• Fresh cut red cabbage
  • Fresh whole Curly Cabbage
  • The fashionable  resort of Positano, Amalfi coast, Italy
  • The fashion shops of Positano, Amalfi coast, Italy
  • The fashionable  resort of Positano, Amalfi coast, Italy
  • The fashionable  resort of Positano, Amalfi coast, Italy
  • Georgian house on the beach - Southwold - Suffolk - England
  • Savoy Cabbage  market France
  • Electrum, gold silver alloy, Mycenaean death mask from Grave delta and Gamma, Grave Circle B, Mycenae, Greece. National Archaeological Museum of Athens.  White background.
  • Electrum, gold silver alloy, Mycenaean death mask from Grave delta and Gamma, Grave Circle B, Mycenae, Greece. National Archaeological Museum of Athens.  Grey Background
  • Electrum, gold silver alloy, Mycenaean death mask from Grave delta and Gamma, Grave Circle B, Mycenae, Greece. National Archaeological Museum of Athens
  • Beach huts along the beach at Southwold - Suffolk - England
  • Fresh cut red cabbage
  • Fresh whole Curly Cabbage
  • Runswick Bay - North Yorkshire - England disabled women paddling
  • Runswick Bay - North Yorkshire - England - man and baby
  • Fresh cut red cabbage
  • Fresh whole Curly Cabbage
  • Fresh whole Curly Cabbage
  • Fresh whole Curly Cabbage
  • Fresh whole Curly Cabbage
  • Whole and cut Savoy cabbage
  • Whole and cut Savoy cabbage
  • The fashionable  resort of Positano, Amalfi coast, Italy
  • The fashionable  resort of Positano, Amalfi coast, Italy
  • The cathedral of Santa Astuna, Positano, Amalfi coast, Italy
  • The fashionable  resort of Positano, Amalfi coast, Italy
  • The fashionable  resort of Positano, Amalfi coast, Italy
  • The fashionable  resort of Positano, Amalfi coast, Italy
  • The fashionable  resort of Positano, Amalfi coast, Italy
  • The fashionable  resort of Positano, Amalfi coast, Italy
  • The fashionable  resort of Positano, Amalfi coast, Italy
  • The fashionable  resort of Positano, Amalfi coast, Italy
  • The fashion shops of Positano, Amalfi coast, Italy
  • The fashion shops of Positano, Amalfi coast, Italy
  • The fashion shops of Positano, Amalfi coast, Italy
  • The cathedral of Santa Astuna, Positano, Amalfi coast, Italy
  • The cathedral of Santa Astuna, Positano, Amalfi coast, Italy
  • The fashionable  resort of Positano, Amalfi coast, Italy
  • The fashionable  resort of Positano, Amalfi coast, Italy
  • The fashionable  resort of Positano, Amalfi coast, Italy
  • The fashionable  resort of Positano, Amalfi coast, Italy
  • The fashionable  resort of Positano, Amalfi coast, Italy
  • The fashionable  resort of Positano, Amalfi coast, Italy
  • The fashionable  resort of Positano, Amalfi coast, Italy
  • The fashionable  resort of Positano, Amalfi coast, Italy
  • The fashionable  resort of Positano, Amalfi coast, Italy
  • The fashionable  resort of Positano, Amalfi coast, Italy
  • The fashionable  resort of Positano, Amalfi coast, Italy
  • The fashionable  resort of Positano, Amalfi coast, Italy
  • The fashionable  resort of Positano, Amalfi coast, Italy
  • The fashionable  resort of Positano, Amalfi coast, Italy
  • The fashionable  resort of Positano, Amalfi coast, Italy
  • The fashionable  resort of Positano, Amalfi coast, Italy
  • The fashionable  resort of Positano, Amalfi coast, Italy
  • The fashionable  resort of Positano, Amalfi coast, Italy
  • The fashionable  resort of Positano, Amalfi coast, Italy
  • The fashionable  resort of Positano, Amalfi coast, Italy
  • The fashionable  resort of Positano, Amalfi coast, Italy
  • The fashionable  resort of Positano, Amalfi coast, Italy
  • The fashionable  resort of Positano, Amalfi coast, Italy
  • The fashionable  resort of Positano, Amalfi coast, Italy
  • The fashionable  resort of Positano, Amalfi coast, Italy
  • The fashionable  resort of Positano, Amalfi coast, Italy
  • The fashionable  resort of Positano, Amalfi coast, Italy
  • The fashionable  resort of Positano, Amalfi coast, Italy
  • The fashionable  resort of Positano, Amalfi coast, Italy
  • The fashionable  resort of Positano, Amalfi coast, Italy
  • The fashionable  resort of Positano, Amalfi coast, Italy
  • The fashionable  resort of Positano, Amalfi coast, Italy
  • The fashionable  resort of Positano, Amalfi coast, Italy
  • The fashionable  resort of Positano, Amalfi coast, Italy
  • The fashionable  resort of Positano, Amalfi coast, Italy
  • Beach huts at Southwold - Suffolk - England
  • Sole Bay Pub and Lighthouse - Southwold - Suffolk - England
  • Sole Bay Pub and Lighthouse - Southwold - Suffolk - England
  • Sole Bay Pub and Lighthouse - Southwold - Suffolk - England
  • Savoy Cabbage  market France
  • tanned topless sun bather sitting on a sun lounger
  • solitary Elderly women sitting under a yellow umbrella sun bathing
  • Runswick Bay - North Yorkshire - England - teenage anxiety
  • Runswick Bay - North Yorkshire - England - teenage anxiety
  • Runswick Bay - North Yorkshire - England - teenage anxiety
  • Runswick Bay - North Yorkshire - England - teenage anxiety
  • Runswick Bay - North Yorkshire - England - teenage anxiety
  • Runswick Bay - North Yorkshire - England - teenage anxiety
  • Runswick Bay - North Yorkshire - England - teenage anxiety
  • Runswick Bay - North Yorkshire - England - teenage anxiety
  • children playing - Runswick Bay - North Yorkshire - England
  • Runswick Bay - North Yorkshire - England disabled women paddling
  • Runswick Bay - North Yorkshire - England - family walking
  • Runswick Bay - North Yorkshire - England - family walking
  • Runswick Bay - North Yorkshire - England - family making sand castles
  • Runswick Bay - North Yorkshire - England - grandad
  • Runswick Bay - North Yorkshire - England
  • Runswick Bay - North Yorkshire - England - teenage anxiety
  • Runswick Bay - North Yorkshire - Captain Cooke house
  • Runswick Bay - North Yorkshire - Captain Cooke house
  • Runswick Bay - North Yorkshire - England - children jumping waves
  • Runswick Bay - North Yorkshire - England - man walking dog
  • Runswick Bay - North Yorkshire - England people on seats
  • Runswick Bay - North Yorkshire - England people on seats
  • Runswick Bay - North Yorkshire - England- child on beach
  • Runswick Bay Village - North Yorkshire - England
  • Runswick Bay - North Yorkshire - England
  • Runswick Bay - North Yorkshire - England
  • Runswick Bay - North Yorkshire - England - family making sand castles
  • Runswick Bay - North Yorkshire - England - family making sand castles
  • Electrum, gold silver alloy, Mycenaean death mask from Grave delta and Gamma, Grave Circle B, Mycenae, Greece. National Archaeological Museum of Athens.  Black Background
  • Electrum, gold silver alloy, Mycenaean death mask from Grave delta and Gamma, Grave Circle B, Mycenae, Greece. National Archaeological Museum of Athens
  • Fresh whole Curly Cabbage
  • The cathedral of Santa Astuna, Positano, Amalfi coast, Italy
  • Georgian house on the beach - Southwold - Suffolk - England
  • Runswick Bay - North Yorkshire - England - man and baby
  • Runswick Bay - North Yorkshire - England - kids walking
  • Terra cotta Hittite beaker shaped side spouted pitcher with lid - 1700 BC to 1500BC - Kültepe Kanesh - Museum of Anatolian Civilisations, Ankara, Turkey. Against a grey  background
  • Terra cotta Hittite beaker shaped side spouted pitcher with lid - 1700 BC to 1500BC - Kültepe Kanesh - Museum of Anatolian Civilisations, Ankara, Turkey. Against a black background
  • Terra cotta Hittite beaker shaped side spouted pitcher with lid - 1700 BC to 1500BC - Kültepe Kanesh - Museum of Anatolian Civilisations, Ankara, Turkey
  • Terra cotta Hittite beaker shaped side spouted pitcher with lid - 1700 BC to 1500BC - Kültepe Kanesh - Museum of Anatolian Civilisations, Ankara, Turkey. Against a white background
  • Terra cotta Hittite beaker shaped side spouted pitcher with lid - 1700 BC to 1500BC - Kültepe Kanesh - Museum of Anatolian Civilisations, Ankara, Turkey,  Against a warm art  background
  • Medieval stained glass Window of the Gothic Cathedral of Chartres, France - dedicated to the Life of St Mary Magdalen. Central panel - top left - Mary meets the angel at Christ's empty tomb (the Quem quaeritis), bottom right - The Noli me tangere, top left - Mary as the Apostola Apostolorum , top right - The Apostles receiving Mary's news . Diamond below and side panels either side - Christ raising Lazarus. Bottom central panel - bottom left - Mary washing Christ's feet in the house of Simon the Pharisee, bottom right - Death of Lazarus, top left - Their neighbours try to console Mary and Martha, top right - Funeral of Lazarus. Diamond panel above and side panels either side - Christ raising Lazarus. A UNESCO World Heritage Site.
