• sign, notice or bill board saying Paris, Vienna, Berlin, Rome and Barcelona. European cities for travel and business information
  • Summer sale now on sign
  • Summer sale now on sign
  • Falling autumn leaves against a sunset cloudy sky with a sign with Autumn sale now on. For retail discount or sales publicity.
  • Thanks, merci, gracias, danke, multi language sign
  • Falling autumn leaves against a sunset cloudy sky with a sign with Autumn sale now on. For retail discount or sales publicity.
  • Falling autumn leaves against a sunset cloudy sky with a sign with Autumn sale now on. For retail discount or sales publicity.
  • Liliova Street sign Prague - Czech Republic
  • Puppet Theatre sign - Prague - Czech Republic
  • Traditional Carp fish shop sign - Prague - Czech Republic
  • Unicorn shop sign  , Eisenstadt (Kismarton), Austria
  • Matroz street Sign - ( Gy?r )  Gyor Hungary
  • Herbaria Street Sign - ( Gy?r )  Gyor Hungary
  • Street Sign - ( Gy?r )  Gyor Hungary
  • The Golden Ship Sign created by Bandi Schima 1938 - ( Gy?r )  Gyor Hungary
  • The Golden Ship Sign created by Bandi Schima 1938 - ( Gy?r )  Gyor Hungary
  • The Golden Ship Sign created by Bandi Schima 1938 - ( Gy?r )  Gyor Hungary
  • Restaurant Sign in the snow. Beaune. France
  • Paris - France - Metro Sign On Champs Eleysee
  • Paris - France - Metro Sign On Champs Eleysee
  • Paris - France - sMetro Sign - Champs  Eleysee
  • Camden lock - London. Sign on Bridge
  • Camden lock - London. Sign on Bridge
  • Camden lock - London. Sign on Bridge
  • Camden lock - London. Sign on building
  • New Summer clothes collection
  • New Summer clothes collection
  • Goodbye Adios Auf Wiedersehen Au Revoir
  • Topless young Women from behing wearing a pair of boxer pants with the Union Jack on it. Attached to it is a ticket with the words Sale
  • Close up of a  card with the words sale on it in the back pocket of blue jeans being worn by a women showing her bare waiste.
  • Close up of young women wearing a dress with a  ticket tucked into its pocket with the word sale on it
  • Close up of young women wearing pink  pants with a  ticket with the word sale on it.
  • Close up of young women from behind lifting her mini skirt to scratch ber bare bottom. There is a  ticket attached to the skirt with the word Sale on it.
  • Close up of young women from behind lifting her mini skirt to scratch ber bare bottom. There is a  ticket attached to the skirt with the word Sale on it.
  • Close up of young women from behind lifting her mini skirt to scratch ber bare bottom. There is a  ticket attached to the skirt with the word Sale on it.
  • Close up of a  ticket tucked into a bra top being worn by a young women, with the words Sale on it
  • Close up of a ticketwith the words sale on it attached to a black bikini being worn by a women
  • Close up of a  card with the words sale on it in the back pocket of blue jeans being worn by a women showing her bare waiste.
  • Close up of  card with the words Sale on it in the back pocket of blue jeans being worn by a women showing her bare waiste. For over printing Sale, discount or business name.
  • Close up of Sale  etched into the leather swatch on a pair of blue jeans being worn by a women showing her bare waiste
  • Close up of Sale  etched into the leather swatch on a pair of blue jeans being worn by a women showing her bare waiste
  • Camden lock - London. Tattoo
  • Camden lock - London. Tattoo
  • Camden lock - London. Shoes sculptures
  • - ( Gy?r )  Gyor Hungary
  • Close up of leather swatch on a pair of blue jeans being worn by a women showing her bare waiste. For overlaying Sale, discount or business name.
  • Camden lock - London. Orange Juice stall
  • Camden lock - London. Manakin Heads
  • Camden lock - London. Airoplane sculpture
  • Camden lock - London. Airoplane sculpture
  • Camden lock - London. Painted Shop
  • Camden lock - London. Painted Shop
  • Camden lock - London.
  • Camden lock - London. Goth and Punk Clothes
  • Camden lock - London. Goth and Punk Clothes
  • Camden lock - London. Goth and Punk Clothes
  • Camden lock - London. Cat Sculpture
  • Camden lock - London. Cat Sculpture
  • Camden lock - London. Cat Sculpture
  • Camden lock - London.
  • Camden lock - London. Shoes sculptures
  • Camden lock - London. Shoes sculptures
  • Camden lock - London.
