• Autumn leaf. Single fall leaf against white. Natural colors and textures.
  • Autumn leaf. Single fall leaf against white. Natural colors and textures.
  • Autumn leaf. Single fall leaf against white. Natural colors and textures.
  • Autumn leaf. Single fall leaf against white. Natural colors and textures.
  • Autumn leaf. Single fall leaf against white. Natural colors and textures.
  • Naked female standing.
  • small cake - Chocolate truffle
  • A modern square chocolate cake filled with chocolate truffle and topped with fresh raspberries
  • A modern fruit cake with redcurrants, wild strawberries, blacberry and creme patisserie in a light sponge case in a designer dish.
  • Close up of womens breast.
  • nude young women standing examining her breast
  • nude young women standing examining her breast
  • feminine nude women standing
  • Young nude women standing confidently
  • Naked women sleeping in bed
  • Young nude women holding an orange towel
  • youg women holding a sunflower revealing her breast.
  • youg bare feminine women holding a 3 red gerberra flowers reealing ger breasts
  • close up nude women's breasts sunbathing
  • close up nude women's breasts sunbathing
  • Naked women sleeping in bed
  • Nude women examining her reast whilst lying down in bed
  • Nude women sleeping in bed
  • Naked women sleeping viewed from under the sheets holding her teddy bear
  • Naked women sleeping viewed from under the sheets
  • Naked women sleeping in bed with her toy dog bear in front of her
  • Naked women sleeping in bed with her teddy bear in front of her
  • Naked women lying in bed holding a diamond engagement ring in its box in front of her
  • Naked women lying in bed reading.
  • Young nude feminine women revealing her breasts
  • Young nude feminine women revealing her breasts
  • Young nude women holding a turquoise towel
  • Young women wearing black top and revealing one nipple
  • Nude female standing against a white background
  • Naked female standing.
  • Runswick Bay - North Yorkshire - England - man walking dog
  • The medieval fortified church of Harman. A Romaneque church started in 1240 by the Cistercian monks with Gothic elements of architecture .Harman, Braşov, Transylvania. UNESCO World Heritage Site.
  • The medieval fortified church of Harman. A Romaneque church started in 1240 by the Cistercian monks with Gothic elements of architecture .Harman, Braşov, Transylvania. UNESCO World Heritage Site.
  • Organ of  Prejmer Fortified Church, Transylvania. Unesco World Heritage Site.
  • View of the church tower of the Szekly medieval fortified church of Viscri, Buneşti, Braşov, Transylvania. Started in the 1100's. UNESCO World Heritage Site
  • The medieval fortified church of Harman. A Romaneque church started in 1240 by the Cistercian monks with a 14th centurt bell tower & steps leading to storage rooms above the naive. Harman, Braşov, Transylvania. UNESCO World Heritage Site.
  • The medieval fortified church of Harman. A Romaneque church started in 1240 by the Cistercian monks with a 14th centurt bell tower & steps leading to storage rooms above the naive. Harman, Braşov, Transylvania. UNESCO World Heritage Site.
  • The medieval fortified church of Harman. A Romaneque church started in 1240 by the Cistercian monks with a 14th centurt bell tower & steps leading to storage rooms above the naive. Harman, Braşov, Transylvania. UNESCO World Heritage Site.
  • The Saxon Fortified Church of Brateiu, Transylvania
  • The Gothic  14th Century Axente Sever Saxon Evangelical Fortified Church, Sibiu, Transylvania.
  • Bell Tower of the Saxon Fortified church of Aţel ( Atel ) , Sibiu, Romania
  • Interior of the Saxon Fortified church of Aţel ( Atel ) , Sibiu, Romania
  • Interior of the medieval fortified church of Harman. A Romaneque church started in 1240 by the Cistercian monks with Gothic elements of architecture .Harman, Braşov, Transylvania. UNESCO World Heritage Site.
  • Interior of the medieval fortified church of Harman. A Romaneque church started in 1240 by the Cistercian monks with Gothic elements of architecture .Harman, Braşov, Transylvania. UNESCO World Heritage Site.
  • Interior of the medieval fortified church of Harman. A Romaneque church started in 1240 by the Cistercian monks with Gothic elements of architecture .Harman, Braşov, Transylvania. UNESCO World Heritage Site.
  • Storage Rooms of Prejmer ( German: Tartlau) Fortified Church, one of the best preserved of its kind in Eastern Europe was built by the Teutonic Knights in 12 12. Brasov, Transylvania. UNESCO World Heritage Site
  • The fortified Saxon churchof Biertan , the see of the Lutheran Evangelical Bishop in Transylvania between 1572 and 1867. Unesco World Heritage Site
  • Organ & saon folk art of the Gothic interior of the 14th Century Axente Sever Fortified Church, Transylvania.
  • The Gothic Altar of the 14th Century Axente Sever Fortified Church, Transylvania.
  • The medieval fortified church of Harman. A Romaneque church started in 1240 by the Cistercian monks with Gothic elements of architecture .Harman, Braşov, Transylvania. UNESCO World Heritage Site.
  • The medieval fortified church of Harman. A Romaneque church started in 1240 by the Cistercian monks with Gothic elements of architecture .Harman, Braşov, Transylvania. UNESCO World Heritage Site.
  • The medieval fortified church of Harman. A Romaneque church started in 1240 by the Cistercian monks with Gothic elements of architecture .Harman, Braşov, Transylvania. UNESCO World Heritage Site.
  • Schollroom in the Saxon Fortified church of Prejmer, Transylvania
  • Gothic Tryptic on wood, 1450 - 1460. The only example of medieval double sided sacrial painting in Romania. The figures are in typical Saxon dress of the period. Prejmer Fortified Church, Transylvania. Unesco World Heritage Site.
  • View of the church tower of the Szekly medieval fortified church of Viscri, Buneşti, Braşov, Transylvania. Started in the 1100's. UNESCO World Heritage Site
  • View of the church tower of the Szekly medieval fortified church of Viscri, Buneşti, Braşov, Transylvania. Started in the 1100's. UNESCO World Heritage Site
  • Front view of the Szekly medieval fortified church of Viscri, Buneşti, Braşov, Transylvania. Started in the 1100's. UNESCO World Heritage Site
  • Prejmer ( German: Tartlau) Fortified Church, one of the best preserved of its kind in Eastern Europe was built by the Teutonic Knights in 12 12. Brasov, Transylvania. UNESCO World Heritage Site
  • Front view of the Szekly medieval fortified church of Viscri, Buneşti, Braşov, Transylvania. Started in the 1100's. UNESCO World Heritage Site
  • Prejmer ( German: Tartlau) Fortified Church, one of the best preserved of its kind in Eastern Europe was built by the Teutonic Knights in 12 12. Brasov, Transylvania. UNESCO World Heritage Site
  • The interior of the Szekly medieval fortified church of Viscri, Buneşti, Braşov, Transylvania. Started in the 1100's.  UNESCO World Heritage Site
  • The interior of the Szekly medieval fortified church of Viscri, Buneşti, Braşov, Transylvania. Started in the 1100's.  UNESCO World Heritage Site
  • Front view of the Szekly medieval fortified church of Viscri, Buneşti, Braşov, Transylvania. Started in the 1100's. UNESCO World Heritage Site
  • Front view of the Szekly medieval fortified church of Viscri, Buneşti, Braşov, Transylvania. Started in the 1100's. UNESCO World Heritage Site
  • Front view of the Szekly medieval fortified church of Viscri, Buneşti, Braşov, Transylvania. Started in the 1100's. UNESCO World Heritage Site
  • Gothic Tryptic on wood, 1450 - 1460. The only example of medieval double sided sacrial painting in Romania. The figures are in typical Saxon dress of the period. Prejmer Fortified Church, Transylvania. Unesco World Heritage Site.
  • Interior of the medieval fortified church of Harman. A Romaneque church started in 1240 by the Cistercian monks with elements of Gothic  architecture .Harman, Braşov, Transylvania. UNESCO World Heritage Site.
  • View of the church tower of the Szekly medieval fortified church of Viscri, Buneşti, Braşov, Transylvania. Started in the 1100's. UNESCO World Heritage Site
  • Prejmer ( German: Tartlau) Fortified Church, one of the best preserved of its kind in Eastern Europe was built by the Teutonic Knights in 12 12. Brasov, Transylvania. UNESCO World Heritage Site
  • Prejmer ( German: Tartlau) Fortified Church, one of the best preserved of its kind in Eastern Europe was built by the Teutonic Knights in 12 12. Brasov, Transylvania. UNESCO World Heritage Site
  • The medieval fortified church of Harman. A Romaneque church started in 1240 by the Cistercian monks with a 14th centurt bell tower & steps leading to storage rooms above the naive. Harman, Braşov, Transylvania. UNESCO World Heritage Site.