  • Roman relief sculpture panel decorated on both sides with masks from the second half of the 1st cent. AD excavated from the Valle Giardino, Nemi, Italy. The panel is sculpted on both sides; the front side depicts the half moon shaped face of a deity wearing a crown.  Inv 112158, The National Roman Museum, Rome, Italy
  • Roman relief sculpture panel decorated on both sides with masks from the second half of the 1st cent. AD excavated from the Valle Giardino, Nemi, Italy. The panel is sculpted on both sides; the front side depicts the half moon shaped face of a deity wearing a crown.  Inv 112158, The National Roman Museum, Rome, Italy
  • Roman relief sculpture panel decorated on both sides with masks from the second half of the 1st cent. AD excavated from the Valle Giardino, Nemi, Italy. The panel is sculpted on both sides; the front side depicts the half moon shaped face of a deity wearing a crown.  Inv 112158, The National Roman Museum, Rome, Italy
  • Roman relief sculpture panel decorated on both sides with masks from the second half of the 1st cent. AD excavated from the Valle Giardino, Nemi, Italy. The panel is sculpted on both sides; the front side depicts the half moon shaped face of a deity wearing a crown.  Inv 112158, The National Roman Museum, Rome, Italy
  • Roman relief sculpture panel decorated on both sides with masks from the second half of the 1st cent. AD excavated from the Valle Giardino, Nemi, Italy. The panel is sculpted on both sides; the front side depicts the half moon shaped face of a deity wearing a crown.  Inv 112158, The National Roman Museum, Rome, Italy
  • Roman relief sculpture panel decorated on both sides with masks from the second half of the 1st cent. AD excavated from the Valle Giardino, Nemi, Italy. The panel is sculpted on both sides; the front side depicts the half moon shaped face of a deity wearing a crown.  Inv 112158, The National Roman Museum, Rome, Italy
  • Roman relief sculpture panel decorated on both sides with masks from the second half of the 1st cent. AD excavated from the Valle Giardino, Nemi, Italy. The panel is sculpted on both sides; the front side depicts the half moon shaped face of a deity wearing a crown.  Inv 112158, The National Roman Museum, Rome, Italy
  • Roman relief sculpture panel decorated on both sides with masks from the second half of the 1st cent. AD excavated from the Valle Giardino, Nemi, Italy. The panel is sculpted on both sides; the front side depicts the half moon shaped face of a deity wearing a crown.  Inv 112158, The National Roman Museum, Rome, Italy
  • Roman relief sculpture panel decorated on both sides with masks from the second half of the 1st cent. AD excavated from the Valle Giardino, Nemi, Italy. The panel is sculpted on both sides; the front side depicts the half moon shaped face of a deity wearing a crown.  Inv 112158, The National Roman Museum, Rome, Italy
  • Medieval stained glass Window of the Gothic Cathedral of Chartres, France - dedicated to St Sylvester.  Bottom left - The young Sylvester presented by his mother to the priest Cyrinus, bottom right - Sylvester welcoming St Timothy to his house. Bottom side panels right - above right - Execution of St Timothy , side panel left - Death of the prefect Tarquin, who chokes on a fish bone. Two centre panels, left- Funeral of St Timothy, right - Sylvester refusing the prefect's orders to worship an idol. Top central oval panel - Sylvester released from prison by Pope Melchiades. Above left - People beg Sylvester (holding book) to become a deacon, above right - Sylvester is ordained by Melchiades as deacon. Top side panel , right - After the death of Melchiades Sylvester installed as Pope, left - Emperor Constantine falls ill (note doctor with urine flask). Top two panels - left -  Constantine orders sacrifices to an idol, right - Pope Sylvester and his followers flee persecution. Top central oval panel - Soldiers about to prepare a bath with the blood of 3000 children. A UNESCO World Heritage Site.
  • Roman mosaics - Seasons  Mosaic. Telete Villa.  2nd - 3rd century AD . Zeugma Mosaic Museum, Gaziantep, Turkey.<br />
<br />
Seasons mosaic Telete, was unearthed during the rescue excavations y Gaziantep Museum in 1994 when it was about to be stolen by the traffickers. It is the floor mosaic of a villa terrace located on the western skins of Zeugma hill <br />
<br />
The pane% consists of nine parts. At the central panel, Eros, who Is a mythological character and who has a crown on his head, sits side by side with Telete, the daughter of Dionysus. This representation symbolises the preparation of a young woman who is just about to taste the love and to become mature. There are busts of seasonal gods In the square panels at the corners. The crowned head of the Spring Goddess Ear Is slightly towards right. She wears a floral necklace. Her righr shoulder is naked and the crimps of her cloak are seen on her left shoulder. There is the bust of the river god on the top-right of the Telete panel. A kid lying on the grass and a bucket are pictured in the lower rectangular panel. In the western-side rectangular panel, on the other hand, there are four fish going in and out of a game basket. There is a rabbit figure within the rectangular panel on the right. Mythical narrations and natural life are intertwined in this mosaic.
  • Roman mosaics - Seasons  Mosaic. Telete Villa.  2nd - 3rd century AD . Zeugma Mosaic Museum, Gaziantep, Turkey.   Against an art background.<br />
<br />
Seasons mosaic Telete, was unearthed during the rescue excavations y Gaziantep Museum in 1994 when it was about to be stolen by the traffickers. It is the floor mosaic of a villa terrace located on the western skins of Zeugma hill <br />
<br />
The pane% consists of nine parts. At the central panel, Eros, who Is a mythological character and who has a crown on his head, sits side by side with Telete, the daughter of Dionysus. This representation symbolises the preparation of a young woman who is just about to taste the love and to become mature. There are busts of seasonal gods In the square panels at the corners. The crowned head of the Spring Goddess Ear Is slightly towards right. She wears a floral necklace. Her righr shoulder is naked and the crimps of her cloak are seen on her left shoulder. There is the bust of the river god on the top-right of the Telete panel. A kid lying on the grass and a bucket are pictured in the lower rectangular panel. In the western-side rectangular panel, on the other hand, there are four fish going in and out of a game basket. There is a rabbit figure within the rectangular panel on the right. Mythical narrations and natural life are intertwined in this mosaic.