  • Camden lock - London. Tattoo
  • Camden lock - London. Tattoo
  • Camden lock - London. Tattoo
  • Camden lock - London. Tattoo
  • Camden lock - London. Tattoo
  • Camden lock - London. Shoes sculptures
  • Camden lock - London. Shoes sculptures
  • Camden lock - London. Shoes sculptures
  • Camden lock - London. Shoes sculptures
  • Camden lock - London. Shoes sculptures
  • Camden lock - London. Body Piercing
  • Camden lock - London. Body Piercing
  • Camden lock - London. Shoes sculptures
  • Camden lock - London. Indian food
  • Camden lock - London. Mexican and Vietmese food
  • Camden lock - London. Sweetcorn stall
  • Brass Shop signs - ( Gy?r )  Gyor Hungary
  • Brass Shop signs - ( Gy?r )  Gyor Hungary
  • Brass Shop signs - ( Gy?r )  Gyor Hungary
  • Brass Shop signs - ( Gy?r )  Gyor Hungary
  • Harbour side restauarants signs - Fast food baguette & can of drink. Honfleur, Normandy, France.
  • Harbour side restauarants signs - L'homme de Bois. Honfleur, Normandy, France.
  • Harbour side restauarants signs - Creperie. Honfleur, Normandy, France.
  • Signs on restaurant of sailing boat. Honfleur, Normandy, France.
  • Harbour side restauarants signs for Huitres. Honfleur, Normandy, France.
  • Classic timbered restauarant with signs. Le Champlain. Honfleur, Normandy, France.
  • Classic timbered restauarant with signs. Le Champlain. Honfleur, Normandy, France.
  • Classic timbered restauarant with signs. Le Champlain. Honfleur, Normandy, France.
  • Autumn Sign
  • Close up of the clock face on the The Bell Tower - Saint Mark's Square  - Venice Italy
  • Close up of the clock face on the The Bell Tower - Saint Mark's Square  - Venice Italy
  • Scallops being landed off a fishing boat - Honfleur France.
  • harbour scene with yaughts and harbour restaurants. Honfleur, Normandy, France.
  • Scallops being landed off a fishing boat - Honfleur France.
  • Scallops being landed off a fishing boat - Honfleur France.
  • Scallops being landed off a fishing boat - Honfleur France.
  • Scallops being landed off a fishing boat - Honfleur France.
  • Scallops being landed off a fishing boat - Honfleur France.
  • Scallops being landed off a fishing boat - Honfleur France.
  • Close up of fishing nets - Honfleur France.
  • Fisherman landing Scallops off a fishing boat - Honfleur France.
  • night harbour scene with lights of yaughts and harbour restaurants. Honfleur, Normandy, France.
  • night scene of Market Place and restaurants. Honfleur, Normandy, France.
  • harbour scene with yaughts. Honfleur, Normandy, France.
  • Close up of sail and mast from Seine Fishing boat -  Honfleur harbour, Normandy, France.
  • Close up of sail and mast from Seine Fishing boat -  Honfleur harbour, Normandy, France.
  • Close up of sail and mast from Seine Fishing boat -  Honfleur harbour, Normandy, France.
  • Close up of sail and mast from Seine Fishing boat -  Honfleur harbour, Normandy, France.
  • Tern sitting on the front of an old Seine Fishing boat -  Honfleur harbour, Normandy, France.
  • Close up of sail and mast from Seine Fishing boat -  Honfleur harbour, Normandy, France.
  • street scene with  restaurants. Honfleur, Normandy, France.
  • Old stone house front with pots of flowers. Honfleur, Normandy, France.
  • Le Corsaire restaurant withterrace tables set ready for lunch. Honfleur, Normandy, France.
  • Wooden Church of St Terezza - Market Square HonfleurNormandy France
  • Wooden Church of St Terezza - Market Square HonfleurNormandy France
  • harbour scene with yaughts and harbour restaurants. Honfleur, Normandy, France.
  • Scallops being landed off a fishing boat - Honfleur France.
  • Scallops being landed off a fishing boat - Honfleur France.
  • Historic old Seine sailing Fishing boat -  Honfleur harbour, Normandy, France.
  • harbour side shot selling Normandy drink - Calvados. Cider -  Honfleur, Normandy, France.
  • harbour scene with yaughts and harbour restaurants. Honfleur, Normandy, France.
  • harbour scene with yaughts and harbour restaurants. Honfleur, Normandy, France.
  • harbour scene with yaughts and harbour restaurants. Honfleur, Normandy, France.
  • harbour scene with yaughts and harbour restaurants. Honfleur, Normandy, France.
  • Le Corsaire restaurant withterrace tables set ready for lunch. Honfleur, Normandy, France.
  • Le Corsaire restaurant withterrace tables set ready for lunch. Honfleur, Normandy, France.
  • harbour side shot selling Normandy drink - Calvados. Cider -  Honfleur, Normandy, France.
  • harbour side shot selling Normandy drink - Calvados. Cider -  Honfleur, Normandy, France.
  • harbour scene with yaughts and harbour restaurants. Honfleur, Normandy, France.
  • harbour scene with yaughts and harbour restaurants. Honfleur, Normandy, France.
  • harbour scene with yaughts and harbour restaurants. Honfleur, Normandy, France.
  • old sail  Fishing boats -  Honfleur harbour, Normandy, France.
  • old sail  Fishing boats -  Honfleur harbour, Normandy, France.
  • Close up of sail and mast from Seine Fishing boat -  Honfleur harbour, Normandy, France.