  • The Fortified Saxon Evangelical church of Valea Viilor. A Gothic church built in 1414 with a three layered defensive tower. Sibiu, Transylvania. A World Heritage Site
  • The Saxon Fortified Church of Brateiu, Transylvania
  • The Gothic  14th Century Axente Sever Saxon Evangelical Fortified Church, Sibiu, Transylvania.
  • The Gothic  14th Century Axente Sever Saxon Evangelical Fortified Church, Sibiu, Transylvania.
  • The Fortified Saxon Evangelical church of Valea Viilor. A Gothic church built in 1414 with a three layered defensive tower. Sibiu, Transylvania. A World Heritage Site
  • The Fortified Saxon Evangelical church of Valea Viilor. A Gothic church built in 1414 with a three layered defensive tower. Sibiu, Transylvania. A World Heritage Site
  • The Fortified Saxon Evangelical church of Valea Viilor. A Gothic church built in 1414 with a three layered defensive tower. Sibiu, Transylvania. A World Heritage Site
  • The Gothic  14th Century Axente Sever Saxon Evangelical Fortified Church, Sibiu, Transylvania.
  • The Gothic  14th Century Axente Sever Saxon Evangelical Fortified Church, Sibiu, Transylvania.
  • The Gothic  14th Century Axente Sever Saxon Evangelical Fortified Church, Sibiu, Transylvania.
  • The Gothic  14th Century Axente Sever Saxon Evangelical Fortified Church, Sibiu, Transylvania.
  • The Fortified Saxon Church of Medias started in 1438, with the 68 mt high Gothic trumpeters tower of St Margret church. Medias was the largest fortified Saxon Church complex of its time with double walls & a moat. Transylvania.
  • The Fortified Saxon Church of Medias started in 1438, with the 68 mt high Gothic trumpeters tower of St Margret church. Medias was the largest fortified Saxon Church complex of its time with double walls & a moat. Transylvania.
  • Interior of the medieval fortified church of Harman. A Romaneque church started in 1240 by the Cistercian monks with Gothic elements of architecture .Harman, Braşov, Transylvania. UNESCO World Heritage Site.
  • Interior of the medieval fortified church of Harman. A Romaneque church started in 1240 by the Cistercian monks with Gothic elements of architecture .Harman, Braşov, Transylvania. UNESCO World Heritage Site.
  • Interior of the medieval fortified church of Harman. A Romaneque church started in 1240 by the Cistercian monks with Gothic elements of architecture .Harman, Braşov, Transylvania. UNESCO World Heritage Site.
  • Storage Rooms of Prejmer ( German: Tartlau) Fortified Church, one of the best preserved of its kind in Eastern Europe was built by the Teutonic Knights in 12 12. Brasov, Transylvania. UNESCO World Heritage Site
  • Storage Rooms of Prejmer ( German: Tartlau) Fortified Church, one of the best preserved of its kind in Eastern Europe was built by the Teutonic Knights in 12 12. Brasov, Transylvania. UNESCO World Heritage Site
  • Storage Rooms of Prejmer ( German: Tartlau) Fortified Church, one of the best preserved of its kind in Eastern Europe was built by the Teutonic Knights in 12 12. Brasov, Transylvania. UNESCO World Heritage Site
  • Defensive tower of the  fortified Saxon churchof Biertan , the see of the Lutheran Evangelical Bishop in Transylvania between 1572 and 1867. Unesco World Heritage Site
  • Defensive tower of the  fortified Saxon churchof Biertan , the see of the Lutheran Evangelical Bishop in Transylvania between 1572 and 1867. Unesco World Heritage Site
  • The fortified Saxon churchof Biertan , the see of the Lutheran Evangelical Bishop in Transylvania between 1572 and 1867. Unesco World Heritage Site
  • The fortified Saxon churchof Biertan , the see of the Lutheran Evangelical Bishop in Transylvania between 1572 and 1867. Unesco World Heritage Site
  • The Gothic interior of the 14th Century Saxon  Axente Sever Fortified Church, Transylvania.
  • The Gothic Altar of the 14th Century Axente Sever Fortified Church, Transylvania.
  • The medieval fortified church of Harman. A Romaneque church started in 1240 by the Cistercian monks with a 14th centurt bell tower & steps leading to storage rooms above the naive. Harman, Braşov, Transylvania. UNESCO World Heritage Site.
  • The medieval fortified church of Harman. A Romaneque church started in 1240 by the Cistercian monks with a 14th centurt bell tower & steps leading to storage rooms above the naive. Harman, Braşov, Transylvania. UNESCO World Heritage Site.
  • The medieval fortified church of Harman. A Romaneque church started in 1240 by the Cistercian monks with Gothic elements of architecture .Harman, Braşov, Transylvania. UNESCO World Heritage Site.
  • Schollroom in the Saxon Fortified church of Prejmer, Transylvania
  • View of the church tower of the Szekly medieval fortified church of Viscri, Buneşti, Braşov, Transylvania. Started in the 1100's. UNESCO World Heritage Site
  • Front view of the Szekly medieval fortified church of Viscri, Buneşti, Braşov, Transylvania. Started in the 1100's. UNESCO World Heritage Site
  • Front view of the Szekly medieval fortified church of Viscri, Buneşti, Braşov, Transylvania. Started in the 1100's. UNESCO World Heritage Site
  • Front view of the Szekly medieval fortified church of Viscri, Buneşti, Braşov, Transylvania. Started in the 1100's. UNESCO World Heritage Site
  • Prejmer ( German: Tartlau) Fortified Church, one of the best preserved of its kind in Eastern Europe was built by the Teutonic Knights in 12 12. Brasov, Transylvania. UNESCO World Heritage Site
  • Prejmer ( German: Tartlau) Fortified Church, one of the best preserved of its kind in Eastern Europe was built by the Teutonic Knights in 12 12. Brasov, Transylvania. UNESCO World Heritage Site
  • Prejmer ( German: Tartlau) Fortified Church, one of the best preserved of its kind in Eastern Europe was built by the Teutonic Knights in 12 12. Brasov, Transylvania. UNESCO World Heritage Site
  • Front view of the Szekly medieval fortified church of Viscri, Buneşti, Braşov, Transylvania. Started in the 1100's. UNESCO World Heritage Site
  • Front view of the Szekly medieval fortified church of Viscri, Buneşti, Braşov, Transylvania. Started in the 1100's. UNESCO World Heritage Site
  • Ancient Egyptian shabti box, wood, Intermediate Period, 21st-22nd Dynasty (1076-746 BC), Thebes, Egyptian Museum, Turin. Grey background.<br />
<br />
Floor 1 room 10 of Museum - Essential items of funerary equipment from the New Kingdom on, shabti figures, of which there could be from 1 to over 400 examples in a single tomb, were meant to substitute for the deceased whenever he or she was called upon to perform manual labor in the afterlife. the shabti box is a decorated wooden box to hold the figures<br />
<br />
Essential items of funerary equipment from the New Kingdom on, shabti figures, of which there could be from 1 to over 400 examples in a single tomb, were meant to substitute for the deceased whenever he or she was called upon to perform manual labor in the afterlife. the shabti box is a decorated wooden box to hold the figures
  • Ancient Egyptian shabti box, wood, Intermediate Period, 21st-22nd Dynasty (1076-746 BC), Thebes, Egyptian Museum, Turin. Grey background.<br />
<br />
Floor 1 room 10 of Museum - Essential items of funerary equipment from the New Kingdom on, shabti figures, of which there could be from 1 to over 400 examples in a single tomb, were meant to substitute for the deceased whenever he or she was called upon to perform manual labor in the afterlife. the shabti box is a decorated wooden box to hold the figures<br />
<br />
Essential items of funerary equipment from the New Kingdom on, shabti figures, of which there could be from 1 to over 400 examples in a single tomb, were meant to substitute for the deceased whenever he or she was called upon to perform manual labor in the afterlife. the shabti box is a decorated wooden box to hold the figures
  • Ancient Egyptian shabti box, wood, Intermediate Period, 21st-22nd Dynasty (1076-746 BC), Thebes, Egyptian Museum, Turin. Grey background.<br />
<br />
Floor 1 room 10 of Museum - Essential items of funerary equipment from the New Kingdom on, shabti figures, of which there could be from 1 to over 400 examples in a single tomb, were meant to substitute for the deceased whenever he or she was called upon to perform manual labor in the afterlife. the shabti box is a decorated wooden box to hold the figures<br />
<br />
Essential items of funerary equipment from the New Kingdom on, shabti figures, of which there could be from 1 to over 400 examples in a single tomb, were meant to substitute for the deceased whenever he or she was called upon to perform manual labor in the afterlife. the shabti box is a decorated wooden box to hold the figures
  • Pictures & images of Ubisa St. George Georgian Orthodox medieval monastery, 1141, Georgia (country)<br />
<br />
Ubisa St. George was founded by St. Grigol (Gregory) of Khandzta under the patronage of King of Abkhazs Demetre II. The church is a single nave with a single apse above the altar.
