential in a house worthy of respect, because it served to welcome guests and the people who came to be received by the owners of the house. The frescoed decoration of this wall, which was entirely detached, shows a division into panels, architectural perspectives and pavilions among which are figures and decorative elements, above a band of skirting. Numerous panels have been detached from the corridor E 3 E 11 which connected all the areas of the house, but it has not been possible to reconstruct the sequence of the walls. Inside the frames, against a white background, different decorative elements are arranged, along with hanging female and male figures, hippogriffs and other fantastical animals, vases, garlands and vegetation.
  • Roman fresco wall decorations of  Vestibule of a Rome Villa, Rome. Museo Nazionale Romano ( National Roman Museum), Rome, Italy. Against a black background.<br />
<br />
A large fresco covered the curving wall of the vestibule E 5 was positioned at the entrance of the house onto the street. Vitruvius claims that the vestibulum was a room which was not needed by common people, but which was essential in a house worthy of respect, because it served to welcome guests and the people who came to be received by the owners of the house. The frescoed decoration of this wall, which was entirely detached, shows a division into panels, architectural perspectives and pavilions among which are figures and decorative elements, above a band of skirting. Numerous panels have been detached from the corridor E 3 E 11 which connected all the areas of the house, but it has not been possible to reconstruct the sequence of the walls. Inside the frames, against a white background, different decorative elements are arranged, along with hanging female and male figures, hippogriffs and other fantastical animals, vases, garlands and vegetation.
  • Roman fresco wall decorations of  Vestibule of a Rome Villa, Rome. Museo Nazionale Romano ( National Roman Museum), Rome, Italy. Against an art background.<br />
<br />
A large fresco covered the curving wall of the vestibule E 5 was positioned at the entrance of the house onto the street. Vitruvius claims that the vestibulum was a room which was not needed by common people, but which was essential in a house worthy of respect, because it served to welcome guests and the people who came to be received by the owners of the house. The frescoed decoration of this wall, which was entirely detached, shows a division into panels, architectural perspectives and pavilions among which are figures and decorative elements, above a band of skirting. Numerous panels have been detached from the corridor E 3 E 11 which connected all the areas of the house, but it has not been possible to reconstruct the sequence of the walls. Inside the frames, against a white background, different decorative elements are arranged, along with hanging female and male figures, hippogriffs and other fantastical animals, vases, garlands and vegetation.
  • Roman fresco wall decorations of  Vestibule of a Rome Villa, Rome. Museo Nazionale Romano ( National Roman Museum), Rome, Italy.<br />
<br />
A large fresco covered the curving wall of the vestibule E 5 was positioned at the entrance of the house onto the street. Vitruvius claims that the vestibulum was a room which was not needed by common people, but which was essential in a house worthy of respect, because it served to welcome guests and the people who came to be received by the owners of the house. The frescoed decoration of this wall, which was entirely detached, shows a division into panels, architectural perspectives and pavilions among which are figures and decorative elements, above a band of skirting. Numerous panels have been detached from the corridor E 3 E 11 which connected all the areas of the house, but it has not been possible to reconstruct the sequence of the walls. Inside the frames, against a white background, different decorative elements are arranged, along with hanging female and male figures, hippogriffs and other fantastical animals, vases, garlands and vegetation.
  • Picture of the ancient Roman Aqueduct of the Pont du Gard which crosses the River Gardon near Vers-Pon-du-Gard, France. Part of the 50 km long aqueduct that served the Roman town of Nemausus (Nimes) its 3 tiers of arches stand 48 m high (160 ft). A UNESCO World Heritage Site.
  • Picture of the ancient Roman Aqueduct of the Pont du Gard which crosses the River Gardon near Vers-Pon-du-Gard, France. Part of the 50 km long aqueduct that served the Roman town of Nemausus (Nimes) its 3 tiers of arches stand 48 m high (160 ft). A UNESCO World Heritage Site.
  • Picture of the ancient Roman Aqueduct of the Pont du Gard which crosses the River Gardon near Vers-Pon-du-Gard, France. Part of the 50 km long aqueduct that served the Roman town of Nemausus (Nimes) its 3 tiers of arches stand 48 m high (160 ft). A UNESCO World Heritage Site.