  • Roman mosaics - Seasons  Mosaic. Telete Villa.  2nd - 3rd century AD . Zeugma Mosaic Museum, Gaziantep, Turkey.<br />
<br />
Seasons mosaic Telete, was unearthed during the rescue excavations y Gaziantep Museum in 1994 when it was about to be stolen by the traffickers. It is the floor mosaic of a villa terrace located on the western skins of Zeugma hill <br />
<br />
The pane% consists of nine parts. At the central panel, Eros, who Is a mythological character and who has a crown on his head, sits side by side with Telete, the daughter of Dionysus. This representation symbolises the preparation of a young woman who is just about to taste the love and to become mature. There are busts of seasonal gods In the square panels at the corners. The crowned head of the Spring Goddess Ear Is slightly towards right. She wears a floral necklace. Her righr shoulder is naked and the crimps of her cloak are seen on her left shoulder. There is the bust of the river god on the top-right of the Telete panel. A kid lying on the grass and a bucket are pictured in the lower rectangular panel. In the western-side rectangular panel, on the other hand, there are four fish going in and out of a game basket. There is a rabbit figure within the rectangular panel on the right. Mythical narrations and natural life are intertwined in this mosaic.
  • Roman mosaics - Seasons  Mosaic. Telete Villa.  2nd - 3rd century AD . Zeugma Mosaic Museum, Gaziantep, Turkey.  Against a white background.<br />
<br />
Seasons mosaic Telete, was unearthed during the rescue excavations y Gaziantep Museum in 1994 when it was about to be stolen by the traffickers. It is the floor mosaic of a villa terrace located on the western skins of Zeugma hill <br />
<br />
The pane% consists of nine parts. At the central panel, Eros, who Is a mythological character and who has a crown on his head, sits side by side with Telete, the daughter of Dionysus. This representation symbolises the preparation of a young woman who is just about to taste the love and to become mature. There are busts of seasonal gods In the square panels at the corners. The crowned head of the Spring Goddess Ear Is slightly towards right. She wears a floral necklace. Her righr shoulder is naked and the crimps of her cloak are seen on her left shoulder. There is the bust of the river god on the top-right of the Telete panel. A kid lying on the grass and a bucket are pictured in the lower rectangular panel. In the western-side rectangular panel, on the other hand, there are four fish going in and out of a game basket. There is a rabbit figure within the rectangular panel on the right. Mythical narrations and natural life are intertwined in this mosaic.
  • Roman mosaics - Seasons  Mosaic. Telete Villa.  2nd - 3rd century AD . Zeugma Mosaic Museum, Gaziantep, Turkey.   Against a black background.<br />
<br />
Seasons mosaic Telete, was unearthed during the rescue excavations y Gaziantep Museum in 1994 when it was about to be stolen by the traffickers. It is the floor mosaic of a villa terrace located on the western skins of Zeugma hill <br />
<br />
The pane% consists of nine parts. At the central panel, Eros, who Is a mythological character and who has a crown on his head, sits side by side with Telete, the daughter of Dionysus. This representation symbolises the preparation of a young woman who is just about to taste the love and to become mature. There are busts of seasonal gods In the square panels at the corners. The crowned head of the Spring Goddess Ear Is slightly towards right. She wears a floral necklace. Her righr shoulder is naked and the crimps of her cloak are seen on her left shoulder. There is the bust of the river god on the top-right of the Telete panel. A kid lying on the grass and a bucket are pictured in the lower rectangular panel. In the western-side rectangular panel, on the other hand, there are four fish going in and out of a game basket. There is a rabbit figure within the rectangular panel on the right. Mythical narrations and natural life are intertwined in this mosaic.
  • Photo of Roman relief sculpture, Aphrodisias, Turkey, Images of Roman art bas reliefs.  Meleager sits on a rock tying his sandal. Below him lies a fierce hunting dog with a wide collar. On one side a god or another hero wearing a rounded hat  crowning Meleager ( arm missing). On the other side stands the huntress Atalante, Meleager's lover: she wears a short dress and quiver,
  • Photo of Roman relief sculpture, Aphrodisias, Turkey, Images of Roman art bas reliefs.  Meleager sits on a rock tying his sandal. Below him lies a fierce hunting dog with a wide collar. On one side a god or another hero wearing a rounded hat  crowning Meleager ( arm missing). On the other side stands the huntress Atalante, Meleager's lover: she wears a short dress and quiver,
  • Photo of Roman relief sculpture, Aphrodisias, Turkey, Images of Roman art bas reliefs.  Meleager sits on a rock tying his sandal. Below him lies a fierce hunting dog with a wide collar. On one side a god or another hero wearing a rounded hat  crowning Meleager ( arm missing). On the other side stands the huntress Atalante, Meleager's lover: she wears a short dress and quiver,
  • Double sided Roman herm of Dionysus from the mid 2nd cent. AD excavated from the via Sallustiani, Rome. This bust shows Dionysus with his traditional band around his head, he appears as a youthful man on one side and as a mature man with a beard on this sid.   The National Roman Museum, Rome, Italy
  • Double sided Roman herm of Dionysus from the mid 2nd cent. AD excavated from the via Sallustiani, Rome. This bust shows Dionysus with his traditional band around his head, he appears as a youthful man on one side and as a mature man with a beard on this sid.   The National Roman Museum, Rome, Italy
  • Double sided Roman herm of Dionysus from the mid 2nd cent. AD excavated from the via Sallustiani, Rome. This bust shows Dionysus with his traditional band around his head, he appears as a youthful man on one side and as a mature man with a beard on this sid.   The National Roman Museum, Rome, Italy
  • Double sided Roman herm of Dionysus from the mid 2nd cent. AD excavated from the via Sallustiani, Rome. This bust shows Dionysus with his traditional band around his head, he appears as a youthful man on one side and as a mature man with a beard on this sid.   The National Roman Museum, Rome, Italy
  • Double sided Roman herm of Dionysus from the mid 2nd cent. AD excavated from the via Sallustiani, Rome. This bust shows Dionysus with his traditional band around his head, he appears as a youthful man on one side and as a mature man with a beard on this sid.   The National Roman Museum, Rome, Italy
  • Double sided Roman herm of Dionysus from the mid 2nd cent. AD excavated from the via Sallustiani, Rome. This bust shows Dionysus with his traditional band around his head, he appears as a youthful man on one side and as a mature man with a beard on this sid.   The National Roman Museum, Rome, Italy
  • Double sided Roman herm of Dionysus from the mid 2nd cent. AD excavated from the via Sallustiani, Rome. This bust shows Dionysus with his traditional band around his head, he appears as a youthful man on one side and as a mature man with a beard on this sid.   The National Roman Museum, Rome, Italy
  • Roman Mosaic - The Oceanos & Tethys Mosaic, fom The House of Oceanos, Zeugma.  2nd - 3rd century AD. Zeugma Mosaic Museum, Gaziantep, Turkey.<br />
<br />
The Oceanos and Tethys Mosaic is the floor mosaic of the shallow pool of the House of Oceanos. In this mosaic, which belongs to the Early Roman Empire Period, Oceanos, the river god who is the origin of life, and his wife Tethys are represented. At the middle of the mosaic which is surrounded by a geometric triple tress borders there are Oceanos and his wife Tethys. Around them there are Eros figures riding various species of fish and dolphins symbolising the abundance of the sea. The most represented attributes of Oceanos are snake and fish.<br />
<br />
 in the mosaic, Oceanos is seen with chelas. Those chelas are among his most characteristic attributes. Though the tail of an eel is represented as his feet in the figures on ceramics, within the scope of the art of mosaic he is represented as a bust and only with the chelas on his head such as this one. His wife Tethys is right by his side and represented with wings upon her forehead. Between them, there is the dragon called Cetos which is a mythological sea creature. As is seen in the coins of Zeugma, the Euphrates River is expressed as a dragon. Besides these two figures, on the top-right of the mosaic, there is a young male figure which is thought to be Pan, the patron of fishermen and shepherds. The fact that Eros figures and Pan which are the side figures are located outward implies that the pool is built to allow walking around. <br />
<br />
The expression of the Oceanos as not an ocean but a river surrounding the world: By that the water, which vapours with the heat of the sun and then gives life to the nature by becoming rain, and which after being used by the nature reaches again the sea via the rivers is expressed. The water becomes aware of itself and its function by that cycle. This phenomenon is represented in the mosaic panel as the diversification of Ocenaos through unification wit
  • 13th century reilief sculpture depicting the Kingdom of Good and salvation with Atlas at the bottom symbolically holding up the church which is represented at the top by the Lamb of God with 2 angels on either side and the four Fathers of the church in round panels running down either side of the central window, of the 8th century Romanesque Basilica church of St Peters, Tuscania, Lazio, Italy
  • Close up of Roman Sebasteion relief  sculpture of Meleager and Atalante  Aphrodisias Museum, Aphrodisias, Turkey.    <br />
<br />
Meleager sits on a rock tying his sandal. Below him lies a fierce hunting dog with a broad collar. On one side a god or another hero wearing a rounded hat was crowning Meleager ( arm missing). On the other side stands the huntress Atalante, Meleager’s lover: she wears a short dress and quiver, and lifts her cloak at the shoulder in a gesture of modesty.