  • Pictures & images of Ubisa St. George Georgian Orthodox medieval monastery, 1141, Georgia (country)<br />
<br />
Ubisa St. George was founded by St. Grigol (Gregory) of Khandzta under the patronage of King of Abkhazs Demetre II. The church is a single nave with a single apse above the altar.
  • Pictures & images of Ubisa St. George Georgian Orthodox medieval monastery, 1141, Georgia (country)<br />
<br />
Ubisa St. George was founded by St. Grigol (Gregory) of Khandzta under the patronage of King of Abkhazs Demetre II. The church is a single nave with a single apse above the altar.
  • Pictures & images of Ubisa St. George Georgian Orthodox medieval monastery, 1141, Georgia (country)<br />
<br />
Ubisa St. George was founded by St. Grigol (Gregory) of Khandzta under the patronage of King of Abkhazs Demetre II. The church is a single nave with a single apse above the altar.
  • Pictures & images of Ubisa St. George Georgian Orthodox medieval monastery, 1141, Georgia (country)<br />
<br />
Ubisa St. George was founded by St. Grigol (Gregory) of Khandzta under the patronage of King of Abkhazs Demetre II. The church is a single nave with a single apse above the altar.
  • Pictures & images of Ubisa St. George Georgian Orthodox medieval monastery, 1141, Georgia (country)<br />
<br />
Ubisa St. George was founded by St. Grigol (Gregory) of Khandzta under the patronage of King of Abkhazs Demetre II. The church is a single nave with a single apse above the altar.
  • Pictures & images of Ubisa St. George Georgian Orthodox medieval monastery, 1141, Georgia (country)<br />
<br />
Ubisa St. George was founded by St. Grigol (Gregory) of Khandzta under the patronage of King of Abkhazs Demetre II. The church is a single nave with a single apse above the altar.
  • Pictures & images of Ubisa St. George Georgian Orthodox medieval monastery, 1141, Georgia (country)<br />
<br />
Ubisa St. George was founded by St. Grigol (Gregory) of Khandzta under the patronage of King of Abkhazs Demetre II. The church is a single nave with a single apse above the altar.
  • Underground Etruscan tomb  A single chamber with double sloping ceiling decorated with a painted chequered design, Etruscan Necropolis of Monterozzi, Monte del Calvario, Tarquinia, Italy. A UNESCO World Heritage Site.
  • Underground Etruscan tomb Known as "Tomba delle Leonesse". A single chamber with double sloping ceiling decorated with a painted chequered design. Six painted columns divide the walls to give the tomb the appearance of a pavillion. In the typanium of the back wall are two lionesses below which is a large Krater used to mix water and wine, flanked by two musicians and a female dancer.  Circa 520 BC. Excavated 1874, Etruscan Necropolis of Monterozzi, Monte del Calvario, Tarquinia, Italy. A UNESCO World Heritage Site.
  • Underground Etruscan tomb Known as "Tomba della Caccia al Cervo" A single chamber with double sloping ceiling. On the back wall is painted a banquet scene with three couples lying on beds (Klinai). On the dide walls are dancers and musicians. Circa 450 BC. Excavated 1960 , Etruscan Necropolis of Monterozzi, Monte del Calvario, Tarquinia, Italy. A UNESCO World Heritage Site.
  • Underground Etruscan tomb Known as "Tomb of the Leopard A single chamber with double sloping ceiling decorated with a painted chequered design. In the tympanuim are painted two leopards below which is a banquet sceneOn the back wall is painted a banquet scene in honour of the dead. Circa 470 BC. Excavated 1857, Etruscan Necropolis of Monterozzi, Monte del Calvario, Tarquinia, Italy. A UNESCO World Heritage Site.
  • Underground Etruscan tomb Known as "Tomba Claudio Bettini no 5513" A single chamber with double sloping ceiling. In the tympanium on the back wall is a painted two lions, a two men lying on beds (Klinai) are  banquetting with two women bellow. On the dide walls are dancers and musicians. 5th century BC. Excavated 1967 , Etruscan Necropolis of Monterozzi, Monte del Calvario, Tarquinia, Italy. A UNESCO World Heritage Site.
  • Minoan  rhython jug with single handlel, Gournia 1600-1450 BC; Heraklion Archaeological  Museum, grey background.
  • Minoan  rhython jug with single handlel, Gournia 1600-1450 BC; Heraklion Archaeological  Museum, grey background.
  • Minoan  rhython jug with single handlel, Gournia 1600-1450 BC; Heraklion Archaeological  Museum.
  • Minoan marble single handled jug, Zakros Centural Sanctuary Complex  1500-1400 BC;  Heraklion Archaeological  Museum, black background.
  • Minoan marble single handled jug, Zakros Centural Sanctuary Complex  1500-1400 BC;  Heraklion Archaeological  Museum, grey background.
  • Minoan marble single handled jug, Zakros Centural Sanctuary Complex  1500-1400 BC;  Heraklion Archaeological  Museum.
  • Minoan marble single handled jug, Zakros Centural Sanctuary Complex  1500-1400 BC;  Heraklion Archaeological  Museum, grey background.
  • Neolithic Cretian clay single handled cup open kiln fired at Knossos,  4500-3000 BC, Heraklion Archaeological  Museum, grey background.
  • Neolithic Cretian clay single handled cup open kiln fired at Knossos,  4500-3000 BC, Heraklion Archaeological  Museum, black background.
  • Neolithic Cretian clay single handled cup open kiln fired at Knossos,  4500-3000 BC, Heraklion Archaeological  Museum, white background.
  • Neolithic Cretian clay single handled cup open kiln fired at Knossos,  4500-3000 BC, Heraklion Archaeological  Museum.
  • Very early Minoan single handled jug butial goods, Pygros burial cave,  3000-2600 BC BC, Heraklion Archaeological  Museum, white background.
  • Very early Minoan single handled jug butial goods, Pygros burial cave,  3000-2600 BC BC, Heraklion Archaeological  Museum, black background.
  • Very early Minoan single handled jug butial goods, Pygros burial cave,  3000-2600 BC BC, Heraklion Archaeological  Museum, grey background.
  • Very early Minoan single handled jug butial goods, Pygros burial cave,  3000-2600 BC BC, Heraklion Archaeological  Museum.
  • Very early Minoan single handled jug butial goods, Pygros burial cave,  3000-2600 BC BC, Heraklion Archaeological  Museum, grey background.
  • Underground Etruscan tomb  A single chamber with double sloping ceiling. In the tympanium are two wild animals below wich is a scene with a portait of the deceased seated watching a dancer and a flute player. Circa 400 BC, Etruscan Necropolis of Monterozzi, Monte del Calvario, Tarquinia, Italy. A UNESCO World Heritage Site.
  • Underground Etruscan tomb  A single chamber with double sloping ceiling. In the tympanium are two wild animals below wich is a scene with a portait of the deceased seated watching a dancer and a flute player. Circa 400 BC, Etruscan Necropolis of Monterozzi, Monte del Calvario, Tarquinia, Italy. A UNESCO World Heritage Site.
  • Underground Etruscan tomb  A single chamber with double sloping ceiling. In the tympanium are two wild animals below wich is a scene with a portait of the deceased seated watching a dancer and a flute player. Circa 400 BC, Etruscan Necropolis of Monterozzi, Monte del Calvario, Tarquinia, Italy. A UNESCO World Heritage Site.
  • Underground Etruscan tomb Known as "Tomba Cardarelli" A single chamber with double sloping ceiling decorated with circles. In the tympanium has a scene of fighting animals below which is a flute player, a male figure holding a kylix. 510-500 BC. Excavated 1959 , Etruscan Necropolis of Monterozzi, Monte del Calvario, Tarquinia, Italy. A UNESCO World Heritage Site.
