• Depictions of gods on the end relief panel of the 13th century BC Hittite religious rock carvings of Yazılıkaya Hittite rock sanctuary, chamber A, Hattusa, Bogazale, Turkey.
  • Depictions of gods on the end relief panel of the 13th century BC Hittite religious rock carvings of Yazılıkaya Hittite rock sanctuary, chamber A, Hattusa, Bogazale, Turkey.
  • Depictions of gods on the end relief panel of the 13th century BC Hittite religious rock carvings of Yazılıkaya Hittite rock sanctuary, chamber A, Hattusa, Bogazale, Turkey.
  • Depictions of gods on the end relief panel of the 13th century BC Hittite religious rock carvings of Yazılıkaya Hittite rock sanctuary, chamber A, Hattusa, Bogazale, Turkey.
  • Depictions of gods on the end relief panel of the 13th century BC Hittite religious rock carvings of Yazılıkaya Hittite rock sanctuary, chamber A, Hattusa, Bogazale, Turkey.
  • Depictions of gods on the end relief panel of the 13th century BC Hittite religious rock carvings of Yazılıkaya Hittite rock sanctuary, chamber A, Hattusa, Bogazale, Turkey.
  • Depictions of gods on the end relief panel of the 13th century BC Hittite religious rock carvings of Yazılıkaya Hittite rock sanctuary, chamber A, Hattusa, Bogazale, Turkey.
  • Depictions of gods on the end relief panel of the 13th century BC Hittite religious rock carvings of Yazılıkaya Hittite rock sanctuary, chamber A, Hattusa, Bogazale, Turkey.
  • Depictions of gods on the end relief panel of the 13th century BC Hittite religious rock carvings of Yazılıkaya Hittite rock sanctuary, chamber A, Hattusa, Bogazale, Turkey.
  • End relief panel of the 13th century BC Hittite religious rock carvings of Yazılıkaya Hittite rock sanctuary, chamber A, Hattusa, Bogazale, Turkey. Plastercast at the Vorderasiatisches Museum, Pergamon Museum, Berlin.
  • End relief panel of the 13th century BC Hittite religious rock carvings of Yazılıkaya Hittite rock sanctuary, chamber A, Hattusa, Bogazale, Turkey . Plastercast at the Vorderasiatisches Museum, Pergamon Museum, Berlin.
  • Depictions of gods on the end relief panel of the 13th century BC Hittite religious rock carvings of Yazılıkaya Hittite rock sanctuary, chamber A, Hattusa, Bogazale, Turkey.
  • Depictions of gods on the end relief panel of the 13th century BC Hittite religious rock carvings of Yazılıkaya Hittite rock sanctuary, chamber A, Hattusa, Bogazale, Turkey.
  • Detail of end relief panel of the 13th century BC Hittite religious rock carvings of Yazılıkaya Hittite rock sanctuary, chamber A, Hattusa, Bogazale, Turkey.. Plastercast at the Vorderasiatisches Museum, Pergamon Museum, Berlin.
  • Close up of end relief panel of the 13th century BC Hittite religious rock carvings of Yazılıkaya Hittite rock sanctuary, chamber A, Hattusa, Bogazale, Turkey.. Plastercast at the Vorderasiatisches Museum, Pergamon Museum, Berlin.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. the bottom is a carving of a dagger running horizontally across the menhir. Excavated from Piscina ‘E Sali VI site,  Laconi.  Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. Black background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. the bottom is a carving of a dagger running horizontally across the menhir. Excavated from Piscina ‘E Sali VI site,  Laconi.  Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. Grey background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The remains of a representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. the bottom is a carving of a dagger running horizontally across the menhir. Excavated from Piscina ‘E Sali IV site,  Laconi.  Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. White background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The remains of a representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. the bottom is a carving of a dagger running horizontally across the menhir. Excavated from Piscina ‘E Sali IV site,  Laconi.  Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. the bottom is a carving of a dagger running horizontally across the menhir. Excavated from Piscina ‘E Sali VI site,  Laconi.  Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. White background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. the bottom is a carving of a dagger running horizontally across the menhir. Excavated from Piscina ‘E Sali VI site,  Laconi.  Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The remains of a representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. the bottom is a carving of a dagger running horizontally across the menhir. Excavated from Piscina ‘E Sali IV site,  Laconi.  Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. Black background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The remains of a representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. the bottom is a carving of a dagger running horizontally across the menhir. Excavated from Piscina ‘E Sali IV site,  Laconi.  Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. Grey background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The remains of a representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. the bottom is a carving of a dagger running horizontally across the menhir. Excavated from Piscina ‘E Sali IV site,  Laconi.  Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. Excavated from Genna Arrele II. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. Grey background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. Excavated from Genna Arrele II. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. Excavated from Genna Arrele II. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. White background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. Excavated from Genna Arrele II. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. Black background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. Excavated from Genna Arrele II. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. Grey background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. Excavated from Genna Arrele II. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. Excavated from Genna Arrele II. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. Black background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. Excavated from Genna Arrele II. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. Excavated from Genna Arrele II. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. Excavated from S’Arretzraxiu, Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. White background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. Excavated from S’Arretzraxiu, Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. Grey background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. Excavated from S’Arretzraxiu, Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. Excavated from Bau Carradore II, Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. White background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. Excavated from Bau Carradore II, Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. Grey background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. Excavated from Cabamadau, Villa Sant’ Antonia. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. White background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. Excavated from Cabamadau, Villa Sant’ Antonia. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. Excavated from Cabamadau, Villa Sant’ Antonia. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. Excavated from Cabamadau, Villa Sant’ Antonia. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. Grey background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. Excavated from Cabamadau, Villa Sant’ Antonia. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. Excavated from Pranu Maore I site,  Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. Black background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. Excavated from Perida Iddocca VII site,  Laconi.  Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. White background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. Excavated from Perida Iddocca VII site,  Laconi.  Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. Excavated from Piscina ‘E Sali II site,  Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. Black background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. Excavated from Piscina ‘E Sali II site,  Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. Excavated from Piscina ‘E Sali II site,  Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. Grey background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. Excavated from Piscina ‘E Sali II site,  Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy
  • Central fragment of a Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure would have started at the top with the remaons of  a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir.  Excavated from Piscina ‘E Sali VI site,  Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. Grey background.
