• Detail of sixth Century Pillars From Acre - St Marks - Venice - Italy
  • Detail of sixth Century Pillars From Acre - St Marks - Venice - Italy
  • 4 tetrachs on the facade of Saint Marks Basilica Venice - sith century afro - egyptian art
  • Pictures & images of (foreground) sixth century triple naive basilica behind which is a  a tetraconch cupola church from the first quarter of the seventh century. Dzveli (Old) Shuamta Monastery  founded by one of the 13 Syrian Fathers in the sixth century, Kakheti , Georgia (country).
  • Pictures & images of (foreground) sixth century triple naive basilica behind which is a  a tetraconch cupola church from the first quarter of the seventh century. Dzveli (Old) Shuamta Monastery  founded by one of the 13 Syrian Fathers in the sixth century, Kakheti , Georgia (country).
  • Pictures & images of (foreground) sixth century triple naive basilica behind which is a  a tetraconch cupola church from the first quarter of the seventh century. Dzveli (Old) Shuamta Monastery  founded by one of the 13 Syrian Fathers in the sixth century, Kakheti , Georgia (country).
  • Pictures & images of (foreground) sixth century triple naive basilica behind which is a  a tetraconch cupola church from the first quarter of the seventh century. Dzveli (Old) Shuamta Monastery  founded by one of the 13 Syrian Fathers in the sixth century, Kakheti , Georgia (country).
  • Pictures & images of (foreground) sixth century triple naive basilica behind which is a  a tetraconch cupola church from the first quarter of the seventh century. Dzveli (Old) Shuamta Monastery  founded by one of the 13 Syrian Fathers in the sixth century, Kakheti , Georgia (country).
  • Pictures & images of (foreground) sixth century triple naive basilica behind which is a  a tetraconch cupola church from the first quarter of the seventh century. Dzveli (Old) Shuamta Monastery  founded by one of the 13 Syrian Fathers in the sixth century, Kakheti , Georgia (country).
  • Pictures & images of (foreground) sixth century triple naive basilica behind which is a  a tetraconch cupola church from the first quarter of the seventh century. Dzveli (Old) Shuamta Monastery  founded by one of the 13 Syrian Fathers in the sixth century, Kakheti , Georgia (country).
  • Sixth century Eastern Roman Byzantine  Christian walk in Baptismal font made from marble. The Bardo National Museum, Tunis, Tunisia
  • Sixth century Eastern Roman Byzantine  Christian walk in Baptismal font made from marble. The Bardo National Museum, Tunis, Tunisia
  • Pictures & images of the interior of a tetraconch cupola church from the first quarter of the seventh century. Dzveli (Old) Shuamta Monastery  founded by one of the 13 Syrian Fathers in the sixth century, Kakheti , Georgia (country).
  • Pictures & images of the interior of a tetraconch cupola church from the first quarter of the seventh century. Dzveli (Old) Shuamta Monastery  founded by one of the 13 Syrian Fathers in the sixth century, Kakheti , Georgia (country).
  • Pictures & images of a tetraconch cupola church from the first quarter of the seventh century. Dzveli (Old) Shuamta Monastery  founded by one of the 13 Syrian Fathers in the sixth century, Kakheti , Georgia (country).
  • Pictures & images of a tetraconch cupola church from the first quarter of the seventh century. Dzveli (Old) Shuamta Monastery  founded by one of the 13 Syrian Fathers in the sixth century, Kakheti , Georgia (country).
  • Pictures & images of two tetraconch cupola churches from the first quarter of the seventh century. Dzveli (Old) Shuamta Monastery  founded by one of the 13 Syrian Fathers in the sixth century, Kakheti , Georgia (country).
  • Pictures & images of the cupola of a tetraconch church from the first quarter of the seventh century. Dzveli (Old) Shuamta Monastery  founded by one of the 13 Syrian Fathers in the sixth century, Kakheti , Georgia (country).
