• Reflections In Water - Chiooga Venice Italy
  • Reflections In Water - Honfleur France
  • Reflections In Water - Honfleur France
  • Reflections In Water - Honfleur France
  • Reflections In Water - Honfleur France
  • Reflections In Water - Honfleur France
  • Reflections In Water - Honfleur France
  • Reflections In Water - Honfleur France
  • Reflections In Water - Chiooga Venice Italy
  • Reflections In Water - Chiooga Venice Italy
  • Reflections In Water - Honfleur France
  • Reflections In Water - Honfleur France
  • Reflections In Water - Honfleur France
  • Reflections In Water - Honfleur France
  • Reflections In Water - Honfleur France
  • Reflections In Water - Honfleur France
  • Reflections In Water - Honfleur France
  • Reflections In Water - Honfleur France
  • Reflections In Water - Honfleur France
  • Reflections In Water - Honfleur France
  • Reflections In Water - Honfleur France
  • Reflections In Water - Honfleur France
  • Reflections In Water - Honfleur France
  • Reflections In Water - Chiooga Venice Italy
  • Reflections In Water - Honfleur France
  • Reflections In Water - Honfleur France
  • Reflections In Water - Honfleur France
  • Cycladic violin shaped figurine. Early Cycladic Period I (Grotta-Pelos Phase 3200-2800). National Archaeological Museum, Athens.   White background.<br />
<br />
<br />
This Cycladic violin shaped figurine has two holes in its neck which were provavly used to hold its broken neck together with wire or cord.
  • Cycladic violin shaped figurine. Early Cycladic Period I (Grotta-Pelos Phase 3200-2800). National Archaeological Museum, Athens.   Grey background.<br />
<br />
<br />
This Cycladic violin shaped figurine has two holes in its neck which were provavly used to hold its broken neck together with wire or cord.
  • Cycladic violin shaped figurine. Early Cycladic Period I (Grotta-Pelos Phase 3200-2800). National Archaeological Museum, Athens. <br />
<br />
This Cycladic violin shaped figurine has two holes in its neck which were provavly used to hold its broken neck together with wire or cord.
  • Cycladic violin shaped figurine. Early Cycladic Period I (Grotta-Pelos Phase 3200-2800). National Archaeological Museum, Athens.   Gray background.<br />
<br />
<br />
This Cycladic violin shaped figurine has two holes in its neck which were provavly used to hold its broken neck together with wire or cord.
  • Cycladic violin shaped figurine. Early Cycladic Period I (Grotta-Pelos Phase 3200-2800). National Archaeological Museum, Athens. Black background.<br />
<br />
This Cycladic violin shaped figurine has two holes in its neck which were provavly used to hold its broken neck together with wire or cord.
  • Cycladic violin shaped figurine. Early Cycladic Period I (Grotta-Pelos Phase 3200-2800 BC). National Archaeological Museum, Athens.   White background.
  • Cycladic violin shaped figurine. Early Cycladic Period I (Grotta-Pelos Phase 3200-2800 BC). National Archaeological Museum, Athens.   Grey background.
  • Cycladic violin shaped figurine. Early Cycladic Period I (Grotta-Pelos Phase 3200-2800 BC). National Archaeological Museum, Athens.
  • Cycladic violin shaped figurine. Early Cycladic Period I (Grotta-Pelos Phase 3200-2800 BC). National Archaeological Museum, Athens.   White background.
  • Cycladic violin shaped figurine. Early Cycladic Period I (Grotta-Pelos Phase 3200-2800 BC). National Archaeological Museum, Athens. Black background.
  • Cycladic violin shaped figurine. Early Cycladic Period I (Grotta-Pelos Phase 3200-2800 BC). National Archaeological Museum, Athens.   Grey background.
  • Cycladic violin shaped figurine. Early Cycladic Period I (Grotta-Pelos Phase 3200-2800 BC). National Archaeological Museum, Athens. Black background.
  • Cycladic violin shaped figurine. Early Cycladic Period I (Grotta-Pelos Phase 3200-2800 BC). National Archaeological Museum, Athens.   Gray background.
  • Cycladic violin shaped figurine. Early Cycladic Period I (Grotta-Pelos Phase 3200-2800 BC). National Archaeological Museum, Athens.
  • Cycladic violin shaped figurine. Early Cycladic Period I (Grotta-Pelos Phase 3200-2800 BC). National Archaeological Museum, Athens.   Gray background.
  • Stock photos of heart shaped chocolates for Valentines or Love message. The perfect stock image to say I love you. Funky stock photos library
  • Electrum, gold silver alloy, Mycenaean death mask from Grave delta and Gamma, Grave Circle B, Mycenae, Greece. National Archaeological Museum of Athens.  Grey Background
  • Close up of womens breast.
  • nude young women standing examining her breast
  • feminine nude women standing
  • Young nude feminine women revealing her breasts
  • Young nude feminine women revealing her breasts
  • Young nude women holding a turquoise towel
  • Nude female standing against a white background
  • Naked female standing.
  • Naked female standing.
  • Donut Peaches piled on top of each other against a black background
  • Donut Peaches piled on top of each other against a black background
  • Donut Peaches piled on top of each other against a black background
  • Electrum, gold silver alloy, Mycenaean death mask from Grave delta and Gamma, Grave Circle B, Mycenae, Greece. National Archaeological Museum of Athens.  White background.
  • Electrum, gold silver alloy, Mycenaean death mask from Grave delta and Gamma, Grave Circle B, Mycenae, Greece. National Archaeological Museum of Athens.  Black Background
  • Electrum, gold silver alloy, Mycenaean death mask from Grave delta and Gamma, Grave Circle B, Mycenae, Greece. National Archaeological Museum of Athens
  • Electrum, gold silver alloy, Mycenaean death mask from Grave delta and Gamma, Grave Circle B, Mycenae, Greece. National Archaeological Museum of Athens
  • nude young women standing examining her breast
  • Young nude women standing confidently
  • Young nude women holding an orange towel
  • Young women wearing black top and revealing one nipple
  • Donut Peaches piled on top of each other against a black background
  • Valentines box of chocolates stock photos
  • Hand made chocolates stock photos. The perfect chocolate stock images to say "I love you" form Funky Stock Photos Library.
