• small cake - Chocolate truffle
  • Town cottages with wisteria growing on them. Buckingham High Street, Bucks
  • Town cottages with wisteria growing on them. Buckingham High Street, Bucks
  • Town cottages with wisteria growing on them. Buckingham High Street, Bucks
  • Thatched cottage in Buckingham, Bucks
  • Thatched cottage in Buckingham, Bucks
  • Thatched cottage in Buckingham, Bucks
  • Thatched cottage in Buckingham, Bucks
  • Town cottages with wisteria growing on them. Buckingham High Street, Bucks
  • Town cottages with wisteria growing on them. Buckingham High Street, Bucks
  • Town cottages with wisteria growing on them. Buckingham High Street, Bucks
  • Town cottages with wisteria growing on them. Buckingham High Street, Bucks
  • Thatched cottage in Buckingham, Bucks
  • Griddled whole padron chillis
  • Griddled whole padron chillis
  • A modern square chocolate cake filled with chocolate truffle and topped with fresh raspberries
  • A modern fruit cake with redcurrants, wild strawberries, blacberry and creme patisserie in a light sponge case in a designer dish.
  • Whole griddled Padron peppers snack with sea salt
  • Whole griddled Padron peppers snack with sea salt
  • Whole griddled Padron peppers snack with sea salt
  • Fresh Padron peppers
  • Whole griddled Padron peppers snack with sea salt
  • Whole griddled Padron peppers snack with sea salt
  • Topless female lying in bed
  • Topless female lying in bed
  • Topless female lying in bed
  • Topless female
  • Topless female
  • Topless female holding towel
  • Topless female holding towel
  • Topless female
  • Topless female
  • Town cottages with wisteria growing on them. Buckingham High Street, Bucks
  • Fresh Padron peppers
  • Whole griddled Padron peppers snack with sea salt
  • Topless female lying in bed
  • Close up picture of the Roman mosaics of the room of the Small Circus depicting Roman boys riding small chariots pulled by birds in a small circus, The Vestibule of The Smnall Circus, room no 41  at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Roman mosaic know as the Small Circus at the Villa Romana del Casale depicts a scene of a chariot race from the Circus Maximus in Rome. Two wheeled chariots, driven by children,  are racing around a central Pina (barrier) being drawn by fowl and web footed birds. The four chariots represent the four factions that raced against each other at the Circus and the tunics of the cild charioteers and the birds pulling their chariots are distinguished by the four different colours used by each faction.
  • Close up picture of the Roman mosaics of the room of the Small Circus depicting Roman boys riding small chariots pulled by pigeons in a small circus, The Vestibule of The Smnall Circus, room no 41  at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Roman mosaic know as the Small Circus at the Villa Romana del Casale depicts a scene of a chariot race from the Circus Maximus in Rome. Two wheeled chariots, driven by children,  are racing around a central Pina (barrier) being drawn by fowl and web footed birds. The four chariots represent the four factions that raced against each other at the Circus and the tunics of the cild charioteers and the birds pulling their chariots are distinguished by the four different colours used by each faction.
  • wide shot of the Roman mosaics of the room of the Small Circus depicting Roman boys riding small chariots pulled by birds in a small circus, The Vestibule of The Smnall Circus, room no 41  at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Roman mosaic know as the Small Circus at the Villa Romana del Casale depicts a scene of a chariot race from the Circus Maximus in Rome. Two wheeled chariots, driven by children,  are racing around a central Pina (barrier) being drawn by fowl and web footed birds. The four chariots represent the four factions that raced against each other at the Circus and the tunics of the cild charioteers and the birds pulling their chariots are distinguished by the four different colours used by each faction.
  • Close up picture of the Roman mosaics of the room of the Small Circus depicting Roman boys riding small chariots pulled by birds in a small circus, The Vestibule of The Smnall Circus, room no 41  at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Roman mosaic know as the Small Circus at the Villa Romana del Casale depicts a scene of a chariot race from the Circus Maximus in Rome. Two wheeled chariots, driven by children,  are racing around a central Pina (barrier) being drawn by fowl and web footed birds. The four chariots represent the four factions that raced against each other at the Circus and the tunics of the cild charioteers and the birds pulling their chariots are distinguished by the four different colours used by each faction.
  • Close up picture of the Roman mosaics of the room of the Small Circus depicting Roman boys riding small chariots pulled by geese in a small circus, The Vestibule of The Smnall Circus, room no 41  at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Roman mosaic know as the Small Circus at the Villa Romana del Casale depicts a scene of a chariot race from the Circus Maximus in Rome. Two wheeled chariots, driven by children,  are racing around a central Pina (barrier) being drawn by fowl and web footed birds. The four chariots represent the four factions that raced against each other at the Circus and the tunics of the cild charioteers and the birds pulling their chariots are distinguished by the four different colours used by each faction.
  • Close up picture of the Roman mosaics of the room of the Small Circus depicting Roman boys riding small chariots pulled by geese in a small circus, The Vestibule of The Smnall Circus, room no 41  at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Roman mosaic know as the Small Circus at the Villa Romana del Casale depicts a scene of a chariot race from the Circus Maximus in Rome. Two wheeled chariots, driven by children,  are racing around a central Pina (barrier) being drawn by fowl and web footed birds. The four chariots represent the four factions that raced against each other at the Circus and the tunics of the cild charioteers and the birds pulling their chariots are distinguished by the four different colours used by each faction.
  • Close up picture of the Roman mosaics of the room of the Small Circus depicting Roman boys riding small chariots pulled by birds in a small circus, The Vestibule of The Smnall Circus, room no 41  at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Roman mosaic know as the Small Circus at the Villa Romana del Casale depicts a scene of a chariot race from the Circus Maximus in Rome. Two wheeled chariots, driven by children,  are racing around a central Pina (barrier) being drawn by fowl and web footed birds. The four chariots represent the four factions that raced against each other at the Circus and the tunics of the cild charioteers and the birds pulling their chariots are distinguished by the four different colours used by each faction.
  • Close up picture of the Roman mosaics of the room of the Small Circus depicting Roman boys riding small chariots pulled by birds in a small circus, The Vestibule of The Smnall Circus, room no 41  at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Roman mosaic know as the Small Circus at the Villa Romana del Casale depicts a scene of a chariot race from the Circus Maximus in Rome. Two wheeled chariots, driven by children,  are racing around a central Pina (barrier) being drawn by fowl and web footed birds. The four chariots represent the four factions that raced against each other at the Circus and the tunics of the cild charioteers and the birds pulling their chariots are distinguished by the four different colours used by each faction.
  • Wide picture of the Roman mosaics of the room of the Small Circus depicting Roman boys riding small chariots pulled by birds in a small circus, The Vestibule of The Smnall Circus, room no 41  at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Roman mosaic know as the Small Circus at the Villa Romana del Casale depicts a scene of a chariot race from the Circus Maximus in Rome. Two wheeled chariots, driven by children,  are racing around a central Pina (barrier) being drawn by fowl and web footed birds. The four chariots represent the four factions that raced against each other at the Circus and the tunics of the cild charioteers and the birds pulling their chariots are distinguished by the four different colours used by each faction.
  • Wide picture of the Roman mosaics of the room of the Small Circus depicting Roman boys riding small chariots pulled by birds in a small circus, The Vestibule of The Smnall Circus, room no 41  at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Roman mosaic know as the Small Circus at the Villa Romana del Casale depicts a scene of a chariot race from the Circus Maximus in Rome. Two wheeled chariots, driven by children,  are racing around a central Pina (barrier) being drawn by fowl and web footed birds. The four chariots represent the four factions that raced against each other at the Circus and the tunics of the cild charioteers and the birds pulling their chariots are distinguished by the four different colours used by each faction.
  • Wide picture of the Roman mosaics of the small hunt, room no 24 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Small Hunt room was used as a living room for guests of the Villa Romana del Casale. The Small hunt mosaic design has 4 registers running across the mosaic depicting hunting scenes. In the first register two servants are handling hunting dogs. In the second register figures are depicted burning incense at an altar to Diana, the goddess of hunting, before the hunt starts. The offering is being made by Constantius Clorus , the Caesar of Emperor Maximianus who owned the Villa Romana del Casale. Behind him is his son the future Emperor Constantine. To the right of the altar is a figure holding the reins of a horse dressed in a clavi decorated with ivy leaves indicating that he belongs to the family of Maximianus.
  • Wide picture of the Roman mosaics of the small hunt, room no 24 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Small Hunt room was used as a living room for guests of the Villa Romana del Casale. The Small hunt mosaic design has 4 registers running across the mosaic depicting hunting scenes. In the first register two servants are handling hunting dogs. In the second register figures are depicted burning incense at an altar to Diana, the goddess of hunting, before the hunt starts. The offering is being made by Constantius Clorus , the Caesar of Emperor Maximianus who owned the Villa Romana del Casale. Behind him is his son the future Emperor Constantine. To the right of the altar is a figure holding the reins of a horse dressed in a clavi decorated with ivy leaves indicating that he belongs to the family of Maximianus.
  • Wide picture of the Roman mosaics of the small hunt, room no 24 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Small Hunt room was used as a living room for guests of the Villa Romana del Casale. The Small hunt mosaic design has 4 registers running across the mosaic depicting hunting scenes. In the first register two servants are handling hunting dogs. In the second register figures are depicted burning incense at an altar to Diana, the goddess of hunting, before the hunt starts. The offering is being made by Constantius Clorus , the Caesar of Emperor Maximianus who owned the Villa Romana del Casale. Behind him is his son the future Emperor Constantine. To the right of the altar is a figure holding the reins of a horse dressed in a clavi decorated with ivy leaves indicating that he belongs to the family of Maximianus.
  • Close up detail picture of the Roman mosaics of the small hunt depicting hunters with a dead boar and hunters making an offering at an altar, room no 24 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Small Hunt room was used as a living room for guests of the Villa Romana del Casale. The Small hunt mosaic design has 4 registers running across the mosaic depicting hunting scenes. In the first register two servants are handling hunting dogs. In the second register figures are depicted burning incense at an altar to Diana, the goddess of hunting, before the hunt starts. The offering is being made by Constantius Clorus , the Caesar of Emperor Maximianus who owned the Villa Romana del Casale. Behind him is his son the future Emperor Constantine. To the right of the altar is a figure holding the reins of a horse dressed in a clavi decorated with ivy leaves indicating that he belongs to the family of Maximianus.