  • Central fragment of a Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure would have started at the top with the remaons of  a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir.  Excavated from Piscina ‘E Sali VI site,  Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. White background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir.  Excavated from Piscina ‘E Sali V site,  Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. White background.
  • Central fragment of a Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure would have started at the top with the remaons of  a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir.  Excavated from Piscina ‘E Sali VI site,  Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with the bottom of a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. Excavated from Piscina ‘E Sali V site,  Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. Grey background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir.  Excavated from Barrili II site,  Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. Black background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir.  Excavated from Barrili II site,  Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. Grey background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir.  Excavated from Barrili II site,  Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir.  From Barrili I site, Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. Black background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir.  From Barrili I site, Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir.  From Barrili I site, Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. Excavated from Barilli I site,  Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. Excavated from Genna Arrele II. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. White background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. Excavated from Genna Arrele II. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. Black background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. Excavated from Genna Arrele II. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. Excavated from Genna Arrele II. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. Excavated from Genna Arrele II. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. White background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. Excavated from Genna Arrele II. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. Grey background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. Excavated from S’Arretzraxiu, Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. Black background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. Excavated from S’Arretzraxiu, Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. Excavated from Bau Carradore II, Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. Black background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. Excavated from Bau Carradore II, Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. Excavated from Bau Carradore II, Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. Excavated from Cabamadau, Villa Sant’ Antonia. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. Black background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. Excavated from Cabamadau, Villa Sant’ Antonia. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. Grey background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. Excavated from Cabamadau, Villa Sant’ Antonia. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. Excavated from Cabamadau, Villa Sant’ Antonia. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. White background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. Excavated from Cabamadau, Villa Sant’ Antonia. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. Black background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. Excavated from Barilli I site,  Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. White background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. Excavated from Barilli I site,  Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. Black background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. Excavated from Barilli I site,  Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. Grey background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. Excavated from Barilli I site,  Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. Excavated from Pranu Maore I site,  Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. White background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. Excavated from Pranu Maore I site,  Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. Grey background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. Excavated from Pranu Maore I site,  Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. Excavated from Pranu Maore I site,  Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. Excavated from Perida Iddocca VII site,  Laconi.  Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. Grey background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. Excavated from Perida Iddocca VII site,  Laconi.  Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. Black background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. Excavated from Perida Iddocca VII site,  Laconi.  Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. Excavated from Piscina ‘E Sali II site,  Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. White background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. Excavated from Piscina ‘E Sali II site,  Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. Excavated from Piscina ‘E Sali II site,  Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. Grey background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. Excavated from Piscina ‘E Sali II site,  Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. Black background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. Excavated from Piscina ‘E Sali II site,  Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. White background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. Excavated from Piscina ‘E Sali II site,  Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy
  • Central fragment of a Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure would have started at the top with the remaons of  a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir.  Excavated from Piscina ‘E Sali VI site,  Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. Black background.
  • Central fragment of a Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure would have started at the top with the remaons of  a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir.  Excavated from Piscina ‘E Sali VI site,  Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir.  Excavated from Piscina ‘E Sali V site,  Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. Black background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir.  Excavated from Piscina ‘E Sali V site,  Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir.  Excavated from Piscina ‘E Sali V site,  Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. Grey background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir.  Excavated from Piscina ‘E Sali V site,  Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with the bottom of a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. Excavated from Piscina ‘E Sali V site,  Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. Black background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with the bottom of a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. Excavated from Piscina ‘E Sali V site,  Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir.  Excavated from Barrili II site,  Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. White background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir.  Excavated from Barrili II site,  Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir.  From Barrili I site, Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. White background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir.  From Barrili I site, Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. Grey background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir.  From Barrili I site, Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir.  From Barrili I site, Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir.  From Barrili I site, Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. White background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir.  From Barrili I site, Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. Black background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir.  From Barrili I site, Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. Grey background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with the bottom of a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. Excavated from Piscina ‘E Sali V site,  Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. White background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with the bottom of a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. at the bottom is a carving of a dagger running horizontally across the menhir. Excavated from Piscina ‘E Sali V site,  Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. Excavated from Genna Arrele II. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. Grey background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above.Excavated from Nuraghe Orrubiu IV, Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. Excavated from Paule Luturru,  Samugheo. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. Black background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. Excavated from Paule Luturru,  Samugheo. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. Grey background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. Excavated from Genna Arrele II. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. Black background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. Excavated from Genna Arrele II. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. White background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. Excavated from Genna Arrele II. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above.Excavated from Nuraghe Orrubiu IV, Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. Black background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above.Excavated from Nuraghe Orrubiu IV, Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. White background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above.Excavated from Nuraghe Orrubiu IV, Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. Excavated from Paule Luturru,  Samugheo. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. Excavated from Paule Luturru,  Samugheo. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure with the remains of a  carving of a dagger running horizontally across the menhir. Excavated from Cuccu de Lai,  Samugheo. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. White background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure with the remains of a  carving of a dagger running horizontally across the menhir. Excavated from Cuccu de Lai,  Samugheo. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. Excavated from Genna Arrele II. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above.Excavated from Nuraghe Orrubiu IV, Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. Grey background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. below this is a carving of a falling figure with head at the bottom and 2 curved arms encircling a body above. Excavated from Paule Luturru,  Samugheo. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. White background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure with the remains of a  carving of a dagger running horizontally across the menhir. Excavated from Cuccu de Lai,  Samugheo. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. Black background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure with the remains of a  carving of a dagger running horizontally across the menhir. Excavated from Cuccu de Lai,  Samugheo. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. Grey background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure with the remains of a  carving of a dagger running horizontally across the menhir. Excavated from Cuccu de Lai,  Samugheo. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy
  • Close up of a Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. At the bottom is a carving of a dagger running horizontally across the menhir.  From Barrili I site, Laconi. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy
  • Top section of a Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. Excavated from Amassed VII, Allai. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. Black background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. Excavated from Amassed VII, Allai.  Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. White background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side.  Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. White background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side.  Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. Grey background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side.  Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. Black background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. Excavated from Paule Luturru,  Samugheo. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. White background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. Excavated from Paule Luturru,  Samugheo. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. Black background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. Excavated from Paule Luturru,  Samugheo. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy
  • Top section of a Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. Excavated from Amassed VII, Allai. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, . White background.
  • Top section of a Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. Excavated from Amassed VII, Allai. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. Grey background.
  • Top section of a Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. Excavated from Amassed VII, Allai. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy
  • Top section of a Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. Excavated from Amassed VII, Allai. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. Excavated from Amassed VII, Allai.  Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. Excavated from Amassed VII, Allai.  Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side.  Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. Excavated from Paule Luturru,  Samugheo. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. Grey background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. The representation of a stylalised male figure starts at the top with a long nose from which 2 eyebrows arch around the top of the stone. Excavated from Paule Luturru,  Samugheo. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. Excavated from Paule Luturru site,  Samugheo. Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. Excavated from Amassed VII, Allai.  Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. Black background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side. Excavated from Amassed VII, Allai.  Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy. Grey background.
  • Late European Neolithic prehistoric Menhir standing stone with carvings on its face side.  Menhir Museum, Museo della Statuaria Prehistorica in Sardegna, Museum of Prehoistoric Sardinian Statues, Palazzo Aymerich, Laconi, Sardinia, Italy
  • Pictures & images of the North Gate ancient Hittite stele stone slabs with carvings of the Phoenician language  known as the Karatepe bilingual, which allowed academics to translate Hittite hieroglyphs. 8th century BC discovered in 1946. Karatepe Aslantas Open-Air Museum (Karatepe-Aslantaş Açık Hava Müzesi), Osmaniye Province, Turkey. Against grey background
  • Pictures & images of the North Gate ancient Hittite stele stone slabs with carvings of the Phoenician language  known as the Karatepe bilingual, which allowed academics to translate Hittite hieroglyphs. 8th century BC discovered in 1946. Karatepe Aslantas Open-Air Museum (Karatepe-Aslantaş Açık Hava Müzesi), Osmaniye Province, Turkey.
  • Pictures & images of the North Gate ancient Hittite stele stone slabs with carvings of the Phoenician language  known as the Karatepe bilingual, which allowed academics to translate Hittite hieroglyphs. 8th century BC discovered in 1946. Karatepe Aslantas Open-Air Museum (Karatepe-Aslantaş Açık Hava Müzesi), Osmaniye Province, Turkey.
  • Pictures & images of the North Gate ancient Hittite stele stone slabs with carvings of the Phoenician language  known as the Karatepe bilingual, which allowed academics to translate Hittite hieroglyphs. 8th century BC discovered in 1946. Karatepe Aslantas Open-Air Museum (Karatepe-Aslantaş Açık Hava Müzesi), Osmaniye Province, Turkey.
  • Pictures & images of the North Gate ancient Hittite stele stone slabs with carvings of the Phoenician language  known as the Karatepe bilingual, which allowed academics to translate Hittite hieroglyphs. 8th century BC discovered in 1946. Karatepe Aslantas Open-Air Museum (Karatepe-Aslantaş Açık Hava Müzesi), Osmaniye Province, Turkey. Against art background
  • Pictures & images of the North Gate ancient Hittite stele stone slabs with stele of Hittite Gods, mythical beasts and lion as well as carvings of the Phoenician language  known as the Karatepe bilingual, which allowed academics to translate Hittite hieroglyphs. 8th century BC discovered in 1946. Karatepe Aslantas Open-Air Museum (Karatepe-Aslantaş Açık Hava Müzesi), Osmaniye Province, Turkey. Against white background
  • Pictures & images of the North Gate ancient Hittite stele stone slabs with stele of Hittite Gods, mythical beasts and lion as well as carvings of the Phoenician language  known as the Karatepe bilingual, which allowed academics to translate Hittite hieroglyphs. 8th century BC discovered in 1946. Karatepe Aslantas Open-Air Museum (Karatepe-Aslantaş Açık Hava Müzesi), Osmaniye Province, Turkey. Against black background
  • Pictures & images of the South Gate ancient Hittite stele stone slabs with carvings of the Luwian language hieroglyphics known as the Karatepe bilingual, which allowed academics to translate Hittite hieroglyphs. 8th century BC discovered in 1946. Karatepe Aslantas Open-Air Museum (Karatepe-Aslantaş Açık Hava Müzesi), Osmaniye Province, Turkey.