  • " I love you " chocolates stock photos for Valentines or any love message. The perfect "I love you" stock image. Ready to cut out from Funky Stock Photos library.
  • Young nude women.
  • Young nude women.
  • Young nude women.
  • Young nude women.
  • Young nude women.
  • Young nude women.
  • Young nude women.
  • Young nude women.
  • Naked women sleeping in bed
  • youg women holding a sunflower revealing her breast.
  • youg bare feminine women holding a 3 red gerberra flowers reealing ger breasts
  • close up nude women's breasts sunbathing
  • close up nude women's breasts sunbathing
  • Naked women sleeping in bed
  • Nude women examining her reast whilst lying down in bed
  • Nude women sleeping in bed
  • Naked women sleeping viewed from under the sheets holding her teddy bear
  • Naked women sleeping viewed from under the sheets
  • Naked women sleeping in bed with her toy dog bear in front of her
  • Naked women sleeping in bed with her teddy bear in front of her
  • Naked women lying in bed holding a diamond engagement ring in its box in front of her
  • Naked women lying in bed reading.
  • Young nude women.
  • Young nude women.
  • Young nude women.
  • Top leaf shapes of a Mycenaean gold diadem from Grave III, 'Grave of a Women', Grave Circle A, Myenae, Greece. National Archaeological Museum Athens. Grey Background<br />
<br />
Cat No 3,5. 16th century BC.<br />
<br />
Shaft Grave III, the so-called 'Grave of the Women,' contained three female and two infant interments. The women were literally covered in gold jewelry and wore massive gold diadems, while the infants were overlaid with gold foil.
  • Top leaf shapes of a gold diadem from Grave III, 'Grave of a Women', Grave Circle A, Myenae, Greece. National Archaeological Museum Athens. Black Background<br />
<br />
Shaft Grave III, the so-called 'Grave of the Women,' contained three female and two infant interments. The women were literally covered in gold jewelry and wore massive gold diadems, while the infants were overlaid with gold foil.
  • Top leaf shapes of a Mycenaean gold diadem from Grave III, 'Grave of a Women', Grave Circle A, Myenae, Greece. National Archaeological Museum Athens.<br />
<br />
Cat No 3,5. 16th century BC.<br />
<br />
Shaft Grave III, the so-called 'Grave of the Women,' contained three female and two infant interments. The women were literally covered in gold jewelry and wore massive gold diadems, while the infants were overlaid with gold foil.
  • Top leaf shapes of a Mycenaean gold diadem from Grave III, 'Grave of a Women', Grave Circle A, Myenae, Greece. National Archaeological Museum Athens. White Background.<br />
<br />
Cat No 3,5. 16th century BC.<br />
<br />
Shaft Grave III, the so-called 'Grave of the Women,' contained three female and two infant interments. The women were literally covered in gold jewelry and wore massive gold diadems, while the infants were overlaid with gold foil.
  • Top leaf shapes of a Mycenaean gold diadem from Grave III, 'Grave of a Women', Grave Circle A, Myenae, Greece. National Archaeological Museum Athens. Grey art Background <br />
<br />
Cat No 3,5. 16th century BC.<br />
<br />
Shaft Grave III, the so-called 'Grave of the Women,' contained three female and two infant interments. The women were literally covered in gold jewelry and wore massive gold diadems, while the infants were overlaid with gold foil.
  • Top leaf shapes of a gold diadem from Grave III, 'Grave of a Women', Grave Circle A, Myenae, Greece. National Archaeological Museum Athens. Grey Background<br />
<br />
Shaft Grave III, the so-called 'Grave of the Women,' contained three female and two infant interments. The women were literally covered in gold jewelry and wore massive gold diadems, while the infants were overlaid with gold foil.
  • Top leaf shapes of a gold diadem from Grave III, 'Grave of a Women', Grave Circle A, Myenae, Greece. National Archaeological Museum Athens.<br />
<br />
Shaft Grave III, the so-called 'Grave of the Women,' contained three female and two infant interments. The women were literally covered in gold jewelry and wore massive gold diadems, while the infants were overlaid with gold foil.
  • Top leaf shapes of a gold diadem from Grave III, 'Grave of a Women', Grave Circle A, Myenae, Greece. National Archaeological Museum Athens. Grey art Background <br />
<br />
Shaft Grave III, the so-called 'Grave of the Women,' contained three female and two infant interments. The women were literally covered in gold jewelry and wore massive gold diadems, while the infants were overlaid with gold foil.
  • Top leaf shapes of a Mycenaean gold diadem from Grave III, 'Grave of a Women', Grave Circle A, Myenae, Greece. National Archaeological Museum Athens. Black Background<br />
Cat No 3,5. 16th century BC.<br />
<br />
Shaft Grave III, the so-called 'Grave of the Women,' contained three female and two infant interments. The women were literally covered in gold jewelry and wore massive gold diadems, while the infants were overlaid with gold foil.
  • Top leaf shapes of a gold Mycenaean diadem from Grave III, 'Grave of a Women', Grave Circle A, Myenae, Greece. National Archaeological Museum Athens. White Background.<br />
<br />
Shaft Grave III, the so-called 'Grave of the Women,' contained three female and two infant interments. The women were literally covered in gold jewelry and wore massive gold diadems, while the infants were overlaid with gold foil.
  • Minoan Postpalatial terracotta  goddess statue with raised arms, Kannia Sanctuary,  Gortys, 1350-1250 BC, Heraklion Archaeological Museum, grey background. <br />
<br />
The Goddesses are crowned with symbols of earth and sky in the shapes of snakes and birds, describing attributes of the goddess as protector of nature.
  • Minoan Postpalatial terracotta  goddess statue with raised arms,  Karphi Sanctuary 1200-1100 BC, Heraklion Archaeological Museum, black background. <br />
<br />
The Goddesses are crowned with symbols of earth and sky in the shapes of snakes and birds, describing attributes of the goddess as protector of nature.