  • Wide picture of the Roman mosaics of the small hunt, room no 24 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Small Hunt room was used as a living room for guests of the Villa Romana del Casale. The Small hunt mosaic design has 4 registers running across the mosaic depicting hunting scenes. In the first register two servants are handling hunting dogs. In the second register figures are depicted burning incense at an altar to Diana, the goddess of hunting, before the hunt starts. The offering is being made by Constantius Clorus , the Caesar of Emperor Maximianus who owned the Villa Romana del Casale. Behind him is his son the future Emperor Constantine. To the right of the altar is a figure holding the reins of a horse dressed in a clavi decorated with ivy leaves indicating that he belongs to the family of Maximianus.
  • Close up detail picture of the Roman mosaics of the small hunt depicting deer being caught in a net trap, room no 24 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Small Hunt room was used as a living room for guests of the Villa Romana del Casale. The Small hunt mosaic design has 4 registers running across the mosaic depicting hunting scenes. In the first register two servants are handling hunting dogs. In the second register figures are depicted burning incense at an altar to Diana, the goddess of hunting, before the hunt starts. The offering is being made by Constantius Clorus , the Caesar of Emperor Maximianus who owned the Villa Romana del Casale. Behind him is his son the future Emperor Constantine. To the right of the altar is a figure holding the reins of a horse dressed in a clavi decorated with ivy leaves indicating that he belongs to the family of Maximianus.
  • Close up detail picture of the Roman mosaics of the small hunt depicting boys hunting a song bird in a tree, room no 24 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Small Hunt room was used as a living room for guests of the Villa Romana del Casale. The Small hunt mosaic design has 4 registers running across the mosaic depicting hunting scenes. In the first register two servants are handling hunting dogs. In the second register figures are depicted burning incense at an altar to Diana, the goddess of hunting, before the hunt starts. The offering is being made by Constantius Clorus , the Caesar of Emperor Maximianus who owned the Villa Romana del Casale. Behind him is his son the future Emperor Constantine. To the right of the altar is a figure holding the reins of a horse dressed in a clavi decorated with ivy leaves indicating that he belongs to the family of Maximianus.
  • Close up detail picture of the Roman mosaics of the small hunt depicting a dead boar being carried by hunters, room no 24 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Small Hunt room was used as a living room for guests of the Villa Romana del Casale. The Small hunt mosaic design has 4 registers running across the mosaic depicting hunting scenes. In the first register two servants are handling hunting dogs. In the second register figures are depicted burning incense at an altar to Diana, the goddess of hunting, before the hunt starts. The offering is being made by Constantius Clorus , the Caesar of Emperor Maximianus who owned the Villa Romana del Casale. Behind him is his son the future Emperor Constantine. To the right of the altar is a figure holding the reins of a horse dressed in a clavi decorated with ivy leaves indicating that he belongs to the family of Maximianus.
  • Close up detail picture of the Roman mosaics of the small hunt depicting dogs chasing a fox, room no 24 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Small Hunt room was used as a living room for guests of the Villa Romana del Casale. The Small hunt mosaic design has 4 registers running across the mosaic depicting hunting scenes. In the first register two servants are handling hunting dogs. In the second register figures are depicted burning incense at an altar to Diana, the goddess of hunting, before the hunt starts. The offering is being made by Constantius Clorus , the Caesar of Emperor Maximianus who owned the Villa Romana del Casale. Behind him is his son the future Emperor Constantine. To the right of the altar is a figure holding the reins of a horse dressed in a clavi decorated with ivy leaves indicating that he belongs to the family of Maximianus.
  • Close up detail picture of the Roman mosaics of the small hunt depicting offerings being made at an altar, room no 24 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Small Hunt room was used as a living room for guests of the Villa Romana del Casale. The Small hunt mosaic design has 4 registers running across the mosaic depicting hunting scenes. In the first register two servants are handling hunting dogs. In the second register figures are depicted burning incense at an altar to Diana, the goddess of hunting, before the hunt starts. The offering is being made by Constantius Clorus , the Caesar of Emperor Maximianus who owned the Villa Romana del Casale. Behind him is his son the future Emperor Constantine. To the right of the altar is a figure holding the reins of a horse dressed in a clavi decorated with ivy leaves indicating that he belongs to the family of Maximianus.
  • Close up detail picture of the Roman mosaics of the small hunt depicting offerings being made at an altar, room no 24 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Small Hunt room was used as a living room for guests of the Villa Romana del Casale. The Small hunt mosaic design has 4 registers running across the mosaic depicting hunting scenes. In the first register two servants are handling hunting dogs. In the second register figures are depicted burning incense at an altar to Diana, the goddess of hunting, before the hunt starts. The offering is being made by Constantius Clorus , the Caesar of Emperor Maximianus who owned the Villa Romana del Casale. Behind him is his son the future Emperor Constantine. To the right of the altar is a figure holding the reins of a horse dressed in a clavi decorated with ivy leaves indicating that he belongs to the family of Maximianus.
  • Close up detail picture of the Roman mosaics of the small hunt depicting a hare about to be speared,  room no 24 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Small Hunt room was used as a living room for guests of the Villa Romana del Casale. The Small hunt mosaic design has 4 registers running across the mosaic depicting hunting scenes. In the first register two servants are handling hunting dogs. In the second register figures are depicted burning incense at an altar to Diana, the goddess of hunting, before the hunt starts. The offering is being made by Constantius Clorus , the Caesar of Emperor Maximianus who owned the Villa Romana del Casale. Behind him is his son the future Emperor Constantine. To the right of the altar is a figure holding the reins of a horse dressed in a clavi decorated with ivy leaves indicating that he belongs to the family of Maximianus.
  • Close up detail picture of the Roman mosaics of the small hunt depicting food being cooked, room no 24 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
The Small Hunt room was used as a living room for guests of the Villa Romana del Casale. The Small hunt mosaic design has 4 registers running across the mosaic depicting hunting scenes. In the first register two servants are handling hunting dogs. In the second register figures are depicted burning incense at an altar to Diana, the goddess of hunting, before the hunt starts. The offering is being made by Constantius Clorus , the Caesar of Emperor Maximianus who owned the Villa Romana del Casale. Behind him is his son the future Emperor Constantine. To the right of the altar is a figure holding the reins of a horse dressed in a clavi decorated with ivy leaves indicating that he belongs to the family of Maximianus.
  • Close up detail picture of the Roman mosaics of the small hunt, room no 24 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Small Hunt room was used as a living room for guests of the Villa Romana del Casale. The Small hunt mosaic design has 4 registers running across the mosaic depicting hunting scenes. In the first register two servants are handling hunting dogs. In the second register figures are depicted burning incense at an altar to Diana, the goddess of hunting, before the hunt starts. The offering is being made by Constantius Clorus , the Caesar of Emperor Maximianus who owned the Villa Romana del Casale. Behind him is his son the future Emperor Constantine. To the right of the altar is a figure holding the reins of a horse dressed in a clavi decorated with ivy leaves indicating that he belongs to the family of Maximianus.
  • Wide picture of the Roman mosaics of Circus Maximus from the Palaestra depicting a chariot race at the Circus Maximus, room no 15 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Small Hunt room was used as a living room for guests of the Villa Romana del Casale. The Small hunt mosaic design has 4 registers running across the mosaic depicting hunting scenes. In the first register two servants are handling hunting dogs. In the second register figures are depicted burning incense at an altar to Diana, the goddess of hunting, before the hunt starts. The offering is being made by Constantius Clorus , the Caesar of Emperor Maximianus who owned the Villa Romana del Casale. Behind him is his son the future Emperor Constantine. To the right of the altar is a figure holding the reins of a horse dressed in a clavi decorated with ivy leaves indicating that he belongs to the family of Maximianus.
  • Hunters making a sacrifice to the goddess Diana from the Room of The Small Nunt, no 25 - Roman mosaics at the Villa Romana del Casale which containis the richest, largest and most complex collection of Roman mosaics in the world, circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Hunter after a wild boar hunt from the Room of The Small Hunt, no 25 - Roman mosaics at the Villa Romana del Casale which containis the richest, largest and most complex collection of Roman mosaics in the world, circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Mosaics of The Small Hunt, no 25 - Roman mosaics at the Villa Romana del Casale which containis the richest, largest and most complex collection of Roman mosaics in the world, circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Hunters making a sacrifice to the goddess Diana after a hunt from the Room of The Small Nunt, no 25 - Roman mosaics at the Villa Romana del Casale which containis the richest, largest and most complex collection of Roman mosaics in the world, circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Hunter with dogs chasing a fox from the Room of The Small Hunt, no 25 - Roman mosaics at the Villa Romana del Casale which containis the richest, largest and most complex collection of Roman mosaics in the world, circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Hunter on horseback  about to spear a crouching hare From the Room of The Small Hunt, no 25 - Roman mosaics at the Villa Romana del Casale which containis the richest, largest and most complex collection of Roman mosaics in the world, circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Hunter with a hare from the Room of The Small Hunt, no 25 - Roman mosaics at the Villa Romana del Casale which containis the richest, largest and most complex collection of Roman mosaics in the world, circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Hunters looking for birds in a tree from the Room of The Small Hunt, no 25 - Roman mosaics at the Villa Romana del Casale which containis the richest, largest and most complex collection of Roman mosaics in the world, circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Hunter with a wild boar slung in a net from the Room of The Small Hunt, no 25 - Roman mosaics at the Villa Romana del Casale which containis the richest, largest and most complex collection of Roman mosaics in the world, circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Hunters after the hunt from the Room of The Small Hunt, no 25 - Roman mosaics at the Villa Romana del Casale which containis the richest, largest and most complex collection of Roman mosaics in the world, circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • 2nd century AD Roman marble sculpture known as ‘The Small Women’ the so called Flora, copied from a 4th century BC  Hellanistic Greek original,  inv 6404, Naples Museum of Archaeology, Italy
  • 2nd century AD Roman marble sculpture known as ‘The Small Women’ the so called Flora, copied from a 4th century BC  Hellanistic Greek original,  inv 6404, Naples Museum of Archaeology, Italy
  • 2nd century AD Roman marble sculpture known as ‘The Small Women’ the so called Flora, copied from a 4th century BC  Hellanistic Greek original,  inv 6404, Naples Museum of Archaeology, Italy
  • 2nd century AD Roman marble sculpture known as ‘The Small Women’ the so called Flora, copied from a 4th century BC  Hellanistic Greek original,  inv 6404, Naples Museum of Archaeology, Italy
  • Entrance to the Odeion (Small Thaetre) that was built as a council chamber in 2nd century A.D. Ephesus Archaeological Site, Anatolia, Turkey.
