• Black obsidian arrow heads. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara
  • Black obsidian arrow heads. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a white background
  • Black obsidian arrow heads. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a gray mottled background
  • Black obsidian arrow heads. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a grey background
  • Black obsidian arrow heads. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a black background
  • Hittite bronze spear heads. Hittite Period 1650 - 1450 BC, Ortakoy Sapinuva . Çorum Archaeological Museum, Corum, Turkey
  • Hittite bronze spear heads. Hittite Period 1650 - 1450 BC.  Hattusa Boğazkale. Çorum Archaeological Museum, Corum, Turkey
  • Hittite bronze spear heads. Hittite Period 1650 - 1450 BC.  Hattusa Boğazkale. Çorum Archaeological Museum, Corum, Turkey. Against a warm art bacground.
  • Hittite bronze spear heads. Hittite Period 1650 - 1450 BC.  Hattusa Boğazkale. Çorum Archaeological Museum, Corum, Turkey. Against a grey bacground.
  • Hittite bronze spear heads. Hittite Period 1650 - 1450 BC, Ortakoy Sapinuva . Çorum Archaeological Museum, Corum, Turkey
  • Hittite bronze spear heads. Hittite Period 1650 - 1450 BC, Ortakoy Sapinuva . Çorum Archaeological Museum, Corum, Turkey. Against a black bacground.
  • Hittite bronze spear heads. Hittite Period 1650 - 1450 BC, Ortakoy Sapinuva . Çorum Archaeological Museum, Corum, Turkey. Against a grey bacground.
  • Hittite bronze spear heads. Hittite Period 1650 - 1450 BC, Ortakoy Sapinuva . Çorum Archaeological Museum, Corum, Turkey. Against a warm art bacground.
  • Hittite bronze spear heads. Hittite Period 1650 - 1450 BC.  Hattusa Boğazkale. Çorum Archaeological Museum, Corum, Turkey. Against a white bacground.
  • Hittite bronze spear heads. Hittite Period 1650 - 1450 BC.  Hattusa Boğazkale. Çorum Archaeological Museum, Corum, Turkey. Against a black bacground.
  • Fresh broccoli heads
  • Fresh broccoli heads
  • Medley of brocoli, cauliflower, carrots and potoes, vegetable food photos
  • Picture & image of a Neo-Hittite orthostat with a releif sculpture of A Winged God from Aslantepe ,  Malatya, Turkey. Museum of Anatolian Civilisations, Ankara.  The God holds a branch of fruit in his left hand and a single fruit in the right hand. The First beared god is holding out a 3 pronged object to the king and has a boomerang in his other hand. Behind him is a 2 winged Godess with a  bare leg showing from her tunic. She is carrying a double headed axe. Behind her is another dearded God with a bore tusk helmet holding a spear. On the far right is another Godess, bare headed holding a double headed axe. On the far right is an attendant holding a bull. Above him the epographs indicate the name of the King & Gods. 2
  • Picture & image of a Neo-Hittite orthostat with a releif sculpture of A Winged God from Aslantepe ,  Malatya, Turkey. Ancora Archaeological Museum.  The God holds a branch of fruit in his left hand and a single fruit in the right hand. The First beared god is holding out a 3 pronged object to the king and has a boomerang in his other hand. Behind him is a 2 winged Godess with a  bare leg showing from her tunic. She is carrying a double headed axe. Behind her is another dearded God with a bore tusk helmet holding a spear. On the far right is another Godess, bare headed holding a double headed axe. On the far right is an attendant holding a bull. Above him the epographs indicate the name of the King & Gods.
  • Photo of Hittite relief sculpted orthostat stone panel of Royal Buttress Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Warriors. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Right panel - Three figures each with a long dress, a thick belt and curly hair. The figure in front holds a spear with a broken tip in his left hand and a leafy branch in his right hand. The figure in the middle made his left hand a fist, and he carries a tool with his right hand at the level of his head. They are followed with a figure holding a sceptre in his left hand. All three have each a long sword at their waist. <br />
<br />
Against a brown art background.