  • Picture of the ancient Roman Aqueduct of the Pont du Gard which crosses the River Gardon near Vers-Pon-du-Gard, France. Part of the 50 km long aqueduct that served the Roman town of Nemausus (Nimes) its 3 tiers of arches stand 48 m high (160 ft). A UNESCO World Heritage Site.
  • Picture of the ancient Roman Aqueduct of the Pont du Gard which crosses the River Gardon near Vers-Pon-du-Gard, France. Part of the 50 km long aqueduct that served the Roman town of Nemausus (Nimes) its 3 tiers of arches stand 48 m high (160 ft). A UNESCO World Heritage Site.
  • Picture of the ancient Roman Aqueduct of the Pont du Gard which crosses the River Gardon near Vers-Pon-du-Gard, France. Part of the 50 km long aqueduct that served the Roman town of Nemausus (Nimes) its 3 tiers of arches stand 48 m high (160 ft). A UNESCO World Heritage Site.
  • Picture at nightime of the ancient Roman Aqueduct of the Pont du Gard which crosses the River Gardon near Vers-Pon-du-Gard, France. Part of the 50 km long aqueduct that served the Roman town of Nemausus (Nimes) its 3 tiers of arches stand 48 m high (160 ft). A UNESCO World Heritage Site.
  • Picture of the ancient Roman Aqueduct of the Pont du Gard which crosses the River Gardon near Vers-Pon-du-Gard, France. Part of the 50 km long aqueduct that served the Roman town of Nemausus (Nimes) its 3 tiers of arches stand 48 m high (160 ft). A UNESCO World Heritage Site.
  • Picture of the ancient Roman Aqueduct of the Pont du Gard which crosses the River Gardon near Vers-Pon-du-Gard, France. Part of the 50 km long aqueduct that served the Roman town of Nemausus (Nimes) its 3 tiers of arches stand 48 m high (160 ft). A UNESCO World Heritage Site.
  • Picture of the ancient Roman Aqueduct of the Pont du Gard which crosses the River Gardon near Vers-Pon-du-Gard, France. Part of the 50 km long aqueduct that served the Roman town of Nemausus (Nimes) its 3 tiers of arches stand 48 m high (160 ft). A UNESCO World Heritage Site.
  • Picture of the ancient Roman Aqueduct of the Pont du Gard which crosses the River Gardon near Vers-Pon-du-Gard, France. Part of the 50 km long aqueduct that served the Roman town of Nemausus (Nimes) its 3 tiers of arches stand 48 m high (160 ft). A UNESCO World Heritage Site.
  • Picture of the water tunnel of the ancient Roman Aqueduct of the Pont du Gard which crosses the River Gardon near Vers-Pon-du-Gard, France. Part of the 50 km long aqueduct that served the Roman town of Nemausus (Nimes) its 3 tiers of arches stand 48 m high (160 ft). A UNESCO World Heritage Site.
  • Picture of the ancient Roman Aqueduct of the Pont du Gard which crosses the River Gardon near Vers-Pon-du-Gard, France. Part of the 50 km long aqueduct that served the Roman town of Nemausus (Nimes) its 3 tiers of arches stand 48 m high (160 ft). A UNESCO World Heritage Site.
  • Picture of the ancient Roman Aqueduct of the Pont du Gard which crosses the River Gardon near Vers-Pon-du-Gard, France. Part of the 50 km long aqueduct that served the Roman town of Nemausus (Nimes) its 3 tiers of arches stand 48 m high (160 ft). A UNESCO World Heritage Site.
  • Picture of the ancient Roman Aqueduct of the Pont du Gard which crosses the River Gardon near Vers-Pon-du-Gard, France. Part of the 50 km long aqueduct that served the Roman town of Nemausus (Nimes) its 3 tiers of arches stand 48 m high (160 ft). A UNESCO World Heritage Site.
  • Picture of the ancient Roman Aqueduct of the Pont du Gard which crosses the River Gardon near Vers-Pon-du-Gard, France. Part of the 50 km long aqueduct that served the Roman town of Nemausus (Nimes) its 3 tiers of arches stand 48 m high (160 ft). A UNESCO World Heritage Site.