  • Minoan Postpalatial terracotta  goddess statue with raised arms and horn crown,  Karphi Sanctuary 1200-1100 BC, Heraklion Archaeological Museum, white background. <br />
<br />
The Goddesses are crowned with symbols of earth and sky in the shapes of snakes and birds, describing attributes of the goddess as protector of nature.
  • Minoan Postpalatial terracotta  goddess statue with raised arms and bird crown,  Karphi Sanctuary 1200-1100 BC, Heraklion Archaeological Museum, white background. <br />
<br />
The Goddesses are crowned with symbols of earth and sky in the shapes of snakes and birds, describing attributes of the goddess as protector of nature.
  • Cycladic conical rhython with spiral decorations.   Cycladic (1650-1450 BC) , Phylakopi III, Melos. National Archaeological Museum Athens.  Cat no 5791. Black background.<br />
<br />
<br />
Ceramic shapes and painted style are heavily influenced by Minoan styles during this period. Dark floral and spiral patterns are painted over a lighted backgound with wavy bands.
  • Cycladic deep bridge spouted jar with spiral decorations.   Cycladic (1650-1450 BC) , Phylakopi III, Melos. National Archaeological Museum Athens.  Cat no 5788.  Grey background.<br />
<br />
<br />
Ceramic shapes and painted style are heavily influenced by Minoan styles during this period. Dark floral and spiral patterns are painted over a lighted backgound with wavy bands.
  • Copper statuettes of warriors with a short loincloth which originally held weapons in their hands, as well as representation of a woman. These acquired in the art trade figures were probably made ​​in the mountains of Lebanon. They are characterised by the rigid body shapes and rough running faces, whose eyes were inserted once. 3rd century BC , Pergamon Museum, Berlin
  • Copper statuettes of warriors with a short loincloth which originally held weapons in their hands, as well as representation of a woman. These acquired in the art trade figures were probably made ​​in the mountains of Lebanon. They are characterised by the rigid body shapes and rough running faces, whose eyes were inserted once. 3rd century BC , Pergamon Museum, Berlin
  • Minoan Postpalatial terracotta  goddess tablet with raised arms, Kannia Sanctuary,  Gortys, 1350-1250 BC, Heraklion Archaeological Museum, black background. <br />
<br />
The Goddesses are crowned with symbols of earth and sky in the shapes of snakes and birds, describing attributes of the goddess as protector of nature.
  • Minoan Postpalatial terracotta  goddess tablet with raised arms, Kannia Sanctuary,  Gortys, 1350-1250 BC, Heraklion Archaeological Museum, white background. <br />
<br />
The Goddesses are crowned with symbols of earth and sky in the shapes of snakes and birds, describing attributes of the goddess as protector of nature.
  • Minoan Postpalatial terracotta  goddess tablet with raised arms, Kannia Sanctuary,  Gortys, 1350-1250 BC, Heraklion Archaeological Museum, grey background. <br />
<br />
The Goddesses are crowned with symbols of earth and sky in the shapes of snakes and birds, describing attributes of the goddess as protector of nature.
  • Minoan Postpalatial terracotta  goddess statue with raised arms holding snakes, Kannia Sanctuary,  Gortys, 1350-1250 BC, Heraklion Archaeological Museum, white background. <br />
<br />
The Goddesses are crowned with symbols of earth and sky in the shapes of snakes and birds, describing attributes of the goddess as protector of nature.
  • Minoan Postpalatial terracotta  goddess statue with raised arms holding snakes, Kannia Sanctuary,  Gortys, 1350-1250 BC, Heraklion Archaeological Museum. <br />
<br />
The Goddesses are crowned with symbols of earth and sky in the shapes of snakes and birds, describing attributes of the goddess as protector of nature.
  • Minoan Postpalatial terracotta  goddess statue with raised arms holding snakes, Kannia Sanctuary,  Gortys, 1350-1250 BC, Heraklion Archaeological Museum, grey background. <br />
<br />
The Goddesses are crowned with symbols of earth and sky in the shapes of snakes and birds, describing attributes of the goddess as protector of nature.
  • Minoan Postpalatial terracotta  goddess statue with raised arms, Kannia Sanctuary,  Gortys, 1350-1250 BC, Heraklion Archaeological Museum, grey background. <br />
<br />
The Goddesses are crowned with symbols of earth and sky in the shapes of snakes and birds, describing attributes of the goddess as protector of nature.
  • Minoan Postpalatial terracotta  goddess statue with raised arms, Kannia Sanctuary,  Gortys, 1350-1250 BC, Heraklion Archaeological Museum. <br />
<br />
The Goddesses are crowned with symbols of earth and sky in the shapes of snakes and birds, describing attributes of the goddess as protector of nature.
  • Minoan Postpalatial terracotta  goddess statue with raised arms and a crown of snakes, Kannia Sanctuary,  Gortys, 1350-1250 BC, Heraklion Archaeological Museum, grey background. <br />
<br />
The Goddesses are crowned with symbols of earth and sky in the shapes of snakes and birds, describing attributes of the goddess as protector of nature.
  • Minoan Postpalatial terracotta  goddess statue with raised arms and a crown of snakes, Kannia Sanctuary,  Gortys, 1350-1250 BC, Heraklion Archaeological Museum, black background. <br />
<br />
The Goddesses are crowned with symbols of earth and sky in the shapes of snakes and birds, describing attributes of the goddess as protector of nature.
  • Minoan Postpalatial terracotta  goddess statue with raised arms and a crown of snakes, Kannia Sanctuary,  Gortys, 1350-1250 BC, Heraklion Archaeological Museum, white background. <br />
<br />
The Goddesses are crowned with symbols of earth and sky in the shapes of snakes and birds, describing attributes of the goddess as protector of nature.
