• Summer sale now on sign
  • Summer sale now on sign
  • The Minoan ' Phaistos Disc" with minoan pictoral sign script, possibly a hymn , Phaistos Palace 17th cent BC; Heraklion Archaeological  Museum, white background.<br />
<br />
The enigmatic Phaistos disc takes pride of place in the history of Minoan script. It bears 45 pictoral signs that can be arranged into 61 groups separated by incised lines. Experts believe that the script may be of a hymn or magical in content.
  • The Minoan ' Phaistos Disc" with minoan pictoral sign script, possibly a hymn , Phaistos Palace 17th cent BC; Heraklion Archaeological  Museum, grey background.<br />
<br />
The enigmatic Phaistos disc takes pride of place in the history of Minoan script. It bears 45 pictoral signs that can be arranged into 61 groups separated by incised lines. Experts believe that the script may be of a hymn or magical in content.
  • The Minoan ' Phaistos Disc" with minoan pictoral sign script, possibly a hymn , Phaistos Palace 17th cent BC; Heraklion Archaeological  Museum, grey background.<br />
<br />
The enigmatic Phaistos disc takes pride of place in the history of Minoan script. It bears 45 pictoral signs that can be arranged into 61 groups separated by incised lines. Experts believe that the script may be of a hymn or magical in content.
  • The Minoan ' Phaistos Disc" with minoan pictoral sign script, possibly a hymn , Phaistos Palace 17th cent BC; Heraklion Archaeological  Museum, black background.<br />
<br />
The enigmatic Phaistos disc takes pride of place in the history of Minoan script. It bears 45 pictoral signs that can be arranged into 61 groups separated by incised lines. Experts believe that the script may be of a hymn or magical in content.
  • The Minoan ' Phaistos Disc" with minoan pictoral sign script, possibly a hymn , Phaistos Palace 17th cent BC; Heraklion Archaeological  Museum.<br />
<br />
The enigmatic Phaistos disc takes pride of place in the history of Minoan script. It bears 45 pictoral signs that can be arranged into 61 groups separated by incised lines. Experts believe that the script may be of a hymn or magical in content.
  • Brass Shop signs - ( Gy?r )  Gyor Hungary
  • Harbour side restauarants signs for Huitres. Honfleur, Normandy, France.
  • Classic timbered restauarant with signs. Le Champlain. Honfleur, Normandy, France.
  • Brass Shop signs - ( Gy?r )  Gyor Hungary
  • Brass Shop signs - ( Gy?r )  Gyor Hungary
  • Brass Shop signs - ( Gy?r )  Gyor Hungary
  • Harbour side restauarants signs - Fast food baguette & can of drink. Honfleur, Normandy, France.
  • Harbour side restauarants signs - L'homme de Bois. Honfleur, Normandy, France.
  • Harbour side restauarants signs - Creperie. Honfleur, Normandy, France.
  • Signs on restaurant of sailing boat. Honfleur, Normandy, France.
  • Classic timbered restauarant with signs. Le Champlain. Honfleur, Normandy, France.
  • Classic timbered restauarant with signs. Le Champlain. Honfleur, Normandy, France.
  • Falling autumn leaves against a sunset cloudy sky with a sign with Autumn sale now on. For retail discount or sales publicity.
  • Falling autumn leaves against a sunset cloudy sky with a sign with Autumn sale now on. For retail discount or sales publicity.
  • sign, notice or bill board saying Paris, Vienna, Berlin, Rome and Barcelona. European cities for travel and business information
  • Thanks, merci, gracias, danke, multi language sign
  • Falling autumn leaves against a sunset cloudy sky with a sign with Autumn sale now on. For retail discount or sales publicity.
  • Scallops being landed off a fishing boat - Honfleur France.
  • Scallops being landed off a fishing boat - Honfleur France.
  • Fisherman landing Scallops off a fishing boat - Honfleur France.
  • harbour scene with yaughts and harbour restaurants. Honfleur, Normandy, France.
  • harbour scene with yaughts and harbour restaurants. Honfleur, Normandy, France.
  • Close up of the clock face on the The Bell Tower - Saint Mark's Square  - Venice Italy
  • Close up of the clock face on the The Bell Tower - Saint Mark's Square  - Venice Italy
  • Scallops being landed off a fishing boat - Honfleur France.
  • harbour scene with yaughts and harbour restaurants. Honfleur, Normandy, France.
  • Scallops being landed off a fishing boat - Honfleur France.
  • Scallops being landed off a fishing boat - Honfleur France.
  • Close up of fishing nets - Honfleur France.
  • night harbour scene with lights of yaughts and harbour restaurants. Honfleur, Normandy, France.
  • harbour scene with yaughts. Honfleur, Normandy, France.
  • Close up of sail and mast from Seine Fishing boat -  Honfleur harbour, Normandy, France.
  • Close up of sail and mast from Seine Fishing boat -  Honfleur harbour, Normandy, France.
  • Close up of sail and mast from Seine Fishing boat -  Honfleur harbour, Normandy, France.
  • Tern sitting on the front of an old Seine Fishing boat -  Honfleur harbour, Normandy, France.
  • Close up of sail and mast from Seine Fishing boat -  Honfleur harbour, Normandy, France.
  • street scene with  restaurants. Honfleur, Normandy, France.
  • Old stone house front with pots of flowers. Honfleur, Normandy, France.
  • Le Corsaire restaurant withterrace tables set ready for lunch. Honfleur, Normandy, France.
  • Wooden Church of St Terezza - Market Square HonfleurNormandy France
  • Scallops being landed off a fishing boat - Honfleur France.
  • Scallops being landed off a fishing boat - Honfleur France.
  • Historic old Seine sailing Fishing boat -  Honfleur harbour, Normandy, France.
  • harbour side shot selling Normandy drink - Calvados. Cider -  Honfleur, Normandy, France.
  • harbour scene with yaughts and harbour restaurants. Honfleur, Normandy, France.
  • harbour scene with yaughts and harbour restaurants. Honfleur, Normandy, France.
  • harbour scene with yaughts and harbour restaurants. Honfleur, Normandy, France.