  • harbour scene with yaughts and harbour restaurants. Honfleur, Normandy, France.
  • harbour scene with yaughts and harbour restaurants. Honfleur, Normandy, France.
  • harbour scene with yaughts and harbour restaurants. Honfleur, Normandy, France.
  • harbour scene with yaughts and harbour restaurants. Honfleur, Normandy, France.
  • old Capstan with harbour scene with yaughts and harbour restaurants. Honfleur, Normandy, France.
  • harbour scene with yaughts and harbour restaurants. Honfleur, Normandy, France.
  • harbour scene with yaughts and harbour restaurants. Honfleur, Normandy, France.
  • harbour scene with yaughts and harbour restaurants. Honfleur, Normandy, France.
  • Nigh harbour scene with yaughts and harbour restaurants. Honfleur, Normandy, France.
  • Nigh harbour scene with yaughts and harbour restaurants. Honfleur, Normandy, France.
  • Close up of the clock face on the The Bell Tower - Saint Mark's Square  - Venice Italy
  • Close up of the clock face on the The Bell Tower - Saint Mark's Square  - Venice Italy
  • Close up of the clock face on the The Bell Tower - Saint Mark's Square  - Venice Italy
  • Harbour side restauarants and shops. Honfleur, Normandy, France.
  • Colour photo of Harbour side restauarant - La Bisquine . Honfleur, Normandy, France.
  • Harbour side restauarants and shops. Honfleur, Normandy, France.
  • Harbour side restauarants and shops. Honfleur, Normandy, France.
  • Harbour side restauarants and shops. Honfleur, Normandy, France.
  • Harbour side restauarants and shops. Honfleur, Normandy, France.
  • Harbour side restauarants and shops. Honfleur, Normandy, France.
  • Harbour side Creperie and shops. Honfleur, Normandy, France.
  • Harbour side Creperie and shops. Honfleur, Normandy, France.
  • Seated terracotta goddess, probably a sign of fertility. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a white background
  • Seated terracotta goddess, probably a sign of fertility. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a grey background
  • Seated terracotta goddess, probably a sign of fertility. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a black background
  • Seated terracotta goddess, probably a sign of fertility. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara
  • Seated terracotta goddess, probably a sign of fertility. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a gray mottled background
  • Picture and image  of the Realistic young grieving girl stone funary monument sculpture  commissioned by Enrico Amerigo for his sisters memory. beside the pedestal on which the sculptor set the deceased’s bust he placed, on the left, the figure of an old blind man, kneeling down and leaning on a stick; on the right he placed the figure of a young orphan girl, recognizable as such by her kindergarten uniform, portrayed in the act of making the sign of the cross. This work belongs to the Realism, a trend which was typical during the 1880s and 1890s, according to which the orphans, the poor, the sick and all those who benefited from somebody’s generosity had to be portrayed in a concrete fashion. Sculptor G Moreno 1890. Section A, no 53, The Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image  of the Realistic young grieving girl stone funary monument sculpture  commissioned by Enrico Amerigo for his sisters memory. beside the pedestal on which the sculptor set the deceased’s bust he placed, on the left, the figure of an old blind man, kneeling down and leaning on a stick; on the right he placed the figure of a young orphan girl, recognizable as such by her kindergarten uniform, portrayed in the act of making the sign of the cross. This work belongs to the Realism, a trend which was typical during the 1880s and 1890s, according to which the orphans, the poor, the sick and all those who benefited from somebody’s generosity had to be portrayed in a concrete fashion. Sculptor G Moreno 1890. Section A, no 53, The Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image  of the Realistic young grieving girl stone funary monument sculpture  commissioned by Enrico Amerigo for his sisters memory. beside the pedestal on which the sculptor set the deceased’s bust he placed, on the left, the figure of an old blind man, kneeling down and leaning on a stick; on the right he placed the figure of a young orphan girl, recognizable as such by her kindergarten uniform, portrayed in the act of making the sign of the cross. This work belongs to the Realism, a trend which was typical during the 1880s and 1890s, according to which the orphans, the poor, the sick and all those who benefited from somebody’s generosity had to be portrayed in a concrete fashion. Sculptor G Moreno 1890. Section A, no 53, The Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image  of the Realistic young grieving girl stone funary monument sculpture  commissioned by Enrico Amerigo for his sisters memory. beside the pedestal on which the sculptor set the deceased’s bust he placed, on the left, the figure of an old blind man, kneeling down and leaning on a stick; on the right he placed the figure of a young orphan girl, recognizable as such by her kindergarten uniform, portrayed in the act of making the sign of the cross. This work belongs to the Realism, a trend which was typical during the 1880s and 1890s, according to which the orphans, the poor, the sick and all those who benefited from somebody’s generosity had to be portrayed in a concrete fashion. Sculptor G Moreno 