  • Roman Sebasteion relief  sculpture of Meleager and Atalante  Aphrodisias Museum, Aphrodisias, Turkey.    Against a white background.<br />
<br />
Meleager sits on a rock tying his sandal. Below him lies a fierce hunting dog with a broad collar. On one side a god or another hero wearing a rounded hat was crowning Meleager ( arm missing). On the other side stands the huntress Atalante, Meleager’s lover: she wears a short dress and quiver, and lifts her cloak at the shoulder in a gesture of modesty.
  • Roman Sebasteion relief  sculpture of Meleager and Atalante  Aphrodisias Museum, Aphrodisias, Turkey.  Against a black background.<br />
<br />
Meleager sits on a rock tying his sandal. Below him lies a fierce hunting dog with a broad collar. On one side a god or another hero wearing a rounded hat was crowning Meleager ( arm missing). On the other side stands the huntress Atalante, Meleager’s lover: she wears a short dress and quiver, and lifts her cloak at the shoulder in a gesture of modesty.
  • Roman Sebasteion relief  sculpture of Meleager and Atalante  Aphrodisias Museum, Aphrodisias, Turkey. Against an art background.<br />
<br />
Meleager sits on a rock tying his sandal. Below him lies a fierce hunting dog with a broad collar. On one side a god or another hero wearing a rounded hat was crowning Meleager ( arm missing). On the other side stands the huntress Atalante, Meleager’s lover: she wears a short dress and quiver, and lifts her cloak at the shoulder in a gesture of modesty.
  • Roman Sebasteion relief  sculpture of Meleager and Atalante  Aphrodisias Museum, Aphrodisias, Turkey.<br />
<br />
Meleager sits on a rock tying his sandal. Below him lies a fierce hunting dog with a broad collar. On one side a god or another hero wearing a rounded hat was crowning Meleager ( arm missing). On the other side stands the huntress Atalante, Meleager’s lover: she wears a short dress and quiver, and lifts her cloak at the shoulder in a gesture of modesty.
  • Roman Sebasteion relief  sculpture of Meleager and Atalante  Aphrodisias Museum, Aphrodisias, Turkey. Against a grey background.<br />
<br />
Meleager sits on a rock tying his sandal. Below him lies a fierce hunting dog with a broad collar. On one side a god or another hero wearing a rounded hat was crowning Meleager ( arm missing). On the other side stands the huntress Atalante, Meleager’s lover: she wears a short dress and quiver, and lifts her cloak at the shoulder in a gesture of modesty.
  • Close up picture of the Roman mosaics of the Peristyle depicting animals in a geometric mosaic wreath inside square panels, room no 13 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The peristyle mosaic floor of Villa Romana del Casale is decorated with square mosaic repeating designs which have a rope design geometric mosaic on the outside, inside which is are laurel wreath mosaics which surround Protomas, the representation of the head and neck of an animal often used decoratively in architecture, of wild and domesticated animals. The two sides of the peristyle have been identified as one side for visitors use and the other for the family. The peristyle mosaics lead on both sides around three sides of the peristyle to steps that lead up to the corridor of the Great Hunt Mosaics,
  • Close up picture of the Roman mosaics of the Peristyle depicting animals in a geometric mosaic wreath inside square panels, room no 13 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The peristyle mosaic floor of Villa Romana del Casale is decorated with square mosaic repeating designs which have a rope design geometric mosaic on the outside, inside which is are laurel wreath mosaics which surround Protomas, the representation of the head and neck of an animal often used decoratively in architecture, of wild and domesticated animals. The two sides of the peristyle have been identified as one side for visitors use and the other for the family. The peristyle mosaics lead on both sides around three sides of the peristyle to steps that lead up to the corridor of the Great Hunt Mosaics,
  • Close up picture of the Roman mosaics of the Peristyle depicting animals in a geometric mosaic wreath inside square panels, room no 13 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The peristyle mosaic floor of Villa Romana del Casale is decorated with square mosaic repeating designs which have a rope design geometric mosaic on the outside, inside which is are laurel wreath mosaics which surround Protomas, the representation of the head and neck of an animal often used decoratively in architecture, of wild and domesticated animals. The two sides of the peristyle have been identified as one side for visitors use and the other for the family. The peristyle mosaics lead on both sides around three sides of the peristyle to steps that lead up to the corridor of the Great Hunt Mosaics,
  • Close up picture of the Roman mosaics of the Peristyle depicting animals in a geometric mosaic wreath inside square panels, room no 13 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The peristyle mosaic floor of Villa Romana del Casale is decorated with square mosaic repeating designs which have a rope design geometric mosaic on the outside, inside which is are laurel wreath mosaics which surround Protomas, the representation of the head and neck of an animal often used decoratively in architecture, of wild and domesticated animals. The two sides of the peristyle have been identified as one side for visitors use and the other for the family. The peristyle mosaics lead on both sides around three sides of the peristyle to steps that lead up to the corridor of the Great Hunt Mosaics,
  • Close up picture of the Roman mosaics of the Peristyle depicting animals in a geometric mosaic wreath inside square panels, room no 13 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The peristyle mosaic floor of Villa Romana del Casale is decorated with square mosaic repeating designs which have a rope design geometric mosaic on the outside, inside which is are laurel wreath mosaics which surround Protomas, the representation of the head and neck of an animal often used decoratively in architecture, of wild and domesticated animals. The two sides of the peristyle have been identified as one side for visitors use and the other for the family. The peristyle mosaics lead on both sides around three sides of the peristyle to steps that lead up to the corridor of the Great Hunt Mosaics,
  • Close up picture of the Roman mosaics of the Peristyle depicting animals in a geometric mosaic wreath inside square panels, room no 13 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The peristyle mosaic floor of Villa Romana del Casale is decorated with square mosaic repeating designs which have a rope design geometric mosaic on the outside, inside which is are laurel wreath mosaics which surround Protomas, the representation of the head and neck of an animal often used decoratively in architecture, of wild and domesticated animals. The two sides of the peristyle have been identified as one side for visitors use and the other for the family. The peristyle mosaics lead on both sides around three sides of the peristyle to steps that lead up to the corridor of the Great Hunt Mosaics,
  • Close up picture of the Roman mosaics of the Peristyle depicting animals in a geometric mosaic wreath inside square panels, room no 13 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The peristyle mosaic floor of Villa Romana del Casale is decorated with square mosaic repeating designs which have a rope design geometric mosaic on the outside, inside which is are laurel wreath mosaics which surround Protomas, the representation of the head and neck of an animal often used decoratively in architecture, of wild and domesticated animals. The two sides of the peristyle have been identified as one side for visitors use and the other for the family. The peristyle mosaics lead on both sides around three sides of the peristyle to steps that lead up to the corridor of the Great Hunt Mosaics,