  • Close up detail picture of the Roman mosaics of the small hunt, room no 24 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Entrance to the Odeion (Small Thaetre) that was built as a council chamber in 2nd century A.D. Ephesus Archaeological Site, Anatolia, Turkey.
  • Photo of Hittite sculpted Orthostats panel of Long Wall Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Soldiers. Anatolian Civilisations Museum, Ankara, Turkey<br />
<br />
Figure of two helmeted warriors. They have their shield in their back and their spear in their hand. The prisoner in their front is depicted small. A human head is depicted in the left hand of the warrior in the front. The warrior at the rear holds the prisoners sitting on his lap from his hair. Below this figure, which was described small, lies yet another small human figure. <br />
<br />
On a brown art background.
  • Hittite sculpted Orthostats panel of Long Wall Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Soldiers. Anatolian Civilisations Museum, Ankara, Turkey<br />
<br />
Figure of two helmeted warriors. They have their shield in their back and their spear in their hand. The prisoner in their front is depicted small. A human head is depicted in the left hand of the warrior in the front. The warrior at the rear holds the prisoners sitting on his lap from his hair. Below this figure, which was described small, lies yet another small human figure. <br />
<br />
On a White Background.
  • Hittite sculpted Orthostats panel of Long Wall Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Soldiers. Anatolian Civilisations Museum, Ankara, Turkey<br />
<br />
Figure of two helmeted warriors. They have their shield in their back and their spear in their hand. The prisoner in their front is depicted small. A human head is depicted in the left hand of the warrior in the front. The warrior at the rear holds the prisoners sitting on his lap from his hair. Below this figure, which was described small, lies yet another small human figure. <br />
<br />
On a black background.
  • Picture & image of Hittite sculpted Orthostats panel of Long Wall Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Soldiers. Anatolian Civilisations Museum, Ankara, Turkey<br />
<br />
Figure of two helmeted warriors. They have their shield in their back and their spear in their hand. The prisoner in their front is depicted small. A human head is depicted in the left hand of the warrior in the front. The warrior at the rear holds the prisoners sitting on his lap from his hair. Below this figure, which was described small, lies yet another small human figure. <br />
<br />
On a gray background.
  • Hittite sculpted Orthostats panel of Long Wall Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Soldiers. Anatolian Civilisations Museum, Ankara, Turkey<br />
<br />
Figure of two helmeted warriors. They have their shield in their back and their spear in their hand. The prisoner in their front is depicted small. A human head is depicted in the left hand of the warrior in the front. The warrior at the rear holds the prisoners sitting on his lap from his hair. Below this figure, which was described small, lies yet another small human figure. <br />
<br />
On a grey art background.
  • Pictures & Images of the Archangel Georgian Orthodox Church Georgian style exterior relief stone carvings of the south door, 10th - 11th century, Upper Krikhi, Krikhi, Georgia (country).<br />
<br />
For a small church Krikhi Archangel Church is extremely well decorated on the outside with Georgian style bas relief stonework. The south door has intricate carvings along its pillars and in the architraves above the door. The churches small windows are highly decorated with stone tracery around them.
  • Pictures & Images of the Archangel Georgian Orthodox Church Georgian style exterior relief stone carvings of the south door, 10th - 11th century, Upper Krikhi, Krikhi, Georgia (country).<br />
<br />
For a small church Krikhi Archangel Church is extremely well decorated on the outside with Georgian style bas relief stonework. The south door has intricate carvings along its pillars and in the architraves above the door. The churches small windows are highly decorated with stone tracery around them.
  • Pictures & Images of the Archangel Georgian Orthodox Church Georgian style exterior relief stone carvings of the south door, 10th - 11th century, Upper Krikhi, Krikhi, Georgia (country).<br />
<br />
For a small church Krikhi Archangel Church is extremely well decorated on the outside with Georgian style bas relief stonework. The south door has intricate carvings along its pillars and in the architraves above the door. The churches small windows are highly decorated with stone tracery around them.
  • Pictures & Images of the Archangel Georgian Orthodox Church Georgian style exterior relief stone carvings of the south door, 10th - 11th century, Upper Krikhi, Krikhi, Georgia (country).<br />
<br />
For a small church Krikhi Archangel Church is extremely well decorated on the outside with Georgian style bas relief stonework. The south door has intricate carvings along its pillars and in the architraves above the door. The churches small windows are highly decorated with stone tracery around them.
  • Pictures & Images of the Archangel Georgian Orthodox Church Georgian style exterior relief stone carvings of the south door, 10th - 11th century, Upper Krikhi, Krikhi, Georgia (country).<br />
<br />
For a small church Krikhi Archangel Church is extremely well decorated on the outside with Georgian style bas relief stonework. The south door has intricate carvings along its pillars and in the architraves above the door. The churches small windows are highly decorated with stone tracery around them.
  • Pictures & Images of the Archangel Georgian Orthodox Church Georgian style exterior relief stone carvings of the south door, 10th - 11th century, Upper Krikhi, Krikhi, Georgia (country).<br />
<br />
For a small church Krikhi Archangel Church is extremely well decorated on the outside with Georgian style bas relief stonework. The south door has intricate carvings along its pillars and in the architraves above the door. The churches small windows are highly decorated with stone tracery around them.
  • Pictures & Images of the Archangel Georgian Orthodox Church Georgian style exterior relief stone carvings of the south door, 10th - 11th century, Upper Krikhi, Krikhi, Georgia (country).<br />
<br />
For a small church Krikhi Archangel Church is extremely well decorated on the outside with Georgian style bas relief stonework. The south door has intricate carvings along its pillars and in the architraves above the door. The churches small windows are highly decorated with stone tracery around them.
  • Pictures & Images of the Archangel Georgian Orthodox Church Georgian style exterior relief stone carvings of the south door, 10th - 11th century, Upper Krikhi, Krikhi, Georgia (country).<br />
<br />
For a small church Krikhi Archangel Church is extremely well decorated on the outside with Georgian style bas relief stonework. The south door has intricate carvings along its pillars and in the architraves above the door. The churches small windows are highly decorated with stone tracery around them.
  • Pictures & Images of the Archangel Georgian Orthodox Church Georgian style exterior relief stone carvings of the south door, 10th - 11th century, Upper Krikhi, Krikhi, Georgia (country).<br />
<br />
For a small church Krikhi Archangel Church is extremely well decorated on the outside with Georgian style bas relief stonework. The south door has intricate carvings along its pillars and in the architraves above the door. The churches small windows are highly decorated with stone tracery around them.
  • Pictures & Images of the Archangel Georgian Orthodox Church Georgian style exterior relief stone carvings of the south door, 10th - 11th century, Upper Krikhi, Krikhi, Georgia (country).<br />
<br />
For a small church Krikhi Archangel Church is extremely well decorated on the outside with Georgian style bas relief stonework. The south door has intricate carvings along its pillars and in the architraves above the door. The churches small windows are highly decorated with stone tracery around them.
  • Pictures & Images of the Archangel Georgian Orthodox Church Georgian style exterior relief stone carvings of the south door, 10th - 11th century, Upper Krikhi, Krikhi, Georgia (country).<br />
<br />
For a small church Krikhi Archangel Church is extremely well decorated on the outside with Georgian style bas relief stonework. The south door has intricate carvings along its pillars and in the architraves above the door. The churches small windows are highly decorated with stone tracery around them.
  • Pictures & Images of the Archangel Georgian Orthodox Church Georgian style exterior relief stone carvings of the south door, 10th - 11th century, Upper Krikhi, Krikhi, Georgia (country).<br />
<br />
For a small church Krikhi Archangel Church is extremely well decorated on the outside with Georgian style bas relief stonework. The south door has intricate carvings along its pillars and in the architraves above the door. The churches small windows are highly decorated with stone tracery around them.
  • Ambulatory of the Great Hunt Roman mosaic, small boat, room no 28, at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Great Hunt ambulatory is around 60 meters long (200 Roman feet) and connects the master’s northern apartments with the triclinium in the south. The door in the centre of the the Great Hunt ambulatory leads to audience hall. <br />
<br />
The Great Hunt Roman mosaic depicts African animals being hunted and put onto ships to be taken to the Colosseum.
  • Picture and image of the prehistoric nuragic conical stone betyls representing female fertility with 2 small carved breasts, probably nuragic sacred stones, The Prehistoric Nuragic Complex of Tamuli, Macomer, Sardinia.
  • Picture and image of the prehistoric nuragic conical stone betyls representing female fertility with 2 small carved breasts, probably nuragic sacred stones, The Prehistoric Nuragic Complex of Tamuli, Macomer, Sardinia.