  • Minoan Postpalatial terracotta  goddess statue with raised arms and a crown of snakes, Kannia Sanctuary,  Gortys, 1350-1250 BC, Heraklion Archaeological Museum, grey background. <br />
<br />
The Goddesses are crowned with symbols of earth and sky in the shapes of snakes and birds, describing attributes of the goddess as protector of nature.
  • Minoan Postpalatial terracotta  goddess statue with raised arms,  Karphi Sanctuary 1200-1100 BC, Heraklion Archaeological Museum, white background. <br />
<br />
The Goddesses are crowned with symbols of earth and sky in the shapes of snakes and birds, describing attributes of the goddess as protector of nature.
  • Minoan Postpalatial terracotta  goddess statue with raised arms,  Karphi Sanctuary 1200-1100 BC, Heraklion Archaeological Museum, white background. <br />
<br />
The Goddesses are crowned with symbols of earth and sky in the shapes of snakes and birds, describing attributes of the goddess as protector of nature.
  • Minoan Postpalatial terracotta  goddess statue with raised arms,  Karphi Sanctuary 1200-1100 BC, Heraklion Archaeological Museum, black background. <br />
<br />
The Goddesses are crowned with symbols of earth and sky in the shapes of snakes and birds, describing attributes of the goddess as protector of nature.
  • Minoan Postpalatial terracotta  goddess statue with raised arms,  Karphi Sanctuary 1200-1100 BC, Heraklion Archaeological Museum, grey background. <br />
<br />
The Goddesses are crowned with symbols of earth and sky in the shapes of snakes and birds, describing attributes of the goddess as protector of nature.
  • Minoan Postpalatial terracotta  goddess statue with raised arms,  Karphi Sanctuary 1200-1100 BC, Heraklion Archaeological Museum. <br />
<br />
The Goddesses are crowned with symbols of earth and sky in the shapes of snakes and birds, describing attributes of the goddess as protector of nature.
  • Minoan Postpalatial terracotta  goddess statue with raised arms and horn crown,  Karphi Sanctuary 1200-1100 BC, Heraklion Archaeological Museum, black background. <br />
<br />
The Goddesses are crowned with symbols of earth and sky in the shapes of snakes and birds, describing attributes of the goddess as protector of nature.
  • Minoan Postpalatial terracotta  goddess statue with raised arms and horn crown,  Karphi Sanctuary 1200-1100 BC, Heraklion Archaeological Museum, grey background. <br />
<br />
The Goddesses are crowned with symbols of earth and sky in the shapes of snakes and birds, describing attributes of the goddess as protector of nature.
  • Minoan Postpalatial terracotta  goddess statue with raised arms and horn crown,  Karphi Sanctuary 1200-1100 BC, Heraklion Archaeological Museum, grey background. <br />
<br />
The Goddesses are crowned with symbols of earth and sky in the shapes of snakes and birds, describing attributes of the goddess as protector of nature.
  • Minoan Postpalatial terracotta  goddess statue with raised arms and crown,  Karphi Sanctuary 1200-1100 BC, Heraklion Archaeological Museum, black background. <br />
<br />
The Goddesses are crowned with symbols of earth and sky in the shapes of snakes and birds, describing attributes of the goddess as protector of nature.
  • Minoan Postpalatial terracotta  goddess statue with raised arms and crown,  Karphi Sanctuary 1200-1100 BC, Heraklion Archaeological Museum, grey background. <br />
<br />
The Goddesses are crowned with symbols of earth and sky in the shapes of snakes and birds, describing attributes of the goddess as protector of nature.
  • Minoan Postpalatial terracotta  goddess statue with raised arms and crown,  Karphi Sanctuary 1200-1100 BC, Heraklion Archaeological Museum. <br />
<br />
The Goddesses are crowned with symbols of earth and sky in the shapes of snakes and birds, describing attributes of the goddess as protector of nature.
  • Minoan Postpalatial terracotta  goddess statue with raised arms and crown,  Karphi Sanctuary 1200-1100 BC, Heraklion Archaeological Museum, grey background. <br />
<br />
The Goddesses are crowned with symbols of earth and sky in the shapes of snakes and birds, describing attributes of the goddess as protector of nature.
  • Minoan Postpalatial terracotta  goddess statue with raised arms and bird crown,  Karphi Sanctuary 1200-1100 BC, Heraklion Archaeological Museum, grey background. <br />
<br />
The Goddesses are crowned with symbols of earth and sky in the shapes of snakes and birds, describing attributes of the goddess as protector of nature.
  • Cycladic conical rhython with spiral decorations.   Cycladic (1650-1450 BC) , Phylakopi III, Melos. National Archaeological Museum Athens.  Cat no 5791.  White background.<br />
<br />
<br />
Ceramic shapes and painted style are heavily influenced by Minoan styles during this period. Dark floral and spiral patterns are painted over a lighted backgound with wavy bands.
  • Cycladic conical rhython with spiral decorations.   Cycladic (1650-1450 BC) , Phylakopi III, Melos. National Archaeological Museum Athens.  Cat no 5791.  Grey background.<br />
<br />
<br />
Ceramic shapes and painted style are heavily influenced by Minoan styles during this period. Dark floral and spiral patterns are painted over a lighted backgound with wavy bands.
  • Cycladic conical rhython with spiral decorations.   Cycladic (1650-1450 BC) , Phylakopi III, Melos. National Archaeological Museum Athens.  Cat no 5791.<br />
<br />
Ceramic shapes and painted style are heavily influenced by Minoan styles during this period. Dark floral and spiral patterns are painted over a lighted backgound with wavy bands.
  • Cycladic spouted cup with floral and net pattern.   Cycladic (1650-1450 BC) , Phylakopi III, Melos. National Archaeological Museum Athens. Cat no 5755.   White background.<br />
<br />
<br />
Ceramic shapes and painted style are heavily influenced by Minoan styles during this period. Dark floral and spiral patterns are painted over a lighted backgound with wavy bands.