1890. The Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image  of the Realistic young grieving girl stone funary monument sculpture  commissioned by Enrico Amerigo for his sisters memory. beside the pedestal on which the sculptor set the deceased’s bust he placed, on the left, the figure of an old blind man, kneeling down and leaning on a stick; on the right he placed the figure of a young orphan girl, recognizable as such by her kindergarten uniform, portrayed in the act of making the sign of the cross. This work belongs to the Realism, a trend which was typical during the 1880s and 1890s, according to which the orphans, the poor, the sick and all those who benefited from somebody’s generosity had to be portrayed in a concrete fashion. Sculptor G Moreno 1890. Section A, no 53, The Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of the Realistic blind man stone funary monument sculpture commissioned by Enrico Amerigo for his sisters memory. beside the pedestal on which the sculptor set the deceased’s bust he placed, on the left, the figure of an old blind man, kneeling down and leaning on a stick; on the right he placed the figure of a young orphan girl, recognizable as such by her kindergarten uniform, portrayed in the act of making the sign of the cross. This work belongs to the Realism, a trend which was typical during the 1880s and 1890s, according to which the orphans, the poor, the sick and all those who benefited from somebody’s generosity had to be portrayed in a concrete fashion. Sculptor G Moreno 1890. Section A, no 53, The Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of the Realistic blind man stone funary monument sculpture commissioned by Enrico Amerigo for his sisters memory. beside the pedestal on which the sculptor set the deceased’s bust he placed, on the left, the figure of an old blind man, kneeling down and leaning on a stick; on the right he placed the figure of a young orphan girl, recognizable as such by her kindergarten uniform, portrayed in the act of making the sign of the cross. This work belongs to the Realism, a trend which was typical during the 1880s and 1890s, according to which the orphans, the poor, the sick and all those who benefited from somebody’s generosity had to be portrayed in a concrete fashion. Sculptor G Moreno 1890. Section A, no 53, The Staglieno Monumental Cemetery, Genoa, Italy
  • Babylonian Hammurabi stone relief sculpture. Hammurabi was the sixth Amorite king of Babylon from 1792 BC to 1750 BC . Hammurabi (standing), depicted as receiving his royal insignia from Shamash. Hammurabi holds his hands over his mouth as a sign of prayer. The Vorderasiatisches Museum, part of the Pergamon Museum, Berlin
  • Babylonian Hammurabi stone relief sculpture. Hammurabi was the sixth Amorite king of Babylon from 1792 BC to 1750 BC . Hammurabi (standing), depicted as receiving his royal insignia from Shamash. Hammurabi holds his hands over his mouth as a sign of prayer. The Vorderasiatisches Museum, part of the Pergamon Museum, Berlin
  • Babylonian Hammurabi stone relief sculpture. Hammurabi was the sixth Amorite king of Babylon from 1792 BC to 1750 BC . Hammurabi (standing), depicted as receiving his royal insignia from Shamash. Hammurabi holds his hands over his mouth as a sign of prayer. The Vorderasiatisches Museum, part of the Pergamon Museum, Berlin
  • Babylonian Hammurabi stone relief sculpture. Hammurabi was the sixth Amorite king of Babylon from 1792 BC to 1750 BC . Hammurabi (standing), depicted as receiving his royal insignia from Shamash. Hammurabi holds his hands over his mouth as a sign of prayer. The Vorderasiatisches Museum, part of the Pergamon Museum, Berlin
  • Babylonian Hammurabi stone relief sculpture. Hammurabi was the sixth Amorite king of Babylon from 1792 BC to 1750 BC . Hammurabi (standing), depicted as receiving his royal insignia from Shamash. Hammurabi holds his hands over his mouth as a sign of prayer. The Vorderasiatisches Museum, part of the Pergamon Museum, Berlin
  • Red Belt, Red Sign, Bastille Day, Paris. Series Day Tripper No 14, Selective Colour, Photographed by Paul E Williams
  • Kasbah Hotel sign, Ziz Gorge, Morocco
  • Gothic sculpture depicting The Leo  sign of the zodiac on the west entrance of the Cathedral of Notre-Dame, Amiens, France
  • Gothic sculpture depicting The Scorpio  sign of the zodiac on the west entrance of the Cathedral of Notre-Dame, Amiens, France
  • Gothic sculpture depicting The Libre sign of the zodiac on the west entrance of the Cathedral of Notre-Dame, Amiens, France
  • 16th century flamboyant gothic Astrological Clock in the choir screen  of the Cathedral of Chartres, France. A UNESCO World Heritage Site. The chancel screen includes, on the south side, an impressive astrological clock dating from the 16th century. It told not only the time but the day of the week, the month of the year, the time of sunrise and sunset, the phase of the moon and the current sign of the zodiac. Its inner works were partially destroyed in 1793.
  • 16th century flamboyant gothic Astrological Clock in the choir screen  of the Cathedral of Chartres, France. A UNESCO World Heritage Site. The chancel screen includes, on the south side, an impressive astrological clock dating from the 16th century. It told not only the time but the day of the week, the month of the year, the time of sunrise and sunset, the phase of the moon and the current sign of the zodiac. Its inner works were partially destroyed in 1793.