  • Hittite relief sculpted orthostat stone panel of Royal Buttress Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Warriors. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Right panel - Three figures each with a long dress, a thick belt and curly hair. The figure in front holds a spear with a broken tip in his left hand and a leafy branch in his right hand. The figure in the middle made his left hand a fist, and he carries a tool with his right hand at the level of his head. They are followed with a figure holding a sceptre in his left hand. All three have each a long sword at their waist. <br />
<br />
Against a white background.
  • Hittite relief sculpted orthostat stone panel of Royal Buttress Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Warriors. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Right panel - Three figures each with a long dress, a thick belt and curly hair. The figure in front holds a spear with a broken tip in his left hand and a leafy branch in his right hand. The figure in the middle made his left hand a fist, and he carries a tool with his right hand at the level of his head. They are followed with a figure holding a sceptre in his left hand. All three have each a long sword at their waist. <br />
<br />
Against a black background.
  • Picture & image of Hittite relief sculpted orthostat stone panel of Royal Buttress Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Warriors. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Right panel - Three figures each with a long dress, a thick belt and curly hair. The figure in front holds a spear with a broken tip in his left hand and a leafy branch in his right hand. The figure in the middle made his left hand a fist, and he carries a tool with his right hand at the level of his head. They are followed with a figure holding a sceptre in his left hand. All three have each a long sword at their waist. <br />
<br />
Against a gray background.
  • Hittite relief sculpted orthostat stone panel of Royal Buttress Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Warriors. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Right panel - Three figures each with a long dress, a thick belt and curly hair. The figure in front holds a spear with a broken tip in his left hand and a leafy branch in his right hand. The figure in the middle made his left hand a fist, and he carries a tool with his right hand at the level of his head. They are followed with a figure holding a sceptre in his left hand. All three have each a long sword at their waist. <br />
<br />
Against a grey art background.
  • Picture & image of Hittite relief sculpted orthostat stone panel of Royal Buttress Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Warriors. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Three figures each with a long dress, a thick belt and curly hair. The figure in front holds a spear with a broken tip in his left hand and a leafy branch in his right hand. The figure in the middle made his left hand a fist, and he carries a tool with his right hand at the level of his head. They are followed with a figure holding a sceptre in his left hand. All three have each a long sword at their waist. <br />
<br />
Against a gray background.
  • Hittite relief sculpted orthostat stone panel of Royal Buttress Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Warriors. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Three figures each with a long dress, a thick belt and curly hair. The figure in front holds a spear with a broken tip in his left hand and a leafy branch in his right hand. The figure in the middle made his left hand a fist, and he carries a tool with his right hand at the level of his head. They are followed with a figure holding a sceptre in his left hand. All three have each a long sword at their waist. <br />
<br />
Against a white background.
  • Hittite relief sculpted orthostat stone panel of Royal Buttress Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Warriors. Anatolian Civilisations Museum, Ankara, Turkey.<br />
Three figures each with a long dress, a thick belt and curly hair. The figure in front holds a spear with a broken tip in his left hand and a leafy branch in his right hand. The figure in the middle made his left hand a fist, and he carries a tool with his right hand at the level of his head. They are followed with a figure holding a sceptre in his left hand. All three have each a long sword at their waist.<br />
<br />
Against a black background.
  • Photo of Hittite relief sculpted orthostat stone panel of Royal Buttress Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Warriors. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Three figures each with a long dress, a thick belt and curly hair. The figure in front holds a spear with a broken tip in his left hand and a leafy branch in his right hand. The figure in the middle made his left hand a fist, and he carries a tool with his right hand at the level of his head. They are followed with a figure holding a sceptre in his left hand. All three have each a long sword at their waist. <br />
<br />
Against a brown art background.
  • Hittite relief sculpted orthostat stone panel of Royal Buttress Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Warriors. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Three figures each with a long dress, a thick belt and curly hair. The figure in front holds a spear with a broken tip in his left hand and a leafy branch in his right hand. The figure in the middle made his left hand a fist, and he carries a tool with his right hand at the level of his head. They are followed with a figure holding a sceptre in his left hand. All three have each a long sword at their waist. <br />
<br />
Against a grey art background.