  • Picture of the ancient Roman Aqueduct of the Pont du Gard which crosses the River Gardon near Vers-Pon-du-Gard, France. Part of the 50 km long aqueduct that served the Roman town of Nemausus (Nimes) its 3 tiers of arches stand 48 m high (160 ft). A UNESCO World Heritage Site.
  • Picture of the ancient Roman Aqueduct of the Pont du Gard which crosses the River Gardon near Vers-Pon-du-Gard, France. Part of the 50 km long aqueduct that served the Roman town of Nemausus (Nimes) its 3 tiers of arches stand 48 m high (160 ft). A UNESCO World Heritage Site.
  • Picture of the ancient Roman Aqueduct of the Pont du Gard which crosses the River Gardon near Vers-Pon-du-Gard, France. Part of the 50 km long aqueduct that served the Roman town of Nemausus (Nimes) its 3 tiers of arches stand 48 m high (160 ft). A UNESCO World Heritage Site.
  • Picture of the ancient Roman Aqueduct of the Pont du Gard which crosses the River Gardon near Vers-Pon-du-Gard, France. Part of the 50 km long aqueduct that served the Roman town of Nemausus (Nimes) its 3 tiers of arches stand 48 m high (160 ft). A UNESCO World Heritage Site.
  • Picture of the ancient Roman Aqueduct of the Pont du Gard which crosses the River Gardon near Vers-Pon-du-Gard, France. Part of the 50 km long aqueduct that served the Roman town of Nemausus (Nimes) its 3 tiers of arches stand 48 m high (160 ft). A UNESCO World Heritage Site.
  • Picture of the ancient Roman Aqueduct of the Pont du Gard which crosses the River Gardon near Vers-Pon-du-Gard, France. Part of the 50 km long aqueduct that served the Roman town of Nemausus (Nimes) its 3 tiers of arches stand 48 m high (160 ft). A UNESCO World Heritage Site.
  • Picture of the ancient Roman Aqueduct of the Pont du Gard which crosses the River Gardon near Vers-Pon-du-Gard, France. Part of the 50 km long aqueduct that served the Roman town of Nemausus (Nimes) its 3 tiers of arches stand 48 m high (160 ft). A UNESCO World Heritage Site.
  • Picture of the ancient Roman Aqueduct of the Pont du Gard which crosses the River Gardon near Vers-Pon-du-Gard, France. Part of the 50 km long aqueduct that served the Roman town of Nemausus (Nimes) its 3 tiers of arches stand 48 m high (160 ft). A UNESCO World Heritage Site.
  • Relief panels orthostat with representation by court officials, they served as a wall covering of palaces of Sam'al - Zincirli. Vorderasiatisches Museum, Pergamon Museum, Berlin,
  • Relief panels orthostat with representation by court officials, they served as a wall covering of palaces of Sam'al - Zincirli. Vorderasiatisches Museum, Pergamon Museum, Berlin,
  • Relief panels orthostat with representation by court officials, they served as a wall covering of palaces of Sam'al - Zincirli. Vorderasiatisches Museum, Pergamon Museum, Berlin,
  • Relief panels orthostat with representation by court officials, they served as a wall covering of palaces of Sam'al - Zincirli. Vorderasiatisches Museum, Pergamon Museum, Berlin,
  • Relief panels orthostat with representation by court officials, they served as a wall covering of palaces at the castle of Sam'al - Zincirli. Pergamon Museum, Berlin, inv no VA2997, 2998, S6586
  • Relief panels orthostat with representation by court officials, they served as a wall covering of palaces at the castle of Sam'al - Zincirli. Pergamon Museum, Berlin, inv no VA2997, 2998, S6586
  • Relief panels orthostat with representation by court officials, they served as a wall covering of palaces at the castle of Sam'al - Zincirli. Pergamon Museum, Berlin, inv no VA2997, 2998, S6586
  • Relief panels orthostat with representation by court officials, they served as a wall covering of palaces at the castle of Sam'al - Zincirli. Pergamon Museum, Berlin, inv no VA2997, 2998, S6586
  • Relief panels orthostat with representation by court officials, they served as a wall covering of palaces at the castle of Sam'al - Zincirli. Pergamon Museum, Berlin,
  • Relief panels orthostat with representation by court officials, they served as a wall covering of palaces at the castle of Sam'al - Zincirli. Pergamon Museum, Berlin,
  • Relief panels orthostat with representation by court officials, they served as a wall covering of palaces at the castle of Sam'al - Zincirli. Pergamon Museum, Berlin,