  • 16th century flamboyant gothic Astrological Clock in the choir screen  of the Cathedral of Chartres, France. A UNESCO World Heritage Site. The chancel screen includes, on the south side, an impressive astrological clock dating from the 16th century. It told not only the time but the day of the week, the month of the year, the time of sunrise and sunset, the phase of the moon and the current sign of the zodiac. Its inner works were partially destroyed in 1793.
  • 16th century flamboyant gothic Astrological Clock in the choir screen  of the Cathedral of Chartres, France. A UNESCO World Heritage Site. The chancel screen includes, on the south side, an impressive astrological clock dating from the 16th century. It told not only the time but the day of the week, the month of the year, the time of sunrise and sunset, the phase of the moon and the current sign of the zodiac. Its inner works were partially destroyed in 1793.
  • 16th century flamboyant gothic Astrological Clock in the choir screen  of the Cathedral of Chartres, France. A UNESCO World Heritage Site. The chancel screen includes, on the south side, an impressive astrological clock dating from the 16th century. It told not only the time but the day of the week, the month of the year, the time of sunrise and sunset, the phase of the moon and the current sign of the zodiac. Its inner works were partially destroyed in 1793.
  • 16th century flamboyant gothic Astrological Clock in the choir screen  of the Cathedral of Chartres, France. A UNESCO World Heritage Site. The chancel screen includes, on the south side, an impressive astrological clock dating from the 16th century. It told not only the time but the day of the week, the month of the year, the time of sunrise and sunset, the phase of the moon and the current sign of the zodiac. Its inner works were partially destroyed in 1793.
  • Medieval Rose Window of the North Transept of the Gothic Cathedral of Chartres, France- Circa 1235. A UNESCO World Heritage Site. The 10.5m rose window is dedicated to the Virgin Mary . The central oculus shows the Virgin and Child and is surrounded by 12 small petal-shaped windows, 4 with doves (the 'Four Gifts of the Spirit'), the rest with adoring angels carrying candlesticks. Beyond this is a ring of 12 diamond-shaped openings containing the Old Testament Kings of Judah, another ring of smaller lozenges containing the arms of France and Castille, and finally a ring of semicircles containing Old Testament Prophets holding scrolls. The presence of the arms of the French king (yellow fleurs-de-lis on a blue background) and of his mother, Blanche of Castile (yellow castles on a red background) are taken as a sign of royal patronage for this window. Beneath the rose itself are five tall lancet windows (7.5 m high) showing, in the centre, the Virgin as an infant held by her mother, St Anne - the same subject as the trumeau in the portal beneath it. Flanking this lancet are four more containing Old Testament figures. Each of these standing figures is shown symbolically triumphing over an enemy depicted in the base of the lancet beneath them - David over Saul, Aaron over Pharaoh, St Anne over Synagoga, etc
  • Medieval Rose Window of the North Transept of the Gothic Cathedral of Chartres, France- Circa 1235. A UNESCO World Heritage Site. The 10.5m rose window is dedicated to the Virgin Mary . The central oculus shows the Virgin and Child and is surrounded by 12 small petal-shaped windows, 4 with doves (the 'Four Gifts of the Spirit'), the rest with adoring angels carrying candlesticks. Beyond this is a ring of 12 diamond-shaped openings containing the Old Testament Kings of Judah, another ring of smaller lozenges containing the arms of France and Castille, and finally a ring of semicircles containing Old Testament Prophets holding scrolls. The presence of the arms of the French king (yellow fleurs-de-lis on a blue background) and of his mother, Blanche of Castile (yellow castles on a red background) are taken as a sign of royal patronage for this window. Beneath the rose itself are five tall lancet windows (7.5 m high) showing, in the centre, the Virgin as an infant held by her mother, St Anne - the same subject as the trumeau in the portal beneath it. Flanking this lancet are four more containing Old Testament figures. Each of these standing figures is shown symbolically triumphing over an enemy depicted in the base of the lancet beneath them - David over Saul, Aaron over Pharaoh, St Anne over Synagoga, etc
  • Marble Releif Sculptures from the east frieze around the Parthenon Block IV 24-27. From the Parthenon of the Acropolis Athens. A British Museum Exhibit known as The Elgin Marbles. Far Richt Ares sits holding his knee  to his left Demeter is leaning on one wrist, a sign of mouring, grieving for her daughter Persaphone who had been abducted by the gods of the underworld.
  • Marble Releif Sculptures from the east frieze around the Parthenon Block IV 24-27. From the Parthenon of the Acropolis Athens. A British Museum Exhibit known as The Elgin Marbles. Far Richt Ares sits holding his knee  to his left Demeter is leaning on one wrist, a sign of mouring, grieving for her daughter Persaphone who had been abducted by the gods of the underworld.
  • Marble Releif Sculptures from the east frieze around the Parthenon Block IV 24-27. From the Parthenon of the Acropolis Athens. A British Museum Exhibit known as The Elgin Marbles. Far Richt Ares sits holding his knee  to his left Demeter is leaning on one wrist, a sign of mouring, grieving for her daughter Persaphone who had been abducted by the gods of the underworld.