  • Roman Mosaic - The Oceanos & Tethys Mosaic, fom The House of Oceanos, Zeugma.  2nd - 3rd century AD. Zeugma Mosaic Museum, Gaziantep, Turkey.   Against a black background.<br />
<br />
The Oceanos and Tethys Mosaic is the floor mosaic of the shallow pool of the House of Oceanos. In this mosaic, which belongs to the Early Roman Empire Period, Oceanos, the river god who is the origin of life, and his wife Tethys are represented. At the middle of the mosaic which is surrounded by a geometric triple tress borders there are Oceanos and his wife Tethys. Around them there are Eros figures riding various species of fish and dolphins symbolising the abundance of the sea. The most represented attributes of Oceanos are snake and fish.<br />
<br />
 in the mosaic, Oceanos is seen with chelas. Those chelas are among his most characteristic attributes. Though the tail of an eel is represented as his feet in the figures on ceramics, within the scope of the art of mosaic he is represented as a bust and only with the chelas on his head such as this one. His wife Tethys is right by his side and represented with wings upon her forehead. Between them, there is the dragon called Cetos which is a mythological sea creature. As is seen in the coins of Zeugma, the Euphrates River is expressed as a dragon. Besides these two figures, on the top-right of the mosaic, there is a young male figure which is thought to be Pan, the patron of fishermen and shepherds. The fact that Eros figures and Pan which are the side figures are located outward implies that the pool is built to allow walking around. <br />
<br />
The expression of the Oceanos as not an ocean but a river surrounding the world: By that the water, which vapours with the heat of the sun and then gives life to the nature by becoming rain, and which after being used by the nature reaches again the sea via the rivers is expressed. The water becomes aware of itself and its function by that cycle. This phenomenon is represented in the mosaic panel as the diversification of O
  • Roman Mosaic - close up river god Oceanos The Oceanos & Tethys Mosaic, fom The House of Oceanos, Zeugma.  2nd - 3rd century AD. Zeugma Mosaic Museum, Gaziantep, Turkey.<br />
<br />
The Oceanos and Tethys Mosaic is the floor mosaic of the shallow pool of the House of Oceanos. In this mosaic, which belongs to the Early Roman Empire Period, Oceanos, the river god who is the origin of life, and his wife Tethys are represented. At the middle of the mosaic which is surrounded by a geometric triple tress borders there are Oceanos and his wife Tethys. Around them there are Eros figures riding various species of fish and dolphins symbolising the abundance of the sea. The most represented attributes of Oceanos are snake and fish.<br />
<br />
 in the mosaic, Oceanos is seen with chelas. Those chelas are among his most characteristic attributes. Though the tail of an eel is represented as his feet in the figures on ceramics, within the scope of the art of mosaic he is represented as a bust and only with the chelas on his head such as this one. His wife Tethys is right by his side and represented with wings upon her forehead. Between them, there is the dragon called Cetos which is a mythological sea creature. As is seen in the coins of Zeugma, the Euphrates River is expressed as a dragon. Besides these two figures, on the top-right of the mosaic, there is a young male figure which is thought to be Pan, the patron of fishermen and shepherds. The fact that Eros figures and Pan which are the side figures are located outward implies that the pool is built to allow walking around. <br />
<br />
The expression of the Oceanos as not an ocean but a river surrounding the world: By that the water, which vapours with the heat of the sun and then gives life to the nature by becoming rain, and which after being used by the nature reaches again the sea via the rivers is expressed. The water becomes aware of itself and its function by that cycle. This phenomenon is represented in the mosaic panel as the diversification of Ocen
  • Roman Mosaic - close up of  Tethys wife of river god Oceanos. The Oceanos & Tethys Mosaic, fom The House of Oceanos, Zeugma.  2nd - 3rd century AD. Zeugma Mosaic Museum, Gaziantep, Turkey.<br />
<br />
The Oceanos and Tethys Mosaic is the floor mosaic of the shallow pool of the House of Oceanos. In this mosaic, which belongs to the Early Roman Empire Period, Oceanos, the river god who is the origin of life, and his wife Tethys are represented. At the middle of the mosaic which is surrounded by a geometric triple tress borders there are Oceanos and his wife Tethys. Around them there are Eros figures riding various species of fish and dolphins symbolising the abundance of the sea. The most represented attributes of Oceanos are snake and fish.<br />
<br />
 in the mosaic, Oceanos is seen with chelas. Those chelas are among his most characteristic attributes. Though the tail of an eel is represented as his feet in the figures on ceramics, within the scope of the art of mosaic he is represented as a bust and only with the chelas on his head such as this one. His wife Tethys is right by his side and represented with wings upon her forehead. Between them, there is the dragon called Cetos which is a mythological sea creature. As is seen in the coins of Zeugma, the Euphrates River is expressed as a dragon. Besides these two figures, on the top-right of the mosaic, there is a young male figure which is thought to be Pan, the patron of fishermen and shepherds. The fact that Eros figures and Pan which are the side figures are located outward implies that the pool is built to allow walking around. <br />
<br />
The expression of the Oceanos as not an ocean but a river surrounding the world: By that the water, which vapours with the heat of the sun and then gives life to the nature by becoming rain, and which after being used by the nature reaches again the sea via the rivers is expressed. The water becomes aware of itself and its function by that cycle. This phenomenon is represented in the mosaic panel as the div
  • Roman Mosaic - The Oceanos & Tethys Mosaic, fom The House of Oceanos, Zeugma.  2nd - 3rd century AD. Zeugma Mosaic Museum, Gaziantep, Turkey.   Against an art background.<br />
<br />
The Oceanos and Tethys Mosaic is the floor mosaic of the shallow pool of the House of Oceanos. In this mosaic, which belongs to the Early Roman Empire Period, Oceanos, the river god who is the origin of life, and his wife Tethys are represented. At the middle of the mosaic which is surrounded by a geometric triple tress borders there are Oceanos and his wife Tethys. Around them there are Eros figures riding various species of fish and dolphins symbolising the abundance of the sea. The most represented attributes of Oceanos are snake and fish.<br />
<br />
 in the mosaic, Oceanos is seen with chelas. Those chelas are among his most characteristic attributes. Though the tail of an eel is represented as his feet in the figures on ceramics, within the scope of the art of mosaic he is represented as a bust and only with the chelas on his head such as this one. His wife Tethys is right by his side and represented with wings upon her forehead. Between them, there is the dragon called Cetos which is a mythological sea creature. As is seen in the coins of Zeugma, the Euphrates River is expressed as a dragon. Besides these two figures, on the top-right of the mosaic, there is a young male figure which is thought to be Pan, the patron of fishermen and shepherds. The fact that Eros figures and Pan which are the side figures are located outward implies that the pool is built to allow walking around. <br />
<br />