  • Pictures & images of the South Gate ancient Hittite stele stone slabs with carvings of the Luwian language hieroglyphics known as the Karatepe bilingual, which allowed academics to translate Hittite hieroglyphs. 8th century BC discovered in 1946. Karatepe Aslantas Open-Air Museum (Karatepe-Aslantaş Açık Hava Müzesi), Osmaniye Province, Turkey.
  • Pictures & images of the North Gate ancient Hittite stele stone slabs with stele of Hittite Gods, mythical beasts and lion as well as carvings of the Phoenician language  known as the Karatepe bilingual, which allowed academics to translate Hittite hieroglyphs. 8th century BC discovered in 1946. Karatepe Aslantas Open-Air Museum (Karatepe-Aslantaş Açık Hava Müzesi), Osmaniye Province, Turkey. Against grey background
  • Pictures & images of the North Gate ancient Hittite stele stone slabs with stele of Hittite Gods, mythical beasts and lion as well as carvings of the Phoenician language  known as the Karatepe bilingual, which allowed academics to translate Hittite hieroglyphs. 8th century BC discovered in 1946. Karatepe Aslantas Open-Air Museum (Karatepe-Aslantaş Açık Hava Müzesi), Osmaniye Province, Turkey.
  • Pictures & images of the North Gate ancient Hittite stele stone slabs with stele of Hittite Gods, mythical beasts and lion as well as carvings of the Phoenician language  known as the Karatepe bilingual, which allowed academics to translate Hittite hieroglyphs. 8th century BC discovered in 1946. Karatepe Aslantas Open-Air Museum (Karatepe-Aslantaş Açık Hava Müzesi), Osmaniye Province, Turkey.
  • Pictures & images of the North Gate ancient Hittite stele stone slabs with stele of Hittite Gods, mythical beasts and lion as well as carvings of the Phoenician language  known as the Karatepe bilingual, which allowed academics to translate Hittite hieroglyphs. 8th century BC discovered in 1946. Karatepe Aslantas Open-Air Museum (Karatepe-Aslantaş Açık Hava Müzesi), Osmaniye Province, Turkey.
  • Pictures & images of the North Gate ancient Hittite stele stone slabs with carvings of the Phoenician language  known as the Karatepe bilingual, which allowed academics to translate Hittite hieroglyphs. 8th century BC discovered in 1946. Karatepe Aslantas Open-Air Museum (Karatepe-Aslantaş Açık Hava Müzesi), Osmaniye Province, Turkey.
  • Pictures & images of the North Gate ancient Hittite stele stone slabs with stele of Hittite Gods, mythical beasts and lion as well as carvings of the Phoenician language  known as the Karatepe bilingual, which allowed academics to translate Hittite hieroglyphs. 8th century BC discovered in 1946. Karatepe Aslantas Open-Air Museum (Karatepe-Aslantaş Açık Hava Müzesi), Osmaniye Province, Turkey. Against art background
  • Pictures & images of the North Gate ancient Hittite stele stone slabs with carvings of the Phoenician language  known as the Karatepe bilingual, which allowed academics to translate Hittite hieroglyphs. 8th century BC discovered in 1946. Karatepe Aslantas Open-Air Museum (Karatepe-Aslantaş Açık Hava Müzesi), Osmaniye Province, Turkey. Against white background
  • Pictures & images of the North Gate ancient Hittite stele stone slabs with carvings of the Phoenician language  known as the Karatepe bilingual, which allowed academics to translate Hittite hieroglyphs. 8th century BC discovered in 1946. Karatepe Aslantas Open-Air Museum (Karatepe-Aslantaş Açık Hava Müzesi), Osmaniye Province, Turkey. Against black background
  • Pictures & images of the North Gate ancient Hittite stele stone slabs with carvings of the Luwian language hieroglyphics known as the Karatepe bilingual, which allowed academics to translate Hittite hieroglyphs. 8th century BC discovered in 1946. Karatepe Aslantas Open-Air Museum (Karatepe-Aslantaş Açık Hava Müzesi), Osmaniye Province, Turkey.
  • Pictures & images of the North Gate ancient Hittite stele stone slabs with carvings of the Luwian language hieroglyphics known as the Karatepe bilingual, which allowed academics to translate Hittite hieroglyphs. 8th century BC discovered in 1946. Karatepe Aslantas Open-Air Museum (Karatepe-Aslantaş Açık Hava Müzesi), Osmaniye Province, Turkey.
  • Pictures & images of the South Gate ancient Hittite stele stone slabs with carvings of the Luwian language hieroglyphics known as the Karatepe bilingual, which allowed academics to translate Hittite hieroglyphs. 8th century BC discovered in 1946. Karatepe Aslantas Open-Air Museum (Karatepe-Aslantaş Açık Hava Müzesi), Osmaniye Province, Turkey.