  • Relief panels orthostat with representation by court officials, they served as a wall covering of palaces at the castle of Sam'al - Zincirli. Pergamon Museum, Berlin,
  • Relief panels orthostat with representation by court officials, they served as a wall covering of palaces at the castle of Sam'al - Zincirli. Pergamon Museum, Berlin,
  • Relief panels orthostat with representation by court officials, they served as a wall covering of palaces at the castle of Sam'al - Zincirli. Pergamon Museum, Berlin,
  • Relief panels orthostat with representation by court officials, they served as a wall covering of palaces at the castle of Sam'al - Zincirli. Pergamon Museum, Berlin,
  • Relief panels orthostat with representation by court officials, they served as a wall covering of palaces at the castle of Sam'al - Zincirli. Pergamon Museum, Berlin,
  • North Porch, Central Portal, left Jambs- General View c. 1194-1230. Cathedral of Chartres, France . Gothic statues of figures, from the left.1) the Old-Testament Priest/King Melchisedech holding a cup..2) Abraham sacrificing Isaac.3) Moses with the brazen serpent and the tablets of the Law.4) Samuel, sacrificing a lamb.5) King David.This portal was cleaned in the 1990's. The cleaning uncovered the yellowish sizing material that at one time served as a base for the paint and gilding which once decorated the figures.. A UNESCO World Heritage Site. .
  • Customers being served at fish stalls in the Rialto Market - Venice Italy
  • Customers being served at fish stalls in the Rialto Market - Venice Italy
  • Customers being served at fish stalls in the Rialto Market - Venice Italy
  • Customers being served at fish stalls in the Rialto Market - Venice Italy
  • Customers being served at fish stalls in the Rialto Market - Venice Italy
  • Customers being served at fish stalls in the Rialto Market - Venice Italy
  • Customers being served at fish stalls in the Rialto Market - Venice Italy
  • Customers being served at fish stalls in the Rialto Market - Venice Italy
  • Customers being served at fish stalls in the Rialto Market - Venice Italy
  • Customers being served at fish stalls in the Rialto Market - Venice Italy
  • Customers being served at fish stalls in the Rialto Market - Venice Italy
  • Customers being served at fish stalls in the Rialto Market - Venice Italy
  • 5th century AD Eastern Roman Byzantine  Christian  funerary mosaic of Crescentia from Tharbarka western Necropolis in the Roman province of Africa Proconsularis, present day Tunisia. The funerary portrait depicts a young girl, Crescentia, dressed in a dalmatic tunic with vertical stripes, pulled in at the waist by a belt , with a necklace around her neck. Today the dalmatic is a long wide-sleeved tunic, which still serves as a liturgical vestment in the Roman Catholic church. To the right side of Crescentia is a lit candle which symbolises eternal faith. <br />
<br />
The Bardo National Museum Tunis, Tunisia
  • The Thermopolium of Lucius Vetutius Placidus on the Via del Abbondante, with the serving counter with holes that contained amphora of food for sale. The Thermopolium was an eating & drinking house. The painting depicts at the centre the God of the patron and on either side are the lars or protectors of the house, Mercury , God of Commerce & Dionysus, God of wine.
  • The Thermopolium of Lucius Vetutius Placidus on the Via del Abbondante, with the serving counter with holes that contained amphora of food for sale. The Thermopolium was an eating & drinking house. The painting depicts at the centre the God of the patron and on either side are the lars or protectors of the house, Mercury , God of Commerce & Dionysus, God of wine.
  • The Thermopolium of Lucius Vetutius Placidus on the Via del Abbondante, with the serving counter with holes that contained amphora of food for sale. The Thermopolium was an eating & drinking house. The painting depicts at the centre the God of the patron and on either side are the lars or protectors of the house, Mercury , God of Commerce & Dionysus, God of wine.

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