  • 6th century Inscription of the great hall of the synagogue of Nam-Ham-mam-Lif in the Roman province of Africa Proconsularis, present day Tunisia. The mosaic floor of the vestibule (porticus) was an offering from Asterius son of Rusticus, the Head of the Jewish community who was working in the Naro jewellers trade. The mosaic reads in Latin  "Asterius, filius Rustici, arcosinagogi, margaritari, (de d(onis) dei partemporticites-selavit".  The Bardo National Museum, Tunis Tunisia.   Against a grey background.<br />
<br />
The so called synagogue of Naro (Hammam-Lif, Tunisia), discovered in 1883, is a square buil-ding (20 by 20 m), consisting of several rooms and hallways communicating with an inner courtyard. The plan is inspired by traditional domestic architecture of Roman Africa. The room, dedicated to religious ceremonies, was paved with a magnificent mosaic of several figured panels with an iconography highlighting Judaeo-Christian concepts, attesting a proselyte attitude addressing a local Judaic community, who was very active between the late fifth c. and the early sixth century AD.
  • 6th century Inscription of the great hall of the synagogue of Nam-Ham-mam-Lif in the Roman province of Africa Proconsularis, present day Tunisia. The mosaic floor of the vestibule (porticus) was an offering from Asterius son of Rusticus, the Head of the Jewish community who was working in the Naro jewellers trade. The mosaic reads in Latin  "Asterius, filius Rustici, arcosinagogi, margaritari, (de d(onis) dei partemporticites-selavit".  The Bardo National Museum, Tunis Tunisia<br />
<br />
The so called synagogue of Naro (Hammam-Lif, Tunisia), discovered in 1883, is a square buil-ding (20 by 20 m), consisting of several rooms and hallways communicating with an inner courtyard. The plan is inspired by traditional domestic architecture of Roman Africa. The room, dedicated to religious ceremonies, was paved with a magnificent mosaic of several figured panels with an iconography highlighting Judaeo-Christian concepts, attesting a proselyte attitude addressing a local Judaic community, who was very active between the late fifth c. and the early sixth century AD.
  • Babylonian Hammurabi stone relief sculpture. Hammurabi was the sixth Amorite king of Babylon from 1792 BC to 1750 BC . Hammurabi (standing), depicted as receiving his royal insignia from Shamash. Hammurabi holds his hands over his mouth as a sign of prayer. The Vorderasiatisches Museum, part of the Pergamon Museum, Berlin
  • Pictures & images of the interior of the cupola with remnants of a cross fresco from a tetraconch cupola church from the first quarter of the seventh century. Dzveli (Old) Shuamta Monastery  founded by one of the 13 Syrian Fathers in the sixth century, Kakheti , Georgia (country).
  • Pictures & images of a tetraconch cupola church from the first quarter of the seventh century. Dzveli (Old) Shuamta Monastery  founded by one of the 13 Syrian Fathers in the sixth century, Kakheti , Georgia (country).
  • Pictures & images of a tetraconch cupola church from the first quarter of the seventh century. Dzveli (Old) Shuamta Monastery  founded by one of the 13 Syrian Fathers in the sixth century, Kakheti , Georgia (country).
  • Pictures & images of two tetraconch cupola churches from the first quarter of the seventh century. Dzveli (Old) Shuamta Monastery  founded by one of the 13 Syrian Fathers in the sixth century, Kakheti , Georgia (country).
  • Pictures & images of two tetraconch cupola churches from the first quarter of the seventh century. Dzveli (Old) Shuamta Monastery  founded by one of the 13 Syrian Fathers in the sixth century, Kakheti , Georgia (country).
  • Pictures & images of two tetraconch cupola churches from the first quarter of the seventh century. Dzveli (Old) Shuamta Monastery  founded by one of the 13 Syrian Fathers in the sixth century, Kakheti , Georgia (country).