  • Cycladic spouted cup with floral and net pattern.   Cycladic (1650-1450 BC) , Phylakopi III, Melos. National Archaeological Museum Athens. Cat no 5755.   Grey background.<br />
<br />
<br />
Ceramic shapes and painted style are heavily influenced by Minoan styles during this period. Dark floral and spiral patterns are painted over a lighted backgound with wavy bands.
  • Cycladic spouted cup with floral and net pattern.   Cycladic (1650-1450 BC) , Phylakopi III, Melos. National Archaeological Museum Athens. Cat no 5755. <br />
<br />
Ceramic shapes and painted style are heavily influenced by Minoan styles during this period. Dark floral and spiral patterns are painted over a lighted backgound with wavy bands.
  • Cycladic deep bridge spouted jar with spiral decorations.   Cycladic (1650-1450 BC) , Phylakopi III, Melos. National Archaeological Museum Athens.  Cat no 5788.  White background.<br />
<br />
<br />
Ceramic shapes and painted style are heavily influenced by Minoan styles during this period. Dark floral and spiral patterns are painted over a lighted backgound with wavy bands.
  • Cycladic deep bridge spouted jar with spiral decorations.   Cycladic (1650-1450 BC) , Phylakopi III, Melos. National Archaeological Museum Athens.  Cat no 5788.<br />
<br />
Ceramic shapes and painted style are heavily influenced by Minoan styles during this period. Dark floral and spiral patterns are painted over a lighted backgound with wavy bands.
  • Cycladic deep bridge spouted jar with spiral decorations.   Cycladic (1650-1450 BC) , Phylakopi III, Melos. National Archaeological Museum Athens.  Cat no 5788.  Gray background.<br />
<br />
<br />
Ceramic shapes and painted style are heavily influenced by Minoan styles during this period. Dark floral and spiral patterns are painted over a lighted backgound with wavy bands.
  • Cycladic cut away jug with floral and net pattern.   Cycladic (1650-1450 BC) , Phylakopi III, Melos. National Archaeological Museum Athens. Cat no 5757<br />
<br />
This jug has a strainer in the spout with floral patterns. Ceramic shapes and painted style are heavily influenced by Minoan styles during this period. Dark floral and spiral patterns are painted over a lighted backgound with wavy bands.
  • Copper statuettes of warriors with a short loincloth which originally held weapons in their hands, as well as representation of a woman. These acquired in the art trade figures were probably made ​​in the mountains of Lebanon. They are characterised by the rigid body shapes and rough running faces, whose eyes were inserted once. 3rd century BC , Pergamon Museum, Berlin
  • Copper statuettes of warriors with a short loincloth which originally held weapons in their hands, as well as representation of a woman. These acquired in the art trade figures were probably made ​​in the mountains of Lebanon. They are characterised by the rigid body shapes and rough running faces, whose eyes were inserted once. 3rd century BC , Pergamon Museum, Berlin
  • Copper statuettes of warriors with a short loincloth which originally held weapons in their hands, as well as representation of a woman. These acquired in the art trade figures were probably made ​​in the mountains of Lebanon. They are characterised by the rigid body shapes and rough running faces, whose eyes were inserted once. 3rd century BC , Pergamon Museum, Berlin
  • Copper statuettes of warriors with a short loincloth which originally held weapons in their hands, as well as representation of a woman. These acquired in the art trade figures were probably made ​​in the mountains of Lebanon. They are characterised by the rigid body shapes and rough running faces, whose eyes were inserted once. 3rd century BC , Pergamon Museum, Berlin
  • Copper statuettes of warriors with a short loincloth which originally held weapons in their hands, as well as representation of a woman. These acquired in the art trade figures were probably made ​​in the mountains of Lebanon. They are characterised by the rigid body shapes and rough running faces, whose eyes were inserted once. 3rd century BC , Pergamon Museum, Berlin
  • Copper statuettes of warriors with a short loincloth which originally held weapons in their hands, as well as representation of a woman. These acquired in the art trade figures were probably made ​​in the mountains of Lebanon. They are characterised by the rigid body shapes and rough running faces, whose eyes were inserted once. 3rd century BC , Pergamon Museum, Berlin
  • Copper statuettes of warriors with a short loincloth which originally held weapons in their hands, as well as representation of a woman. These acquired in the art trade figures were probably made ​​in the mountains of Lebanon. They are characterised by the rigid body shapes and rough running faces, whose eyes were inserted once. 3rd century BC , Pergamon Museum, Berlin
  • Copper statuettes of warriors with a short loincloth which originally held weapons in their hands, as well as representation of a woman. These acquired in the art trade figures were probably made ​​in the mountains of Lebanon. They are characterised by the rigid body shapes and rough running faces, whose eyes were inserted once. 3rd century BC , Pergamon Museum, Berlin
  • Copper statuettes of warriors with a short loincloth which originally held weapons in their hands, as well as representation of a woman. These acquired in the art trade figures were probably made ​​in the mountains of Lebanon. They are characterised by the rigid body shapes and rough running faces, whose eyes were inserted once. 3rd century BC , Pergamon Museum, Berlin
  • Copper statuettes of warriors with a short loincloth which originally held weapons in their hands, as well as representation of a woman. These acquired in the art trade figures were probably made ​​in the mountains of Lebanon. They are characterised by the rigid body shapes and rough running faces, whose eyes were inserted once. 3rd century BC , Pergamon Museum, Berlin
  • Copper statuettes of warriors with a short loincloth which originally held weapons in their hands, as well as representation of a woman. These acquired in the art trade figures were probably made ​​in the mountains of Lebanon. They are characterised by the rigid body shapes and rough running faces, whose eyes were inserted once. 3rd century BC , Pergamon Museum, Berlin
  • Minoan Postpalatial terracotta  goddess tablet with raised arms, Kannia Sanctuary,  Gortys, 1350-1250 BC, Heraklion Archaeological Museum, grey background. <br />
<br />
The Goddesses are crowned with symbols of earth and sky in the shapes of snakes and birds, describing attributes of the goddess as protector of nature.