  • Hunters hunting. Roman mosaic floor of the Room of The Small Hunt, no 25 - Roman mosaics at the Villa Romana del Casale ,  circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Hunters hunting. Roman mosaic floor of the Room of The Small Hunt, no 25 - Roman mosaics at the Villa Romana del Casale ,  circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Hunter with dogs. Roman mosaic floor of the Room of The Small Hunt, no 25 - Roman mosaics at the Villa Romana del Casale ,  circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Roman mosaic floor of the Room of The Small Hunt, no 25 - Roman mosaics at the Villa Romana del Casale ,  circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Hunters Hunting. Roman mosaic floor of the Room of The Small Hunt, no 25 - Roman mosaics at the Villa Romana del Casale ,  circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Wild Boar being hunted. Roman mosaic floor of the Room of The Small Hunt, no 25 - Roman mosaics at the Villa Romana del Casale ,  circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Wild Boar being hunted. Roman mosaic floor of the Room of The Small Hunt, no 25 - Roman mosaics at the Villa Romana del Casale ,  circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Hunter Roman mosaic floor of the Room of The Small Hunt, no 25 - Roman mosaics at the Villa Romana del Casale ,  circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Hunters looking for birds. Roman mosaic floor of the Room of The Small Hunt, no 25 - Roman mosaics at the Villa Romana del Casale ,  circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Hunters looking for birds. Roman mosaic floor of the Room of The Small Hunt, no 25 - Roman mosaics at the Villa Romana del Casale ,  circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Hunters carrying a dead wild boar. Roman mosaic floor of the Room of The Small Hunt, no 25 - Roman mosaics at the Villa Romana del Casale ,  circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Hunter with dogs chasing a fox from the Room of The Small Hunt, no 25 - Roman mosaics at the Villa Romana del Casale 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Small Early Neolithic calcareous alabaster  statue of a goddess sitting from Su Cungiau de Marcu, Declomputzu, Sardinia Italy. Museo archeologico nazionale, Cagliari, Italy. (National Archaeological Museum) - Art Background
  • Hunter with a hare from the Room of The Small Hunt, no 25 - Roman mosaics at the Villa Romana del Casale which containis the richest, largest and most complex collection of Roman mosaics in the world, circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Mosaics of The Small Hunt, no 25 - Roman mosaics at the Villa Romana del Casale which containis the richest, largest and most complex collection of Roman mosaics in the world, circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Mosaics of The Small Hunt, no 25 - Roman mosaics at the Villa Romana del Casale which containis the richest, largest and most complex collection of Roman mosaics in the world, circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Hunter with dogs chasing a fox from the Room of The Small Hunt, no 25 - Roman mosaics at the Villa Romana del Casale which containis the richest, largest and most complex collection of Roman mosaics in the world, circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Hunter about to spear a hare From the Room of The Small Hunt, no 25 - Roman mosaics at the Villa Romana del Casale which containis the richest, largest and most complex collection of Roman mosaics in the world, circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Hunter driving deer into a net from the Room of The Small Hunt, no 25 - Roman mosaics at the Villa Romana del Casale which containis the richest, largest and most complex collection of Roman mosaics in the world, circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Small Alabaster Statue head grave stone from the Yemen, 1st cent. B.C . Istanbul Archaeological Museum, Inv. 7670.
  • Small Alabaster Statue head grave stone from the Yemen, 1st cent. B.C . Istanbul Archaeological Museum, Inv. 7670.
  • Pictures & images of interior cave rooms of Aynali Kilise (Church) a cave church complex, iconoclastic period (725-842), near Goreme, Cappadocia, Nevsehir, Turkey.<br />
<br />
The picture shows rooms in cave gallery above the church below. The small niches in the walls wre cut after the monastery closed for pigeons to nest in. On the back wall is a small low tunnel which leads to an inner room which would have been the final defensive retreat from the maonatery monks in times of danger.
  • Pictures & images of interior cave rooms of Aynali Kilise (Church) a cave church complex, iconoclastic period (725-842), near Goreme, Cappadocia, Nevsehir, Turkey.<br />
<br />
The picture shows rooms in cave gallery above the church below. The small niches in the walls wre cut after the monastery closed for pigeons to nest in. On the back wall is a small low tunnel which leads to an inner room which would have been the final defensive retreat from the maonatery monks in times of danger.
  • Pictures & Images of the Archangel Georgian Orthodox Church Georgian style exterior relief stone carvings of the apse, 10th - 11th century, Upper Krikhi, Krikhi, Georgia (country).<br />
<br />
For a small church Krikhi Archangel Church is extremely well decorated on the outside with Georgian style bas relief stonework. The south door has intricate carvings along its pillars and in the architraves above the door. The churches small windows are highly decorated with stone tracery around them.
  • Pictures & Images of the Archangel Georgian Orthodox Church Georgian style exterior relief stone carvings of the apse, 10th - 11th century, Upper Krikhi, Krikhi, Georgia (country).<br />
<br />
For a small church Krikhi Archangel Church is extremely well decorated on the outside with Georgian style bas relief stonework. The south door has intricate carvings along its pillars and in the architraves above the door. The churches small windows are highly decorated with stone tracery around them.
  • Pictures & Images of the Archangel Georgian Orthodox Church Georgian style exterior relief stone carvings of the apse, 10th - 11th century, Upper Krikhi, Krikhi, Georgia (country).<br />
<br />
For a small church Krikhi Archangel Church is extremely well decorated on the outside with Georgian style bas relief stonework. The south door has intricate carvings along its pillars and in the architraves above the door. The churches small windows are highly decorated with stone tracery around them.
  • Pictures & Images of the Archangel Georgian Orthodox Church Georgian style exterior relief stone carvings of the apse, 10th - 11th century, Upper Krikhi, Krikhi, Georgia (country).<br />
<br />
For a small church Krikhi Archangel Church is extremely well decorated on the outside with Georgian style bas relief stonework. The south door has intricate carvings along its pillars and in the architraves above the door. The churches small windows are highly decorated with stone tracery around them.
  • Pictures & Images of the Archangel Georgian Orthodox Church Georgian style exterior relief stone carvings of the apse, 10th - 11th century, Upper Krikhi, Krikhi, Georgia (country).<br />
<br />
For a small church Krikhi Archangel Church is extremely well decorated on the outside with Georgian style bas relief stonework. The south door has intricate carvings along its pillars and in the architraves above the door. The churches small windows are highly decorated with stone tracery around them.
  • Pictures & Images of the Archangel Georgian Orthodox Church Georgian style exterior relief stone carvings of the south door, 10th - 11th century, Upper Krikhi, Krikhi, Georgia (country).<br />
<br />
For a small church Krikhi Archangel Church is extremely well decorated on the outside with Georgian style bas relief stonework. The south door has intricate carvings along its pillars and in the architraves above the door. The churches small windows are highly decorated with stone tracery around them.
  • Pictures & Images of the Archangel Georgian Orthodox Church Georgian style exterior relief stone carvings of the south door, 10th - 11th century, Upper Krikhi, Krikhi, Georgia (country).<br />
<br />
For a small church Krikhi Archangel Church is extremely well decorated on the outside with Georgian style bas relief stonework. The south door has intricate carvings along its pillars and in the architraves above the door. The churches small windows are highly decorated with stone tracery around them.
  • Pictures & Images of the Archangel Georgian Orthodox Church Georgian style exterior relief stone carvings of the south door, 10th - 11th century, Upper Krikhi, Krikhi, Georgia (country).<br />
<br />
For a small church Krikhi Archangel Church is extremely well decorated on the outside with Georgian style bas relief stonework. The south door has intricate carvings along its pillars and in the architraves above the door. The churches small windows are highly decorated with stone tracery around them.
  • Pictures & Images of the Archangel Georgian Orthodox Church Georgian style exterior relief stone carvings of the south door, 10th - 11th century, Upper Krikhi, Krikhi, Georgia (country).<br />
<br />
For a small church Krikhi Archangel Church is extremely well decorated on the outside with Georgian style bas relief stonework. The south door has intricate carvings along its pillars and in the architraves above the door. The churches small windows are highly decorated with stone tracery around them.
  • Pictures & Images of the Archangel Georgian Orthodox Church Georgian style exterior relief stone carvings of the south door, 10th - 11th century, Upper Krikhi, Krikhi, Georgia (country).<br />
<br />
For a small church Krikhi Archangel Church is extremely well decorated on the outside with Georgian style bas relief stonework. The south door has intricate carvings along its pillars and in the architraves above the door. The churches small windows are highly decorated with stone tracery around them.
  • Pictures & Images of the Archangel Georgian Orthodox Church Georgian style exterior relief stone carvings of the south door, 10th - 11th century, Upper Krikhi, Krikhi, Georgia (country).<br />
<br />
For a small church Krikhi Archangel Church is extremely well decorated on the outside with Georgian style bas relief stonework. The south door has intricate carvings along its pillars and in the architraves above the door. The churches small windows are highly decorated with stone tracery around them.
  • Pictures & Images of the Archangel Georgian Orthodox Church Georgian style exterior relief stone carvings of the south door, 10th - 11th century, Upper Krikhi, Krikhi, Georgia (country).<br />
<br />
For a small church Krikhi Archangel Church is extremely well decorated on the outside with Georgian style bas relief stonework. The south door has intricate carvings along its pillars and in the architraves above the door. The churches small windows are highly decorated with stone tracery around them.
  • Pictures & Images of the Archangel Georgian Orthodox Church Georgian style exterior relief stone carvings of the south door, 10th - 11th century, Upper Krikhi, Krikhi, Georgia (country).<br />
<br />
For a small church Krikhi Archangel Church is extremely well decorated on the outside with Georgian style bas relief stonework. The south door has intricate carvings along its pillars and in the architraves above the door. The churches small windows are highly decorated with stone tracery around them.
  • Pictures & Images of the Archangel Georgian Orthodox Church Georgian style exterior relief stone carvings of the south door, 10th - 11th century, Upper Krikhi, Krikhi, Georgia (country).<br />
<br />
For a small church Krikhi Archangel Church is extremely well decorated on the outside with Georgian style bas relief stonework. The south door has intricate carvings along its pillars and in the architraves above the door. The churches small windows are highly decorated with stone tracery around them.
  • Pictures & Images of the Archangel Georgian Orthodox Church Georgian style exterior relief stone carvings of the south door, 10th - 11th century, Upper Krikhi, Krikhi, Georgia (country).<br />
<br />
For a small church Krikhi Archangel Church is extremely well decorated on the outside with Georgian style bas relief stonework. The south door has intricate carvings along its pillars and in the architraves above the door. The churches small windows are highly decorated with stone tracery around them.
  • Pictures & Images of the Archangel Georgian Orthodox Church Georgian style exterior, 10th - 11th century, Upper Krikhi, Krikhi, Georgia (country).<br />
<br />
For a small church Krikhi Archangel Church is extremely well decorated on the outside with Georgian style bas relief stonework. The south door has intricate carvings along its pillars and in the architraves above the door. The churches small windows are highly decorated with stone tracery around them.
