• Old court shoes
  • Camden lock - London. Shoes sculptures
  • Camden lock - London. Shoes sculptures
  • Camden lock - London. Shoes sculptures
  • Camden lock - London. Shoes sculptures
  • Camden lock - London. Shoes sculptures
  • Camden lock - London. Shoes sculptures
  • Camden lock - London. Shoes sculptures
  • Camden lock - London. Shoes sculptures
  • Camden lock - London. Shoes sculptures
  • Camden lock - London. Orange Juice stall
  • Camden lock - London. Manakin Heads
  • Camden lock - London. Airoplane sculpture
  • Camden lock - London. Airoplane sculpture
  • Camden lock - London. Painted Shop
  • Camden lock - London. Painted Shop
  • Camden lock - London.
  • Camden lock - London. Goth and Punk Clothes
  • Camden lock - London. Goth and Punk Clothes
  • Camden lock - London. Goth and Punk Clothes
  • Camden lock - London. Cat Sculpture
  • Camden lock - London. Cat Sculpture
  • Camden lock - London. Cat Sculpture
  • Camden lock - London.
  • Camden lock - London.
  • Camden lock - London. Tattoo
  • Camden lock - London. Tattoo
  • Camden lock - London. Tattoo
  • Camden lock - London. Tattoo
  • Camden lock - London. Tattoo
  • Camden lock - London. Body Piercing
  • Camden lock - London. Body Piercing
  • Camden lock - London. Indian food
  • Camden lock - London. Mexican and Vietmese food
  • Camden lock - London. Sweetcorn stall
  • Camden lock - London. Sign on Bridge
  • Camden lock - London. Sign on Bridge
  • Camden lock - London. Sign on Bridge
  • Camden lock - London. Sign on building
  • Aslantepe Hittite relief sculpted orthostat stone panel. Limestone, Aslantepe, Malatya, 1200-700 B.C.  Anatolian Civilisations Museum, Ankara, Turkey<br />
<br />
Scene of the king's offering drink and sacrifice to the gods. King pours from the pitcher to the vessel (libation); behind the king is a servant bringing a sacrifice. Storm God across the king holds Teshup, a triple lightning bundle - sickle, and a spear-mace set in the other orthostat; the goddess Ishtar holds weapon in both. All six figures have shoes with the curled ends. <br />
<br />
Against a white background.
  • Aslantepe Hittite relief sculpted orthostat stone panel. Limestone, Aslantepe, Malatya, 1200-700 B.C. . Anatolian Civilisations Museum, Ankara, Turkey<br />
<br />
Scene of the king's offering drink and sacrifice to the gods. King pours from the pitcher to the vessel (libation); behind the king is a servant bringing a sacrifice. Storm God across the king holds Teshup, a triple lightning bundle - sickle, and a spear-mace set in the other orthostat; the goddess Ishtar holds weapon in both. All six figures have shoes with the curled ends. <br />
<br />
Against a black background.
  • Aslantepe Hittite relief sculpted orthostat stone panel. Limestone, Aslantepe, Malatya, 1200-700 B.C. . Anatolian Civilisations Museum, Ankara, Turkey<br />
<br />
Scene of the king's offering drink and sacrifice to the gods. King pours from the pitcher to the vessel (libation); behind the king is a servant bringing a sacrifice. Storm God across the king holds Teshup, a triple lightning bundle - sickle, and a spear-mace set in the other orthostat; the goddess Ishtar holds weapon in both. All six figures have shoes with the curled ends. <br />
<br />
Against a gray background.
  • Aslantepe Hittite relief sculpted orthostat stone panel. Limestone, Aslantepe, Malatya, 1200-700 B.C. . Anatolian Civilisations Museum, Ankara, Turkey<br />
<br />
Scene of the king's offering drink and sacrifice to the gods. King pours from the pitcher to the vessel (libation); behind the king is a servant bringing a sacrifice. Storm God across the king holds Teshup, a triple lightning bundle - sickle, and a spear-mace set in the other orthostat; the goddess Ishtar holds weapon in both. All six figures have shoes with the curled ends. <br />
<br />
Against a brown art background.