  • harbour scene with yaughts and harbour restaurants. Honfleur, Normandy, France.
  • Le Corsaire restaurant withterrace tables set ready for lunch. Honfleur, Normandy, France.
  • Le Corsaire restaurant withterrace tables set ready for lunch. Honfleur, Normandy, France.
  • harbour side shot selling Normandy drink - Calvados. Cider -  Honfleur, Normandy, France.
  • harbour side shot selling Normandy drink - Calvados. Cider -  Honfleur, Normandy, France.
  • harbour scene with yaughts and harbour restaurants. Honfleur, Normandy, France.
  • harbour scene with yaughts and harbour restaurants. Honfleur, Normandy, France.
  • harbour scene with yaughts and harbour restaurants. Honfleur, Normandy, France.
  • old sail  Fishing boats -  Honfleur harbour, Normandy, France.
  • Close up of sail and mast from Seine Fishing boat -  Honfleur harbour, Normandy, France.
  • harbour scene with yaughts and harbour restaurants. Honfleur, Normandy, France.
  • harbour scene with yaughts and harbour restaurants. Honfleur, Normandy, France.
  • harbour scene with yaughts and harbour restaurants. Honfleur, Normandy, France.
  • harbour scene with yaughts and harbour restaurants. Honfleur, Normandy, France.
  • Nigh harbour scene with yaughts and harbour restaurants. Honfleur, Normandy, France.
  • Nigh harbour scene with yaughts and harbour restaurants. Honfleur, Normandy, France.
  • Close up of the clock face on the The Bell Tower - Saint Mark's Square  - Venice Italy
  • Colour photo of Harbour side restauarant - La Bisquine . Honfleur, Normandy, France.
  • Harbour side restauarants and shops. Honfleur, Normandy, France.
  • Harbour side restauarants and shops. Honfleur, Normandy, France.
  • Harbour side restauarants and shops. Honfleur, Normandy, France.
  • Harbour side restauarants and shops. Honfleur, Normandy, France.
  • Harbour side Creperie and shops. Honfleur, Normandy, France.
  • Harbour side Creperie and shops. Honfleur, Normandy, France.
  • Scallops being landed off a fishing boat - Honfleur France.
  • Scallops being landed off a fishing boat - Honfleur France.
  • night scene of Market Place and restaurants. Honfleur, Normandy, France.
  • Close up of sail and mast from Seine Fishing boat -  Honfleur harbour, Normandy, France.
  • Wooden Church of St Terezza - Market Square HonfleurNormandy France
  • old sail  Fishing boats -  Honfleur harbour, Normandy, France.
  • harbour scene with yaughts and harbour restaurants. Honfleur, Normandy, France.
  • old Capstan with harbour scene with yaughts and harbour restaurants. Honfleur, Normandy, France.
  • harbour scene with yaughts and harbour restaurants. Honfleur, Normandy, France.
  • Close up of the clock face on the The Bell Tower - Saint Mark's Square  - Venice Italy
  • Close up of the clock face on the The Bell Tower - Saint Mark's Square  - Venice Italy
  • Harbour side restauarants and shops. Honfleur, Normandy, France.
  • Harbour side restauarants and shops. Honfleur, Normandy, France.
  • New Summer clothes collection
  • Goodbye Adios Auf Wiedersehen Au Revoir
  • New Summer clothes collection
  • Topless young Women from behing wearing a pair of boxer pants with the Union Jack on it. Attached to it is a ticket with the words Sale
  • Close up of young women wearing pink  pants with a  ticket with the word sale on it.
  • Close up of young women from behind lifting her mini skirt to scratch ber bare bottom. There is a  ticket attached to the skirt with the word Sale on it.
  • Close up of young women from behind lifting her mini skirt to scratch ber bare bottom. There is a  ticket attached to the skirt with the word Sale on it.
  • Close up of a  card with the words sale on it in the back pocket of blue jeans being worn by a women showing her bare waiste.
  • Close up of Sale  etched into the leather swatch on a pair of blue jeans being worn by a women showing her bare waiste
  • Close up of a  card with the words sale on it in the back pocket of blue jeans being worn by a women showing her bare waiste.
  • Close up of young women wearing a dress with a  ticket tucked into its pocket with the word sale on it
  • Close up of young women from behind lifting her mini skirt to scratch ber bare bottom. There is a  ticket attached to the skirt with the word Sale on it.
  • Close up of a  ticket tucked into a bra top being worn by a young women, with the words Sale on it
  • Close up of a ticketwith the words sale on it attached to a black bikini being worn by a women
  • Close up of  card with the words Sale on it in the back pocket of blue jeans being worn by a women showing her bare waiste. For over printing Sale, discount or business name.
  • Close up of Sale  etched into the leather swatch on a pair of blue jeans being worn by a women showing her bare waiste
  • Liliova Street sign Prague - Czech Republic
  • Herbaria Street Sign - ( Gy?r )  Gyor Hungary
  • Unicorn shop sign  , Eisenstadt (Kismarton), Austria
  • Street Sign - ( Gy?r )  Gyor Hungary
  • The Golden Ship Sign created by Bandi Schima 1938 - ( Gy?r )  Gyor Hungary
  • Restaurant Sign in the snow. Beaune. France
  • Paris - France - Metro Sign On Champs Eleysee
  • Paris - France - Metro Sign On Champs Eleysee
  • Paris - France - sMetro Sign - Champs  Eleysee
  • Camden lock - London. Sign on Bridge
  • Camden lock - London. Sign on Bridge
  • Camden lock - London. Sign on building
  • Matroz street Sign - ( Gy?r )  Gyor Hungary
  • The Golden Ship Sign created by Bandi Schima 1938 - ( Gy?r )  Gyor Hungary
  • The Golden Ship Sign created by Bandi Schima 1938 - ( Gy?r )  Gyor Hungary
  • Camden lock - London. Sign on Bridge
  • Puppet Theatre sign - Prague - Czech Republic
  • Traditional Carp fish shop sign - Prague - Czech Republic
  • Autumn Sign
  • Camden lock - London. Shoes sculptures
  • - ( Gy?r )  Gyor Hungary
  • Camden lock - London. Orange Juice stall
  • Camden lock - London. Manakin Heads
  • Camden lock - London. Airoplane sculpture
  • Camden lock - London. Painted Shop
  • Camden lock - London.