  • Pictures & Images of the Archangel Georgian Orthodox Church Georgian style exterior, 10th - 11th century, Upper Krikhi, Krikhi, Georgia (country).<br />
<br />
For a small church Krikhi Archangel Church is extremely well decorated on the outside with Georgian style bas relief stonework. The south door has intricate carvings along its pillars and in the architraves above the door. The churches small windows are highly decorated with stone tracery around them.
  • Pictures & Images of the Archangel Georgian Orthodox Church Georgian style exterior, 10th - 11th century, Upper Krikhi, Krikhi, Georgia (country).<br />
<br />
For a small church Krikhi Archangel Church is extremely well decorated on the outside with Georgian style bas relief stonework. The south door has intricate carvings along its pillars and in the architraves above the door. The churches small windows are highly decorated with stone tracery around them.
  • Ambulatory of the Great Hunt Roman mosaic, small boat, room no 28, at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Great Hunt ambulatory is around 60 meters long (200 Roman feet) and connects the master’s northern apartments with the triclinium in the south. The door in the centre of the the Great Hunt ambulatory leads to audience hall. <br />
<br />
The Great Hunt Roman mosaic depicts African animals being hunted and put onto ships to be taken to the Colosseum.
  • Picture and image of the prehistoric nuragic conical stone betyls representing female fertility with 2 small carved breasts, probably nuragic sacred stones, The Prehistoric Nuragic Complex of Tamuli, Macomer, Sardinia.
  • Picture and image of the prehistoric nuragic conical stone betyls representing female fertility with 2 small carved breasts, probably nuragic sacred stones, The Prehistoric Nuragic Complex of Tamuli, Macomer, Sardinia.
  • Picture and image of the prehistoric nuragic conical stone betyls representing female fertility with 2 small carved breasts, probably nuragic sacred stones, The Prehistoric Nuragic Complex of Tamuli, Macomer, Sardinia.
  • Picture and image of the prehistoric nuragic conical stone betyls representing female fertility with 2 small carved breasts, probably nuragic sacred stones, The Prehistoric Nuragic Complex of Tamuli, Macomer, Sardinia.
  • Picture and image of the prehistoric nuragic conical stone betyls representing female fertility with 2 small carved breasts, probably nuragic sacred stones, The Prehistoric Nuragic Complex of Tamuli, Macomer, Sardinia.
  • Hunters hunting a boar. Roman mosaic floor of the Room of The Small Hunt, no 25 - Roman mosaics at the Villa Romana del Casale ,  circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Hunters hunting a boar. Roman mosaic floor of the Room of The Small Hunt, no 25 - Roman mosaics at the Villa Romana del Casale ,  circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Deer being hunted. Roman mosaic floor of the Room of The Small Hunt, no 25 - Roman mosaics at the Villa Romana del Casale ,  circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Hunter with dogs. Roman mosaic floor of the Room of The Small Hunt, no 25 - Roman mosaics at the Villa Romana del Casale ,  circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Hunters with a wild boar. Roman mosaic floor of the Room of The Small Hunt, no 25 - Roman mosaics at the Villa Romana del Casale ,  circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Hunters hunting. Roman mosaic floor of the Room of The Small Hunt, no 25 - Roman mosaics at the Villa Romana del Casale ,  circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Hunters hunting. Roman mosaic floor of the Room of The Small Hunt, no 25 - Roman mosaics at the Villa Romana del Casale ,  circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Hunters hunting. Roman mosaic floor of the Room of The Small Hunt, no 25 - Roman mosaics at the Villa Romana del Casale ,  circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Hunters hunting. Roman mosaic floor of the Room of The Small Hunt, no 25 - Roman mosaics at the Villa Romana del Casale ,  circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Hunters Hunting. Roman mosaic floor of the Room of The Small Hunt, no 25 - Roman mosaics at the Villa Romana del Casale ,  circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Hunters hunting. Roman mosaic floor of the Room of The Small Hunt, no 25 - Roman mosaics at the Villa Romana del Casale ,  circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Hunters making an offering at an altar. Roman mosaic floor of the Room of The Small Hunt, no 25 - Roman mosaics at the Villa Romana del Casale ,  circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Hunters making an offering at an altar. Roman mosaic floor of the Room of The Small Hunt, no 25 - Roman mosaics at the Villa Romana del Casale ,  circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Hunter Roman mosaic floor of the Room of The Small Hunt, no 25 - Roman mosaics at the Villa Romana del Casale ,  circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Hunter with a hare. Roman mosaic floor of the Room of The Small Hunt, no 25 - Roman mosaics at the Villa Romana del Casale ,  circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Hunter with a hare. Roman mosaic floor of the Room of The Small Hunt, no 25 - Roman mosaics at the Villa Romana del Casale ,  circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Hunters carrying a dead wild boar. Roman mosaic floor of the Room of The Small Hunt, no 25 - Roman mosaics at the Villa Romana del Casale ,  circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Hunter with dogs chasing a fox from the Room of The Small Hunt, no 25 - Roman mosaics at the Villa Romana del Casale 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Small Early Neolithic calcareous alabaster  statue of a goddess sitting from Su Cungiau de Marcu, Declomputzu, Sardinia Italy. Museo archeologico nazionale, Cagliari, Italy. (National Archaeological Museum) - White Background
  • Small Early Neolithic calcareous alabaster  statue of a goddess sitting from Su Cungiau de Marcu, Declomputzu, Sardinia Italy. Museo archeologico nazionale, Cagliari, Italy. (National Archaeological Museum)  - Black Background
  • Small Early Neolithic calcareous alabaster  statue of a goddess sitting from Su Cungiau de Marcu, Declomputzu, Sardinia Italy. Museo archeologico nazionale, Cagliari, Italy. (National Archaeological Museum)  - Grey Background
  • Small Early Neolithic calcareous alabaster  statue of a goddess sitting from Su Cungiau de Marcu, Declomputzu, Sardinia Italy. Museo archeologico nazionale, Cagliari, Italy. (National Archaeological Museum) - Art Grey Background
  • Hunters making a sacrifice to the goddess Diana from the Room of The Small Nunt, no 25 - Roman mosaics at the Villa Romana del Casale which containis the richest, largest and most complex collection of Roman mosaics in the world, circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Mosaics of The Small Hunt, no 25 - Roman mosaics at the Villa Romana del Casale which containis the richest, largest and most complex collection of Roman mosaics in the world, circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Hunters about to spear a hare an spearing a wild boar from the Room of The Small Hunt, no 25 - Roman mosaics at the Villa Romana del Casale which containis the richest, largest and most complex collection of Roman mosaics in the world, circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Hunter about to spearing a wild boar from the Room of The Small Hunt, no 25 - Roman mosaics at the Villa Romana del Casale which containis the richest, largest and most complex collection of Roman mosaics in the world, circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Injured hunters with one about to speara wild boar from the Room of The Small Hunt, no 25 - Roman mosaics at the Villa Romana del Casale which containis the richest, largest and most complex collection of Roman mosaics in the world, circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Hunter from the Room of The Small Hunt, no 25 - Roman mosaics at the Villa Romana del Casale which containis the richest, largest and most complex collection of Roman mosaics in the world, circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Deer being hunted from the Room of The Small Hunt, no 25 - Roman mosaics at the Villa Romana del Casale which containis the richest, largest and most complex collection of Roman mosaics in the world, circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Hunter awith dogs chasing a fox from the Room of The Small Hunt, no 25 - Roman mosaics at the Villa Romana del Casale which containis the richest, largest and most complex collection of Roman mosaics in the world, circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • 2nd century AD Roman marble sculpture known as ‘The Small Women’ the so called Flora, copied from a 4th century BC  Hellanistic Greek original,  inv 6404, Naples  Museum of Archaeology, Italy
  • Small Alabaster Statue head grave stone from the Yemen, 1st cent. B.C . Istanbul Archaeological Museum, Inv. 7670.
  • Alaca Hoyuk - Hittite lion sculpture corner Stone . Andesite. Alacahoyuk, 1399 - 1301 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Corner stone with sculpted lion, bull and winged sun disk. It was discovered at the right side of the Alacahoyuk sphinx door. The lion puts his front legs on a small bull. There is a Hittite winged sun disk on the abdomen of the lion, which can be seen from a lower location. The position of the sun course indicates that the stone is situated in a high place.<br />
<br />
Against a brown gray background.
  • Pictures & images of cave room with a defensive entrance , Aynali Kilise cave church, 11th century, near Goreme, Cappadocia, Nevsehir, Turkey<br />
<br />
It can be seen that the inner room is enterd via a very small tunnel. The tunnel has a groove cut into it and the round rock rolls into this sealing the tunnel and stopping any attackers from entering the inner room. Stairs can be seen to the right of the door leading up to the upper gallery rooms of the monastery.
  • Pictures & images of cave room with a defensive entrance , Aynali Kilise cave church, 11th century, near Goreme, Cappadocia, Nevsehir, Turkey<br />
<br />
It can be seen that the inner room is enterd via a very small tunnel. The tunnel has a groove cut into it and the round rock rolls into this sealing the tunnel and stopping any attackers from entering the inner room. Stairs can be seen to the right of the door leading up to the upper gallery rooms of the monastery.
  • Picture & image of the track leading to David Gareja Georgian Orthodox monastery, Mount Gareja, Kakheti Region, Georgia (country). 25 km (15 miles) from Gardabani<br />
<br />
Founded in the 6th century by David (St. David Garejeli), one of the  thirteen Assyrian monks who built monasteries throughout Georgia. The 24 plus monasteries of David Gareja are spread out over a huge area of the arid Mount Gareja ridge, with small cells and chapels cut into cliff faces.
  • Picture & image of Georgian orthodox cross in the brickwork of  David Gareja Georgian Orthodox monastery, Mount Gareja, Kakheti Region, Georgia (country)<br />
<br />
Founded in the 6th century by David (St. David Garejeli), one of the  thirteen Assyrian monks who built monasteries throughout Georgia. The monastery is spread out over a huge area of the arid Mount Gareja, with small cells and chapels cut into cliff faces.