  • Photo of Hittite sculpted Orthostats panel of Long Wall Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Soldiers. Anatolian Civilisations Museum, Ankara, Turkey<br />
<br />
Figure of two helmeted warriors. They have their shield in their back and their spear in their hand. The prisoner in their front is depicted small. A human head is depicted in the left hand of the warrior in the front. The warrior at the rear holds the prisoners sitting on his lap from his hair. Below this figure, which was described small, lies yet another small human figure. <br />
<br />
On a brown art background.
  • Hittite sculpted Orthostats panel of Long Wall Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Soldiers. Anatolian Civilisations Museum, Ankara, Turkey<br />
<br />
Figure of two helmeted warriors. They have their shield in their back and their spear in their hand. The prisoner in their front is depicted small. A human head is depicted in the left hand of the warrior in the front. The warrior at the rear holds the prisoners sitting on his lap from his hair. Below this figure, which was described small, lies yet another small human figure. <br />
<br />
On a White Background.
  • Hittite sculpted Orthostats panel of Long Wall Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Soldiers. Anatolian Civilisations Museum, Ankara, Turkey<br />
<br />
Figure of two helmeted warriors. They have their shield in their back and their spear in their hand. The prisoner in their front is depicted small. A human head is depicted in the left hand of the warrior in the front. The warrior at the rear holds the prisoners sitting on his lap from his hair. Below this figure, which was described small, lies yet another small human figure. <br />
<br />
On a black background.
  • Picture & image of Hittite sculpted Orthostats panel of Long Wall Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Soldiers. Anatolian Civilisations Museum, Ankara, Turkey<br />
<br />
Figure of two helmeted warriors. They have their shield in their back and their spear in their hand. The prisoner in their front is depicted small. A human head is depicted in the left hand of the warrior in the front. The warrior at the rear holds the prisoners sitting on his lap from his hair. Below this figure, which was described small, lies yet another small human figure. <br />
<br />
On a gray background.
  • Hittite sculpted Orthostats panel of Long Wall Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Soldiers. Anatolian Civilisations Museum, Ankara, Turkey<br />
<br />
Figure of two helmeted warriors. They have their shield in their back and their spear in their hand. The prisoner in their front is depicted small. A human head is depicted in the left hand of the warrior in the front. The warrior at the rear holds the prisoners sitting on his lap from his hair. Below this figure, which was described small, lies yet another small human figure. <br />
<br />
On a grey art background.
  • Hittite relief sculpted orthostat stone panel of Herald's Wall. Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Protective mixed creatures. One each hand of the lion-headed men is in the form of a fist. The mace on the left is over the head of the weapon on the right. The two bull-men in the middle carry one spear each in their hands. Bull-man is known as Kusarikku, and the lion-man is known as Ugallu.
  • Hittite relief sculpted orthostat stone panel of Herald's Wall. Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Protective mixed creatures. One each hand of the lion-headed men is in the form of a fist. The mace on the left is over the head of the weapon on the right. The two bull-men in the middle carry one spear each in their hands. Bull-man is known as Kusarikku, and the lion-man is known as Ugallu.
  • Photo of Hittite relief sculpted orthostat stone panel of Herald's Wall. Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Protective mixed creatures. One each hand of the lion-headed men is in the form of a fist. The mace on the left is over the head of the weapon on the right. The two bull-men in the middle carry one spear each in their hands. Bull-man is known as Kusarikku, and the lion-man is known as Ugallu. <br />
<br />
Against a black background.
  • Picture & image of Hittite relief sculpted orthostat stone panel of Herald's Wall. Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Protective mixed creatures. One each hand of the lion-headed men is in the form of a fist. The mace on the left is over the head of the weapon on the right. The two bull-men in the middle carry one spear each in their hands. Bull-man is known as Kusarikku, and the lion-man is known as Ugallu. <br />
<br />
Against a white background.