  • Marble Releif Sculptures from the east frieze around the Parthenon Block IV 24-27. From the Parthenon of the Acropolis Athens. A British Museum Exhibit known as The Elgin Marbles. Far Richt Ares sits holding his knee  to his left Demeter is leaning on one wrist, a sign of mouring, grieving for her daughter Persaphone who had been abducted by the gods of the underworld.
  • Marble Releif Sculptures from the east frieze around the Parthenon Block IV 20-27. From the Parthenon of the Acropolis Athens. A British Museum Exhibit known as The Elgin Marbles. Far Richt Ares sits holding his knee  to his left Demeter is leaning on one wrist, a sign of mouring, grieving for her daughter Persaphone who had been abducted by the gods of the underworld.
  • Marble Releif Sculptures from the east frieze around the Parthenon Block IV 20-27. From the Parthenon of the Acropolis Athens. A British Museum Exhibit known as The Elgin Marbles. Far Richt Ares sits holding his knee  to his left Demeter is leaning on one wrist, a sign of mouring, grieving for her daughter Persaphone who had been abducted by the gods of the underworld.
  • Marble Releif Sculptures from the east frieze around the Parthenon Block IV 24-27. From the Parthenon of the Acropolis Athens. A British Museum Exhibit known as The Elgin Marbles. Far Richt Ares sits holding his knee  to his left Demeter is leaning on one wrist, a sign of mouring, grieving for her daughter Persaphone who had been abducted by the gods of the underworld.
  • Marble Releif Sculptures from the east frieze around the Parthenon Block IV 20-27. From the Parthenon of the Acropolis Athens. A British Museum Exhibit known as The Elgin Marbles. Far Richt Ares sits holding his knee  to his left Demeter is leaning on one wrist, a sign of mouring, grieving for her daughter Persaphone who had been abducted by the gods of the underworld.
  • old street sign , Zagreb, Croatia
  • "Pony" sign on a pony saddle, Hydra,  Greek Saronic Islands
  • Liliova Street sign Prague - Czech Republic
  • Blacksmiths (Vas) sign, K?szeg Hungary
  • Blacksmiths (Vas) sign, K?szeg Hungary
  • Wine cellar sign, K?szeg Hungary
  • Wine cellars sign. Villany  ( Villany  ) Hungary.
  • Strasburg, Alsace, France. Traditional restaurant window with a sign offering : Specialites '
  • Strasburg, Alsace, France. Traditional restaurant window with a sign offering : Specialites '
  • Strasburg, Alsace, France. Traditional restaurant window with a sign offering : Specialites '
  • Strasburg, Alsace, France. Traditional restaurant window with a sign offering : Specialites '
  • Chinese restaurant front sign - China town London
  • Grindelwald station sign - Swiss Alps
  • Paris - France - Pont Alexadre 111 - Sign
  • Robin Hoods Bay , North Yorkshire - Cleveland Way SPath Sign.
  • View down  Fryup Dale with autumn colours and a walkers sign to Rosedale , North Yorkshire Moors National Park, England.
  • 2 halves of Pyramid Chevre cheese with "pur Chevre" sign
  • Hittite relief sculpted stone panel. Lion. Aslantepe Gate Limestone, Aslantepe, Malatya, 1200-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
The lion on the left of the two lions at the gate of the palace. His head and his front part were processed as high embossing and his body as regular embossing. The signs behind the lion and over his tail read; "Halposulupis, Mighty (?) King".<br />
<br />
Against a brown art background.
  • Hittite relief sculpted stone panel. Lion. Aslantepe Gate Limestone, Aslantepe, Malatya, 1200-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
The lion on the left of the two lions at the gate of the palace. His head and his front part were processed as high embossing and his body as regular embossing. The signs behind the lion and over his tail read; "Halposulupis, Mighty (?) King".<br />
<br />
Against a white background.
  • Hittite relief sculpted stone panel. Lion. Aslantepe Gate Limestone, Aslantepe, Malatya, 1200-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
The lion on the left of the two lions at the gate of the palace. His head and his front part were processed as high embossing and his body as regular embossing. The signs behind the lion and over his tail read; "Halposulupis, Mighty (?) King".<br />
<br />
Against a grey art background.
  • Hittite relief sculpted stone panel. Lion. Aslantepe Gate Limestone, Aslantepe, Malatya, 1200-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
The lion on the left of the two lions at the gate of the palace. His head and his front part were processed as high embossing and his body as regular embossing. The signs behind the lion and over his tail read; "Halposulupis, Mighty (?) King".<br />
<br />
Against a black background.
  • Hittite relief sculpted stone panel. Lion. Aslantepe Gate Limestone, Aslantepe, Malatya, 1200-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
The lion on the left of the two lions at the gate of the palace. His head and his front part were processed as high embossing and his body as regular embossing. The signs behind the lion and over his tail read; "Halposulupis, Mighty (?) King".<br />
<br />
Against a black background.
  • Hittite relief sculpted stone panel. Lion. Aslantepe Gate Limestone, Aslantepe, Malatya, 1200-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
The lion on the left of the two lions at the gate of the palace. His head and his front part were processed as high embossing and his body as regular embossing. The signs behind the lion and over his tail read; "Halposulupis, Mighty (?) King".<br />
<br />
Against a white background.