  • Close up picture & image of bas reliefs of the main entrance to David Gareja Georgian Orthodox monastery, Mount Gareja, Kakheti Region, Georgia (country)<br />
<br />
Founded in the 6th century by David (St. David Garejeli), one of the  thirteen Assyrian monks who built monasteries throughout Georgia. The monastery is spread out over a huge area of the arid Mount Gareja, with small cells and chapels cut into cliff faces.
  • Close up picture & image of bas reliefs of the main entrance to David Gareja Georgian Orthodox monastery, Mount Gareja, Kakheti Region, Georgia (country)<br />
<br />
Founded in the 6th century by David (St. David Garejeli), one of the  thirteen Assyrian monks who built monasteries throughout Georgia. The monastery is spread out over a huge area of the arid Mount Gareja, with small cells and chapels cut into cliff faces.
  • Close up picture & image of bas reliefs of the main entrance to David Gareja Georgian Orthodox monastery, Mount Gareja, Kakheti Region, Georgia (country)<br />
<br />
Founded in the 6th century by David (St. David Garejeli), one of the  thirteen Assyrian monks who built monasteries throughout Georgia. The monastery is spread out over a huge area of the arid Mount Gareja, with small cells and chapels cut into cliff faces.
  • Close up picture & image of a Georgian inscription on the main entrance to David Gareja Georgian Orthodox monastery, Mount Gareja, Kakheti Region, Georgia (country)<br />
<br />
Founded in the 6th century by David (St. David Garejeli), one of the  thirteen Assyrian monks who built monasteries throughout Georgia. The monastery is spread out over a huge area of the arid Mount Gareja, with small cells and chapels cut into cliff faces.
  • Close up picture & image of bas reliefs of the main entrance to David Gareja Georgian Orthodox monastery, Mount Gareja, Kakheti Region, Georgia (country)<br />
<br />
Founded in the 6th century by David (St. David Garejeli), one of the  thirteen Assyrian monks who built monasteries throughout Georgia. The monastery is spread out over a huge area of the arid Mount Gareja, with small cells and chapels cut into cliff faces.
  • Close up picture & image of bas reliefs of the main entrance to David Gareja Georgian Orthodox monastery, Mount Gareja, Kakheti Region, Georgia (country)<br />
<br />
Founded in the 6th century by David (St. David Garejeli), one of the  thirteen Assyrian monks who built monasteries throughout Georgia. The monastery is spread out over a huge area of the arid Mount Gareja, with small cells and chapels cut into cliff faces.
  • Close up picture & image of bas reliefs of the main entrance to David Gareja Georgian Orthodox monastery, Mount Gareja, Kakheti Region, Georgia (country)<br />
<br />
Founded in the 6th century by David (St. David Garejeli), one of the  thirteen Assyrian monks who built monasteries throughout Georgia. The monastery is spread out over a huge area of the arid Mount Gareja, with small cells and chapels cut into cliff faces.
  • Close up picture & image of a Georgian inscription on the main entrance to David Gareja Georgian Orthodox monastery, Mount Gareja, Kakheti Region, Georgia (country)<br />
<br />
Founded in the 6th century by David (St. David Garejeli), one of the  thirteen Assyrian monks who built monasteries throughout Georgia. The monastery is spread out over a huge area of the arid Mount Gareja, with small cells and chapels cut into cliff faces
  • Close up picture & image of bas reliefs of the main entrance to David Gareja Georgian Orthodox monastery, Mount Gareja, Kakheti Region, Georgia (country)<br />
<br />
Founded in the 6th century by David (St. David Garejeli), one of the  thirteen Assyrian monks who built monasteries throughout Georgia. The monastery is spread out over a huge area of the arid Mount Gareja, with small cells and chapels cut into cliff faces.
  • Close up picture & image of bas reliefs of the main entrance to David Gareja Georgian Orthodox monastery, Mount Gareja, Kakheti Region, Georgia (country)<br />
<br />
Founded in the 6th century by David (St. David Garejeli), one of the  thirteen Assyrian monks who built monasteries throughout Georgia. The monastery is spread out over a huge area of the arid Mount Gareja, with small cells and chapels cut into cliff faces.
  • Picture & image of interior of church, David Gareja Georgian Orthodox monastery, Mount Gareja, Kakheti Region, Georgia (country)<br />
<br />
Founded in the 6th century by David (St. David Garejeli), one of the  thirteen Assyrian monks who built monasteries throughout Georgia. The monastery is spread out over a huge area of the arid Mount Gareja, with small cells and chapels cut into cliff faces.
  • Picture & image of main gate house of David Gareja Georgian Orthodox monastery, Mount Gareja, Kakheti Region, Georgia (country). 25 km (15 miles) from Gardabani<br />
<br />
Founded in the 6th century by David (St. David Garejeli), one of the  thirteen Assyrian monks who built monasteries throughout Georgia. The 24 plus monasteries of David Gareja are spread out over a huge area of the arid Mount Gareja ridge, with small cells and chapels cut into cliff faces.
  • Picture & image of interior of church, David Gareja Georgian Orthodox monastery, Mount Gareja, Kakheti Region, Georgia (country)<br />
<br />
Founded in the 6th century by David (St. David Garejeli), one of the  thirteen Assyrian monks who built monasteries throughout Georgia. The monastery is spread out over a huge area of the arid Mount Gareja, with small cells and chapels cut into cliff faces.
  • Picture & image of main gate house of David Gareja Georgian Orthodox monastery, Mount Gareja, Kakheti Region, Georgia (country). 25 km (15 miles) from Gardabani<br />
<br />
Founded in the 6th century by David (St. David Garejeli), one of the  thirteen Assyrian monks who built monasteries throughout Georgia. The 24 plus monasteries of David Gareja are spread out over a huge area of the arid Mount Gareja ridge, with small cells and chapels cut into cliff faces.
  • Picture & image of interior of church, David Gareja Georgian Orthodox monastery, Mount Gareja, Kakheti Region, Georgia (country)<br />
<br />
Founded in the 6th century by David (St. David Garejeli), one of the  thirteen Assyrian monks who built monasteries throughout Georgia. The monastery is spread out over a huge area of the arid Mount Gareja, with small cells and chapels cut into cliff faces.
  • Picture & image of main gate house of David Gareja Georgian Orthodox monastery, Mount Gareja, Kakheti Region, Georgia (country). 25 km (15 miles) from Gardabani<br />
<br />
Founded in the 6th century by David (St. David Garejeli), one of the  thirteen Assyrian monks who built monasteries throughout Georgia. The 24 plus monasteries of David Gareja are spread out over a huge area of the arid Mount Gareja ridge, with small cells and chapels cut into cliff faces.
  • Picture & image of main gate house of David Gareja Georgian Orthodox monastery, Mount Gareja, Kakheti Region, Georgia (country). 25 km (15 miles) from Gardabani<br />
<br />
Founded in the 6th century by David (St. David Garejeli), one of the  thirteen Assyrian monks who built monasteries throughout Georgia. The 24 plus monasteries of David Gareja are spread out over a huge area of the arid Mount Gareja ridge, with small cells and chapels cut into cliff faces.
  • Picture & image of David Gareja Georgian Orthodox monastery, Mount Gareja, Kakheti Region, Georgia (country). 25 km (15 miles) from Gardabani<br />
<br />
Founded in the 6th century by David (St. David Garejeli), one of the  thirteen Assyrian monks who built monasteries throughout Georgia. The 24 plus monasteries of David Gareja are spread out over a huge area of the arid Mount Gareja ridge, with small cells and chapels cut into cliff faces.
  • Picture & image of David Gareja Georgian Orthodox monastery, Mount Gareja, Kakheti Region, Georgia (country). 25 km (15 miles) from Gardabani<br />
<br />
Founded in the 6th century by David (St. David Garejeli), one of the  thirteen Assyrian monks who built monasteries throughout Georgia. The 24 plus monasteries of David Gareja are spread out over a huge area of the arid Mount Gareja ridge, with small cells and chapels cut into cliff faces.
  • Picture & image of the rock caves of David Gareja Georgian Orthodox monastery, Mount Gareja, Kakheti Region, Georgia (country). 25 km (15 miles) from Gardabani<br />
<br />
Founded in the 6th century by David (St. David Garejeli), one of the  thirteen Assyrian monks who built monasteries throughout Georgia. The 24 plus monasteries of David Gareja are spread out over a huge area of the arid Mount Gareja ridge, with small cells and chapels cut into cliff faces.
  • Picture & image of the rock caves of David Gareja Georgian Orthodox monastery, Mount Gareja, Kakheti Region, Georgia (country). 25 km (15 miles) from Gardabani<br />
<br />
Founded in the 6th century by David (St. David Garejeli), one of the  thirteen Assyrian monks who built monasteries throughout Georgia. The 24 plus monasteries of David Gareja are spread out over a huge area of the arid Mount Gareja ridge, with small cells and chapels cut into cliff faces.
  • Picture & image of David Gareja Georgian Orthodox monastery, Mount Gareja, Kakheti Region, Georgia (country). 25 km (15 miles) from Gardabani<br />
<br />
Founded in the 6th century by David (St. David Garejeli), one of the  thirteen Assyrian monks who built monasteries throughout Georgia. The 24 plus monasteries of David Gareja are spread out over a huge area of the arid Mount Gareja ridge, with small cells and chapels cut into cliff faces.
  • Picture & image of the rock caves of David Gareja Georgian Orthodox monastery, Mount Gareja, Kakheti Region, Georgia (country). 25 km (15 miles) from Gardabani<br />
<br />
Founded in the 6th century by David (St. David Garejeli), one of the  thirteen Assyrian monks who built monasteries throughout Georgia. The 24 plus monasteries of David Gareja are spread out over a huge area of the arid Mount Gareja ridge, with small cells and chapels cut into cliff faces.
  • Picture & image of David Gareja Georgian Orthodox monastery, Mount Gareja, Kakheti Region, Georgia (country). 25 km (15 miles) from Gardabani<br />
<br />
Founded in the 6th century by David (St. David Garejeli), one of the  thirteen Assyrian monks who built monasteries throughout Georgia. The 24 plus monasteries of David Gareja are spread out over a huge area of the arid Mount Gareja ridge, with small cells and chapels cut into cliff faces.