  • Hittite relief sculpted orthostat stone panel of Herald's Wall. Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Protective mixed creatures. One each hand of the lion-headed men is in the form of a fist. The mace on the left is over the head of the weapon on the right. The two bull-men in the middle carry one spear each in their hands. Bull-man is known as Kusarikku, and the lion-man is known as Ugallu. <br />
<br />
Against a brown art background.
  • Hittite relief sculpted orthostat stone panel of Herald's Wall. Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Protective mixed creatures. One each hand of the lion-headed men is in the form of a fist. The mace on the left is over the head of the weapon on the right. The two bull-men in the middle carry one spear each in their hands. Bull-man is known as Kusarikku, and the lion-man is known as Ugallu.
  • Hittite relief sculpted orthostat stone panel of Herald's Wall. Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Protective mixed creatures. One each hand of the lion-headed men is in the form of a fist. The mace on the left is over the head of the weapon on the right. The two bull-men in the middle carry one spear each in their hands. Bull-man is known as Kusarikku, and the lion-man is known as Ugallu. <br />
<br />
Against a grey art background.
  • Roman statue of an Emperor with a breastplate (loricata) from the 2nd cent AD from the Imperial Villa, Rome. The statue depicts a man in military dress, with a breastplate (lorca) decorated within griffins and a cluster of acanthus, and edged by a series of pendants (pteryges) with a head of ferocious animals and a cloak (paludamentum). In his left hand remains the traces of a sword; his raised right arm probably leant on a spear. On his feat he wears shoes decorated at the ankles with a lion skin. The statue dates from the dynasty of the Antonine Emperors and is the dress of the supreme military commander.  The National Roman Museum, Rome, Italy
  • Roman statue of an Emperor with a breastplate (loricata) from the 2nd cent AD from the Imperial Villa, Rome. The statue depicts a man in military dress, with a breastplate (lorca) decorated within griffins and a cluster of acanthus, and edged by a series of pendants (pteryges) with a head of ferocious animals and a cloak (paludamentum). In his left hand remains the traces of a sword; his raised right arm probably leant on a spear. On his feat he wears shoes decorated at the ankles with a lion skin. The statue dates from the dynasty of the Antonine Emperors and is the dress of the supreme military commander.  The National Roman Museum, Rome, Italy
  • Roman statue of an Emperor with a breastplate (loricata) from the 2nd cent AD from the Imperial Villa, Rome. The statue depicts a man in military dress, with a breastplate (lorca) decorated within griffins and a cluster of acanthus, and edged by a series of pendants (pteryges) with a head of ferocious animals and a cloak (paludamentum). In his left hand remains the traces of a sword; his raised right arm probably leant on a spear. On his feat he wears shoes decorated at the ankles with a lion skin. The statue dates from the dynasty of the Antonine Emperors and is the dress of the supreme military commander.  The National Roman Museum, Rome, Italy
  • Roman statue of an Emperor with a breastplate (loricata) from the 2nd cent AD from the Imperial Villa, Rome. The statue depicts a man in military dress, with a breastplate (lorca) decorated within griffins and a cluster of acanthus, and edged by a series of pendants (pteryges) with a head of ferocious animals and a cloak (paludamentum). In his left hand remains the traces of a sword; his raised right arm probably leant on a spear. On his feat he wears shoes decorated at the ankles with a lion skin. The statue dates from the dynasty of the Antonine Emperors and is the dress of the supreme military commander.  The National Roman Museum, Rome, Italy
  • Roman statue of an Emperor with a breastplate (loricata) from the 2nd cent AD from the Imperial Villa, Rome. The statue depicts a man in military dress, with a breastplate (lorca) decorated within griffins and a cluster of acanthus, and edged by a series of pendants (pteryges) with a head of ferocious animals and a cloak (paludamentum). In his left hand remains the traces of a sword; his raised right arm probably leant on a spear. On his feat he wears shoes decorated at the ankles with a lion skin. The statue dates from the dynasty of the Antonine Emperors and is the dress of the supreme military commander.  The National Roman Museum, Rome, Italy