  • Camden lock - London. Goth and Punk Clothes
  • Camden lock - London. Goth and Punk Clothes
  • Camden lock - London. Cat Sculpture
  • Camden lock - London. Cat Sculpture
  • Camden lock - London. Cat Sculpture
  • Camden lock - London. Shoes sculptures
  • Camden lock - London. Shoes sculptures
  • Camden lock - London.
  • Camden lock - London. Tattoo
  • Camden lock - London. Tattoo
  • Camden lock - London. Tattoo
  • Camden lock - London. Tattoo
  • Camden lock - London. Shoes sculptures
  • Camden lock - London. Shoes sculptures
  • Camden lock - London. Shoes sculptures
  • Camden lock - London. Shoes sculptures
  • Camden lock - London. Shoes sculptures
  • Camden lock - London. Indian food
  • Camden lock - London. Mexican and Vietmese food
  • Camden lock - London. Sweetcorn stall
  • Camden lock - London. Tattoo
  • Camden lock - London. Tattoo
  • Close up of leather swatch on a pair of blue jeans being worn by a women showing her bare waiste. For overlaying Sale, discount or business name.
  • Camden lock - London. Airoplane sculpture
  • Camden lock - London. Painted Shop
  • Camden lock - London. Goth and Punk Clothes
  • Camden lock - London.
  • Camden lock - London. Tattoo
  • Camden lock - London. Body Piercing
  • Camden lock - London. Body Piercing
  • Camden lock - London. Shoes sculptures
  • Ancient Egyptian stele dedicated to Meretsesger, limestone, New Kingdom, 19th Dynasty, (1279-1213 BC), Deir el-Medina, Egyptian Museum, Turin. black background.<br />
<br />
The stele is divided into 3 registers. In the top section 2 wedjat eyes with shen sign above 3 zigzag lines indicating water are depicted. The second, largest register, is divided into 12 horizontal strips. Each is occupied by a coloured snake facing to the right.In the bottom register 3 columns of hieroglyphic text worship the goddess Meretseger: "life, strength and health to the ka and the lady of the house Wab, the justified." To the right of the text the deceased woman is kneeling with her hands raised in adoration. She  wears a white robe. A lotus flower is placed on top of her wig. Behind her head there are 4 hieroglyphic signs that form the phrase "at peace". To the right of the scene there is an offering table with a vessel flanked by a bunch of lotus flowers. Below the table there are 2 vessels on pedestals.
  • Ancient Egyptian stele dedicated to Meretsesger, limestone, New Kingdom, 19th Dynasty, (1279-1213 BC), Deir el-Medina, Egyptian Museum, Turin. Grey background.<br />
<br />
The stele is divided into 3 registers. In the top section 2 wedjat eyes with shen sign above 3 zigzag lines indicating water are depicted. The second, largest register, is divided into 12 horizontal strips. Each is occupied by a coloured snake facing to the right.In the bottom register 3 columns of hieroglyphic text worship the goddess Meretseger: "life, strength and health to the ka and the lady of the house Wab, the justified." To the right of the text the deceased woman is kneeling with her hands raised in adoration. She  wears a white robe. A lotus flower is placed on top of her wig. Behind her head there are 4 hieroglyphic signs that form the phrase "at peace". To the right of the scene there is an offering table with a vessel flanked by a bunch of lotus flowers. Below the table there are 2 vessels on pedestals.
  • Ancient Egyptian stele dedicated to Meretsesger, limestone, New Kingdom, 19th Dynasty, (1279-1213 BC), Deir el-Medina, Egyptian Museum, Turin. Grey background.<br />
<br />
The stele is divided into 3 registers. In the top section 2 wedjat eyes with shen sign above 3 zigzag lines indicating water are depicted. The second, largest register, is divided into 12 horizontal strips. Each is occupied by a coloured snake facing to the right.In the bottom register 3 columns of hieroglyphic text worship the goddess Meretseger: "life, strength and health to the ka and the lady of the house Wab, the justified." To the right of the text the deceased woman is kneeling with her hands raised in adoration. She  wears a white robe. A lotus flower is placed on top of her wig. Behind her head there are 4 hieroglyphic signs that form the phrase "at peace". To the right of the scene there is an offering table with a vessel flanked by a bunch of lotus flowers. Below the table there are 2 vessels on pedestals.
  • Ancient Egyptian stele dedicated to Meretsesger, limestone, New Kingdom, 19th Dynasty, (1279-1213 BC), Deir el-Medina, Egyptian Museum, Turin. white background.<br />
<br />
The stele is divided into 3 registers. In the top section 2 wedjat eyes with shen sign above 3 zigzag lines indicating water are depicted. The second, largest register, is divided into 12 horizontal strips. Each is occupied by a coloured snake facing to the right.In the bottom register 3 columns of hieroglyphic text worship the goddess Meretseger: "life, strength and health to the ka and the lady of the house Wab, the justified." To the right of the text the deceased woman is kneeling with her hands raised in adoration. She  wears a white robe. A lotus flower is placed on top of her wig. Behind her head there are 4 hieroglyphic signs that form the phrase "at peace". To the right of the scene there is an offering table with a vessel flanked by a bunch of lotus flowers. Below the table there are 2 vessels on pedestals.
  • Ancient Egyptian stele dedicated to Meretsesger, limestone, New Kingdom, 19th Dynasty, (1279-1213 BC), Deir el-Medina, Egyptian Museum, Turin. <br />
<br />
The stele is divided into 3 registers. In the top section 2 wedjat eyes with shen sign above 3 zigzag lines indicating water are depicted. The second, largest register, is divided into 12 horizontal strips. Each is occupied by a coloured snake facing to the right.In the bottom register 3 columns of hieroglyphic text worship the goddess Meretseger: "life, strength and health to the ka and the lady of the house Wab, the justified." To the right of the text the deceased woman is kneeling with her hands raised in adoration. She  wears a white robe. A lotus flower is placed on top of her wig. Behind her head there are 4 hieroglyphic signs that form the phrase "at peace". To the right of the scene there is an offering table with a vessel flanked by a bunch of lotus flowers. Below the table there are 2 vessels on pedestals.