  • Picture & image of David Gareja Georgian Orthodox monastery, Mount Gareja, Kakheti Region, Georgia (country). 25 km (15 miles) from Gardabani<br />
<br />
Founded in the 6th century by David (St. David Garejeli), one of the  thirteen Assyrian monks who built monasteries throughout Georgia. The 24 plus monasteries of David Gareja are spread out over a huge area of the arid Mount Gareja ridge, with small cells and chapels cut into cliff faces.
  • Picture & image of David Gareja Georgian Orthodox monastery, Mount Gareja, Kakheti Region, Georgia (country). 25 km (15 miles) from Gardabani<br />
<br />
Founded in the 6th century by David (St. David Garejeli), one of the  thirteen Assyrian monks who built monasteries throughout Georgia. The 24 plus monasteries of David Gareja are spread out over a huge area of the arid Mount Gareja ridge, with small cells and chapels cut into cliff faces.
  • Picture & image of David Gareja Georgian Orthodox monastery, Mount Gareja, Kakheti Region, Georgia (country). 25 km (15 miles) from Gardabani<br />
<br />
Founded in the 6th century by David (St. David Garejeli), one of the  thirteen Assyrian monks who built monasteries throughout Georgia. The 24 plus monasteries of David Gareja are spread out over a huge area of the arid Mount Gareja ridge, with small cells and chapels cut into cliff faces.
  • Picture & image of David Gareja Georgian Orthodox monastery, Mount Gareja, Kakheti Region, Georgia (country). 25 km (15 miles) from Gardabani<br />
<br />
Founded in the 6th century by David (St. David Garejeli), one of the  thirteen Assyrian monks who built monasteries throughout Georgia. The 24 plus monasteries of David Gareja are spread out over a huge area of the arid Mount Gareja ridge, with small cells and chapels cut into cliff faces.
  • Picture & image of David Gareja Georgian Orthodox monastery, Mount Gareja, Kakheti Region, Georgia (country). 25 km (15 miles) from Gardabani<br />
<br />
Founded in the 6th century by David (St. David Garejeli), one of the  thirteen Assyrian monks who built monasteries throughout Georgia. The 24 plus monasteries of David Gareja are spread out over a huge area of the arid Mount Gareja ridge, with small cells and chapels cut into cliff faces.
  • Picture & image of David Gareja Georgian Orthodox monastery, Mount Gareja, Kakheti Region, Georgia (country). 25 km (15 miles) from Gardabani<br />
<br />
Founded in the 6th century by David (St. David Garejeli), one of the  thirteen Assyrian monks who built monasteries throughout Georgia. The 24 plus monasteries of David Gareja are spread out over a huge area of the arid Mount Gareja ridge, with small cells and chapels cut into cliff faces.
  • Picture & image of David Gareja Georgian Orthodox monastery, Mount Gareja, Kakheti Region, Georgia (country). 25 km (15 miles) from Gardabani<br />
<br />
Founded in the 6th century by David (St. David Garejeli), one of the  thirteen Assyrian monks who built monasteries throughout Georgia. The 24 plus monasteries of David Gareja are spread out over a huge area of the arid Mount Gareja ridge, with small cells and chapels cut into cliff faces.
  • Picture & image of David Gareja Georgian Orthodox monastery, Mount Gareja, Kakheti Region, Georgia (country). 25 km (15 miles) from Gardabani<br />
<br />
Founded in the 6th century by David (St. David Garejeli), one of the  thirteen Assyrian monks who built monasteries throughout Georgia. The 24 plus monasteries of David Gareja are spread out over a huge area of the arid Mount Gareja ridge, with small cells and chapels cut into cliff faces.
  • Picture & image of David Gareja Georgian Orthodox monastery, Mount Gareja, Kakheti Region, Georgia (country). 25 km (15 miles) from Gardabani<br />
<br />
Founded in the 6th century by David (St. David Garejeli), one of the  thirteen Assyrian monks who built monasteries throughout Georgia. The 24 plus monasteries of David Gareja are spread out over a huge area of the arid Mount Gareja ridge, with small cells and chapels cut into cliff faces.
  • Picture & image of David Gareja Georgian Orthodox monastery, Mount Gareja, Kakheti Region, Georgia (country). 25 km (15 miles) from Gardabani<br />
<br />
Founded in the 6th century by David (St. David Garejeli), one of the  thirteen Assyrian monks who built monasteries throughout Georgia. The 24 plus monasteries of David Gareja are spread out over a huge area of the arid Mount Gareja ridge, with small cells and chapels cut into cliff faces.
  • Picture & image of David Gareja Georgian Orthodox monastery, Mount Gareja, Kakheti Region, Georgia (country). 25 km (15 miles) from Gardabani<br />
<br />
Founded in the 6th century by David (St. David Garejeli), one of the  thirteen Assyrian monks who built monasteries throughout Georgia. The 24 plus monasteries of David Gareja are spread out over a huge area of the arid Mount Gareja ridge, with small cells and chapels cut into cliff faces.
  • Picture & image of David Gareja Georgian Orthodox monastery, Mount Gareja, Kakheti Region, Georgia (country). 25 km (15 miles) from Gardabani<br />
<br />
Founded in the 6th century by David (St. David Garejeli), one of the  thirteen Assyrian monks who built monasteries throughout Georgia. The 24 plus monasteries of David Gareja are spread out over a huge area of the arid Mount Gareja ridge, with small cells and chapels cut into cliff faces.
  • Picture & image of David Gareja Georgian Orthodox monastery, Mount Gareja, Kakheti Region, Georgia (country). 25 km (15 miles) from Gardabani<br />
<br />
Founded in the 6th century by David (St. David Garejeli), one of the  thirteen Assyrian monks who built monasteries throughout Georgia. The 24 plus monasteries of David Gareja are spread out over a huge area of the arid Mount Gareja ridge, with small cells and chapels cut into cliff faces.
  • Picture & image of David Gareja Georgian Orthodox monastery, Mount Gareja, Kakheti Region, Georgia (country). 25 km (15 miles) from Gardabani<br />
<br />
Founded in the 6th century by David (St. David Garejeli), one of the  thirteen Assyrian monks who built monasteries throughout Georgia. The 24 plus monasteries of David Gareja are spread out over a huge area of the arid Mount Gareja ridge, with small cells and chapels cut into cliff faces.
  • Picture & image of David Gareja Georgian Orthodox monastery, Mount Gareja, Kakheti Region, Georgia (country). 25 km (15 miles) from Gardabani<br />
<br />
Founded in the 6th century by David (St. David Garejeli), one of the  thirteen Assyrian monks who built monasteries throughout Georgia. The 24 plus monasteries of David Gareja are spread out over a huge area of the arid Mount Gareja ridge, with small cells and chapels cut into cliff faces.
  • Picture & image of David Gareja Georgian Orthodox monastery, Mount Gareja, Kakheti Region, Georgia (country). 25 km (15 miles) from Gardabani<br />
<br />
Founded in the 6th century by David (St. David Garejeli), one of the  thirteen Assyrian monks who built monasteries throughout Georgia. The 24 plus monasteries of David Gareja are spread out over a huge area of the arid Mount Gareja ridge, with small cells and chapels cut into cliff faces.
  • Picture & image of David Gareja Georgian Orthodox monastery, Mount Gareja, Kakheti Region, Georgia (country). 25 km (15 miles) from Gardabani<br />
<br />
Founded in the 6th century by David (St. David Garejeli), one of the  thirteen Assyrian monks who built monasteries throughout Georgia. The 24 plus monasteries of David Gareja are spread out over a huge area of the arid Mount Gareja ridge, with small cells and chapels cut into cliff faces.
  • Picture & image of David Gareja Georgian Orthodox monastery, Mount Gareja, Kakheti Region, Georgia (country). 25 km (15 miles) from Gardabani<br />
<br />
Founded in the 6th century by David (St. David Garejeli), one of the  thirteen Assyrian monks who built monasteries throughout Georgia. The 24 plus monasteries of David Gareja are spread out over a huge area of the arid Mount Gareja ridge, with small cells and chapels cut into cliff faces.
  • Picture & image of David Gareja Georgian Orthodox monastery, Mount Gareja, Kakheti Region, Georgia (country). 25 km (15 miles) from Gardabani<br />
<br />
Founded in the 6th century by David (St. David Garejeli), one of the  thirteen Assyrian monks who built monasteries throughout Georgia. The 24 plus monasteries of David Gareja are spread out over a huge area of the arid Mount Gareja ridge, with small cells and chapels cut into cliff faces.
  • Picture & image of David Gareja Georgian Orthodox monastery, Mount Gareja, Kakheti Region, Georgia (country). 25 km (15 miles) from Gardabani<br />
<br />
Founded in the 6th century by David (St. David Garejeli), one of the  thirteen Assyrian monks who built monasteries throughout Georgia. The 24 plus monasteries of David Gareja are spread out over a huge area of the arid Mount Gareja ridge, with small cells and chapels cut into cliff faces.
  • Picture & image of David Gareja Georgian Orthodox monastery, Mount Gareja, Kakheti Region, Georgia (country). 25 km (15 miles) from Gardabani<br />
<br />
Founded in the 6th century by David (St. David Garejeli), one of the  thirteen Assyrian monks who built monasteries throughout Georgia. The 24 plus monasteries of David Gareja are spread out over a huge area of the arid Mount Gareja ridge, with small cells and chapels cut into cliff faces.
  • Picture & image of David Gareja Georgian Orthodox monastery, Mount Gareja, Kakheti Region, Georgia (country). 25 km (15 miles) from Gardabani<br />
<br />
Founded in the 6th century by David (St. David Garejeli), one of the  thirteen Assyrian monks who built monasteries throughout Georgia. The 24 plus monasteries of David Gareja are spread out over a huge area of the arid Mount Gareja ridge, with small cells and chapels cut into cliff faces.
  • Picture & image of David Gareja Georgian Orthodox monastery, Mount Gareja, Kakheti Region, Georgia (country). 25 km (15 miles) from Gardabani<br />
<br />
Founded in the 6th century by David (St. David Garejeli), one of the  thirteen Assyrian monks who built monasteries throughout Georgia. The 24 plus monasteries of David Gareja are spread out over a huge area of the arid Mount Gareja ridge, with small cells and chapels cut into cliff faces.