  • Rare Greek bronze statue known as the Hellenistic Prince, a 2nd cent BC Hellenistic bronze, one of the few in existence.  The figure is leaning with its left arm on a long shaft, a modern replica of the original bronze spear. The head clearly shows that the artist intended it as a portrait as it is proportionally smaller than the rest of the body. The letter L. VI.P.L.XXIIX, later incised on the abdomen are inventory numbers that included the statue in the catalogue of works of art present in Rome during the Republican period. Records of the catalogue (Tabulae) ere kept in the Tabulatium archives on the Capitoline Hill. The figure is represented in heroic nudity and is a copy of a famous statue by Lysippus (371-305 BC) of Alexander the Great. The statue is considered to depict a Hellenistic Prince, possibly an early portrait of Attalus II, King of Pergamon. More recent interpretations take into account the realistic facial features and consider the work to be a portrait of a Roman who had ties to the Greek world and wished to be represented as a Hellenistic Prince. This is a rare example of a 2nd cent BC Hellenistic bronze statue  The National Roman Museum, Rome, Italy
  • Rare Greek bronze statue known as the Hellenistic Prince, a 2nd cent BC Hellenistic bronze, one of the few in existence.  The figure is leaning with its left arm on a long shaft, a modern replica of the original bronze spear. The head clearly shows that the artist intended it as a portrait as it is proportionally smaller than the rest of the body. The letter L. VI.P.L.XXIIX, later incised on the abdomen are inventory numbers that included the statue in the catalogue of works of art present in Rome during the Republican period. Records of the catalogue (Tabulae) ere kept in the Tabulatium archives on the Capitoline Hill. The figure is represented in heroic nudity and is a copy of a famous statue by Lysippus (371-305 BC) of Alexander the Great. The statue is considered to depict a Hellenistic Prince, possibly an early portrait of Attalus II, King of Pergamon. More recent interpretations take into account the realistic facial features and consider the work to be a portrait of a Roman who had ties to the Greek world and wished to be represented as a Hellenistic Prince. This is a rare example of a 2nd cent BC Hellenistic bronze statue  The National Roman Museum, Rome, Italy
  • Rare Greek bronze statue known as the Hellenistic Prince, a 2nd cent BC Hellenistic bronze, one of the few in existence.  The figure is leaning with its left arm on a long shaft, a modern replica of the original bronze spear. The head clearly shows that the artist intended it as a portrait as it is proportionally smaller than the rest of the body. The letter L. VI.P.L.XXIIX, later incised on the abdomen are inventory numbers that included the statue in the catalogue of works of art present in Rome during the Republican period. Records of the catalogue (Tabulae) ere kept in the Tabulatium archives on the Capitoline Hill. The figure is represented in heroic nudity and is a copy of a famous statue by Lysippus (371-305 BC) of Alexander the Great. The statue is considered to depict a Hellenistic Prince, possibly an early portrait of Attalus II, King of Pergamon. More recent interpretations take into account the realistic facial features and consider the work to be a portrait of a Roman who had ties to the Greek world and wished to be represented as a Hellenistic Prince. This is a rare example of a 2nd cent BC Hellenistic bronze statue  The National Roman Museum, Rome, Italy
  • Rare Greek bronze statue known as the Hellenistic Prince, a 2nd cent BC Hellenistic bronze, one of the few in existence.  The figure is leaning with its left arm on a long shaft, a modern replica of the original bronze spear. The head clearly shows that the artist intended it as a portrait as it is proportionally smaller than the rest of the body. The letter L. VI.P.L.XXIIX, later incised on the abdomen are inventory numbers that included the statue in the catalogue of works of art present in Rome during the Republican period. Records of the catalogue (Tabulae) ere kept in the Tabulatium archives on the Capitoline Hill. The figure is represented in heroic nudity and is a copy of a famous statue by Lysippus (371-305 BC) of Alexander the Great. The statue is considered to depict a Hellenistic Prince, possibly an early portrait of Attalus II, King of Pergamon. More recent interpretations take into account the realistic facial features and consider the work to be a portrait of a Roman who had ties to the Greek world and wished to be represented as a Hellenistic Prince. This is a rare example of a 2nd cent BC Hellenistic bronze statue  The National Roman Museum, Rome, Italy