  • Aslantepe Hittite relief sculpted orthostat stone panel. Limestone, Aslantepe, Malatya, 1200-700 B.C. . Anatolian Civilisations Museum, Ankara, Turkey<br />
<br />
Scene of the king's offering drink and sacrifice to the gods. King pours from the pitcher to the vessel (libation); behind the king is a servant bringing a sacrifice. Storm God across the king holds Teshup, a triple lightning bundle - sickle, and a spear-mace set in the other orthostat; the goddess Ishtar holds weapon in both. All six figures have shoes with the curled ends. <br />
<br />
Against a grey art background.
  • Alaca Hoyuk Sphinx Gate Hittite monumental relief sculpted orthostat stone pane of Goddess. Anatolian Civilizations Museum, Ankara, Turkey.<br />
<br />
Sitting in a chair without a backrest, the head and the face of the figure are completely destroyed. She has a long veil on her head, a long dress hanging down to her ankles, and the shoes with the curved ends. The stool under her feet indicates that she is an important person. She drinks something from the vessel in her right hand and she keeps the handled goblet in her hand a little higher.  <br />
<br />
Against a brown art background.
  • Alaca Hoyuk Hittite monumental relief sculpted orthostat stone panel. Andesite, Alaca, Corum, 1399 - 1301 B.C. Anatolian Civilizations Museum, Ankara, Turkey<br />
<br />
The rightmost figure wears a long coat and tailed dress. With both hands, he holds a sceptre with a ring in the middle. This item is thought to be a cult object in Assyria reliefs. The pointed and twisted tips of his shoes also show that he is in a high rank.  <br />
<br />
Against a white background.
  • Alaca Hoyuk Hittite monumental relief sculpted orthostat stone panel. Andesite, Alaca, Corum, 1399 - 1301 B.C. Anatolian Civilizations Museum, Ankara, Turkey<br />
<br />
The rightmost figure wears a long coat and tailed dress. With both hands, he holds a sceptre with a ring in the middle. This item is thought to be a cult object in Assyria reliefs. The pointed and twisted tips of his shoes also show that he is in a high rank.  <br />
<br />
Against a black background.
  • Alaca Hoyuk Hittite monumental relief sculpted orthostat stone panel. Andesite, Alaca, Corum, 1399 - 1301 B.C. Anatolian Civilizations Museum, Ankara, Turkey<br />
<br />
The rightmost figure wears a long coat and tailed dress. With both hands, he holds a sceptre with a ring in the middle. This item is thought to be a cult object in Assyria reliefs. The pointed and twisted tips of his shoes also show that he is in a high rank.  <br />
<br />
Against a brown gray background.
  • Alaca Hoyuk Hittite monumental relief sculpted orthostat stone panel. Andesite, Alaca, Corum, 1399 - 1301 B.C. Anatolian Civilizations Museum, Ankara, Turkey<br />
<br />
The rightmost figure wears a long coat and tailed dress. With both hands, he holds a sceptre with a ring in the middle. This item is thought to be a cult object in Assyria reliefs. The pointed and twisted tips of his shoes also show that he is in a high rank.  <br />
<br />
Against a brown art background.
  • Alaca Hoyuk Hittite monumental relief sculpted orthostat stone panel. Andesite, Alaca, Corum, 1399 - 1301 B.C. Anatolian Civilizations Museum, Ankara, Turkey<br />
<br />
The rightmost figure wears a long coat and tailed dress. With both hands, he holds a sceptre with a ring in the middle. This item is thought to be a cult object in Assyria reliefs. The pointed and twisted tips of his shoes also show that he is in a high rank.  <br />
<br />
Against a grey art background.