  • Picture & image of David Gareja Georgian Orthodox monastery, Mount Gareja, Kakheti Region, Georgia (country). 25 km (15 miles) from Gardabani<br />
<br />
Founded in the 6th century by David (St. David Garejeli), one of the  thirteen Assyrian monks who built monasteries throughout Georgia. The 24 plus monasteries of David Gareja are spread out over a huge area of the arid Mount Gareja ridge, with small cells and chapels cut into cliff faces.
  • Pictures & images of the Eastern Orthodox Georgian Samtavro Transfiguration Church and Nunnery of St. Nino in Mtskheta, Georgia. A UNESCO World Heritage Site.<br />
<br />
The small domed church of the Samtavro Monastery was originally built in the 4th century. The first Georgian Christian monarchs,  King Mirian and Qween Nana are buried here.
  • Pictures & images of the Eastern Orthodox Georgian Samtavro Transfiguration Church and Nunnery of St. Nino in Mtskheta, Georgia. A UNESCO World Heritage Site.<br />
<br />
The small domed church of the Samtavro Monastery was originally built in the 4th century. The first Georgian Christian monarchs,  King Mirian and Qween Nana are buried here.
  • Pictures & images of the Eastern Orthodox Georgian Samtavro Transfiguration Church and Nunnery of St. Nino in Mtskheta, Georgia. A UNESCO World Heritage Site.<br />
<br />
The small domed church of the Samtavro Monastery was originally built in the 4th century. The first Georgian Christian monarchs,  King Mirian and Qween Nana are buried here.
  • Pictures & images of the Eastern Orthodox Georgian Samtavro Transfiguration Church and Nunnery of St. Nino in Mtskheta, Georgia. A UNESCO World Heritage Site.<br />
<br />
The small domed church of the Samtavro Monastery was originally built in the 4th century. The first Georgian Christian monarchs,  King Mirian and Qween Nana are buried here.
  • Pictures & images of the Eastern Orthodox Georgian Samtavro Transfiguration Church and Nunnery of St. Nino in Mtskheta, Georgia. A UNESCO World Heritage Site.<br />
<br />
The small domed church of the Samtavro Monastery was originally built in the 4th century. The first Georgian Christian monarchs,  King Mirian and Qween Nana are buried here.
  • Pictures & images of the Eastern Orthodox Georgian Samtavro Transfiguration Church and Nunnery of St. Nino in Mtskheta, Georgia. A UNESCO World Heritage Site.<br />
<br />
The small domed church of the Samtavro Monastery was originally built in the 4th century. The first Georgian Christian monarchs,  King Mirian and Qween Nana are buried here.
  • Pictures & images of the Eastern Orthodox Georgian Samtavro Transfiguration Church and Nunnery of St. Nino in Mtskheta, Georgia. A UNESCO World Heritage Site.<br />
<br />
The small domed church of the Samtavro Monastery was originally built in the 4th century. The first Georgian Christian monarchs,  King Mirian and Qween Nana are buried here.
  • Pictures & images of the Eastern Orthodox Georgian Samtavro Transfiguration Church and Nunnery of St. Nino in Mtskheta, Georgia. A UNESCO World Heritage Site.<br />
<br />
The small domed church of the Samtavro Monastery was originally built in the 4th century. The first Georgian Christian monarchs,  King Mirian and Qween Nana are buried here.
  • Pictures & images of the Eastern Orthodox Georgian Samtavro Transfiguration Church and Nunnery of St. Nino in Mtskheta, Georgia. A UNESCO World Heritage Site.<br />
<br />
The small domed church of the Samtavro Monastery was originally built in the 4th century. The first Georgian Christian monarchs,  King Mirian and Qween Nana are buried here.
  • The Unfinished rock monument of Midas, 8th - 6th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
This rock facade was planned but never finished and so little is known about the unfinished Monument. It is also known locally as the Kucuk Yazilikaya ( “little written rock”), since it appears to have been planned as a smaller version of the Midas Monument, also called Yazilikaya. It measures 7m x 10m and faces west, unlike the other monument at Midas whose facades face east. Since it was never completed, it was gives some idea of the construction techniques : first the rock was flattened and then the facade was carved from the top down. The architectural frame and the ornament were carved at the same time. About  2m below the monument are a smaller facade, to the left and a small cut altar to the right.
  • The Unfinished rock monument of Midas, 8th - 6th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
This rock facade was planned but never finished and so little is known about the unfinished Monument. It is also known locally as the Kucuk Yazilikaya ( “little written rock”), since it appears to have been planned as a smaller version of the Midas Monument, also called Yazilikaya. It measures 7m x 10m and faces west, unlike the other monument at Midas whose facades face east. Since it was never completed, it was gives some idea of the construction techniques : first the rock was flattened and then the facade was carved from the top down. The architectural frame and the ornament were carved at the same time. About  2m below the monument are a smaller facade, to the left and a small cut altar to the right.
  • The Unfinished rock monument of Midas, 8th - 6th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
This rock facade was planned but never finished and so little is known about the unfinished Monument. It is also known locally as the Kucuk Yazilikaya ( “little written rock”), since it appears to have been planned as a smaller version of the Midas Monument, also called Yazilikaya. It measures 7m x 10m and faces west, unlike the other monument at Midas whose facades face east. Since it was never completed, it was gives some idea of the construction techniques : first the rock was flattened and then the facade was carved from the top down. The architectural frame and the ornament were carved at the same time. About  2m below the monument are a smaller facade, to the left and a small cut altar to the right.
  • Close up of a Roman Sebasteion relief  sculpture of Anchises and Aphrodite Aphrodisias Museum, Aphrodisias, Turkey. <br />
<br />
The Trojan shepherd Anchises gazes at the seated Aphrodite, his lover for one night on mount Ida. She hold a small Eros on her lap: this is an erotic encounter. The head of Selene (Moon) appears above the mountain rocks: she indicates night time. It was from this union that Aineas was born
  • Close up of a Roman Sebasteion relief  sculpture of Anchises and Aphrodite Aphrodisias Museum, Aphrodisias, Turkey. <br />
<br />
The Trojan shepherd Anchises gazes at the seated Aphrodite, his lover for one night on mount Ida. She hold a small Eros on her lap: this is an erotic encounter. The head of Selene (Moon) appears above the mountain rocks: she indicates night time. It was from this union that Aineas was born
  • Close up of a Roman Sebasteion relief  sculpture of Anchises and Aphrodite Aphrodisias Museum, Aphrodisias, Turkey. <br />
<br />
The Trojan shepherd Anchises gazes at the seated Aphrodite, his lover for one night on mount Ida. She hold a small Eros on her lap: this is an erotic encounter. The head of Selene (Moon) appears above the mountain rocks: she indicates night time. It was from this union that Aineas was born
  • Close up of a Roman Sebasteion relief  sculpture of Anchises and Aphrodite Aphrodisias Museum, Aphrodisias, Turkey. <br />
<br />
The Trojan shepherd Anchises gazes at the seated Aphrodite, his lover for one night on mount Ida. She hold a small Eros on her lap: this is an erotic encounter. The head of Selene (Moon) appears above the mountain rocks: she indicates night time. It was from this union that Aineas was born
  • Close up of a Roman Sebasteion relief  sculpture of Orestes At Delphi Aphrodisias Museum, Aphrodisias, Turkey.   <br />
<br />
Orestes who has sought sanctuary at Delphi after murdering his mother, leaves Apollo’s shrine on his way to stand trial in Athens, The hero steps gingerly over sleeping Fury; he brandishes a sword and still hold onto Apollo’s tripod. The Fury has a snake and a burning torch with which she torments male factors. A small local nymph sits above on a rocky outcrop of Delphi’s Mt Parnossos
  • Close up of a Roman Sebasteion relief  sculpture of Orestes At Delphi Aphrodisias Museum, Aphrodisias, Turkey.   <br />
<br />
Orestes who has sought sanctuary at Delphi after murdering his mother, leaves Apollo’s shrine on his way to stand trial in Athens, The hero steps gingerly over sleeping Fury; he brandishes a sword and still hold onto Apollo’s tripod. The Fury has a snake and a burning torch with which she torments male factors. A small local nymph sits above on a rocky outcrop of Delphi’s Mt Parnossos
  • Close up of a Roman Sebasteion relief  sculpture of Orestes At Delphi Aphrodisias Museum, Aphrodisias, Turkey.   <br />
<br />
Orestes who has sought sanctuary at Delphi after murdering his mother, leaves Apollo’s shrine on his way to stand trial in Athens, The hero steps gingerly over sleeping Fury; he brandishes a sword and still hold onto Apollo’s tripod. The Fury has a snake and a burning torch with which she torments male factors. A small local nymph sits above on a rocky outcrop of Delphi’s Mt Parnossos
  • Close up of a Roman Sebasteion relief  sculpture of Orestes At Delphi Aphrodisias Museum, Aphrodisias, Turkey.   <br />
<br />
Orestes who has sought sanctuary at Delphi after murdering his mother, leaves Apollo’s shrine on his way to stand trial in Athens, The hero steps gingerly over sleeping Fury; he brandishes a sword and still hold onto Apollo’s tripod. The Fury has a snake and a burning torch with which she torments male factors. A small local nymph sits above on a rocky outcrop of Delphi’s Mt Parnossos

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Picture The Past

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FunkyStock Picture Library free resource for professional editorial picture editors, picture researchers, historical scholars and students and enthusiasts who want to browse some of the best pictures and images of historic countries, historical places, archaeological sites and the very best museum antiquities and artefacts exhibits in Europe and the Middle East.

Pictures and Images can be downloaded or bought as stock photos or photo art prints.

COUNTRIES

Browse travel pictures and images of historic places and archaeological sites of countries in Europe and the Middle East.

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HISTORICAL

Explore the past through pictures and images of its historic places. See the great palaces, castles and cities of antiquity as well as the great archaeological sites where our ancestors made history.

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MUSEUMS

Browse pictures & images the treasured artefacts and antiquities exhibits from the great Museum of Europe and the Middle East. See the art and objects made by our ancestors.

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