  • Rare Greek bronze statue known as the Hellenistic Prince, a 2nd cent BC Hellenistic bronze, one of the few in existence.  The figure is leaning with its left arm on a long shaft, a modern replica of the original bronze spear. The head clearly shows that the artist intended it as a portrait as it is proportionally smaller than the rest of the body. The letter L. VI.P.L.XXIIX, later incised on the abdomen are inventory numbers that included the statue in the catalogue of works of art present in Rome during the Republican period. Records of the catalogue (Tabulae) ere kept in the Tabulatium archives on the Capitoline Hill. The figure is represented in heroic nudity and is a copy of a famous statue by Lysippus (371-305 BC) of Alexander the Great. The statue is considered to depict a Hellenistic Prince, possibly an early portrait of Attalus II, King of Pergamon. More recent interpretations take into account the realistic facial features and consider the work to be a portrait of a Roman who had ties to the Greek world and wished to be represented as a Hellenistic Prince. This is a rare example of a 2nd cent BC Hellenistic bronze statue  The National Roman Museum, Rome, Italy
  • Roman statue of an Emperor with a breastplate (loricata) from the 2nd cent AD from the Imperial Villa, Rome. The statue depicts a man in military dress, with a breastplate (lorca) decorated within griffins and a cluster of acanthus, and edged by a series of pendants (pteryges) with a head of ferocious animals and a cloak (paludamentum). In his left hand remains the traces of a sword; his raised right arm probably leant on a spear. On his feat he wears shoes decorated at the ankles with a lion skin. The statue dates from the dynasty of the Antonine Emperors and is the dress of the supreme military commander.  The National Roman Museum, Rome, Italy
  • Roman statue of an Emperor with a breastplate (loricata) from the 2nd cent AD from the Imperial Villa, Rome. The statue depicts a man in military dress, with a breastplate (lorca) decorated within griffins and a cluster of acanthus, and edged by a series of pendants (pteryges) with a head of ferocious animals and a cloak (paludamentum). In his left hand remains the traces of a sword; his raised right arm probably leant on a spear. On his feat he wears shoes decorated at the ankles with a lion skin. The statue dates from the dynasty of the Antonine Emperors and is the dress of the supreme military commander.  The National Roman Museum, Rome, Italy
  • Roman statue of an Emperor with a breastplate (loricata) from the 2nd cent AD from the Imperial Villa, Rome. The statue depicts a man in military dress, with a breastplate (lorca) decorated within griffins and a cluster of acanthus, and edged by a series of pendants (pteryges) with a head of ferocious animals and a cloak (paludamentum). In his left hand remains the traces of a sword; his raised right arm probably leant on a spear. On his feat he wears shoes decorated at the ankles with a lion skin. The statue dates from the dynasty of the Antonine Emperors and is the dress of the supreme military commander.  The National Roman Museum, Rome, Italy
  • Roman statue of an Emperor with a breastplate (loricata) from the 2nd cent AD from the Imperial Villa, Rome. The statue depicts a man in military dress, with a breastplate (lorca) decorated within griffins and a cluster of acanthus, and edged by a series of pendants (pteryges) with a head of ferocious animals and a cloak (paludamentum). In his left hand remains the traces of a sword; his raised right arm probably leant on a spear. On his feat he wears shoes decorated at the ankles with a lion skin. The statue dates from the dynasty of the Antonine Emperors and is the dress of the supreme military commander.  The National Roman Museum, Rome, Italy