  • Alaca Hoyuk Sphinx Gate Hittite monumental relief sculpted orthostat stone panel. Andesite. Alaca, Corum, 1399 - 1301 B.C. Anatolian Civilizations Museum, Ankara, Turkey.<br />
<br />
Left Panel - Sitting in a chair without a backrest, the head and the face of the figure are completely destroyed. She has a long veil on her head, a long dress hanging down to her ankles, and the shoes with the curved ends. The stool under her feet indicates that she is an important person. She drinks something from the vessel in her right hand and she keeps the handled goblet in her hand a little higher.  <br />
<br />
Right Panel - Three figures with short skirts have their right arms positioned ahead. They each carry a sceptre in their left hand, which they lean against their shoulder. <br />
<br />
Against a white background.
  • Alaca Hoyuk Sphinx Gate Hittite monumental relief sculpted orthostat stone panel. Andesite. Alaca, Corum, 1399 - 1301 B.C. Anatolian Civilizations Museum, Ankara, Turkey.<br />
<br />
Left Panel - Sitting in a chair without a backrest, the head and the face of the figure are completely destroyed. She has a long veil on her head, a long dress hanging down to her ankles, and the shoes with the curved ends. The stool under her feet indicates that she is an important person. She drinks something from the vessel in her right hand and she keeps the handled goblet in her hand a little higher.  <br />
<br />
Right Panel - Three figures with short skirts have their right arms positioned ahead. They each carry a sceptre in their left hand, which they lean against their shoulder. <br />
<br />
Against a brown gray background.
  • Alaca Hoyuk Sphinx Gate Hittite monumental relief sculpted orthostat stone panel. Andesite. Alaca, Corum, 1399 - 1301 B.C. Anatolian Civilizations Museum, Ankara, Turkey.<br />
<br />
Left Panel - Sitting in a chair without a backrest, the head and the face of the figure are completely destroyed. She has a long veil on her head, a long dress hanging down to her ankles, and the shoes with the curved ends. The stool under her feet indicates that she is an important person. She drinks something from the vessel in her right hand and she keeps the handled goblet in her hand a little higher.  <br />
<br />
Right Panel - Three figures with short skirts have their right arms positioned ahead. They each carry a sceptre in their left hand, which they lean against their shoulder. <br />
<br />
Against a brown art background.
  • Alaca Hoyuk Sphinx Gate Hittite monumental relief sculpted orthostat stone panel. Andesite. Alaca, Corum, 1399 - 1301 B.C. Anatolian Civilizations Museum, Ankara, Turkey.<br />
<br />
Left Panel - Sitting in a chair without a backrest, the head and the face of the figure are completely destroyed. She has a long veil on her head, a long dress hanging down to her ankles, and the shoes with the curved ends. The stool under her feet indicates that she is an important person. She drinks something from the vessel in her right hand and she keeps the handled goblet in her hand a little higher.  <br />
<br />
Right Panel - Three figures with short skirts have their right arms positioned ahead. They each carry a sceptre in their left hand, which they lean against their shoulder. <br />
<br />
Against a black background.
  • Alaca Hoyuk Sphinx Gate Hittite monumental relief sculpted orthostat stone panel. Andesite, Alaca, Corum, 1399 - 1301 B.C. Goddess. Anatolian Civilizations Museum, Ankara, Turkey.<br />
<br />
Sitting in a chair without a backrest, the head and the face of the figure are completely destroyed. She has a long veil on her head, a long dress hanging down to her ankles, and the shoes with the curved ends. The stool under her feet indicates that she is an important person. She drinks something from the vessel in her right hand and she keeps the handled goblet in her hand a little higher.
  • Alaca Hoyuk Sphinx Gate Hittite monumental relief sculpted orthostat stone panel. Andesite. Alaca, Corum, 1399 - 1301 B.C. Anatolian Civilizations Museum, Ankara, Turkey.<br />
<br />
Left Panel - Sitting in a chair without a backrest, the head and the face of the figure are completely destroyed. She has a long veil on her head, a long dress hanging down to her ankles, and the shoes with the curved ends. The stool under her feet indicates that she is an important person. She drinks something from the vessel in her right hand and she keeps the handled goblet in her hand a little higher.  <br />
<br />
Right Panel - Three figures with short skirts have their right arms positioned ahead. They each carry a sceptre in their left hand, which they lean against their shoulder. <br />
<br />
Against a grey art background.