  • Late medieval relief sculpture depicting the labours for January and Feburary and astrological signs on the Facade of the Cattedrale di San Martino,  Duomo of Lucca, Tunscany, Italy,
  • Late medieval relief sculpture depicting the labours for December and November and astrological signs on the Facade of the Cattedrale di San Martino,  Duomo of Lucca, Tunscany, Italy,
  • Late medieval relief sculpture depicting the labours for March and April and astrological signs on the Facade of the Cattedrale di San Martino,  Duomo of Lucca, Tunscany, Italy,
  • Late medieval relief sculpture depicting the labours for December with an animal being killed and astrological signs on the Facade of the Cattedrale di San Martino,  Duomo of Lucca, Tunscany, Italy,
  • Altar of the Twelve Gods a Roman relief sculpture. This curious object, perhaps a Zodiacal altar, has the signs of the zodiac and busts of the twelve gods identified by their attributes. From the Borghese Collection  Inv MR 959  (or Ma 666), The Louvre Mueum, Paris.
  • Altar of the Twelve Gods a Roman relief sculpture. This curious object, perhaps a Zodiacal altar, has the signs of the zodiac and busts of the twelve gods identified by their attributes. From the Borghese Collection  Inv MR 959  (or Ma 666), The Louvre Mueum, Paris.
  • Autumn Sale now on
  • Autumn discount
  • Late medieval relief sculpture depicting the labours for June and May and astrological signs on the Facade of the Cattedrale di San Martino,  Duomo of Lucca, Tunscany, Italy,
  • Late medieval relief sculpture depicting the labours for August and July and astrological signs on the Facade of the Cattedrale di San Martino,  Duomo of Lucca, Tunscany, Italy,
  • Late medieval relief sculpture depicting the labours for October and september and astrological signs on the Facade of the Cattedrale di San Martino,  Duomo of Lucca, Tunscany, Italy,
  • Altar of the Twelve Gods a Roman relief sculpture. This curious object, perhaps a Zodiacal altar, has the signs of the zodiac and busts of the twelve gods identified by their attributes. From the Borghese Collection  Inv MR 959  (or Ma 666), The Louvre Mueum, Paris.
  • Altar of the Twelve Gods a Roman relief sculpture. This curious object, perhaps a Zodiacal altar, has the signs of the zodiac and busts of the twelve gods identified by their attributes. From the Borghese Collection  Inv MR 959  (or Ma 666), The Louvre Mueum, Paris.
  • Altar of the Twelve Gods a Roman relief sculpture. This curious object, perhaps a Zodiacal altar, has the signs of the zodiac and busts of the twelve gods identified by their attributes. From the Borghese Collection  Inv MR 959  (or Ma 666), The Louvre Mueum, Paris.
  • Altar of the Twelve Gods a Roman relief sculpture. This curious object, perhaps a Zodiacal altar, has the signs of the zodiac and busts of the twelve gods identified by their attributes. From the Borghese Collection  Inv MR 959  (or Ma 666), The Louvre Mueum, Paris.
  • Altar of the Twelve Gods a Roman relief sculpture. This curious object, perhaps a Zodiacal altar, has the signs of the zodiac and busts of the twelve gods identified by their attributes. From the Borghese Collection  Inv MR 959  (or Ma 666), The Louvre Mueum, Paris.
  • Altar of the Twelve Gods a Roman relief sculpture. This curious object, perhaps a Zodiacal altar, has the signs of the zodiac and busts of the twelve gods identified by their attributes. From the Borghese Collection  Inv MR 959  (or Ma 666), The Louvre Mueum, Paris.
  • Autumn Sale
  • Autumn Sale
  • Autumn discount
  • Autumn discount
  • Ancient Egyptian Sphinx statue, sandstone, New Kingdom, early 19th Dynasty (1292-1250), Karnak, Temple of Amon. Egyptian Museum, Turin. Grey background<br />
<br />
This sphinx statue show signs of remodelling. the accentuated curves of the eyebrows, the almond shaped eyes and the wide mouth with fleshy lips are still influenced by the late 18th Dynasty style. The long aquiline nose however is typical of Ramesside. The lappets of the nemes headdress and the beard show clear traces of unfinished re-carving. Drovetti Collection. C1409
  • Ancient Egyptian Sphinx statue, sandstone, New Kingdom, early 19th Dynasty (1292-1250), Karnak, Temple of Amon. Egyptian Museum, Turin. <br />
<br />
This sphinx statue show signs of remodelling. the accentuated curves of the eyebrows, the almond shaped eyes and the wide mouth with fleshy lips are still influenced by the late 18th Dynasty style. The long aquiline nose however is typical of Ramesside. The lappets of the nemes headdress and the beard show clear traces of unfinished re-carving. Drovetti Collection. C1409
  • Hittite relief sculpted stone panel. Lion. Aslantepe Gate Limestone, Aslantepe, Malatya, 1200-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
The lion on the left of the two lions at the gate of the palace. His head and his front part were processed as high embossing and his body as regular embossing. The signs behind the lion and over his tail read; "Halposulupis, Mighty (?) King".<br />
<br />
Against a brown art background.
  • Hittite relief sculpted stone panel. Lion. Aslantepe Gate Limestone, Aslantepe, Malatya, 1200-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
The lion on the left of the two lions at the gate of the palace. His head and his front part were processed as high embossing and his body as regular embossing. The signs behind the lion and over his tail read; "Halposulupis, Mighty (?) King".<br />
<br />
Against a white background.
  • Hittite relief sculpted stone panel. Lion. Aslantepe Gate Limestone, Aslantepe, Malatya, 1200-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
The lion on the left of the two lions at the gate of the palace. His head and his front part were processed as high embossing and his body as regular embossing. The signs behind the lion and over his tail read; "Halposulupis, Mighty (?) King".<br />
<br />
Against a black background.