  • Roman statue of an Emperor with a breastplate (loricata) from the 2nd cent AD from the Imperial Villa, Rome. The statue depicts a man in military dress, with a breastplate (lorca) decorated within griffins and a cluster of acanthus, and edged by a series of pendants (pteryges) with a head of ferocious animals and a cloak (paludamentum). In his left hand remains the traces of a sword; his raised right arm probably leant on a spear. On his feat he wears shoes decorated at the ankles with a lion skin. The statue dates from the dynasty of the Antonine Emperors and is the dress of the supreme military commander.  The National Roman Museum, Rome, Italy
  • Rare Greek bronze statue known as the Hellenistic Prince, a 2nd cent BC Hellenistic bronze, one of the few in existence.  The figure is leaning with its left arm on a long shaft, a modern replica of the original bronze spear. The head clearly shows that the artist intended it as a portrait as it is proportionally smaller than the rest of the body. The letter L. VI.P.L.XXIIX, later incised on the abdomen are inventory numbers that included the statue in the catalogue of works of art present in Rome during the Republican period. Records of the catalogue (Tabulae) ere kept in the Tabulatium archives on the Capitoline Hill. The figure is represented in heroic nudity and is a copy of a famous statue by Lysippus (371-305 BC) of Alexander the Great. The statue is considered to depict a Hellenistic Prince, possibly an early portrait of Attalus II, King of Pergamon. More recent interpretations take into account the realistic facial features and consider the work to be a portrait of a Roman who had ties to the Greek world and wished to be represented as a Hellenistic Prince. This is a rare example of a 2nd cent BC Hellenistic bronze statue  The National Roman Museum, Rome, Italy
  • Rare Greek bronze statue known as the Hellenistic Prince, a 2nd cent BC Hellenistic bronze, one of the few in existence.  The figure is leaning with its left arm on a long shaft, a modern replica of the original bronze spear. The head clearly shows that the artist intended it as a portrait as it is proportionally smaller than the rest of the body. The letter L. VI.P.L.XXIIX, later incised on the abdomen are inventory numbers that included the statue in the catalogue of works of art present in Rome during the Republican period. Records of the catalogue (Tabulae) ere kept in the Tabulatium archives on the Capitoline Hill. The figure is represented in heroic nudity and is a copy of a famous statue by Lysippus (371-305 BC) of Alexander the Great. The statue is considered to depict a Hellenistic Prince, possibly an early portrait of Attalus II, King of Pergamon. More recent interpretations take into account the realistic facial features and consider the work to be a portrait of a Roman who had ties to the Greek world and wished to be represented as a Hellenistic Prince. This is a rare example of a 2nd cent BC Hellenistic bronze statue  The National Roman Museum, Rome, Italy
  • Rare Greek bronze statue known as the Hellenistic Prince, a 2nd cent BC Hellenistic bronze, one of the few in existence.  The figure is leaning with its left arm on a long shaft, a modern replica of the original bronze spear. The head clearly shows that the artist intended it as a portrait as it is proportionally smaller than the rest of the body. The letter L. VI.P.L.XXIIX, later incised on the abdomen are inventory numbers that included the statue in the catalogue of works of art present in Rome during the Republican period. Records of the catalogue (Tabulae) ere kept in the Tabulatium archives on the Capitoline Hill. The figure is represented in heroic nudity and is a copy of a famous statue by Lysippus (371-305 BC) of Alexander the Great. The statue is considered to depict a Hellenistic Prince, possibly an early portrait of Attalus II, King of Pergamon. More recent interpretations take into account the realistic facial features and consider the work to be a portrait of a Roman who had ties to the Greek world and wished to be represented as a Hellenistic Prince. This is a rare example of a 2nd cent BC Hellenistic bronze statue  The National Roman Museum, Rome, Italy