  • Alaca Hoyuk Sphinx Gate Hittite monumental relief sculpted orthostat stone pane of Goddess. Anatolian Civilizations Museum, Ankara, Turkey.<br />
<br />
Sitting in a chair without a backrest, the head and the face of the figure are completely destroyed. She has a long veil on her head, a long dress hanging down to her ankles, and the shoes with the curved ends. The stool under her feet indicates that she is an important person. She drinks something from the vessel in her right hand and she keeps the handled goblet in her hand a little higher.  <br />
<br />
Against a black background.
  • Alaca Hoyuk Sphinx Gate Hittite monumental relief sculpted orthostat stone pane of Goddess. Anatolian Civilizations Museum, Ankara, Turkey.<br />
<br />
Sitting in a chair without a backrest, the head and the face of the figure are completely destroyed. She has a long veil on her head, a long dress hanging down to her ankles, and the shoes with the curved ends. The stool under her feet indicates that she is an important person. She drinks something from the vessel in her right hand and she keeps the handled goblet in her hand a little higher.  <br />
<br />
Against a white background.
  • Alaca Hoyuk Sphinx Gate Hittite monumental relief sculpted orthostat stone pane of Goddess. Anatolian Civilizations Museum, Ankara, Turkey.<br />
<br />
Sitting in a chair without a backrest, the head and the face of the figure are completely destroyed. She has a long veil on her head, a long dress hanging down to her ankles, and the shoes with the curved ends. The stool under her feet indicates that she is an important person. She drinks something from the vessel in her right hand and she keeps the handled goblet in her hand a little higher.  <br />
<br />
Against a brown gray background.
  • Alaca Hoyuk Sphinx Gate Hittite monumental relief sculpted orthostat stone pane of Goddess. Anatolian Civilizations Museum, Ankara, Turkey.<br />
<br />
Sitting in a chair without a backrest, the head and the face of the figure are completely destroyed. She has a long veil on her head, a long dress hanging down to her ankles, and the shoes with the curved ends. The stool under her feet indicates that she is an important person. She drinks something from the vessel in her right hand and she keeps the handled goblet in her hand a little higher.  <br />
<br />
Against a grey art background.
  • Roman statue of an Emperor with a breastplate (loricata) from the 2nd cent AD from the Imperial Villa, Rome. The statue depicts a man in military dress, with a breastplate (lorca) decorated within griffins and a cluster of acanthus, and edged by a series of pendants (pteryges) with a head of ferocious animals and a cloak (paludamentum). In his left hand remains the traces of a sword; his raised right arm probably leant on a spear. On his feat he wears shoes decorated at the ankles with a lion skin. The statue dates from the dynasty of the Antonine Emperors and is the dress of the supreme military commander.  The National Roman Museum, Rome, Italy
  • Roman statue of an Emperor with a breastplate (loricata) from the 2nd cent AD from the Imperial Villa, Rome. The statue depicts a man in military dress, with a breastplate (lorca) decorated within griffins and a cluster of acanthus, and edged by a series of pendants (pteryges) with a head of ferocious animals and a cloak (paludamentum). In his left hand remains the traces of a sword; his raised right arm probably leant on a spear. On his feat he wears shoes decorated at the ankles with a lion skin. The statue dates from the dynasty of the Antonine Emperors and is the dress of the supreme military commander.  The National Roman Museum, Rome, Italy
  • Roman statue of an Emperor with a breastplate (loricata) from the 2nd cent AD from the Imperial Villa, Rome. The statue depicts a man in military dress, with a breastplate (lorca) decorated within griffins and a cluster of acanthus, and edged by a series of pendants (pteryges) with a head of ferocious animals and a cloak (paludamentum). In his left hand remains the traces of a sword; his raised right arm probably leant on a spear. On his feat he wears shoes decorated at the ankles with a lion skin. The statue dates from the dynasty of the Antonine Emperors and is the dress of the supreme military commander.  The National Roman Museum, Rome, Italy