  • 6th century Inscription of the great hall of the synagogue of Nam-Ham-mam-Lif in the Roman province of Africa Proconsularis, present day Tunisia. The mosaic floor of the vestibule (porticus) was an offering from Asterius son of Rusticus, the Head of the Jewish community who was working in the Naro jewellers trade. The mosaic reads in Latin  "Asterius, filius Rustici, arcosinagogi, margaritari, (de d(onis) dei partemporticites-selavit".  The Bardo National Museum, Tunis Tunisia.  Against a white background.<br />
<br />
The so called synagogue of Naro (Hammam-Lif, Tunisia), discovered in 1883, is a square buil-ding (20 by 20 m), consisting of several rooms and hallways communicating with an inner courtyard. The plan is inspired by traditional domestic architecture of Roman Africa. The room, dedicated to religious ceremonies, was paved with a magnificent mosaic of several figured panels with an iconography highlighting Judaeo-Christian concepts, attesting a proselyte attitude addressing a local Judaic community, who was very active between the late fifth c. and the early sixth century AD.
  • 6th century Inscription of the great hall of the synagogue of Nam-Ham-mam-Lif in the Roman province of Africa Proconsularis, present day Tunisia. The mosaic floor of the vestibule (porticus) was an offering from Asterius son of Rusticus, the Head of the Jewish community who was working in the Naro jewellers trade. The mosaic reads in Latin  "Asterius, filius Rustici, arcosinagogi, margaritari, (de d(onis) dei partemporticites-selavit".  The Bardo National Museum, Tunis Tunisia.  Against a black background.<br />
<br />
The so called synagogue of Naro (Hammam-Lif, Tunisia), discovered in 1883, is a square buil-ding (20 by 20 m), consisting of several rooms and hallways communicating with an inner courtyard. The plan is inspired by traditional domestic architecture of Roman Africa. The room, dedicated to religious ceremonies, was paved with a magnificent mosaic of several figured panels with an iconography highlighting Judaeo-Christian concepts, attesting a proselyte attitude addressing a local Judaic community, who was very active between the late fifth c. and the early sixth century AD.
  • 6th century Inscription of the great hall of the synagogue of Nam-Ham-mam-Lif in the Roman province of Africa Proconsularis, present day Tunisia. The mosaic floor of the vestibule (porticus) was an offering from Asterius son of Rusticus, the Head of the Jewish community who was working in the Naro jewellers trade. The mosaic reads in Latin  "Asterius, filius Rustici, arcosinagogi, margaritari, (de d(onis) dei partemporticites-selavit".  The Bardo National Museum, Tunis Tunisia. Against a grey art background.<br />
<br />
The so called synagogue of Naro (Hammam-Lif, Tunisia), discovered in 1883, is a square buil-ding (20 by 20 m), consisting of several rooms and hallways communicating with an inner courtyard. The plan is inspired by traditional domestic architecture of Roman Africa. The room, dedicated to religious ceremonies, was paved with a magnificent mosaic of several figured panels with an iconography highlighting Judaeo-Christian concepts, attesting a proselyte attitude addressing a local Judaic community, who was very active between the late fifth c. and the early sixth century AD.
  • Fifth century Eastern Roman Byzantine  Christian funerary mosaic dedicated to Leontia.  The Constantinian monogram depicting the Christian Chi-Rho symbol used by the Roman emperor Constantine I as part of his military standard (vexillum).  The inscription in the cartouche reads " Leontia in peace and harmony with God, entered into eternal life on the Sixth Ides of October". Two birds and cut Roses occupy the rest of the mosaic. <br />
<br />
Excavated from Demna Parish Church ruins between the 4th and 5th columns of the right aisle. The Bardo National Museum, Tunis, Tunisia.  Against a white background.