  • Underground Etruscan tomb Known as "Tomba Cardarelli" A single chamber with double sloping ceiling decorated with circles. In the tympanium has a scene of fighting animals below which is a flute player, a male figure holding a kylix. 510-500 BC. Excavated 1959 , Etruscan Necropolis of Monterozzi, Monte del Calvario, Tarquinia, Italy. A UNESCO World Heritage Site.
  • Underground Etruscan tomb Known as "Tomba Cardarelli" A single chamber with double sloping ceiling decorated with circles. In the tympanium has a scene of fighting animals below which is a flute player, a male figure holding a kylix. 510-500 BC. Excavated 1959 , Etruscan Necropolis of Monterozzi, Monte del Calvario, Tarquinia, Italy. A UNESCO World Heritage Site.
  • Underground Etruscan tomb Known as "Maurio Moretti no 5591" A single chamber with double sloping ceiling decorated with flowers. In the tympanium are two lions below which is a flute player, a male figure holding a kylix and a richly dressed female figure. 500-490 BC. Excavated 1968 , Etruscan Necropolis of Monterozzi, Monte del Calvario, Tarquinia, Italy. A UNESCO World Heritage Site.
  • Underground Etruscan tomb Known as "Tomba Claudio Bettini no 5513" A single chamber with double sloping ceiling. In the tympanium on the back wall is a painted two lions, a two men lying on beds (Klinai) are  banquetting with two women bellow. On the dide walls are dancers and musicians. 5th century BC. Excavated 1967 , Etruscan Necropolis of Monterozzi, Monte del Calvario, Tarquinia, Italy. A UNESCO World Heritage Site.
  • Underground Etruscan tomb Known as "Tomba dei Fiorellini" A single chamber with double sloping ceiling decorated with red circles and three petalled flowers. In the tympanium on the back wall is a painted pillar and two cockerals, a couple are depicted banquetting bellow. 475-450 BC. Excavated 1960 , Etruscan Necropolis of Monterozzi, Monte del Calvario, Tarquinia, Italy. A UNESCO World Heritage Site.
  • Underground Etruscan tomb Known as "Tomba Claudio Bettini no 5513" A single chamber with double sloping ceiling. In the tympanium on the back wall is a painted two lions, a two men lying on beds (Klinai) are  banquetting with two women bellow. On the dide walls are dancers and musicians. 5th century BC. Excavated 1967 , Etruscan Necropolis of Monterozzi, Monte del Calvario, Tarquinia, Italy. A UNESCO World Heritage Site.
  • Underground Etruscan tomb Known as "Tomba Massimo Pallottino no 3713". A single chamber with double sloping ceiling decorated. On the back wall are a painted dancing harpist, and couples dancing holding dinking cups.  Circa 580 BC. Excavated 1962, Etruscan Necropolis of Monterozzi, Monte del Calvario, Tarquinia, Italy. A UNESCO World Heritage Site.
  • Underground Etruscan tomb Known as "Tomba Massimo Pallottino no 3713". A single chamber with double sloping ceiling decorated. On the back wall are a painted dancing harpist, and couples dancing holding dinking cups.  Circa 580 BC. Excavated 1962, Etruscan Necropolis of Monterozzi, Monte del Calvario, Tarquinia, Italy. A UNESCO World Heritage Site.
  • Underground Etruscan tomb Known as "Tomba del Fiore di Loto". A single chamber with double sloping ceiling decorated with a painted ca flower design. In the typanium on the back wall are a painted Lion and panther.  Circa 520 BC. Excavated 1962, Etruscan Necropolis of Monterozzi, Monte del Calvario, Tarquinia, Italy. A UNESCO World Heritage Site.
  • Underground Etruscan tomb Known as "Tomba delle Leonesse". A single chamber with double sloping ceiling decorated with a painted chequered design. Six painted columns divide the walls to give the tomb the appearance of a pavillion. In the typanium of the back wall are two lionesses below which is a large Krater used to mix water and wine, flanked by two musicians and a female dancer.  Circa 520 BC. Excavated 1874, Etruscan Necropolis of Monterozzi, Monte del Calvario, Tarquinia, Italy. A UNESCO World Heritage Site.
  • Underground Etruscan tomb Known as "Tomba delle Leonesse". A single chamber with double sloping ceiling decorated with a painted chequered design. Six painted columns divide the walls to give the tomb the appearance of a pavillion. In the typanium of the back wall are two lionesses below which is a large Krater used to mix water and wine, flanked by two musicians and a female dancer.  Circa 520 BC. Excavated 1874, Etruscan Necropolis of Monterozzi, Monte del Calvario, Tarquinia, Italy. A UNESCO World Heritage Site.
  • Underground Etruscan tomb Known as "Tomba delle Leonesse". A single chamber with double sloping ceiling decorated with a painted chequered design. Six painted columns divide the walls to give the tomb the appearance of a pavillion. In the typanium of the back wall are two lionesses below which is a large Krater used to mix water and wine, flanked by two musicians and a female dancer.  Circa 520 BC. Excavated 1874, Etruscan Necropolis of Monterozzi, Monte del Calvario, Tarquinia, Italy. A UNESCO World Heritage Site.
  • Underground Etruscan tomb Known as "Tomba delle Leonesse". A single chamber with double sloping ceiling decorated with a painted chequered design. Six painted columns divide the walls to give the tomb the appearance of a pavillion. In the typanium of the back wall are two lionesses below which is a large Krater used to mix water and wine, flanked by two musicians and a female dancer.  Circa 520 BC. Excavated 1874, Etruscan Necropolis of Monterozzi, Monte del Calvario, Tarquinia, Italy. A UNESCO World Heritage Site.
  • Underground Etruscan tomb Known as "Tomba del Cacciatore A single chamber with double sloping ceiling decorated with a painted chequered design, the rest of the tomb is decorated like a hunting tent with hanging wild ducks and hats. 510-500 BC. Excavated 1962, Etruscan Necropolis of Monterozzi, Monte del Calvario, Tarquinia, Italy. A UNESCO World Heritage Site.
  • Underground Etruscan tomb Known as "Tomba del Cacciatore A single chamber with double sloping ceiling decorated with a painted chequered design, the rest of the tomb is decorated like a hunting tent with hanging wild ducks and hats. 510-500 BC. Excavated 1962, Etruscan Necropolis of Monterozzi, Monte del Calvario, Tarquinia, Italy. A UNESCO World Heritage Site.
  • Underground Etruscan tomb Known as "Tomb of the Leopard A single chamber with double sloping ceiling decorated with a painted chequered design. In the tympanuim are painted two leopards below which is a banquet sceneOn the back wall is painted a banquet scene in honour of the dead. Circa 470 BC. Excavated 1857, Etruscan Necropolis of Monterozzi, Monte del Calvario, Tarquinia, Italy. A UNESCO World Heritage Site.
  • Underground Etruscan tomb Known as "Tomb of the Leopard A single chamber with double sloping ceiling decorated with a painted chequered design. In the tympanuim are painted two leopards below which is a banquet sceneOn the back wall is painted a banquet scene in honour of the dead. Circa 470 BC. Excavated 1857, Etruscan Necropolis of Monterozzi, Monte del Calvario, Tarquinia, Italy. A UNESCO World Heritage Site.
  • Underground Etruscan tomb Known as "Tomb of the Leopard A single chamber with double sloping ceiling decorated with a painted chequered design. In the tympanuim are painted two leopards below which is a banquet sceneOn the back wall is painted a banquet scene in honour of the dead. Circa 470 BC. Excavated 1857, Etruscan Necropolis of Monterozzi, Monte del Calvario, Tarquinia, Italy. A UNESCO World Heritage Site.
  • Underground Etruscan tomb Known as "Tomba Claudio Bettini no 5513" A single chamber with double sloping ceiling. In the tympanium on the back wall is a painted two lions, a two men lying on beds (Klinai) are  banquetting with two women bellow. On the dide walls are dancers and musicians. 5th century BC. Excavated 1967 , Etruscan Necropolis of Monterozzi, Monte del Calvario, Tarquinia, Italy. A UNESCO World Heritage Site.
  • Underground Etruscan tomb Known as "Tomba dei Fiorellini" A single chamber with double sloping ceiling decorated with red circles and three petalled flowers. In the tympanium on the back wall is a painted pillar and two cockerals, a couple are depicted banquetting bellow. 475-450 BC. Excavated 1960 , Etruscan Necropolis of Monterozzi, Monte del Calvario, Tarquinia, Italy. A UNESCO World Heritage Site.
  • Minoan marble single handled jug, Zakros Centural Sanctuary Complex  1500-1400 BC;  Heraklion Archaeological  Museum, white background.