The expression of the Oceanos as not an ocean but a river surrounding the world: By that the water, which vapours with the heat of the sun and then gives life to the nature by becoming rain, and which after being used by the nature reaches again the sea via the rivers is expressed. The water becomes aware of itself and its function by that cycle. This phenomenon is represented in the mosaic panel as the diversification of Oc
  • Roman Mosaic - The Oceanos & Tethys Mosaic, fom The House of Oceanos, Zeugma.  2nd - 3rd century AD. Zeugma Mosaic Museum, Gaziantep, Turkey. Against a grey background.<br />
<br />
The Oceanos and Tethys Mosaic is the floor mosaic of the shallow pool of the House of Oceanos. In this mosaic, which belongs to the Early Roman Empire Period, Oceanos, the river god who is the origin of life, and his wife Tethys are represented. At the middle of the mosaic which is surrounded by a geometric triple tress borders there are Oceanos and his wife Tethys. Around them there are Eros figures riding various species of fish and dolphins symbolising the abundance of the sea. The most represented attributes of Oceanos are snake and fish.<br />
<br />
 in the mosaic, Oceanos is seen with chelas. Those chelas are among his most characteristic attributes. Though the tail of an eel is represented as his feet in the figures on ceramics, within the scope of the art of mosaic he is represented as a bust and only with the chelas on his head such as this one. His wife Tethys is right by his side and represented with wings upon her forehead. Between them, there is the dragon called Cetos which is a mythological sea creature. As is seen in the coins of Zeugma, the Euphrates River is expressed as a dragon. Besides these two figures, on the top-right of the mosaic, there is a young male figure which is thought to be Pan, the patron of fishermen and shepherds. The fact that Eros figures and Pan which are the side figures are located outward implies that the pool is built to allow walking around. <br />
<br />
The expression of the Oceanos as not an ocean but a river surrounding the world: By that the water, which vapours with the heat of the sun and then gives life to the nature by becoming rain, and which after being used by the nature reaches again the sea via the rivers is expressed. The water becomes aware of itself and its function by that cycle. This phenomenon is represented in the mosaic panel as the diversification of Ocen
  • Roman relief sculpted sarcophagus of Achilles from Attica. This side shows scenes from the life of Achilles and bears characteristics of the Late Antonines Period of the Roman Imperial Period between 170-190 AD. Adana Archaeology Museum, TurkeyRoman relief sculpted sarcophagus of Achilles from Attica. This side shows two griffin and  bears characteristics of the Late Antonines Period of the Roman Imperial Period between 170-190 AD. Adana Archaeology Museum, Turkey. Against a black background
  • 13th century reilief sculpture depicting the Kingdom of Good and salvation with Atlas at the bottom symbolically holding up the church which is represented at the top by the Lamb of God with 2 angels on either side and the four Fathers of the church in round panels running down either side of the central window, of the 8th century Romanesque Basilica church of St Peters, Tuscania, Lazio, Italy
  • 13th century reilief sculpture depicting the Kingdom of Good and salvation with Atlas at the bottom symbolically holding up the church which is represented at the top by the Lamb of God with 2 angels on either side and the four Fathers of the church in round panels running down either side of the central window, of the 8th century Romanesque Basilica church of St Peters, Tuscania, Lazio, Italy
  • Photo of Roman relief sculpture, Aphrodisias, Turkey, Images of Roman art bas reliefs.  Meleager sits on a rock tying his sandal. Below him lies a fierce hunting dog with a wide collar. On one side a god or another hero wearing a rounded hat  crowning Meleager ( arm missing). On the other side stands the huntress Atalante, Meleager's lover: she wears a short dress and quiver,
  • Photo of Roman relief sculpture, Aphrodisias, Turkey, Images of Roman art bas reliefs.  Meleager sits on a rock tying his sandal. Below him lies a fierce hunting dog with a wide collar. On one side a god or another hero wearing a rounded hat  crowning Meleager ( arm missing). On the other side stands the huntress Atalante, Meleager's lover: she wears a short dress and quiver,
  • Photo of Roman relief sculpture, Aphrodisias, Turkey, Images of Roman art bas reliefs.  Meleager sits on a rock tying his sandal. Below him lies a fierce hunting dog with a wide collar. On one side a god or another hero wearing a rounded hat  crowning Meleager ( arm missing). On the other side stands the huntress Atalante, Meleager's lover: she wears a short dress and quiver,
  • Medieval stained glass Window of the Gothic Cathedral of Chartres, France - dedicated to St Sylvester.  Bottom left - The young Sylvester presented by his mother to the priest Cyrinus, bottom right - Sylvester welcoming St Timothy to his house. Side panel right - above right - Execution of St Timothy , side panel left - Death of the prefect Tarquin, who chokes on a fish bone. Two centre panels, left- Funeral of St Timothy, right - Sylvester refusing the prefect's orders to worship an idol. Top central oval panel - Sylvester released from prison by Pope Melchiades. Above left - People beg Sylvester (holding book) to become a deacon, above right - Sylvester is ordained by Melchiades as deacon. A UNESCO World Heritage Site.
  • Medieval stained glass Window of the Gothic Cathedral of Chartres, France - dedicated to the Life of St Mary Magdalen. Central panel - bottom left - Mary meets the angel at Christ's empty tomb (the Quem quaeritis), bottom right - The Noli me tangere, top left - Mary as the Apostola Apostolorum , top right - The Apostles receiving Mary's news . Diamond below and side panels either side - Christ raising Lazarus. A UNESCO World Heritage Site.
  • Medieval stained glass Window of the Gothic Cathedral of Chartres, France - dedicated to the Life of St Mary Magdalen. Bottom central panel - bottom left - Mary washing Christ's feet in the house of Simon the Pharisee, bottom right - Death of Lazarus, top left - Their neighbours try to console Mary and Martha, top right - Funeral of Lazarus. Diamond panel above and side panels either side - Christ raising Lazarus. A UNESCO World Heritage Site..
  • Medieval stained glass Window of the Gothic Cathedral of Chartres, France - dedicated to the Good Samaritan .  Bottom central panel shows Adam dwelling in Paradise, below - At the inn, the Samaritan nurses the injured man back to health, left - God breathing life into Adam, above - God warning Adam and Eve not to eat from the tree of knowledge, right - God creates Eve out of Adam's rib . Small central oval panel - Tempted by the serpent, Eve tastes the forbidden fruit , left side panel - Adam and Eve conversing beneath the tree of knowledge, right side panel -  God finds Adam and Eve hiding their nakedness. Top centre panel - God instructing Adam and Eve how to live in the wilderness, below - An angel casts Adam and Eve out of Paradise , left - Labouring in the wilderness; Adam digs and Eve spins, right -  Cain murdering his brother Abel with a sickle, above -  Christ in Majesty, seated on the rainbow. A UNESCO World Heritage Site.
  • Medieval Windows of the Gothic Cathedral of Chartres, France, dedicated to the life of the Virgin Mary.   The bottom centre oval panel shows Anna and Joachim meet at the Golden Gate,  left Annunciation to Joachim , right Annunciation to Anna , above the nativity. Top centre oval shows the annunciation of the Virgin, left the marriage of Joseph and Mary, right the visitation below the virgin Matuy at school. Left side panels - bottom Anna and Joachim awaiting the birth of Mary above Her parents presenting the Virgin Mary to a schoolmaster . Right side panel, bottom - the first bath of Mary above Mary betrothal to Joseph after the test of the rods. A UNESCO World Heritage Site.