  • Hittite relief sculpted stone panel. Lion. Aslantepe Gate Limestone, Aslantepe, Malatya, 1200-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
The lion on the left of the two lions at the gate of the palace. His head and his front part were processed as high embossing and his body as regular embossing. The signs behind the lion and over his tail read; "Halposulupis, Mighty (?) King".<br />
<br />
Against a gray background.
  • Hittite relief sculpted stone panel. Lion. Aslantepe Gate Limestone, Aslantepe, Malatya, 1200-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
The lion on the left of the two lions at the gate of the palace. His head and his front part were processed as high embossing and his body as regular embossing. The signs behind the lion and over his tail read; "Halposulupis, Mighty (?) King".<br />
<br />
Against a brown art background.
  • Hittite relief sculpted stone panel. Lion. Aslantepe Gate Limestone, Aslantepe, Malatya, 1200-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
The lion on the left of the two lions at the gate of the palace. His head and his front part were processed as high embossing and his body as regular embossing. The signs behind the lion and over his tail read; "Halposulupis, Mighty (?) King".<br />
<br />
Against a grey art background.
  • Late medieval relief sculpture depicting the labours for January and Feburary and astrological signs on the Facade of the Cattedrale di San Martino,  Duomo of Lucca, Tunscany, Italy,
  • Late medieval relief sculpture depicting the labours for December and November and astrological signs on the Facade of the Cattedrale di San Martino,  Duomo of Lucca, Tunscany, Italy,
  • Late medieval relief sculpture depicting the labours for March and April and astrological signs on the Facade of the Cattedrale di San Martino,  Duomo of Lucca, Tunscany, Italy,
  • Late medieval relief sculpture depicting the labours for June and May and astrological signs on the Facade of the Cattedrale di San Martino,  Duomo of Lucca, Tunscany, Italy,
  • Late medieval relief sculpture depicting the labours for August and July and astrological signs on the Facade of the Cattedrale di San Martino,  Duomo of Lucca, Tunscany, Italy,
  • Late medieval relief sculpture depicting the labours for December with an animal being killed and astrological signs on the Facade of the Cattedrale di San Martino,  Duomo of Lucca, Tunscany, Italy,
  • Late medieval relief sculpture depicting the labours for October and september and astrological signs on the Facade of the Cattedrale di San Martino,  Duomo of Lucca, Tunscany, Italy,
  • The celebrated Greek statue known as 'The Belvedere Torso', possibly of Greek hero Ajax, signed by Athenian neo-Attic sculptor Apollonios, ist century BC, inv 1192, Pope Clement collection, Vatican Museum Rome, Italy,  white background
  • The celebrated Greek statue known as 'The Belvedere Torso', possibly of Greek hero Ajax, signed by Athenian neo-Attic sculptor Apollonios, ist century BC, inv 1192, Pope Clement collection, Vatican Museum Rome, Italy,  black background
  • The celebrated Greek statue known as 'The Belvedere Torso', possibly of Greek hero Ajax, signed by Athenian neo-Attic sculptor Apollonios, ist century BC, inv 1192, Pope Clement collection, Vatican Museum Rome, Italy, art background
  • The celebrated Greek statue known as 'The Belvedere Torso', possibly of Greek hero Ajax, signed by Athenian neo-Attic sculptor Apollonios, ist century BC, inv 1192, Pope Clement collection, Vatican Museum Rome, Italy,  grey art background
  • The celebrated Greek statue known as 'The Belvedere Torso', possibly of Greek hero Ajax, signed by Athenian neo-Attic sculptor Apollonios, ist century BC, inv 1192, Pope Clement collection, Vatican Museum Rome, Italy,  grey  background
  • 13th century Romanesque decorative marble archivolt of the main portal with decorative marble relief sculptures of the signs of the Zodiac and the work of the seasons on the 8th century Romanesque Basilica church of St Peters, Tuscania, Lazio, Italy
  • 13th century Romanesque inlaid mosaics and decorative marble archivolt of the main portal with decorative marble relief sculptures of the signs of the Zodiac and the work of the seasons on the 8th century Romanesque Basilica church of St Peters, Tuscania, Lazio, Italy
  • 13th century Romanesque decorative marble archivolt of the main portal with decorative marble relief sculptures of the signs of the Zodiac and the work of the seasons on the 8th century Romanesque Basilica church of St Peters, Tuscania, Lazio, Italy
  • 13th century Romanesque decorative marble archivolt of the main portal with decorative marble relief sculptures of the signs of the Zodiac and the work of the seasons on the 8th century Romanesque Basilica church of St Peters, Tuscania, Lazio, Italy
  • 13th century Romanesque decorative marble archivolt of the main portal with decorative marble relief sculptures of the signs of the Zodiac and the work of the seasons on the 8th century Romanesque Basilica church of St Peters, Tuscania, Lazio, Italy
  • 13th century Romanesque decorative marble archivolt of the main portal with decorative marble relief sculptures of the signs of the Zodiac and the work of the seasons on the 8th century Romanesque Basilica church of St Peters, Tuscania, Lazio, Italy
  • 13th century Romanesque decorative marble archivolt of the main portal with decorative marble relief sculptures of the signs of the Zodiac and the work of the seasons on the 8th century Romanesque Basilica church of St Peters, Tuscania, Lazio, Italy
  • The Romanesque Altar Front of Baltarga<br />
<br />
Around 1200, Tempera on wood with metalic ornamention from the church of Saint Andreu (Andrew) of Baltarga, Catalonia, Spain.<br />
<br />
National Art Museum of Catalonia, Barcelona. MNAC 15804<br />
<br />
The Romanesque paintings depict scenes from the life and the martyrdom of St. Andrew. At its centre is a theophany with Christ Pantocrator (Majesty) surrounded by a Mandorla around which is a tetramorph with the symbols of the four evangelists, St Matthew the man, St Mark the lion, St Luke the ox, and John the eagle.. Eastern influences are especially evident in this magnificent altar frontal, which has an elegant palette of colours, with sophisticated soft flesh tones. The work seems most  likely to have come from the workshop of  highly skilled Greek painters,  which was installed in the vicinity of the monastery of Sant Marti Canigo and signed at least one of their works (now defunct) as Magister Alexander.