  • Pictures & images of the South Gate ancient Hittite stele stone slabs with carvings of the Luwian language hieroglyphics known as the Karatepe bilingual, which allowed academics to translate Hittite hieroglyphs. 8th century BC discovered in 1946. Karatepe Aslantas Open-Air Museum (Karatepe-Aslantaş Açık Hava Müzesi), Osmaniye Province, Turkey.
  • Pictures & images of the South Gate ancient Hittite stele stone slabs with carvings of the Luwian language hieroglyphics known as the Karatepe bilingual, which allowed academics to translate Hittite hieroglyphs. 8th century BC discovered in 1946. Karatepe Aslantas Open-Air Museum (Karatepe-Aslantaş Açık Hava Müzesi), Osmaniye Province, Turkey.
  • Pictures & images of the South Gate ancient Hittite stele stone slabs with carvings of the Luwian language hieroglyphics known as the Karatepe bilingual, which allowed academics to translate Hittite hieroglyphs. 8th century BC discovered in 1946. Karatepe Aslantas Open-Air Museum (Karatepe-Aslantaş Açık Hava Müzesi), Osmaniye Province, Turkey.
  • Pictures & images of the South Gate ancient Hittite stele stone slabs with carvings of the Luwian language hieroglyphics known as the Karatepe bilingual, which allowed academics to translate Hittite hieroglyphs. 8th century BC discovered in 1946. Karatepe Aslantas Open-Air Museum (Karatepe-Aslantaş Açık Hava Müzesi), Osmaniye Province, Turkey.
  • Pictures & images of the South Gate ancient Hittite stele stone slabs with carvings of the Luwian language hieroglyphics known as the Karatepe bilingual, which allowed academics to translate Hittite hieroglyphs. 8th century BC discovered in 1946. Karatepe Aslantas Open-Air Museum (Karatepe-Aslantaş Açık Hava Müzesi), Osmaniye Province, Turkey.
  • Alaca Hoyuk - Hittite lion sculpture corner Stone . Andesite. Alacahoyuk, 1399 - 1301 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Corner stone with sculpted lion, bull and winged sun disk. It was discovered at the right side of the Alacahoyuk sphinx door. The lion puts his front legs on a small bull. There is a Hittite winged sun disk on the abdomen of the lion, which can be seen from a lower location. The position of the sun course indicates that the stone is situated in a high place.
  • Alaca Hoyuk - Hittite lion sculptures corner Stone. . Andesite. Alacahoyuk, 1399 - 1301 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Corner stone decorated by lion, bull and winged sun disk. It was discovered at the right side of the Alacahoyuk sphinx door. The lion puts his front legs on a small bull. There is a Hittite winged sun disk on the abdomen of the lion, which can be seen from a lower location. The position of the sun course indicates that the stone is situated in a high place. <br />
<br />
Against a brown gray background.
  • Alaca Hoyuk - Hittite lion sculpture corner Stone . Andesite. Alacahoyuk, 1399 - 1301 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Corner stone with sculpted lion, bull and winged sun disk. It was discovered at the right side of the Alacahoyuk sphinx door. The lion puts his front legs on a small bull. There is a Hittite winged sun disk on the abdomen of the lion, which can be seen from a lower location. The position of the sun course indicates that the stone is situated in a high place.<br />
<br />
Against a black background.
  • Alaca Hoyuk - Hittite lion sculpture corner Stone . Andesite. Alacahoyuk, 1399 - 1301 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Corner stone with sculpted lion, bull and winged sun disk. It was discovered at the right side of the Alacahoyuk sphinx door. The lion puts his front legs on a small bull. There is a Hittite winged sun disk on the abdomen of the lion, which can be seen from a lower location. The position of the sun course indicates that the stone is situated in a high place.<br />
<br />
Against a brown gray background.
  • Alaca Hoyuk - Hittite lion sculpture corner Stone . Andesite. Alacahoyuk, 1399 - 1301 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Corner stone with sculpted lion, bull and winged sun disk. It was discovered at the right side of the Alacahoyuk sphinx door. The lion puts his front legs on a small bull. There is a Hittite winged sun disk on the abdomen of the lion, which can be seen from a lower location. The position of the sun course indicates that the stone is situated in a high place.<br />
<br />
Against a black background.
  • Alaca Hoyuk - Hittite lion sculpture corner Stone . Andesite. Alacahoyuk, 1399 - 1301 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Corner stone with sculpted lion, bull and winged sun disk. It was discovered at the right side of the Alacahoyuk sphinx door. The lion puts his front legs on a small bull. There is a Hittite winged sun disk on the abdomen of the lion, which can be seen from a lower location. The position of the sun course indicates that the stone is situated in a high place.<br />
<br />
Against a white background.
  • Alaca Hoyuk - Hittite lion sculpture corner Stone . Andesite. Alacahoyuk, 1399 - 1301 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Corner stone with sculpted lion, bull and winged sun disk. It was discovered at the right side of the Alacahoyuk sphinx door. The lion puts his front legs on a small bull. There is a Hittite winged sun disk on the abdomen of the lion, which can be seen from a lower location. The position of the sun course indicates that the stone is situated in a high place.<br />
Against a grey background.
  • Alaca Hoyuk - Hittite lion sculpture corner Stone . Andesite. Alacahoyuk, 1399 - 1301 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Corner stone with sculpted lion, bull and winged sun disk. It was discovered at the right side of the Alacahoyuk sphinx door. The lion puts his front legs on a small bull. There is a Hittite winged sun disk on the abdomen of the lion, which can be seen from a lower location. The position of the sun course indicates that the stone is situated in a high place.<br />
<br />
Against a grey art background.