  • Hittite relief sculpted stone panel. Lion. Aslantepe Gate Limestone, Aslantepe, Malatya, 1200-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
The lion on the left of the two lions at the gate of the palace. His head and his front part were processed as high embossing and his body as regular embossing. The signs behind the lion and over his tail read; "Halposulupis, Mighty (?) King".<br />
<br />
Against a gray background.
  • Hittite relief sculpted stone panel. Lion. Aslantepe Gate Limestone, Aslantepe, Malatya, 1200-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
The lion on the left of the two lions at the gate of the palace. His head and his front part were processed as high embossing and his body as regular embossing. The signs behind the lion and over his tail read; "Halposulupis, Mighty (?) King".<br />
<br />
Against a brown art background.
  • Hittite relief sculpted stone panel. Lion. Aslantepe Gate Limestone, Aslantepe, Malatya, 1200-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
The lion on the left of the two lions at the gate of the palace. His head and his front part were processed as high embossing and his body as regular embossing. The signs behind the lion and over his tail read; "Halposulupis, Mighty (?) King".<br />
<br />
Against a grey art background.
  • 13th century Romanesque decorative marble archivolt of the main portal with decorative marble relief sculptures of the signs of the Zodiac and the work of the seasons on the 8th century Romanesque Basilica church of St Peters, Tuscania, Lazio, Italy
  • 13th century Romanesque decorative marble archivolt of the main portal with decorative marble relief sculptures of the signs of the Zodiac and the work of the seasons on the 8th century Romanesque Basilica church of St Peters, Tuscania, Lazio, Italy
  • 13th century Romanesque decorative marble archivolt of the main portal with decorative marble relief sculptures of the signs of the Zodiac and the work of the seasons on the 8th century Romanesque Basilica church of St Peters, Tuscania, Lazio, Italy
  • 13th century Romanesque decorative marble archivolt of the main portal with decorative marble relief sculptures of the signs of the Zodiac and the work of the seasons on the 8th century Romanesque Basilica church of St Peters, Tuscania, Lazio, Italy
  • 13th century Romanesque decorative marble archivolt of the main portal with decorative marble relief sculptures of the signs of the Zodiac and the work of the seasons on the 8th century Romanesque Basilica church of St Peters, Tuscania, Lazio, Italy
  • 13th century Romanesque decorative marble archivolt of the main portal with decorative marble relief sculptures of the signs of the Zodiac and the work of the seasons on the 8th century Romanesque Basilica church of St Peters, Tuscania, Lazio, Italy
  • Altar of the Twelve Gods a Roman relief sculpture. This curious object, perhaps a Zodiacal altar, has the signs of the zodiac and busts of the twelve gods identified by their attributes. From the Borghese Collection  Inv MR 959  (or Ma 666), The Louvre Mueum, Paris.
  • West Facade, Left Portal archivolts c. 1145. Cathedral of Chartres, France. Gothic sculpture of the archivolts on which are the Signs of the Zodiac, this one is Scorpio the crab . See Fassler, pp 507-10.. A UNESCO World Heritage Site.
  • West Facade, Left Portal archivolts c. 1145. Cathedral of Chartres, France. Gothic statues of the archivolts on which are the Signs of the Zodiac and the Labors of the Months. See Fassler, pp 507-10.. A UNESCO World Heritage Site. .
  • West Facade, Left Portal archivolts c. 1145. Cathedral of Chartres, France. Gothic statues of the archivolts on which are the Signs of the Zodiac and the Labors of the Months. See Fassler, pp 507-10.. A UNESCO World Heritage Site. .
  • West Facade, right Royal Portal - General View of Tympanum c. 1145. Cathedral of Chartres, France . Tympanum - Virgin and Child enthroned, flanked by angels..Upper Lintel - the Presentation at the Temple.Lower Lintel - Nativity Scenes (The Annunciation to the Virgin, the Visitation, the Nativity, Annunciation to the Shepherds).Inner archivolt - angels..Outer archivolts - Liberal Arts and their associated scribes. (See discussion in Katzenellenbogen, pp. 15-21 and in Kidson, pp. 20-1). On the bottom left are the Zodiac signs of Pisces and Gemini . A UNESCO World Heritage Site. .
  • West Facade, right Royal Portal - General View of Tympanum c. 1145. Cathedral of Chartres, France . Tympanum - Virgin and Child enthroned, flanked by angels..Upper Lintel - the Presentation at the Temple.Lower Lintel - Nativity Scenes (The Annunciation to the Virgin, the Visitation, the Nativity, Annunciation to the Shepherds).Inner archivolt - angels..Outer archivolts - Liberal Arts and their associated scribes. (See discussion in Katzenellenbogen, pp. 15-21 and in Kidson, pp. 20-1). On the bottom left are the Zodiac signs of Pisces and Gemini . A UNESCO World Heritage Site. .
  • West Facade, Left Portal - General View of Tympanum c. 1145. Cathedral of Chartres, France . The tympanum of the left door shows the Ascension or the Second Coming. Christ (crossed halo) stands on a cloud, supported by two angels. Below are four angels (descending from the clouds?) Some of them have their mouths open (singing?). On the lintel below are ten seated men holding books or scrolls and looking upward (apostles?). On the archivolts are the Signs of the Zodiac and the Labors of the Months.. A UNESCO World Heritage Site.
  • West Facade, Left Portal - General View of Tympanum c. 1145. Cathedral of Chartres, France . The tympanum of the left door shows the Ascension or the Second Coming. Christ (crossed halo) stands on a cloud, supported by two angels. Below are four angels (descending from the clouds?) Some of them have their mouths open (singing?). On the lintel below are ten seated men holding books or scrolls and looking upward (apostles?). On the archivolts are the Signs of the Zodiac and the Labors of the Months.. A UNESCO World Heritage Site.