  • Minoan Postpalatial terracotta  goddess tablet with raised arms, Kannia Sanctuary,  Gortys, 1350-1250 BC, Heraklion Archaeological Museum. <br />
<br />
The Goddesses are crowned with symbols of earth and sky in the shapes of snakes and birds, describing attributes of the goddess as protector of nature.
  • Minoan Postpalatial terracotta  goddess statue with raised arms holding snakes, Kannia Sanctuary,  Gortys, 1350-1250 BC, Heraklion Archaeological Museum, black background. <br />
<br />
The Goddesses are crowned with symbols of earth and sky in the shapes of snakes and birds, describing attributes of the goddess as protector of nature.
  • Minoan Postpalatial terracotta  goddess statue with raised arms holding snakes, Kannia Sanctuary,  Gortys, 1350-1250 BC, Heraklion Archaeological Museum, grey background. <br />
<br />
The Goddesses are crowned with symbols of earth and sky in the shapes of snakes and birds, describing attributes of the goddess as protector of nature.
  • Minoan Postpalatial terracotta  goddess statue with raised arms, Kannia Sanctuary,  Gortys, 1350-1250 BC, Heraklion Archaeological Museum, white background. <br />
<br />
The Goddesses are crowned with symbols of earth and sky in the shapes of snakes and birds, describing attributes of the goddess as protector of nature.
  • Minoan Postpalatial terracotta  goddess statue with raised arms, Kannia Sanctuary,  Gortys, 1350-1250 BC, Heraklion Archaeological Museum, black background. <br />
<br />
The Goddesses are crowned with symbols of earth and sky in the shapes of snakes and birds, describing attributes of the goddess as protector of nature.
  • Minoan Postpalatial terracotta  goddess statue with raised arms and a crown of snakes, Kannia Sanctuary,  Gortys, 1350-1250 BC, Heraklion Archaeological Museum. <br />
<br />
The Goddesses are crowned with symbols of earth and sky in the shapes of snakes and birds, describing attributes of the goddess as protector of nature.
  • Minoan Postpalatial terracotta  goddess statue with raised arms,  Karphi Sanctuary 1200-1100 BC, Heraklion Archaeological Museum, grey background. <br />
<br />
The Goddesses are crowned with symbols of earth and sky in the shapes of snakes and birds, describing attributes of the goddess as protector of nature.
  • Minoan Postpalatial terracotta  goddess statue with raised arms,  Karphi Sanctuary 1200-1100 BC, Heraklion Archaeological Museum, grey background. <br />
<br />
The Goddesses are crowned with symbols of earth and sky in the shapes of snakes and birds, describing attributes of the goddess as protector of nature.
  • Minoan Postpalatial terracotta  goddess statue with raised arms and horn crown,  Karphi Sanctuary 1200-1100 BC, Heraklion Archaeological Museum. <br />
<br />
The Goddesses are crowned with symbols of earth and sky in the shapes of snakes and birds, describing attributes of the goddess as protector of nature.
  • Minoan Postpalatial terracotta  goddess statue with raised arms and crown,  Karphi Sanctuary 1200-1100 BC, Heraklion Archaeological Museum, white background. <br />
<br />
The Goddesses are crowned with symbols of earth and sky in the shapes of snakes and birds, describing attributes of the goddess as protector of nature.
  • Minoan Postpalatial terracotta  goddess statue with raised arms and bird crown,  Karphi Sanctuary 1200-1100 BC, Heraklion Archaeological Museum, black background. <br />
<br />
The Goddesses are crowned with symbols of earth and sky in the shapes of snakes and birds, describing attributes of the goddess as protector of nature.
  • Minoan Postpalatial terracotta  goddess statue with raised arms and bird crown,  Karphi Sanctuary 1200-1100 BC, Heraklion Archaeological Museum, grey background. <br />
<br />
The Goddesses are crowned with symbols of earth and sky in the shapes of snakes and birds, describing attributes of the goddess as protector of nature.
  • Minoan Postpalatial terracotta  goddess statue with raised arms and bird crown,  Karphi Sanctuary 1200-1100 BC, Heraklion Archaeological Museum. <br />
<br />
The Goddesses are crowned with symbols of earth and sky in the shapes of snakes and birds, describing attributes of the goddess as protector of nature.
  • Cycladic spouted cup with floral and net pattern.   Cycladic (1650-1450 BC) , Phylakopi III, Melos. National Archaeological Museum Athens. Cat no 5755.  Black background.<br />
<br />
<br />
Ceramic shapes and painted style are heavily influenced by Minoan styles during this period. Dark floral and spiral patterns are painted over a lighted backgound with wavy bands.
  • Cycladic spouted cup with floral and net pattern.   Cycladic (1650-1450 BC) , Phylakopi III, Melos. National Archaeological Museum Athens. Cat no 5755.   Gray background.<br />
<br />
<br />
Ceramic shapes and painted style are heavily influenced by Minoan styles during this period. Dark floral and spiral patterns are painted over a lighted backgound with wavy bands.
  • Cycladic deep bridge spouted jar with spiral decorations.   Cycladic (1650-1450 BC) , Phylakopi III, Melos. National Archaeological Museum Athens.  Cat no 5788. Black background.<br />
<br />
<br />
Ceramic shapes and painted style are heavily influenced by Minoan styles during this period. Dark floral and spiral patterns are painted over a lighted backgound with wavy bands.
  • Cycladic cut away jug with floral and net pattern.   Cycladic (1650-1450 BC) , Phylakopi III, Melos. National Archaeological Museum Athens. Cat no 5757.  Black background.<br />
<br />
<br />
This jug has a strainer in the spout with floral patterns. Ceramic shapes and painted style are heavily influenced by Minoan styles during this period. Dark floral and spiral patterns are painted over a lighted backgound with wavy bands.
  • Cycladic cut away jug with floral and net pattern.   Cycladic (1650-1450 BC) , Phylakopi III, Melos. National Archaeological Museum Athens. Cat no 5757<br />
<br />
This jug has a strainer in the spout with floral patterns. Ceramic shapes and painted style are heavily influenced by Minoan styles during this period. Dark floral and spiral patterns are painted over a lighted backgound with wavy bands.