  • Roman statue of an Emperor with a breastplate (loricata) from the 2nd cent AD from the Imperial Villa, Rome. The statue depicts a man in military dress, with a breastplate (lorca) decorated within griffins and a cluster of acanthus, and edged by a series of pendants (pteryges) with a head of ferocious animals and a cloak (paludamentum). In his left hand remains the traces of a sword; his raised right arm probably leant on a spear. On his feat he wears shoes decorated at the ankles with a lion skin. The statue dates from the dynasty of the Antonine Emperors and is the dress of the supreme military commander.  The National Roman Museum, Rome, Italy
  • Roman statue of an Emperor with a breastplate (loricata) from the 2nd cent AD from the Imperial Villa, Rome. The statue depicts a man in military dress, with a breastplate (lorca) decorated within griffins and a cluster of acanthus, and edged by a series of pendants (pteryges) with a head of ferocious animals and a cloak (paludamentum). In his left hand remains the traces of a sword; his raised right arm probably leant on a spear. On his feat he wears shoes decorated at the ankles with a lion skin. The statue dates from the dynasty of the Antonine Emperors and is the dress of the supreme military commander.  The National Roman Museum, Rome, Italy
  • Roman statue of an Emperor with a breastplate (loricata) from the 2nd cent AD from the Imperial Villa, Rome. The statue depicts a man in military dress, with a breastplate (lorca) decorated within griffins and a cluster of acanthus, and edged by a series of pendants (pteryges) with a head of ferocious animals and a cloak (paludamentum). In his left hand remains the traces of a sword; his raised right arm probably leant on a spear. On his feat he wears shoes decorated at the ankles with a lion skin. The statue dates from the dynasty of the Antonine Emperors and is the dress of the supreme military commander.  The National Roman Museum, Rome, Italy
  • Roman statue of an Emperor with a breastplate (loricata) from the 2nd cent AD from the Imperial Villa, Rome. The statue depicts a man in military dress, with a breastplate (lorca) decorated within griffins and a cluster of acanthus, and edged by a series of pendants (pteryges) with a head of ferocious animals and a cloak (paludamentum). In his left hand remains the traces of a sword; his raised right arm probably leant on a spear. On his feat he wears shoes decorated at the ankles with a lion skin. The statue dates from the dynasty of the Antonine Emperors and is the dress of the supreme military commander.  The National Roman Museum, Rome, Italy
  • Roman statue of an Emperor with a breastplate (loricata) from the 2nd cent AD from the Imperial Villa, Rome. The statue depicts a man in military dress, with a breastplate (lorca) decorated within griffins and a cluster of acanthus, and edged by a series of pendants (pteryges) with a head of ferocious animals and a cloak (paludamentum). In his left hand remains the traces of a sword; his raised right arm probably leant on a spear. On his feat he wears shoes decorated at the ankles with a lion skin. The statue dates from the dynasty of the Antonine Emperors and is the dress of the supreme military commander.  The National Roman Museum, Rome, Italy
  • Roman statue of an Emperor with a breastplate (loricata) from the 2nd cent AD from the Imperial Villa, Rome. The statue depicts a man in military dress, with a breastplate (lorca) decorated within griffins and a cluster of acanthus, and edged by a series of pendants (pteryges) with a head of ferocious animals and a cloak (paludamentum). In his left hand remains the traces of a sword; his raised right arm probably leant on a spear. On his feat he wears shoes decorated at the ankles with a lion skin. The statue dates from the dynasty of the Antonine Emperors and is the dress of the supreme military commander.  The National Roman Museum, Rome, Italy
  • Roman statue of an Emperor with a breastplate (loricata) from the 2nd cent AD from the Imperial Villa, Rome. The statue depicts a man in military dress, with a breastplate (lorca) decorated within griffins and a cluster of acanthus, and edged by a series of pendants (pteryges) with a head of ferocious animals and a cloak (paludamentum). In his left hand remains the traces of a sword; his raised right arm probably leant on a spear. On his feat he wears shoes decorated at the ankles with a lion skin. The statue dates from the dynasty of the Antonine Emperors and is the dress of the supreme military commander.  The National Roman Museum, Rome, Italy

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