  • Alaca Hoyuk - Hittite lion sculptures corner Stone. . Andesite. Alacahoyuk, 1399 - 1301 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Corner stone decorated by lion, bull and winged sun disk. It was discovered at the right side of the Alacahoyuk sphinx door. The lion puts his front legs on a small bull. There is a Hittite winged sun disk on the abdomen of the lion, which can be seen from a lower location. The position of the sun course indicates that the stone is situated in a high place. <br />
<br />
Against a white background.
  • Alaca Hoyuk - Hittite lion sculptures corner Stone. . Andesite. Alacahoyuk, 1399 - 1301 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Corner stone decorated by lion, bull and winged sun disk. It was discovered at the right side of the Alacahoyuk sphinx door. The lion puts his front legs on a small bull. There is a Hittite winged sun disk on the abdomen of the lion, which can be seen from a lower location. The position of the sun course indicates that the stone is situated in a high place. <br />
<br />
Against a black background.
  • Alaca Hoyuk - Hittite lion sculptures corner Stone. . Andesite. Alacahoyuk, 1399 - 1301 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Corner stone decorated by lion, bull and winged sun disk. It was discovered at the right side of the Alacahoyuk sphinx door. The lion puts his front legs on a small bull. There is a Hittite winged sun disk on the abdomen of the lion, which can be seen from a lower location. The position of the sun course indicates that the stone is situated in a high place. <br />
<br />
Against a grey art background.
  • Alaca Hoyuk - Hittite lion sculptures corner Stone. . Andesite. Alacahoyuk, 1399 - 1301 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Corner stone decorated by lion, bull and winged sun disk. It was discovered at the right side of the Alacahoyuk sphinx door. The lion puts his front legs on a small bull. There is a Hittite winged sun disk on the abdomen of the lion, which can be seen from a lower location. The position of the sun course indicates that the stone is situated in a high place. <br />
<br />
Against a brown art background.
  • Alaca Hoyuk - Hittite lion sculpture corner Stone . Andesite. Alacahoyuk, 1399 - 1301 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Corner stone with sculpted lion, bull and winged sun disk. It was discovered at the right side of the Alacahoyuk sphinx door. The lion puts his front legs on a small bull. There is a Hittite winged sun disk on the abdomen of the lion, which can be seen from a lower location. The position of the sun course indicates that the stone is situated in a high place.<br />
<br />
Against a white background.
  • Alaca Hoyuk - Hittite lion sculpture corner Stone . Andesite. Alacahoyuk, 1399 - 1301 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Corner stone with sculpted lion, bull and winged sun disk. It was discovered at the right side of the Alacahoyuk sphinx door. The lion puts his front legs on a small bull. There is a Hittite winged sun disk on the abdomen of the lion, which can be seen from a lower location. The position of the sun course indicates that the stone is situated in a high place.<br />
<br />
Against a brown art background.
  • Alaca Hoyuk - Hittite lion sculpture corner Stone . Andesite. Alacahoyuk, 1399 - 1301 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Corner stone with sculpted lion, bull and winged sun disk. It was discovered at the right side of the Alacahoyuk sphinx door. The lion puts his front legs on a small bull. There is a Hittite winged sun disk on the abdomen of the lion, which can be seen from a lower location. The position of the sun course indicates that the stone is situated in a high place.<br />
<br />
Against a grey art background.
  • Alaca Hoyuk - Hittite lion sculpture corner Stone . Andesite. Alacahoyuk, 1399 - 1301 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Corner stone with sculpted lion, bull and winged sun disk. It was discovered at the right side of the Alacahoyuk sphinx door. The lion puts his front legs on a small bull. There is a Hittite winged sun disk on the abdomen of the lion, which can be seen from a lower location. The position of the sun course indicates that the stone is situated in a high place.<br />
<br />
Against a brown gray background.
  • Close up of the sculpture of the twelve gods of the underworld from the 13th century BC Hittite religious rock carvings of Yazılıkaya Hittite rock sanctuary, chamber B,  Hattusa, Bogazale, Turkey.
  • Sculpture of the twelve gods of the underworld from the 13th century BC Hittite religious rock carvings of Yazılıkaya Hittite rock sanctuary, chamber B,  Hattusa, Bogazale, Turkey.
  • Sculpture of the twelve gods of the underworld from the 13th century BC Hittite religious rock carvings of Yazılıkaya Hittite rock sanctuary, chamber B,  Hattusa, Bogazale, Turkey.
  • Sculpture of the twelve gods of the underworld from the 13th century BC Hittite religious rock carvings of Yazılıkaya Hittite rock sanctuary, chamber B,  Hattusa, Bogazale, Turkey.
  • Sculpture of  god Sharruma and King Tudhaliya from the 13th century BC Hittite religious rock carvings of Yazılıkaya Hittite rock sanctuary, chamber B,  Hattusa, Bogazale, Turkey.
  • God figure from the 13th century BC Hittite religious rock carvings of Yazılıkaya Hittite rock sanctuary, chamber A,  Hattusa, Bogazale, Turkey.