  • Photo of Roman relief sculpture, Aphrodisias, Turkey, Images of Roman art bas reliefs.  Meleager sits on a rock tying his sandal. Below him lies a fierce hunting dog with a wide collar. On one side a god or another hero wearing a rounded hat  crowning Meleager ( arm missing). On the other side stands the huntress Atalante, Meleager's lover: she wears a short dress and quiver,
  • Close up picture of the Roman mosaics of the Peristyle depicting animals in a geometric mosaic wreath inside square panels, room no 13 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The peristyle mosaic floor of Villa Romana del Casale is decorated with square mosaic repeating designs which have a rope design geometric mosaic on the outside, inside which is are laurel wreath mosaics which surround Protomas, the representation of the head and neck of an animal often used decoratively in architecture, of wild and domesticated animals. The two sides of the peristyle have been identified as one side for visitors use and the other for the family. The peristyle mosaics lead on both sides around three sides of the peristyle to steps that lead up to the corridor of the Great Hunt Mosaics,
  • Roman Mosaic - close up of  Oceanos and his wife Tethys. The Oceanos & Tethys Mosaic, fom The House of Oceanos, Zeugma.  2nd - 3rd century AD. Zeugma Mosaic Museum, Gaziantep, Turkey.<br />
<br />
The Oceanos and Tethys Mosaic is the floor mosaic of the shallow pool of the House of Oceanos. In this mosaic, which belongs to the Early Roman Empire Period, Oceanos, the river god who is the origin of life, and his wife Tethys are represented. At the middle of the mosaic which is surrounded by a geometric triple tress borders there are Oceanos and his wife Tethys. Around them there are Eros figures riding various species of fish and dolphins symbolising the abundance of the sea. The most represented attributes of Oceanos are snake and fish.<br />
<br />
 in the mosaic, Oceanos is seen with chelas. Those chelas are among his most characteristic attributes. Though the tail of an eel is represented as his feet in the figures on ceramics, within the scope of the art of mosaic he is represented as a bust and only with the chelas on his head such as this one. His wife Tethys is right by his side and represented with wings upon her forehead. Between them, there is the dragon called Cetos which is a mythological sea creature. As is seen in the coins of Zeugma, the Euphrates River is expressed as a dragon. Besides these two figures, on the top-right of the mosaic, there is a young male figure which is thought to be Pan, the patron of fishermen and shepherds. The fact that Eros figures and Pan which are the side figures are located outward implies that the pool is built to allow walking around. <br />
<br />
The expression of the Oceanos as not an ocean but a river surrounding the world: By that the water, which vapours with the heat of the sun and then gives life to the nature by becoming rain, and which after being used by the nature reaches again the sea via the rivers is expressed. The water becomes aware of itself and its function by that cycle. This phenomenon is represented in the mosaic panel as the diversif
  • Roman Mosaic - The Oceanos & Tethys Mosaic, fom The House of Oceanos, Zeugma.  2nd - 3rd century AD. Zeugma Mosaic Museum, Gaziantep, Turkey.   Against a black background.<br />
<br />
The Oceanos and Tethys Mosaic is the floor mosaic of the shallow pool of the House of Oceanos. In this mosaic, which belongs to the Early Roman Empire Period, Oceanos, the river god who is the origin of life, and his wife Tethys are represented. At the middle of the mosaic which is surrounded by a geometric triple tress borders there are Oceanos and his wife Tethys. Around them there are Eros figures riding various species of fish and dolphins symbolising the abundance of the sea. The most represented attributes of Oceanos are snake and fish.<br />
<br />
 in the mosaic, Oceanos is seen with chelas. Those chelas are among his most characteristic attributes. Though the tail of an eel is represented as his feet in the figures on ceramics, within the scope of the art of mosaic he is represented as a bust and only with the chelas on his head such as this one. His wife Tethys is right by his side and represented with wings upon her forehead. Between them, there is the dragon called Cetos which is a mythological sea creature. As is seen in the coins of Zeugma, the Euphrates River is expressed as a dragon. Besides these two figures, on the top-right of the mosaic, there is a young male figure which is thought to be Pan, the patron of fishermen and shepherds. The fact that Eros figures and Pan which are the side figures are located outward implies that the pool is built to allow walking around. <br />
<br />
The expression of the Oceanos as not an ocean but a river surrounding the world: By that the water, which vapours with the heat of the sun and then gives life to the nature by becoming rain, and which after being used by the nature reaches again the sea via the rivers is expressed. The water becomes aware of itself and its function by that cycle. This phenomenon is represented in the mosaic panel as the diversification of O
  • Medieval stained glass Window of the Gothic Cathedral of Chartres, France - dedicated to St Sylvester.  Bottom left - The young Sylvester presented by his mother to the priest Cyrinus, bottom right - Sylvester welcoming St Timothy to his house. Side panel right - above right - Execution of St Timothy , side panel left - Death of the prefect Tarquin, who chokes on a fish bone. Two centre panels, left- Funeral of St Timothy, right - Sylvester refusing the prefect's orders to worship an idol. Top central oval panel - Sylvester released from prison by Pope Melchiades. A UNESCO World Heritage Site..
  • Ancient Egyptian four sided capital dedicated to Hathor, limestone, Ptolomaic Period (332039 BC). Egyptian Museum, Turin. Grey background. Cat 7031. <br />
<br />
Hathor, goddess of love and beauty and wet nurse of Horus, is often portrayed frontally with bovine ears. She was also protector of the turquoise mines in Sinai and the guardian of the 4 cardinal points awhich is why she is depicted with faces on each side of the capital
  • Medieval Byzantine style mosaics of the side aisle arches,  Palatine Chapel, Cappella Palatina, Palermo, Italy
  • Medieval Byzantine style mosaics of the side aisle arches,  Palatine Chapel, Cappella Palatina, Palermo, Italy
  • Medieval Byzantine style mosaics of the side aisle arches,  Palatine Chapel, Cappella Palatina, Palermo, Italy
  • Medieval Byzantine style mosaics of the side aisle arches,  Palatine Chapel, Cappella Palatina, Palermo, Italy
  • Hittite terra cotta side spouted teapot . Hittite Period, 1600 - 1200 BC.  Hattusa Boğazkale. Çorum Archaeological Museum, Corum, Turkey. Against a black bacground.
  • Hittite terra cotta side spout with stainer basket handles pitcher . Hittite Period, 1600 - 1200 BC.  Hattusa Boğazkale. Çorum Archaeological Museum, Corum, Turkey
  • Hittite terra cotta cult side handled spouted jug. Hittite Period 1650 - 1450 BC, Ortakoy Sapinuvwa .  Çorum Archaeological Museum, Corum, Turkey. Against a black bacground.
  • Terra cotta Hittite beaker shaped side spouted teapot and three legged stand - 1700 BC to 1500BC - Kültepe Kanesh - Museum of Anatolian Civilisations, Ankara, Turkey
  • Bronze Age Anatolian terra cotta side spouted pitcher with bill shaped end - 19th to 17th century BC - Kültepe Kanesh - Museum of Anatolian Civilisations, Ankara, Turkey. Against a white background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. Excavated from Genna Arrele II. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. Excavated from Amassed VII, Allai.  Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. Excavated from S’Arretzraxiu, Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. White background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above.Excavated from Nuraghe Orrubiu IV, Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. Black background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above.Excavated from Nuraghe Orrubiu IV, Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above.Excavated from Nuraghe Orrubiu IV, Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy
  • Fragmant of a Late European Neolithic prehistoric Menhir standing stone with carving of a knife on its face side.  Excavated from Palas de Nuraxi II, Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy
  • Fragmant of a Late European Neolithic prehistoric Menhir standing stone with carving of a knife on its face side.  Excavated from Palas de Nuraxi II, Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. Excavated from Paule Luturru,  Samugheo. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. Grey background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. Excavated from Paule Luturru site,  Samugheo. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. Excavated from Barilli I site,  Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. Excavated from Pranu Maore I site,  Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. Black background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. Excavated from Perida Iddocca VII site,  Laconi.  Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. White background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. Excavated from Piscina ‘E Sali II site,  Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. White background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. Excavated from Piscina ‘E Sali II site,  Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The remains of a representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. the bottom is a carving of a dagger running horizontally across the menhir. Excavated from Piscina ‘E Sali IV site,  Laconi.  Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. White background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir.  Excavated from Barrili II site,  Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. Grey background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir.  Excavated from Barrili II site,  Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy
  • Close up of a Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. At the bottom is a carving of a dagger running horizontally across the menhir.  From Barrili I site, Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy
  • Medieval Byzantine style mosaics of the side aisle arches,  Palatine Chapel, Cappella Palatina, Palermo, Italy
  • Medieval Byzantine style mosaics of the side aisle arches,  Palatine Chapel, Cappella Palatina, Palermo, Italy
  • Medieval Byzantine style mosaics of the side aisle arches,  Palatine Chapel, Cappella Palatina, Palermo, Italy
  • Underground Etruscan tomb no 5636 made about 1second half of the 3rd century BC. This tomb has a flat roof and stone benches on each side. On the pillar is painted a threatening Caronte grasping a hammer. Excavated 1969 , Etruscan Necropolis of Monterozzi, Monte del Calvario, Tarquinia, Italy. A UNESCO World Heritage Site.