  • Medieval stained glass Window of the Gothic Cathedral of Chartres, France - dedicated to the Life of St Remigius (Remy). Left window - Labours of the Months / Signs of the Zodiac, right window -Life of the Virgin . A UNESCO World Heritage Site..
  • Medieval Windows of the Gothic Cathedral of Chartres, France, dedicated to the signs of the Zodiac and the monthly labours.  From bottom left - Wine growers, Bell ringers ( centre bottom) Count Thibault VI on his horse. Above centre is January, the Roman god of Janus  or Aquarius, above left  - February, a man keeping warm in font of a fire, right - two fish representing Pisces. Above left March - A Man pruning the vines and right Aries. Centre panel above - May / Gemini. Above left  is April and top right is Taurus. A UNESCO World Heritage Site.
  • Ancient Egyptian Sphinx statue, sandstone, New Kingdom, early 19th Dynasty (1292-1250), Karnak, Temple of Amon. Egyptian Museum, Turin. white background<br />
<br />
This sphinx statue show signs of remodelling. the accentuated curves of the eyebrows, the almond shaped eyes and the wide mouth with fleshy lips are still influenced by the late 18th Dynasty style. The long aquiline nose however is typical of Ramesside. The lappets of the nemes headdress and the beard show clear traces of unfinished re-carving. Drovetti Collection. C1409
  • Ancient Egyptian Sphinx statue, sandstone, New Kingdom, early 19th Dynasty (1292-1250), Karnak, Temple of Amon. Egyptian Museum, Turin. black background<br />
<br />
This sphinx statue show signs of remodelling. the accentuated curves of the eyebrows, the almond shaped eyes and the wide mouth with fleshy lips are still influenced by the late 18th Dynasty style. The long aquiline nose however is typical of Ramesside. The lappets of the nemes headdress and the beard show clear traces of unfinished re-carving. Drovetti Collection. C1409
  • Ancient Egyptian Sphinx statue, sandstone, New Kingdom, early 19th Dynasty (1292-1250), Karnak, Temple of Amon. Egyptian Museum, Turin. Grey background<br />
<br />
This sphinx statue show signs of remodelling. the accentuated curves of the eyebrows, the almond shaped eyes and the wide mouth with fleshy lips are still influenced by the late 18th Dynasty style. The long aquiline nose however is typical of Ramesside. The lappets of the nemes headdress and the beard show clear traces of unfinished re-carving. Drovetti Collection. C1409
  • Hittite relief sculpted stone panel. Lion. Aslantepe Gate Limestone, Aslantepe, Malatya, 1200-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
The lion on the left of the two lions at the gate of the palace. His head and his front part were processed as high embossing and his body as regular embossing. The signs behind the lion and over his tail read; "Halposulupis, Mighty (?) King".<br />
<br />
Against a grey art background.
  • Hittite relief sculpted stone panel. Lion. Aslantepe Gate Limestone, Aslantepe, Malatya, 1200-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
The lion on the left of the two lions at the gate of the palace. His head and his front part were processed as high embossing and his body as regular embossing. The signs behind the lion and over his tail read; "Halposulupis, Mighty (?) King".<br />
<br />
Against a black background.
  • Hittite relief sculpted stone panel. Lion. Aslantepe Gate Limestone, Aslantepe, Malatya, 1200-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
The lion on the left of the two lions at the gate of the palace. His head and his front part were processed as high embossing and his body as regular embossing. The signs behind the lion and over his tail read; "Halposulupis, Mighty (?) King".<br />
<br />
Against a white background.
  • 13th century Romanesque inlaid mosaics and decorative marble archivolt of the main portal with decorative marble relief sculptures of the signs of the Zodiac and the work of the seasons on the 8th century Romanesque Basilica church of St Peters, Tuscania, Lazio, Italy
  • Altar of the Twelve Gods a Roman relief sculpture. This curious object, perhaps a Zodiacal altar, has the signs of the zodiac and busts of the twelve gods identified by their attributes. From the Borghese Collection  Inv MR 959  (or Ma 666), The Louvre Mueum, Paris.
  • West Facade, right Royal Portal - General View of Tympanum c. 1145. Cathedral of Chartres, France . Tympanum - Virgin and Child enthroned, flanked by angels..Upper Lintel - the Presentation at the Temple.Lower Lintel - Nativity Scenes (The Annunciation to the Virgin, the Visitation, the Nativity, Annunciation to the Shepherds).Inner archivolt - angels..Outer archivolts - Liberal Arts and their associated scribes. (See discussion in Katzenellenbogen, pp. 15-21 and in Kidson, pp. 20-1). On the bottom left are the Zodiac signs of Pisces and Gemini . A UNESCO World Heritage Site. .
  • West Facade, right Royal Portal - General View of Tympanum c. 1145. Cathedral of Chartres, France . Tympanum - Virgin and Child enthroned, flanked by angels..Upper Lintel - the Presentation at the Temple.Lower Lintel - Nativity Scenes (The Annunciation to the Virgin, the Visitation, the Nativity, Annunciation to the Shepherds).Inner archivolt - angels..Outer archivolts - Liberal Arts and their associated scribes. (See discussion in Katzenellenbogen, pp. 15-21 and in Kidson, pp. 20-1). On the bottom left are the Zodiac signs of Pisces and Gemini . A UNESCO World Heritage Site. .
  • West Facade, Left Portal - General View of Tympanum c. 1145. Cathedral of Chartres, France . The tympanum of the left door shows the Ascension or the Second Coming. Christ (crossed halo) stands on a cloud, supported by two angels. Below are four angels (descending from the clouds?) Some of them have their mouths open (singing?). On the lintel below are ten seated men holding books or scrolls and looking upward (apostles?). On the archivolts are the Signs of the Zodiac and the Labors of the Months.. A UNESCO World Heritage Site.
  • West Facade, Left Portal - General View of Tympanum c. 1145. Cathedral of Chartres, France . The tympanum of the left door shows the Ascension or the Second Coming. Christ (crossed halo) stands on a cloud, supported by two angels. Below are four angels (descending from the clouds?) Some of them have their mouths open (singing?). On the lintel below are ten seated men holding books or scrolls and looking upward (apostles?). On the archivolts are the Signs of the Zodiac and the Labors of the Months.. A UNESCO World Heritage Site.