  • Cycladic cut away jug with floral and net pattern.   Cycladic (1650-1450 BC) , Phylakopi III, Melos. National Archaeological Museum Athens. Cat no 5757.   Grey background.<br />
<br />
<br />
This jug has a strainer in the spout with floral patterns. Ceramic shapes and painted style are heavily influenced by Minoan styles during this period. Dark floral and spiral patterns are painted over a lighted backgound with wavy bands.
  • Roman geometric floor mosaic with black and white diamonds shapes. From the Roman villa near Botte, Rome. 1st century BC . National Roman Museum, Rome, Italy
  • Copper statuettes of warriors with a short loincloth which originally held weapons in their hands, as well as representation of a woman. These acquired in the art trade figures were probably made ​​in the mountains of Lebanon. They are characterised by the rigid body shapes and rough running faces, whose eyes were inserted once. 3rd century BC , Pergamon Museum, Berlin
  • Copper statuettes of warriors with a short loincloth which originally held weapons in their hands, as well as representation of a woman. These acquired in the art trade figures were probably made ​​in the mountains of Lebanon. They are characterised by the rigid body shapes and rough running faces, whose eyes were inserted once. 3rd century BC , Pergamon Museum, Berlin
  • Copper statuettes of warriors with a short loincloth which originally held weapons in their hands, as well as representation of a woman. These acquired in the art trade figures were probably made ​​in the mountains of Lebanon. They are characterised by the rigid body shapes and rough running faces, whose eyes were inserted once. 3rd century BC , Pergamon Museum, Berlin
  • Copper statuettes of warriors with a short loincloth which originally held weapons in their hands, as well as representation of a woman. These acquired in the art trade figures were probably made ​​in the mountains of Lebanon. They are characterised by the rigid body shapes and rough running faces, whose eyes were inserted once. 3rd century BC , Pergamon Museum, Berlin
  • Copper statuettes of warriors with a short loincloth which originally held weapons in their hands, as well as representation of a woman. These acquired in the art trade figures were probably made ​​in the mountains of Lebanon. They are characterised by the rigid body shapes and rough running faces, whose eyes were inserted once. 3rd century BC , Pergamon Museum, Berlin
  • Minoan Postpalatial terracotta  goddess statue with raised arms,  Karphi Sanctuary 1200-1100 BC, Heraklion Archaeological Museum, grey background. <br />
<br />
The Goddesses are crowned with symbols of earth and sky in the shapes of snakes and birds, describing attributes of the goddess as protector of nature.
  • Cycladic conical rhython with spiral decorations.   Cycladic (1650-1450 BC) , Phylakopi III, Melos. National Archaeological Museum Athens.  Cat no 5791.  Gray background.<br />
<br />
<br />
Ceramic shapes and painted style are heavily influenced by Minoan styles during this period. Dark floral and spiral patterns are painted over a lighted backgound with wavy bands.
  • Cycladic cut away jug with floral and net pattern.   Cycladic (1650-1450 BC) , Phylakopi III, Melos. National Archaeological Museum Athens. Cat no 5757.   Gray background.<br />
<br />
<br />
This jug has a strainer in the spout with floral patterns. Ceramic shapes and painted style are heavily influenced by Minoan styles during this period. Dark floral and spiral patterns are painted over a lighted backgound with wavy bands.
  • Copper statuettes of warriors with a short loincloth which originally held weapons in their hands, as well as representation of a woman. These acquired in the art trade figures were probably made ​​in the mountains of Lebanon. They are characterised by the rigid body shapes and rough running faces, whose eyes were inserted once. 3rd century BC , Pergamon Museum, Berlin
  • Copper statuettes of warriors with a short loincloth which originally held weapons in their hands, as well as representation of a woman. These acquired in the art trade figures were probably made ​​in the mountains of Lebanon. They are characterised by the rigid body shapes and rough running faces, whose eyes were inserted once. 3rd century BC , Pergamon Museum, Berlin
  • Stone Trulo house with beehive shaped conical roof, traditional Turlli houses of Alberobello, Apulia, Italy
  • Stone Trulo house with beehive shaped conical roof, traditional Turlli houses of Alberobello, Apulia, Italy
  • Stone Trulo house with beehive shaped conical roof, traditional Turlli houses of Alberobello, Apulia, Italy
  • Stone Trulo house with beehive shaped conical roof, traditional Turlli houses of Alberobello, Apulia, Italy
  • Stone Trulo house with beehive shaped conical roof, traditional Turlli houses of Alberobello, Apulia, Italy
  • Stone Trulo house with beehive shaped conical roof, traditional Turlli houses of Alberobello, Apulia, Italy
  • Stone Trulo house with beehive shaped conical roof, traditional Turlli houses of Alberobello, Apulia, Italy
  • Stone Trulo house with beehive shaped conical roof, traditional Turlli houses of Alberobello, Apulia, Italy
  • Stone Trulo house with beehive shaped conical roof, traditional Turlli houses of Alberobello, Apulia, Italy
  • Stone Trulo house with beehive shaped conical roof, traditional Turlli houses of Alberobello, Apulia, Italy
  • Stone Trulo house with beehive shaped conical roof, traditional Turlli houses of Alberobello, Apulia, Italy
  • Stone Trulo house with beehive shaped conical roof, traditional Turlli houses of Alberobello, Apulia, Italy
  • Stone Trulo house with beehive shaped conical roof, traditional Turlli houses of Alberobello, Apulia, Italy
  • Stone Trulo house with beehive shaped conical roof, traditional Turlli houses of Alberobello, Apulia, Italy
  • Stone Trulo house with beehive shaped conical roof, traditional Turlli houses of Alberobello, Apulia, Italy
  • Stone Trulo house with beehive shaped conical roof, traditional Turlli houses of Alberobello, Apulia, Italy
  • Stone Trulo house with beehive shaped conical roof, traditional Turlli houses of Alberobello, Apulia, Italy