  • Sculpture of  god Sharruma and King Tudhaliya from the 13th century BC Hittite religious rock carvings of Yazılıkaya Hittite rock sanctuary, chamber B,  Hattusa, Bogazale, Turkey.
  • Procession of female Gods in the 13th century BC Hittite religious rock carvings of Yazılıkaya Hittite rock sanctuary, chamber A,  Hattusa, Bogazale, Turkey.
  • Procession of female Gods in the 13th century BC Hittite religious rock carvings of Yazılıkaya Hittite rock sanctuary, chamber A,  Hattusa, Bogazale, Turkey.
  • 13th century BC Hittite religious rock carvings of Yazılıkaya Hittite rock sanctuary, chamber A,  Hattusa, Bogazale, Turkey.
  • Close up of the sculpture of the twelve gods of the underworld from the 13th century BC Hittite religious rock carvings of Yazılıkaya Hittite rock sanctuary, chamber B,  Hattusa, Bogazale, Turkey.
  • Close up of the sculpture of the twelve gods of the underworld from the 13th century BC Hittite religious rock carvings of Yazılıkaya Hittite rock sanctuary, chamber B,  Hattusa, Bogazale, Turkey.
  • Close up of the sculpture of the twelve gods of the underworld from the 13th century BC Hittite religious rock carvings of Yazılıkaya Hittite rock sanctuary, chamber B,  Hattusa, Bogazale, Turkey.
  • Close up of the sculpture of the twelve gods of the underworld from the 13th century BC Hittite religious rock carvings of Yazılıkaya Hittite rock sanctuary, chamber B,  Hattusa, Bogazale, Turkey.
  • Close up of the sculpture of the twelve gods of the underworld from the 13th century BC Hittite religious rock carvings of Yazılıkaya Hittite rock sanctuary, chamber B,  Hattusa, Bogazale, Turkey.
  • Close up of the sculpture of the twelve gods of the underworld from the 13th century BC Hittite religious rock carvings of Yazılıkaya Hittite rock sanctuary, chamber B,  Hattusa, Bogazale, Turkey.
  • Close up of the sculpture of the twelve gods of the underworld from the 13th century BC Hittite religious rock carvings of Yazılıkaya Hittite rock sanctuary, chamber B,  Hattusa, Bogazale, Turkey.
  • Sculpture of the twelve gods of the underworld from the 13th century BC Hittite religious rock carvings of Yazılıkaya Hittite rock sanctuary, chamber B,  Hattusa, Bogazale, Turkey.
  • Close up of the sculpture of the twelve gods of the underworld from the 13th century BC Hittite religious rock carvings of Yazılıkaya Hittite rock sanctuary, chamber B,  Hattusa, Bogazale, Turkey.
  • Close up of the sculpture of the twelve gods of the underworld from the 13th century BC Hittite religious rock carvings of Yazılıkaya Hittite rock sanctuary, chamber B,  Hattusa, Bogazale, Turkey.
  • Close up of the sculpture of the twelve gods of the underworld from the 13th century BC Hittite religious rock carvings of Yazılıkaya Hittite rock sanctuary, chamber B,  Hattusa, Bogazale, Turkey.
  • Sculpture of the twelve gods of the underworld from the 13th century BC Hittite religious rock carvings of Yazılıkaya Hittite rock sanctuary, chamber B,  Hattusa, Bogazale, Turkey.
  • Sculpture of the twelve gods of the underworld from the 13th century BC Hittite religious rock carvings of Yazılıkaya Hittite rock sanctuary, chamber B,  Hattusa, Bogazale, Turkey.
  • Sculpture of the twelve gods of the underworld from the 13th century BC Hittite religious rock carvings of Yazılıkaya Hittite rock sanctuary, chamber B,  Hattusa, Bogazale, Turkey.
  • Sculpture of the twelve gods of the underworld from the 13th century BC Hittite religious rock carvings of Yazılıkaya Hittite rock sanctuary, chamber B,  Hattusa, Bogazale, Turkey.
  • 13th century BC Hittite religious rock carvings of Yazılıkaya Hittite rock sanctuary, chamber B,  Hattusa, Bogazale, Turkey.
  • God figure from the 13th century BC Hittite religious rock carvings of Yazılıkaya Hittite rock sanctuary, chamber A,  Hattusa, Bogazale, Turkey.
  • Figure of a god from the 13th century BC Hittite religious rock carvings of Yazılıkaya Hittite rock sanctuary, chamber A,  Hattusa, Bogazale, Turkey.
  • End relief panel of the 13th century BC Hittite religious rock carvings of Yazılıkaya Hittite rock sanctuary, chamber A,  Hattusa, Bogazale, Turkey.
  • End relief panel of the 13th century BC Hittite religious rock carvings of Yazılıkaya Hittite rock sanctuary, chamber A,  Hattusa, Bogazale, Turkey.
  • End relief panel of the 13th century BC Hittite religious rock carvings of Yazılıkaya Hittite rock sanctuary, chamber A,  Hattusa, Bogazale, Turkey.
  • End relief panel of the 13th century BC Hittite religious rock carvings of Yazılıkaya Hittite rock sanctuary, chamber A,  Hattusa, Bogazale, Turkey.
  • Procession of female Gods in the 13th century BC Hittite religious rock carvings of Yazılıkaya Hittite rock sanctuary, chamber A,  Hattusa, Bogazale, Turkey.
  • Procession of female Gods in the 13th century BC Hittite religious rock carvings of Yazılıkaya Hittite rock sanctuary, chamber A,  Hattusa, Bogazale, Turkey.