  • Medieval Windows of the Gothic Cathedral of Chartres, France, dedicated to the signs of the Zodiac and the monthly labours.  From bottom left - Wine growers, Bell ringers ( centre bottom) Count Thibault VI on his horse. Above centre is January, the Roman god of Janus  or Aquarius, above left  - February, a man keeping warm in font of a fire, right - two fish representing Pisces. Above left March - A Man pruning the vines and right Aries. Centre panel above - May / Gemini. Above left  is April and top right is Taurus. A UNESCO World Heritage Site.
  • Ancient Egyptian statue of Tuthmosis II, granodorite, New Kingdom, 18th Dynasty, (1479-1425 BC), Karnak, Temple of Amun. Egyptian Museum, Turin. Grey background.<br />
<br />
Tuthmosis II is shown wearing Royal regalia including the shendyt kilt, the nemes headdress and the uraeus cobra on his forehead. Between his legs in a bulls tail, the symbol of power. On the sides of the throne is the sema-tawy, a sign composed of a lotus and papyrus, the symbols od Upper and Lower Egypt. Under the feet of the king are the Nine Bows, the enemies of Egypt. Together these symbolise that the pharaoh keeps the two halves of Egypt together and protects them against her enemies. Drovetti Collection. C 1376
  • Ancient Egyptian statue of Tuthmosis II, granodorite, New Kingdom, 18th Dynasty, (1479-1425 BC), Karnak, Temple of Amun. Egyptian Museum, Turin. black background.<br />
<br />
Tuthmosis II is shown wearing Royal regalia including the shendyt kilt, the nemes headdress and the uraeus cobra on his forehead. Between his legs in a bulls tail, the symbol of power. On the sides of the throne is the sema-tawy, a sign composed of a lotus and papyrus, the symbols od Upper and Lower Egypt. Under the feet of the king are the Nine Bows, the enemies of Egypt. Together these symbolise that the pharaoh keeps the two halves of Egypt together and protects them against her enemies. Drovetti Collection. C 1376
  • Ancient Egyptian statue of Tuthmosis II, granodorite, New Kingdom, 18th Dynasty, (1479-1425 BC), Karnak, Temple of Amun. Egyptian Museum, Turin. Grey background.<br />
<br />
Tuthmosis II is shown wearing Royal regalia including the shendyt kilt, the nemes headdress and the uraeus cobra on his forehead. Between his legs in a bulls tail, the symbol of power. On the sides of the throne is the sema-tawy, a sign composed of a lotus and papyrus, the symbols od Upper and Lower Egypt. Under the feet of the king are the Nine Bows, the enemies of Egypt. Together these symbolise that the pharaoh keeps the two halves of Egypt together and protects them against her enemies. Drovetti Collection. C 1376
  • Grindelwald station sign - Swiss Alps
  • Robin Hoods Bay , North Yorkshire - Cleveland Way SPath Sign.
  • 2 halves of Pyramid Chevre cheese with "pur Chevre" sign
  • Ancient Egyptian statue of Tuthmosis II, granodorite, New Kingdom, 18th Dynasty, (1479-1425 BC), Karnak, Temple of Amun. Egyptian Museum, Turin. white background<br />
<br />
Tuthmosis II is shown wearing Royal regalia including the shendyt kilt, the nemes headdress and the uraeus cobra on his forehead. Between his legs in a bulls tail, the symbol of power. On the sides of the throne is the sema-tawy, a sign composed of a lotus and papyrus, the symbols od Upper and Lower Egypt. Under the feet of the king are the Nine Bows, the enemies of Egypt. Together these symbolise that the pharaoh keeps the two halves of Egypt together and protects them against her enemies. Drovetti Collection. C 1376
  • Ancient Egyptian statue of Tuthmosis II, granodorite, New Kingdom, 18th Dynasty, (1479-1425 BC), Karnak, Temple of Amun. Egyptian Museum, Turin. black background.<br />
<br />
Tuthmosis II is shown wearing Royal regalia including the shendyt kilt, the nemes headdress and the uraeus cobra on his forehead. Between his legs in a bulls tail, the symbol of power. On the sides of the throne is the sema-tawy, a sign composed of a lotus and papyrus, the symbols od Upper and Lower Egypt. Under the feet of the king are the Nine Bows, the enemies of Egypt. Together these symbolise that the pharaoh keeps the two halves of Egypt together and protects them against her enemies. Drovetti Collection. C 1376
  • Ancient Egyptian statue of Tuthmosis II, granodorite, New Kingdom, 18th Dynasty, (1479-1425 BC), Karnak, Temple of Amun. Egyptian Museum, Turin. Grey background.<br />
<br />
Tuthmosis II is shown wearing Royal regalia including the shendyt kilt, the nemes headdress and the uraeus cobra on his forehead. Between his legs in a bulls tail, the symbol of power. On the sides of the throne is the sema-tawy, a sign composed of a lotus and papyrus, the symbols od Upper and Lower Egypt. Under the feet of the king are the Nine Bows, the enemies of Egypt. Together these symbolise that the pharaoh keeps the two halves of Egypt together and protects them against her enemies. Drovetti Collection. C 1376
  • Ancient Egyptian statue of Tuthmosis II, granodorite, New Kingdom, 18th Dynasty, (1479-1425 BC), Karnak, Temple of Amun. Egyptian Museum, Turin. Grey background.<br />
<br />
Tuthmosis II is shown wearing Royal regalia including the shendyt kilt, the nemes headdress and the uraeus cobra on his forehead. Between his legs in a bulls tail, the symbol of power. On the sides of the throne is the sema-tawy, a sign composed of a lotus and papyrus, the symbols od Upper and Lower Egypt. Under the feet of the king are the Nine Bows, the enemies of Egypt. Together these symbolise that the pharaoh keeps the two halves of Egypt together and protects them against her enemies. Drovetti Collection. C 1376
  • Ancient Egyptian statue of Tuthmosis II, granodorite, New Kingdom, 18th Dynasty, (1479-1425 BC), Karnak, Temple of Amun. Egyptian Museum, Turin. white background<br />
<br />