  • Stone Trulo house with beehive shaped conical roof, traditional Turlli houses of Alberobello, Apulia, Italy
  • Stone Trulo house with beehive shaped conical roof, traditional Turlli houses of Alberobello, Apulia, Italy
  • Stone Trulo house with beehive shaped conical roof, traditional Turlli houses of Alberobello, Apulia, Italy
  • Stone Trulo house with beehive shaped conical roof, traditional Turlli houses of Alberobello, Apulia, Italy
  • Stone Trulo house with beehive shaped conical roof, traditional Turlli houses of Alberobello, Apulia, Italy
  • Stone Trulo house with beehive shaped conical roof, traditional Turlli houses of Alberobello, Apulia, Italy
  • Stone Trulo house with beehive shaped conical roof, traditional Turlli houses of Alberobello, Apulia, Italy
  • Stone Trulo house with beehive shaped conical roof, traditional Turlli houses of Alberobello, Apulia, Italy
  • Stone Trulo house with beehive shaped conical roof, traditional Turlli houses of Alberobello, Apulia, Italy
  • Stone Trulo house with beehive shaped conical roof, traditional Turlli houses of Alberobello, Apulia, Italy
  • Stone Trulo house with beehive shaped conical roof, traditional Turlli houses of Alberobello, Apulia, Italy
  • Stone Trulo house with beehive shaped conical roof, traditional Turlli houses of Alberobello, Apulia, Italy
  • Stone Trulo house with beehive shaped conical roof, traditional Turlli houses of Alberobello, Apulia, Italy
  • Stone Trulo house with beehive shaped conical roof, traditional Turlli houses of Alberobello, Apulia, Italy
  • Stone Trulo house with beehive shaped conical roof, traditional Turlli houses of Alberobello, Apulia, Italy
  • Stone Trulo house with beehive shaped conical roof, traditional Turlli houses of Alberobello, Apulia, Italy
  • Stone Trulo house with beehive shaped conical roof, traditional Turlli houses of Alberobello, Apulia, Italy
  • Stone Trulo house with beehive shaped conical roof, traditional Turlli houses of Alberobello, Apulia, Italy
  • Stone Trulo house with beehive shaped conical roof, traditional Turlli houses of Alberobello, Apulia, Italy
  • Stone Trulo house with beehive shaped conical roof, traditional Turlli houses of Alberobello, Apulia, Italy
  • Stone Trulo house with beehive shaped conical roof, traditional Turlli houses of Alberobello, Apulia, Italy
  • Stone Trulo house with beehive shaped conical roof, traditional Turlli houses of Alberobello, Apulia, Italy
  • Stone Trulo house with beehive shaped conical roof, traditional Turlli houses of Alberobello, Apulia, Italy
  • Stone Trulo house with beehive shaped conical roof, traditional Turlli houses of Alberobello, Apulia, Italy
  • Stone Trulo house with beehive shaped conical roof, traditional Turlli houses of Alberobello, Apulia, Italy
  • Stone Trulo house with beehive shaped conical roof, traditional Turlli houses of Alberobello, Apulia, Italy
  • Stone Trulo house with beehive shaped conical roof, traditional Turlli houses of Alberobello, Apulia, Italy
  • Stone Trulo house with beehive shaped conical roof, traditional Turlli houses of Alberobello, Apulia, Italy
  • Stone Trulo house with beehive shaped conical roof, traditional Turlli houses of Alberobello, Apulia, Italy
  • Stone Trulo house with beehive shaped conical roof, traditional Turlli houses of Alberobello, Apulia, Italy
  • Stone Trulo house with beehive shaped conical roof, traditional Turlli houses of Alberobello, Apulia, Italy
  • Stone Trulo house with beehive shaped conical roof, traditional Turlli houses of Alberobello, Apulia, Italy
  • Stone Trulo house with beehive shaped conical roof, traditional Turlli houses of Alberobello, Apulia, Italy
  • Stone Trulo house with beehive shaped conical roof, traditional Turlli houses of Alberobello, Apulia, Italy
  • Stone Trulo house with beehive shaped conical roof, traditional Turlli houses of Alberobello, Apulia, Italy
  • Stone Trulo house with beehive shaped conical roof, traditional Turlli houses of Alberobello, Apulia, Italy
  • Stone Trulo house with beehive shaped conical roof, traditional Turlli houses of Alberobello, Apulia, Italy
  • Stone Trulo house with beehive shaped conical roof, traditional Turlli houses of Alberobello, Apulia, Italy
  • Stone Trulo house with beehive shaped conical roof, traditional Turlli houses of Alberobello, Apulia, Italy
  • Stone Trulo house with beehive shaped conical roof, traditional Turlli houses of Alberobello, Apulia, Italy
  • Stone Trulo house with beehive shaped conical roof, traditional Turlli houses of Alberobello, Apulia, Italy
  • Stone Trulo house with beehive shaped conical roof, traditional Turlli houses of Alberobello, Apulia, Italy
  • Stone Trulo house with beehive shaped conical roof, traditional Turlli houses of Alberobello, Apulia, Italy
  • Stone Trulo house with beehive shaped conical roof, traditional Turlli houses of Alberobello, Apulia, Italy
  • Stone Trulo house with beehive shaped conical roof, traditional Turlli houses of Alberobello, Apulia, Italy

FunkyStock Picture Library Resource

Picture The Past

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FunkyStock Picture Library free resource for professional editorial picture editors, picture researchers, historical scholars and students and enthusiasts who want to browse some of the best pictures and images of historic countries, historical places, archaeological sites and the very best museum antiquities and artefacts exhibits in Europe and the Middle East.

Pictures and Images can be downloaded or bought as stock photos or photo art prints.

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Browse travel pictures and images of historic places and archaeological sites of countries in Europe and the Middle East.

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Explore the past through pictures and images of its historic places. See the great palaces, castles and cities of antiquity as well as the great archaeological sites where our ancestors made history.

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Browse pictures & images the treasured artefacts and antiquities exhibits from the great Museum of Europe and the Middle East. See the art and objects made by our ancestors.

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