  • Neolithic Cretian clay single handled cup open kiln fired at Knossos,  4500-3000 BC, Heraklion Archaeological  Museum, grey background.
  • Underground Etruscan tomb  A single chamber with double sloping ceiling decorated with a painted chequered design, Etruscan Necropolis of Monterozzi, Monte del Calvario, Tarquinia, Italy. A UNESCO World Heritage Site.
  • Underground Etruscan tomb Known as "Tomba delle Leonesse". A single chamber with double sloping ceiling decorated with a painted chequered design. Six painted columns divide the walls to give the tomb the appearance of a pavillion. In the typanium of the back wall are two lionesses below which is a large Krater used to mix water and wine, flanked by two musicians and a female dancer.  Circa 520 BC. Excavated 1874, Etruscan Necropolis of Monterozzi, Monte del Calvario, Tarquinia, Italy. A UNESCO World Heritage Site.
  • Underground Etruscan tomb Known as "Tomba dei Fiorellini" A single chamber with double sloping ceiling decorated with red circles and three petalled flowers. In the tympanium on the back wall is a painted pillar and two cockerals, a couple are depicted banquetting bellow. 475-450 BC. Excavated 1960 , Etruscan Necropolis of Monterozzi, Monte del Calvario, Tarquinia, Italy. A UNESCO World Heritage Site.
  • Ancient Egyptian shabti box, wood, Intermediate Period, 21st-22nd Dynasty (1076-746 BC), Thebes, Egyptian Museum, Turin. Grey background.<br />
<br />
Floor 1 room 10 of Museum - Among the 401 shabti found in this tomb were 36 overseerers, one for every 10 servants. These were maent to serve the deceased in the afterlife<br />
<br />
Essential items of funerary equipment from the New Kingdom on, shabti figures, of which there could be from 1 to over 400 examples in a single tomb, were meant to substitute for the deceased whenever he or she was called upon to perform manual labor in the afterlife. the shabti box is a decorated wooden box to hold the figures
  • Minoan clay model shrine depicting a priestess playing the part of a goddess in a small single roomed house, Galatas 1700-1650 BC; Heraklion Archaeological  Museum, black background.
  • Pictures & images of Kalburlu (St. Epthemios) church interior, 9th century, the Vadisi Monastery Valley, "Manastır Vadisi”,  of the Ihlara Valley, Guzelyurt , Aksaray Province, Turkey.<br />
<br />
Kalburlu (St. Epthemios) church dates back to the 9th or 10th century. It is carved out of a single rock massive with rock columns holding up the roof of its church . The arches of Kalburlu (St. Epthemios) church have rich architectural decorated relif sculptures. The naves are connected by rounded arches & there is a baptismal font to the east of the main entrance.
  • Pictures & images of Kalburlu (St. Epthemios) church decorative sculptures, 9th century, the Vadisi Monastery Valley, "Manastır Vadisi”,  of the Ihlara Valley, Guzelyurt , Aksaray Province, Turkey.<br />
<br />
Kalburlu (St. Epthemios) church dates back to the 9th or 10th century. It is carved out of a single rock massive with rock columns holding up the roof of its church . The arches of Kalburlu (St. Epthemios) church have rich architectural decorated relif sculptures. The naves are connected by rounded arches & there is a baptismal font to the east of the main entrance.
  • Pictures & images of Kalburlu (St. Epthemios) church decorative sculptures, 9th century, the Vadisi Monastery Valley, "Manastır Vadisi”,  of the Ihlara Valley, Guzelyurt , Aksaray Province, Turkey.<br />
<br />
Kalburlu (St. Epthemios) church dates back to the 9th or 10th century. It is carved out of a single rock massive with rock columns holding up the roof of its church . The arches of Kalburlu (St. Epthemios) church have rich architectural decorated relif sculptures. The naves are connected by rounded arches & there is a baptismal font to the east of the main entrance.
  • Pictures & images of Kalburlu (St. Epthemios) church, 9th century, the Vadisi Monastery Valley, "Manastır Vadisi”,  of the Ihlara Valley, Guzelyurt , Aksaray Province, Turkey.<br />
<br />
Kalburlu (St. Epthemios) church dates back to the 9th or 10th century. It is carved out of a single rock massive with rock columns holding up the roof of its church . The arches of Kalburlu (St. Epthemios) church have rich architectural decorated relif sculptures. The naves are connected by rounded arches & there is a baptismal font to the east of the main entrance.
  • Picture and image of the late borgeoise realistic style stone sculpture of the Gallino tomb sculpted by  G. Moreno 1894.  In the tomb, the bust that portrays the deceased Carolina receives the kiss of a child, probably the niece, supported by a young woman - the mother, or perhaps the elder sister - whose face is marked by pain; on the right an older man, presumably her husband, stands aside, almost absent, looking down at the ground. The most intimate tones and psychological introspection are grafted here in the language of bourgeois Realism: with undoubted technical virtuosity Moreno offers a rigorous "quantitative" description of reality, dwelling on every single detail of faces, clothing, accessories and hairstyles . Section A, no 54, The monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Single red apple amongst other mixed apples
  • Single red apple amongst other mixed apples
  • Ancient Egyptian shabti box, wood, Intermediate Period, 21st-22nd Dynasty (1076-746 BC), Thebes, Egyptian Museum, Turin. Grey background.<br />
<br />
Floor 1 room 10 of Museum - Among the 401 shabti found in this tomb were 36 overseerers, one for every 10 servants. These were maent to serve the deceased in the afterlife<br />
<br />
Essential items of funerary equipment from the New Kingdom on, shabti figures, of which there could be from 1 to over 400 examples in a single tomb, were meant to substitute for the deceased whenever he or she was called upon to perform manual labor in the afterlife. the shabti box is a decorated wooden box to hold the figures
  • Ancient Egyptian shabti box, wood, Intermediate Period, 21st-22nd Dynasty (1076-746 BC), Thebes, Egyptian Museum, Turin. Grey background.<br />
<br />
Floor 1 room 10 of Museum - Among the 401 shabti found in this tomb were 36 overseerers, one for every 10 servants. These were maent to serve the deceased in the afterlife<br />
<br />
Essential items of funerary equipment from the New Kingdom on, shabti figures, of which there could be from 1 to over 400 examples in a single tomb, were meant to substitute for the deceased whenever he or she was called upon to perform manual labor in the afterlife. the shabti box is a decorated wooden box to hold the figures
  • Ancient Egyptian shabti box, wood, Intermediate Period, 21st-22nd Dynasty (1076-746 BC), Thebes, Egyptian Museum, Turin. Grey background.<br />
<br />
Floor 1 room 10 of Museum - Among the 401 shabti found in this tomb were 36 overseerers, one for every 10 servants. These were maent to serve the deceased in the afterlife<br />
<br />
Essential items of funerary equipment from the New Kingdom on, shabti figures, of which there could be from 1 to over 400 examples in a single tomb, were meant to substitute for the deceased whenever he or she was called upon to perform manual labor in the afterlife. the shabti box is a decorated wooden box to hold the figures
  • Ancient Egyptian shabti box, wood, Intermediate Period, 21st-22nd Dynasty (1076-746 BC), Thebes, Egyptian Museum, Turin. Grey background.<br />
<br />
Floor 1 room 10 of Museum - Among the 401 shabti found in this tomb were 36 overseerers, one for every 10 servants. These were maent to serve the deceased in the afterlife<br />
<br />
Essential items of funerary equipment from the New Kingdom on, shabti figures, of which there could be from 1 to over 400 examples in a single tomb, were meant to substitute for the deceased whenever he or she was called upon to perform manual labor in the afterlife. the shabti box is a decorated wooden box to hold the figures
  • Ancient Egyptian shabti box, wood, Intermediate Period, 21st-22nd Dynasty (1076-746 BC), Thebes, Egyptian Museum, Turin. Grey background.<br />
<br />
Floor 1 room 10 of Museum - Among the 401 shabti found in this tomb were 36 overseerers, one for every 10 servants. These were maent to serve the deceased in the afterlife<br />
<br />
Essential items of funerary equipment from the New Kingdom on, shabti figures, of which there could be from 1 to over 400 examples in a single tomb, were meant to substitute for the deceased whenever he or she was called upon to perform manual labor in the afterlife. the shabti box is a decorated wooden box to hold the figures
  • Ancient Egyptian shabti box of the steward of Djehutyhotep, wood, New Kingdom, 18th Dynasty (1450-1350 BC), Egyptian Museum, Turin. Old Fund Cat 2443. white background, <br />
Essential items of funerary equipment from the New Kingdom on, shabti figures, of which there could be from 1 to over 400 examples in a single tomb, were meant to substitute for the deceased whenever he or she was called upon to perform manual labor in the afterlife. the shabti box is a decorated wooden box to hold the figures
  • Ancient Egyptian shabti box of the steward of Djehutyhotep, wood, New Kingdom, 18th Dynasty (1450-1350 BC), Egyptian Museum, Turin. Old Fund Cat 2443. black background<br />
<br />
Essential items of funerary equipment from the New Kingdom on, shabti figures, of which there could be from 1 to over 400 examples in a single tomb, were meant to substitute for the deceased whenever he or she was called upon to perform manual labor in the afterlife. the shabti box is a decorated wooden box to hold the figures
  • Ancient Egyptian shabti box of the steward of Djehutyhotep, wood, New Kingdom, 18th Dynasty (1450-1350 BC), Egyptian Museum, Turin.Old Fund Cat 2443. Grey background.<br />
<br />
Essential items of funerary equipment from the New Kingdom on, shabti figures, of which there could be from 1 to over 400 examples in a single tomb, were meant to substitute for the deceased whenever he or she was called upon to perform manual labor in the afterlife. the shabti box is a decorated wooden box to hold the figures
  • Ancient Egyptian shabti box of the steward of Djehutyhotep, wood, New Kingdom, 18th Dynasty (1450-1350 BC), Egyptian Museum, Turin. Old Fund Cat 2443. Grey background.<br />
<br />
Essential items of funerary equipment from the New Kingdom on, shabti figures, of which there could be from 1 to over 400 examples in a single tomb, were meant to substitute for the deceased whenever he or she was called upon to perform manual labor in the afterlife. the shabti box is a decorated wooden box to hold the figures
  • Minoan clay model shrine depicting a priestess playing the part of a goddess in a small single roomed house, Galatas 1700-1650 BC; Heraklion Archaeological  Museum, white background.