  • Underground Etruscan tomb no 5636 made about 1second half of the 3rd century BC. This tomb has a flat roof and stone benches on each side. On the right wall is a scene with protraits of the dead buried in the tomb followed by a female demon of death carrying a torch to light the way to the after life. Excavated 1969 , Etruscan Necropolis of Monterozzi, Monte del Calvario, Tarquinia, Italy. A UNESCO World Heritage Site.
  • Side view of the Etruscan bronce statue of the mythical Chimera known as the  "Chimera of Arezzo" from the St Lorentino Gate of Arezzo, made end of 5th - early 4th century B.C, inv no 1,  National Archaeological Museum Florence, Italy
  • Aphrodite Crouching whilst bathing. The Goddess of love Aphrodite, Venus to the Romans is depicted crouching whilst bathing, she looks to one side as if surprised by something. In this style of Aphrodite statue her arms stretch across in front of her and her right hand gently touches her right shoulder. This statue is a  2nd century Roman copy of a lost Greek. Hellanistic original of the mid 3rd century BC attributed to the Greek sculptor Doldalsas of Bethynia. This version of Aphrodite Bathing made around AD 117-138 is the most artistically successful version know. Capitoline Museums, Rome
  • Ancient Egyptian four sided capital dedicated to Hathor, limestone, Ptolomaic Period (332039 BC). Egyptian Museum, Turin. Grey background. Cat 7031. white background.<br />
<br />
Hathor, goddess of love and beauty and wet nurse of Horus, is often portrayed frontally with bovine ears. She was also protector of the turquoise mines in Sinai and the guardian of the 4 cardinal points awhich is why she is depicted with faces on each side of the capital
  • Ancient Egyptian four sided capital dedicated to Hathor, limestone, Ptolomaic Period (332039 BC). Egyptian Museum, Turin. Grey background. Cat 7031. black background.<br />
<br />
Hathor, goddess of love and beauty and wet nurse of Horus, is often portrayed frontally with bovine ears. She was also protector of the turquoise mines in Sinai and the guardian of the 4 cardinal points awhich is why she is depicted with faces on each side of the capital
  • Ancient Egyptian four sided capital dedicated to Hathor, limestone, Ptolomaic Period (332039 BC). Egyptian Museum, Turin. Grey background. Cat 7031. Grey background.<br />
<br />
Hathor, goddess of love and beauty and wet nurse of Horus, is often portrayed frontally with bovine ears. She was also protector of the turquoise mines in Sinai and the guardian of the 4 cardinal points awhich is why she is depicted with faces on each side of the capital, Grey background;
  • Ancient Egyptian four sided capital dedicated to Hathor, limestone, Ptolomaic Period (332039 BC). Egyptian Museum, Turin. Grey background. Cat 7031. Grey background.<br />
<br />
Hathor, goddess of love and beauty and wet nurse of Horus, is often portrayed frontally with bovine ears. She was also protector of the turquoise mines in Sinai and the guardian of the 4 cardinal points awhich is why she is depicted with faces on each side of the capital, Grey background;
  • Medieval Byzantine style mosaics of the side aisle arches,  Palatine Chapel, Cappella Palatina, Palermo, Italy
  • Medieval Byzantine style mosaics of the side aisle arches,  Palatine Chapel, Cappella Palatina, Palermo, Italy
  • Medieval Byzantine style mosaics of the side aisle arches,  Palatine Chapel, Cappella Palatina, Palermo, Italy
  • Medieval Byzantine style mosaics of the side aisle arches,  Palatine Chapel, Cappella Palatina, Palermo, Italy
  • Medieval Byzantine style mosaics of the side aisle arches,  Palatine Chapel, Cappella Palatina, Palermo, Italy
  • Medieval Byzantine style mosaics of the side aisle arches,  Palatine Chapel, Cappella Palatina, Palermo, Italy
  • Medieval Byzantine style mosaics of the side aisle arches,  Palatine Chapel, Cappella Palatina, Palermo, Italy
  • Medieval Byzantine style mosaics of the side aisle arches,  Palatine Chapel, Cappella Palatina, Palermo, Italy
  • Medieval Byzantine style mosaics of the side aisle arches,  Palatine Chapel, Cappella Palatina, Palermo, Italy
  • Medieval Byzantine style mosaics of the side aisle arches,  Palatine Chapel, Cappella Palatina, Palermo, Italy
  • Medieval Byzantine style mosaics of the side aisle arches,  Palatine Chapel, Cappella Palatina, Palermo, Italy
  • Medieval Byzantine style mosaics of the side aisle arches,  Palatine Chapel, Cappella Palatina, Palermo, Italy
  • Medieval Byzantine style mosaics of the side aisle arches,  Palatine Chapel, Cappella Palatina, Palermo, Italy
  • Medieval Byzantine style mosaics of the side aisle arches,  Palatine Chapel, Cappella Palatina, Palermo, Italy
  • Medieval Byzantine style mosaics of the side aisle arches,  Palatine Chapel, Cappella Palatina, Palermo, Italy
  • Medieval Byzantine style mosaics of the side aisle arches,  Palatine Chapel, Cappella Palatina, Palermo, Italy
  • Medieval Byzantine style mosaics of the side aisle arches,  Palatine Chapel, Cappella Palatina, Palermo, Italy
  • Medieval Byzantine style mosaics of the side aisle arches,  Palatine Chapel, Cappella Palatina, Palermo, Italy
  • Medieval Byzantine style mosaics of the side aisle arches,  Palatine Chapel, Cappella Palatina, Palermo, Italy
  • Medieval Byzantine style mosaics of the side aisle arches,  Palatine Chapel, Cappella Palatina, Palermo, Italy
  • Medieval Byzantine style mosaics of the side aisle arches,  Palatine Chapel, Cappella Palatina, Palermo, Italy
  • Medieval Byzantine style mosaics of the side aisle arches,  Palatine Chapel, Cappella Palatina, Palermo, Italy
  • Medieval Byzantine style mosaics of the side aisle arches,  Palatine Chapel, Cappella Palatina, Palermo, Italy
  • Medieval Byzantine style mosaics of the side aisle arches,  Palatine Chapel, Cappella Palatina, Palermo, Italy
  • Medieval Byzantine style mosaics of the side aisle arches,  Palatine Chapel, Cappella Palatina, Palermo, Italy
  • Medieval Byzantine style mosaics of the side aisle arches,  Palatine Chapel, Cappella Palatina, Palermo, Italy
  • Hittite terra cotta side spouted teapot . Hittite Period, 1600 - 1200 BC.  Hattusa Boğazkale. Çorum Archaeological Museum, Corum, Turkey. Against a white bacground.
  • Hittite terra cotta side spouted teapot . Hittite Period, 1600 - 1200 BC.  Hattusa Boğazkale. Çorum Archaeological Museum, Corum, Turkey

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