  • Procession of male gods in the 13th century BC Hittite religious rock carvings of Yazılıkaya Hittite rock sanctuary, chamber A,  Hattusa, Bogazale, Turkey.
  • Procession of male gods in the 13th century BC Hittite religious rock carvings of Yazılıkaya Hittite rock sanctuary, chamber A,  Hattusa, Bogazale, Turkey.
  • Procession of male gods in the 13th century BC Hittite religious rock carvings of Yazılıkaya Hittite rock sanctuary, chamber A,  Hattusa, Bogazale, Turkey.
  • Procession of male gods in the 13th century BC Hittite religious rock carvings of Yazılıkaya Hittite rock sanctuary, chamber A,  Hattusa, Bogazale, Turkey.
  • Close up of the sculpture of the twelve gods of the underworld from the 13th century BC Hittite religious rock carvings of Yazılıkaya Hittite rock sanctuary, chamber B,  Hattusa, Bogazale, Turkey.
  • Close up of the sculpture of the twelve gods of the underworld from the 13th century BC Hittite religious rock carvings of Yazılıkaya Hittite rock sanctuary, chamber B,  Hattusa, Bogazale, Turkey.
  • Close up of the sculpture of the twelve gods of the underworld from the 13th century BC Hittite religious rock carvings of Yazılıkaya Hittite rock sanctuary, chamber B,  Hattusa, Bogazale, Turkey.
  • Close up of the sculpture of the twelve gods of the underworld from the 13th century BC Hittite religious rock carvings of Yazılıkaya Hittite rock sanctuary, chamber B,  Hattusa, Bogazale, Turkey.
  • End relief panel of the 13th century BC Hittite religious rock carvings of Yazılıkaya Hittite rock sanctuary, chamber A,  Hattusa, Bogazale, Turkey.
  • Procession of male gods in the 13th century BC Hittite religious rock carvings of Yazılıkaya Hittite rock sanctuary, chamber A,  Hattusa, Bogazale, Turkey.
  • Procession of male gods in the 13th century BC Hittite religious rock carvings of Yazılıkaya Hittite rock sanctuary, chamber A,  Hattusa, Bogazale, Turkey.
  • Procession of male gods in the 13th century BC Hittite religious rock carvings of Yazılıkaya Hittite rock sanctuary, chamber A,  Hattusa, Bogazale, Turkey.
  • 13th century BC Hittite religious rock carvings of Yazılıkaya Hittite rock sanctuary, chamber A,  Hattusa, Bogazale, Turkey.
  • Neo Hittite Period Hieroglyphic inscription on a stone orthostat - Anatolian Civilisations Museum, Ankara, Turkey. Against a white background.
  • Phygian relief sculpted orthostat stone panel. Andesite, Etimesgut, Ankara. Phrygian. 1200-700 BC. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Figure of a roaring lion. The cross mark on the chest draws attention. The muscles in his legs are schematic. There are frame edges in front and behind the lion. <br />
<br />
Against a grey art background.
  • Pictures & images of Phrygian relief sculpted orthostat stone panel. Andesite, Kucukevler, Ankara., 1200-700 B.C. Walking horse. Muscles in the legs of the figure are schematic. Anatolian Civilisations Museum, Ankara, Turkey<br />
<br />
Against a gray background.
  • Phrygian relief sculpted orthostat stone panel Andesite, Atateirk Orman ciftligi, Ankara, 12OO-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Winged griffin with a bird's head and a lion's body. There is a bird's head at the end of its tail. The chest was processed like fish scales. Its wing extends along the body. Muscles in its legs are schematic. <br />
<br />
Against a black background.
  • Phrygian relief sculpted orthostat stone panel. Andesite, Ahiyakup, Ankara Phrygian, 1200-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Sphinx. Curly-haired and bearded, the figure has the head of a human and the body of a lion, with its wings extending down to its tail. Muscles in its legs are schematic. There is a band on its head. <br />
<br />
Against a black background.
  • Photo of Phrygian relief sculpted orthostat stone panel. Andesite, Ahiyakup, Ankara Phrygian, 1200-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Sphinx. Curly-haired and bearded, the figure has the head of a human and the body of a lion, with its wings extending down to its tail. Muscles in its legs are schematic. There is a band on its head. <br />
<br />
Against a brown art background.

FunkyStock Picture Library Resource

Picture The Past

ABOUT

FunkyStock Picture Library free resource for professional editorial picture editors, picture researchers, historical scholars and students and enthusiasts who want to browse some of the best pictures and images of historic countries, historical places, archaeological sites and the very best museum antiquities and artefacts exhibits in Europe and the Middle East.

Pictures and Images can be downloaded or bought as stock photos or photo art prints.

COUNTRIES

Browse travel pictures and images of historic places and archaeological sites of countries in Europe and the Middle East.

VIEW COUNTRIES INDEX....

HISTORICAL

Explore the past through pictures and images of its historic places. See the great palaces, castles and cities of antiquity as well as the great archaeological sites where our ancestors made history.

EXPLORE HISTORICAL PLACES...

MUSEUMS

Browse pictures & images the treasured artefacts and antiquities exhibits from the great Museum of Europe and the Middle East. See the art and objects made by our ancestors.

SEE MUESEUM ANTIQUITIES....