  • Minoan clay model shrine depicting a priestess playing the part of a goddess in a small single roomed house, Galatas 1700-1650 BC; Heraklion Archaeological  Museum, grey background.
  • Minoan clay model shrine depicting a priestess playing the part of a goddess in a small single roomed house, Galatas 1700-1650 BC; Heraklion Archaeological  Museum, grey background.
  • Minoan clay model shrine depicting a priestess playing the part of a goddess in a small single roomed house, Galatas 1700-1650 BC; Heraklion Archaeological  Museum.
  • Mycenaean gold death mask, Mask of Agamemnon, Grave Cicle A, Mycenae, Greece.National Archaeological Museum of Athens.  White background.<br />
<br />
The mask from Grave V depicts an imposing face of a bearded man descovered by  Heinrich Schliemann who believed it was the body of Agamemnon, this is unproven to date.  The Mycenaean death mask belonged to a warrior and made of gold leaf it cocered the dead mans face held on by cord threaded tgrough the two sides of the mask.  The mask of Agamemnon was created from a single thick gold sheet, heated and hammered against a wooden background with the details chased on later with a sharp tool. The artifact dates from the 16th century BC.
  • Mycenaean gold death mask, Mask of Agamemnon, Grave Cicle A, Mycenae, Greece.National Archaeological Museum of Athens.  Grey Background<br />
<br />
<br />
The mask from Grave V depicts an imposing face of a bearded man descovered by  Heinrich Schliemann who believed it was the body of Agamemnon, this is unproven to date.  The Mycenaean death mask belonged to a warrior and made of gold leaf it cocered the dead mans face held on by cord threaded tgrough the two sides of the mask.  The mask of Agamemnon was created from a single thick gold sheet, heated and hammered against a wooden background with the details chased on later with a sharp tool. The artifact dates from the 16th century BC.
  • Mycenaean gold death mask, Mask of Agamemnon, Grave Cicle A, Mycenae, Greece.National Archaeological Museum of Athens.  Black Background<br />
<br />
The mask from Grave V depicts an imposing face of a bearded man descovered by  Heinrich Schliemann who believed it was the body of Agamemnon, this is unproven to date.  The Mycenaean death mask belonged to a warrior and made of gold leaf it cocered the dead mans face held on by cord threaded tgrough the two sides of the mask.  The mask of Agamemnon was created from a single thick gold sheet, heated and hammered against a wooden background with the details chased on later with a sharp tool. The artifact dates from the 16th century BC.
  • Mycenaean gold death mask, Mask of Agamemnon, Grave Cicle A, Mycenae, Greece.National Archaeological Museum of Athens. <br />
<br />
The mask from Grave V depicts an imposing face of a bearded man descovered by  Heinrich Schliemann who believed it was the body of Agamemnon, this is unproven to date.  The Mycenaean death mask belonged to a warrior and made of gold leaf it cocered the dead mans face held on by cord threaded tgrough the two sides of the mask.  The mask of Agamemnon was created from a single thick gold sheet, heated and hammered against a wooden background with the details chased on later with a sharp tool. The artifact dates from the 16th century BC.
  • Mycenaean gold death mask, Mask of Agamemnon, Grave Cicle A, Mycenae, Greece.National Archaeological Museum of Athens.  Black Background<br />
<br />
The mask from Grave V depicts an imposing face of a bearded man descovered by  Heinrich Schliemann who believed it was the body of Agamemnon, this is unproven to date.  The Mycenaean death mask belonged to a warrior and made of gold leaf it cocered the dead mans face held on by cord threaded tgrough the two sides of the mask.  The mask of Agamemnon was created from a single thick gold sheet, heated and hammered against a wooden background with the details chased on later with a sharp tool. The artifact dates from the 16th century BC.
  • Mycenaean gold death mask, Mask of Agamemnon, Grave Cicle A, Mycenae, Greece.National Archaeological Museum of Athens.  White background.<br />
<br />
The mask from Grave V depicts an imposing face of a bearded man descovered by  Heinrich Schliemann who believed it was the body of Agamemnon, this is unproven to date.  The Mycenaean death mask belonged to a warrior and made of gold leaf it cocered the dead mans face held on by cord threaded tgrough the two sides of the mask.  The mask of Agamemnon was created from a single thick gold sheet, heated and hammered against a wooden background with the details chased on later with a sharp tool. The artifact dates from the 16th century BC.
  • Mycenaean gold death mask, Mask of Agamemnon, Grave Cicle A, Mycenae, Greece.National Archaeological Museum of Athens.  Grey Background<br />
<br />
<br />
The mask from Grave V depicts an imposing face of a bearded man descovered by  Heinrich Schliemann who believed it was the body of Agamemnon, this is unproven to date.  The Mycenaean death mask belonged to a warrior and made of gold leaf it cocered the dead mans face held on by cord threaded tgrough the two sides of the mask.  The mask of Agamemnon was created from a single thick gold sheet, heated and hammered against a wooden background with the details chased on later with a sharp tool. The artifact dates from the 16th century BC.
  • Mycenaean gold death mask, Mask of Agamemnon, Grave Cicle A, Mycenae, Greece.National Archaeological Museum of Athens.   Grey Art Background<br />
<br />
The mask from Grave V depicts an imposing face of a bearded man descovered by  Heinrich Schliemann who believed it was the body of Agamemnon, this is unproven to date.  The Mycenaean death mask belonged to a warrior and made of gold leaf it cocered the dead mans face held on by cord threaded tgrough the two sides of the mask.  The mask of Agamemnon was created from a single thick gold sheet, heated and hammered against a wooden background with the details chased on later with a sharp tool. The artifact dates from the 16th century BC.
  • Mycenaean gold death mask, Mask of Agamemnon, Grave Cicle A, Mycenae, Greece.National Archaeological Museum of Athens.<br />
<br />
The mask from Grave V depicts an imposing face of a bearded man descovered by  Heinrich Schliemann who believed it was the body of Agamemnon, this is unproven to date.  The Mycenaean death mask belonged to a warrior and made of gold leaf it cocered the dead mans face held on by cord threaded tgrough the two sides of the mask.  The mask of Agamemnon was created from a single thick gold sheet, heated and hammered against a wooden background with the details chased on later with a sharp tool. The artifact dates from the 16th century BC.
  • Pictures & images of Komurlu Church interior,  9th century, the Vadisi Monastery Valley, "Manastır Vadisi”,  of the Ihlara Valley, Guzelyurt , Aksaray Province, Turkey.<br />
<br />
Kalburlu (St. Epthemios) church dates back to the 9th or 10th century. It is carved out of a single rock massive with rock columns holding up the roof of its church . The arches of Kalburlu (St. Epthemios) church have rich architectural decorated relif sculptures. The naves are connected by rounded arches & there is a baptismal font to the east of the main entrance.