  • Rare Greek bronze statue known as the Hellenistic Prince, a 2nd cent BC Hellenistic bronze, one of the few in existence.  The figure is leaning with its left arm on a long shaft, a modern replica of the original bronze spear. The head clearly shows that the artist intended it as a portrait as it is proportionally smaller than the rest of the body. The letter L. VI.P.L.XXIIX, later incised on the abdomen are inventory numbers that included the statue in the catalogue of works of art present in Rome during the Republican period. Records of the catalogue (Tabulae) ere kept in the Tabulatium archives on the Capitoline Hill. The figure is represented in heroic nudity and is a copy of a famous statue by Lysippus (371-305 BC) of Alexander the Great. The statue is considered to depict a Hellenistic Prince, possibly an early portrait of Attalus II, King of Pergamon. More recent interpretations take into account the realistic facial features and consider the work to be a portrait of a Roman who had ties to the Greek world and wished to be represented as a Hellenistic Prince. This is a rare example of a 2nd cent BC Hellenistic bronze statue  The National Roman Museum, Rome, Italy
  • Rare Greek bronze statue known as the Hellenistic Prince, a 2nd cent BC Hellenistic bronze, one of the few in existence.  The figure is leaning with its left arm on a long shaft, a modern replica of the original bronze spear. The head clearly shows that the artist intended it as a portrait as it is proportionally smaller than the rest of the body. The letter L. VI.P.L.XXIIX, later incised on the abdomen are inventory numbers that included the statue in the catalogue of works of art present in Rome during the Republican period. Records of the catalogue (Tabulae) ere kept in the Tabulatium archives on the Capitoline Hill. The figure is represented in heroic nudity and is a copy of a famous statue by Lysippus (371-305 BC) of Alexander the Great. The statue is considered to depict a Hellenistic Prince, possibly an early portrait of Attalus II, King of Pergamon. More recent interpretations take into account the realistic facial features and consider the work to be a portrait of a Roman who had ties to the Greek world and wished to be represented as a Hellenistic Prince. This is a rare example of a 2nd cent BC Hellenistic bronze statue  The National Roman Museum, Rome, Italy
  • Picture of Neo-Hittite orthostat describing the legend of Gilgamesh from Karkamis,, Turkey. Ancora Archaeological Museum. Mythological scene. The 2 figures in the center are flanked by lion headed men who have one fist outstretched and are known as Ugallu. The 2 figures in the middle holding spears are men with bodies of bulls known as Kusarikku. 4
  • Picture of Neo-Hittite orthostat describing the legend of Gilgamesh from Karkamis,, Turkey. Museum of Anatolian Civilisations, Ankara. Mythological scene. The 2 figures in the center are flanked by lion headed men who have one fist outstretched and are known as Ugallu. The 2 figures in the middle holding spears are men with bodies of bulls known as Kusarikku. 3
  • Picture of Neo-Hittite orthostat describing the legend of Gilgamesh from Karkamis,, Turkey. Museum of Anatolian Civilisations, Ankara. Mythological scene. The 2 figures in the center are flanked by lion headed men who have one fist outstretched and are known as Ugallu. The 2 figures in the middle holding spears are men with bodies of bulls known as Kusarikku. 2
  • Picture of Neo-Hittite orthostat describing the legend of Gilgamesh from Karkamis,, Turkey. Museum of Anatolian Civilisations, Ankara. Mythological scene. The 2 figures in the center are flanked by lion headed men who have one fist outstretched and are known as Ugallu. The 2 figures in the middle holding spears are men with bodies of bulls known as Kusarikku. 5
  • Picture of Neo-Hittite orthostat describing the legend of Gilgamesh from Karkamis,, Turkey. Museum of Anatolian Civilisations, Ankara. Mythological scene. The 2 figures in the center are flanked by lion headed men who have one fist outstretched and are known as Ugallu. The 2 figures in the middle holding spears are men with bodies of bulls known as Kusarikku. 1
  • Picture of Neo-Hittite orthostat describing the legend of Gilgamesh from Karkamis,, Turkey. Mythological scene. The 2 figures in the center are flanked by lion headed men who have one fist outstretched and are known as Ugallu. The 2 figures in the middle holding spears are men with bodies of bulls known as Kusarikku. An Ankara Museum of Anatolian Civilizations exhibit.

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