  • The Romanesque Altar Front of Baltarga<br />
<br />
Around 1200, Tempera on wood with metalic ornamention from the church of Saint Andreu (Andrew) of Baltarga, Catalonia, Spain.<br />
<br />
National Art Museum of Catalonia, Barcelona. MNAC 15804<br />
<br />
The Romanesque paintings depict scenes from the life and the martyrdom of St. Andrew. At its centre is a theophany with Christ Pantocrator (Majesty) surrounded by a Mandorla around which is a tetramorph with the symbols of the four evangelists, St Matthew the man, St Mark the lion, St Luke the ox, and John the eagle.. Eastern influences are especially evident in this magnificent altar frontal, which has an elegant palette of colours, with sophisticated soft flesh tones. The work seems most  likely to have come from the workshop of  highly skilled Greek painters,  which was installed in the vicinity of the monastery of Sant Marti Canigo and signed at least one of their works (now defunct) as Magister Alexander.
  • The Romanesque Altar Front of Baltarga<br />
<br />
Around 1200, Tempera on wood with metalic ornamention from the church of Saint Andreu (Andrew) of Baltarga, Catalonia, Spain.<br />
<br />
National Art Museum of Catalonia, Barcelona. MNAC 15804<br />
<br />
The Romanesque paintings depict scenes from the life and the martyrdom of St. Andrew. At its centre is a theophany with Christ Pantocrator (Majesty) surrounded by a Mandorla around which is a tetramorph with the symbols of the four evangelists, St Matthew the man, St Mark the lion, St Luke the ox, and John the eagle.. Eastern influences are especially evident in this magnificent altar frontal, which has an elegant palette of colours, with sophisticated soft flesh tones. The work seems most  likely to have come from the workshop of  highly skilled Greek painters,  which was installed in the vicinity of the monastery of Sant Marti Canigo and signed at least one of their works (now defunct) as Magister Alexander.
  • The Romanesque Altar Front of Baltarga<br />
<br />
Around 1200, Tempera on wood with metalic ornamention from the church of Saint Andreu (Andrew) of Baltarga, Catalonia, Spain.<br />
<br />
National Art Museum of Catalonia, Barcelona. MNAC 15804<br />
<br />
The Romanesque paintings depict scenes from the life and the martyrdom of St. Andrew. At its centre is a theophany with Christ Pantocrator (Majesty) surrounded by a Mandorla around which is a tetramorph with the symbols of the four evangelists, St Matthew the man, St Mark the lion, St Luke the ox, and John the eagle.. Eastern influences are especially evident in this magnificent altar frontal, which has an elegant palette of colours, with sophisticated soft flesh tones. The work seems most  likely to have come from the workshop of  highly skilled Greek painters,  which was installed in the vicinity of the monastery of Sant Marti Canigo and signed at least one of their works (now defunct) as Magister Alexander.
  • Altar of the Twelve Gods a Roman relief sculpture. This curious object, perhaps a Zodiacal altar, has the signs of the zodiac and busts of the twelve gods identified by their attributes. From the Borghese Collection  Inv MR 959  (or Ma 666), The Louvre Mueum, Paris.
  • Altar of the Twelve Gods a Roman relief sculpture. This curious object, perhaps a Zodiacal altar, has the signs of the zodiac and busts of the twelve gods identified by their attributes. From the Borghese Collection  Inv MR 959  (or Ma 666), The Louvre Mueum, Paris.
  • Altar of the Twelve Gods a Roman relief sculpture. This curious object, perhaps a Zodiacal altar, has the signs of the zodiac and busts of the twelve gods identified by their attributes. From the Borghese Collection  Inv MR 959  (or Ma 666), The Louvre Mueum, Paris.

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