  • Pictures & images of Komurlu Church interior fresco of a Maltese Cross,  9th century, the Vadisi Monastery Valley, "Manastır Vadisi”,  of the Ihlara Valley, Guzelyurt , Aksaray Province, Turkey.<br />
<br />
Kalburlu (St. Epthemios) church dates back to the 9th or 10th century. It is carved out of a single rock massive with rock columns holding up the roof of its church . The arches of Kalburlu (St. Epthemios) church have rich architectural decorated relif sculptures. The naves are connected by rounded arches & there is a baptismal font to the east of the main entrance.
  • Pictures & images of Komurlu Church interior,  9th century, the Vadisi Monastery Valley, "Manastır Vadisi”,  of the Ihlara Valley, Guzelyurt , Aksaray Province, Turkey.<br />
<br />
Kalburlu (St. Epthemios) church dates back to the 9th or 10th century. It is carved out of a single rock massive with rock columns holding up the roof of its church . The arches of Kalburlu (St. Epthemios) church have rich architectural decorated relif sculptures. The naves are connected by rounded arches & there is a baptismal font to the east of the main entrance.
  • Pictures & images of Komurlu Church interior,  9th century, the Vadisi Monastery Valley, "Manastır Vadisi”,  of the Ihlara Valley, Guzelyurt , Aksaray Province, Turkey.<br />
<br />
Kalburlu (St. Epthemios) church dates back to the 9th or 10th century. It is carved out of a single rock massive with rock columns holding up the roof of its church . The arches of Kalburlu (St. Epthemios) church have rich architectural decorated relif sculptures. The naves are connected by rounded arches & there is a baptismal font to the east of the main entrance.
  • Pictures & images of Komurlu Church interior,  9th century, the Vadisi Monastery Valley, "Manastır Vadisi”,  of the Ihlara Valley, Guzelyurt , Aksaray Province, Turkey.<br />
<br />
Kalburlu (St. Epthemios) church dates back to the 9th or 10th century. It is carved out of a single rock massive with rock columns holding up the roof of its church . The arches of Kalburlu (St. Epthemios) church have rich architectural decorated relif sculptures. The naves are connected by rounded arches & there is a baptismal font to the east of the main entrance.
  • Pictures & images of Komurlu Church interior,  9th century, the Vadisi Monastery Valley, "Manastır Vadisi”,  of the Ihlara Valley, Guzelyurt , Aksaray Province, Turkey.<br />
<br />
Kalburlu (St. Epthemios) church dates back to the 9th or 10th century. It is carved out of a single rock massive with rock columns holding up the roof of its church . The arches of Kalburlu (St. Epthemios) church have rich architectural decorated relif sculptures. The naves are connected by rounded arches & there is a baptismal font to the east of the main entrance.
  • Pictures & images of Komurlu Church interior,  9th century, the Vadisi Monastery Valley, "Manastır Vadisi”,  of the Ihlara Valley, Guzelyurt , Aksaray Province, Turkey.<br />
<br />
Kalburlu (St. Epthemios) church dates back to the 9th or 10th century. It is carved out of a single rock massive with rock columns holding up the roof of its church . The arches of Kalburlu (St. Epthemios) church have rich architectural decorated relif sculptures. The naves are connected by rounded arches & there is a baptismal font to the east of the main entrance.
  • Pictures & images of Kalburlu (St. Epthemios) church, 9th century, the Vadisi Monastery Valley, "Manastır Vadisi”,  of the Ihlara Valley, Guzelyurt , Aksaray Province, Turkey.<br />
<br />
Kalburlu (St. Epthemios) church dates back to the 9th or 10th century. It is carved out of a single rock massive with rock columns holding up the roof of its church . The arches of Kalburlu (St. Epthemios) church have rich architectural decorated relif sculptures. The naves are connected by rounded arches & there is a baptismal font to the east of the main entrance.
  • Pictures & images of Kalburlu (St. Epthemios) church, 9th century, the Vadisi Monastery Valley, "Manastır Vadisi”,  of the Ihlara Valley, Guzelyurt , Aksaray Province, Turkey.<br />
<br />
Kalburlu (St. Epthemios) church dates back to the 9th or 10th century. It is carved out of a single rock massive with rock columns holding up the roof of its church . The arches of Kalburlu (St. Epthemios) church have rich architectural decorated relif sculptures. The naves are connected by rounded arches & there is a baptismal font to the east of the main entrance.
  • Pictures & images of Kalburlu (St. Epthemios) church, 9th century, the Vadisi Monastery Valley, "Manastır Vadisi”,  of the Ihlara Valley, Guzelyurt , Aksaray Province, Turkey.<br />
<br />
Kalburlu (St. Epthemios) church dates back to the 9th or 10th century. It is carved out of a single rock massive with rock columns holding up the roof of its church . The arches of Kalburlu (St. Epthemios) church have rich architectural decorated relif sculptures. The naves are connected by rounded arches & there is a baptismal font to the east of the main entrance.
  • Pictures & images of Kalburlu (St. Epthemios) church, 9th century, the Vadisi Monastery Valley, "Manastır Vadisi”,  of the Ihlara Valley, Guzelyurt , Aksaray Province, Turkey.<br />
<br />
Kalburlu (St. Epthemios) church dates back to the 9th or 10th century. It is carved out of a single rock massive with rock columns holding up the roof of its church . The arches of Kalburlu (St. Epthemios) church have rich architectural decorated relif sculptures. The naves are connected by rounded arches & there is a baptismal font to the east of the main entrance.
  • Pictures & images of Kalburlu (St. Epthemios) church, 9th century, the Vadisi Monastery Valley, "Manastır Vadisi”,  of the Ihlara Valley, Guzelyurt , Aksaray Province, Turkey.<br />
<br />
Kalburlu (St. Epthemios) church dates back to the 9th or 10th century. It is carved out of a single rock massive with rock columns holding up the roof of its church . The arches of Kalburlu (St. Epthemios) church have rich architectural decorated relif sculptures. The naves are connected by rounded arches & there is a baptismal font to the east of the main entrance.
  • Pictures & images of Kalburlu (St. Epthemios) church interior rosette sculpture, 9th century, the Vadisi Monastery Valley, "Manastır Vadisi”,  of the Ihlara Valley, Guzelyurt , Aksaray Province, Turkey.<br />
<br />
Kalburlu (St. Epthemios) church dates back to the 9th or 10th century. It is carved out of a single rock massive with rock columns holding up the roof of its church . The arches of Kalburlu (St. Epthemios) church have rich architectural decorated relif sculptures. The naves are connected by rounded arches & there is a baptismal font to the east of the main entrance.
  • Pictures & images of Kalburlu (St. Epthemios) church interior, 9th century, the Vadisi Monastery Valley, "Manastır Vadisi”,  of the Ihlara Valley, Guzelyurt , Aksaray Province, Turkey.<br />
<br />
Kalburlu (St. Epthemios) church dates back to the 9th or 10th century. It is carved out of a single rock massive with rock columns holding up the roof of its church . The arches of Kalburlu (St. Epthemios) church have rich architectural decorated relif sculptures. The naves are connected by rounded arches & there is a baptismal font to the east of the main entrance.
  • Pictures & images of Kalburlu (St. Epthemios) church decorative sculptures, 9th century, the Vadisi Monastery Valley, "Manastır Vadisi”,  of the Ihlara Valley, Guzelyurt , Aksaray Province, Turkey.<br />
<br />
Kalburlu (St. Epthemios) church dates back to the 9th or 10th century. It is carved out of a single rock massive with rock columns holding up the roof of its church . The arches of Kalburlu (St. Epthemios) church have rich architectural decorated relif sculptures. The naves are connected by rounded arches & there is a baptismal font to the east of the main entrance.
  • Pictures & images of Kalburlu (St. Epthemios) church interior, 9th century, the Vadisi Monastery Valley, "Manastır Vadisi”,  of the Ihlara Valley, Guzelyurt , Aksaray Province, Turkey.<br />
<br />
Kalburlu (St. Epthemios) church dates back to the 9th or 10th century. It is carved out of a single rock massive with rock columns holding up the roof of its church . The arches of Kalburlu (St. Epthemios) church have rich architectural decorated relif sculptures. The naves are connected by rounded arches & there is a baptismal font to the east of the main entrance.