  • Fifth century Eastern Roman Byzantine  Christian funerary mosaic dedicated to Leontia.  The Constantinian monogram depicting the Christian Chi-Rho symbol used by the Roman emperor Constantine I as part of his military standard (vexillum).  The inscription in the cartouche reads " Leontia in peace and harmony with God, entered into eternal life on the Sixth Ides of October". Two birds and cut Roses occupy the rest of the mosaic. <br />
<br />
Excavated from Demna Parish Church ruins between the 4th and 5th columns of the right aisle. The Bardo National Museum, Tunis, Tunisia.  Against a black background.
  • Fifth century Eastern Roman Byzantine  Christian funerary mosaic dedicated to Leontia.  The Constantinian monogram depicting the Christian Chi-Rho symbol used by the Roman emperor Constantine I as part of his military standard (vexillum).  The inscription in the cartouche reads " Leontia in peace and harmony with God, entered into eternal life on the Sixth Ides of October". Two birds and cut Roses occupy the rest of the mosaic. <br />
<br />
Excavated from Demna Parish Church ruins between the 4th and 5th columns of the right aisle. The Bardo National Museum, Tunis, Tunisia.
  • Fifth century Eastern Roman Byzantine  Christian funerary mosaic dedicated to Leontia.  The Constantinian monogram depicting the Christian Chi-Rho symbol used by the Roman emperor Constantine I as part of his military standard (vexillum).  The inscription in the cartouche reads " Leontia in peace and harmony with God, entered into eternal life on the Sixth Ides of October". Two birds and cut Roses occupy the rest of the mosaic. <br />
<br />
Excavated from Demna Parish Church ruins between the 4th and 5th columns of the right aisle. The Bardo National Museum, Tunis, Tunisia.
  • Fifth century Eastern Roman Byzantine  Christian funerary mosaic dedicated to Leontia.  The Constantinian monogram depicting the Christian Chi-Rho symbol used by the Roman emperor Constantine I as part of his military standard (vexillum).  The inscription in the cartouche reads " Leontia in peace and harmony with God, entered into eternal life on the Sixth Ides of October". Two birds and cut Roses occupy the rest of the mosaic. <br />
<br />
Excavated from Demna Parish Church ruins between the 4th and 5th columns of the right aisle. The Bardo National Museum, Tunis, Tunisia. Against a grey art background.
  • Babylonian Hammurabi stone relief sculpture. Hammurabi was the sixth Amorite king of Babylon from 1792 BC to 1750 BC . Hammurabi (standing), depicted as receiving his royal insignia from Shamash. Hammurabi holds his hands over his mouth as a sign of prayer. The Vorderasiatisches Museum, part of the Pergamon Museum, Berlin
  • Babylonian Hammurabi stone relief sculpture. Hammurabi was the sixth Amorite king of Babylon from 1792 BC to 1750 BC . Hammurabi (standing), depicted as receiving his royal insignia from Shamash. Hammurabi holds his hands over his mouth as a sign of prayer. The Vorderasiatisches Museum, part of the Pergamon Museum, Berlin
  • Babylonian Hammurabi stone relief sculpture. Hammurabi was the sixth Amorite king of Babylon from 1792 BC to 1750 BC . Hammurabi (standing), depicted as receiving his royal insignia from Shamash. Hammurabi holds his hands over his mouth as a sign of prayer. The Vorderasiatisches Museum, part of the Pergamon Museum, Berlin
  • Babylonian Hammurabi stone relief sculpture. Hammurabi was the sixth Amorite king of Babylon from 1792 BC to 1750 BC . Hammurabi (standing), depicted as receiving his royal insignia from Shamash. Hammurabi holds his hands over his mouth as a sign of prayer. The Vorderasiatisches Museum, part of the Pergamon Museum, Berlin
  • Detail of sixth Century Pillars From Acre with oriental bas releif geometric designs. St Mark's Basilica, Venice. Looted from Constantinople after the Fourth Crusade (1202-1204)
  • Detail of sixth Century Pillars From Acre with oriental bas releif geometric designs. St Mark's Basilica, Venice. Looted from Constantinople after the Fourth Crusade (1202-1204)

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