Tuthmosis II is shown wearing Royal regalia including the shendyt kilt, the nemes headdress and the uraeus cobra on his forehead. Between his legs in a bulls tail, the symbol of power. On the sides of the throne is the sema-tawy, a sign composed of a lotus and papyrus, the symbols od Upper and Lower Egypt. Under the feet of the king are the Nine Bows, the enemies of Egypt. Together these symbolise that the pharaoh keeps the two halves of Egypt together and protects them against her enemies. Drovetti Collection. C 1376
  • Ancient Egyptian statue of Tuthmosis II, granodorite, New Kingdom, 18th Dynasty, (1479-1425 BC), Karnak, Temple of Amun. Egyptian Museum, Turin. Grey background.<br />
<br />
Tuthmosis II is shown wearing Royal regalia including the shendyt kilt, the nemes headdress and the uraeus cobra on his forehead. Between his legs in a bulls tail, the symbol of power. On the sides of the throne is the sema-tawy, a sign composed of a lotus and papyrus, the symbols od Upper and Lower Egypt. Under the feet of the king are the Nine Bows, the enemies of Egypt. Together these symbolise that the pharaoh keeps the two halves of Egypt together and protects them against her enemies. Drovetti Collection. C 1376
  • Ancient Egyptian statue of Tuthmosis II, granodorite, New Kingdom, 18th Dynasty, (1479-1425 BC), Karnak, Temple of Amun. Egyptian Museum, Turin. Grey background.<br />
<br />
Tuthmosis II is shown wearing Royal regalia including the shendyt kilt, the nemes headdress and the uraeus cobra on his forehead. Between his legs in a bulls tail, the symbol of power. On the sides of the throne is the sema-tawy, a sign composed of a lotus and papyrus, the symbols od Upper and Lower Egypt. Under the feet of the king are the Nine Bows, the enemies of Egypt. Together these symbolise that the pharaoh keeps the two halves of Egypt together and protects them against her enemies. Drovetti Collection. C 1376
  • Ancient Egyptian statue of Tuthmosis II, granodorite, New Kingdom, 18th Dynasty, (1479-1425 BC), Karnak, Temple of Amun. Egyptian Museum, Turin. Grey background.<br />
<br />
Tuthmosis II is shown wearing Royal regalia including the shendyt kilt, the nemes headdress and the uraeus cobra on his forehead. Between his legs in a bulls tail, the symbol of power. On the sides of the throne is the sema-tawy, a sign composed of a lotus and papyrus, the symbols od Upper and Lower Egypt. Under the feet of the king are the Nine Bows, the enemies of Egypt. Together these symbolise that the pharaoh keeps the two halves of Egypt together and protects them against her enemies. Drovetti Collection. C 1376
  • Ancient Egyptian statue of Tuthmosis II, granodorite, New Kingdom, 18th Dynasty, (1479-1425 BC), Karnak, Temple of Amun. Egyptian Museum, Turin. white background<br />
<br />
Tuthmosis II is shown wearing Royal regalia including the shendyt kilt, the nemes headdress and the uraeus cobra on his forehead. Between his legs in a bulls tail, the symbol of power. On the sides of the throne is the sema-tawy, a sign composed of a lotus and papyrus, the symbols od Upper and Lower Egypt. Under the feet of the king are the Nine Bows, the enemies of Egypt. Together these symbolise that the pharaoh keeps the two halves of Egypt together and protects them against her enemies. Drovetti Collection. C 1376
  • Ancient Egyptian statue of Tuthmosis II, granodorite, New Kingdom, 18th Dynasty, (1479-1425 BC), Karnak, Temple of Amun. Egyptian Museum, Turin. black background.<br />
<br />
Tuthmosis II is shown wearing Royal regalia including the shendyt kilt, the nemes headdress and the uraeus cobra on his forehead. Between his legs in a bulls tail, the symbol of power. On the sides of the throne is the sema-tawy, a sign composed of a lotus and papyrus, the symbols od Upper and Lower Egypt. Under the feet of the king are the Nine Bows, the enemies of Egypt. Together these symbolise that the pharaoh keeps the two halves of Egypt together and protects them against her enemies. Drovetti Collection. C 1376
  • Ancient Egyptian statue of Tuthmosis II, granodorite, New Kingdom, 18th Dynasty, (1479-1425 BC), Karnak, Temple of Amun. Egyptian Museum, Turin. Grey background.<br />
<br />
Tuthmosis II is shown wearing Royal regalia including the shendyt kilt, the nemes headdress and the uraeus cobra on his forehead. Between his legs in a bulls tail, the symbol of power. On the sides of the throne is the sema-tawy, a sign composed of a lotus and papyrus, the symbols od Upper and Lower Egypt. Under the feet of the king are the Nine Bows, the enemies of Egypt. Together these symbolise that the pharaoh keeps the two halves of Egypt together and protects them against her enemies. Drovetti Collection. C 1376
  • Ancient Egyptian statue of Tuthmosis II, granodorite, New Kingdom, 18th Dynasty, (1479-1425 BC), Karnak, Temple of Amun. Egyptian Museum, Turin. Grey background.<br />
<br />
Tuthmosis II is shown wearing Royal regalia including the shendyt kilt, the nemes headdress and the uraeus cobra on his forehead. Between his legs in a bulls tail, the symbol of power. On the sides of the throne is the sema-tawy, a sign composed of a lotus and papyrus, the symbols od Upper and Lower Egypt. Under the feet of the king are the Nine Bows, the enemies of Egypt. Together these symbolise that the pharaoh keeps the two halves of Egypt together and protects them against her enemies. Drovetti Collection. C 1376
  • Seated terracotta goddess, probably a sign of fertility. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a white background
  • Seated terracotta goddess, probably a sign of fertility. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a grey background
  • Seated terracotta goddess, probably a sign of fertility. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a black background
  • Seated terracotta goddess, probably a sign of fertility. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara

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