  • Pictures & images of Kalburlu (St. Epthemios) church decorative sculptures, 9th century, the Vadisi Monastery Valley, "Manastır Vadisi”,  of the Ihlara Valley, Guzelyurt , Aksaray Province, Turkey.<br />
<br />
Kalburlu (St. Epthemios) church dates back to the 9th or 10th century. It is carved out of a single rock massive with rock columns holding up the roof of its church . The arches of Kalburlu (St. Epthemios) church have rich architectural decorated relif sculptures. The naves are connected by rounded arches & there is a baptismal font to the east of the main entrance.
  • Pictures & images of Kalburlu (St. Epthemios) church, 9th century, the Vadisi Monastery Valley, "Manastır Vadisi”,  of the Ihlara Valley, Guzelyurt , Aksaray Province, Turkey.<br />
<br />
Kalburlu (St. Epthemios) church dates back to the 9th or 10th century. It is carved out of a single rock massive with rock columns holding up the roof of its church . The arches of Kalburlu (St. Epthemios) church have rich architectural decorated relif sculptures. The naves are connected by rounded arches & there is a baptismal font to the east of the main entrance.
  • Pictures & images of Kalburlu (St. Epthemios) church decorative sculptures, 9th century, the Vadisi Monastery Valley, "Manastır Vadisi”,  of the Ihlara Valley, Guzelyurt , Aksaray Province, Turkey.<br />
<br />
Kalburlu (St. Epthemios) church dates back to the 9th or 10th century. It is carved out of a single rock massive with rock columns holding up the roof of its church . The arches of Kalburlu (St. Epthemios) church have rich architectural decorated relif sculptures. The naves are connected by rounded arches & there is a baptismal font to the east of the main entrance.
  • Pictures & images of Kalburlu (St. Epthemios) church, 9th century, the Vadisi Monastery Valley, "Manastır Vadisi”,  of the Ihlara Valley, Guzelyurt , Aksaray Province, Turkey.<br />
<br />
Kalburlu (St. Epthemios) church dates back to the 9th or 10th century. It is carved out of a single rock massive with rock columns holding up the roof of its church . The arches of Kalburlu (St. Epthemios) church have rich architectural decorated relif sculptures. The naves are connected by rounded arches & there is a baptismal font to the east of the main entrance.
  • Pictures & images of Kalburlu (St. Epthemios) church, 9th century, the Vadisi Monastery Valley, "Manastır Vadisi”,  of the Ihlara Valley, Guzelyurt , Aksaray Province, Turkey.<br />
<br />
Kalburlu (St. Epthemios) church dates back to the 9th or 10th century. It is carved out of a single rock massive with rock columns holding up the roof of its church . The arches of Kalburlu (St. Epthemios) church have rich architectural decorated relif sculptures. The naves are connected by rounded arches & there is a baptismal font to the east of the main entrance.
  • Pictures & images of Kalburlu (St. Epthemios) church, 9th century, the Vadisi Monastery Valley, "Manastır Vadisi”,  of the Ihlara Valley, Guzelyurt , Aksaray Province, Turkey.<br />
<br />
Kalburlu (St. Epthemios) church dates back to the 9th or 10th century. It is carved out of a single rock massive with rock columns holding up the roof of its church . The arches of Kalburlu (St. Epthemios) church have rich architectural decorated relif sculptures. The naves are connected by rounded arches & there is a baptismal font to the east of the main entrance.
  • Pictures & images of Kalburlu (St. Epthemios) church, 9th century, the Vadisi Monastery Valley, "Manastır Vadisi”,  of the Ihlara Valley, Guzelyurt , Aksaray Province, Turkey.<br />
<br />
Kalburlu (St. Epthemios) church dates back to the 9th or 10th century. It is carved out of a single rock massive with rock columns holding up the roof of its church . The arches of Kalburlu (St. Epthemios) church have rich architectural decorated relif sculptures. The naves are connected by rounded arches & there is a baptismal font to the east of the main entrance.
  • Pictures & images of Kalburlu (St. Epthemios) church, 9th century, the Vadisi Monastery Valley, "Manastır Vadisi”,  of the Ihlara Valley, Guzelyurt , Aksaray Province, Turkey.<br />
<br />
Kalburlu (St. Epthemios) church dates back to the 9th or 10th century. It is carved out of a single rock massive with rock columns holding up the roof of its church . The arches of Kalburlu (St. Epthemios) church have rich architectural decorated relif sculptures. The naves are connected by rounded arches & there is a baptismal font to the east of the main entrance.
  • Pictures & images of Kalburlu (St. Epthemios) church, 9th century, the Vadisi Monastery Valley, "Manastır Vadisi”,  of the Ihlara Valley, Guzelyurt , Aksaray Province, Turkey.<br />
<br />
Kalburlu (St. Epthemios) church dates back to the 9th or 10th century. It is carved out of a single rock massive with rock columns holding up the roof of its church . The arches of Kalburlu (St. Epthemios) church have rich architectural decorated relif sculptures. The naves are connected by rounded arches & there is a baptismal font to the east of the main entrance.
  • The Gökmedrese or Gök Medrese built in 1271 by Vizier Ata Faahreddin Ali. Above the crown door are two minarets with a bow and single cone decorated with glazed bricks and tiles. Sivas, Turkey
  • The Gökmedrese or Gök Medrese built in 1271 by Vizier Ata Faahreddin Ali. Above the crown door are two minarets with a bow and single cone decorated with glazed bricks and tiles. Sivas, Turkey
  • The Gökmedrese or Gök Medrese built in 1271 by Vizier Ata Faahreddin Ali. Above the crown door are two minarets with a bow and single cone decorated with glazed bricks and tiles. Sivas, Turkey
  • The Gökmedrese or Gök Medrese built in 1271 by Vizier Ata Faahreddin Ali. Above the crown door are two minarets with a bow and single cone decorated with glazed bricks and tiles. Sivas, Turkey
  • The Gökmedrese or Gök Medrese built in 1271 by Vizier Ata Faahreddin Ali. Above the crown door are two minarets with a bow and single cone decorated with glazed bricks and tiles. Sivas, Turkey
  • The Gökmedrese or Gök Medrese built in 1271 by Vizier Ata Faahreddin Ali. Above the crown door are two minarets with a bow and single cone decorated with glazed bricks and tiles. Sivas, Turkey
  • The Gökmedrese or Gök Medrese built in 1271 by Vizier Ata Faahreddin Ali. Above the crown door are two minarets with a bow and single cone decorated with glazed bricks and tiles. Sivas, Turkey
  • The Gökmedrese or Gök Medrese built in 1271 by Vizier Ata Faahreddin Ali. Above the crown door are two minarets with a bow and single cone decorated with glazed bricks and tiles. Sivas, Turkey
  • The Gökmedrese or Gök Medrese built in 1271 by Vizier Ata Faahreddin Ali. Above the crown door are two minarets with a bow and single cone decorated with glazed bricks and tiles. Sivas, Turkey
  • The Gökmedrese or Gök Medrese built in 1271 by Vizier Ata Faahreddin Ali. Above the crown door are two minarets with a bow and single cone decorated with glazed bricks and tiles. Sivas, Turkey
  • The Gökmedrese or Gök Medrese built in 1271 by Vizier Ata Faahreddin Ali. Above the crown door are two minarets with a bow and single cone decorated with glazed bricks and tiles. Sivas, Turkey
  • The Gökmedrese or Gök Medrese built in 1271 by Vizier Ata Faahreddin Ali. Above the crown door are two minarets with a bow and single cone decorated with glazed bricks and tiles. Sivas, Turkey
  • The Gökmedrese or Gök Medrese built in 1271 by Vizier Ata Faahreddin Ali. Above the crown door are two minarets with a bow and single cone decorated with glazed bricks and tiles. Sivas, Turkey
  • The Gökmedrese or Gök Medrese built in 1271 by Vizier Ata Faahreddin Ali. Above the crown door are two minarets with a bow and single cone decorated with glazed bricks and tiles. Sivas, Turkey
  • The Gökmedrese or Gök Medrese built in 1271 by Vizier Ata Faahreddin Ali. Above the crown door are two minarets with a bow and single cone decorated with glazed bricks and tiles. Sivas, Turkey
  • The Gökmedrese or Gök Medrese built in 1271 by Vizier Ata Faahreddin Ali. Above the crown door are two minarets with a bow and single cone decorated with glazed bricks and tiles. Sivas, Turkey

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Picture The Past

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FunkyStock Picture Library free resource for professional editorial picture editors, picture researchers, historical scholars and students and enthusiasts who want to browse some of the best pictures and images of historic countries, historical places, archaeological sites and the very best museum antiquities and artefacts exhibits in Europe and the Middle East.

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